#as people will not like or just interpret the character differently

[pastabaguette]

sorry for all the posts today, but this one is very important: alternian video game edits.

i actually have reasonings for all of their blood types, and a few classpects, so i'll dive into them here:

monika: i'm thinking that early in the game, during acts 1 and 2, she maybe masqueraded as a jadeblood or higher. only during act 3 does she reveal herself as a fuchsia to the protagonist.

gordon and alyx: gordon is probably a tealblood, or somewhere around there. fairly high, but not too high, i think. alyx is an olive, and eli is an indigo. azian was probably a gold. (or lime?) i did have to keep gordon’s orange HEV suit, though. surely you understand. okay, troll half life lore: i think on alternia, all the main characters in the half life franchise are like, olive or above. the rebels in follow freeman and the guards are all lowbloods, so that the player doesn't feel too bad about sacrificing them, or something like that. i think this would be something that would happen in an alternian video game, at least.

agent 47: 47 is actually a mutant, due to being manufactured in a lab. he's a weird ice-blue color. he's still got that piercing stare. i felt a little sad changing his iconic red tie, but i do have some thoughts on that as well. obviously, red in human culture tends to symbolize passion, among other things, and in this case, violence and aggression, because it's the color of blood. however, because trolls all have different blood colors, i think they might have different meanings attached to colors than humans typically do. i think that typically, the colors that would most commonly represent aggression in alternian culture would be blue (cobalt and indigo) and purple. now, i know that the sea dwellers exist, but since the vast majority of trolls are lowbloods, they would have a lot more contact with the land-dwelling highbloods, rather than the fish. so, 47’s tie is blue. (i also just think it looks cool matching his eyes)

chell: I made chell a bronzeblood. she’s a test subject, but not one of the special ones (astronauts, olympians, etc). she’s just another lab rat. (also, a lot of her outfit is orange…)

now for classpects! i only have two i’m sure of as of now:

gordon freeman is an heir of hope. this one is fairly obvious to me. a common belief is that heirs have the ability to become their aspect, in a way. in half life 2, gordon quickly becomes the main symbol of the resistance on earth. for the rebels, he himself IS hope.

agent 47 is a prince of life. again, it’s a common interpretation that princes are themselves void of their aspect, and they destroy that aspect in others. this is really literal, obviously, but as a hitman, 47 kills people. literally destroying life. as for his own lack of life in himself, it’s pretty simple as well. 47 is almost always described as entirely void of emotion and empathy. others often remark on his soulless stare, a lack of life behind his eyes. so, as a prince, he fulfills both criteria there.

holy hell, that was a lot of words. i didn’t intend to talk this much. feel free to add your own thoughts; i’d like to hear what others think. these descriptions were a bit rushed, and i don’t really consider myself to be very good at communicating my thoughts, so a lot of things may have been lost in translation. i’d be happy to try and elaborate on my reasonings for any of them.

(oh, also, please no alyx spoilers. i haven’t played it yet!)

[bicheetopuff]

I can see why it's mostly men hate bkdk, bc both their relationship and characters oppose everything that they stand for AND they can genuinely be interpreted as queer canonicly.

Exactly. They’re both good examples of breaking a cycle of toxic masculinity and a lot of men see nothing wrong with those toxic traits.

Like, Deku breaking himself time and time again for the sake of his friends and baring the weight all on his own is the “role of a man,” and is the exact reason why most men like the vigilante arc so much but hate the fact that class a came to talk him down.

Or the fact that Katsuki used to be extremely closed off emotionally and would get legitimately offended if you point out that he only cries in front of deku. I know it’s not a lot of people, but I’ve seen people say that they prefer pre character development Katsuki cuz “being sentimental is what got him killed” like ajdbejdjd stfu.

Also have yall noticed that Kirishima is mostly liked by women and queer men? It’s cuz he has a different definition of manliness than dudebros, so they literally just don’t care about it.

They don’t like how masculinity is portrayed in bnha. That’s literally it. And they don’t realize how childish they look.

[bathtubbbbbbbbb]

I’ve attempted to explain this thing in my head a few times but I always end up up going on a tangenty ramble putting more emphasis on one thing than the other so bear with me which I show you some pictures & hopefully they’re better at articulating what I wanna articulate. (Btw I just quickly got these off of Pinterest so the image quality is inconsistent)

Anyway, so…

(Can’t be seen here but Grayson has a beauty mark under her right eye)

..hopefully you guys are picking up what I’m putting down. Further more…

..surely other people have sorta thought about this.

And the Vi & Vander parallels are abundant, as well as the Silco & Jinx parallels, but to me & many other fans that “you were my brother” line from Vander to Silco was interpreted more as a “brothers in arms” sorta thing not literal brothers — & the.. undertones in Silco & Vander’s dynamic is further cemented by them paralleling Jayce & Viktor — & that thing that Silco said in response “you still don’t understand” sure reads to me as “well ya to YOU we might have been brothers but i felt differently..”.

