#august writing challenge 2021

[runawaysiren940]

Here's the full script for the most recent video, minus where I ad libbed:

Dr. Moumita Debnath, a 31 year old doctor trainee, was found dead on August 9th, 2024. After taking a break half-way through a 36 hour shift, her corpse was found on a blood stained mattress. Her body bore the wounds of torture, from the wounds to her eyes, her pelvis, genitals, arms and legs. As noted in The Publica’s report, “The post-mortem report also noted that over 150 mg of semen was recovered from the doctor’s body, indicating that up to 30 men could have been involved in the violation of Debath’s body. The normal volume of semen produced by a male upon ejaculation typically varies from 1.5 to 5.0 mg, according to the online medical encyclopedia MedlinePlus” (Biase). Her family was told that she died via suicide, though her wounds made it obvious that this was not the case; however, this claim allowed the principal of the school to avoid filing a police report. The attempts to hide the crime did not succeed, and have resulted in protests across India and the medical industry, both in response to the lack of protections for medical staff, and because of the attempt to hide the crime. 

In the aftermath, searches for footage of Debnath’s gang rape have trended, as “According to Google Trends, queries such as “Moumita Debnath porn” and “Dr. Moumita Debnath video” have experienced surges across India, with “Moumita Debnath rap[e] video” experiencing a 110% increase in searches. As of the time of this writing, of all the queries associated with her name, “Moumita Debnath photo video” is the 5th most searched in India, while “Moumita Debath last video” is the 12th most searched overall” (Biase).

This isn’t the only horrific case of gang rape, torture, or extreme violence against women. In fact, back in 2023, Vidya Krishnan wrote an opinion piece published in the New York times on the topic titled, “In India’s Gang Rape Culture, All Women Are Victims”, where she writes: 

It is the specific horror of gang rape that weighs most heavily on Indian women that I know. You may have heard of the many gruesome cases of women being gang-raped, disemboweled and left for dead. When an incident rises to national attention, the kettle of outrage boils over, and women sometimes stage protests, but it passes quickly. All Indian women are victims, each one traumatized, angry, betrayed, exhausted. Many of us think about gang rape more than we care to admit.

In 2011 a woman was raped every 20 minutes in India, according to government data. The pace quickened to about every 16 minutes by 2021, when more than 31,000 rapes were reported, a 20 percent increase from the previous year. In 2021, 2,200 gang rapes were reported to authorities.

But those grotesque numbers tell only part of the story: 77 percent of Indian women who have experienced physical or sexual violence never tell anyone, according to one study. Prosecutions are rare.

Indian men may face persecution because they are Muslims, Dalits (untouchables) or ethnic minorities or for daring to challenge the corrupt powers that be. Indian women suffer because they are women. Soldiers need to believe that war won’t kill them, that only bad luck will; Indian women need to believe the same about rape, to trust that we will come back to the barracks safe each night, to be able to function at all. (Krishnan)

Just from recent memory, I can recall several other horrifying cases. 

In a rare case of justice, in May 2024, a pair of brothers were sentenced to death for the rape and murder of a 12 year old girl. To hide the crime, they then burned her alive in a coal furnace. (The Hindu Bureau)

In 2012, 22 year old Jyoti Singh was “beaten, gang-raped, and tortured in a private bus in which she was travelling with her male friend, Avnindra Pratap Pandey. There were six others in the bus, including the driver, all of whom raped the woman and beat her friend.” She later succumbed to her wombs, while her friend supposedly committed suicide. (Khan)

Many rape cases end with the woman dead. It is horrifying to me, from across the globe, to know that women live under constant threat of sexual assault, and while all assaults are horrific, the cases which break into the international news sphere from India are especially cruel and disturbing. It is the culmination of a deeply traditional and patriarchal society, wherein the devaluation of women is compounded with caste and religious issues, along with the rise of pornography. Porn is the instruction, and rape is the practice; though clearly, there was no need for instruction. 

Famous cases include:

The Suryanelli rape case, where in 1996, a sixteen year old was lured with a marriage promise, kidnapped, and was raped by 37 men during her forty day captivity. Although initially 35 of 39 accused were found guilty, in 2005, all 35 convicted were acquitted of charges. 

The Pararia mass rape, where in 1988, at least 14 women were gang raped by the police force, and had their homes looted after they protested against being removed to make way for a damn being built. “India Today reported Sinha's concluding statements were: "It cannot be ruled out that these ladies might speak falsehood to get a sum of Rs 1,000, which was a huge sum for them." (Bonner)

In many caste altercations, women are targeted because to rape a woman is not done just to her, but is meant to be an insult to the community and the community’s honor. In an environment where religious and social conflict occurs, women are especially vulnerable as targets of sexual violence. 

However, what the internet has provided is an avenue to share the debasement and horror of gang rape with other men. It prolongs the suffering and harm to the victim and her family; but also serves as a warning to other women, and as an enticement to other men. Come, they say. Look at what we did. See how we were despicable and got away with it? You can too. 

A 28 year old tourist and her husband were robbed, then man beaten, and the woman, raped by seven men in March of 2024. Since they have taken down the video detailing the event from their social media, I will not show that here, or go deeply into detail. However, in the reactions to the incident, one can note a pattern of behavior, not just from Indian men, but also women. 

The BBC reported: 

“The chief of India's National Commission for Women, Rekha Sharma, also sparked criticism after she responded to a post from a US journalist who wrote that while India was one of his favourite places, "the level of sexual aggression" he witnessed while living in the country was "unlike anywhere else I have ever been". He also gave a couple of examples of sexual assault faced by women he knew.

"Did you ever report the incident to police?" Ms Sharma wrote. "If not then you are totally an irresponsible person. Writing only on social media and defaming whole country is not good choice."” (Sebastian)

Victim blaming is constant, and serves as a deterrent from seeking help, reporting incidents, or enacting change. In the aftermath of the 2019 gang rape and murder of 27 year old Priyanka Reddy, Indian filmmaker Daniel Shravan ranted on social media that  “The government should encourage and legalize rape without violence,” and, “Girls above 18 should be educated on rapes and not deny the sexual desires of men.” He also went on to say that, “Rapists are not finding a way to get their bodily sexual desires [met],” which is compelling them to kill.” (“After a Woman in India was Raped and Murdered, Her Name Trended on Porn Sites”). Because assault and violence against women is so common in India, it makes sense that victim blaming, from both sexes remains so strong, as “according to Inside Southern, the reason for victim blaming is: “People may blame a victim in order to remove themselves from an unpleasant event and therefore confirm their own invulnerability to the risk. Others may perceive the victim as different from themselves if they label or accuse the victim. People console themselves by saying, “Because I’m not like her, and I don’t do that, this would never happen to me.”” (Ram).  In other words, it a pacifier, a way to manage the dread that comes with realizing the ubiquitousness and unpredictability of sexual assault. If there is something you can do to avoid being assaulted, then it must be her fault. And you must be safe, because you don’t make those choices. 

That men make up a large contingent of the judges and lawmakers that in turn pass the laws which allow rapists to walk free iillustrates the universal truth that Anna Maria Mozzoni, a popular Italian feminist theorist, wrote about in 1895, “You will find that the priest who damns you is a man; that the legislator who oppresses you is a man, that the husband who reduces you to an object is a man; that the libertine [anarchist] who harasses you is a man; that the capitalist who enriches himself with your ill- paid work and the speculator who calmly pockets the price of your body, are men.”

It’s easy to forget when the violence is not happening in front of you, when you can excuse it, or look away, or claim that there are forces at play that you don’t understand. It’s easy to say that the problem is with a people or a religion- 

But the truth is that woman hating is universal. A passing interest in anthropology will only show the manifestations of this hatred in creative ways throughout space and time.

Works Cited

“After a Woman in India was Raped and Murdered, Her Name Trended on Porn Sites.” Fight The New Drug, December 2019, https://fightthenewdrug.org/woman-in-india-raped-and-murdered-her-name-trended-on-porn/. Accessed 21 August 2024.

Biase, Natasha. “Name Of Female Doctor Who Was Gang Raped And Murdered In Indian Hospital Appears On Porn Sites As Men Seek Out Footage Of The Assault.” The Publica, 19 August 2024, https://www.thepublica.com/female-doctor-who-was-gang-raped-and-murdered-in-indian-hospital-appears-on-porn-sites-as-indian-men-search-for-footage-of-crime/. Accessed 21 August 2024.

Bonner, Arthur. “Pararia mass rape (1988).” Wikipedia, https://en.wikipedia.org/wiki/Pararia_mass_rape_(1988). Accessed 21 August 2024.

The Hindu Bureau. “Two get death for raping, burning alive minor girl in Bhilwara.” The Hindu, 20 May 2024, https://www.thehindu.com/news/national/rajasthan/two-sentenced-to-death-by-pocso-court-in-rajasthan-court-for-raping-burning-alive-minor-girl/article68195867.ece. Accessed 21 August 2024.

