#as they're both rather reserved

[euyrdice]

APPARENTLY KOU WAS SUPPOSED TO BE IN ROOM 5 WITH YOUICHI AND EIJUN BUT noooooOOOOOO tj said youichi and kou would clash too much. whatever. we could have had my three favorite boys together and domestic kousawa. but. whatever.

[lyneira]

♡ "carry me pls" ♡

-> how would the the genshin men prefer to carry you?

(A bit on the crack side and slightly suggestive, hehe)

Bridal style

KAVEH, Zhongli, Ayato, Xiao, Dainsleif

It's simple, yet refined and romantic. Plus, they enjoy being able to see your cute face and all of its expressions while holding you. They could easily lean their forehead against yours and kiss you like this.

On their shoulders

ITTO, Venti, Gorou, Childe

For those who like this position, they either want to prove their strength, want you to be their lookout, or they just want to have fun with you!

Okay okay, hear me out on Venti and Gorou. I know they're rather smol in comparison to the others, but I think they'd like carrying you like this primarily because it's a fun position and also because they don't want to be underestimated. Venti would totally try to persuade you to wear a sheet over you both so that you could pretend to be a ghost or monster to scare people ehe 👻

Itto and Childe would have you on their shoulders so not only would they prove how strong they are, they could have you as their lookout, watching for any dangers up ahead or cool sights that you see. (Also, their head in between your thighs would be heaven for them 😏)

Piggyback

DILUC, Alhaitham, Scaramouche, Cyno, Albedo, Tighnari

They like this because it's the most efficient way to carry you. You're not blocking their view, he's holding you tight, you're holding onto him tight, he can easily run if needed without you being in the way.

The only "downside" that they'd see to this would be how you can easily tease them in this position. You might tease them by whispering softly into their ear, or leaving a peck on their cheek while you're at it 🤭

Carries you in front of them

THOMA, Heizou, Kaeya, Kazuha

I don't know how else to explain this position but think of the opposite of a piggyback ride (so a piggy-front ride? 🥴 sounds silly), or like a parent carrying their sleeping child.

They feel like this is the ultimate hug as you're wrapping BOTH your arms and legs around them. Lowkey treats you like their baby, patting your back with one hand to soothe you. They'd enjoy the intimacy of the position and would find the way you were clinging to them absolutely adorable.

Bonus:

Over their shoulder

Alhaitham, Itto, Diluc, Cyno, Childe

Be ready to become a sack of potatoes if you're misbehaving. This category is reserved for those who are tired of your squirming or teasing so they'd simply throw you over their shoulder.

Kick and whine all you want, they're not going to carry you any other way for your actions. They might also teasingly slap your booty if you don't quit whining.

Other than that scenario, if you guys were being chased, he'd see this as the quickest way to carry you. He'll grab you and go, like a fast-food order LOL

a/n: gahh I honestly had a hard time categorizing them. I feel like many of them could be applied to multiple categories

© 2023 lyneira. PLEASE DO NOT COPY, PLAGIARIZE, OR REPOST MY WRITING ONTO OTHER PLATFORMS

[vanteguccir]

Opposite | Matt Sturniolo

Matt Sturniolo x reader

Summary: Where Y/N and Matt are polar opposites.

Warning: None.

Requested?: Yes, by @lightsgore

Author's note: That is my work, I DON'T authorize any plagiarism! | English isn't my first language, so I'm sorry if there's any grammar error.

PS.: This accidentally took a turn for a kind of "grumpy x sunshine", but I hope you like it either way!

༻✦༺ 　༻✧༺　༻✦༺

Matt was not an extroverted person. Unsurprisingly, he was a quieter, more reserved guy who liked to have his own space and took his own time to say what he wanted if he was asked to do so. His mood would change drastically if he was forced to talk when or with whoever he didn't want to.

Y/N, on the other hand, looked like a little ball of light that wouldn't stay still. She had a habit of talking a lot in a short space of time, uttering words until she was out of breath. In addition to always seeming to be in a good mood, a smile decorating her face like a permanent tattoo. Energetic was the word that defined her.

Therefore, when she and Matt revealed their relationship to the public, many fans didn't understand the origin of their love, as they were very different, literally polar opposites.

༻﹡﹡﹡﹡﹡﹡﹡༺

"... Stop! Stop protecting your insecurities because you know you have an ass haircut, so you're projecting what could possibly happen to me! At least I'm willing to take that change." Nick screamed next to Y/N, moving his arms comically in exaggerated despair.

Chris laughed loudly at his speech, leaning his back against the car door from the passenger seat so that he could have a better view of the back. Matt smiled as he shook his head, watching them in the rearview mirror.

Y/N quickly nodded her head, her eyes wide as she raised her hands, showing that she wanted to initiate her own opinion on the matter.

"Exactly! You only try to diminish others because you are insecure about yourself. It's impossible to be friends with people like that. They are always trying to diminish someone, saying absurd things that cause so much discomfort." She spoke quickly, gesturing with her hands as her eyes darted between Nick and the rearview mirror, or rather, Matt's blue eyes.

Matt watched her with eyes full of love and affection, nodding his head in agreement to what she was saying.

"They're always talking bad about someone, have you noticed?" Y/N turned to face the blonde next to her, pointing her right index finger towards him, who hummed.

"Yes, exactly!" Nick shouted, slamming his hands against the back of Chris's seat, earning an angry shout from the boy.

"People can only give what they have inside themselves." Y/N finished her train of thought, shrugging as she licked her lips, wetting them.

Matt quickly reached for the bottle of his own tea in the cup holder between the front seats, opening the lid and turning his upper body towards the back, silently offering the drink to his girlfriend. She smiled big, sending a wink as a "thank you" before taking the bottle.

"It's good to have Y/N in a video with us. She speaks for both of them." Chris commented briefly, pointing to Y/N and Matt, letting out a hysterical laugh when he saw Matt rolling his eyes - but still not denying anything.

༻﹡﹡﹡﹡﹡﹡﹡༺

Matt was fast asleep. His head buried in the white pillow, and his body curled up like a burrito around the fluffy duvet. His mouth was half open, low snores escaping from between his lips. His eyelids trembled slightly, showing that his mind was sailing through dream land.

Y/N slowly opened the door with her elbow, her hands occupied by a wooden tray that held a simple but nutritious breakfast for two. The girl had a big smile decorating her face as she walked with light steps towards the bed.

She placed the tray on the closest bedside table in one quick movement before going to the windows, opening the black-out curtains, allowing the sunlight to illuminate the room completely.

A grumbling sound was heard from the bed, Matt lifting the duvet to the top of his head, still half asleep. Y/N smiled at his reaction, quickly walking to the bed, kneeling on the mattress and pulling the blanket off the boy, laying her chest on her boyfriend's bare one, bringing her face closer to his.

"Good morning, my love." She murmured against his cheek, sealing her lips over his skin repeatedly.

Matt grumbled again, his brow furrowing in false anger but pushing his face against hers lightly, enjoying the feeling of being showered in affection by his girlfriend.

"Come on baby, wake up!" Y/N asked a few seconds later - after seeing his eyes closing again -, her fingers pulling Matt's eyebrows up slightly, watching him forcefully open his blue orbs.

Her laughter echoed through the room as the boy pretended to go bite her, a smile spreading across his face instantly.

"It's such a beautiful day outside. I thought we'd have a picnic. Or we could go to that golf park. Oh oh oh, or we could cook that blackberry pie you wanted. We could also-" Her words came quickly, excitement evident in her voice.

Matt's sleepy brain took a few minutes to process what his girlfriend was saying, his head just nodding in agreement without even knowing what he was agreeing to.

"Can we?" Y/N's question caught his attention. Matt only opened his right eye, looking at her for a few seconds, trying to search in his mind what she was asking him to do without achieving any results.

Matt didn't understand how Y/N woke up with so much energy, while he needed at least 20 minutes to really feel alive.

"Yeah, sure." The brunette mentally shrugged his shoulders. She wouldn't have asked him to do something risky to their lives, so it was okay for him to accept it without knowing what it was. Right?

༻﹡﹡﹡﹡﹡﹡﹡༺

Y/N knocked twice on the door of her shared room with Matt, the sound almost imperceptible. She turned the handle and opened it, entering the room slowly.

The sound of loud music escaped the brunette's headphones, which rested against his ears. The boy was sitting in his gaming chair, and his upper body bent slightly forward as his hands worked on the keyboard, probably answering emails sent to the Sturniolo Triplets inbox.

The girl walked with light and quick steps towards her boyfriend, a small smile on her face in excitement. She gently touched his right shoulder, alerting him to her presence.

Matt looked up, his eyes instantly brightening as he noticed Y/N there. His hands pushed the headphone back - leaving it hanging around his neck - while his feet moved on the floor, turning the chair so that he was facing her.

"Babe, it's raining." Y/N quickly said, without even waiting for him to talk.

Matt frowned, his hands moving up to her hips, lightly squeezing the covered area.

"Yeah, I know, honey." He nodded, confused as to why she would be telling him the obvious, the sound of heavy raindrops hitting the windows from outside filled the room.

"Can we dance in the rain? Please, please, please?" Y/N clasped her hands in front of her body in a sign of prayer, pleading with her eyes.

Matt raised his eyebrows, the thought of getting completely wet with the freezing rain made him shiver, his mind already imagining his clothes sticking to his skin.

He sighed, closing his eyes momentarily.

"What I wouldn't do for you?"

༻﹡﹡﹡﹡﹡﹡﹡༺

"What do you guys want?" Madi asked as she stood up from her seat at the table on the fast food restaurant, ready to place the triplets' and Y/N's orders besides her own.