Anyway the point of this is that Caitlyn’s parallels to other characters are not talked about enough, I think because she parallels a lot of unlikable characters or characters that are considered “evil”, like there’s some pretty heavy handed paralleling with Jinx too. I just want people to talk about it more, to me it makes Caitlyn so much more of an interesting character that she’s sorta grouped in with the “villains” of Arcane character design wise & motivation wise, all those characters, Marcus, Silco, Jinx, wanted the same things as her, justice, results, to prove themselves, & went about achieving them in very similar ways to Caitlyn.

[oc-challenges]

WELCOME TO OC HALLOWEEN CHALLENGE 2O24!

SMILE because it's time for the annual oc halloween challenge! We will see the evil, hear the evil, and speak the evil with these spooky challenges brought to you by @aliverse, @astarionbae, @endless-oc-creations, and @come-along-pond!

If this is your first time, here's the lowdown; This is an event that takes place over the 31 days of October and presents oc creators with Halloween-themed challenges to encourage creativity, foster community, and have fun! Some of these have guidelines/suggestions, but this is very much a free-for-all so you can ignore them if they don't fit with your interpretations.

RULES

DO NOT copy others edits.

If you are doing crossovers, PLEASE make sure that the creator of the other oc is okay with crossovers.

If you want your post to be reblogged onto this blog, it must contain the hashtag ohc2024.

Feel free to ask questions, I promise I’m more treat than trick.

Everything is up to the creators interpretation, although I have tried to include some examples for help!

Have fun!

Day One: Godly Parent

Whether Greek, Roman, Norse, Egyptian, or any other; What "God" could have created your oc?

Day Two: Mystical Communication

There are tons of ways we think we can communicate with those beyond our realm such as Tarot Cards, Oujia Boards, Prayer, EMFs, or even through other people with otherworldly powers. Which method would your oc use? Or maybe they are the communication tool?

Day Three: Merch/Memorabilia

When we really love something, we want a piece of it with us. What merch would people buy of your ocs? Ex. Dolls (like funkos or Barbie crossovers), Clothes (like shirts or sweatshirts), Buttons/Patches, Dishware (like cups or plates), trading cards, posters, or even spin-off books of the show they star in.

Day Four: If They Were Canon AU

You could create an actor oc who plays your character or even make edits about how you think your ocs faceclaim would promote/interpret their character and get along with fellow cast members.

Day Five: Social Media AU

Within their canon, what would your ocs Instagram, Twitter, TikTok, Facebook, Tumblr, Snapchat, and/or YouTube look like?

Day Six: Role Swap AU

Give your oc a role in their story that is different than the one they already have. Whether this is making a hero a villain or vice versa, your victim a survivor or vice versa, or anything else you can think of.

Day Seven: Butterfly Effect

One choice could change the trajectory of our lives or any game we play. Show us the effects of your oc making the wrong choice when they originally made the right choice, befriending someone they originally hated, or even just missing their alarm.

Day Eight: Multiverse

Maybe you have multiple ocs with the same faceclaim, maybe you have a friend(s) who have ocs with the same faceclaim that you've wanted to do a crossover with, or maybe you want your oc to meet some of the actual characters their faceclaim has played. No matter what it is, it's time for your ocs to meet their multiverse counterparts!

Day Nine: Literature AU

Put your oc into an alternate universe based off a book you enjoy whether it be a classic or a newer one, no matter the genre.

Day Ten: Dungeons & Dragons AU

Have your ocs play DND, make an au based off a classic DND campaign, or just tell us the stats of your oc in DND terms.

Day Eleven: Ghost AU

Sometimes when we die, we don't leave. Tell us the unfinished business that keeps your ocs ghost on Earth, who your oc would haunt, how they would haunt, or anything else related to your oc being a ghost!

Day Twelve: Supernatural AU

Make your human oc a supernatural creature or your supernatural oc a different supernatural character.

Day Thirteen: Video Game AU

Show us some of what your story would look like as a video game or put your ocs into your favorite game.

Day Fourteen: Musical AU

The doctor said I couldn't talk, he didn't say I couldn't siiinnnggg! Put your oc into your favorite musical such as Hamilton or Mean Girls, or come up with some original lyrics to show what you think your story would look like if it were written as a musical.

Day Fifteen: Nostalgia

Take the books, shows, or movies you enjoyed as a child and put your oc into them! Or, show us what your oc enjoyed as a child.

Day Sixteen: Fairytale AU

One of the most classics of classics. Make your oc a character in your favorite fairytale, whether you prefer the Grimm or Disney version, or make up a fairytale about your oc!

Day Seventeen: Being is Believing

For day seventeen, think about superstitions, urban legends, or folklore and either make your oc a part of them, make your oc experience them, or tell us which ones your oc believes.