Khan, Aamir. “2012 Delhi gang rape and murder.” Wikipedia, https://en.wikipedia.org/wiki/2012_Delhi_gang_rape_and_murder. Accessed 21 August 2024.

Krishnan, Vidya. “Opinion | In India's Gang Rape Culture, All Women Are Victims (Published 2023).” The New York Times, 2 June 2023, https://www.nytimes.com/2023/06/02/opinion/india-women-rape.html. Accessed 21 August 2024.

Ram, Anjali. “Never Ending Tales Of Victim Blaming And Shaming.” Feminism in India, 12 December 2022, https://feminisminindia.com/2022/12/12/never-ending-tales-of-victim-blaming-and-shaming/. Accessed 21 August 2024.

Sebastian, Meryl. “Outrage over Brazilian tourist's gang rape in India.” BBC, 3 March 2024, https://www.bbc.com/news/world-asia-india-68444993. Accessed 21 August 2024.

[arianatwycross]

Hi my tumblr name is arianatwycross (this is not my real name but you may call me A or Ari) I'm a pommy that lives in Australia, I have a golden retriever that owns my heart and I'm addicted to cheesy romance novels.

I write mostly Jily but have been known to delve into Romione and am dipping my toe in some wolfstar!

last updated 18.03.24

Jily

Multi-chapters:

The Process of Wanting- University Muggle AU / Jily-microoops March prompts

Headlines - Muggle AU / Popstar James

once upon a dream - WIP Hogwarts AU / Lily has a crush

To send or not to send? - (Two Parts) 2023 April Jily Challenge / Theme: Letters, Notes and Texting

A (not so) bad day - (Two Parts) - Hogwarts idiots in love

We'll be a fine line -WIP a chapter a day for jilytober 2022 / a muggle au

Only for the Summer -WIP Rated E / Muggle Job AU / Friends to Lovers

Beach Reading -  Rated T. July 2022 Jily Challenge / Theme: Summer Prompt: “i really, really need this summer job, so please stop distracting me with your wiles/good looks. you’re going to get me fired”

The Art of Fake Dating - WIP written with @vertraymer / For the Mixed Up Writer Fest 2022 / Prompt: Fake dating AU!

Unlearnable - WIP, Rated M. Muggle AU. Angst.

Strawberry Lipstick State of Mind - Rated E. Canon. Seventh Year.

Just a touch - Rated E

Teenage Kicks - Rated E / Celeb AU with minor wolfstar

you are the sun - Rated M (Three-parts) Muggle AU/Secret Relationship

One Shots:

Skinny Dipping Part 1 - a jilymicrofic

Just the two of us - Hogwarts / Forced proximity, Hurt/Comfort

A Sweet Meet Cute - Muggle AU, small town romance

A romance of their own - Jily Valentine Gift Exchange 2023 / Celeb AU

Wet, Cold & Bothered - Rated M / 2022 Jily Challenge December Christmas challenge; prompt: Snowball fights

Muggle Christmas Traditions - Rated G/ 2022 December Christmas Jily Challenge. Prompt: The night before Christmas

The One Where Remus Has no Filter - Rated G. Jily Challenge December Christmas challenge

a year and 22 days - Rated T. Summer of Jily 2022 / lyric: all that I know is you caught me at the right time —"golden hour" (kacey musgraves) Scenario: late evening with friends in the garden

The One Where Petunia Can't Drive - April JilyChallenge / Meet uglies + prompt "i hit you with my car/broom and was the only one to visit you in the hospital"

two fools - Rated T / Feb 2022 Jily Challenge romance theme + prompt " “It’s not like I've thought about kissing you, or anything…”

Shut up & Kiss me - Rated M / December Jily Challenge, Winter theme. Muggle AU

Crush Phase - Rated T. Muggle AU

A Year Later - Rated M / Jily Challenge August 2021 . Muggle AU

consciously unaware - Rated GA / Jilytober 2021 bingo (5 prompts in one). Canon, friends to lovers.

Say my name - Rated M. Canon.

Romione

Multi-chapters:

Backseat Rider - Rated T / Muggle AU

One Shots:

Willow - Rated GA. Written for M.Windsor for the 2021 HP Romione Discord Secret Santa!

It’s better In the front seat… - Rated M (Backseat Rider One shot)

Confessions - Rated E / Canon

Books & Freckles - Rated T

Nobody Compares - Rated T / Muggle AU, professional football player Ron

Wolfstar

Skinny Dipping Part 2 - a wolfstarmicrofic

Teenage Kicks Spinoff coming soon!

[storyofthenauseouseye]

The Duality of Woman: Anais Nin

Vogue Magazine, Anais Nin talks about being a woman, 15 October 1971

Anais Nin is a woman of duality. It's been a well-known fact for those who know or love her that she is truly a two-sided coin. She said it herself in her book Henry and June,

"I will always be the virgin prostitute, the perverse angel, the two-faced sinister and saintly woman"(bookquoters.com).

From her intense marriages to two different men on opposite sides of the country, to her literary career, to even her personal reflections and essays, Nin was a figure bathed in duality. How does one split the image of Anais Nin ideally in half? You just have to find the seam between diarist and eroticist.

The Diarist

Anais Nin is most well-loved by her adoring fans because of her published diary. As a young girl, Nin wrote her father a letter begging him to return to the family he had abandoned (The Anais Nin Foundation). This was the beginning of Nin's diary, which would be published in seven volumes, with four unexpurgated diaries later appearing after their original publication.

Her diaries were incredibly personal, full of secrets and thoughts she never thought would come to light. The biggest secret within these diaries was that she was married to two different men simultaneously, something she would remove from the diaries upon initial publication. Years later, Nin compiled the removed sections into one volume, the first of her unexpurgated diaries. It was called Henry and June, and detailed the letters and writings the two shared. The duality of Nin stretched throughout every aspect of her life.

These highly intimate journals struck twentieth-century American women directly in their souls. As one journalist famously put it in an article for The Conversation,

Anaïs Nin dreamed, in all senses. She dreamed of lives and possibilities. She dreamed in slumber and allowed her dreams to leak into the day. As I regularly committed the cardinal social sin of recounting my dreams over breakfast, she seemed a soulmate across oceans and generations (Gorman).

These teenage girls and their daydreams were instantly hooked on Nin's likeminded wonder and splendid prose. She became a sensation after the diary publications almost instantly, giving her a decent seat in literary history.

It wouldn't be long until something else gave her another boost of fame.

Ramon Casas, Decadent Young Woman. After the Dance, 1899

The Eroticist

In the late 1970s, Anais Nine published three volumes of erotic short fiction, each containing approximately ten stories. Despite their popularity, the term erotic is a tad inappropriate. Although she wasn't a follower of the transgressive art movement like Georges Bataille, Anais Nin's erotic stories are more disturbing and controversial than actually arousing.

Nin wrote about such topics as sexual abuse, incest, pedophilia, and other forms of sexual violence within her stories. These works would go on to shock and challenge readers even today (Maza).

Lost Lenore Antiques, Anais Nin ~ Little Birds and Delta of Venus ~ 1st Edition Books ~ Vintage Erotica, 27 August 2021

Works Cited

The Anais Nin Foundation. “bio — The Anais Nin Foundation.” The Anais Nin Foundation, https://theanaisninfoundation.org/bio. Accessed 11 December 2023.

Gorman, Alice. “The book that changed me: journeying to the self with Anaïs Nin's sensual, transgressive diaries.” The Conversation, 25 April 2022, https://theconversation.com/the-book-that-changed-me-journeying-to-the-self-with-ana-s-nins-sensual-transgressive-diaries-176135. Accessed 11 December 2023.

Maza, Sarah, and Paul Herron. “Swinging: The Double Life of Anaïs Nin.” Public Books, 19 February 2018, https://www.publicbooks.org/swinging-the-double-life-of-anais-nin/. Accessed 11 December 2023.

Nin, Anaïs. “Quotes from Henry and June: From "A Journal of Love"--The Unexpurgated Diary of Anaïs Nin by Anaïs Nin.” BookQuoters, https://bookquoters.com/book/henry-and-june-from-a-journal-of-love-the-unexpurgated-diary-of-anais-nin. Accessed 11 December 2023.

Further Reading

[infinitejedilove]

2024 Jinnobi Challenge

Hello everyone! It’s March which means it’s time for me to be really early about mentioning the Jinnobi Challenge happening in August! This is the 8th annual Jinnobi Challenge and it feels very strange to write this and know this all started back in 2017 when I was lamenting the lack of Qui/Obi challenges. Well now there are several that happen every year and they are always worth checking out!  (previous master lists of the Jinnobi Challenge submissions : 2017, 2018, 2019, 2020, 2021, 2022, 2023).

So here’s all the info and FAQ for those who are thinking of participating in this Obi-Wan/Qui-Gon challenge (I will repost this info periodically as it gets closer to August).

When is it?: The challenge will run from August 1 – August 31. Any Jinnobi work you submit must be complete and it must be submitted sometime during August 1 – August 31. You have from now until August to work on submissions. PLEASE DO NOT POST YOUR SUBMISSION BEFORE THE CHALLENGE STARTS. Due to time differences in various countries, I do allow people to post on September 1st. 

