#as the embodiment of creativity of a person whose job is to be creative

[let-roman-bite-someone]

i think that something that the fandom doesn’t acknowledge much is that roman is canonically a perfectionist and often stresses over getting work done properly. i have nothing more to add to it, i just wanted to bring this to your attention.

[artbyblastweave]

Have you got any opinions of Left 4 Dead 1/2's cast of survivors?

One thing I've been thinking about a lot lately is when a work of apocalyptic fiction treats the end of the world as a site for personal reinvention. On the one hand it's potent theming, because the questions of how you choose to behave when utterly freed from existing societal constraints, and how you reconstruct your sense of identity after total context collapse, are sort of inherently packaged in with the premise. On the other hand you're kind of playing with fire, because if you treat the apocalypse as something primarily liberatory or empowering for the protagonists I personally often find it offputting. Congratulations! Your personal growth was purchased at the low low price of the death of billions! You can get away with that kind of thing if you take it in a lighter direction and maintain, like, a deliberately mock-misanthropic tone, or play up the inherent comedy of a person whose life sucks so much that the apocalypse represents a step up- but it's a knifes-edge to walk. I've found that a satisfying synthesis is examine that act of personal reinvention as a coping mechanism, a story that the person doing it is telling about themselves in order to deal with the horror of their surroundings. Zone One by Coulson Whitehead and Rot and Ruin by Jonathan Maberry are pieces of zombie fiction that I think use this lens in an interesting way. I believe that Left 4 Dead is close-to-unique among Valve properties in that they actually released a close-to-standalone self-contained narrative starring game's the principal cast, in the form of The Sacrifice*, and I feel like the comic explored this dynamic in interesting ways, because the four survivors exist on a distribution between "Apocalypse-as-New-Lease-On-Life" and "Turbofucked," in ways that pointedly affect their behavior and outlook.

Louis, the eternal optimist, Certified Gamer, still clad in white-collar garb two weeks into the apocalypse, is revealed to have been the one of the four who had the most going for him before the outbreak, a middle-class job with a well-defined upwards trajectory. His dogged insistence that things will eventually be okay is implicitly informed by how badly his life got upended by all his coworkers going nuts and trying to eat him. On the flip side, though, the comic portrays him as having had the fewest actual interpersonal connections- the only person he interacts with in his flashback is his coworker Ray, and that interaction is defined by how Ray is nowhere near ride-or-die enough for Louis to risk coming into the office at his request. He barely registers that the guy in the bathroom who attacks him is a zombie. Make of this what you will.

Zoey was a step down on the ratchet-she was floundering, but it was a comfortable flounder that's likely familiar to a lot of us. Struggling in college, no direction in life, a would-be creative struggling to turn her interest in fiction into an actual career. Parents separated and at each other's throats- but she had parents, had support, had options even as she was treading water. The apocalypse is superficially her call to adventure, letting her live out the fiction she immersed herself in before the outbreak, and you see glimmers of bravado stemming from that- but that same genre immersion is directly tied to her decision to put down her father before his immunity was apparent, because they thought that they were living out a trope that they aren't. She embodies the gap between the nerdy apocalypse fantasy and the horror of actually living through that.

On the other end of things you have Francis, who's downright gleefully cynical about the apocalypse- marrying the assertation that they're all going to die, and that nothing will ever be okay again, with the claim that the apocalypse as the best thing that ever happened to him. Before the outbreak Francis had a strong social circle but was also slated for prison; the apocalypse eliminated the immediate threat of jail, but his pre-outbreak social circle very pointedly isn't around anymore, in a way he's kind of talking circles around when he brings it up with Zoey; he mainly brings them up in the context of contrasting them with how competent Bill is at navigating the apocalypse, and you can infer that his initial attempt to treat the end of the world like an opportunity for a party didn't turn out so hot. He very badly wants to be the guy who had nothing to lose, the guy who's having a blast, he wants to inhabit that role, but there's an undercurrent of performativity there.

Then you get to Bill, who genuinely had nothing, in a way that inform his post-outbreak behavior in really interesting ways. He had no friends, no family, no purpose, and he wasn't in particularly good health. The apocalypse is, in many ways, straightforwardly a step up from his previous situation, in ways that isn't true of any of the others- now he has friends, a goal, a reason to keep moving. The Sacrifice is interested in how that affects his decision making, for better or for worse- he's myopic, invested in the well-being of an extremely tight in-group at the expense of others, monomaniacally good at fighting the infected in a way that even the other survivors find somewhat unnerving. There's a sense in which the brave new world is Bill-shaped. Admittedly the brave new world killed him dead. But it killed him dead in a significantly more badass way than he otherwise would have died, and on some level that was probably his preference. (I don't really go to Dead By Daylight, but I'm tickled pink by their implication that getting to do asymmetric survival horror multiplayer forever is sort of like a Valhalla situation for him.)

[doingjustdivine]

Welcome to Doing Just Divine- A Journey Through Tarot & Magic

Hi, I’m Daisy, and I’m so glad you’re here. 

Tarot has been a part of my life for years, a guiding light through change, growth, and self-discovery. My journey started in high school when my best friend, Scott, said something that hadn’t occurred to me before—“You know, we can just do this ourselves?” That realization changed everything. We headed to Books-A-Million, and I bought my very first deck—a classic Rider-Waite-Smith. From the moment I shuffled those cards, I was hooked. 

I had always been drawn to the metaphysical. Growing up in Louisiana, the supernatural wasn’t just something you saw in movies—it was woven into the culture. I’d see ads for Miss Cleo’s psychic hotline on TV, and when visiting family in New Orleans, I’d pass shops advertising voodoo, palm readings, and spiritual consultations. It all fascinated me, and tarot felt like a natural extension of that curiosity. 

My knowledge of tarot is not just self-taught; I have been fortunate to learn from many gifted readers over the years. From Mother Helen, my local reader, who was the first person to ever read my cards and provided trusted guidance for years before her passing, to the reader my sister and I visited on a New Orleans trip—whose insight was so eerily accurate that we still talk about it today. And to the many other brothers and sisters in the cards who have shared their wisdom with me, I am so thankful for the knowledge and guidance they have provided along my journey. 

Through the years, tarot has been my anchor. It was there when my sister and I moved into our first apartment, helping me navigate friendships that weren’t what they seemed. It has helped me process difficult emotions, work through personal struggles, and find peace in moments of chaos. During major life changes—moving, starting new jobs, becoming a mother—tarot has provided clarity and reassurance. Sometimes, even a single-card pull has helped ground me, offering a reminder, an affirmation, or a shift in perspective when I needed it most. More than just a deck of cards, tarot has been a constant source of reflection and a conversation with the universe, my intuition, and the unseen guides walking with me. 

A few years ago, I lost my original Rider-Waite-Smith deck in a house fire. It was devastating to lose something that had been with me for so long, a deck that had guided me through so many important moments. But in that loss, I also found renewal—new decks have since found their way into my life, each bringing fresh perspectives and energies. While my first deck can never be replaced, its spirit lives on in every reading I do. 

Now, my kids and I pull cards together, turning it into a fun and meaningful practice. We ask questions like, “What animal should we embody this week?” or “Which animal is walking with us right now?” It’s a way for them to connect with nature, energy, and themselves in a playful but insightful way. Sometimes, we do simple feeling check-ins with the cards—finding a card that represents how they feel or what energy they need to carry for the day. Other times, we use the cards to create stories together, blending creativity with intuition. It’s a beautiful way to bond while introducing them to a world of self-reflection and awareness. 

This Tumblr is a space where I’ll share tarot insights, personal reflections, and spiritual musings. Expect deep dives into tarot symbolism, unique spreads, intuitive exercises, and thoughts on how tarot intertwines with everyday life. 

To start things off, here’s a simple Tarot Spread for New Beginnings—whether you’re stepping into a new phase of life or just setting fresh intentions:

Try it out and let me know what comes up for you! 