Nick quickly said what he wanted without taking his eyes off his phone, choosing the photos that he would put in that Friday's photo dump. Chris mumbled his order, resting his left cheek on his hand - which was supported on the table by his elbow -, his eyes focused on the digital menu on his own phone.

Madi nodded to the two before turning to Matt and Y/N, waiting for them to say what they wanted.

"For me, it's just going to be a cheeseburger and a Diet Coke. And Matt's going to have a double cheeseburger and a root beer." Y/N counted on her fingers as she said each food, watching Madi nod when she finished. "Thank you, Madi." She blew the brunette an air kiss.

Matt pressed his lips to the top of Y/N's head lightly before pulling her to rest the back of her shoulder against his chest.

༻﹡﹡﹡﹡﹡﹡﹡༺

"No, Chris, I don't want a blueberry donut." Matt rolled his eyes, huffing as he leaned his hips against the table, his arms crossed.

"You're hungry, and it's the only thing we have right now, Matt." Chris rolled his eyes back, exchanging looks with Nate, who smiled, amused by his reaction.

"What happened to you today? Did you wake up with the wrong foot?" Nick asked, his tone full of annoyance, wrinkling his nose.

"Why don't you shut-" Matt's sentence was interrupted by Y/N entering the kitchen, humming a Taylor Swift song under her breath.

"Oh, hi guys! Good morning." Y/N smiled brightly at the four of them, her eyes shining as she met Matt's, approaching him with quick steps - throwing smiles towards Chris, Nick, and Nate as she passed them. "Hi baby." She rose on her tiptoes, sealing his lips in a quick kiss.

A smile automatically grew on Matt's face, his eyes taking on a lovestruck look, all the anger he felt vanishing.

"Did you eat? I didn't see you eating breakfast earlier. You must be hungry." She asked, still facing him, her brow furrowed in concern as her right hand rested lightly on Matt's stomach, stroking the covered skin.

"No, baby. There's nothing interesting here." The boy sighed dramatically, ignoring his brothers' murmurs of disgust.

"We still have blueberry donuts, honey. There are some left over from the video you three made yesterday." Y/N pointed to the counter, where the box of donuts sat next to the stove. "You liked them, right?" She moved slightly away from Matt, reaching out and taking one before handing it to the boy.

Matt instantly smiled, taking the sweet from Y/N's hands with his right one and bringing it to his mouth, biting off a small piece. His left hand rested on Y/N's hip, caressing the area.

"It doesn't even look like he just-" Nick began his sentence, a look of disbelief on his face.

"Thank you, my love." Matt cut Nick off, sending a glare in his direction over Y/N's right shoulder before opening a big smile to her, biting off another piece.

༻﹡﹡﹡﹡﹡﹡﹡༺

"Hi, good afternoon! How are you?" Y/N greeted the McDonald's attendant, a big smile lighting up her face, as her eyes went to the board where the menu was displayed, mentally confirming what she was going to order.

The attendant smiled back quickly, her heart warming at finally being able to have a kind costumer who wasn't in a bad mood.

"Good afternoon! I'm great, thank you." She nodded momentarily, placing her fingers on the computer screen, ready to select the order. "What can I do for you today?" Her eyes went from Y/N to Matt, who was standing behind the girl.

His hands rested in the front pocket of the hoodie that covered his upper body, while an awkward smile spread across his face, nodding briefly.

Y/N started ordering calmly, including Chris and Nick's orders that she had already memorized - even though they both said they didn't want anything, she knew that Nick would end up biting a peace of her burger and Chris would steal Matt's fries -, giving the attendant time to select everything without rushing.

"Is that all for today?"

"Yes, that's all." Y/N confirmed, taking Matt's wallet out of her purse and taking out her card, quickly paying for the order. "Thank you so much. Have a nice day!"

Matt quickly mumbled a "thank you" before intertwining his fingers with Y/N's, allowing her to pull him toward a table.

༻﹡﹡﹡﹡﹡﹡﹡༺

Yes, they were polar opposites, but Matt and Y/N showed every day that opposites really do attract each other.

༻✦༺ 　༻✧༺　༻✦༺

My asks are always open. Feel free to send requests or anything at all 🩷💋

And remember to treat people with kindness always!

~ taglist:

@lustfulslxt @ladybunny44 @worldlxvlys @earth2starkey @remussbitch @freshloveforthefit @il0vebeingdelulu @sturniolowhore @mimi-luvzyu @alorsxsturn @urfavgirllyyyyy @domizzzsstuff @sturnizd @hearts4chris @cupidzsq @dracoflaco @leah-loves-lilies @tylerthecreatorsrealwife @rootbeerworshiper

(If you want to be added to the taglist, please comment here)

[little-hermit-crab56]

I've been writing for a while so I thought I'd share some writing tips I've learned along the way.

1. Never sacrifice the flow for a quirky line.

That bit of dialogue or flowery paragraph you really like but it kinda disrupts the flow? Scrap it. I know it hurts, but you need to. If you really want to keep it, find somewhere else to put it where it actually fits in.

2. Dialogue is a dance.

Dialogue should go at the pace of an actual conversation, back and forth with little breaks and pauses. Add as little dialogue tags as possible while still making it clear who is speaking. You can also describe what is happening during a pause in the conversation rather than saying they paused, unless the pause is important.

3. Show don't tell is a guideline, not a rule.

Show don't tell is a very useful guideline, but if you're ALWAYS showing it can get exhausting to read. Skip the boring bits and just tell us what happened, then we can get to the good stuff.

4. If it's boring to write, it's probably boring to read.

If you can cut out a whole scene with little consequence to the story, you probably should. As I said before, you don't always have to show us, you can always tell us.

5. Everything needs to have a purpose.

I know there are probably lots of interesting or cute scenes where your characters are just fucking around, but if it doesn't develop character, relations, conflict, or plot, why should we care? Definitely still write them if they make you happy, but if you're gonna add it to your final draft, make sure it matters.

6. You don't need to explain everything all at once.

I know it feels tempting to put all the lore, and all the character's intentions, and reasonings into the first few chapters, but please refrain, you can reserve that for your character and worldbuilding sheets. Instead, take the time to let us get to know the characters, and the world, in the same way we'd get to know a real person. Make your exposition as seamless and natural as possible. It will take practice to know when to reveal information and when to let us wonder, but you'll get there.

7. Write in a way that comes naturally.

I know you probably have an author you wanna write just like, but that is unlikely to happen. Embrace your natural writing style and perfect it, rather than trying to be something you're not. Writing is an art, you need to find your own style and polish it as best you can.

8. Try to make us feel connected by cutting out certain words like "felt".

"Chad felt like a glass of water." Can be replaced with, "Chad was thirsty, so he reached for a glass of water." Both sentences tell us Chad wants a glass of water, but one makes us feel more connected to Chad than the other. Though both sentences have their time and place, you want to make your audience feel as close to their protagonist as possible. Make them feel like they're there, rather than just an onlooker.

9. We don't need to know every physical detail of your character.

I know you probably spent ages creating the perfect characters and you want to give us the perfect image of what they look like, but it can get monotonous and boring, why do we care that your character has brown eyes unless the colour has some sort of significance? Try to list off only the most notable features of your character and put focus only on the relevant details. Sometimes you can even not describe them at all and throw in little bits of information about their appearance for the audience to put together. We read to imagine, not to have a perfect image painted for us when we could be getting to the plot.

10. You're allowed to be vague.

Allow your audience to assume things, with some things you can just be lazy and let your audience's imagination do the work for you. Of course, don't do this with important things, but you can save so much time you might've spent researching an irrelevant topic when you can just be vague about it. You don't have to know everything you're writing about, so long as you know the bits that matter.

11. Writing is a skill that takes practice.

Don't be so hard on yourself if your writing is a bit cringe, we've all been there. The important part is that you research how to get better and keep writing those super cringe chapters. One day you'll reread something from a while ago and realize you're actually not as bad as you thought.

12. Leave your work to rest.

I know you wanna start editing right away, but once you've finished, leave it for at least a month. The longer you leave it the better, but that depends on your attention span. A month to six months is good if you're really impatient but want a good result. If you keep writing in that time your skills will continue to improve, then you'll be editing that draft with fresh eyes and fresh skills.

And if you're a fanfic author, I usually leave my chapters for a week before editing and posting.

Hope this helps anyone struggling, I thought this might be especially relevant now with nanowrimo.

I recently realized how much knowledge I've been accumulating over the years, I definitely have more but this is all I can think of for now.

I'm no writing guru, but if anyone has anything they're struggling with, I can do my best to help you out, so dont hesitate to ask questions.

[woso-dreamzzz]

Promise

Hardersson x Child!Reader

Part of The Big Adventures Universe

Summary: Magda takes Pernille to dinner

The restaurant is fancier than the restaurants that Momma and Morsa usually take you to.

Evidently, Momma thinks so too because she holds your hand a little tighter and pulls you in front of her.

"Magda," Momma says," Are you sure this is the right place?" She looks down meaningfully at you.

The usual restaurants you go to aren't fancy like this. They're homey places, much more likely to be family-run for years rather than being awarded Michelin stars.

"Yep," Magda says as the host takes them towards a private booth at the back.

You're big enough now that you don't need to sit in a high chair anymore but Magda and Pernille still box you between them in the booth, sitting so you're in the middle and they're facing each other.

"This is expensive, Magda," Pernille warns.

"We can afford it."

"I know but, still."

"It'll be fine," Magda assures her," I promise."

This whole trip was out of the blue.

They had just come home from training when Magda sent Pernille off to the bedroom to change into something fancier than the usual tracksuit bottoms and old shirt she usually wore post training.