Who can enter: The challenge is open to writers, artists and everyone in between. Art, poetry, photo manips, videos, gifsets, fanfiction, it’s all welcome. There’s no theme except it has to be Obi-Wan Kenobi/Qui-Gon Jinn. It can be set during the prequels, the originals, the Kenobi show, or an AU. It’s up to you. You can submit multiple entries too if you’d like. For fic writers there’s no limit on the length of your fic(s).

How to enter: When August 1st, comes around you’re welcome to post your complete work on whatever social network or fanfiction site you are comfortable using. Please tag your work (if the site allows you to tag) with the tag Jinnobi Challenge 2024 or The Jinnobi Challenge 2024 whether it’s a fic, art, or a post.  Message me with a link to your work (or links, if you submit more than one work), once you’ve published it so I know to put it on the master list!

I can also be reached on A03, but I tend to check tumblr much more regularly so if you want a fast response, I recommend contacting me via that.

Rules:

1. No underage relationships. (underage = below 18 years of age)

2. No Abuse or Noncon between the main pairing (Obi-Wan/Qui-Gon)

3. If you post anything triggering, please tag it with the appropriate warnings

4. Your fic must have a rating on it (the challenge is open to all ratings)

5. If you’re posting a long WIP, the first chapter must be posted on or after August 1, and the last chapter has to be posted before August 31, so I don’t recommend it unless you know you can get it done in that time.

FAQ:

What if I don’t have anything ready, but I do have a Qui-Gon/Obi-Wan work I happened to post in August?: As long as the quiobi work was complete and was posted between the 1st – 31st of August 2024, you can tag it ‘Jinnobi Challenge 2024’ and enter it in the challenge.

What if it’s not slash?: This challenge celebrates the Qui-Gon/Obi-Wan ship. Pre-slash is fine, just please no ‘Qui-Gon as a parental figure to Obi-Wan’ fics as that is not what this challenge is about.

What if it’s a fic in a series?: if it’s a standalone complete story in a series than yes, it qualifies.

What if I already entered it in a different quiobi fic challenge?: The fic must be a new fic posted in August 2024 (no reposting old works unless it’s an extreme rewrite to basically be nothing like the original) and it must be complete. It’s ok with me if it is tagged in another challenge as long as it meets the guidelines for this challenge but you’ll want to check if it’s ok with the other challenge you posted it in.

What if it’s Obi/Qui/others? Or there’s Obi/other, Qui/other, but still Qui/Obi?: The main pairing should still be Obi-Wan/Qui-Gon, even if it’s poly, or if there are other partners or past/present relationships.

Does it have to follow a prompt?: No. As long as it’s Qui-Gon/Obi-Wan and complete it can be about anything. If you want a prompt to work with here are a few you can choose to use for inspiration:

People assuming the characters are a married couple/accidental marriage

2. Someone gets sick

3. Sharing a home/quarters for the first time.

4. Quiobi in a different genre than sci-fi (i.e. fantasy, western, supernatural, historical romance, etc)

5. First kiss

Can be as angsty, fluffy, or as AU as you want as long as it follows the rules of the challenge.

Is there a prize this year?: Yes! I want to continue having a prize each year. And this year is a repeat of the 2021 Qui-Gon and Obi-Wan poster! (yes I do actually have more than one copy of this 90’s poster magazine) The link about that prize information is right here, as nothing has really changed since 2021, except that I now hold the challenge in August, not October, so ignore the dates in the original post. 

By the first or second week of September, I’ll put up a master post with links to all the amazing stuff everyone has created!!!

[soon-palestine]

Workers said Project Nimbus is the kind of lucrative contract that neglects ethical guardrails that outspoken members of Google’s workforce have demanded in recent years. “I am very worried that Google has no scruples if they’re going to work with the Israeli government,” said Joshua Marxen, a Google Cloud software engineer who helped to organize the protest. “Google has given us no reason to trust them.” The Tuesday protest represents continuing tension between Google’s workforce and its senior management over how the company’s technology is used. In recent years Google workers have objected to military contracts, challenging Google’s work with U.S. Customs and Border Protection and its role in a defense program building artificial intelligence tools used to refine drone strikes. Workers have alleged that the company has cracked down on information-sharing, siloed controversial projects and enforced a workplace culture that increasingly punishes them for speaking out.

Google did not immediately respond to a request for comment about the Tuesday protest and workers’ concerns over Project Nimbus. The Israeli Finance Ministry announced its contract with Google and Amazon in April 2021 as a project “intended to provide the government, the defense establishment and others with an all-encompassing cloud solution.” Google has largely refused to release details of the contract, the specific capabilities Israel will receive, or how they will be used. In July 2022, the Intercept reported that training documents for Israeli government personnel indicate Google is providing software that the company claims can recognize people, gauge emotional states from facial expressions and track objects in video footage. Google Cloud spokesperson Atle Erlingsson told Wired in September 2022 that the company proudly supports Israel’s government and said critics had misrepresented Project Nimbus. “Our work is not directed at highly sensitive or classified military workloads,” he told Wired. Erlingsson, however, acknowledged that the contract will provide Israel’s military access to Google technology. Former Google worker Ariel Koren, who has long been publicly critical of Project Nimbus, said “it adds insult to injury for Palestinian activists and Palestinians generally” that Google Cloud’s profitability milestone coincides with the 75th anniversary of the Nakba — which refers to the mass displacement and dispossession of Palestinians following creation of the state of Israel in 1948.

In March 2022, The Times reported allegations by Koren — at the time a product marketing manager at Google for Education — that Google had retaliated against her for criticizing the contract, issuing a directive that she move to São Paulo, Brazil, within 17 business days or lose her job. Google told The Times that it investigated the incident and found no evidence of retaliation. When Koren resigned from Google in August 2022 she published a memo explaining reasons for her departure, writing that “Google systematically silences Palestinian, Jewish, Arab and Muslim voices concerned about Google’s complicity in violations of Palestinian human rights.” Koren said Google’s apathy makes her and others believe more vigorous protest actions are justified. “This is a concrete disruption that is sending a clear message to Google: We won’t allow for business as usual, so long as you continue to profit off of a nefarious contract that expands Israeli apartheid.” Mohammad Khatami, a YouTube software engineer based in New York, participated in a small protest of Project Nimbus at a July Amazon Web Services conference in Manhattan. Khatami said major layoffs at Google announced in January pushed him to get more involved in the Alphabet Workers Union, which provides resources to Khatami and other union members in an anti-military working group — though the union has not taken a formal stance on Project Nimbus. “Greed and corporate interests were being put ahead of workers and I think the layoffs just illustrated that for me very clearly,” Khatami said.

[a-silent-symphony]

Nightwish: “The whole theme of the album is time, history, humanism, mortality. It’s really optimistic”

Tuomas Holopainen gives us the lowdown on everything you need to know about the hopeful new Nightwish album, Yesterwynde…

In the four years since their last album, Finnish symphonic metal titans Nightwish have been through much change, challenge and uncertainty. And that's without the pandemic kicking the legs out from underneath a year's worth of touring plans for 2020's HVMAN. :||: NATVRE a month after it came out.

First, in December of that year, longtime bassist and vocalist Marko Hietala announced that he was leaving the band. In October 2022, singer Floor Jansen revealed that she had been diagnosed with breast cancer, and successfully underwent surgery.

Then last year, they dropped a worrying newsbomb, announcing that upon completion of their then-current touring duties – which had included a mammoth show at Wembley – they weren't going to be booking any more gigs for an unspecified period of time. Including, they confirmed, even when a new album came.

“After the planned shows for June 2023 we will be ‘hanging up our spurs’ for an indeterminate time, as far as live concert performances go, and won’t be touring the next album," they wrote in a statement. “The reasons for this decision are personal, but, we all agree, vital to the wellbeing and future of the band. Be assured that we still love working together, and this decision has nothing to do with Floor’s pregnancy or our other individual projects."

They did, however promise new music. True to their word, they've just announced that in September they'll release their 10th album, Yesterwynde. A record immediately more heavy than its predecessor, it's also one that sounds refreshed, vital, optimistic.

"Yes, that's definitely a word you could use for it," says keyboardist and composer Tuomas Holopainen when we catch up with him in Berlin to get the skinny. "The whole theme of the album is time, history, humanism, mortality. And it has a really optimistic vibe going through it all."

The first track, Perfume Of The Timeless, arrives on May 21. Ahead of all that, we sat down with Tuomas to get the first look at Nightwish's next chapter…

You’ve been working on the album for ages. When did you start, exactly? “I started writing it in January 2021. It was the second year of pandemic. I wasn't supposed to start writing songs for this album yet, but there was nothing else to do because of COVID, so I thought I might as well use the time for it. So I used all of 2021 to do that. Then in early ’22, we did a demo with just me and the engineer, and had a listen to the demo with the whole band for the first time in May ’22, during our American tour. It’s always a really exciting moment to present the new songs to the band. And terrifying, to be honest!

