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#because it forced me to summarize the important points ^^’
passingnotions · 2 months
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On Set | Jihyo
smut, 900~ words
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You find yourself balls deep in Park Jihyo and in front of a DSLR camera with a very, very bright studio light setup. You both have your knees up on the cheapest couch imaginable—white, tacky, stiff—as your arms hook and pull around hers. Her back has been arched like this for the better part of two minutes, tits presenting (and bouncing) for the camera as dictated by the director. When you finally let go, she moans. It’s performative, satisfactory. But you also know it’s real.
See, you and her go way back. A few years worth. Jihyo has been in the industry for so much longer than you and, despite it having been your first scene together all those years ago, you blew her back out like she fucking deserved—her words, by the way. Phew, that was new. What’s your name again? It stuck with her and you’re vainly proud of that, so much so that every time you’re arranged for a new scene together, she brings in gift baskets and goodies; pampers you in hopes that you fuck her the only way you know—the right way.
As if you’d ever disappoint.
And it’s funny that you’ve never hooked up off the clock—a shame. There’s always a point in conversation, during prep time, where you both laugh at the thought. You have always thought it’d be disastrous in the best of ways. Have to keep the magic on screen, however. 
Something important to note, to digress: this crew sucks at everything. Your agencies both wanted in with a new fledgling studio, your manager called it. Their content is good, consistent, but you’ll be damned if it’s not generic. However it goes and however trite their camerawork, they’re making bank, and you’re there to profit off both of your names alone. 
There’s a before, during, and after to things. The latter two are good: a pretty girl with a pretty face gets railed by some nondescript cock and some part of her ends up glazed white. The former, however, leaves a lot to be desired. Best summarized? Solid creative vision. Near-zero technical prowess.
So, the sound guy needs another break. Something’s off again, he says as you’re mid thrust. The director yells cut for the umpteenth time and you bury yourself to the base to check in with your costar.
“You’re fucking kidding.” Jihyo says under her breath, head turning back to you. She sets her toned arms on the backrest of the couch and lays her head. “How long has it been?”
“Two hours.” 
It should have taken three, but the timer will count four by the end—
You take another long back-and-forth drag inside of her warm, tight cunt.
—Not like you mind.
Jihyo starts pushing back onto it; an experimental one-two, hips bucking ever so slightly with the majority of your cock still inside her folds. You figure she likes the way your balls brush against her clit. You do, too.
“It’d be a shame if—” She shimmies a little side-to-side. “You filled me up and the cameras weren’t rolling.”
Edging for the last hour. How would you say the question lands?
Jihyo snakes a hand under her body to reach for where you’ve started to fuck, slowly, slowly, purposefully. She runs circles with her middle finger, and with a very serious tone: “Keep going.”
Your hands land right where her ass overflows onto her hips when she spreads the knees a bit further apart. Her arch settles. With a long drag back—and a tight grip of that muscled frame—you fuck into her. Once. This firm thrust that makes her whole body shudder. You catch her profile as her lips curl a smile.
“Keep going.” Her fingertips move faster.
And when Jihyo’s asking—“sure”—you keep fucking going.
Okay, the shoot does end up taking four hours, but not because of the staff’s lack of equipment know-how.
You are fucking. Truly, unequivocally, fucking. Like you’ve missed her (you have—she’s fun), like she’s missed you.
The sheer force it takes you to not cum right then and there—to help her reach that ever sought-after climax—is the same force with which you pound Jihyo into the cheap, faux leather couch. You’d swear, later on, how she near melded with the piece of furniture: nail scratches on the surface, the imprint of the seams on her skin. She loves all of it. It’s guilty-pleasure levels of abrasive. You don’t fuck like that on camera. Authenticity can’t be quantified on a payslip.
And for that short amount of time, the set dissipates; the crew vanishes.