There was already something laid out on the bed and, by the time Pernille was finished, you and Magda had also changed. Tomorrow was a day off so it wasn't out of the ordinary for you all to go out the night before but not in fancy clothes and not to this fancy restaurant that looks like a little girl like you shouldn't be in it.

"Is there a kid's menu?" Pernille asks.

You frown. "I want a big girl meal."

Magda laughs, leaning over to kiss the top of your head. "I've ordered ahead for her."

Pernille raises a brow. "How did you even get a reservation for this place?"

"Millie knows a guy."

"You make it sound like she's in the mob."

"She could be."

"What's the mob?" You ask.

"Nothing, princesse," Magda laughs," Here. The nice host lady brought you some paper and crayons."

You grab the crayons quickly, scrawling over the paper with reckless abandon.

"I'm serious, Magda. What's going on?"

"Can't I take my girls out for a special evening?"

"You can," Pernille says, eyes narrowed in suspicion," But at a place like this? You're up to something."

Despite her suspicions, Pernille does end up having a nice time. The food is good, the wine is great. The company is, obviously, even better.

You seem to be having fun too, going through all of the crayons as you draw a picture of the three of you standing under a rainbow together.

The dress you're wearing, now that Pernille inspects it, is a perfect match to her own, right down to how it's styled on your body. Both of them compliment the ensemble that Magda's wearing, Pernille notices as Magda rises from her seat to take you to the bathroom.

You look like a perfect pair.

Pernille can see a lot of Magda in you, all the way down to the way you walk. You've got Magda in your face and your smile and the way you giggle hysterically when Pernille tickles your tummy.

You return after a few minutes without Magda, reaching out for Pernille's hand with the same secret smile on your face that Magda has when she's about to do something surprising.

"Where's your Morsa?" Pernille teases, allowing you to pull her up.

"She's outside," You say," She paid earlier. Come on, Momma!" You pull at her insistently. Clearly, Pernille isn't moving fast enough.

You pull her out of the restaurant and across the road to the play park.

Magda's waiting by the gate and you stop in front of her. You turn to look at Pernille.

You smile at her, the exact same as Magda's smile, before squeezing her as tight as you can.

Magda picks you up and you cover something with your hands.

"What have you two planned?" Pernille teases, her own smile ghosting her lips.

"Pernille," Magda says," I love you."

"I love you too."

"I understand that this moving in together thing is still new-"

"We've been moved in for a year?"

"I have a speech," Magda laughs," Can you let me get through it?"

Pernille laughs too. "Alright. I suppose so."

Magda clears her throat. "As I was saying...I understand that this moving in together thing is still new and I know that there's going to be a few hiccups along the way but I love you and I love Princesse and I love this little family we've made. I know we want a future together. Honestly...I...This came out of nowhere and I know we're still in the height of our careers but..."

She nudges you.

"Please agree to be engaged to be engaged to Morsa!" You say, holding out the little ring you've been hiding in your hands.

It's a fairly simple ring, clearly not a proper engagement ring but it's still beautiful. Pernille takes it from your hands, slipping it onto her finger.

"Yes," She says," I will be engaged to be engaged to your Morsa."

You cheer, a beautiful round of bubbly giggles spilling from your throat as Momma pulls Morsa into a kiss.

Morsa's cheeks are all pink when she pulls away and she's got one of those silly star struck smiles on her face that she gets when Momma is around her.

"Can we get ice cream now?" You ask and they both laugh.

"Yes, Princesse," Morsa says," Let's get ice cream."

[joeys-babe]

Joey B blurbs: Isn’t She Lovely

————————————————————————-

Summary: Joe brings the twins with him to one of his press conferences, but all Miles seems to want is ‘Momma’.

Warnings: Fluff

Pairing: Joe Burrow x reader

Imagine Universe: Into The Mystic

————————————————————————-

*No particular date for this fic!*

(Joe’s pov)

“Joe, my mom’s calling. Can you take the boys with you?” - you

“To my conference??” - Joe

y/n, Tyson, and Miles came over to Paycor today to watch us practice.

Afterward, I and a couple of the other guys stayed back to play football with the kids. The guys made a few jokes after Tyson successfully threw a spiral at two years old. I thought it was accidental, but Ja’marr and Tee swore it was the ‘Burrow gene’.

Now that almost everyone had left the stadium, y/n and the twins were allowed to come into the locker room with me.

y/n got on to me about how messy my locker was. I told her it was fine, but Tee made a ‘Happy wife, happy life’ joke saying I should clean it.

In the end, I knew I would end up doing it anyway to please her because that woman had me wrapped around her finger. She has since high school.

Currently, I was just about to step into the media room when y/n came rushing up to me, the twins behind her, saying that her mom sent a text saying call me ASAP.

Zac had just walked out from his conference, and he heard our conversation.

“You’re allowed to take ‘em in if you want to. I know you would rather be with them than have someone else watch them.” - Zac

“Yeah, okay. Thanks.” - Joe

“No problem, kid.” - Zac walked off

y/n stood in front of me, her phone still ringing, and I made a split-second decision.

“Go ahead, I’ll take ‘em, baby.” - Joe

“Thank you, you're the best, Joe.” - you

She looked around to see if anyone was present, and when there wasn't anyone, she pressed a quick peck to my lips.

I watched her speedwalk down the hall toward the women's bathroom to have some privacy, and I bent down to the twin's level.

“You guys have to go in there with me for my press conference, okay? You know those videos you watch of me with Mommy where the people ask me questions?” - Joe

“Yeh!” - Tyson

“You guys are gonna sit on my lap for one, okay? If you wanna leave at any point tell me.” - Joe

“Ok, Dada.” - Tyson

“What about you Miles? Sound good?” - Joe

“Sound great, Daddy.” - Miles

I stood up and picked them both up, one in each arm, and walked into the media room.

It was kinda funny watching the reporter’s faces turn to shock. They knew I was a reserved, closed-off person, and that I hated the media, so for me to bring my kids in here was surprising to them.

Pulling my chair out, I sat down and situated the boys on my lap. One sat on each leg.

Tyson laid his head on my shoulder while Miles was looking around, trying to figure everything out.

“How’s it goin’.” - Joe

Everything was silent.

“What’s this?” - Reporter 1

“A one-time thing.” - Joe chuckled

Everyone in the room laughed before a reporter spoke up.

“Who are these cuties?” - Reporter 2

“They're my two-year-old twins. Wanna say your names?” - Joe

I almost laughed as Miles immediately lept forward and grabbed the mic.

“I’m Miles.” - Miles

His voice was super loud in the speakers from how close he was to the mic, and I couldn't help but bust out laughing.

Eventually, I pulled Miles back into my lap and nudged Tyson. He silently shook his head.

“This is Tyson. He's my little mini-me and doesn't like the media like his daddy.” - Joe

The room laughed again before I continued talking.

“You guys can interact with the boys for a little bit but I'm here to talk football.” - Joe

For the first time since I walked in, the room fell silent, till Miles spoke up.

“Momma!” - Miles

“Someone wants his momma.” - Reporter 3 laughed

“Yeah. She’s on the phone, which is why I had to bring ‘em in here.” - Joe

“Momma?” - Miles looked up at Joe

“She’s on the phone, buddy. If you guys can't already tell, he's a momma’s boy. He’s more like her than me personality-wise.” - Joe

“So he’s social?” - Reporter 2 jokes

I laughed as I nodded my head, finding his dig at me to be funny.

“Momma!” - Miles whined

“Guys, excuse me, but I'm probably gonna have to call my wife.” - Joe

This was the most unorganized thing I've ever done.

Pulling my phone out to call y/n, she answered pretty fast.

“Hello? Are you still in your conference?” - you

“Yes, but can you come get Miles? He wants you like bad.” - Joe

“Oh yeah, of course. I’ll be right there.” - you

“Okay, good. See you in a sec.” - Joe

“I won't say I love you, so you don't have to say it back. I know you don't want that being picked up on the mic.” - you laughed

“I love you too, bye.” - Joe smiled

“What?!” - you

I hung up just after that, not caring that I said it right into the mic.

“She’s coming to get this one.” - Joe

I nodded at Miles, then realized he was waving directly at a female reporter.

Just a few seconds went by before the media room door opened and y/n walked in.

She looked at me, unsure of what to do, so I flicked my head telling her to come in my direction.

y/n walked up the platform steps and took Miles from my lap, who was smiling from ear to ear.

“Do you wanna go with Momma too?” - Joe

Tyson shook his head no and sat up, now facing the room of seated reporters.

I leaned the mic away from my mouth and whispered to y/n.

“Thanks, Mama. You look beautiful by the way. I'll see you after this is over.” - Joe grinned

She grinned at me, her cheeks flushing as she situated Miles on her hip before waking away.

When I faced the reporters and fixed the mic back to point toward my face, they all had smiles on their faces.

“Did… did you guys hear that?” - Joe

All at once they all said yes, yeah, mhm, yup.

My cheeks turned red from embarrassment, this was an absolute trainwreck.

“So… Tyson, what can you tell us about your daddy? What does he do at home?” - Reporter 3

“Uhm…” - Tyson sighed

All of the reporters laughed, finding it so funny that Tyson just pulled something so characteristically me.

“He is just like you!” - Reporter 1

“What do I do at home, Ty?” - Joe

“Kiss Mommy.” - Tyson giggled

I immediately groaned and covered my face with my hand. Tyson kept on laughing, and so were the reporters.

“I’m getting exposed right now.” - Joe

“We, Uhm, pway foot…ball.” - Tyson

“We do.” - Joe nodded

“That’s it.” - Tyson blabbered

The room laughed once again till a reporter spoke up.

