"What about this one?" Bruce taps gently against the side of Danny's throat with his finger, a small, blacklight flashlight clutched in his other hand. Danny raises his hand and feels where he's tapping, and tries to remember which fight that's from.
After a few seconds, he finds the memory. "Some guy from revolutionary France," he says idly, quiet; somber, "had a very good aim, but not a very sharp axe."
The memory feels more vivid now than it did a few moments ago. He remembers digging the axe out himself, just in time to dodge the ghost lunging at him. His arms had trembled. He yanked it out like a splinter.
He sees Bruce's frown deepen from the corner of his eye, the space between his brows pinching together, and Danny purposely averts his gaze. He swallows dryly, it feels phantom sore. "Anymore questions?"
295 notes
·
View notes
Read "Suki, Alone". Liked it in general. But can they please, please hire someone who knows both the show's actual events and how to follow through on a character arc? Because guys. Guys. That comic is not implying about Suki what they meant it to be implying, and all because of literally one line.
So like. From a writer's standpoint:
What they meant to do: show Suki as a community-oriented person who cares for her people, and believes in everyone succeeding together.
As opposed to (spoilers): the thief girl they set her up in contrast with, who's pretty upfront and consistent on primarily looking out for herself. She betrays Suki for one (1) corn chip to improve her own life at the prison, no surprise.
But the problem is: they give Suki an inspirational line to the effect of "we're all working together and we'll all break out together"
You know
The thing she does not do in the show
So if both the show and this comic are canon, then instead of setting up a compare/contrast with the thief girl, they've just set up a comparison. One were Suki is arguably worse, because she's been leading a significant number of prisoners on with her "we'll all fight and win our freedom together!" business, only to straight up cut them out of the escape loop and abandon them, whereas the thief is only leading Suki on in the sense that Suki keeps telling her what it's morally correct to think and confuses snide replies with agreement
My dudes. My fellow writers. You people actually being paid for this. There were so many ways to fix those awful implications against our girl's character, the simplest of which would be to not include that line. Or they could have, you know, made it canon compliant with what actually happens in the show, so that this comic doesn't set Suki up as a betrayer instead of a community builder. Like... just send all her good prison buddies off to other prisons in the wake of the warden finding out they're colluding. Have it timed to be right before the next new prisoners arrive, thus setting it immediately before the Boiling Rock episodes, so Suki didn't have anyone left in the prison she'd want to take with her on a breakout. For bonus points, include a page or two of her and her Kyoshi warriors opening up the cell of one of her prison friends post-war, thus implying she's tracking down and actually fulfilling her promises. Maybe even show her doing the same with thief girl, who was established as being imprisoned on false charges anyway, and also showing that Suki is A) the bigger person, and B) willing to acknowledge her own role in mistakes (because I cannot emphasize enough how much thief girl was not hiding her own priorities, and it was Suki who approached HER with all this, not the girl ever doing anything special to weasel her way in) (this would also open up an opportunity for paralleling Suki's earlier in-comic mistake of not listening to one of her friend's very valid thoughts and feeling, which lead to the girl leaving their island alone pre-canon; a "seeing people as they are, not what you want them to be" moment)
Anyway yeah enjoyable enough for a quick read but another one for the "this can't be canon or the characters are So Much Worse than they were in the actual show" pile
At least Aang didn't promise to murder anyone in this one
271 notes
·
View notes
Mashle: Magic and Muscles Original Drama CD: Mo Mo Tarou
This drama CD was bundled with the third blu-ray/DVD volume of Mashle's first season. Basically, it's Mashle's main five characters in a Momotarou alternate universe.
Mash as Mo Mo Tarou (he also sang the parodied version of Momotarou song in this drama CD)
Finn as the Dog
Lance as the Pheasant
Dot as the Monkey
Lemon as the Ogre
Momotarou itself is a well-known traditional Japanese folklore centered around a boy who was born from a peach. For more information about Momotarou folklore, check here. You can also read the original Momotarou story here.
Each volume of the first season's blu-ray/DVD is accompanied by an exclusive illustration about this alternate universe, drawn by series creator Hajime Komoto. This one is from the first volume.
You can listen to the preview of the Drama CD below, and the rest of the tracks under read more. They're all untranslated, however.
Enjoy!
69 notes
·
View notes
Haaayy can you tell us more about your au where branch finds cooper's egg?
Hiiii!! Thanks for asking! And of course :)
lol turns out I had a lot more thought out. Fair warning, none of this is concrete, this was thought up a while ago and uhhhhh… writing is not my strong suit lol
In this au I had debated whether to make copper a little bit younger, I already hc him as the youngest of the snack pack so idk if its needed lol.
While in the beginning of making his bunker, branch (who’s maybe 7??) would travel farther out into the forest and gather supplies to build when he stumbles on what looks like an egg? Just in time too, ‘cause Coops pops out like in twt, does his little groove, & then proceeds to flop over to nap (being baby is tiring work).