Jihyo is cumming—you know this, her tells. Goosebumps all over her skin, from the top of her thighs up to her rippling, reddened cheeks, and the way her moans turn to breathy coos and needy whimpers. You revel in knowing you can split her apart. That same satisfaction ends you in tandem.
Because there’s no other way you would have it, without a doubt. This short burst of fire burns right through your core. Your hands grasp her skin for dear life as your legs cease and stiffen their motion. All of it—the money shot—coats Jihyo’s pulsing cunt in an instant. It sends ripples through you both as you struggle to maintain a semblance of composure. The load washes over your length in this pleasing warmth that has Jihyo shivering through the remainder of her orgasm. Slow quivers. A bit of contented laughter.
“Fuck yes,” escapes her lips before the crew fades back in, curses and yells accompanying an attempt to catch whatever’s left of your unsanctioned stunt.
You’ll take the extra hour.
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redjademilktea · 5 months
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Last night's episode of 4 Sided Dive was absolutely wonderful in terms of the amount of insight and perspective we got. Not only the Crown Keepers interlude, but also for campaign 3's themes as a whole.
Specifically what fascinated me though, was the incredible analogy Aimee drew between the Ruidian culture and colonial influence on indigenous/colonized spaces in real life (around the 1h32m mark for reference). It was amazing question to ask and I'll love Aimee endlessly for it because it touches on am interesting parallel between the discourse surrounding the Exandiran gods and what they thematically can represent to us as an audience.
Before I dive into my thoughts, I want to preface this by saying this is my specific perspective as a queer woman of color and daughter of a refugee. While my year-5-in-a-PhD-program brain may just be over analyzing this too much, what Aimee brought up just deeply resonated with me in a way that I don't really see talked about in discussions around the themes of campaign 3. Additionally, the ideas I'll be talking about borrow heavily from Christine Taitano DeLisle's Placental Politics: CHamoru Women, White Womanhood, and Indigeneity under U.S. Colonialism in Guam (2023). Its an incredible piece on indigenous knowledge production and political action that importantly looks to decenter colonial perspectives and history (and more importantly recenter indigenous histories, knowledge, and perspectives in a way that allows us to dislodge the idea that colonialism is something that is immutable and inevitable.)
To quickly summarize Aimee's point/follow up question, she pointed out that the way Ruidians have engaged with, repurposed, and were resentful towards Exandrian cultures mirrors some of the real life experiences of colonized/marginalized communities in relation to colonialism. It was such a powerful comparison to make because in a lot of ways, the struggle of the Ruidian people over the course of the campaign along with the looming question about the gods and whether or not to save them is (intentional or not) deeply resonant with the idea of colonialism and the ways it is deeply ingrained in the even mundane aspects of our life.
In a lot of ways, the Exandrian pantheon can be seen as a colonial force. One that came in and displaced a preexisting order of things and entrenched itself in the new way of being it established. Ashton and Laudna have repeatedly pointed this out throughout the campaign. There was life and existence before the gods. The gods are merely a different mode of being, not the only and inevitable mode of being. Life, society, and being can and did exist without them.
And its important to recognize that aspect of the gods, because it helps us understand their motivations that much better. Aabria in her description of what Opal saw in the Spider Queen as she tried to take Opal as her champion was poignant. Opal did not see an omniscient, unknowable entity. She saw a woman. A woman who was frustrated, angry, and most importantly frightened. They keep Predathos chained away not to protect life on Exandria nor because they feel a moral obligation to do so. They are doing so because they are afraid. Their mortality is at stake. And, as Aabria keenly pointed out, their pride is as well. Every action, every move is out of self preservation. An attempt to save themselves because Predathos demonstrate that not even the gods are a permanent thing.
You'll find (as Anne Stoler writes about frequently) that colonial systems are much the same. They are vehemently intent on self preservation. Any action they undertake and any narrative they create about themselves is solely done to preserve the way things are currently. And that includes narratives that the way things are currently is somehow inevitable. That things were always coming to this moment. Often, this is done at the expense of framing other modes of being as somehow antithetical to the way things are now. That it needs to be this way. And that this way is right and forever.
