#bc she makes NO SENSE.

[webginz]

no one on this earth could ever convince me clone wars 2009 was better than clone wars 2003. the fact that 03cw came out BETWEEN EPISODES 2 AND 3?!?!? INTRODUCED CODY AND GRIEVOUS? HAS CONNECTIONS TO DELETED SCENES FROM EP 3? godly.

09cw changed so much, introduced unnecessary characters not made with george lucas, disregarded canon characters, unnecessarily changed plotlines from 03cw and the books, villainized pre existing characters, changed padme and anakins relationship.. just. ugh. i have the biggest love hate relationship with that show. i wish it was made legends and 03 stayed canon. 03 makes a thousand times more sense especially if your only a movie watcher (LIKE MOST PEOPLE ARE) but didnt disrespect pre existing canon. it was perfect.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[choccy-milky]

(ominis is already on his family's plan but he's there to annoy seb anyway)

[puppyeared]

Wyrm on a string

[ominous-horse-noises]

anyway i want to reiterate that i hope the rat grinders are tpk'd, revived and uncorrupted solely bc i want them to have to spend senior year together. 'redeemed' doesnt necessarily mean friendly with the bad kids and honestly? its so much funnier if they continue being bitchy to each other but without the trying to end the world stuff. they've built plenty of positive relationships w/ former villains now it's time for the next stage: uneasy alliance buzzing with the tension of both sides trying to hold back the urge to clown on each other

introducing, fantasy high senior year: the group project

[landoffreaksandfrogs]

you want me to what

[justaz]

battle of camlann but merlin wasn’t ancient as shit. he blasts the warriors around arthur away and arthur turns to see a glowering, golden-eyed merlin. he tightens his grip on his sword but isn’t able to raise it. the inconceivable notion that merlin has betrayed him runs through his mind but he cant quite grasp it. his father is screaming in his head to kill the wretched sorcerer but all arthur can see is his friend wearing a face that looks too much like morgana’s. merlin glances up at arthur and the expression of rage fizzles into one tinged with fear and concern - all too confusing for him to unpack in the midst of battle. merlin is slow to approach his side and even then he keeps his distance. before either of them can say anything, mordred appears, sword in hand, glaring at arthur.

merlin tries to draw the former knights attention away from arthur, tries to goad him into fighting merlin instead, but mordred is deadset on fighting arthur. he calls morgana over instead and says emrys’s fight is with her while his is with arthur. with the extra seconds of back and forth, arthur isn’t as shocked when he raises his sword against mordred’s. morgana and merlin blast each other great distances until they’re far away from modred vs arthur and land on the front line between the two armies. both armies back off and watch the light show as morgana and emrys battle until morgana’s army uses the distraction to close in on camelot’s army.

three battles occurring at once until morgana gets a lucky hit in and merlin goes flying. he lands next to a gwaine who is currently bleeding out. he smiles when he sees who’s next to him “merlin!” which sounds so much like his greeting every time they ran into each other before gwaine became a knight. he reaches out and heals gwaine’s wound and leon just looks up at him for a moment before going “you’re always full of surprises, aren’t you merlin?” merlin grins and goes “i got one more” he stands up on surprisingly steady legs and calls on kilgharrah. in for a penny, out for a pound. arthur is already fuming at him, might as well rip the bandaid off right?

kilgharrah attacks morgana’s army while merlin orders aithusa to stand down. camelot’s army is able to march through the charred army and bring down those who remain, mordred is loosing but persevering through rage and spite alone, morgana is screaming (like she always is nowadays). merlin and morgana battle once more until mordred and morgana’s armies have fallen. merlin makes a tactical retreat to arthur who is still staring at him wearily (and definitely irate). he requests permission to kill morgana which is baffling but she is his sister and he’s always cared for her even after her betrayal so he supposes it makes sense. once he gives it, their fight doesn’t last longer than a minute. emrys was always stronger than her, he was just buying time.

camelot emerges victorious though they don’t seem all that excited about it. the other warriors cheer and clap each other on the back, but arthur is just watching merlin. the knights watch them uneasily. merlin returns arthur’s gaze. “is that the fucking dragon i killed?” merlin looks up at kilgharrah who is needlessly burning the remains of morgana’s army. merlin turns back to him “yes.”