“So all he does is kiss your mom and play football?” - Reporter 3

“Mhm!” - Tyson

“Pretty accurate, not gonna lie.” - Joe

“Joe, you're pretty smitten with your wife, yeah?” - Reporter 5

“Have been since high school. She’s the best though. The best mom, wife, best friend… and so much more. She keeps me grounded. I know I usually keep my personal life separate from football, but I love her more than anything.” - Joe

“More than football?” - Reporter 2

“More than anything.” - Joe reiterated

————————————————————————-

Authors note: though Joe would never do this, let's just imagine he would.

Request for this fic;

Hope you enjoyed! 💕

[togglesbloggle]

Why do you think tumblr will die in only a few years?

Answer with jargon: a strong correlation between recent economic shifts and chaotic choices by major tech companies is most easily explained if the 'traditional' social media platforms of 2005-2020 are mostly a zero-interest rate phenomenon.

Longer answer, with less jargon: Even though Musk's takeover is making all the headlines recently, the last year has in fact seen major shakeups at many social media platforms, so Twitter is actually part of a trend. Almost inevitably, these are cases of social media companies trying to find a way to squeeze more money out of their userbase (Reddit), cut costs dramatically (Twitter), or both. This marks a sudden departure from a much more relaxed attitude towards revenue in the Pictures Of Cats industry, where the focus was historically more on expanding the userbase to a global scale and then counting on world domination to sort of <????> and then the company would become profitable eventually.

We joke, correctly, that Tumblr has never been profitable. But the entire structure of ad-supported content curation between human users is deeply suspect as a business model; IIRC Twitter was never profitable either, and Facebook has been juicing its numbers in very shenanigany ways. Discord was actually making money on net last I checked, at least a bit, so they're not all completely in the hole. But even if you take the accounting figures at face value, none of these companies has anything like the amount of money that their cultural prominence would suggest. Instead, they're heavily fueled by investment dollars, money given by super-rich people and institutions in the expectation that fueling the growth of the company now will pay off with interest later.

So what changed?

I'm not an expert here, but I'll do my best to muddle through. The American Federal Reserve has one mandate that dominates all others (sometimes called the 'dual mandate'), and one primary tool that it uses to enforce that mandate. The goal is to maintain low (but nonzero) rates of inflation and unemployment, which in their models are deeply interlinked phenomena. The tool is 'rate hikes', or more specifically, tweaking the mandatory rate of interest that banks charge one another when making loans.

As a particular consequence of this, hiking the rate also means that bonds start paying out much better. When the rate hike goes through, that affects people who let the government borrow their personal cash- that is, people who buy bonds- as well as institutions like banks that lend to one another. A rate hike means that you, personally, can make a little extra money by letting the government borrow it for a while. The federal government of the US is a rock-solid low-risk choice for this kind of moneymaking scheme, so the federal interest rate sort of defines the 'number to beat'; to attract investors, a company has to give those investors money at a better percentage than whatever the feds are offering. Particularly since a company is a lot more likely to go out of business than the state!

To wrap this back around to the Pictures Of Cats industry: the higher the rate hike, the better your company needs to be doing (or the less risky it needs to be as an option) to attract big investment dollars. Very high rates make it very hard to convince people to invest in business activity rather than the government itself, and very low rates put moonshots and big dreams on the table, investment-wise, in a way that wouldn't otherwise be possible. Social media companies were one of these big dreams.

In the great financial crisis of 2008, the Fed took the dramatic step of reducing their rate to zero, trying to juice the economy back to life. And ever since then, they've kept it there. This has produced an unprecedented amount of funding for very crazy stuff; it's part of what has allowed so many weird new tech companies (Uber, streaming services, etc.) to get so much money, so quickly, and use that to grow to massive size without a clear model of how they're ever going to make money. This state of affairs kept going for quite a while, with no clear stopping point; that zero-interest environment has been one of the shadowy forces in the background that shaped fundamental contours and limits in how our Very Online World has grown and developed. Until COVID.

Or rather, the bounce back from COVID: we suddenly saw a massive spike in inflation and an incredibly strong labor market, as employees quit in record numbers, negotiated higher salaries, and found better work, and at the same time supply chain issues and other economy stuff caused prices to climb dramatically. Recall the Fed's 'dual mandate', to control the employment rate and inflation. This was, basically, kicking them right in the jooblies. They responded in kind, finally finally raising their rates for the first time in 15 years. For some of the people reading this, it'll be the first significant shift in their entire adult lives.

The goal, as I understand it, is to fight inflation by reducing the amount of outside investment into private companies, forcing them to hire fewer people and pay smaller salaries, ultimately drawing money out of the working economy and driving prices back down by lowering demand for everything. You get paid less, so you eat out less, and buy at cheaper restaurants when you do, so restaurants have to compete harder by lowering their prices; seems pretty dodgy to me as a theory, but it's the theory. And the first part will almost certainly work- companies are going to see less investment.

For social media companies that are still paying most of their salaries with investor dollars instead of revenues, this is especially catastrophic. Without outside investment, they're just a massive pile of expenses waiting to happen, huge yearly costs in developer salaries and server fees. This is why, all of a sudden, every social media company is suddenly making bonkers decisions. They're noticing that nobody wants to give them any more money! So they're trying to figure out how to live a lot more cheaply, to actually somehow for reals turn their giant userbases in to some kind of actual revenue stream, or both.

Tumblr is kind of the ur-example of this kind of thing, supporting a very large userbase with no coherent plan whatsoever to start paying its staff with our dollars instead of investors' dollars. When interest rates were low and Scrooge McDuck had nowhere else to hide his pile of gold coins, a crazy kid with a dream was the best alternative available to him. But now, unless something changes, he's going to notice he can just buy bonds instead, and that crazy kid can go take a hike.

That's why I think Tumblr is living on borrowed time, though I don't know how much. Like all cartoons, the economy doesn't really fall off a cliff until somebody looks down and notices they've been standing on thin air this whole time. But they always fall eventually; that's the gag.

[howtofightwrite]

For a character that virtually can’t die and regenerates in order to keep living, how do you make action interesting? Emphasize they still feel pain, why they’re doing it?

I'm actually going to step back a bit from this question first, and complement it. This is a very honest question, and something most writers who include violence in their work, should really think about. Even if you don't think you have characters like this, you do.

Now, I'm going to dunk on Ben “Yahtzee” Croshaw for a moment. Ages ago (I think it was in one of his Resistance reviews), Yahtzee described, “threatening to blow up the world,” as the laziest form of raising the stakes. Because, “hey, I live on a world.” He's mostly correct. Threatening your protagonist's life is even lazier. In the vast majority of cases, your audience knows you won't go through with it. That you won't kill off your protagonists.

With that in mind, when you decide your protagonist is completely immortal, that changes less about how you write them than you might expect. The biggest difference is simply that they're directly aware of their plot armor, rather than them engaging in faux indecision based on their perceived mortality. Again, this is something that every writer who uses violence should think about, at least a bit. It is natural for a character to fear for their life, and have reservations about risking their life, but making the part where your character's lives are on the line isn't automatically suspenseful. In a lot of cases (consciously or not), your audience will call your bluff, when you threaten to kill off a major character.

If you think back to major character deaths where something drops them without warning, part of what makes those scenes work is the lack of (apparent) setup. The writer didn't spend pages teasing you with the idea, they just went for the throat and ended that character on the spot. This is more respectful of your audience, because you're not telling them, “well, I might kill this character, or I might not.”

To be clear, I'm not saying that there's no place for teasing your audience with a character's impending demise, just pointing out that in a lot of cases, this won't generate the kind of suspense you'd hope for.

So, to get back on topic, how do you make it interesting? Remember that while this character can't die, the same is not true for the characters around them. Depending on the tone you're going for, you could create an absolutely brutal crucible effect, where everyone around your immortal gets burned off, sooner or later. Whether that's literal, or figurative, is up to you. Even if your character can't die, watching people they care about suffer and die is going to have an effect on them.

You probably don't need to draw special attention to the physical pain they experience, but you do want to be aware of it. Especially in the context of how pain affects the victim's behavior. Beyond that, there is probably an element of pain being far more annoying to the immortal than it would be to a normal person. They know it's not telling them anything meaningful, but it is distracting.

Long-term, both of these can easily result in personality shifts. And, legitimately, this is a scenario where a character may be immortal, but they would still experience significant changes over time, and with the growing emotional pain, could have very adverse effects on your personality. This does have some very real, “live long enough to see yourself become the villain,” potential. How many friends can you lose before you stop caring? How many funerals can you attend before you start taking the phrase, “you're either part of the solution or part of the problem,” a little too far? How many times can you pick yourself up off the pavement a blood-covered alleyway, surrounded by corpses, before you start to forget what made you human in the first place?

And, that's not the only option. The simplest answer for maintaining tension when one of your characters is immortal is keeping your eye on what they're trying to accomplish. Keep track of their objectives, because I guarantee they can fail those. Even just keeping their own nature concealed from the mortal world is probably fairly important, because of the idea that men in hazmat suits will drag them away to some research lab and poke them until they figure out how to replicate their immortality, is a classic (and potentially plausible) threat. (Bonus points, if you're wanting to loop in something like the medieval inquisitions, or some other secret societies that could pose this kind of a threat.)

So, what do you do? To dig out an old cliché threat, “there are fates worse than death,” and it's probably worth exploring them. This also opens up new possibilities for threats. Finally, it's worth remembering that immortality does not guarantee success. If your character is hoping for that, it might be time to give them a very harsh lesson.