To me, its important to recognize these parallels. While Ruidians may engage with, adapt, and innovate off of Exandrian ideas, culture, and art, it is only because - as Aimee aptly phrased it - Exandrian culture as a direct result of the gods actions has "sucked all the air out" everything. What is there to engage with, if not the looming orb in the sky that has shaped every aspect of their existence?
It really brings the campaign-wide question of "should we save the gods?" into new light, at least in my opinion. Because its suddenly not about "saving the gods in a morally righteous act to preserve all life." It becomes a layered and complicated network of issues that makes the answer to that question incredibly difficult to answer. Is preserving the status quo because its how things operate now worth it at the expense of the suffering of others? What would saving the gods and the Ruidians look like? Is it even possible to save both? What changes to how things operate would be a result of that? How would those changes be handled?
I bring this up because there is a tendency in some discourse that I've seen to frame questioning the validity of saving the gods as inherently the "wrong" choice to make. When instead, when you see the cast struggling over the question, its because the answer is not straight forward. The gods are not necessary for life. They never were. They just are necessary for life the way things are now. And the question of what disrupting that means is such a fascinating one to engage with.
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actual-changeling · 2 months
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I know a lot of people interpret Scully's reaction to Mulder's love confession in 'Triangle' as her assuming that he is drugged up and talking nonsense.
There is another (worse) option, though.
"Oh brother" is definitely not what you respond if you're taking it seriously, we can probably agree on that, but i don't think potential drugs are the reasons here.
Let's look back a little. I'm working with the assumption that 'Folie a Deux' is set in May of 1998 with FtF taking place in August. 'The Beginning' happens sometime in September of the same year. If we use this as our timeline, we have a total of around five months during which a LOT of shit happens.
'Folie a Deux' is important because this is the "original" drugged up love confession Scully hears when Mulder is in the psychward. It gets to her, she thinks he is being genuine and does what he asked her to do.
More important than the act itself is what he tells her. I assume most of us have that conversation memorized, but just as a reminder:
"Scully, you have to believe me. Nobody else on this whole damn planet does or ever will. You're my one in five billion."
Even from our point of view, this makes complete sense—she IS the only one he trusts.
Except that it's a lie. I don't expect Mulder to think of Diana in that moment, and it wouldn't have been an issue at all if it weren't for the events of 'The End', which happen about 2-3 weeks later.
Suddenly, there is a person from his past that he trusts unconditionally to the point of stupidity, and he not only doesn't talk to Scully about any of it, he stops talking to her period. It's as if she has been a placeholder for Diana, and now that she's back, there is no use for her anymore.
Mulder works the case with Diana, Scully is dragging herself along and he does not care about her or her work until it is useful for him; he doesn't back her up when a room full of people (including Diana) belittle and mock her. He nods along, which, to Scully, is just the last puzzle piece slotting into place.
To summarize, Mulder's confession in Folie a Deux that she took seriously is revealed to be a lie—a means to an end to get her to do what he wants her to. Whether or not that's objectively true is a totally different matter because this is what Scully is confronted with.
Betrayal.
With that in mind, their argument in FtF in his hallway and Scully thinking of herself as redundant makes complete sense. We get yet another love confession, one she ALSO takes seriously, and if it weren't for that fucking bee, they'd have kissed. Maybe then, the whole mess that comes after could have been avoided, but here we are.
In "The Beginning", Scully repeats said confession back to him in an attempt to calm him and regain his trust in her/her science. Let's see what happens:
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He implicitly tells her that none of what he confessed still applies, that the whole speech was, once again, nothing but a farce to get her to stay. Mulder confirms this at the end of the episode, and Scully asking him with tears in her eyes to trust her is a deeply painful contrast to his earlier declarations.
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Two times, Mulder confesses his love to her.