[anyataylorjoys]

THIRTEEN 2003, dir. Catherine Hardwicke

[babydarkstar]

i just. i just…FUCK. i just really want harrowhark to go sicko mode when she realizes john has the power to resurrect whoever he wants he just chooses not to and even after learning about his own blood daughter he still doesn’t resurrect her he just makes her a construct. i would be alecto-levels of grief-stricken-enraged if my childhood nemesis/guard dog/whipping girl/codependent lesbian situationship that i lobotomized over/suicide-pact soulmate/only friend was suddenly here but not here haunting her own dead body and the only reason she’s present is because she was made into a fascist killing machine for a man with a power kink, and she’s not even happy about it but she’s going through the motions because all she knows of love is to be useful. (forever your sword.) and if i was harrow and i died and then came back to myself after switching bodies with the human cage holding the earth’s soul and realized all of this, i think i too would be accompanying the earth’s soul on her shoulder to go kill a man with eclipse-eyes and criminal levels of nonchalance. y’know. the one who guarded g1deon but not me, lord. the one who was so sure i had never seen that which lies insensate and with stilled mind, lord, who did not realize i was a lock and there was a key in the shape of a girl, lord. the one who looked me dead in the eye and told me i could never have my cavalier back, lord. the cavalier who came back haunted and empty and incomplete by your hand, lord.

i’m so team ‘harrowhark saves gideon for real this time not because she wants her cav but because she wants her other half’ i might lose my mind about it

[xboxfox]

chell pony

[izzypaw]

flutters

[mummer]

i knew you once (+details)

[inkskinned]

one of the things that i think we should pay attention to, socially, about the disney v. desantis thing is that it is really highlighting the importance of remembering nuance.

in a purely neutral sense, if you engage in something problematic, that does not mean you are necessarily agreeing with what makes it problematic. and i am worried that we have become... so afraid of any form of nuance.

disney isn't my friend, they're a corporate monopoly that bastardized copyright laws for their own benefit, ruin the environment, and abuse their workers (... and many other things). this isn't a hypothetical for me - i grew up in florida. i also worked for the actual Walt Disney World; like, in the parks. i am keenly aware of the ways they hurt people, because they hurt me. i fully believe that part of the reason florida is so conservative is because it's been an "open secret" for years now that disney lobbies the government to keep minimum wage down, and i know they worked hard to keep the parks unmasked and open during the worst parts of Covid. they purposefully keep their employees in poverty. they are in part responsible for the way the floridian government works.

desantis is still, by a margin that is frankly daunting, way worse. the alternative here isn't just "republicans win", it's actual fascism.

in a case like this, where the alternative is to allow actual fascism into united states legislation - where, if desantis wins, there are huge and legal ramifications - it's tempting to minimize the harm disney is also doing, because... well, it's not fascism. but disney isn't the good guy, either, which means republicans are having a field day asking activists oh, so you think their treatment of their employees is okay?

we have been trained there is a right answer. you're right! you're in the good group, and you're winning at having an opinion.

except i have the Internet Prophecy that in 2-3 months, even left-wing people will be ripping apart activists for having "taken disney's side". aren't i an anti-capitalist? aren't i pro-union? aren't i one of the good ones? removed from context and nuance (that in this particular situation i am forced to side with disney, until an other option reveals itself), my act of being like "i hope they have goofy rip his throat out onstage, shaking his lifeless body like a dog toy" - how quickly does that seem like i actually do support disney?

and what about you! at home, reading this. are you experiencing the Thought Crime of... actually liking some of the things disney has made? your memories of days at the parks, or of good movies, or of your favorite show growing up. maybe you are also evil, if you ever enjoyed anything, ever, at all.

to some degree, the binary idealization/vilification of individual motive and meaning already exists in the desantis case. i have seen people saying not to go to the disney pride events because they're cash grabs (they are). i've seen people saying you have to go because they're a way to protest. there isn't a lot of internet understanding of nuance. instead it's just "good show of support" or "evil bootlicking."