-Starke

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[listles-s]

man laios and toshiro's/shuro's dynamic is incredibly compelling to me on multiple levels

when you look at them, you can see the cultural and personal barriers that drive almost every single aspect of their relationship, both positively and negatively. laios is incredibly outspoken and driven by his passions, which he expresses freely even in the face of annoyance and/or criticism- he's allowed to be as authentically himself as he pleases, and it's this drive that allows him and the others to survive as long as they have, especially due to the fact that these passions and interests are intertwined with his skills as a dungeon diver. toshiro, in contrast, is incredibly reserved, not only due to his eastern upbringing but also his status as nobility- a combo of cultures that both demand that one save face, to avoid conflict at any cost, even at the expense of one's own feelings and individuality. this, in turn, has made toshiro the perfect samurai, as he's politely-spoken, agreeable, and an honorable, skilled man. both are also incredibly devoted to falin on different levels, having come to accomplish the same mission of her rescue despite drifting apart from the party.

on the flipside, it's these same strengths that cause them to clash- laios is outspoken but unable to truly decipher the emotions of others, leading to a lot of false assumptions and frustration from those who interact with him. toshiro is stoic but to the point of complacency, leading to a aggressively neutral disposition that's ushered by the needs and wants of others, rather than himself. neither man truly knows where they stand with the people important to them in their lives, and hold the ones that they do know how they feel with a fierce admiration expressed in ways that aren't always traditional.

in the end, they both share a growing feeling of isolation from other people that comes to a head when they meet again in the depths of the dungeon, and they both have different ways of coping with the frustrations that arise, seeing the other as only the things they have seen face to face.

it's laios' ability to express himself emotionally without consequence that sparks jealousy in toshiro, leading to a physical fight born out of miscommunication and envy. while toshiro is a driving force in the conflict, it should be noted that the actual fight is started by laios, breaking the dam of indirect communication through force. nothing is more direct than a slap to the face, and it's only after they start hitting each other that toshiro's true feelings come to light.

however, at the end of it all, toshiro is the one who stops torturing himself, listening to laios and giving him the bell, allowing laios and his party entrance into his homeland should they need it, and ultimately giving him support in his mission to defeat the dungeon mage, albeit in his own way. despite it all, they're still good friends with a conflict that boiled over, but came out the other end with a slightly better understanding of each other. the fight was painful for both of them, but it was a necessity for their dynamic to improve, and for them to be made aware of their faults and improve as individuals as well.

but also, if you think about it, their dynamic is literally just this

[reztoru]

tw / cw : Spoilers if you're not caught up in the manga!!!! Only fluff here

a/n : my contribution to reunion fics. missed my honey bun. </3

w/c : 792

Nothing could have prepared you for Satoru walking through your doors in the dead of night. Here you are, curled up on the couch with a tub of ice cream and teary eyes. You froze mid bite. With the spoon halfway to your mouth. Blinking, once, twice. Rubbing your eyes as he makes his way over to you.

"Thought you'd be a little more excited to see me."

You are; if he's real that is. You're not entirely convinced that he's in front of you. Thus you reach out with a shaky hand, and poke his cheek. The breath you let out is loud; you hadn't even realized you were holding it in.

"it's you," you whisper.

"It's me." Satoru gives you a lopsided smile.

You unravel yourself from your spot. Reaching timidly out to him again, repeating your words over and over. "it's you, it's you." And they slowly become a little incoherent as they morph into quiet sobs. He doesn't waste another second and scoops you into his arms.

What is there to say? Where do you even start?

"We can talk later." He mumbles, as if he knows.

You nod into his neck, burying yourself as far as you can go. Mumbling delicate words, "I missed you."

And you're not sure how reunions between lovers are supposed to go but you had thought that it would be grand and dramatic. Tears flooding the room, and loud wails filling up the spaces the salty waters couldn't reach.

This reunion is anything but loud. It's quiet Filled with shock and grief. There's nothing particularly grand about it. And the wails you had thought were going to come are breathless, trapped in your throat.

It takes a moment before he peels away from you. He bears a huge grin as he holds out a single flower — it's actually a weed. And it feels like for the first time in years, you smile. You chuckle, ready to break the news.

"That's a weed, pretty boy."

"Huh? I thought it was a flower."

You let out a breathy laugh. Taking the little weed into your hands. Eyes gazing on it tenderly as you do, "it's the thought that counts, I suppose."

"I was trying to be romantic. Hoped I could win your heart back if I picked you a bouquet on the way home."

"The bar is low, huh?" You nudge your nose against his cheek, "thank you."

Maybe your love is akin to the little weed he picked up. Unexpected, and with its own sense of beauty. Resilient in its pursuit to survive. Persistent and a little annoying. But through the right eyes they're just as beautiful as the moon flowers they find themselves sprouting next to.

"I missed you," he finally says.

And he sounds a little small; defeated. Nothing like the almighty image he carries. But it's only in the darkness does this side come out — the only time that's reserved for you.

You've found that nights are when lovers meet, because bustling life and busy schedules hold them apart. Or in this case; a box.

The sun tells them, no, the time is not now. But the moon, it welcomes them with open arms, offering the showers of domesticity they've come to enjoy.

This is where Satoru comes to meet you, in the space you've made home. It's only deep into the night where your love bursts into a vivid red glow. It's when he dances with you in your whispered laugh. And when he smiles as you give him a twirl, and it's as he takes you for a dip does his heart kiss yours.

The love you share shimmies around, hopping on its feet in the music you both make. And it simmers when you pull him in to rest against you. Continuing on with a soft sway to the white noise that lingers.

This is an intimacy that’s reserved for when souls collide in these cream coloured rooms. Where the walls are covered in memories and filled with pointless things. It’s where you'll find voices are barely above a soft murmur; scared they'll wake up the world.

And as the silence engulfs you, neither of you really mind. Truthfully, there’s nothing to say, or rather there’s nothing that hasn’t been said. Because even as still as the silence presents itself, it’s heavy and already carries that of which has been spoken before — and will be again.

And perhaps no words really need to be spoken when lovers reunite. The tenderness of touches speak for themselves. And as you both dance in this dimly lit room, you decide to end the night with the words that you've been waiting to say for a while now.

"Welcome home, my love."

[merakiui]

another octavinelle in captivity concept, but consider (rather than a research lab) merfolk are something of an entertainment for humans and are captured and sold to aquarium parks.

there hasn't been enough research on them to determine whether or not this is humane and ethical and whether or not merfolk function on the same level of intelligence as humans do. but then there are ways to skirt around suspicions and questions, covering up dubious morals and ethics with all sorts of convoluted legalese and happy diversions. besides, merfolk are so novel and exciting. so many people are eager to see them in their tanks, performing all manner of fun tricks for the public, so the flashiness of something new does well to cover up the mounting dread that this isn't right.

there are three merfolk in captivity at your local aquarium. two eel mermen, twin brothers, and an octopus merman. they're so fascinating. no one's ever seen anything like them before. one of the twins is far more playful; he's a fan favorite. audiences are astounded by his agility, his ability to perform amazing tricks as he weaves through obstacles, jumps up out of the water like a majestic dolphin, catches fish midair, and seems to have such friendly, outgoing relations with his trainers. he even lets kids pat him on the head when they're randomly selected from the audience to get close to him. as scary and strong as he may seem, he is quite the gentle sweetheart.

the other twin is much more reserved and quiet, but he knows how to entertain. he's sly and sneaky, swiping things from the trainers and then making them disappear before the audience's eyes with skillful sleight of hand. children adore him. tiny hands press against the glass beneath the main event area, where people can watch them swim at deeper depths. both eels love amusing the children, swimming in circles, pressing their hands to the glass in greeting, waving and clicking with big, toothy smiles. it's very endearing. they even pose for photographs!

and then there's the octopus.

he's had...incidents and so he isn't kept in the spotlight anymore. they isolate him from curious eyes. he isn't very friendly. rather, he's excessively gloomy and defensive. he's kept in a pool for the ill. you tend to him, doing your best to provide stimulation. he's so smart, but you're not allowed to tell anyone that or else ethics will be brought into question. you slip him cube puzzles and other curiosities, and for a while he seems pleased. it took many months for him to be comfortable around humans after his last incident, and now it seems like he genuinely trusts you. you sit poolside and chat with him for hours, and he responds with his clicks and chirps. you wish he wasn't kept in captivity like this. it doesn't seem fair. he's missing out on so much life in the wide, vast ocean beyond this cramped enclosure.

you know you should feel happy when you see him every morning, noting how brightly he lights up when he sees you enter his enclosure, but you can't help the sadness that strikes through your heart. it's not fair. he and the eels shouldn't be put on display. their home is in the ocean. they deserve freedom.

wild animals will always be wild animals, for they can never be tamed no matter how much you might delude yourself into thinking so.

so it's horrifying when the eel twins tug their trainers into the pool, bloodying their maws and the water before an audience of once-awestruck people, reminding everyone that, no matter how sweet and friendly they may seem, they are predators from the deep who can tear a human to shreds within mere seconds. it's just as horrifying when the octopus is wrapping his tentacles around your ankles and wrists, clicking frantically at you, face flushed blue and desperate as he tries to pull you into his pool.

you're not killed, but maybe that would have been better than having to endure the poor octopus's clumsy, possessive attempt to mate with you.

the pool for the ill gets two more visitors, and the eel twins are pleased to see you again, flashing big, broad smiles and clicking with excitement. you've stopped visiting and training with them ever since you were transferred to the octopus, so they had to take matters into their own claws and find a way to meet you again.

merfolk are not a novelty to be captured and placed on display. the aquarium park learns this the hard way, and so do you when they refuse to give you up to the humans.