Thank you for being here—I can’t wait to explore this journey together. 

With gratitude and magic,

Daisy

[kayleightarot]

Friday, October 6, 2023 Good morning! Today we have messages of Fairness, Diplomacy, Problem-Solving Tarot of the Day: King of Swords

This King embodies the intellect, philosophy, and creativity of the suit. An ability to function in those “higher graces” means this king is the ‘go to’ energy when you need linear, big picture, problem solving. He isn’t distant or unattached as he seems, he’s just hard-wired to put ideals before people. Rest assured that his devotion, emotional intellect, wisdom, and capacity to love are as hard-wired as his ideals.

Like other court cards, he can represent an actual individual in your life; likely a darker haired, mature, authority figure – one who is opinionated, forceful, and unwavering in their stance. If this card indicates this behaviour in yourself, then, check your stance to ensure it is accurate. Display your leadership by enlisting the help of experts where needed and being aware of the circumstances and opinions of the others involved.

💚 At work, you may find there is a man of this description whose interactions with you leave you feeling irritated or otherwise diminished. Consider this person's personality in its entirety and/or the requirements of their position before you take offence; they may be just doing their job in a straightforward manner.

💙 Today you may find that you or your partner is forcefully opinionated. If it's your partner, secure your boundaries, focus on the intellectual aspects of the conversation rather than the emotional. If it's you, make sure you respect your partner and their mental state; if you feel an argument brewing, step back and make sure you haven't crossed over from assertive to aggressive.

🧡 However the King appears in your day, the situation will require his type of skill. Employ creative solutions, be considerate of the emotions of the others involved, and the success of the situation will be yours. Gun a-màireach (until tomorrow), Lovelies Peace out

[thecrescentmind]

I currently need to remake their refs so instead of refs you get screenshots from the wip I’m never finishing.

Sanders Sides OC introductions!!! (TCM au act one) intro explanation/context to the au here

Yapping about them under the cut!!!

Since I got some reason decided attempting a fanseries was a good idea I’m going to be vague about spoilers and the sides will be referred to be titles instead of their actual names, I’ll probably give up on being vague about spoilers eventually but for now I’m trying

Let’s start with the basic one: it’s me but not really: TCM!Crescent

Taking the role of c!Thomas: Crescent is the protagonist! The one whose mind everyone else is apart of! They’ve only just been introduced to their sides and will learn more about them as we go. His personality is a combination of the four he’s met. She’s creative, kind hearted, emotional, anxious, a bit awkward, and simultaneously very smart and very stupid! Well, that’s not all he is, but we don’t have to think about that, do we? TCM is a fun show where we only have to deal with the problems we want to face, we can just ignore that, this place is an escape and no one is going to change that.

Crescent is different from c!Thomas in well, they are literally just different people. Crescent is a teenager with a different gender and sexuality. I guess in terms of what they do in the story the first difference I think of is that Crescent is more aware of certain parts of themselves. This won’t stop him from acting just as oblivious though.

Now we have Artist: Embodiment of creativity, imagination, passion, and ego!

Artist takes the role of Roman! They’re passionate, creative, brave, a bit hyper, and the most confrontational of the group. He likes to act as a hero, even having a “magical girl” (despite not being a girl) form to transform into! She’s very willing to fight or get aggressive when nessecary, maybe even a bit too much. Funfact: the two dots on their crown are eyes! Her crown’s name is Ray and they’re what she used to transform into Ember Knight (the name she gave her magical form). Funfact 2: Despite being the creative side of a horror fan, Artist doesn’t like horror! Wonder what that’s about…

In terms of differences from Roman, Artist is less regal and overall has different vibes and demeanor. She also takes his thing with wanting to be a hero up several notches. She’s also less likely to just insult her friends for no reason, she will be kind of rude but with reasons. Basically if someone’s rude to her she’s rude back almost imeadiatley and she’s very aggressive towards people she has unresolved conflicts with.

Next up is Intel: Embodiment of intelligence, reason, and logic!

Intelligence, or Intel as literally everyone calls them for short takes the role of Logan! The most knowledgeable side in the mindscape, Intel is just as smart and rational as you’d think they’d be. They can be overly cold and serious at times, but that comes from a genuine desire to get things done and help out. And boy does she do a lot of helping! With Crescent being a former gifted kid who now as a teen is almost always in advanced classes (or art related classes, at least Artist can handle that part of their school) and with Intel always trying to use reason to calm the others down when things get serious, he certainly has a big job! Just hope they can handle it.

Intel acts a lot like Logan but the vibes are shifted to the right (listen it’s hard to describe how she acts I swear she’s different) but her arc and struggles are very different. Because of how much Crescent needs her she’s very hard to ignore so she isn’t really, tldr burnt out gifted kid needs a break.

Then there’s Heart: center of feelings and morals!

(I know her color is kind of hard to see I’ll fix that eventually) Heart takes the role of Patton! She’s kindhearted, empathetic, and very sensitive. The least aggressive or confrontational of the group. They’re the youngest of the gang, everyone is physically and more or less mentally the same age as Crescent but Heart formed the most recently. However they’re not a child and will dispute claims they are. Being the newest to the group they have big shoes to fill and he’s still learning how to do that best, can Heart really fill the void he left behind?

While Patton is seen as the group dad, Heart is often seen as the group child (even if she disputes it.). Her arc involves a lot of coming into her own in different ways.

And finally there’s Stress: embodiment of fear and anxiety!

Stress takes the role of Virgil, including starting out as an antagonist. At this point in the story they’re very rude and condescending, masking everything underneath a scary persona they’ve had as long as anyone can remember. But it has been a while. Him deciding to be a threatening presence within the show was a bit surprising for the other three sides, ever since the incident she’s mostly done her job remotely, staying away from direct confrontation with the others unless something major happens. So why do this now? There’s something deeper that they’re connected to, and I don’t think Crescent wants to find out what.

Stress has more energy than Virgil, but you won’t notice that at first because the scary persona definitely takes some of that energy to keep up. Her motivations are also pretty different from his but I’ll keep that a secret for now (she has the most complicated backstory out of everyone you will see)

[myprofessormadememakethis]

The Power in Sex

Sexuality, exposed in its most blunt forms, leaves a strange feeling in modern American minds, for culture has been curated around avoiding the topic altogether. Sexual education classes rarely occur, and if they do, they never surpass the typical hour-long lecture on teen pregnancy and the importance of chastity. Even the word "sex" sends a storm of uncomfortable giggles through a room full of adults who likely perform it daily. Sex is a fundamental part of the human experience, yet its presence is akin to an elephant in a small room that everyone is expected to pretend doesn't exist. The shame, the embarrassment, and every negative emotion surrounding this incredibly human act is nothing if not a scramble to cover up an individual's most naked and vulnerable parts, and this unnatural phenomenon springs from the plenteous garden called cisheteropatriarchy. Thus, sexuality is not regulated in the same way for every person. Cisgender heterosexual men have complete and utter ownership over attraction--a contract that they violently enforce through rape or the police. Strict regulation of sexuality, as Audre Lorde wrote in The Uses of the Erotic, allows men to create a gender hierarchy and abuse women's inferior position to sustain themselves, "much the same way ants maintain colonies of aphids to provide a life-giving substance for their masters" (Lorde 88). Lorde explores sexual expression as a reclamation of power, explaining that, ultimately, this repression is about denying self or self-rejection. She lauds the erotic as a creative force that motivates change, similar to early American author Walt Whitman in his poem I Sing the Body Electric.