Day Eighteen: Beloved Pet or Object Turned Human

It's not unusual for someone to grow an emotional attatchment to an animal or an inanimate object. What would your ocs beloved pet or object say if they turned human and could speak your ocs langauge?

Day Nineteen: Genre Switch

Whatever the genre of your story is, swap it with another one. Maybe your romance story is now a horror story, your comedy is now a tragedy, or your historical realism story is now future sci-fi.

Day Twenty: Darkest After Dawn

Things can go so right for so long and then suddenly so wrong. Show us what happens when something rains on your ocs parade, when a perfect day turns into a horrible night, or a dream vacation turns into a nightmare trap.

Day Twenty-One: Apocalypse AU

Put your oc into an alternate universe that's been thrust into an apocalypse whether that be because of zombies, aliens, radiation, or the Earth trying to reclaim its land.

Day Twenty-Two: Time Problems

Let's play with time for this challenge. Picture your story as if it has always taken place in a different time, throw your oc into a time loop, or have them somehow travel through time.

Day Twenty-Three: Horrorify A Song

Take your favorite Halloween song and tell it's story, or even take a perfectly innocent song and give it a horrifying meaning! Both using your ocs, obviously.

Day Twenty-Four: What's Your Favorite Scary Movie?

It wouldn't be Halloween without some good scary movies. Put your ocs into one of your favorite scary movies!

Day Twenty-Five: Horror Location

This is an easier throwback to one of the week long challenges we've done for this event. Make something that tells a horror story of your oc at a certain location such as a Hospital/Asylum, Summer Camp, Place of Worship, Cemetery/Tomb, House/Apartment, Hotel/Cabin, or Farm/Ranch.

Day Twenty-Six: Horror Subgenres

Another throwback to a week long challenge we've done for this event. Make something that tells a horror story of your oc within a horror subgenre such as extraterrestrial, apocalypse, monster, time loop, isolation, time loop, cult, doppleganger, or anything else you can think of.

Day Twenty-Seven: Horror Archetypes

Which horror character tropes do your ocs embody? The Final Girl or The Killer? The Accomplice or The Harmless Antagonist? The Harbinger or The Nonbeliever? The Comedic Relief or The Hysteric Annoyance?

Day Twenty-Eight: Solo Costume

Show us what your oc would dress up as for Halloween! Would they dress sexy? Scary? Lazy? Practical?

Day Twenty-Nine: Couples Costume

Show us what matching costume your oc and their love interest would wear! Peanut Butter & Jelly? Morticia & Gomez? Bert & Ernie?

Day Thirty: Group Costume

Show us what costumes your oc and their friend group would coordinate. Are they the Scooby Gang? The Wiggles? Mario Party Characters?

Day Thirty-One: Here's A Treat!

The Halloween potluck isn't happening this year but we still want to encourage interaction and giving. So, choose someone to give a treat! This could be an ask, an edit, some writing, or even a playlist.

[i-heart-hxh]

May I ask If " ゴンキル " actually means something other than a ship name ? I've seen a majority of people use this term when they talk about Gon and Killua , but they're not exactly shippers, nor are useing it to imply romance between the two boys.

I can't say the same goes for " キルゴン" ,it makes me wonder, does " ゴンキル " actually means something else ? Is it like an official term or something?? It seems to be the more commonly used in Japan.

Hi!

So, I'm going to explain some things about the Japanese side of the fandom, but I want to say if any of this makes anyone out there uncomfortable, please don't shoot the messenger. I'm just explaining, and there's unfortunately no way around bringing up certain things if I'm going to explain it clearly.

ゴンキル = GonKillu has a few different meanings. For one, it's often just used as general shorthand for the combination of Gon and Killua, whether they see it as a romantic ship or not. You even occasionally see it used by people involved in the series. It's also used as a ship name, however, for Gon/Killua specifically. キルゴン = KilluGon is the ship term for Killua/Gon, but it's much less common to see it used as general shorthand for the two characters, as you noticed. Probably because Gon is the protagonist of the series, so it makes sense to have him listed first if you're just generally talking about the two characters in a non-shipping context.

In Japanese and other Asian fandoms, ship "order" matters and is conveyed by the ship's name. It's used to convey the seme/uke (or top/bottom) of a ship. While clearly this has sexual implications, it also can determine the larger context of how people see a ship as well, so it can affect how the characters are portrayed in even perfectly SFW fanworks. With GonKillu, people tend to see Gon as the more assertive one in the relationship and likely the one initiating romantic things between them more often, and with KilluGon it's the opposite. Shippers often will have strong preferences one way or the other--some people are "fixed" (they only want to see it one way), while others are open to seeing either interpretation.