Branch is just ??? cause like what?? Baby? Way out here in the woods?? Why does the baby have 4 legs??? Why is said baby all alone? And that last part makes b pause for a sec bc where’s his family? Did he lose them? Or is it even worse…was he left behind? (He might be projecting a lil).
Cooper and Branch proceed to live where other kids w/o families go. Caretakers try to care for cooper & he is not having it. After all, branch is the first person he’d ever seen, was the first person who’d carried him. He’s imprinted on branch and whole heartedly believes and he is his family. So if C needs to be taken care of B has to be there. It goes on long enough that the caretaker decides it'll just easier if branch helped take care of him; and who knows maybe he'll regain his color being around such a happy little goober.
At first, branch doesn’t realize how much he means to C and assumes his attachment will fade. After all why wouldn’t it when he’s being doted on by warm and cheerful trolls. But nope! Whenever the caretakers aren't taking cooper around the village, Cooper is always following Branch. Around the pod, and through the woods. Branch looks out for him, talks to him, teaches him what he can, and even plays games! I think the fact that branch has been a part of Coopers whole life gives him a sense of obligation perhaps like a big brother?. It's easy to be open to him.
All attempts to foster Cooper are unsuccessful. It's not that Cooper doesn't match the family, it's that he just doesn't want to live with them. Imagine a foster family having the time of their lives singing & playing around & when the time comes Cooper's like 'I had a lot of fun today! Time to go! what?? Stay here? be a part of your family? ...Nope :D
When the time comes that the bunker can feasibly house him, (preteen?) Branch packs up what little he owns, and prepares to leave that night. It's not like the anyone at the orphanage would chase after him. Well, except for one trolling.
It's been years, long enough that their bond is strong, they're brothers in all but name. At least unnamed on branch's side, he kind of refuses to acknowledge it.
Anyway- Branch waits until everyone falls asleep and sneaks out. He doesn't even make it out of the room lol. One foot out the door and a sleepy voice is asking him where he's going. Branch just says he's going to the bunker, that he'll see him soon, it won't be forever you see what im trying to parallel? and it's true. It's not like he's leaving to who knows where. Cooper just nods & yawns out a "bye, see you later". Love me a parallel
Branch lasts an hour or two in the bunker. He's on edge the whole time, racked w/ guilt. Has a little mental spiral until there is just one loud thought of 'what am i doing? there's someone waiting for me' and runs back.
In the joined room, Cooper fell asleep on branch's bed waiting for him. So making sure not to wake him, Branch rests coopers head on his lap. Leaning against the headboard Branch just stares at his vest left at the end of the bed & has a moment of clarity. Like oh, that's why i felt terrible, i left my little brother behind. (Keep in mind that no, he didn’t really do that, but he’s a kid and that whole ‘see you later’ really shook him so he’s making some jumps in logic)(there some projecting happening as well)
So yeah, gained a brother!! yay!!! Cooper beat you to that revelation yeeaarrrss ago lol.
One thing I like about branch being a big bro is this idea that the more he learns about what it means to be one, the less he can understand his brothers. And are they his brothers?? Over the years it’s not looking like it.
59 notes
·
View notes
If I weren't already so busy with other fics, I would absolutely start a new one where Sunday joins the Stellaron Hunters after the events of the Penacony quests, except it's not told from his POV.
It's Robin's.
The story would progress through her having to resume her normal life, despite how upheaved everything has just been. She's supposed to tour throughout the galaxy, continue coming out with more music, star on talk shows and be seen by her fans, none of that can stop jus so that she can process things. She probably wouldn't even know that Sunday joined the Stellaron Hunters until someone else finds out, and surprises her with a question about it during an interview or something.
Sunday's story would be told through the scraps of information she can get, on how she closely watches the bounty that the IPC places on him and how it grows over time, scrambling for any hint of his continued presence in this world that she can find just to know that he's still doing okay. Her memories of him would be interspersed throughout, reflections of the kind and caring brother that she can't quite reconcile with the actions he took (but also probably wouldn't stop blaming herself for. If only she hadn't left, if only the Charmony dove didn't try to fly).
I love doomed sibling relationships in media and yes, I was reading Emily Dickinson's ""Hope" is the thing with feathers" and thinking of these two with the lines "And sweetest - in the Gale - is heard/and sore must be the storm -/that could abash the little Bird/that kept so many warm -" because I was imagining Sunday as the mentioned bird and Robin not understanding how anyone could be mean to him because she's the only one who could even come close to knowing him, she's his sister, she remembers when they were little kids and he made that stage and an audience of stuffed animals for the performance that she still holds closest to her heart. She remembers the brother who wanted what's best for the injured dove, and who agreed with her dreams of wanting to help people. He may have changed, but he will always be her brother, even if every time she hears news about him now she'll have to silently pray to Xipe that it's not going to be about his death.
32 notes
·
View notes