Whitman's expression of sexuality at certain points in the poem takes on an exploitative nature next to Lorde's empowering essay. In comparison to men, whose muscles and body shapes he avidly admires, women embody a motherly role, often connected to typical female jobs that he twists into a sexual vision, one that grows increasingly predatory at a slave auction block where he describes the body of a Black woman as "the teeming mother of mothers" (Whitman 8). The imagery evokes the chilling scene in Clotel; Or the President's Daughter where a white crowd views and dissects enslaved Black bodies to their heart's content, bidding on a young Black girl's chastity and her other features. On the slave block in Whitman's poem, reproductive ability determines the value of the slave to her potential owners. This was not uncommon, for Black women's sexuality was such an essential component of plantocracy that the law took away their agency in choosing their sexual partners. Clotel explores this at a different site of sale as a slave trader walks down a line of slaves with a slew of questions on his tongue. He remarks to a crying enslaved woman that she will not have to miss her man on his plantation where he has enslaved many young Black men. This is the inherent nature of the slave block, a place where white people steal all sense of self-authority. With this in mind, Whitman merely reiterates a beauty funneled through a white supremacist lens, and his poem, meant to exalt all bodies and to raise the marginalized into personhood, changes into a work that reinforces the relationship between the oppressed and the oppressor.

This is the power of sex. The act is not simply a pleasurable dance between two individuals, but a performance of self-identity--a concept that slaveholders denied their victims. Through sex, identity can be shared, or it can be subjugated. Most people are unaware of this dynamic because of cultural shame around the topic of sex, and thus, there is no examination of the power plays affecting the most intimate parts of their lives. Indeed, empowerment comes from embracing sexual desire without shame.

-Ysabella Porche

[sanjosecriminal]

Discover the Vibrant Art of Folk Artist Woodie Long

When it comes to self-taught artists who capture the essence of raw emotion and storytelling through their work, few stand out like Artist Woodie Long. His colorful, whimsical, and deeply personal paintings have earned him a special place in the world of contemporary folk art. At Marcia Weber Art Objects, we are proud to showcase his extraordinary creations, offering collectors a chance to own a piece of genuine outsider art.

In this blog, we’ll explore the life, style, and legacy of Artist Woodie Long, while also highlighting why his work remains a cherished part of American folk art.

Who Was Woodie Long?

Artist Woodie Long (1942–2009) was a self-taught painter whose work is celebrated for its joyful, childlike exuberance and vivid storytelling. Born in Alabama, Long spent much of his early life working various blue-collar jobs before discovering his passion for painting in the 1990s. His art is characterized by bold colors, exaggerated figures, and scenes that often depict rural life, family gatherings, and nostalgic memories.

Unlike formally trained artists, Long’s approach was instinctive and unfiltered, making his work a true representation of outsider art—a genre that values raw creativity over technical precision.

The Artistic Style of Woodie Long

What makes Artist Woodie Long so distinctive is his ability to convey emotion and narrative through simplicity. His paintings often feature:

Bright, Unmixed Colors – Long used hues straight from the tube, creating striking contrasts.

Elongated Figures – His characters have exaggerated limbs and expressive faces, adding a playful yet poignant touch.

Everyday Scenes – From family picnics to county fairs, his work celebrates ordinary moments with extraordinary vibrancy.

His style resonates with collectors who appreciate art that feels both personal and universal—a hallmark of great folk artists.

Why Collect Woodie Long’s Art?

Authentic Folk Art – As a self-taught artist, Long’s work embodies the pure, untrained creativity that defines outsider art.

Emotional Resonance – His paintings evoke nostalgia, joy, and a deep connection to Southern life.

Investment Potential – Original works by Artist Woodie Long have gained recognition in galleries and private collections, making them valuable acquisitions.

At Marcia Weber Art Objects, we offer carefully curated pieces by Long, ensuring that each artwork is a genuine masterpiece.

Explore Woodie Long’s Work at Marcia Weber Art Objects

Our gallery specializes in original folk and outsider art, and we are honored to feature several works by Artist Woodie Long. Each piece is a testament to his unique vision and enduring legacy.

Browse our collection here: Woodie Long Artworks

Whether you’re a seasoned collector or new to folk art, owning a Woodie Long painting means owning a piece of American cultural history.

Conclusion

Artist Woodie Long left behind a remarkable body of work that continues to captivate art lovers worldwide. His ability to transform everyday moments into vibrant, emotional narratives makes his art timeless. At Marcia Weber Art Objects, we celebrate his legacy by offering authentic pieces for discerning collectors.

If you’re passionate about folk art, don’t miss the opportunity to explore—and perhaps own—a Woodie Long original. Visit our gallery today!

FAQ About Woodie Long

1. What makes Woodie Long’s art unique?

Long’s work stands out for its bold colors, elongated figures, and heartfelt storytelling. As a self-taught artist, his style is raw, authentic, and deeply personal.

2. Where can I buy original Woodie Long paintings?

You can find authentic pieces at Marcia Weber Art Objects. We specialize in folk and outsider art, ensuring every artwork is genuine.

3. Is Woodie Long’s art a good investment?

Yes, his work has gained recognition in the folk art market, making it a valuable addition to any collection.

4. How can I learn more about folk artists like Woodie Long?

Explore our gallery’s collection and blog for more insights into self-taught and outsider artists.

Ready to bring home a Woodie Long masterpiece? Visit Marcia Weber Art Objects today or contact us for more details!

Phone: 334.262.5349 | 334.220.5349 Email: marcia@marciaweberartobjects.com Address: 118 E Bridge St, Wetumpka, Alabama 36092

By appointment only.

[jennifershurts]

Jennifer Shurts: Blending Creativity, Strategy, and Purpose in the Modern Workplace

In today’s fast-paced digital world, finding professionals who embody both creative vision and strategic thinking is increasingly rare. Among the few who stand out is Jennifer Shurts — a creative leader whose career is an inspiring blend of innovation, purpose, and impact.

While many chase trends, Jennifer Shurts has consistently forged her own path, focusing on work that not only delivers results but also tells a meaningful story. Her journey is not defined by a single discipline or role, but by her ability to connect ideas, people, and purpose in powerful ways.

A Multi-Faceted Professional

What makes Jennifer’s career especially compelling is its diversity. Her background includes work in creative design, strategy, content development, and team leadership. She brings a human-centered approach to every project, ensuring that the end result is not just functional, but deeply resonant with its audience.

Her projects are known for their depth — they aren’t just visually appealing or neatly executed. They are crafted with care, backed by research, and designed to make a difference. Jennifer doesn’t believe in doing things halfway. Whether she’s working on a brand campaign, a user experience overhaul, or an internal culture initiative, she brings her full self — thoughtful, curious, and collaborative.

A Refreshing Take on Career Growth

In an era where career advice often feels generic or overly focused on metrics, Jennifer offers a more grounded perspective. Her Medium article provides a candid look into the evolution of her career, and it’s a refreshing read for anyone feeling boxed in by conventional paths.

Rather than sticking to one rigid lane, Jennifer has allowed her interests and values to guide her choices. This has led to a career rich in variety, learning, and personal growth. She’s proof that embracing change and curiosity can lead to opportunities that are both unexpected and deeply rewarding.

Creativity Meets Strategy

One of the most impressive things about Jennifer Shurts is how seamlessly she integrates creative thinking with strategic execution. In many organizations, these areas exist in silos — creatives generate ideas, while strategists bring structure. But Jennifer operates at the intersection of both, ensuring that her ideas are not only imaginative but also actionable.

This ability makes her a valuable asset in any team or leadership role. She can speak the language of designers, marketers, executives, and developers alike, building bridges between disciplines and driving projects forward with clarity and cohesion.

What Sets Her Apart

So what truly sets Jennifer Shurts apart from others in her field? It’s not just her skills — though those are certainly impressive. It’s her mindset. She approaches her work with humility, empathy, and a strong sense of purpose. She listens intently, thinks critically, and always aims to elevate those around her.

She also places a high value on mentorship and collaboration, often serving as a guide for those early in their careers. Her leadership style is inclusive and empowering, making her a trusted voice both in the workplace and in broader professional communities.

A Career Worth Watching

If you’re someone who’s passionate about creativity, innovation, and meaningful work, Jennifer Shurts is definitely a name to watch. Her career is a powerful example of what’s possible when you bring your full self to the table — not just your resume or job title, but your perspective, your values, and your vision.