Two times, he takes it back later and continues to use it against her.
In 'Triangle', Scully once again finds herself next to Mulder in a hospital bed and listens to him as he confesses his love for a third time. Does she think he's drugged up? Yeah, probably, but that's not the reason she cannot take him seriously.
Considering her track record with Mulder and big speeches, is it at all surprising that she no longer trusts what he tells her?
"Oh, brother," because she is forced to grapple with her many, many feelings for him and process it in a way that fits into everything else that has happened so far.
"Oh, brother," because it might be an attempt to placate her and nothing else.
"Oh, brother," because there is a chance he will twist his 'I love you' into a weapon to stab her with later. Because he says it and does not mean it.
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This is not a "oh, he's drugged up" expression to me. This is Scully preparing to get hurt again.
The funniest part is that she's right. She is right. He couldn't have meant it because then he wouldn't be staring her down with apathy in his eyes and tell her not to make it "personal".
SHE is making it personal? After Mulder manipulated her by pulling on their connection like a leash to get her to do what he wants? After he confessed how much he loves and trusts her over and over just to throw it all away?
To ignore all of it in the moment it actually fucking matters?
The drug option is less angsty and kinda fun, and I do enjoy reading fics that interpret it as such, but with their history attached, it is so much more—and so much worse.
Pretending it never happened is one thing, but then actively denying it to her face and using her feelings to hurt her? Yeah, no.
Mulder fucked up and Scully has every right to reject his declarations and distance herself from him.
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felixora · 2 months
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Anders discource
I forgot to post this here as well, lol
This kinda turned into a small essay…. Which is to be expected, it is Anders’ discourse after all.
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This text is a personal view of the DA discourse, that is often summarized in fandom circles as “Was Anders right?”.
So let's start with this question: which is better, a peaceful or violent revolution? The answer is: both, depending on the severity of the situation.
I'm sorry to break your sweet dreams about “peace and love”, and “only peaceful revolution are justified” — but that's just delusional.
While I do believe that peaceful revolutions are the best outcome for both sides of conflict, more often than not they are impossible specifically due to unwillingness of the oppressors to seek true compromise. Because where the marginalized might achieve something slightly better for themselves, the oppressors lose the most important thing for them — they lose control.
And then the only thing that's left is a violent revolution. Or, well, death.
The rule of “turning the other cheek” does nothing but perpetuates further violence, when you're dealing with an oppressive regime. Because while the marginalized side often considers the middle ground with their oppressors (just for the sake of “making things better than before, while not risking the full annihilation by a stronger force”) the oppressors have only one in mind: “We want you fully gone, because you oppose our rule. You are a danger to us”.
The thing that I learned in past 10 years is that — ”Pacifism is a privilege”. And those who are oppressed don't have said privilege. They either fight or they die. Sometimes slowly (for ex. by assimilation), sometimes rapidly (in a massacre).
The thing that genuinely baffles me in the whole Anders' discourse, is the fact, that people forget or ignore that he for years tried to do the peaceful revolution. The Mage Underground was a way to get the mages from the dangerous environment, without engaging in the direct confrontation with the Templars. The manifestos on why mages should be free and letters to the Divine herself regarding the same issues that Circles pose — all of these are methods of peaceful resistance. 
Now, remind me again, did these actions have any effect on how Templars or the Chantry treated mages? Maybe they revaluated their stances, did a thorough investigation of the possible mistreatment of their charges?
Oh, yeah — IT DID NOTHING.
No, not even that — the things started to get worse and worse, actually. 
Any time the Grand Cleric “calmed things down” — the status quo remained. They didn't try to investigate the concerning situation in the Kirkwall Circle or any sort of rumours of abuses by the Templars. No, the Chantry for the most part closed their eyes to these rumours, and when the number of rebellious mages went up, the only thing they considered — was to organise a crusade (an Exalted March) against the Kirkwall. Nevermind, that most of the mages from the Circle and as fugitives were a faithful Andrastians, despite the conditions they were put through by the Chantry.