[amorchai]

OMG IM IN LOVE WITH UR JESS MARIANO FICCS!! can i request a jess mariano x reader? the reader is a naturally loud and bubbly person. reader is talking to jess abt something they're excited abt, but realize that theyve been talking the entire time and jess hasnt said anything, reader automatically shuts down and stops themselves bc they're always told that theyre too loud and talk to much. i need the comfort fics😢😢 <3

jess assures you when you're insecure.

pairings: jess mariano x reader

words: 466

warning(s): insecurity ( r thinks they talk too much )

you had been mid-rant, jess fresh on break with a tea towel over his shoulder and hair tousled from the aftermath of mid-afternoon rush in luke’s café. when you had entered, the chaos of people leaving, jess breathed a sigh of relief and his uncle granted him his break.

you were talking about your long day at college – filled with dramatic students and unsympathetic professors, jess was sitting across from you, head perched on his palm staring at you.

“… i didn’t do one of the readings because i used that time to see you instead, god forbid i have a social life because he didn’t care… he just looked right at me and said that i should’ve known the answer.”

jess quirks a smile, a simple ‘how was your day?’ turning into a ramble that he didn’t dare interrupt. he knew you were interested in him, you just needed to offload and then you’d ask how his day was – even though his was significantly more boring than yours.

“anyways, i met paris for a bit during our free periods – she drove down and we grabbed some lunch. so that made me feel better, oh they had the best black coffee! paris loved it! i should take you sometime-”

you take notice into how jess is staring at you, your energy yields as you take it for boredom rather than admiration, the relationship was still fairly new in your defence.

“i would love that, baby,” jess replies.

your eyebrows furrow, your finger that previously runs across jess’ free palm stops. jess matches your expression, hand cupping yours with a small, “what’s just happened?” confused by the sudden silence and change of energy.

“no, sorry, was just rambling. i haven’t even asked you how your day was…” you trail off, looking down to your hands to avoid eye contact in case you might cry. jess tries to meet your gaze, head lobbing down, “it’s okay, i like listening to you talk.”

you look at him, eyes wide and confused, “you do?” jess’ heart throbs in his chest, unsure if you’ve been called out on being talkative or upbeat before, but a topic he’ll bring up another time. “’course, baby.”

your biting your lip anxiously, the need to kiss him very much sitting in your heart, if only you weren’t in the company of small-town eyes – babette sitting across the room. “how was your day?” you ask jess, smiling happily when he takes both your hands in his.

“alright, kirk saying this, dean annoying the living the hell outta me. but tell me more about the café. we could go on friday after your college class, yeah?”

you couldn’t help following your heart in leaning over and kissing jess, even if it was only for a few seconds.

my masterlist . my taglist

amorchai © ─ all rights reserved. no reposting/translating/copying will be tolerated.

[shall-we-die]

╔‌‌‌‌•°💗༄•°══════════•⊰•°༄༚

{Honesty}

Do they have secrets they hide from their s/o? || Or do they share everything?

╞•⊰❖⊱•═══•༻💞༺•═══•⊰❖⊱•╡

↬[Fandom]•⊰ {Bungo Stray Dogs}࿐

↬[Warnings]•⊰ {None}࿐

☰[Main list]•⊰ ────┈┈{0049}┈─╮

╭──────┈┈┈┈┈───────╯

╰┈➤Likes/Reblogs are appreciated࿐

╚•°💗༄•°══════════•⊰•°༄༚‌‌‌

↬|Atsushi|

• Atsushi is a generally open and honest person, and often chooses to share as much of himself with his lover as possible.

• He's not afraid to open up and be vulnerable in front of his significant other, and values honesty in their relationship. He will often share things about himself without reservation, and will often trust his significant other with information that he wouldn't normally share with anyone else.

• However, there are times when he may choose to withhold certain information, either because it's too painful to discuss or because he wants to protect his lover from potential hurt or disappointment.

┣━━━━━━━━━━━━━┅┅┅┄┄

↬|Dazai|

• Dazai has kept quite a few secrets from his s/o. Some aren't intentionally being kept because of malicious reasons, while some are.

• The ones he's kept because of malicious reasons are related to the darker side of his life. They're secrets that Dazai is ashamed of and scared to share with the world out of fear of losing his s/o, the only person he's comfortable enough to be vulnerable around.

• However, as time passes and he trusts the other one more, he might eventually open up to them about them. But only at the right time.

┣━━━━━━━━━━━━━┅┅┅┄┄

↬|Akutagawa|

• Akutagawa might have some secrets that he doesn't share with his partner, whether because he feels embarrassed or ashamed of them or because he prefers to keep them to himself.

• While he does have a lot of trust in his partner, he may choose not to be completely open about all aspects of his life.

• At the same time, Akutagawa might also be the type to share the minute details of his day and everything that's going on in his head with his partner.

• This could include sharing deep thoughts and feelings that might otherwise be kept private. Overall, he may be a mix of both.

┣━━━━━━━━━━━━━┅┅┅┄┄

↬|Chuuya|

• Chuuya is not the type to have many secrets but he definitely has some. He usually keeps things about his past to himself because it's something painful and personal, he also keeps some important details that affect his behavior secret from his s/o.

• However, he slowly starts to reveal things about his past and show his emotional side the more he gets used to his s/o.

• But he is not afraid to tell his s/o everything important to him, he knows that their relationship needs honesty and trust.

┣━━━━━━━━━━━━━┅┅┅┄┄

↬|Tetchou|

• Tetchou, as a boyfriend, has secrets that he hides from his lover of course. He has his own personal thoughts and feelings that he may not feel comfortable sharing with them, or he may be afraid of how they will react.

• He may also have experiences in the past that he has not yet disclosed to them, or he may be ashamed of something he's done and want to keep it to himself.

• He would prefer to keep these things private, and may even feel embarrassed if he is ever found out.

┣━━━━━━━━━━━━━┅┅┅┄┄

↬|Jouno|

• Like most people, Jouno has his own set of secrets that he prefers to keep only to himself. However, when it comes to his lover, he is usually quite honest and transparent in sharing things about himself and his past.

• Jouno may be a bit mysterious and hard to understand, but he's not one to keep big secrets from his beloved.

• Any secrets he keeps would likely be about trivial or embarrassing things rather than personal or major things in his life.

┣━━━━━━━━━━━━━┅┅┅┄┄

↬|Fyodor|

• Fyodor isn't someone who shares everything with s/o. He usually does share very important things related to their relationship or his s/o.

• But he also keeps some personal stuff private, even though he loves them so much, sometimes he just wants to keep some things as a secret.

• He does tell a little things bit by bit, so that s/o doesn't get overwhelmed by the information and that helps him also know their reaction.

┣━━━━━━━━━━━━━┅┅┅┄┄

↬|Nikolai|

• Nikolai is likely to have some secrets that he hides from his S/O, especially if they're things he's embarrassed or ashamed of.

• However, he would share everything important to their relationship with them, and he would want his S/O to be the person who knows him best and can truly understand him.

• He would also want to be able to confide in his S/O without worrying that they might judge or criticize him for his secrets.

┣━━━━━━━━━━━━━┅┅┅┄┄

↬|Sigma|

• Sigma does have secrets he keeps from his s/o. However, most of these secrets don't have to do with the relationship itself, but rather his past or other parts of his life.

• He keeps many things about his past to himself and doesn't often talk about it. He doesn't want his s/o to worry about him or see him in a different light.

• However, he does share everything that is relevant to the relationship and makes sure to be open and honest about how he feels.

• He values communication and transparency in a relationship and doesn't want to keep things from his s/o that could cause problems.

||[🄷onesty]||

━●━━━━━━────────

     ⇆ㅤㅤ◁🄶ㅤㅤ❚❚ㅤㅤ🄸▷ㅤㅤ↻

[therealgloomygirl]

Hiya, I loved your Yandere!Athena HCs! Could you maybe write Yandere Percy and Jason x reader HCs, like in a poly situation? Thank you! ❤️

yandere PJO! Percy Jackson x demigod! darling X yandere HOO! Jason Grace 🌊☁️⚔️ - general hcs

!!WARNINGS!!: yandere, obsessive and stalkerish behavior, manipulation, mentions of vi0lence and murd3r, overprotectiveness, jealousy, etc etc you know the drill

pairing/s: yandere pjo!Percy and Jason x demigod!darling

a/n: sorry it took so long anonie, i kept losing motivation lol

So let's start this off strong, if this was pre-Blood of Olympus Percy and Jason, they definitely would've killed each other for you soooo...