“Then we started recording it last August, and it took a few months to record. And after that, four and a half months of mixing, and a few mastering sessions. And now here we are. And we're still working with the atmos mixes – there's going to be an atmospheric mix of the album and the orchestral version of the album.”

That’s not long after HVMAN. :||: NATVRE came out. Were you doing it with the hard intention of writing a full album, or were you just initially doing something just to pass time? “For some reason, I just felt really inspired. I felt like it was the perfect time to do another Nightwish album. And, like I said, there was nothing else to do. The previous album, HVMAN. :||: NATVRE was released in April 2020, about a month after the COVID lockdowns started, so tough luck there! It was frustrating, but as always, you have to try to look at the bright side of things. I thought, ‘Okay, maybe this album, now people can listen to it in peace. They have nothing else to do, either. Maybe it brings them some hope and comfort during the dark times.’ So you always have to turn things an optimistic way.”

This is a lot more of a metal album than the last one. Was that a conscious thing? “That just happened. We never, ever think about this stuff in advance, like, ‘Let's make a heavier album.’ It's just the stories need to be told in a certain way. And this time, they needed to be told in this way. And it's really interesting that you should say that, because there were two journalists yesterday who said, ‘I was expecting something much more metal. This is a really mellow album.’ Really? Okay, I don't hear it that way. But it's all in the listener’s ear, I guess.”

The first single, Perfume Of The Timeless, is nearly 10 minutes long. Not exactly easing people in, are you? “No! But, when we had the first meeting with Nuclear Blast, talking about the new album and singles, I told them, the first single will be a song called Perfume Of The Timeless, and it's eight-and-a-half minutes long, and the chorus comes in at 3:30. And they were like, ‘Perfect!’ I think that has to do with the fact that we have a long legacy. You know, we can do whatever we want, and I do, but it says something that we can do that, when I heard that for Spotify it’s good to have the vocals start after 15 seconds, or people skip it, they don’t have the attention span anymore.”

What does the title, Yesterwynde, mean? “It’s a made-up word. There's this thing called The Dictionary Of Obscure Sorrows. It gave me the idea that if you don't have an English word to describe a certain emotion, you can just make your own. This particular dictionary is dedicated to that, like, the feeling of longing for a place that you have never been in. What is that feeling? And it was something weird, I can remember. And this album was born from a certain sensation that I felt really strongly, but I couldn't find a word in human language to describe it. So I started to talk with Troy [Donockley, multi-instrumentalist] and said, ‘Should we come up with a new word? Does that make any sense to you?’ And he's like, ‘Yeah, that's a brilliant idea. What did you have in mind?’ It was something like time, memories going black and white, sepia, and I said, ‘something yesterday’. Then he said, ‘How about Yesterwynde?’ That's perfect! But yeah, it's just a made up word to describe what the album is about."

A sense of longing? "Not so much longing as realising what time is all about. Realising that there is such a thing as time and past and history. The internet and YouTube is full of these old black-and-white images, and even video clips, that you first see in black-and-white, and then they have been coloured. Have you seen those? That's the effect that I get at the moment. It's like it's coming from an other dimension, these are black-and-white images, then you colour it, and it's right there, as if it was filmed yesterday. Something happens in my mind when I see those. I thought, 'This has to be put into a song or into an album somehow.' Suddenly, you feel so connected to the past generations, and those people that you see in those images. They've all had their lives, their ups and downs, and they don't exist anymore, except as atoms scattered all over the universe. And we're going to be in that state pretty soon as well. So that should give you something to think about."

Are you just worried about getting older? "Not at all – on the contrary (laughs). But they are the ultimate cliche of: seize the day. That's something that I think about more and more. We're all going to be dead soon. It's just a matter of what you're gonna do before that."

That's a very positive outlook. You can hear that in the record. There's an enthusiasm, rather than a sense of bleakness or defeat… "Yes! Spot on! People often ask, 'Where do you get the inspiration?' Well, just look at this world, look at everything's that happening. Look at the sky, the scientific innovations. History is so full of stories that are just a bottomless pit of inspiration. And also, especially these days, there's a lot of fear mongering going on, like end-of-the-world scenarios, which I find, let's say 'distressing', but also a bit annoying, because humankind has ceased to see the good that we have accomplished as well. There is no denying that the world is going through a horrible stage at the moment. But it's always been like that. If you go back to the Middle Ages, things were much worse. Throughout the human history, it's always been like this. But now because of fear mongering, and the media, and the authorities, whether political or religious, telling us that it's all coming to an end, we have to repent. And a lot of people buy into it, and they live miserable lives. Because of that, they forget the beauty of existence. It's an unbelievable stroke of luck, and a privilege, that we are actually alive. So you might as well enjoy it."

There's a song called The Antikythera Mechanism, which is the name of an ancient Greek device used for astronomy. You don't get many bands writing about that… "Yeah, it's considered today to be the first analogue computer made by mankind. So, imagine that 2,200 years ago, in ancient Greece, they were able to build a computer. It just blew my mind when I read about this machine in a science magazine, and I thought that the world needs to know about this. Well, now everybody knows because of the new Indiana Jones film, because that's also about this particular mechanism. But yeah, it had to be done into a song.

"I was just thinking that humankind was so advanced back in those days that were able to build a machine like this. What happened? What if religions hadn't happened, or the burning of The Library Of Alexandria hadn't happened, where would mankind be today? Maybe we would be living all across the solar system already. Who knows?"

Again, it feels like there's still a very positive outlook there in the music, rather than moaning that it's all gone wrong. "I think it comes down to the word 'imagination', which is the biggest strength that we have as human species, compared to the other lower species. We like to imagine things, imagine things that might be better on the other side of the fence and things we will never have. But also imagination takes us to huge innovations. So it's a really good thing.

"The ancient Greeks did that with their computer. They started to imagine, 'Is there a way to predict those solar eclipses or star constellations moving? I bet there is, let's start building this machine.' So it all started from the imagining. It's similar with creating any art or music. Could there be a way to tell a story through music? I do that a lot. There's a song on the album called The Children Of 'Ata, which is a wonderful story of these kids on a deserted island and surviving there for 15 months. I heard the story and thought, 'There has to be a way to put this into music.'

"It's a crazy story, from not that long ago, 1965. I think some of the kids are still alive. It's important to tell these stories, because it really did happen. And maybe it can change the human perspective of the concept that if you take a bunch of people and put them into an isolated place for a certain period of time, they become savages. But this is proof that that's not the case. So they are a perfect example that humankind has hope."

This is your first album since Century Child in 2002 without Marko Hietala. Did that change your approach to writing? “No, it doesn’t really change anything, except that now we had two voices instead of three, only Floor and Troy. But that's it – it really didn't change much at all. And Jukka [Koskinen], the new bass player, is such a grounding personality that it's so easy to work with him. And his bass playing skills are tremendous, quite different from how Marko played the bass, which also brought a new spice into the music. So nothing but positive things to say about it all.

“There are many bands in the world that don't have a single original member anymore. And I think it comes down to the fact that if the music is good, then that's all that matters, in the end. Maybe for some people, certain bands are so holy that they can stand if they don't have certain members in it, even though the music would be good, but I don't really think like that. I just listen to the music, not the personnel behind it. That's all that matters to me.”

Similarly, does it feel weird to be talking about an album that, for the first time, you won’t be going out to tour? “No, it doesn't feel weird. It just feels right. But people shouldn't get worried. It's not the end of the band. We just signed a multi-record deal with Nuclear Blast, so there will be more music coming, definitely. But as far as shows, we're just gonna have a long breather now and see what happens. That's all I can say at the moment. We got our fair share in 2022 and 2023 when we did a lot of shows. So that helped.”

Yesterwynde will be released on September 20 via Nuclear Blast

[fatehbaz]

Midway through Jamil Jan Kochai’s collection The Haunting of Hajji Hotak and Other Stories, which maps generations of Afghan and Afghan American lives against over a century of entwined wars, sits what appears to be a résumé. Entitled “Occupational Hazards,” it meticulously records the everyday labors of an Afghan man: [...] his “[d]uties included: leading sheep to the pastures”; from 1977–79, “gathering old English rifles” left over from the last war while being recruited into a new war; in 1980–81, “burying the tattered remnants of neighbors and friends and women and children and babies and cousins and nieces and nephews and a beloved half-sister”; [...] becoming a refugee day-laborer in Peshawar, Pakistan; in 1984, becoming a refugee in Alabama, where he worked on an assembly line with other Asian migrants whom the white factory owner used to push out the local Black workforce; and so on. Dozens of events, from the traumatic to the mundane, are cataloged one by one in prose that is at once emotionless and overwhelming. [...] Kochai interviewed his father for the résumé’s occupational trajectory [...]. An Afghan shepherd [...] is displaced by imperial wars and then, in the heart of empire, is conscripted into racialized domestic economies [...]. [M]ethodically translating lived violence via a résumé, a bureaucratic form that quantifies labor in its most banal functionality, paradoxically realizes the spectacular breadth of war and how it organizes life’s possibilities. [...]