This is very different from the English-speaking side of the fandom, which tends to just use KilluGon as a blanket term, and there isn't much emphasis placed on ship "order" or differences in interpretations.

When it comes to Japanese and Asian fanworks, I personally tend to feel that GonKillu works are closer to the canon interpretation of the characters, while KilluGon works are a little more removed from the canon and kind of their own thing (though the 1999 anime tended to lean into more of a KilluGon-like dynamic). However, everyone is allowed to have their own preferences and feelings about ship order and whether it's something you even want to consider.

I hope that's helpful!

[reaper-in-reverie]

—come, stay a while.

(though it's not nice to see a familiar face.)

preview.

Wrinkles settling in his forehead with his eyebrows knitted together, a deep, skeptical frown upon his lips as he scanned his reflection, a sense of dread filling him at the familiarity of it.

Oh god, he looked just like him.

synopsis. kaiser, and how his change doesn't seem to change much at all. angst. character interpretation.

warnings. derealization. typical kaiser backstory implications - abuse, neglect, etc. alcohol/alcoholism mentioned. blood but only very little. 1k words. not proofread.

notes. ooc definitely lol. i think it's a bit too melancholy but i don't plan on fixing it. I am projecting so hard. the hyperspecific details are actually references to me :3

He could physically feel himself get worse on more stressful days.

The dull bathroom light illuminated the mirror as Kaiser stared into it. He brushed his blond locks from his face, scanning his own features; the stress of the day etched into them, the natural gleam of attractiveness in his eyes.

He'd accepted a long time ago his life was but a reflection of people before him.

In the mirror, in puddles of rain, in the words of people around him — "you look just like your mother!" It used to sting, the reminder of a mother who looked exactly like him yet he never knew; never loved him as a mother should. First there was anger, spreading over his whole being like a wildfire — why compare him to such a coward, run from home and left her blood behind?

He hated it, disowned it like his mother did him; he hated his blue eyes, which seemed to naturally have a charming gleam in them; he hated his blond hair, which seemed so naturally beautiful he had to make an effort to keep it shaggy, to try to keep him as different from his mother.

The acceptance took years to settle. Eventually he'd come to live with the fact that his reflection was the only thing his mother had left for him to keep. He'd come to find comfort in this fact — somewhere in his blood he was both blessed and tainted with memories of his mom. Truly, engraved within his blood and soul, he still belonged to something. Almost comfortingly, he belonged to his mother. But he did not know his mother. She had no arms to hold him, no voice to guide him; just a face, haunting him in every reflective surface.

Kaiser would stare into the bathroom mirror and not see himself.

Now Kaiser would stare into the bathroom mirror and expect to his mother.

He brushed his blond hair falling into his blue eyes again, in search for something to belong to.

This time, there was something else.

Wrinkles settling in his forehead with his eyebrows knitted together, a deep, skeptical frown upon his lips as he scanned his reflection, a sense of dread filling him at the familiarity of it.

Oh god, he looked just like him.

For the first time, Kaiser felt the intense urge to cover his face. He winced at himself, looking into his own eyes with extreme disgust and judgment, his own expression reminding him of someone else. Why would his father make an appearance now? He'd just never thought he'd find himself looking like...

He tried looking himself in the mirror again, brushing some of his bangs out of his hair. Some pathetic part of him searched for his mother in the reflection, yearned for her care the same way he had when he was younger. And still, like before, there was no one who came to his side. He couldn't unsee it.

He took a sharp breath in, rubbing his eyes long enough until he had splotches of black in his vision. Kaiser looked himself in the mirror again—

And still, his father was there. Silently staring from the mirror in judgment.

Suddenly Kaiser was ten again. When he looked up to the low ceiling, there were splashes of milk stretching out from above his bed up to the corner of the room, painting the ceiling with stars. The pads of his tiny fingers were bleeding from trying to open a can of tuna. The familiar scent of alcohol filled his nostrils — his father was drunk in the living room — but he didn't move from his bed to ask his father for bandages. He did not move to ask his father to open the can himself.

His bedroom walls slowly rotted away, cracks in the corners, the paint peeling off. It didn't take much to notice how many things were in bad condition; entering the house itself had the doors creaking, hell, even the door to his own rotting bedroom creaked loudly when opened.

But Kaiser did not ask his father to get the walls fixed. He did not ask his father to oil his doors' hinges. He did not ask his father for anything. Excluding maybe all the times he'd beg not to be hit...

But he did not ask his father for anything.

And to think that but a child was soaking up such an environment. A polished and unassuming to-be-copy as it sat in the corner of the room. All he could do was reflect what he hungrily absorbed.

That's enough. Kaiser turned away from the mirror, hastily shutting off his bathroom lights. He didn't want to keep seeing his father in himself. He didn't want to see at all.

He walked into the connecting room, leaving the bathroom door open and grabbing a glass to fill with water. He swallowed with fervor, a dizzying feeling of misplaced yet familiar paranoia washing over him in waves.