But of course, “the Chantry is just a religious organisation, it shouldn’t be targeted in such situations”...
So, back to the Templars — they didn't get their wish of cutting down all the mages under their care right there and then. But they sure as hell were allowed to continue to physically and psychologically torture, push mages to their breaking point, and commit any abuses they felt like doing to their charges.
In all of this, the Chantry poses as an enabler and the cause of the laws against mages in the first place. Not to mention that Chantry was responsible for the creation of the Templar Order, and they are subservient to the Divine.
By the 3rd act of the game we have a conformation, almost right away, that Meredith send a letter to the Divine requesting a Right of Annulment.
It's not anymore a question of “if the Divine will approve of this” — she might have said no, it's true. But our characters don't know that. They see the situation, where every peaceful attempt to reach a resolution was met with silence or threats of violence. With all due respect — only a fool hopes for the better and does nothing in such a situation.
This becomes a question of “when will it happen”.
When the oppressors say “I will murder you” you don't go “How about we talk”.
When you propose a dialogue and the opposing side says "No" over and over again, while continuing to tighten up the leash around your neck, the only right action is to fight back. If you fight — at least you have a chance of surviving. Otherwise, — it's death. Slow or quick, depends on the choice of the oppressors.
Another important thing, is that revolution doesn't happen on the shoulders of one person. It needs people. And those people need to believe that the idea has at least some chance to come true, they need to be inspired.
Inspiration not always comes through well-put speeches preaching kindness and unity.
It also can come through acts of violence, if said violence is turned against the oppressors. It shows, that they CAN BE BEATEN.
And Anders’ actions inspired people.
Anders tried his voice, he tried to reach the society in general with his arguments. That didn't work.
He tried to bring change with the Mage Underground, to recruit his friends (Hawke and the party) to join his active efforts of fundamentally changing things — that didn’t work as well. (while the friend group acts uninterested and uninvested in Anders’ righteous cause, Hawke might constantly and only suggest diplomatic solutions, which at the time were already useless and only maintained the status quo)
So the next closest thing is an act of violence against the Chantry — to show all those mages, who are still doubtful, who are scared, who think there is no hope — you can fight back and make it hurt.
What was called “compromise” from the Grand Cleric was maintaining the status quo, where mages in the Circle were still suffering the abuses, while the Templars simply weren't allowed to make them all Tranquil. 
How the fck is that a compromise?
If you didn’t get it already — I am a big supporter of action, when it comes to revolutions and fight against oppression. 
While acting is always a wild card (you have no idea, what reaction you might get from your oppressors, if you'll receive any support from “external forces”, if the luck will be on your side) — it always brings change. 
On the contrary, inaction — leaves your fate in the hands of the oppressor. They might be merciful, they might be cruel — what happens to you and your people in such situation depends solely on their wimps. In many cases — the status quo remains, nothing changes.
The Chantry personnel was part of the problem. For years, they did nothing to investigate possible misuse of power within the Circle, that obviously perpetuated further and further rise of temper among mages. 
They stayed silent on the issues of Ferelden refugees, leaving them to fend for themselves in the slums (while obviously holding significant part of the influence in the city). 
They obviously took part in less than peaceful instalment and fight against neighbouring religions (see Mother Petrice and the Qun). 
And, returning to the topic of mages, they perpetuated as part of their official teachings demonisation of mages as a whole, purposely ostracizing them from society and creating an impossible conditions to fight against. Their word was the law. And even if the mage had a compelling argument for their case — without even a bit of approval from the Chantry, they wouldn't have a chance of bending the society to their side.
So, the Chantry is just as guilty.
