#because cool authors!!!

[inkskinned]

please i love you i'm begging you bring back suspension of disbelief bring back trusting the audience like. i cannot handle any more dialogue that sounds like a legal document. "hello, i am here to talk to you about the incident from a few minutes ago, because i feel you might be unwell, and i am invested in your personal wellbeing." "thank you, i am unwell because the incident was hurtful to me due to my childhood, which was bad." I CANT!!!!

do you know how many people are mad that authors use "growled" as a word for "said"? it's just poetics! they do not literally mean "growled," it's just a common replacement for "said with force but in a low tone." it's normal! do you hear me!! help me i love you please let me out of here!!!

[cheeseandcake-from-ao3]

[jeeaark]

I was always befuddled how such a mindflayer can be so hard to trust while ultimately having simultaneous goals as the team. Then I finally saw their stats in the other timeline.

It all makes sense now.

I am forever bemused by this this lower-than-the-average-squid-charisma disaster of a mindflayer.

I can only surmise that when the Emperor said Stelmane was the face of their business-partnership, it was not only meant literally but charismatically as well. Squid buddy's got the brains, none of the suave. If Emps tried rebuilding the Knights of the Shield without another business buddy, it might've been a tad difficult if morals were concerned huah.

[humming-fly]

It's dark Arthur, pull out your lighter.

(practically I know john is most easily portrayed as a normal hooded guy with a mask but deep down my heart of hearts still belongs to mergo's wet nurse)

[senselessalchemist]

The Beheaded makes a pitch

[cologona]

I am just so fundamentally uninterested in the story where Jason is in the wrong and needs to Gain Perspective or whatever. God what a snore. What an absolute waste of my time.

[tapakah0]

do u know cass personally? or is this a tumblr friendship? cuz its the most wholesome thing ive seen in my life

I don't even know their real name ~ But if I will be told that I have an extra liver, I will know at the exact same second to whom give it.

[cringefail-clown]

more of the cam cafe au, this time with strilonde family dynamic

so dave and rose are siblings and they both had their kids very young (other parents dipped out as soon as possible). they helped each other out with raising the kids while working on their careers, so the trio grew up very close to each other, roxy often acting as a mediator between dirk and hal as they were on each others cases basically since birth lmfao

gonna do the j squad next but holy shit is their family tree... complex

[jerreeeeeee]

i don’t know if i’m ever gonna write the fic but i’ve been thinking abt like. the eternal stockade. the implications. lup, a lich who was trapped in a dark featureless cell for a decade completely isolated with nothing to keep her sanity but her own mind. she has to put people in the eternal stockade. how many liches does she see herself in. how many liches started out just like her. how many liches are truly too far gone. and the only liches we ever see other than her and barry are edward and lydia. they’re certainly evil, but mad? they seem pretty sane. they’re not, like, tattered echoes of souls, they’re definitely still people. even as much of a grudge as lup surely has against them, wouldn’t they remind her incredibly strongly of herself? do they deserve to be trapped just like she was? for eternity? isn’t eternity what turned john to existential despair in the first place?

[ninyard]

I reallllly hope tsc ends up as a trilogy. I know Nora doesn’t want that…but boy do I want that ahsjdjf

LITERALLY I’m like noooo girl don’t do it (pleasepleasepleasepleasepleaseplease)

[insteading]

As someone who’s done bereavement care for almost 20 years, I’ve observed again and again and again that it is not staying with grief that cuts us off from other people, it’s suffocating grief and suppressing grief. It’s impossible to repress grief without also repressing all sorts of other things like joy and memory. Actually, expressing grief naturally connects us empathetically to other people. It is not an accident that right now when there is such a profound suppression of global grief, we’re also finding ourselves in a moment of such isolation.

Rabbi Elliot Kukla, in them magazine

I sought out this piece because Rabbi Kukla was quoted in today's sermon in reference to the ongoing genocide in Gaza ("It is lifesaving to mourn our humanity in inhumane times").

But this paragraph about grief hit me so hard I wanted to single it out to share. It is relevant to corporate grief of the sort we might experience when a state is doing harm in our name (police brutality, displacement, execution). It is also relevant to individual griefs.

In the bereavement calls I do for hospice, I have noticed, this is precisely what gets people stuck in grief: the feeling that there is no safe space and time to express grief. Companies tend to give very little accommodation for bereavement, if they give any at all. Culturally we're expected to get over losses in a matter of days. But grief rewires us, and some losses-- particularly losses like war, displacement, and police brutality where a state or institution does the same kind of harm repeatedly-- are complex and ongoing.

Grief impacts sleeping, eating, executive function. (I don't ask people in bereavement calls, "How are you doing?" I ask, "How are you sleeping?" "How's your appetite?" Maybe "Are there moments from your caregiving, or from your [loved one's] dying, that keep coming up for you?" Because of course you're not fine! You just lost someone essential to you. What I want to know is, is your body getting a chance to repair itself as your mind and heart process what you've experienced?)

People have talked to me after a loss about feeling exhausted and overwhelmed by daily life. It's not unlike recovering from a major injury and having a sizable portion of your bandwidth given over at all times to the tasks of bone, muscle, and nerve repair that are not under your conscious control. When tasks you're used to thinking of as having one part suddenly make it clear how complex they are? Cooking a meal takes more out of you. Doing a load of laundry takes more out of you. If you're already an introvert, the cost of social engagement goes up, at a time when social engagement might actually be very helpful.

Doing some of our grief work with other trusted people shares the load. It recovers some bandwidth. But many folks learn early in the grieving process that they have fewer trusted people than they thought. Or that it feels like the wrong time to deepen an acquaintanceship they'd hoped might become a friendship. Or that they aren't as comfortable asking loved ones for help as they thought they would be.