[rsfaa]

Where Can You Buy Jozza Artist Vibrant Pop Art?

Discover His Colorful, Energetic Creations

Jozza Artist is a renowned Brazilian-American pop artist whose electrifying use of color and dynamic compositions have captivated collectors worldwide. His artwork embodies joy, energy, and optimism, drawing inspiration from urban life, iconic brands, and pop culture. If you're looking to own an original Jozza Artist painting or limited edition print, knowing where to buy his authentic works is key. Let’s explore his artistic journey, what makes his style so unique, and where you can find his pieces for sale.

Who is Jozza?

Born in Brazil, Jozza's path to becoming a celebrated pop artist was anything but conventional. After moving to the United States, he worked various jobs before fully dedicating himself to his passion for art. Over time, his bold, graffiti-inspired aesthetic evolved into the striking, high-energy pop art style he is known for today.

Jozza’s work has been showcased in galleries across the U.S. and internationally, earning him a dedicated following among collectors who appreciate his vibrant, uplifting compositions. His collaborations with iconic brands and influences from classic pop artists such as Andy Warhol and Roy Lichtenstein have further cemented his reputation in the contemporary art world.

What Makes Jozza’s Art Unique?

Jozza’s paintings burst with energy, featuring:

Bright, Bold Colors – His signature use of intense hues makes each piece radiate positivity and excitement.

Dynamic Compositions – A mix of geometric shapes, urban elements, and pop culture references create visually engaging artworks.

Street Art Influence – His background in graffiti and mural painting gives his work a distinct urban edge.

Playful Pop Culture Themes – From reimagined classic characters to modern icons, Jozza’s art often pays tribute to the imagery that shapes our world.

His ability to blend fine art techniques with a street-art sensibility has made his work highly sought after, especially among contemporary collectors who appreciate the fusion of urban energy with timeless pop influences.

Where to Buy Jozza’s Art?

For those looking to invest in Jozza’s original paintings or limited edition prints, purchasing from a reputable gallery is essential to ensure authenticity and value.

A premier destination for Jozza’s work is Royal Street Fine Art Gallery in Aspen, Colorado. This distinguished gallery offers a carefully curated collection of his most vibrant and engaging pieces. Whether you're an avid collector or a first-time buyer, their expert team can help you find the perfect Jozza artwork to enhance your space.

Why Buy from a Trusted Gallery?

Acquiring Jozza’s art from an established gallery like Royal Street Fine Art Gallery ensures:

Authenticity – All artworks are certified original or limited edition, guaranteeing their value and provenance.

Exclusive Access – Galleries often receive early releases of new collections and unique pieces.

Expert Curation – Gallery professionals can provide insights into Jozza’s creative process and help you select a piece that aligns with your style and vision.

Investment Potential – Authentic works from prominent artists tend to appreciate in value over time.

Final Thoughts: Is Jozza’s Art Right for You?

If you love art that radiates positivity, energy, and a contemporary urban aesthetic, Jozza’s work is a fantastic addition to your collection. His dynamic compositions and bold color choices make his pieces instant focal points, perfect for adding vibrancy to any space. To explore and purchase Jozza’s latest works, visit Royal Street Fine Art Gallery in Aspen, Colorado. Experience his art in person and take home a masterpiece that embodies joy, movement, and modern pop culture brilliance.

[tmarshconnors]

Steve Jobs Day 2024!

On this day, thirteen years ago, the legacy of an innovator who forever changed the world was immortalized in the State of California. On Sunday, October 16, 2011, then-Governor Jerry Brown declared it to be “Steve Jobs Day” in honor of the tech visionary who co-founded Apple Inc. and spearheaded a revolution in personal computing, smartphones, and digital media.

Steve Jobs, whose creative genius gave us the iPhone, iPad, iPod, and so much more, passed away on October 5, 2011, after a long battle with pancreatic cancer. His passing marked the end of an era, but his influence continues to resonate in our daily lives through the devices we use and the innovations that power the digital age.

Governor Jerry Brown’s declaration was a reflection of California’s immense gratitude to Jobs, not only for his contributions to technology but for his embodiment of the spirit of Silicon Valley – a place that thrives on pushing boundaries, thinking differently, and daring to imagine the impossible. On Steve Jobs Day, Apple held a private memorial service to celebrate his life and achievements, attended by family, friends, and fellow leaders in technology.

Here we are in 2024, and the world continues to evolve, driven by the seeds Jobs planted. The vision he laid out—to create technology that empowers individuals, fosters creativity, and connects the world—remains a guiding light for many in the tech industry. His impact transcends time, and each new generation of innovators and dreamers stands on the foundation he built.

On this day, as we look back, it is clear that Jobs didn’t just create products—he sparked a movement. His relentless pursuit of excellence, his belief in the power of design, and his passion for making technology accessible to everyone are lessons that continue to inspire us all.

Let us take a moment to remember Steve Jobs, not just as a technological pioneer, but as someone who reminded us that “the people who are crazy enough to think they can change the world, are the ones who do.”

Happy Steve Jobs Day, 2024!

[forthegoodofamerica]

Discover the Creative Genius Behind George Magazine

In the vibrant world of magazine design, the personalities who craft the visual appeal of each issue often remain in the shadows. However, one of these unsung heroes is about to be introduced to you! Meet Larry Giordano, the Senior Design Editor of George magazine, whose unique vision and tireless dedication have revamped its aesthetic.

Having embarked on his design career in 1985, Larry reflects on the invaluable influence of his brother Peter, who guided him toward the printing industry. “He taught me everything I know,” Larry shares, illustrating the importance of mentorship in creative fields. As the editorial landscape shifted around him, Larry maintained a steadfast commitment to his craft, embracing each role as a stepping stone to greater achievements.

Larry’s journey began as a proofreader for George, leading him through various esteemed positions at companies like Pub-Set and C.J. Graphics, where he developed a strong foundation in design and editorial oversight. His knack for photo retouching has made a lasting impact on the visual narratives presented by George.

Interestingly, Larry transitioned from the world of advertising to a more hands-on approach in the design community. His foray into companies like Modern Bride showcased his desire for creativity beyond commercial pressures. Larry’s insights into the evolution of the industry reveal a knowledge that extends beyond just aesthetics—he deeply understands the shifting perceptions of the public regarding magazine publishing.

Throughout his career, Larry has maintained a love for design that many only dream of finding in their jobs. “Most people HATE their jobs—I loved my career,” he confides. This passion shines through in every issue of George. The magazine is not just a publication; it’s the embodiment of collaboration and creativity among those who dare to think differently.

Larry emphasizes the importance of sharing knowledge, particularly between educators and students in design. By fostering this exchange, he believes we can nurture a new generation of design talent, ensuring that creativity continues to thrive in an ever-changing landscape.

What’s more fascinating is Larry’s acknowledgment of how technology has revolutionized design. The ease of digital tools, while advantageous, has also transformed the traditional ways of crafting and visual storytelling. This dual perspective underscores the richness of the industry, where old-school techniques meet cutting-edge technology.

Get Your Free Copy of George Magazine

If the passion of Larry Giordano and the innovative spirit of George excite you, don’t miss your chance to dive deeper into this captivating world! Sign up here to get your free copy of George Magazine today. You’ll gain access not just to Larry’s creative insights, but also to a collection of compelling stories, stunning visual artistry, and the essence of what makes George an iconic publication.

Curious to explore? Here’s another reason to sign up—each issue showcases an engaging blend of culture, politics, and lifestyle, all curated by passionate individuals like Larry, who bring their skills and stories to the forefront.

Why Read George?

George is more than just a magazine; it’s a vibrant community and a platform that encourages curiosity and creativity. Each article stands as a testament to the hard work and imagination of its contributors. By signing up, you’re opening the door to a world where design, storytelling, and innovation flourish.