Another thing that needs to be considered in this topic are the casualties among civilians as a result of Anders’ violent protest. Because in the aftermath of the explosion there was 100% injured or dead among civilians. One might argue that they are just as gullible, turning a blind eye to the obvious misdeeds by the Templars and apathetic response by the Chantry (all it takes for evil to fester, is for good man to stay silent, after all) — but that still doesn't make their deaths rightful or expendable. 
Anders had to make a choice — either them, or the mages. 
They are the collateral damage of this conflict. One, that could have been prevented, if the oppressive side agreed to at least a compromise with the oppressed. But they didn’t.
And as a result, Anders had to take actions to unsure at least some fighting chance for his people, for the mages. The sad thing for me, personally, is that he will be the one to live with the burden of this choice, and not the personnel of the Chantry or the Templars, as they didn’t consider themselves guilty. 
The other side of this story could have ended with Anders staying silent, Meredith putting into motion the Right of Annulment and then the Chantry sweeping what happened under the rug (which had a high chance of turning the story to the path, where revolution among mages happened decades later or even didn’t happen at all). 
And that would have been the consequences of his choice as well, though a much worse option if we're considering that Anders made it the purpose of his life to bring change to the system and protect his fellow mages.
Another thing that is often brought in discussion is that Anders should have chose the Gallows as his target. In this scenario, there would have still been casualties among the civilians (consider the debris falling from the sky), as well as guaranteed deaths among the mages and tranquil (all were located in the Gallows). Anders wanted to give them a fighting chance, not kill them right away.
So selecting the Chantry as his target to shift the general power balance in the conflict and send a message to both the institution and mages across Thedas — is absolutely logical.
Other thing that makes no sense — is the lack of mages who actively sided with Anders' actions while remaining on the defence against Templars (not that weird shit about creating 2nd Tevinter in the Hinterlands)
Because that's how it went with revolution in my country. We have some people who regret the revolution (even now), we have those who are apathetic to it, and we have those who believe in it wholeheartedly.
People died for their beliefs in this revolution, and both them and those who advocated for a more proactive approach and survived were idolised by numerous people afterwards. 
Some rightfully so, some less. But it still happened. 
They are considered heroes, EVEN THOUGH we also had an invasion of part of our country from our neighbour as a result of this revolution. And in latter years, we are now defending ourselves from a full-scale invasion from the same oppressive force that was largely responsible for the reasons we had a revolution all those years ago.
The majority of people in my country would still, without a doubt tell you, that the revolution and the subsequent violent fight for our future was the right course of action. Even now, knowing how things turned out for us.
Because it brought change. It gave us hope that we can be that force of change.
So when the DA tells us, that there were barely any mages, or relatives of mages who were taken from their families, who considered Anders' actions justified and idolised him into this heroic persona — I call bullshit on that. 
That's simply not how things turn out in these sorts of situations.
Many held grudges not only against Templars, but the Chantry as a whole. Many spend their lives in hiding or locked away from their loved ones. The voices of many were never heard, no matter who they appealed to — and then comes this mage, who dealt an irreparable blow against the authority of the Chantry, who challenged their rule and told everyone “the time for compromise has passed, it is time to fight”.
Are you telling me people won't idolise that?  Span a ton of rumours and legends around his figure? 
I highly doubt that.
I have genuine criticism of Anders as a character — his racist towards elves views are hard to miss. The occasional misogyny (if we're taking Awakening into consideration as well) is also present. All of that can be explained by the upbringing in the Circle and under the Chantry, but it is NOT an excuse, and these are genuine flaws of his personality.
That being said, you don't have to be a perfect victim for your suffering to be acknowledged, related to and your fight against oppression to be supported.
“Oppression” is not an achievement, that you unlock only after reaching certain standards. 
It simply exists.And not only you can fight it, but you must.
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skania · 1 month
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OnK Chapter 158 Thoughts
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This is literally me every time Akane shows up 😭
It was so cute to see Ruby so happy to see Akane! It feels like the two must have grown close again off-panel after this happened:
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Akane looks so cute, too 😭
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Onto the more pressing matters, first thing that caught my eye was that the concert took place in Miyazaki, aka the town where Goro & Sarina lived and died. According to Akane, she had "some business" there. This business is quite obviously not something she is keen to discuss, considering her reaction.