He had to remind himself he wasn't ten anymore. There weren't any more rotting walls and no more drunk fathers in the living room.

So what was scaring him?

No, what was scaring him more: that it still felt as if his father was here, looming over his every move and judging his every mistake; or that he was the one bringing his father into his own life, in his own actions and in his very reflection.

That somewhere deep down, down to the very nature of his soul, he was bound by blood to a monster.

That somewhere deep down, he belonged to something.

Kaiser glanced towards the rest of his home now. A small apartment. He didn't even live in Germany anymore. Still, he felt he was carrying some part of himself with it. Eerily, it was like nothing had even changed.

Some of the paint on the walls were peeling. He placed the glass of water down to nervously rub the pads of his fingers together. He noticed the bathroom door was still open. Crossing the room to get his hand on the handle, he took one last glance at the mirror. It was dark in the bathroom. He couldn't see himself. He pulled the door closed.

The door creaked loudly shut.

║Ⓒ reapkusho on tumblr. 2024. all rights reserved. refrain from translating, copying, or stealing in any way, etc.

[rosinkreutz]

How do you think Asuka's and Aria's friendship was like when she was alive?

This is a really hard question. I keep sitting down to write this and deleting everything because I'm not satisfied with the answer I can provide. The problem is me because I've realized I'm not sure how to describe any friendship, let alone one so vaguely developed in the source material... However. I will try. This is all kind of speculation based on what I've interpreted from the characters. - First, I think when you analyze Asuka's actions it seems that he feels a certain sense of ownership toward the world. Not in an entitled sense, but moreso a guardian. Which makes sense, really, as a disciple of the Original, savior of humanity. Especially considering the other disciples were explicitly uninterested in humanity's advancement, so he's the only one interesting in following in their teacher's footsteps. The problem is that he completely defines himself by it (which is kinda why I think Asuka was very young when he was taken in to be a disciple, because it's like it's all he knows). - So with that in mind, and knowing that before Aria met the other two, she was extremely isolated from her family and other people in general, I think the power dynamic in the relationship would end up being rather skewed. Literally, yes, since he's a sorcerer, but also psychologically. Aria's someone whose not used to having any support, and that's all Asuka wants to do. He never thinks of himself first, and the only sense of self he has is this self-appointed guardian role. He would go so far out of the way to make her happy, because he loves her very much. But he also thinks that he knows what's right for her and may have been controlling at times- which I think is why Frederick works so well in this dynamic because he's so anti-authority and free-thinking. His influence and just overall presence would keep the two of them from being too overly dependent on each other. After all, they love him as much as they love each other, as best friend, boyfriend, whatever. Obviously there's more to him in the dynamic but this is about the other two. - (As kind of a side-note, keeping Aria happy is one of the few ways he himself can feel fulfilled in his role as a guardian. The Original kind of had it easy, as world-saving goes, because he knew exactly what was going to burst (black tech) and had the exact solution to the problem (magic). The world Asuka's "inherited" has a million different facets and problems all piled together in one big powderkeg with an invisible fuse. He really can't just go out and fix everything alone as a socially inept 20-something, good at magic as he is. Which he understands, as an objective thinker, but given that guardianship is the only thing he defines himself with as a person, he's inevitably going to feel worthless and hate himself for not being able to do anything. Hence, why when the Gear Project gets picked up by the military, he goes crazy trying to fix it because just imagine what it would feel like that the whole world could be destroyed by something you made while trying to fix it.... But... If he could get what people need for advancement (gear cells) safe and unweaponized and if he could have someone else powerful to help and support him (Justice, maybe Sol?), he could use that to REALLY save the world AND Aria in the process. Win-win, right?)

[aihoshiino]

Chp 160 was so??????? that I am straight up unable to form an opinion on it.

Like I can see the story going one of two ways. 'Kamiki is the evil mastermind actually he faked his reaction to the dvd' or 'Kamiki is playing the villian but is actually not the culprit'

And like both directions have massive problems.

The former would mean that the movie (which we spent nearly 40 chapters on) amounted to fucking nothing. Other characters ominous talking about Aqua trying to kill his father with it? Ruby's so called revenge arc? Nah, that meant nothing, the movie didn't do a damn thing.

And while I prefer the latter interpretation as it's the tonally and thematically consistent way, it would also mean that Akasaka has been circle-jerking us with the 'Kamiki is an evil serial killer.' -> 'No wait actually he isn't.' -> 'SIKE, HE IS EVIL.' -> 'Nvm he isn't.' for some inconceivable reason.

It's a mess no matter how you slice it, honestly I am so tired of oshi no ko and I just want it to be over already.

YEAH. THAT'S BASICALLY WHERE I'M AT.