this binary understanding is how you can become radicalized. when we fear nuance and disorder, we're allowing ourselves the safety of assuming that the world must exist in binary - good or bad, problematic or "not" problematic. and unfortunately, bigots want you to see the world in this binary ideal. they want you to get mad at me because "disney is taking a risk for our community but you won't sing their praises" and they want me to get mad at you for not respecting the legit personal trauma that disney forced me through.

in a grander scheme outside of disney: what happens is a horrific splintering within activist groups. we bicker with each other about minimal-harm minimal-impact ideologies, like which depiction of bisexuality is the most-true. we gratuitously analyze the personal lives of activists for any sign they might be "problematic". we get spooked because someone was in a dog collar at pride. we wring our hands about setting an empty shopping mall on fire. we tell each other what words we may identify ourselves by. we get fuckin steven universe disk horse when in reality it is a waste of our collective time.

the bigots want you to spend all your time focusing on how pristine and pretty you and your interests are. they want us at each other's throats instead of hand in hand. they want to say see? nothing is ever fucking good enough for these people.

and they want their followers to think in binary as well - a binary that's much easier to follow. see, in our spaces, we attack each other over "proper" behavior. but in bigoted groups? they attack outwards. they have someone they hate, and it is us. they hate you, specifically, and you are why they have problems - not the other people in their group. and that's a part of how they fucking keep winning.

some of the things that are beloved to you have a backbone in something terrible. the music industry is a wasteland. the publishing industry is a bastion of white supremacy. video games run off of unpaid labor and abuse.

the point of activism was always to bring to light that abuse and try to stop it from happening, not to condemn those who engage in the content that comes from those industries. "there is no ethical consumption under late capitalism" also applies to media. your childhood (and maybe current!) love of the little mermaid isn't something you should now flinch from, worried you'll be a "disney adult". wanting the music industry to change for the better does not require that you reject all popular music until that change occurs. you can acknowledge the harm something might cause - and celebrate the love that it has brought into your life.

we must detach an acknowledgment of nuance from a sense of shame and disgust. we must. punishing individual people for their harmless passions is not doing good work. encouraging more thoughtful, empathetic consumption does not mean people should feel ashamed of their basic human capacities and desires. it should never have even been about the individual when the corporation is so obviously the actual evil. this sense that we must live in shame and dread of our personal nuances - it just makes people bitter and hopeless. do you have any idea how scared i am to post this? to just acknowledge the idea of nuance? that i might like something nuanced, and engage in it joyfully? and, at the same time, that i'm brutally aware of the harm that they're doing?

"so what do i do?" ... well, often there isn't a right answer. i mean in this case, i hope mickey chops off ron's head and then does a little giggle. but truth be told, often our opinions on nuanced subjects will differ. you might be able to engage in things that i can't because the nuance doesn't sit right with me. i might think taylor swift is a great performer and a lot of fun, and you might be like "raquel, the jet fuel emissions". we are both correct; neither of us have any actual sway in this. and i think it's important to remember that - the actual scope of individual responsibility. like, i also love going to the parks. Thunder Mountain is so fun. you (just a person) are not responsible for the harm that Disney (the billion dollar corporation) caused me. i don't know. i think it's possible to both enjoy your memories and interrogate the current state of their employment policies.

there is no right way to interrogate or engage with nuance - i just hope you embrace it readily.

[thegreatmelodrama]

I’ve been seeing so many people theorizing that Prim’s name was the only one in the reaping bowl and I completely and whole-heartedly disagree. Prim getting reaped despite having her name in the bowl once is meant to show the cruelty of the games and the system. There is no guarantee that one will not be reaped—not even having the lowest of odds. That is the whole point. Katniss is not the “chosen-one”. Katniss was just a random girl who accidentally became more.

[iamjackstylerdurden]

shoutout to house md eps that end with a montage of couples and then hilson. maybe patient and their s/o, chase/cameron, lucas/cuddy, and then just. hilson.

[puppyeared]

personal character design headcanons + brainrot

Note: the re-bound!au does NOT belong to me, it belongs to @chipper-smol I’m just not normal about it lol