And the bereavement model I'm trained in assumes that a grieving person has experienced one recent loss. We know that a recent loss might poke us in the tender spots left by earlier losses. But that's still different from the experience of a tragedy that affects a whole community at once (as in an entire region's population losing multiple loved ones in a very short time and being forced to flee).

I don't really have a conclusion here, but I'm finding the activism that feels most healing and hope-filled to me has lament built into it: a chance to name the people who've died in our county's jail, while advocating for better communication with families of people inside. A chance to call out the names of people lost to covid while advocating for policies that will mitigate risk to vulnerable people.

Maybe it takes days to name all the people impacted by ongoing genocides in Congo, Palestine, Yemen, while urging our government to end its role in those genocides. Maybe our systems and structures, which aren't even good at honoring our grief for members of the nuclear family we're taught is our primary world, are disinclined to give us that time. Maybe we ought to take it anyway.

[fuckmeyer]

blows my mind there's not even a Chinese coven in The Twilight Saga. no Indian coven. only ONE coven in the Middle East/Africa: EGYPTIAN. no Greek coven, no Iranian coven, no Afghan coven, no Ethiopian coven, no Nigerian coven; FUCK ancient civilizations i guess! no one in South or Central America but the AMAZONS???? for real?????? the POTENTIAL to incorporate LEGENDS and HISTORY and CULTURE — wasted! i CANNOT with this author thinking the only vampire civilizations exist in Europe & America!! fuck off directly into the sun!!!

[chiarrara]

sorry not sorry, I love jjk but the power system doesn't make any sense. it's a lot of hand waving over vague intellectual concepts the author doesn't actually fully understand which makes it sound really smart, complex, and deep. But really it's ricocheting between an ode to classic shounen power systems and a straight up recreation of them with a new coat of paint.

And that's fine! It's cool to get inspiration from philosophy and mathematics and physics, it's fine to use that inspiration without having a deep theoretical understanding of the concept, and jjk is nothing if not an ode to and a new iteration of the essence of the shounen genre.

But it doesn't mean the author's explanations of that power system--in the text itself or in additional materials--make any more coherent sense than the quantum physics in marvel movies. Trying to make sense of this stuff is a futile effort because it's not fully developed to that scale, and I think that leaves a lot of people either filling in the gaps themselves and misremembering that as text, or deciding the author is actually way smarter than them and they would need a lot more information to understand it, which is not true, because it doesn't actually make sense.

Complex ideas can be explained at very accessible levels in very simplistic ways when they are deeply and fully understood. If someone actually knows more than you, they won't make you feel like you can't understand the things they know. If they do, it's because they don't understand it well enough to explain it.

[wickjump]

grrr cross whump… grrrr making him suffer… grrrr giving him extreme amounts of injury and blood soaking his bones… grrr…

[hms-tardimpala]

Ficbinding: Saw collection

Warning: long post

As you may have noticed, I recently got into Saw, and the fanfic quality is phenomenal. The writers in this fandom are exceptional and unafraid to write the kind of freaky shit I love. In a month, I've read enough amazing fics to fill a small book, so I did!

As usual, the fics come first. There are nine, by four different authors (I found writers I love right off the bat in this fandom).

By @theflirtmeister:

Our land is sharp and glorious (3.5k, E) (special mention to this one for being the first Saw fic I ever read <3)

Tell me sweetheart (1.6k, M)

What suits your taste (3.3k, E)

By @degloved (Wolverton on AO3):

See me bare my teeth for you (1.9k, E)

The Issue series (3 fics, 7.5k, E)

Pig on speed dial by @gurokatt (2.9k, E)

Helping hand (1.9k, E) is by an anonymous author I salute, wherever they are.

These are all great fics I wanted to bind to make rereads easier and I recommend them all strongly (just mind the tags). A big thank you to the authors for replying positively when I reached out, I hope this is a good surprise!

Now let's talk shop.

This is my smallest book to date, and I have a good reason for that. As silly as it sounds, I wanted to make a book that could fit in a pocket of Amanda's cargo pants^^ I chose red for the cover and black for the headbands and bookmark to mimic the Jigsaw coat. This cloth is amazing: the pictures above show the book in real lighting (I took them at the window to catch what light was left today). It's a non-uniform blood-like dark red, which is perfect for Saw. It's also slightly reflective, as if it were slick, as you can see in this video under artificial lighting:

I went crazy with the cogs, I know.

I'm very happy with the fonts I chose: "s'AWsome" for the title, "impact label" for the fic titles (reversed for the author names), "underway" for the drop caps and "reem kufi" for the body of the text.

I decorated this book more! Every fic starts with an image of an object related to Saw (I used chains, blades, a puzzle piece, a bear trap, a scar, etc...). I also put the title of the fic and the author's name at the top of the pages. I wish I could have put something between these and the page numbers, but it would have been too small to look good. I used barbed wire for breaks in the stories because of course I did.

I'm especially proud of the "underway" drop caps, look!

They look like fingerprints!!! The oily residue and everything, you know!

What didn't work?

This time, most of what I did worked perfectly. Well, I did have to print, cut, fold, sew and glue this three times because I made mistakes when trimming the textblock. But in the end it's fine because I don't think the uneven edges are jarring when it comes to a Saw collection. There's a small spot of glue on the cover that I'll be the only one to notice. I could have strenghtened the back less for a book this size, it would have made it bendier.

One the whole, I love this book and the stories inside it and, as a craftsman, I'm very proud of myself.

Reminder: Feel free to ask me about materials, fonts and tools, it won't bother me at all to tell you what I used, but I'm too lazy rn to write it in this post that's long enough already.