In general, I just don't know why we're having a second confrontation with Kamiki. Narratively and emotionally, it's redundant - having him come back into the story and get his final resolution would be fine but playing out Yet Another Big Dramatic Showdown between him and Aqua just falls so flat for a number of reasons. We've already had the huge release of tension that was Aqua and Kamiki facing off like nearly an entire volume ago and everything that was emotionally riding on that confrontation was emotionally resolved. I know some people are still mad that Aqua didn't hit Kamiki with an orbital laser or something, but the absolute fucking gutpunch that was 153-154 was so incredibly effective and also just more interesting than this much more generic standoff. Not only is it kind of mid on its own merits but I feel like it retroactively makes that first confrontation weaker because like... it ends up not really mattering and we get a take 2 where Kamiki is acting like an entirely different character.

@yuseirra made an excellent point in their discussion of ch159 which is that (thematically speaking) the movie has to be the method by which Aqua achieves his revenge because Ai's tragedy was the result of the public's perception of her. If it isn't able to do that then not only was that arc just kind of a waste of everyone's time, reader and character alike, but it means the movie itself as an object in the narrative loses what little shaky thematic ground it has.

An issue the Movie Arc always had that it never really engaged with to my satisfaction is the underlying discomfort of watching Ai's life being turned into a movie. I said this over and over as the arc was ongoing, but there's something almost repulsive about taking this character whose life was warped and eventually ended up the exploitation of the entertainment industry and the voyeristic gaze of the public and indulging in that voyerism by creating fiction out of her life, chopping it up and outright making shit up to invent a version of her that the public can devour. It claims to be a movie about 'Ai Hoshino' but literally and explicitly fictionalizes the most pivotal events and relationships in her life - the 'Ai' of 15 Year Lie is just as fake as 'Ai of B-Komachi', just sold with an even more insidious lie to make her go down a little sweeter.

If the manga actually engaged with this idea or was even the slightest bit aware of this underlying discomfort, the Movie Arc as a whole would've been much better off for it and so would all the resolutions in the arcs following that rely on it as foundation. But as it stands, the movie is thematically dead on arrival and the fantastic emotional resolutions we got out of it, in spite of everything, have been seemingly retconned into irrelevance.

[musicalmoritz]

Why does tsukasa seem to not care much about himself?

I had a hard time figuring out what you meant by this because to be honest, I don’t focus on the Yugi twins as much as some of the other characters. I still try to read analyses on them and understand them, and I have been talking a lot abt Tsukasa lately, but I haven’t rly grasped their characterization as quickly as I did with some of the others

However, after giving it some thought I believe you’re referring to scenes like these

If this is what you mean, then the explanation is that Tsukasa simply doesn’t want to exist. He is a yorishiro and existence for them is essentially hell, just look at what Sumire went through being stuck in a time loop for 100 years. It is not a reach to assume Tsukasa went through something similar, seeing as he alludes to being trapped in a place before escaping near the start of the series when we first meet him. He reached out to Hanako for years, but Hanako never answered any of his calls. So Tsukasa wanting to be destroyed isn’t really out of any self-sacrificial nature, it would be a peaceful ending for him. He’d be able to move onto the afterlife, or otherwise accomplish any conniving goals he might have with the entity (idk as I said, not a Yugi twins expert)

He views Hanako as selfish for wanting to hold onto the people he loves at the expense of their wellbeing. Part of Nene’e fate is to die young, it’s sad but that is the natural path her life is meant to follow. She herself even tries to come to terms with this and make peace with it, but Hanako won’t let her. He loves her, so he wants her to live a long and happy life. This is completely understandable, but it is also selfish. It is part of human nature to be selfish, and part of Hanako will always be tied to the human boy he once was. Selfishness isn’t always bad, sometimes it’s necessary. But from’s Tsukasa’s perspective, Hanako is robbing Nene of an escape

Tsukasa makes this a personal issue because Hanako treats him the same way. It would be objectively better and more natural for him to let Tsukasa go, especially if the theories abt him killing Tsukasa to free him from the entity are true. That is what Tsukasa wants, to be free, to no longer be a yorishiro. But Hanako is selfish, and he loves Tsukasa too much to grant him freedom

Now, if you’re talking about Tsukasa’s lack of self-care in regards to Hanako “hating” him, that’s a bit different

Tsukasa seems to conceptualize relationships in a very black and white way. You either love someone, or you hate them. He’s interested mainly in how other people feel and react to things, so he’s constantly asking them how they feel about others. I don’t think he differentiates much between platonic love and romantic, it is simply “love vs. hate” to him. The two are opposites and cannot intersect