---

In this collection, war is past, present, and plural. In Afghanistan, Kochai recounts the lives of Logaris and Kabulis, against the backdrop of the US occupation, still dealing with the detritus of previous wars - British, Soviet, a­nd civil - including their shrines, mines, and memories. In the United States, Afghan Californians experience the diasporic conditions of war -- state neglect of refugees combined with targeted surveillance -- amid the coming-of-age of a second generation that must confront inherited traumas while struggling to build political solidarities with other displaced youth.

These 12 stories explore the reverberations between historical and psychic realities, invoking a ghostly practice of reading. Characters, living and dead, recur across the stories [...]. Wars echo one another [...]. Scenes and states mirror each other, with one story depicting Afghan bureaucracies that disavow military and police violence while another depicts US bureaucracies that deny social services to unemployed refugees. History itself is layered and unresolved [...]. Kochai, who was born in a refugee camp in Peshawar, writes from the position of the Afghan diaspora [...]. In August 2021, the US relegated Afghanistan to the past, declaring the “longest American war” over. Over for whom? one should ask. [...] War, in other words, is not an event but a structure. [...]

---

In Kochai’s collection, war is not the story; rather, war arranges the scenes and life possibilities [...]. Kochai carefully puts war itself, and the warmakers, in the narrative background [...].

This is a historically incisive narrative design for representing Afghanistan. Kochai challenges centuries of Western colonial discourses, from Rudyard Kipling to Rambo, that conflate Afghanistan with violence while erasing the international production of that violence as well as the social and conceptual worlds of Afghans themselves. Instead, this collection moves the reader across Afghans’ transcontinental, intergenerational, and multispirited social worlds -- including through stories of migrations and returns, homes populated by the living and the martyred, language that enmeshes Dari, Pashto, and Northern California slang, as well as the occasional fantastical creature [...].

---

Like Kochai’s debut novel 99 Nights in Logar (2019), this collection merges realism and the fantastic, oral and academic histories, Afghan folklore and Islamic texts, giving his fiction a dynamic relation to history. Each story is an experiment, and many of them are replete with surreal or magical elements [...].

As in Ahmed Saadawi’s 2013 novel Frankenstein in Baghdad, a nightmarish sensorium collides with a postcolonial body politics [...].

In a recent interview, Kochai said that writing about his family’s experiences of war has compelled him to explore “realms of the surreal or magical realism […] because the incidents themselves seem so unreal […]. [I]t takes years and decades to even come to terms with what had actually happened to them before their eyes.” He points not to a documentary dilemma but to an epistemological one. While some scholars have argued that fantastic genres like magical realism are often conflated with exoticized imaginaries of the Global South, others have defended the form’s critical possibilities for rendering complex realities and multiple modes of interpretation. Literary metaphors, whether magical or otherwise, are always imprecise; as Afghan poet Aria Aber puts it, “you flee into metaphor but you return / with another moth / flapping inside your throat.” [...]

Kochai does not “escape” into the surreal or magical as fictions but as other ways of reckoning with war’s pasts ongoing in the present.

---

All text above by: Najwa Mayer. “War Is a Structure: On Jamil Jan Kochai’s “The Haunting of Hajji Hotak and Other Stories.”“ LA Review of Books (Online). 20 December 2022. [Bold emphasis and some paragraph breaks/contractions added by me. Presented here for commentary, teaching, criticism.]

[cha-melodius]

2023 Fic Year in Review

I've been doing these for three years now, and they always grow each year as I get tagged in other year-end posts that make the rounds. Feel free you grab it if you want to do your own review! And I’d like to add a hearty thank you to each and every person who’s read my fics over the years, y'all continue to make this a joy!

2020 Review | 2021 Review | 2022 Review

AO3 Username: chamel  My Page: Link  Active Fandoms:  Red, White & Royal Blue: 20 works The Man from UNCLE (2015): 8 works Loki: 5 works New Fandoms: None thank GOD Total Number Of Completed Works/Word Count  This Year: 33 works, 278k words  All Time: 113 works, 1.27 million words

This year a little movie that came out in August absolutely destroyed these stats lmaoooo. Most Popular One Shot (by kudos): This Year: Always Where I Need To Be (RWRB, Alex/Henry, T, 5.5k) All Time: Class(room) Warfare (RWRB, Alex/Henry, T, 7.8k words)

Most Popular Completed Multi-Chapter (by kudos):  This Year & All Time: Please Don't Let Me Be So Understood  (RWRB, Alex/Henry, E, 20k words)

Events/Challenges: The Man From U.N.C.L.E. Gift Exchange 2023, The Brownstone Anniversary Fic Exchange, Halloween Huh?

More reflections, stats, and planned fics below the cut!

Additional Random AO3 Stats

By number of fics: 85% one shots, 15% multi-chaps

By word count: 52% mult-chaps, 48% one shots

Ratings by number of fics: 48% T-rated, 33% E-rated, 15% M-rated

Musical artists contributing highest number of titles: Jeff Tweedy (Tweedy/Wilco) & The New Pornographers, tied at 3 each

Looking back, did you write more fic than you thought you would this year, less, or about what you’d expected?  Somehow I topped my word count from last year by 10k, which I was not expecting. That said, this year was right about average.

What’s your own favorite story of the year?  God this is a hard question this year because I wrote a lot of fics I really really love. For one single fic I'll go with Nova, Baby, because I love the story and I've got a lot of lovely feelings about it.

Did you complete your writing goals from last year?  The Goal: I want to complete a few large multichapter fics, which will probably mean my one-shot production goes down. I completed one long mulitchap, and then a few mid-length (~20k) multichaps. I think I wrote more of those than I have any other year. Surprisingly, my one-shot production wasn't super significantly decreased.

Do you have any writing goals for the New Year? Ok, I gotta come up with something. My goal is to have a similar mix of fics as least year, and also to write my first collaboration with @cricketnationrise, which will be a long multichap.

Did you take any writing risks this year? Wrote on a topic outside my wheelhouse (therapy 😬) and also posted a fic in a fandom where there weren't a lot of fics in similar genres (action/spies). Now that's no longer true, but at the time it was really freaking nerve-wracking.

Story of mine most under-appreciated by the universe, in my opinion: Every fic I write in a fandom that's not RWRB? 😅 It's hard to complain too much, especially considering what happened to my numbers this year.

Most fun story to write: All the Old Showstoppers, Will You Brie Mine?, You're the Perfect Gift for Me. Silly RWRB boys being silly, basically.

Biggest disappointment: Again, I feel like it's hard to complain when I have a fic that's closing in on 4k kudos. The goalposts keep moving, don't they, though? I still live in fear of pouring my heart into a multichap and having what will count as "lukewarm" reception, when before this year I didn't have a single fic above 1k kudos.

Biggest surprise: Most definitely Please Don't Let Me Be So Understood. Like I figured it would do pretty well (I hoped, since I put so much into it), but holy shit?? I still can't really believe it's on page 2 of the tag by kudos? And honestly also Always Where I Need To Be, this little one-shot about David stealing glasses.

Coming soon/planned for 2024:

False Dichotomy (RWRB You've Got Mail AU)

Kissed Out (RWRB pro-pool players AU)

RWRB 1940s noir AU

RWRB conductor/piano soloist AU

RWRB hockey AU (with cricket)

A shitload of prompts from my fandom fest

Extremely delinquent MTH fics

TMFU art thief/gallery owner AU

Thank you for the tags on your end-of-the-year fic reviews @loki-is-my-kink-awakening, @kiwiana-writes, @rmd-writes, @lizzie-bennetdarcy, @indestructibleheart, and @welcometololaland!

[hexfloog]

2021 - 2022 - 2023 - 2024

Can you believe there's barely 10 days left to the year?? Because I can't! Time to lay my feelings bare again!!!

So I definitely slowed down quite a bit compared to 2022, but I still made enough to fill the template and, in spite of everything else, lots of life development things happened these last 365 days that I think makes 2023 one of my best years in recent memory :)

I have less to say about the art this time. The drop in quantity checks out when I stop to reflect on just how much time I spent on each one. I definitely don't have as many sketchy works to show off this time either (probably in no small part due to the fact that I've also slowed down on Detco) - and that's probably owed to having spent most of my art effort this year drawing for other people, be it commissions or fan projects, and I already know that I'm more inclined to take risks when I have just myself to please. It's not a bad thing, that's just how it is.