Want to get your hands on the latest edition? Visit here to check out the special collector’s edition of George Magazine. It’s a treasure trove of insights you won’t want to miss.

The Essence of Creativity

As the creative hub of the magazine, Larry Giordano exemplifies how passion, experience, and teamwork can elevate a publication to new heights. His commitment to both design and education inspires many, proving that creativity knows no bounds.

In a time when the media landscape is rapidly evolving, George Magazine stands out with its dedication to quality and innovation. By embracing change while also honoring classic design principles, it captures the interest of readers eager to engage with fresh content.

Are you ready to join this dynamic journey through the realms of creativity and storytelling? Get your free copy of George today and immerse yourself in the pages that celebrate both the old and the new, the seen and the unseen. Larry Giordano has put his heart and soul into making this magazine what it is today.

Sign up now and experience the excitement!

[lolitta11]

Finding the Best Landscapers Near You: Exploring the Beauty of Landscapes

Introduction

Landscapes have an intrinsic fascination due to their natural beauty. Landscapes have the ability to enthrall and inspire us, whether they be tranquil parks or lush gardens. The secret to transforming ordinary areas into stunning vistas that balance nature and human creativity is the art of landscaping. We will explore the world of landscaping in this blog, learn about the wonders of local landscapes, and identify the top landscapers and supply stores in your neighbourhood.

Stunning Landscapes

Horticulture, architecture, and aesthetics are all incorporated into the art of landscape design to produce outdoor areas that are both useful and aesthetically pleasing. In addition to enhancing the beauty of the surroundings, a well-designed landscape also boosts property value, encourages environmental sustainability, and benefits general well-being.

Consider going through a beautiful garden that is decorated with colourful flowers and expertly trimmed plants. Imagine yourself unwinding in a private refuge in your backyard, surrounded by luscious vegetation. Our physical and emotional wellbeing depend on the serenity and connection to nature that landscaper provide.

Locating Local Landscapers

Finding the ideal landscapers near me is essential if you want to remodel your outdoor area or need help preserving your current landscape. Research is crucial because a basic online search for "landscapers near me" will produce a ton of results.

Consider a qualified landscaper's experience, portfolio, and client testimonials before choosing one. To evaluate the calibre of their job, look for customer reviews. A reliable landscaper will be able to comprehend your goals and work with you to achieve them while staying within your budget.

Exploring Local Landscapes

Beautiful scenery can occasionally be found closer than you might expect. Public parks, botanical gardens, and wildlife preserves are all wonderful locations to witness the magnificence of nature's creation. Take a trip through these locations and be in awe of the careful thought and construction that went into making such beauties.

Additionally, search for local gardens or private homes whose landscaping has garnered accolades. Open-garden gatherings can be a terrific way to pick the brains of seasoned gardeners and get ideas for your own landscaping companies near me improvements.

Supplies for Your DIY Projects in the Landscape

Making your own landscape masterpiece can be a fulfilling experience for those with a green thumb who enjoy getting their hands dirty. You'll need the appropriate landscaping tools to start your DIY landscaping project. For a project to be successful, it is crucial to get high-quality supplies for everything from plants and mulch to gardening tools.

Just type "landscape supply near me" into your search engine to find local landscape supply stores. To see the selection of things they sell, visit the stores in person or browse their websites. A knowledgeable staff member can assist you in choosing the best materials for your needs and preferences.

Top Landscape Contractors in Your Area

Landscaping businesses nearby are prepared to offer assistance to people looking for professional knowledge to enhance their outdoor environment. These businesses ensure that your idea is realized by bringing creativity, technological know-how, and expertise to the table.

You should take into account a company's area of expertise, client testimonials, and general industry reputation while looking for the top landscape near me. A landscaping business that shares your interests and sense of style will be better able to create a landscape that genuinely embodies you.

Conclusion

Landscape services as a visual reminder of both nature's wonders and human creativity. The process of creating and enjoying landscapes is rewarding, whether you decide to investigate the existing landscapes close to you, start a landscaping project with professional assistance, or do it yourself. Search for "landscapers near me" right now to take the first step toward a more lovely and peaceful outside area. Keep in mind that a beautiful scenery not only enhances the environment, but also feeds the soul.

[kayleightarot]

Wednesday, September 6, 2023 Good morning! Today we have messages of Fairness, Diplomacy, Problem-Solving Tarot of the Day: King of Swords

This King embodies the intellect, philosophy, and creativity of the suit. An ability to function in those “higher graces” means this king is the ‘go to’ energy when you need linear, big picture, problem solving. He isn’t distant or unattached as he seems, he’s just hard-wired to put ideals before people. Rest assured that his devotion, emotional intellect, wisdom, and capacity to love are as hard-wired as his ideals.

Like other court cards, he can represent an actual individual in your life; likely a darker haired, mature, authority figure – one who is opinionated, forceful, and unwavering in their stance. If this card indicates this behaviour in yourself, then, check your stance to ensure it is accurate. Display your leadership by enlisting the help of experts where needed and being aware of the circumstances and opinions of the others involved.

💚 At work, you may find there is a man of this description whose interactions with you leave you feeling irritated or otherwise diminished. Consider this person's personality in its entirety and/or the requirements of their position before you take offence; they may be just doing their job in a straightforward manner.

💙 Today you may find that you or your partner is forcefully opinionated. If it's your partner, secure your boundaries, focus on the intellectual aspects of the conversation rather than the emotional. If it's you, make sure you respect your partner and their mental state; if you feel an argument brewing, step back and make sure you haven't crossed over from assertive to aggressive.

🧡 However the King appears in your day, the situation will require his type of skill. Employ creative solutions, be considerate of the emotions of the others involved, and the success of the situation will be yours. Gun a-màireach (until tomorrow), Lovelies Peace out

[hldailyupdate]

“He’s a magical man,” says Harry Styles of Mick Fleetwood, who he counts as a musical hero, close confidante, and now, the new face of his brand, Pleasing. “Mick is someone who brings me–and countless others–great joy,” he continues. “I felt there couldn’t be a better embodiment of Pleasing, or a person who could so naturally capture the wizardry that we love.” Any Fleetwood Mac fan knows the pivotal role that the Fleetwood drummer played not just in forming the band, but holding it together during the making of their landmark 1977 album Rumours amid heartbreak and emotional turmoil. Accordingly, they will know that he’s the perfect free-spirited sorcerer–and force of style–for the job.

The connection of Styles and Fleetwood began as any cross-generational friendship between two music legends does. “My 12-year-old daughters said, ‘Dad we want to go and see Harry Styles!” says Fleetwood with a laugh, recalling the catalyst for him first meeting the British pop singer back in 2014. Obliging the pleas of his twins Ruby and Tessa, he took them to a One Direction concert and subsequent meet and greet at the Rose Bowl in Pasadena. Try as Fleetwood did to play “cool dad,” and fly under the radar (at 6′ 5″, no less), Styles, a lifelong Fleetwood Mac fan, immediately came up to him. The group’s iconic song “Dreams” was, after all, one of the first tunes Styles learned as a kid. It's also recently rocketed back into the collective consciousness via TikTok thanks to creator Dogg Face (real name Nathan Apocada), whose viral “Cranberry Dreams” video Fleetwood recreated to further Internet-breaking effect. “Two factions from completely different worlds came together,” continues Fleetwood of the fateful encounter. “Without my girls wanting to see One Direction, we–Stevie [Nicks] and I–never would have met Harry.”

Nor would the 74-year-old rocker have ended up starring in the campaign for Pleasing’s second drop, Shroom Bloom (out March 15th), which figuratively riffs on the theme of magic mushrooms with its groovy product offerings. It features face and nail products, like the Acid Drops Lucid Overnight face serum, hand and nail balm, and four new polish shades, plus psychedelic limited-edition apparel meant to supply, as Styles puts it, “an intoxicating escape-evoking curiosity.” With his distinctive sharp bohemian style, Fleetwood, a self-proclaimed hat enthusiast (“Hats are poetic, romantic; they provide generous amounts of theatrics for an old drama queen like myself,” he once wrote) with a predilection for tailor-made suits and jeans, brings much swagger to the campaign shot at his home in Maui, Hawaii—complete with a cameo from his pet pig, Tilly.