The most genuine statement I could possibly make about Tsukasa is that he loves his brother. Both versions of him, no matter how you interpret his current existence. The possessed Tsukasa we know now is the one who grew up with Amane, he spent ten years of his life with him whilst Baby Tsukasa only knew Amane for three. Ofc that was still his brother so time isn’t rly relevant to how much love/attachment Amane still holds for the original version of Tsukasa, but that doesn’t change the fact that the brother he knew for most of his life was the possessed Tsukasa. They shared holidays and birthdays together, lived together, walked to school together every single day. Through and through, they are brothers and it would be impossible for Hanako not to see him that way, even if he claims not to. It must be a complicated situation for him, on one hand he grew up with this Tsukasa but on the other he blames this Tsukasa for the old one’s disappearance

Back to how Tsukasa feels, he loves Amane fully. He does describe them as rivals, so I would say the feelings are complex on his end as well, but overall he loves his brother. He loves his brother so much that he doesn’t care if Amane hates him. And he must, he threw him across the room once when they were kids when Tsukasa was bothering him. He knew something was off when Tsukasa returned, and his attitude towards him likely reflected that throughout the 10 years they spent together. He killed him, he freezes up when he sees him, he consistently sides against him. For a character that views love in black and white terms, that sure looks a lot like hate. He recognizes that Amane is sad without him, but he also understands that Amane hates him. At least, from Tsukasa’s perspective, that’s what it looks like

But Tsukasa’s love for Amane is unconditional, he doesn’t really care if Amane hates or loves him. Baby Tsukasa says he wants Amane to be an astronaut with their parents, somewhere far away from him so Tsukasa can never make him upset. He believes Amane hates him, but he doesn’t care as long as Amane is happy. That’s all he wants, for Amane to be happy. His brother is the most important person to him, as long as Amane is happy he doesn’t care what happens to himself. Until it reaches a breaking point ofc, and Tsukasa realizes that the best situation for everyone would be for him to disappear

I’m pulling a lot of this out of my ass so I apologize if I got any information incorrect! Also just to be clear I don’t mind being asked about the Yugi twins at all, people were asking me a lot about Tsukasa yesterday so I get why the questions keep coming. Just beware that I am a self-proclaimed Not Expert lol. I do plan to look more into them whenever I start that series of character analyses tho so stay tuned for that

[catboymoments]

So like, I gotta ask, how come you don't mind creating something like hotel purgatorium as a Christian? Like even if you don't believe it is a sin, doesn't just writing about hell, sinners and the devil feel wrong or even weird (especially with them being written in a pos light)?

It’s cuz I know that these characters are fictional and separate from real life. these interpretations of figures from abrahamic lore don’t have any real life power nor do they affect what I believe or practice- it’s playing touys!

However evil is real and I do think that fictional manifestations of evil and corruption are a good way to explore it. It’s okay to write characters that are evil and antagonistic. It’s okay to not deny that there are bad people in this world. However there’s something to be said in this particular story about nature vs nurture and if people who- maybe in different circumstances- wouldn’t have done the harm they did- truly deserve eternal damnation.

[idolomantises]

I'm ngl i kinda wish people wouldn't look at a character I create, see that they're mean, and then immediately assume by default they're actually super tragic and a sad woobie. And I'm not even saying this to be like "people need to appreciate 2-dimensional villains!" because I don't agree with those people either.

It's like if a character is a jerk, it either needs to be justified with a sad backstory, or they need to be a saturday morning cartoon villain. it can't just be a part of their personality.

[the-moon-ate-my-stardust]

Okay literally no one asked but as a former Hobbit movie hater who has since experienced character growth, I feel compelled to share my thoughts on the movies on my gay little blog.

Listen. There are legit reasons to be critical of these movies. They were made on a rushed timeline, at time where CGI overuse was the thing and there are definitely unnecessary moments. But despite those issues, these movies still have a lot of heart and character and some really wonderful acting! To compare them to LOTR, is unfair I think because LOTR was such an unimaginable success and I truly believe no other movie franchise can do what those movies did. To expect the Hobbit movies to be the same caliber considering the behind the scenes drama and massive difference in timeline is just not it.

Truly I think that the Hobbit could have been much more than it was and it’s sad to see the amazing moments and realize that we could have had movies that were maybe closer to the level of LOTR, but that doesn’t take away from all of the great things that the movies gave us! Despite what he may be like irl, Martin Freeman was a great young Bilbo, Richard Armitage was insanely good as Thorin (despite the change in age) and the other dwarf actors brought a great sense of loyalty, brotherhood and shared loss to their roles. The music is still dope as hell and there are some beautiful shots despite all the CGI.

This is way too long and I’ve not said anything that hasn’t been said before but honestly, I’m so glad that I stopped hating on these movies and have seen the special things about them. Nothing will ever compare to LOTR, but that doesn’t make these movies bad. They’re fun, they’re emotional, they have great characterization and it’s super valid to enjoy them.