I suppose my one observation of this year's body of work is that the vast majority of it is quite ambitious. Real pushing-my-comfort-zone stuff, but it's more of a polished brand of risk rather than the kind you get sketching ideas on the spot. Some examples:

February - both a collab and a thing that became a fan cel intended as an autograph piece at a con

April - simultaneously a gift and a very personal piece

June - silly comic (anything humorous is automatically out of my comfort zone)

August - community project + comic page redraw that really tested my ability to find a new style to play with

September - made to become tangible merch (it did)

October - redraw of my very first digital piece

November* - character design from text description only and formal reference sheet commission (my first ever)

December* - digital watercolor + fake children's paperback cover

*active WIP, not yet complete

It's not that much (really, it's average output for me) but I will take my wins where I can get them, especially since this is pretty much the scope of my art projects this year. Didn't really have much time or energy to write, or make more models, or scan more cards, because... ya girl was too busy getting a promotion/raise, moving out, enjoying the best con experience of her life (so far), volunteering, meeting lots of new people, dating again, having general fun, eating good food, trying new things, finishing a monthly art challenge for once, playing creative romhacks, waking up to new career opportunities, etc. etc. etc! It feels like so much happened this year!!

I tend to be harsh on myself and often feel like my life is not going anywhere, but this year really made me feel like I'm finally gaining some momentum again. And like... I don't expect (or want) to live life in the fast lane or anything, but stagnating isn't good, either, and with every passing year I have to ask myself with a little more sincerity what my future looks like.

So all that said, thanks very much for sticking around and suffering me another year <333 Who knows what 2024 will bring!! But for the first time in a while, I think I am looking to it with more than just a resigned "meh" and I hope the same for anyone reading this, too.

[zhiroaesthetics]

Mid-Summer Writing Updates

Was told that giving updates about non-major works is also valid to prove that this page is alive so...teehee!

Mental Check

To say that I've been slacking this year is a grave understatement. It frustrates me because posting in December 2023 (Kaveh) then January 2024 (Haruaki) truly made me believe that I had found my groove, then I saw my stats and gave up, yay! It's just hard writing when I already don't have the healthiest approach towards writing (it's really bad, like I cried so much writing both of those drafts), and that level of effort goes unnoticed by both the audience and myself. But I've slowly been accepting the fact that I can't gain the audience I want if I don't prove that I exist. After all, posting since 2021(?) but not even having ten entries is silly. With that being said, I have been writing consistently over the summer, but have been slowed down because I've been active, like this is the first week that I've been in my room this entire month.

Goals for Pre-Fall 2024

I'm definitely going to have at least three posts before the end of the year. I always try to have more than the year prior, and considering how little I have to my name, it's been pretty doable.

I've been going back and forth between Bowman (Granblue Fantasy) and Kyo (King of Fighters) for the past two months, and I know for the latter that his second draft is going to be posted before fall, though I'm not sure about the former. My writer's block on his draft isn't the worst despite the fact that I have to rewrite the first half of what I currently have, but I struggle trying to prioritize that draft over Kyo's given that I don't know how well a NSFW Bowman entry would be perceived. Regardless, if I post twice before Late August, expect for it to be these two bums.

Goals for Fall 2024

This is tricky, as it HIGHLY DEPENDS on what I end up fixating on, but definitely expect Tai Gong Wang (Fate/Grand Order). I've been wanting to write him since the beginning of time, but lack of knowledge on his character thanks to me exclusively playing FGO on the global server and things implied under mental check made it hard for me to prioritize writing the idea that was practically given to me. But what was initially supposed to be a collector's item ended up being NP3 and LVL 100, so I'm taking it as a sign to - at some point - lock in, and I think doing so right after clearing out my current drafts would be perfect timing.

Do, however, look out for these people:

Blade (Honkai: Star Rail)

Diluc (Genshin Impact)

Charlemagne (Fate)

Goals for Winter 2024/5

Yae Miko. Despite her being a December 2024 goal, she's one of my more ambitious projects due to research and it not being a one chapter entry. Even as I'm currently working on Kyo and Bowman, I'm immersing myself within The Pillow Book, as Sei's story is what most of Yae Miko's story will be in reference to. Also Haruaki, again, hopefully January 1st.

Do, however, look out for these people:

Kaveh (Genshin Impact)

Saichi Sugimoto (Golden Kamuy)

Miscellaneous

Girl if you saw how far I made it into my Senji draft, when I started, and when I stopped, you'd be wondering why my #1 isn't in any of my defined goals. And I'd say shit happens! Senji's draft had a very extensive outline, and I lost that very extensive outline, so I lost my motivation yay! Nevertheless, I still want to get it out there because I think it's a really funny one chapter entry.

Also Toji. Very much an outlier, but I've been putting him on the backburner because his draft is also one of my more ambitious projects, but one that challenges my writing skills in a duller way because of the amount of mundane scenes present. Also not a one chapter entry.

Anyways uh, thanks for peeping the yap session, meow!

[cassiopeiasara]

Hackle Summer Trope Challenge-Throwback Edition

What’s this?

A challenge (created by @cosmic-llin​) to inspire and generate Hackle (Ada Cackle/Hecate Hardbroom) fanworks for popular fandom tropes.

When’s it happening?

July 2nd-August 26th

Why’s it happening?

“I’ve been in a lot of small femslash fandoms, and one thing I’ve noticed often is that people are often shy about writing the same tropes and ideas that other writers have already used, in case they tread on their toes. Whereas in big, popular fandoms, twenty people can write variations on the same idea and they’ll all be welcomed by readers.

I don’t think we should be afraid of treading similar ground in our fics and other fanworks - we all have different perspectives to bring to the same basic concepts. So I wanted to do something to celebrate that and create more fanworks for popular fandom tropes.”~ @cosmic-llin​‘s explanation that I echo 1,000x over.

To find out how to get involved:

This challenge will run for the next eight weeks. Unlike years past, I won’t be posting a trope a week, I’ll be assigning two weeks to a past year’s list. As we’ve done this for four years (2018, 2019, 2020, 2021), each year will get two weeks. Since this whole challenge is kind of like a make-up/second chance year, there will be no make-up weeks. Anyone who wants to participate creates a Hackle fanwork using one of the tropes, posts it on Tumblr and tags it #hackle summer trope challenge. For our ao3 users, please post to The Hackle Summer Trope Challenge.  

At the end of each two weeks, a masterlist will be created of the fanworks created for each trope, and at the end of the challenge, there will be a masterpost of all the works. (Ex of a past year’s: 2021)

What kinds of fanworks can I create to take part?

Any kind! Fic - from a drabble to an epic, art, vids, gifsets, graphics… anything you want! It just has to involve the tropes of the weeks in some way.

What if I don’t make a fanwork within the two weeks assigned to certain tropes?

No problem! If you create a fanwork for any of the weeks by the end of the challenge on Aug 26th, it will be added to the masterlist.

Do I have to create something for every week?

Nope, this is a fun challenge to get our creative juices flowing - nothing about it is mandatory. Participate in one week or in all eight or anywhere in between! At the end of the challenge, @cosmic-llin​ will post a Roll of Honour of everyone who participated, maybe with a special spot at the top for anyone who completed all eight weeks!

I have another question not covered here!

Drop me an ask (anon is fine) and I’ll do what I can to help!

[fourseasonsfigs]

Character and Sincerity

There was a set of figs sold earlier this year where the fig maker required a handwritten statement in order to purchase them. The statement required was:

本人是龚俊和张哲瀚的粉丝，相信他们的人品和真诚。本人为自留目的购买手办，承诺不拆、不溢价或捆鄉转让。

[my MTL translation]: I am a fan of Gong Jun and Zhang Zhehan, and I believe in their character and sincerity. I purchase the figurines for my own use, and I promise not to dismantle it, pay a premium or bundle it for transfer.

I've not going to tell you how long it took me to write this out, nor my utter lack of anything even remotely resembling proper stroke order, as I was literally just trying to replicate the look of the characters. And well, no words are necessary, you can see it in the picture above. All I can say is that my Duolingo / Hello Chinese combo of basic Mandarin did not prepare me for this!

I also smiled as I wrote out Gong Jun and Zhang Zhehan's names, because I recalled a challenge question by a different fig maker, asking for the number of strokes in Zhang Zhehan's name, in order to qualify to purchase a Gong Jun figure. The same fig maker asked for the number of strokes in Gong Jun's name, in order to qualify for the purchase of a subsequent Zhehan figure. It's 36 for Zhehan and 20 for Gong Jun, by the way. Let me tell you, I did NOT appreciate all those thirty-six strokes in Zhang Zhehan's name. Nor was the 龚 Gong an easy character for me to write, let me tell you.

But while I was slowly and painfully transcribing these characters, the seller's required statement up on my phone and zoomed in front of me, I was also thinking about what I was actually writing.

I do believe in their character and sincerity. I believe in it so much that here I am, on August 13, 2023, reaffirming my continued love and support of them both. I will continue to support and cheer on Gong Jun, and I will wait patiently for justice to come for Zhang Zhehan.

I will never forget what a terrible, tragic day August 13, 2021 was, and what the unfolding days after that were like. But I've said it before, and I'll say it again, the evil, greedy people behind 8/13 can take Zhehan from us, but they can't make us let him go.

And oh, they have tried. I would not have believed the storms that have come and keep coming for the JZP fandom. So many people want the JZP fans to give up. They want our love and they want our money. Or rather, they want to destroy our love so they can have our money.