“Pleasing is this experience of, ‘Why not?’ or ‘I’ve never thought of that’—and that’s why I’m part of it,” explains Fleetwood, who views the brand as an empowering tool for self-discovery and self-expression. “It says, here’s something, either literally or figuratively, to hold your hand while we’re all on this journey. That’s what it means to me.” Along with a set of theatrical ensembles, Fleetwood sports an array of colorful manicures in the campaign. Think: a purple top hat paired with matching tiny shades, zebra print loungewear, and stacks of chunky metallic rings with teal digits; or a salmon silk vest layered over a mushroom Pleasing T-shirt and indigo trousers, topped off with glossy cherry red nails.

Ahead of his Pleasing debut, Vogue caught up with Fleetwood, speaking over the phone from his other Hawaiian home on the island of Moloka‘i. From the way he waxes eloquent about Styles and his impactful Pleasing mission, and the likeness he draws between the counterculture of the ’60s and today’s Gen Z-fueled Youthquake, it’s no wonder that he and Styles are kindred spirits.

I’d love to hear about how you first connected with Harry?

The magical mystery tour started probably eight years ago. I took my daughters, Ruby and Tessa, who were 12, to see one of the last One Direction shows at the Rose Bowl. Very generously, their organization made it possible for us to go backstage for one of those meet and greets. If you’re a kid around your parents, you want mom and dad to disappear. But what happened was immediately Harry and the band started hovering around me while I’m trying to hide and get out of the way and be the dad that wasn’t there. [Laughs] Eventually, the girls realized Dad was actually causing a bit of a commotion. Anyways, that’s when Harry and I first met. We really connected because it turned out Harry had been brought up around Fleetwood Mac’s music when he was a child. And so on and off for years we’ve had this passing in the night relationship, which has included him doing Fleetwood Mac songs and doing countless little and big things with Stevie.

Stevie Nicks once said Harry was like the “love child” between you two? Why do you think she puts it that way?

Stevie has a great sense of humor! The fact is Stevie and I have been in a band for, well, 50 years really and she’s an incredibly close friend of mine. She’s an adventurer! She is also the godmother of Ruby and Tessa. I think Harry and Stevie first met at a show or something. He knew it was around her birthday and he walks into her dressing room with her favorite cake. I thought, “How cool is that?!” It wasn’t arranged by someone else, he had it in a little box with him. That’s who he is.

What do you love about him as a person and musician, particularly within today’s landscape?

When I came back from meeting him that day, we had a connection that was driven by music. That became the magical part of it, which continues today. As a person, he was incredibly kind and thoughtful right from the beginning. Having come from such a tidal wave of attention, and to still remain that normal…I really gravitated towards his lack of ego. Coming from the band he was in was probably a real challenge for him, for anybody, and I could identify–not with the same thing, no one could imagine what they went through. It was literally like being in the Beatles.

Surely, though, you can relate with Fleetwood Mac, especially when things exploded with Rumours?

One of the earliest conversations that Harry and I had, and one that continues today, is he looks at a band, entity, or a person, and think “What allowed that to keep going? What allowed it not to lose the plot, even with challenges?” That, as you know, is Fleetwood Mac’s story. He identified with that and thought, “If that’s possible, then I can hold on to what I feel is true and what my next step will be not only as a musician, but very, very much as a person.” And that’s what I think is magical and meaningful about Harry Styles.

What was it like shooting the Pleasing campaign, and what do you love about Maui as its location?

I loved every moment of it. It was a hoot! I was originally gonna do it in L.A., but because of COVID, the original photo session never happened. With that being the case, the next thing that I said is, “Well, I’m gonna be going home!” And they loved the idea of doing it here. It went incredibly well. Everyone was really on mark about what to do and how to do it. And I just remained open, pitching in and finding hats to put on. And I told Molly [Hawkins, Styles’s creative director], I said, “I'm so into doing this!” And the fact that it was somewhere that I really love...Everyone has their home and their own versions of where they like to be and why they like being there. Mine are selfishly explicit. Hawaii’s a very beautiful place and I'm happy to be here. So having that be connected to what we were doing selfishly was great.

Your colorful painted nails were a particular highlight. Have you worn nail polish before?

Oh, I loved that. I kept the varnish on for two weeks! Back in the day in London, I used to wear near polish and all sorts of stuff, and the attitude was, “so what?” It didn’t have anything to do with sexuality. It’s not about that. It's about having fun. If you look at half the tribes of ancient history, men and women all dress up in beautiful, colorful things. No one thinks anything one way or the other, which is the point. During the shoot I noticed some of the nail colors were really muted, like the light blue and the pinks and the greens. I said, “You might wanna pick one of the red colors!” About three or four days after the shoot was over. I still had the nail varnish on and thought, I can actually see where my hands are going. I’m not kidding you! It’s really useful, and I thought, “I’m not taking this stuff off!” When you pick a glass up, you actually connect with what you’re doing, which is what style is all about.

Speaking of style, you’ve always had it in spades. You seem to really have fun with fashion and never limit yourself. What’s your personal style philosophy?

Style, to me, is taking the trouble to present yourself. Sometimes presenting myself means I just walk out in a T-shirt and a pair of pumps. Conversely, it can also mean I've spent an hour thinking about what I'm gonna wear. That to me is very human. It gets back to what we've been talking about: Why not think about that you're presenting yourself? It's all about suggestions of style. It’s like with music, you go, “If I hadn't heard that music when I was 10, I might not have written that song when I was 20.” And that is all part of the story. What you see in the presentation of Pleasing is they're very, very simple, but demonstrative options. The way I think of it is: Why not? What makes someone think that something's weird?

Pleasing is part of a bigger movement towards genderless style and beauty—one that I’d argue, you and your peers helped pioneer in the late ’60s and ’70s. Have you noticed the evolution? What excites you about seeing a new generation feel free to experiment and express themselves more freely?

That’s a really astute observation. When I think about what happened in my generation, we had a sense of freedom, a sense of feeling that what had happened before didn't need to be repeated. Millions and millions of people in my world, our generation, saw that, felt that…But imagine the ‘60s right now with social media. One might be so bold as to say that slightly naive pipe dream of everyone not being judgmental might spread like wildfire. Being reminded of that premise, I think there's a huge amount of similarity now asking, “Why not? What gives you the right to close me down?” It’s not confrontational. It's just, why would you want to do that to anybody or anything? In our time, if someone went to a concert with blue paint all over their face, you go, “How cool is that?” You wouldn't say one thing or the other. That's how I've always felt. Don't be judgemental and have fun with it. That’s what Pleasing represents.

With Pleasing’s missions of bringing joy to beauty and going beyond the gender binary, what do you envision for its future?

I have a sneaking suspicion that this is just the beginning of a real lovely journey. It’s the first page of the book that Harry’s seeing can be written and he doesn’t need to know how it ends up. I think it’s really important to have these stages that are set that allow the creative process to go where it needs to go.

So let’s talk beauty as a form of self-care. Do you consider your personal regimen ritualistic?

It's fairly that way. When I’m out working, working, working, which, in truth I haven't been doing too much of in the last two or three years, like most other people, it's more focused. With COVID lockdown, the backdrop of it is that you need to have a form of discipline. A year into COVID, I realized that I should pull my socks up. Eventually, I went, “You need not give up on taking care of yourself. You need not give up with finding new avenues, new ways to have fun to present yourself.” That type of theater I think is really important. And so there is a routine and I'm much more aware of it. I don't think I’m the best one in the world at doing it, but it's become a regimen. I'm actually more disciplined about self-worth, self-presentation, and the theater of, “Why you do take care of yourself?” or “Why you do put a mirror up, not literally, but a mirror where you go, ‘I need that?’” The past two years have been a reminder of why I need to take time out.