Final gay thoughts because I’m obligated, but I struggle with people who argue against Bagginshield with the whole “why does everyone have to make everything gay?” thing. Because Hollywood is so deeply homophobic that we see so little genuine queer representation, so forgive us for enjoying the chemistry we find and making it our own since our society gives us breadcrumbs. If you’re not into Bagginshield, totally legit and fine, but don’t hate on other people (especially queer people) trying to find some romantic love in media that we enjoy. Also no one can convince me that Richard Armitage wasn’t at least somewhat intentionally putting his queer energy into this role, I will die on this hill.

Anyway, TL;DR there’s no shame in liking or loving the Hobbit movies despite their faults and there are lots of things to appreciate and enjoy and I for one, am glad to leave my LOTR purist hater days behind me

[tsukasalover]

it’s kinda stupid to call rui “sassy” or say he was acting “mean” for simply doing what any person would do realistically after tsukasa humiliated nene in the main story. i swear this fandom has gone over this a thousand times and yet for some reason it’s still so hard for people to accept that tsukasa was being a self centered asshole. that’s not even exaggerating anything that’s just the truth.

btw (if im wrong correct me) but rui has never gotten angry at someone unreasonably he’s actually quite mature and doesn’t just?? explode over things so i dont know why him refusing to work with tsukasa even after nene forgave him is seen as a “mean” thing… let’s not forget he still believed tsukasa hadnt changed at all and only wanted to be in shows for selfish purposes. it’s not bad to admit that tsukasa is egotistical and has acted much more mean in unacceptable ways than rui + has had to own up to this and work hard to grow as a person over time

[iwritenarrativesandstuff]

hey. uh, sorry, but can we drop the notion that Dazai arranged for the Flags to die in Stormbringer? Look, I'm too lazy right now to go back and pull up the direct scenes, but that was never stated, it is heavily implied Dazai gave Verlaine the information after they had already died, and if you look at this post by @/popopretty, you'll see that Chuuya only punishes Dazai for doctoring the intel so that he got tortured and Murase died. There is no mention of the Flags.

[awakeskydoesntdraw]

Posting in this blog after an eternity because I feel like I'm going insane here and my friends are asleep so I need to dump my brainstorm SOMEWHERE (SPOILERS FOR ARLECCHINO'S BACKSTORY/SHORT ANIMATION!!)

The TLDR is basically I think that the whole story with Arlecchino and Clervie is foreshadowing for whatever is about to happen with Lyney and Lynette

I think the parallels between Lyney and Arle don't need to be too explained for the most part. Pyro Visions, Arle wants him to be the next "king" while he doesn't seem to be too into that idea just like her younger self didn't want it, both are associated with Rainbow Roses (they both use them as ascension materials)

Plus, I'd argue they look kinda similar here. I'm not sure exactly what is that makes the resemblance, maybe a bit of the hair, bowtie and shorts and you could say it's something she has with the others too (her kid design resembles Freminet, current one Lynette) but I thought it was good to mention anyways

Meanwhile, Lynette and Clervie are the two closest companions to their respective pair

Lynette's has Lumidouce Bells as an ascension material. Clervie is very clearly represented with the same flower (if her necklace wasn't enough, there's this)

Plus, a bit of a smaller connection, but they both have clear sweet tooths

(Lyney saying "we talked about this" implies this is a frequent event. The animation showing Clervie with cake twice while it only had 7 minutes to tell the whole story has a similar effect)

So, if Lyney is a parallel to Arle while Lynette is a parallel to Clervie, where does this leave us?

Well... Not exactly in a good spot-

To be fair, I don't think Genshin would actually kill a playable character (or at least, so I hope), but it's very possible Lynette gets really hurt, either directly by Lyney or by being close to him

Arlecchino swore to be nothing like her mother, but in the end, the way she's acting towards Lyney by wanting to make him the next king may be very similar to it

Once upon a story quest, Lyney said similar words to a woman who claimed he'd end up all alone. I can only pray that the writers will have mercy at my soul and that they wouldn't go that low with a playable character

If I were to make a mildly self indulgent guess, as the Freminet main I am, I'd say that he may be the key that's going to make things turn out different for the twins. His presence is the biggest difference between the twins vs Arle and Clervie, who seemed to have no one else that was even mildly close to them. From the 4.6 trailer we know that he's the one that has been hiding stuff and we do see him blocking out Arle's attack, so I don't think it's a stretch to say he'll have a really important role in this whole thing

So yeah! If you read all my rambling, thanks I guess, hope you enjoyed it. In the end, all I can hope is that the Fontaine siblings all turn out fine for the sake of my own mental wellness because God knows these 3 stay all day spinning in my head as if it was a microwave

Also, for the record: No, I don't have a clue about what the hell is going on with Freminet apparently finding "Clervie" (ghost?? Illusion??) and hiding her from Arle. Until this short my best shot was that she was some sort of mermaid creature, but that idea is out the window so it could be anything really

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you