Well, they can't have it. What, did they think our love came so easy? The JZP that are left, the Haizhe that are still there and still waiting for Zhehan - we're as tough as they come. The fans that are still here have souls of steel, and no matter how battered or bruised we are, we're staying the course. We believe in Zhang Zhehan's character and sincerity, and we believe in Gong Jun's character and sincerity, and we believe in both their character and sincerity together.

I was there, I lived through it. I saw the devastation on Gong Jun's face after 8/13. I saw how he never unfollowed Zhehan's accounts anywhere, at great personal risk to himself and absolutely no benefit. If he had broken the CP or even just quietly deleted him after 8/13, not a soul would have blamed him. In fact, people would have celebrated and cheered him on, and pointed to his righteousness and the correctness of his priorities. He had absolutely nothing to gain on say, 8/29 by continuing to follow all of Zhehan's accounts, and everything, everything of all his newfound and hard-fought fame to lose. He was one of the few, if not the only celebrity in China on the days after 8/13 who had Zhehan's face and name prominently on his social media. I can't believe there are people that think that kind of loyalty comes cheap.

Sincerity and character is at the bedrock of my belief in why none of the slander and cruel commercialism of Zhehan's hijacked Instagram account can possibly be true. It's not just me that noticed the resurrection of the stolen account has been fundamentally about money. Money money money, wrapped up in "freedom" and "moving on". Look, I'm an American, and while freedom and moving on is literally embedded in our national DNA, guess what else is? Yeah. I can recognize cold hard capitalism when I see it, dressed up in marketing spin. When was Zhehan's character ever about money? When did Zhehan ever sell anyone out (even when they so richly deserved it and had it coming, Director Yu Zheng I'm looking at you)?

In all the personal challenges and tragedies Zhehan had already been through in his life - losing his father, injuring his leg, his girlfriend leaving him, losing his great love of basketball, his career stalling out prior to SHL - did any of that change him in the slightest bit for the worse? Or did it only make him more wiser, and sadder, and more introspective? Didn't it only make him more philosophical, more open, so much so he was able to dive deep into the personal pain of Zhou Zishu and unlock the strength and gentleness of A-Xu?

Was Zhehan so unable to hold on to his own original intention? Was his own character and sincerity some easily mutable thing that he's willing to torpedo for cash? I don't believe so. He sure didn't sound like it in the one audio recording we absolutely know is him, Li Xuezheng's audio recording from Jan 1, 2022. He sounded exactly like the Zhehan we've seen before.

So yeah.

One of the tricks about running a marathon that I learned long ago, if you're just a jogger at heart and not particularly strong or intensely fit, is to walk every water station. Give yourself a break, get some water. Take a bunch of deep breaths, look back and see how far you've come, and gather strength for the road. And water station by water station, you'll finish the race.

So that's what I'm doing on this long arc towards justice. I'm going to water my heart along the way, and refill my strength for the road ahead. I'm going keep collecting my little figs, I'm going to dress up my little baos Junbaobao and Hanbaobao, and I'm going to buy Gong Jun's endorsements and admire his magazines and watch his shows and every single success he achieves is going to feel good. Every little remembrance, every little win, any time we can all link hands and stay strong together gets us one step closer towards justice and vindication.

I'm proud to be a JZP. I couldn't be any prouder of my sisters and brothers in China and across the globe. We're still here.

I am a fan of Gong Jun and Zhang Zhehan, and I believe in their character and sincerity.

[dontmeantobepoliticalbut]

Just five months after the Robb Elementary School school shooting in Uvalde, the worst school shooting in Texas history, the pro-gun Gov. Greg Abbott won the race to keep his post by a landslide.

Critics slammed Abbott following the shooting on May 24, criticizing the Governor for blaming the shooting — which killed 19 children — on gang violence and mental-health concerns of the shooter.

Beto O'Rourke, who challenged Abbott in the race, ran on a mandate to raise the minimum age to purchase an AR-15-style rifle. Many of the families directly impacted by the shooting hoped he'd be the next Governor of Texas.

He'd previously accused Abbott of inaction following the Uvalde shooting, saying, "You are doing nothing. You are offering us nothing. You said this was not predictable. This is totally predictable when you choose not to do anything."

Indeed, in June 2021, Abbott signed a law allowing people to carry handguns without licenses.

"Texas will always be the leader in defending the Second Amendment, which is why we built a barrier around gun rights this session," he said at the time.

The families sat at a Uvalde bar and grill on election night for a results party, eagerly awaiting the election news, according to the Texas Tribune. But when news outlets announced that Abbott had won big and retained his support in Uvalde County, with more than 60% of voters backing the Republican, disappointment descended on the party, the Texas Tribune reported.

"Unfortunately, 21 people dead doesn't change people's minds," Jazmin Cazares, 17, whose 9-year-old sister, Jacklyn, was killed at the Robb Elementary school shooting, said, the outlet reported.

Veronica Mata, a kindergarten teacher, chimed in, "Everybody has the right to vote for whoever they want, we just hoped that they would see where we were coming from and see what we wanted to change."

Berlinda Arreola, a grandmother of 10-year-old Amerie Jo Garza, who was killed in the shooting, said, "The only thing that is going to change people's minds is when it happens to them."

Kimberly Garcia holds a poster of her daughter, Amerie Jo Garza, who was murdered during the mass shooting at Robb Elementary, during a March For Our Lives rally on August 27, 2022 in Austin, Texas. Brandon Bell/Getty Images

THE FIGHT GOES ON

John Lira, the Democratic candidate who lost his challenge against Rep. Tony Gonzales for a Texas congressional seat, joined the families at the watch party.

According to the Tribune, he described O'Rouke's loss and Abbott's win, as "crushing" but said, "it just means that the fight goes on."

"This community, these families, they fought their ass off for change, for a new vision, for somebody that will listen to them and be responsive to them and what happened to this community," he added.

Writing on Twitter, Kimberly Garcia, the mother of Amerie Jo Garza, said, "one thing is for sure, I will NEVER stop fighting for my children and yours."

Some more messages from Uvalde:

[stelliarsheep]

みんな… おやすみなさい🖤 This is a few days late, but happy second anniversary OMORI! I posted this on Twitter and of course can’t write much, so I'll do the honors here.

TW for talk of mental health, hospitals and self harm. Please move from this post if you are uncomfortable with such topics, for your own sake. Thank you❤

I discovered OMORI in 2014. I saw that little trailer in my recommended as a kid and watched it. I got super inspired by it, but never did much else. 2018 rolled by and I found out about the Kickstarter. I couldn't back it up because y’know, I'm a broke teenager, but I still tried to follow its development until I just lost interest. It's now early 2021. My friends are talking about OMORI and begging me to play or watch it. I eventually caved in and didn't expect anything special. Boy was I wrong. I came into the game completely blind, and experienced everything raw. - The first ending I got was the 'true ending', where Sunny and Basil accept their actions and trauma. I cried so much near the end, especially during the Final Duet (but I'm sure that got most people). I had expected a cheesy rpgmaker horror game but instead I got an experience I will never forget. It's themes stuck with me. I hadn't played a game like it before. A game that accurately represents mental illness, trauma and anxiety. I have been suffering from depression basically since the fourth grade. A lot of bad things happened in my life and I was becoming aware of it. I started to feel down and hopeless, often resorting to sleeping all day, drawing and slipping into my own imagination and disassociating. - I soon realized that this wasn't working, and only felt worse. I'd say around fifth grade was when I started to hurt myself. And I couldn't stop. I slowly fell deeper into my depression as I eventually came to terms with the fact I was a transgender person. The first time I tried ending my life was only a few years ago. That led me to be forced to out myself to my family, which thankfully went well and they pledged to help me transition, which they still do to this day. - Despite being able to transition, I still felt like things were missing. I still felt depressed. I realized that I was suppressing my trauma from years prior to the point of forgetting it. And once I was reminded of it, I spiraled further. That leads to early 2022. I was close to ending my life. I was very close to death. But it failed. I gave up and decided to reach out for help. The day after reaching out I was admitted to a psychiatric hospital. I would go to two hospitals in the span of almost six months. Those months were some of the worst of my life. But somehow I grew as a person. And as time went on, I improved despite the challenges I faced while inpatient. My head became clearer. Because not only was I taking medication and therapy, but I thought of Sunny. - Yes it's kind of silly that I was inspired by a fictional character but Sunny's recovery and journey through his mental health and trauma pushed me to keep going. And ironically, I eventually met someone there named Sunny who also liked OMORI. We became really close and I think about them often. They were the only person from that horrible hospital that had a positive effect on me. In August of 2022, I was finally released. Shortly after my discharge my family moved across the country at short notice. I once again became depressed, having to leave my old friends and life behind, but I realized by moving, I can start anew. And that's what I've been doing ever since. I'm the happiest I've ever been and I'm about to turn eighteen in a week as of writing this. I never thought I would live to adulthood. - As cheesy as it is, if I never found OMORI I probably wouldn't be here. I wouldn't have been encouraged to get help sooner. I would most likely already have killed myself or ended up in the hospital for hurting myself. As harsh as that is, it is sort of true. This seemingly silly game about a boy dreaming up adventures with his friends has changed my life completely. I'm grateful for the OMOCAT team for working on this game and putting so much love into it. And I love a majority of the community as well. I have met so many kind and creative people through Discord and Twitter. Why am I opening about this on the internet then? I want to show that things do get better. No matter how old you are, no matter how bad things are either. - I used to think I would never make it anywhere but here I am, I have amazing friends, I'm working on passion projects with others and I draw all the time and enjoy it. My drive has improved because of this game. I don't know what I would have done without it. This game means so much to me and so many other people. I can't believe its been two years since it released already. I'm hoping to continue to love it for more years to come. Thanks so much to OMORI and the fandom that loves it so much.