At this moment, what excites you most about the future?

I'm looking forward to more music! One of the things we started off right at the beginning of the interview is the fact that this conversation was happening because of the connection through music and something that both myself and certainly Harry’s world are completely connected to that allow all these lovely things to happen. And I think that's really the overview, the backdrop to this is music and being creative. It’s part of a really fun journey we’re on, and I can’t wait to see where it might go.

[bts-weverse-trans]

201128 Weverse Magazine ‘BE’ Comeback Interview - Namjoon

RM: “I spend a lot of time thinking about where I am now” BTS BE comeback interview 2020.11.28

The story of BTS’ new album BE started on April 17, 2020 when group member RM announced its production on the BANGTANTV YouTube channel. In the seven months that followed until the album’s release, RM’s mind was full, his thoughts flowing in and out of his head.

How do you feel about the unique approach you took to making your new album, BE? RM: The other members were a ton of help to me. My lyrics made it on the album, but the music I composed didn’t, so I’m really thankful to the group for the music. How should I say this? I feel like everyone is doing a great job. There are so many parts in these songs that I’m indebted to them for. “Stay” was originally going to be the title song on Jung Kook’s mixtape, but everyone liked it so much, and they all agreed to put that on our album. That’s how much influence they had. I’m really happy my room idea was chosen to be the album photos. Since we’re spending a lot of time in our rooms because of COVID-19, we laid out the idea of each of us decorating a room in our own style. I can’t remember for sure (laughs) but I think I’m the one who came up with that. I made a comfortable room, one that’s modern and warm because that’s what I like.

There’s a painting in the middle, and symmetrically arranged figurines. RM: The figures are from my own collection. I wanted to show one of my paintings, but that didn’t pan out. But still, those are the things I hold most dear to me right now, so I let the room embody the things I wish I had, too.

It’s well known that you like art and frequent exhibitions, but how do you feel when you look at art in your home or another space where there are no people, like in the album art? RM: Someone said, “You don’t have to buy this painting; it’s yours so long as you’re looking at it.” That’s my favorite sound bite these days. What I most envied about painters was that, even after they died, their work would be hanging up somewhere, maybe even in another country, still defining that space. Musicians leave behind their songs and videos, too, but it’s only through fine art that viewers in the future are able to completely meet artists from the past. I’m envious that this is only possible for painters. These days I’m trying to find spaces where I can have more relaxed viewing experiences.

There’s a full experience involved, from the time you get ready to leave your house until the time you’re actually looking at artwork in the gallery. RM: That’s perfect to me. There’s art you can keep at home, and then there’s art that should always be viewed in museums.

What effect do you think that type of experience has on your music? You didn’t compose any of the songs but instead participated in writing the lyrics to all of the tracks. Did that experience affect your lyric writing in any way? RM: I think it’s helped me develop a way of thinking using all the senses. I used to be attuned to speech and focus on language and auditory textures, but now I can look at my thoughts from many different angles. That’s why I spend more time studying art now. I’m waiting for the day that it all comes to the surface, like when you paint the base on a canvas over and over so the colors pop. It’s hard to answer in one word if it has a direct influence on my work, but I think people who create music develop a way of seeing the world through their personal experience and their creative process. Painters naturally exhibit their art over a very long period of time. I think it gave me an eye for looking at the world in one long, continuous stroke. So now it’s become a little challenging for me to write lyrics these days. I’ve become more cautious.

Why is it so challenging? RM: I used to have so many ideas pouring out that it was hard to pluck one out. So I would stack them up like a Jenga tower and ponder over which one to remove. But now, it’s hard to even add a block to the stack. I’m not sure why but, when I look at these artists whose works span their entire lives, I sense that the rhythm of my creativity is slowing down more and more. That’s the source of my dilemma. I’m only 27 years old. I still need to wander around and get tripped up a little. But am I just trying to imitate what the fine artists are doing? Or maybe BTS experienced so much in the past seven years, that now it’s time for us to take a breather? I’ve got so many questions, I feel like my hair’s turning white. That’s why none of my songs are on the album. I wrote some, but they were too personal to use there. I don’t exactly like myself like this, but I have to see through to the end in this direction and find the answer.

Maybe for that reason, your rapping has shifted focus to the lyrics more so than trend or musicality. It emphasizes the feeling of the words over a particular format or beat. RM: Exactly. In—was it 2017? Pdogg was talking to Yoongi, Hobi and me about our style, and said, “Namjoon, it feels like you’re becoming a lyricist,” and it really stuck with me. I have a lot of thoughts lately when I watch Show Me the Money or listen to hip hop songs from the Billboard chart. My music started out all about my life as a rapper, so I spend a lot of time thinking about where I am now.

So you’ve started to ask yourself who you are as a musician? RM: I listened to Lee So-ra’s seventh album again today. I keep changing my mind but, if I had to pick between her sixth and seventh album, I like her seventh a little more. And then I listen to the most popular songs on Billboard, and I feel kind of thrown off. Um … There’s something Whanki Kim said that’s been running around in my head lately: After moving to New York, he embraced the style of artists like Mark Rothko and Adolf Gottlieb, but then he said, “I’m Korean, and I can’t do anything not Korean. I can’t do anything apart from this, because I am an outsider.” And I keep thinking that way, too. That’s my main concern lately.

You can feel that on BE. As the members take on more prominent roles as songwriters and producers, characteristics of old Korean music—the kind of music you likely listened to in middle and high school—gradually entered your sound. But your music isn’t from that era, and it sounds like pop, but not quite. RM: The sound has to fit with the whole album so I couldn’t incorporate that feel into BTS songs, but the songs I’m listening to most lately have been Korean. Songs like P-Type’s “Don Quixote,” Dead’P’s “Spread My Wings,” Soul Company’s album The Bangerz. The impressions the songs from back then have left on me, the lyrics from back then and the lyrics from now, they’re different. So BE is both Korean and pop; it’s very unique, in my view.

I think that’s especially true for “Life Goes On.” It’s got a pop melody, but compared to “Dynamite,” it has a very different feel. It doesn’t slip deep into the sentimental, instead allowing the melody to flow naturally. RM: Exactly. The chorus is totally pop, and one of the writers was also American. But the song doesn’t really follow American music trends, weirdly. So I don’t know how “Life Goes On” is going to be received. It’s really calm, almost contemplative. So there’s lyrics, like, “Like an echo in the forest,” and, “Like an arrow in the blue sky.” The song kind of feels like that: It could just float off and disappear. It might even come off as bland next to “Dynamite.”

If nothing else, it seems the song will stick around for a long time. Maybe kids now will listen to it later on in the future. RM: I hope so. That’s the one thing I really hope for, people in the future, thinking back and saying, “Oh, right! Remember that one song?” That’s what my favorite artists and other people who leave a lasting impression on me have in common. One thing common among the songs that have affected me a lot, like Lee So-ra’s seventh album, is that the lyrics they utter in their voice along with the overall sound stick with me. I hope when people look back, my words uttered with the sound of my voice, echoes for a long time in an auditory or visual way, or even throughout their entire lives. But that’s the dilemma: We have all these bling-bling symbols of our success, but we’re not that kind of team.

And yet, BTS’s career path is even more “bling-bling” than ever. “Dynamite” was the top song on the Billboard Hot 100. RM: I was the first one to check our position (laughs) but I didn’t want to get too excited about it. I was scared of facing disappointment so I put the brakes on out of habit, and restrained myself. But on the other hand, I feel like I should relish this moment. This is a once-in-a-lifetime thing; shouldn’t I enjoy myself a bit? But I disliked that sensation of only feeling elated so I tried to be as objective as possible. I was just one small part of everything that made this happen.