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Could the business be keeping tabs on our resident psycho, the one and only Nino?
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To be perfect honest, I'd also hope that "business" involves Akane doing some digging about Goro...
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...But since I've gotten used to not having nice things in this manga, I'll just settle for Akane tailing Nino and keeping an eye on her, because that feels like the in-character thing for her to do.
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So we could say that the beginning of the chapter establishes that Akane may be tailing Nino.
That's one thing to keep in mind.
Moving on, Akane says that she "might not be able to make it" to the Christmas concert. The very concert Kana will Graduate in. The one where Kana is expecting a reply from Aqua.
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Akane (and her now patented ^^ smile) is vague enough that we can read it in various ways. Could it be that Akane doesn't quite want to watch the concert where she's expecting Kana and Aqua to get together? Or could it be that she has something more important to do that day?
And if she does, could that involve the 'Happy Ending' she and Aqua discussed two chapters ago?
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That's another thing to keep in mind.
Speaking about Aqua, since Christmas in Japan is a holiday for couples, we get this very funny, very interesting panel from Ruby, who looks anything but supportive at the thought of Akane dating someone new lol
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Looks like Ruby isn't too keen on Akane moving on from her precious brother. It's up in the air whether that's just Ruby being a brocon or because Akane still has her seal of approval to date him, though.
Akane really has this fake smile down to an art lmao
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Next we get an Akane monologue where we're told that despite Kana being a force to be reckoned with, she can't match up to Ruby, who outshines her.
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When I read those words, they automatically reminded me of Nino, who went through the same thing with Ai. Fittingly enough, we later get this Nino panel, where Memcho's face is obscured and only Ruby and Kana can be seen.
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We also happen to get this ominous panel where Akane shows she's aware that there are people out there who want to "destroy" Ruby's sparkle. This is another thing to keep in mind.
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I'm curious as to what Ruby was about to say when the scene cuts to Nino, but I won't speculate about it. Tsukuyomi's monologue was also interesting, in the sense that it tells us how Aqua's, Nino's and Kamiki's love for Ai has gotten all twisted.
Next thing we know, we get a timeskip. Aka has literally timeskipped us straight to Christmas, aka Kana's graduation concert.
The rushed pacing alone would've been hilarious if it weren't for what happens next.
Let's summarize everything Aka has established in the past few chapters up to now, shall we?
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Aqua and Akane know that Nino is behind all the deaths in the manga. We have no idea how they realized this, but Aka took the time to show that they magically knew it. We're thus led to believe that this is important.
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Akane wants to ensure everyone's future holds a happy ending, and Aqua is aware of this. Considering that both of them outright discuss Nino, we're led to assume that they may team up to make sure she's dealt with.
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To this end, Akane may be, quite literally, tailing Nino.
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Meanwhile, Ruby herself is being constantly watched by Miyako and Ichigo, to the point she says she doesn't have a single second of alone time.
Moreover, Akane pretty much summarizes in this chapter why Nino would target Ruby.
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So I must ask:
Taking all of this into account, in what world does this make any sense at all?
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The door even had a window! A window!
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And even if it isn't see-through, we've been told over and over again that idols need to have keychains and security systems to protect themselves from crazy fans. Ai herself says so.
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So in what world does it make sense for Ruby to get stabbed like that?? lol
Now, the stab in and of itself is anything but surprising. The manga hasn't exactly been subtle lately about Ruby likely becoming Nino's target. Some of us thought that Gotanda's line about Kana protecting Ruby was foreshadowing and that Kana would tank the stab for Ruby. Others thought that Kamiki would be the one to step in to save his daughter, one good deed to help atone for his past wrongs.