[beardedmrbean]

Shamima Begum has lost her latest bid to overturn the government’s decision to strip her of British citizenship, the Court of Appeal has ruled.

Ms Begum left the UK aged 15 with two other east London schoolgirls to travel to Syria in February 2015.

Last year, she lost a challenge against the decision at the Special Immigration Appeals Commission (SIAC).

Here are the key developments to date:

August 1999: Shamima Begum is born in England to parents of Bangladeshi heritage.

February 2015: British counter-terrorism police launched an international hunt to find three London schoolgirls who were making their way to the so-called Islamic State’s (Isis) territory in Syria.

Ms Begum, 15, had slipped out of her house in east London, with friends, Kadiza Sultant, 16 and Amira Abase. They caught a flight to Istanbul, Turkey and travelled to the Syrian border from there.

In late February, the Metropolitan police confirm that Begum and her friends had reached Syria. Ten days after arriving in the country, Shamima Begum marries Yago Riedijk, a Dutch-born convert to Islam and a convicted terrorist.

October 2017: A US-backed alliance of Syrian fighters takes full control of Raqqa, ending three years of Isis rule in the city.

13 February 2019: The Times’ war correspondent Anthony Loyd finds Ms Begum, then 19-years-old, at the al-Hawl refugee camp in Northern Syria. A pregnant Ms Begum tells him that she wants to return to the UK to raise her child but that she did not regret her decision to join Isis. She says that she had had two other children who died of malnutrition.

She says she had been unfazed by seeing the head of a beheaded man as he was an “enemy of Islam” but believes that Isis did not deserve victory.

Three days later, Ms Begum gives birth to a baby boy.

19 February 2019: The UK government serves notice that it intends to strip Ms Begum of her British citizenship.

The then-Home Secretary, Sajid Javid, writes to Ms Begum’s parents to inform them of his order to strip her citizenship. He believes that, because her parents are of Bangladeshi heritage, she can apply for citizenship of that country.

The law allows the government to remove citizenship if they can show the person behaved “in a manner which is seriously prejudicial to the vital interests of the UK” and when there is “reasonable grounds for believing that the person is able, under the law of a country or territory outside the UK, to become a national of such a country or territory.”

24 February 2019: Ms Begum’s father, Ahmed Ali, speaks to The Mail on Sunday and says that he “doesn’t have a problem” with his daughter’s British citizenship being removed.

Speaking from his home in Bangladesh, he said: “If she at least admitted she made a mistake then I would feel sorry for her and other people would feel sorry for her, but she does not accept her wrong.”

16 July 2020: The Court of Appeal rules that Ms Begum should be permitted to return to the UK in order to fairly contest the British government’s decision to revoke her citizenship. This ruling was appealed and sent to the Supreme Court.

26 February 2021: On February 26, the Supreme Court ruled unanimously against bringing Ms Begum back, thus reversing the previous decision.

15 September 2021: Ms Begum asks the British people for forgiveness in an interview with ITV. The now-22-year-old says that Isis’s killing of innocent people is “unjustifiable”.

She apologised for comments she had previously made to a BBC journalist about the Manchester Arena bombing. In 2019, she had claimed - when asked about the 2017 attack - that it was wrong to kill innocent people, but that Isis considered it justified as retaliation for coalition bombing of Isis-held areas.

She told ITV: “I do not believe that one evil justifies another evil. I don’t think that women and children should be killed for other people’s motives and for other people’s agendas.”

November 2022

Before the Special Immigration Appeals Commission (SIAC), Ms Begum’s counsel said: “Without seeking to investigate and determine, still less consider, whether she was a child victim of trafficking and whether there were failures by public authorities in the UK to prevent her being trafficked.”

January 2023

In the BBC podcast series, she said she understood public anger towards her but insisted she was not a “bad person”.

She said she accepted she was viewed “as a danger, as a risk”, but blamed her portrayal in the media.

February 22, 2023

Ms Begum lost her appeal in a SIAC court to overturn the government’s decision to strip her of her British citizenship.

October 2023

Ms Begum’s appeal against the loss of her British citizenship began in the Court of Appeal.

Begum’s team of barristers claim she was a victim of Isis propaganda and was groomed into terrorism.

Samantha Knights KC told the court the government had failed to consider the legal duties owed to Ms Begum as a potential victim of trafficking or as a result of “state failures” in her case.

February 2024

Three judges dismissed Ms Begum‘s bid at the Court of Appeal.

Giving the ruling, Lady Chief Justice Baroness Carr said: “It could be argued the decision in Ms Begum‘s case was harsh. It could also be argued that Ms Begum is the author of her own misfortune.

“But it is not for this court to agree or disagree with either point of view. Our only task is to assess whether the deprivation decision was unlawful.

[wingsmombolo]

Hi Wing, and anyone who may read this. (?)

I have had this account for several years and I haven't really put it to good personal or creative use.

I realize now what a wonderful opportunity I haven't afforded myself by not accepting the Tumbler invite, to " write whatever you want."

My daughter is the writer. I have thoughts, opinions and memories in abundance, but I am not a writer.

Back in the day, I was a pretty good communicator, but seldom wrote of personal topics (for my own sake anyway). I dabbled in creative writing and more often wrote about things I felt strongly about or in response to an event or quotable quote that moved me and seldom from personal experiences.

It seemed indulgent and frivilous to write for my own sake, when life was always so busy and full. I never kept a diary nor could manage keeping up a journal, for any length of time anyway.

So, I plan to try using this space as my own little corner and experiment. I'm going to try being a bit adventurous and explore a bit. It seems like a safe and welcoming space.

I have hope enough to not just dream or reminisce, but plan!

I hope to write discoveries I find in current every day things (which is what makes up most of our lives), as well as reflect on matters long behind me.

Most of my energy and time, I will need to devote living in the present and matters still ahead of me, so I don't really know if I will be posting much of anything. (That is OK since there's no one to disappoint!)

It is just a wonderful thing to knowing I have this opportuity. Hoping for time, and most challenging the energy, to do this now; to express random thoughts and memories, or share other's creative contributions which have touched me and this old soul of mine.

I've been told since I was a young girl that I have an old soul. After passing my 69th birthday in August, I think it is fine that I have finally grown into it!

I have many things I wish to do which may be left undone, but I aim to have few regrets. Regret is a sad and useless emotion not deserving of my energy; better to not let it take hold and let it go so we can keep moving forward. Make things right or better than we found them. Thanking God for whom all blessings flow.

I am not only getting older, I have Multiple Myeloma, a blood cancer that affects bone marrow which produces the blood cells in your body. My cancer was diagnosed early and is not an aggressive type, but my treatment is difficult and complicated because I have other conditions which worsen with chemotherapy, making treatment difficult and limiting available options.

Since there is no cure for Myeloma, continuing treatment to slow its progression is necessary for my wellbeing and if possible extend my life. I had a stem cell ( bone marrow) trsnsplant in 2021, and acheived a partial remission, then followed my maintenece chemotherapy which was suspended after severely suppressing my already compromised immune system. The 20 months off treatment gave the opportunity for my nlood counts to improve enough to have a hip joint replacement (2022) and shoulder joint replaced (2023), both of which improved my quailty of life greatly. I've had some opportunities to visit family & friends and enjoy being in the community again for small periods of time here now and again, ( with precautions ) but mostly I'm pretty isolated most of the time. I'm so grateful to have good friends & family and church family who lift me up and never forget me.

Living with chronic or serious health conditions for most of my full and busy life has been good though. Like everyine, there are good times and difficult times. Like most people, most of my growth have been in difficult times. I thank God for my time and that I am still here by his Grace. I trust in His plan for me.

I'm just taking this bit of time and space for my own sake. To express myself in writing which I won't discard ( I hope), but save here. There might not be a reader, but they will still be here. I writer needs an audience, but since I'm not a writer, if no ones reads these offerings, that's OK.

It will be my collection of Inspirational quotes, images of art, devotions and other ranfom ramblings I've never saved or organized before.

I still have work I need and want to do, for my loving family, treasured friends, church family and adopted community, so I will still devote most of my time and energy toward living fully in the present, appreciating the blessings in my life and staying as healthy as possible. Life is fluid and always feels for me, but the invite to write "whatever I want" motivates me enough try adding this to my day whenver I can!

Prayers & hugs until next time!