It reminds me of that part, “Running faster than that cloud of rain /  Thought that would be enough / Guess I’m only human after all,” from “Life Goes On.” RM: “Only human” sounds so appropriate for me right now. One time, I saw a dark cloud over the N Seoul Tower while I was walking along the Han River. I was with a friend and we talked about where the border between where it’s raining and where it’s not might be, and suddenly, we came up with the idea to run and find that spot. But after running for 10 minutes, the cloud was even further away than it had been. At that moment, the puzzle pieces snapped into place. You think you can go faster than that dark cloud? No. That’s what I realized then. And I just like what Whanki Kim said, that maybe I can’t do anything not Korean, because that’s what I am. I used to work late and then stay up all night when things weren’t working out, sometimes walking from Samseong to Sinsa station, thinking everything through. But now, like the saying, I realize that maybe I can’t do more than what I am.

On Weverse, you said that you gained some muscle from working out. Could the change to your body improve your creativity in the long term? RM: I started to think I better change myself a little, physically or mentally. I’m talking about being steady. I used to bombard myself with challenges and worries and just get over them, but now I think it’s time to find that one sturdy thing and plant myself there. The best choice was working out, and I think it’s changing my behavior a lot. I’m hoping that, if I keep working out for a year or two, I’ll become a different person.

Music is your job, but also your life. Like you expressed in “Dis-ease,” how would you say you feel about your work? RM: This is my job and my calling and I feel a great sense of responsibility. I think I’m lucky and happy that I can solely worry about my creative process. And I feel very responsible to those people who put their trust in me, so I try not to cross any lines, judge myself honestly, and always be professional. Those are the responsibilities that come with the job—the things I have to do and the promises I won’t betray. But if I’m going to do it, I’m going to be happy while I do it. That’s not always going to be possible, but that’s generally how I feel.

Well then, how do you feel about BTS at the moment? RM: BTS is … Well, it’s really hard to tell. (laughs) When BTS started out, I thought, “I know everything there is to know about BTS,” but now it’s, “I don’t know a single thing about BTS.” In the past, I felt like I knew everything, and that anything was possible. Call it childish or ambitious. But if I were to ask myself, “What is BTS to me?” I would say, we’re just people who met each other because we were meant to. But it feels like the stars aligned and a startup company became a unicorn, with perfect timing and lots of smart people. Looking back, there were a lot of ironies and contradictions in this industry. I thought I figured them out one by one, and then finally understood the whole thing. But now I feel like I don’t know anything at all. Anyway, to sum up: My young, reckless twenties. The events of my twenties. There were a lot of contradictions, people, fame, and conflict all tangled together, but it was my choice and I got a lot out of it, so my twenties were an intense but also happy time.

And what about you, as one individual person? RM: I’m a real Korean person. (laughs) A person who wants to do something in Korea. I think millennials are charging into society stuck between the analog and digital generations, and what I chose is BTS. So I try to integrate myself into our generation, try to understand what people like me are thinking, and try to work hard to capture that feeling without being a burden on them. This might be another kind of irony itself, but this is who I am. I’m a 27-year-old Korean. That’s what I think.

Trans © Weverse

[the-darklings]

who is jean?

(drags out a rusty chair) (sits)

buckle up, gang. we're about to do French Bastard Baguette 101

basics first.

name: Jean Laurent

where does he hail from: French baguette 

what does he look like:

whose house should you egg when Jean inevitably hurts your feelings: @la-gattara-art

what’s he like?  

(let me preface everything by saying that Jean’s personality, looks, and past were not created by me; he was originally constructed by Chan (NPFH co-creator and my very segssy friend tagged above) and I simply went free real estate ¯\_(ツ)_/¯)

okay, so:

bastard™. most call him “the spider” - both as a warning and as a curse. will sell you to satan for one cornchip. will also destroy you and your life if you get in his way : ) ruthless. manipulative. terrifyingly good at people and can charm pretty much anyone. has dirt on everyone and is brilliant at sniffing out weaknesses. is he lying? is he being honest? who knows? certainly not me. smoker. the living embodiment of the phrase “who we are and who we need to be to survive are two very different things”. has a heart deep, deep, deep down but good luck finding it. seductive. to be frank, the man fucks - that’s it, no fancy words. he knows what’s good and how to get it so his bed is warm most nights, no emotional connections though. likes sketching into his pocketbook : ) mostly birds/still life/architecture. speaking of which, admires architecture openly, and has a taste for art/historical things as well. mind sharper than a knife, tongue even more so 🤪 uses his accent on purpose as well. has a massive sweet tooth. is haunted by past actions. knows the price for “rebirth”. still has night terrors occasionally. ambitious for days. has an expensive taste because he knows the value of such things. enjoys old french songs. is an excellent dancer and is very happy to show just how good 😌 if he so much as sniffs out that someone is getting too comfortable beside him or is developing some sort of attachment to him, removes said attachment with surgical precision and weaponises everything he knows. can be downright vicious in that regard. prefers using words and seductions as oppose to fistfights but can hold his own if needs be. prefers guns - nice and quick. you will not know where his loyalties are until the last second. has a giddy, near boyish appreciation for sports cars but lacks technical knowledge when it comes to them, so don’t expect him to be changing oil any time soon. don’t bother trying to embarrass him, either - you can’t. he has no shame, especially if it comes to the bedroom. has a wicked sense of humour and enjoys few things more than a verbal challenge. enjoys challenges in general. if it's dangerous, he wants to poke it and see just how dangerous. he also works for someone else. will lay it all on the line for someone else but only once.  

so what’s his role and why is he important? 

jean is one of the main, catalyst characters in npfh (no place for heroes) an original universe where we hope to create an interactive modern-day, criminal world in "novel" form. where you, as a reader, play a key role and your decisions affect the story. the first prequel (like jeara's backstory) will be in normal novel format. formation of the pit of vipers aka where elites, lucien, amongst other new OCs will appear will follow that. so the running order is: fwns, tpov, npfh.

after COA gets concluded, I will be full-time working on this world. lowkey already am but that's because creativity is flowing and who am I to say no? so jean meets clara beginning of fwns (fire with no smoke - first prequel title) and for those of you who don't know clara is oc!v from my JW series Children of Ares. you will not have needed to read that story to enjoy this work because everything about JW is being removed and clara's backstory is going to be introduced anew and might be familiar to those of you who have read Gasoline Girl because it was wholly original. camorra is also staying. short version: something has happened to clara a year ago; a terrible, awful sort of trauma that has left her near crippled with the inability to deal with it (some may know what I'm referring to and it's that but x 10 worse :D). however in a world as cutthroat as npfh no falters are allowed. so teetering-at-the-edge-of-oblivion assassin meets master information gatherer because he hires her for a few "removal jobs" ("oh, you're a poisoner? sneaky, sexy, I love it.") because he's feeling out new york city for his boss and gathering information on X & Y. one thing leads to another, and those two end up needing to work together when they accidentally uncover a plan to paint streets of NY red and overthrow the old order. big time ("guess I have no choice but to trust and rely on you now because we're both being hunted,,, damn fine, just don't fall in love with me." 🙄 )

essentially to sum this story up I will say:

slowburn. reluctant partners in crime. banter. angst central. mystery. high stakes. dark. power couple when they're not trying to verbally end one another. sexual tension so thick most knives will not cut it. bi main character. mutual emotional baggage aha <3 it's mature (and yes that means there will be smut but it's been 84 years by the time we get there). at its core though, it's very much a story about healing & remembering what it is to be alive & not just existing in a role that's expected of you, nor does your past define you.

basically:

reasons to like Jean: Clara

reasons to dislike Jean: Clara

but,,, Jeara? 

yes ♥️

(I don’t know how to make gifs so enjoy potato quality <3)

here's fwns board for more vibes/jean aes too (x)

and here's my horniest playlist for them (x)

and finally, jean in memes, courtesy of coa discord:

and my personal fave

thus concludes french bastard baguette 101. have a good day and eat baguettes xoxo