Let's just assume this is pre-Trials of Apollo Percy and Jason

You were one of the half-blood campers who went to New Rome for college

And by some stroke of luck (or not) you managed to catch the eye of two of the most powerful demigods ever known, Percy Jackson and Jason Grace

I'd assume that both of them would already be in a relationship with each other when you showed up

Jason would be the first one who would notice you

He had noticed Frank showing you around the campus while he was in one of the cafes and he was immediately intrigued by the reserved air you held about you

How you shyly thanked Frank for showing you around and how you looked around the campus like it made was straight out of Mount Olympus

In Jason's eyes, anyone who can appreciate the beauty of Rome is gorgeous to him

So naturally he developed an interest in you

Jason is a very communicative boyfriend and the second he realised he might have developed feelings for you, he immediately told Percy

Of course, it wasn't like he wasn't in love with Percy, it's just that you had caught his eye too

At first, Percy was pissed. Percy is a rather overprotective boyfriend to have and he immediately began digging up on you, to find out who had been attracting his boyfriend

However, when he started learning more about you, he couldn't stop himself from liking you

For some reason, you had the same effect on him that Jason did and he immediately understood why you had caught Jason's eye

The two of them had a long conversation and agreed to try to win you over

So they would start reading into you, finding out what you like, what your hobbies are, things like that

They didn't realise it but they developed quite the obsession with you, observing you late into the night, thinking about you constantly

Finally they approached you, on the pretense of wanting to welcome the new blood

You were quite flattered to have such important demigods willingly offer to be your guides and immediately took up their offer of friendship, starting to hang around with them more

I feel like Percy and Jason would genuinely want to be your boyfriends instead of kidnapping you or just making you fall in love with them so it would be easier to get you

They want a healthy, normal relationship with you but they don't realise that their love for you goes far too deep for a normal relationship

Your friendship would start off really simple, just things like picnics in the gardens of Rome, late night study sessions, the occasionally fighting monsters outside camp

Slowly they'd become more bold, starting to bring you gifts, surprising you with things that they had handmade from the Vulcan campers, just for you

They'd finally offer the option of joining their relationship to you one late night and they'd be absolutely over the moon when you shyly accepted

Once they're officially your boyfriends, you'd notice them competing with each other for your affection

It'd start off with small things, like if Percy took you out to a gorgeous beach on a weekend as a little relaxing surprise for you, you'd notice Jason eyeing him a little challengingly

Then Jason would take you on a surprise flying trip to wherever you wanted and and would have a lovely time with you, only to come back home to a rather grumpy Percy

Of course they still love each other, but they can't help but feel a little more competitive when it comes towards you

Honestly, it's one of the things that keeps their relationships going and it's rather interesting to watch at times too

I have this headcanon that Jason cooks really well so he'd learn your favourite food and make it for you <3 (just don't ask HOW he knows your favourite food since you never told him)

Percy is insistent that you learn how to swim so he'll drag you to the beach at random and try to teach you how to swim if you don't already know

If you DO know, he'll try teaching you tricks and will show off his own stunts underwater to general applause (although Jason keeps berating him for it since it makes Percy dizzy, he's usually on a lounge chair, watching you two)

Percy isn't very happy if you wear a revealing swimsuit but let's it go when Jason reminds him that not only can they both fight, so can you

He still glares at everyone who looks at you in even a slightly admiring way but usually Jason is there to restrain him from dousing them in sea water

I think they probably wouldn't punish you or such, since they didn't have to kidnap you to get you and since they don't like hurting you

I'd say the most they'd do as a 'punishment' is ignore you for a few days, essentially isolating you but just from them

And of course, since you love them so much, it's pure torture to you so you do everything you can to make up to them

Both of them looooove reminding you how gorgeous you are

Percy totally takes photos of you all the time with a Polaroid, no matter whether you're eating, studying, sleeping

When you stay up late to study at night, Jason is right by your side, providing you with an unlimited supply of coffee or hot chocolate, whichever you prefer

Percy would probably study with you since he isn't very good at studies either but he'd probably get really easily distracted by how pretty you were which results in Jason having to smack him on the head (and then kiss his forehead because he felt bad about it)

They NEVER forget important dates

Anniversaries, birthdays, special holidays you like, they will ALWAYS remember

Both of them spend hours with each other while pondering your gifts (and each other's but neither one of them tells each other that)

It's always a thoughtful, sweet gift whether valuable in sentiment or use

They spoil you as much as they can with what money they have

Jason leaves little notes for you all over your dorm, some reminders and some just sweet compliments <33

Percy definitely brings you random trinkets from his father's palace when he goes to visit <3

Both of them LOVE showing off their horses, offering rides to you at random odd hours of the day

If anyone dared to ask you out, usually Percy would pull them into his cabin to talk to them, with Jason by his side as he calmly tries to explain that you were already dating them

Usually, the demigods of two of the most powerful Olympians confronting them regarding a loved one, would have any demigod with any common sense immediately apologizing and promising not to do it again

If some idiot, however, ignores their (Percy's) warnings, neither Percy or even Jason can guarantee their safety next time they're in the air or the sea

They may not have as many powers over their respective domains but they have enough to cause 'accidents', small things that confuse, weaken or hurt the unfortunate fool who chose you to have a crush on

They wouldn't go as far as to kill anyone though, unless it's in a fit of rage (Percy) or they decide it's well deserved (Jason)

Overall, they're amazing boyfriends and the chances of you ever finding out about their obsession is almost zero since they're so sweet and loving that it distracts you from all the red flags <3

----------------------------------------------

a/n: the ending was lazy but kindly forgive me for that, it was like 3 am, I'm so sorry ☠️☠️

[mostlysignssomeportents]

Social Security is class war, not intergenerational conflict

Today, Tor.com published my latest short story, "The Canadian Miracle," set in the world of my forthcoming (Nov 14) novel, The Lost Cause. I am serializing this one on my podcast! Here's part one.

The very instant the Social Security Act was passed in 1935, American conservatives (in both parties) began lobbying to destroy it. After all, a reserve army of forelock-tugging plebs and family retainers won't voluntarily assemble themselves – they need to be goaded into it by the threat of slowly starving to death in their dotage.

They're at it again (again). The oligarch-thinktank industrial complex has unleashed a torrent of scare stories about Social Security's imminent insolvency, rehearsing the same shopworn doom predictions that they've been repeating since the Nixonite billionaire cabinet member Peter G Peterson created a "foundation" to peddle his disinformation in 2008:

https://en.wikipedia.org/wiki/I.O.U.S.A.

Peterson's go-to tactic is convincing young people that all the Social Security money they're paying into the system will be gobbled up by already-wealthy old people, leaving nothing behind for them. Conservatives have been peddling this ditty since the 1930s, and they're still at it – in the pages of the New York Times, no less:

https://www.nytimes.com/2023/10/26/opinion/social-security-medicare-aging.html

The Times has become a veritable mouthpiece for this nonsense, publishing misleading and nonsensical charts and data to support the idea that millennials are losing a generational war to boomers, who will leave the cupboard bare:

https://www.nytimes.com/2023/10/27/opinion/aging-medicare-social-security.html

As Robert Kuttner writes for The American Prospect, this latest rhetorical assault on Social Security is timed to coincide with the ascension of the GOP House's new Speaker, Mike Johnson, who makes no secret of his intention to destroy Social Security:

https://prospect.org/economy/2023-10-31-debunking-latest-attack-social-security/

The GOP says it wants to destroy Social Security for two reasons: first, to promote "choice" by letting us provide for our own retirement by flushing even more of our savings into the rigged casino that is the stock market; and second, because America doesn't have enough dollars to feed and house the elderly.

But for the New York Times' audience, they've figured out how to launder this far-right nonsense through the language of social justice. Rather than condemning the impecunious olds for their moral failing to lay the correct bets in the stock market, Social Security's opponents paint the elderly as a gerontocratic elite, flush with cash that rightfully belongs to the young.

To support this conclusion, they throw around statistics about how house-rich the Boomers are, and how much consumption they can afford. But as Kuttner points out, the Boomers' real-estate wealth comes not from aggressive house-flipping, but from merely owning a place to live. America's housing bubble means that younger people can't afford this basic human necessity, but the answer to that isn't making old people homeless – it's providing a lot more housing, and banning housing speculation:

https://pluralistic.net/2021/06/06/the-rents-too-damned-high/

It's true that older people are doing a lot of consumption spending – but the bulk of that spending isn't on cruises to Alaska to see the melting glaciers, it's on health care. Old people aren't luxuriating in their joint replacements and coronary bypasses. Calling this "consumption" is deliberately misleading.

But as Kuttner points out, there's another, more important point to be made about inequality in America – the most significant wealth gap in America is between workers and owners, not young people and old people. The "average" Boomer's net worth factors in the wealth of Warren Buffett and Donald Trump. Older renters are more rent-burdened and precarious than younger renters, and most older Americans have little to no retirement savings:

https://www.forbes.com/sites/teresaghilarducci/2023/10/28/the-new-york-times-greedy-geezer-myth/

Less than one percent of Social Security benefits go to millionaires – that's because the one percent constitute one percent of the population. It's right there in the name. The one percent are politically and economically important, but that's because they are low in numbers. Giving Social Security benefits to everyone over 65 will not result in a significant outlay to the ultra-wealthy, because there aren't many ultra-wealthy people in America. The problem of inequality isn't the expanding pool of rich people, it's the explosion of wealth for a contracting pool of rich people.

If conservatives were serious about limiting the grip of these "undeserving" Social Security recipients on our economy and its politics, they'd advocate for interitance taxes (which effectively don't exist in America), not the abolition of Social Security. The problem of wealth in America is that it is establishing permanent dynasties which are incompatible with social mobility. In other words, we have created a new hereditary aristocracy – and its corollary, a new hereditary peasantry:

https://pluralistic.net/2021/06/19/dynastic-wealth/#caste

Hereditary aristocracies are poisonous for lots of reasons, but one of the most pressing problems they present is political destabilization. American belief in democracy, the rule of law, and a national identity is q function of Americans' perception of fairness. If you think that your kids can't ever have a better life than you, if you think that the cops will lock you up for a crime for which a rich person would escape justice, then why obey the law? Why vote? Why not cheat and steal? Why not burn it all down?

The wealthy put a lot of energy into distracting us from this question. Just lately, they've cooked up a gigantic panic over a nonexistent wave of retail theft:

https://www.techdirt.com/2023/10/31/the-retail-theft-surge-that-isnt-report-says-crime-is-being-exaggerated-to-cover-up-other-retail-issues/

Meanwhile, the very real, non-imaginary, accelerating, multi-billion-dollar plague of wage theft is conspicuously missing from the public discourse, despite a total that dwarfs all retail theft in America by an order of magnitude:

https://fair.org/home/wage-theft-is-built-into-the-business-models-of-many-industries/

America does have a property crime crisis, but it's a crisis of wage-theft, not shoplifting. Likewise, America does have a retirement crisis: it's a crisis of inequality, not intergenerational conflict.

Social Security has been under sustained assault since its inception, and that's in large part due to a massive blunder on the part of FDR. Roosevelt believed that people would be more protective of Social Security if they thought it was funded by their taxes: "we bought it, it's ours." But – as FDR well knew – that's not how government spending works.

The US government can't run out of US dollars. The US government doesn't get its dollars for spending from your taxes. The US government spends money into existence and taxes it out of existence:

https://pluralistic.net/2020/12/14/situation-normal/#mmt

A moment's thought will reveal that it has to be this way. The US government (and its fiscal agents, chartered banks) are the only source of dollars. How can the US tax dollars away from earners unless it has first spent those dollars into the economy?

The point of taxation isn't to fund programs, it's to reduce the private sector's spending power so that there are things for sale to the public sector. If we only spent money into the economy but didn't take any out of the economy, the private sector would have so many dollars to spend that any time the government tried to buy something, there'd be a bidding war that would result in massive price spikes.

When a government runs a "balanced budget," that means that it has taxed as much out of the economy as it put into the economy at the start of the year. When a government runs a "surplus," that means it's left less money in the economy at the end of the year than there was at the beginning of the year. This is fine if the economy has contracted overall, but if the economy stayed constant or grew, that means there are fewer dollars chasing more goods and services, which leads to deflation and all kinds of toxic outcomes, like borrowing more bank-created money, which makes the finance sector richer and the real economy poorer.

Of course, most governments run "deficits" – which is another way of saying that they leave more dollars in the economy at the end of the year than there was at the start of the year, or, put another way, a deficit probably means that your economy got bigger, so it needed more dollars.

None of this means that governments can spend without limit. But it does mean that governments can buy anything that's for sale in their own currency. There are a lot of goods for sale in US dollars, both goods that are produced domestically and goods from abroad (this is why it's such a big deal that most of the world's oil is priced in dollars).

Governments do have to worry about getting into bidding wars with the private sector. To do that, governments come up with ways of reducing the private sector's spending power. One way to do that is taxes – just taking money away from us at the end of the year and annihilating it. Another way is to ration goods – think of WWII, or the direct economic interventions during the covid lockdowns. A third way is to sell bonds, which is just a roundabout way of getting us to promise not to spend some of our dollars for a while, in return for a smaller number of dollars in interest payments:

https://pluralistic.net/2021/04/08/howard-dino/#payfors

FDR knew all of this, but he still told the American people that their taxes were funding Social Security, thinking that this would protect the program. This backfired terribly. Today, Democrats have embraced the myth that taxes fund spending and join with their Republican counterparts in insisting that all spending must be accompanied by either taxes or cuts (AKA "payfors").

These Democrats voluntarily put their own policymaking powers in chains, refusing to take any action on behalf of the American people unless they can sell a tax increase or a budget cut. They insist that we can't have nice things until we make billionaires poor – which is the same as saying that we can't have nice things, period.

There are damned good reasons to make billionaires poor. The legitimacy of the American system is incompatible with the perception that wealth and power are fixed by birth, and that the rich and powerful don't have to play by the rules.

The capture of America's institutions – legislatures, courts, regulators – by the rich and powerful is a ghastly situation, and to reverse it, we'll need all the help we can get. Every hour that Americans spend worrying about their how they'll pay their rent, their medical bills, or their student loans is an hour lost to the fight against oligarchy and corruption.

In other words, it's not true that we can't have nice things until we get rid of billionaires – rather, we can't get rid of billionaires until we have nice things.

This is the premise of my next novel, The Lost Cause, which comes out on November 14; it's set in a world where care and solidarity have unleashed millions of people on the project of maintaining the habitability of our planet amidst the polycrisis:

https://us.macmillan.com/books/9781250865939/the-lost-cause

It's a fundamentally hopeful book, and it's already won praise from Naomi Klein, Rebecca Solnit, Bill McKibben and Kim Stanley Robinson. I wrote it while thinking through and researching these issues. Conservatives want us to think that we can't do better than this, that – to quote Margaret Thatcher – "there is no alternative." Replacing that narrative is critical to the kinds of mass mobilizations that our very survival depends on.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/11/intergenerational-warfare/#five-pound-blocks-of-cheese

This Saturday (Nov 4), I'm keynoting the Hackaday Supercon in Pasadena, CA.

[gunwoos]

woo-jin x reader x gun-woo poly headcanons

sorry this is kinda short! also i've never written anything poly before so it might not be the best. i procrastinated finishing this all week cause my brain ran out of ideas but anyways enjoy 🫶

ok hear me out

u either meet them and they're already in an established relationship OR u guys r all best friends and they both realize how much they like u and how much they like each other and eventually u guys all start dating

ur guys relationship is such a fun dynamic. like ur dating both of ur best friends it really can't get better than that

u have a spot permanently reserved in between the two of them

whether ur walking down the street, taking the bus, ur in the middle of them

they lowkey fight over u (playfully) (woojin starts it 100% of the time)

like woojin asks u to come watch him at practice but u and gunwoo have plans to go somewhere and woojin is just like ??? "ur hogging her!!!"

he then proceeds to go on this long rant abt how sad and lonely he's gonna be at practice all by himself while u two have fun without him (jokingly)

all jokes aside tho u guys have a really secure relationship and are able to do things in pairs rather than all 3 of u being together 24/7

like u and woojin, u and gunwoo, and gunwoo and woojin all have ur own things u like to do in pairs and it's nice for whoever doesn't go to have some alone time

they (try to) teach u how to box if ur interested

or if ur a boxer urself even better! all 3 of u can practice and compete in tournaments together (ur gonna be rich from all the prize money u guys win together)

practices with all 3 of u usually ends up with u guys just messing around but it's fun while it lasts

trying to go to sleep with these two is chaotic to say the least. u guys all eventually end up moving in together and apartments r expensive so u guys thought it would be a good idea to just have one bedroom with a singular king sized bed in it

news flash it's not big enough for u and ur two tall ass boyfriends

like u guys try cute cuddling positions to start off but it just ends with u guys laying on top of each other and it's a mess but u guys r comfy so

woojin likes to fall asleep with his head on your chest and geonwoo likes to have your head on his chest

u usually end up with your head on geonwoo's chest, cuddled into his side with woojin behind / kind of laying on top of u or hugging the both of u. whatever position u guys fall asleep in doesnt last tho and by the time u guys wake up it's just a tangle of limbs

HOLDING HANDS. whenever u guys go out together , and especially if wherever u are is crowded, all 3 of u are linking hands

they're both protective of u. they're overprotective when it comes to danger and stuff like that considering what they went through with kim myeon-gil , but they're not super overprotective if ur talking to other guys or smth

they also don't get jealous easily. there's so much trust in ur relationship and u guys communicate really well , so they really won't get jealous unless they actually have good reason to be

if someone is like over the top flirting with u and getting touchy tho, they're both by u in an instant scaring whoever's bothering u away

they know u can handle urself but will step in if they need to

like just imagine ur at a bar or smth, u leave the table to go get the three of u more drinks and some guy starts getting flirty with u while ur waiting. ur ignoring him but the guy wont take a hint, the next thing u know both of your boyfriends are on either side of u, one has an arm over ur shoulders and the other wraps one around ur waist

the guy looks terrified and is out of there in seconds

playfighting. it's mostly just u and woojin unless gunwoo is in playful mood

like u guys start bickering about something unserious and next thing u know u guys r on the floor wrestling (he barely uses any strength obviously) and gunwoos just rolling his eyes and watching

u guys honestly have such a great relationship. u got so lucky to have not one but two amazing boyfriends who love u more than anything

nsfw under ⬇️

again, they're both tall and strong as hell so expect to get manhandled a little bit (gently tho)

like holding down ur hips while going down on u, moving ur body into different positions

the sex is GOOD. like hands down it's amazing

another thing, even tho they're both boxers, you're much smaller than they are and they're so SO gentle with u

i honestly don't think either of them would like it rough they're just so sweet and don't wanna hurt u in any way

i also don't think they'd wanna like.. be in u at the same time unless ur into that, like if u suggest it and confirm that ur 100% ok with it they'll be hesitant at first but they're just like "ok! ^-^"

like i said in the sfw hcs, u have a spot permanently reserved in between the two of them and yes that includes in the bedroom

this can go so many ways too

gunwoo behind u, leaving kisses along ur jawline and neck as u lean back onto him while woojin goes down on u

eiffel tower. (i'll write a fic abt this i promise)

with the 3 of u, the possibilities are endless

they're both so giving and like pleasuring u better than receiving (not that they don't love when u pleasure them too)

they're both obsessed with eating u out

they're both athletes, they're competitive and wanna learn and become the best they possibly can at whatever they're doing , including pleasing u.

the first few times u guys do it they'll pay attention to every detail, what u like and don't like, what u really like, what things turn u on the most, etc

by the time u guys are a few months into the relationship they know just how to please u

like the sex was already good but it's just so much better once u guys learn more about each other in a sexual sense

it also doesn't have to be all 3 of u every single time, if one of u is tired or isn't in the mood but 2 of u are, u guys can go off and do ur own thing without the other feeling left out or jealous

u guys have such a trusting relationship including in the bedroom which makes the sex even better

like i said in their separate headcanons, woojin is prob a little bit freakier than gunwoo

like i know this man at least has a pair of handcuffs and i swear by this

woojin probably brings out a more adventurous side to gunwoo (and u if ur not usually adventurous) in the bedroom and it's so interesting to see