Whatever the case, despite our personal preferences and hopes for this manga, we all knew that Ruby was in danger and that someone would be getting stabbed. Some of us even expected it to happen this week because it's the week where Sayahime would be getting slashed in the manga lmao
So how am I supposed to believe that Aqua and Akane, who somehow even figured out Nino killed Yura and thus her motif, didn't take the necessary measures to not let it happen? lol
Even the lead up to it is... bland. Forced. Nonsensical. Why isn't Ruby shown curiously peeking at the door just like Ai would've done? Why don't we see her behaving normally at all before she opens the door?
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The stab page is pretty much a copy-paste from Ai's, so why not go all the way and have a repeat of these panels, too?
This all could be explained by forced, bad writing — an Aka staple, certainly. And I wouldn't be surprised if that's the case. In fact all of this must sound silly coming from me, since I've been laughing about Aka's mess for weeks now. But biased as I am, I'm kind of forced to take the bad writing more seriously when my favorite character is directly impacted by it 😂
So I'd like to think that Akane and Aqua did see this coming and that they have a contingency plan. In fact, I'd even go as far as saying that I'd like to believe that the stab itself is staged. There are certainly enough weird things about it to make room for that possibility. The first thing I wondered about when the leaks dropped was if it could be someone pretending to be Ruby to trick Nino, and the lead-up to the stab does leave room for that possibility imo
Akane (or Aqua) with a wig, or even Ruby herself but aware of the plan — I would literally take anything at this point except the very empty, very forced scenario where Ruby truly just got stabbed because everything established in the previous chapters suddenly ceased to matter lol Heck, I'd even take Akane using a prop knife to give Ruby a scare and force Miyako & Ichigo to take measures to keep Ruby safe during the concert. Would it be silly? Absolutely. But this entire situation is already silly as it is, so I'll settle for the lesser evil lol
The story can't keep making Aqua & Akane ridiculously intelligent when it suits it, and normal when it doesn't. It's inconsistent and most of all, it's unnecessary. They could just as well have figured it out after the fact, alongside the reader, which would have drastically increased the emotional impact of the Nino reveal from: predictable and rushed to predictable but impactful.
If this was done so that Aqua and Akane can question themselves and their desire to shoulder the darkness to protect others, couldn't this be done in a better way? Because as it is, if everything is just as it seems, then Aka has deliberately kept Aqua and Akane from growing just so he can force them to do so through shock value alone.
I know I always say that I don't like predicting Aka, but I thought it'd be revealed that they had enlisted everyone's help to deliberately lure Nino into targeting Ruby during the Christmas concert, and that they would catch her red-handed before she could hurt Ruby. Since I figured that Aka may want someone to get stabbed anyway so that Aqua could put his medical knowledge to use, I thought that something would go wrong during the confrontation with Nino and that she would manage to hurt someone either way.
Maybe it was my mistake to expect any sort of consistency from Aka. Time and time again he shows that all he cares about is his perfect timing, and so characters will do whatever they have to do and will be kept as stagnant as they need to be in order for their development to happen only when that perfect timing has been reached. Like the way he rushed and rushed just so the stab could happen at the same time as the Saya slashing in the anime.
I do wonder though, aside from Ruby being immortalized as the ultimate idol through surviving the same attack Ai died from (and Kana's graduation happening at the Dome, because who wouldn't want B-Komachi at the Dome after this), what would be the point of this? Will Aqua magically get there in time so he can use his medic knowledge? Will Tsukuyomi perform a miracle? Or will we get a few chapters of people crying over Ruby's hospital bed while Nino keeps being crazy in the background?
No matter how I look at it, I feel like the only scenario where the writing is (somewhat) salvaged is the one where things aren't as they seem and this is all part of a plan we aren't privy to. Making Nino think that she has killed Ruby, only for Ruby to get on-stage brighter than ever would be a pretty cool twist.
If there is no twist though, then characters were made to look circumstantially dumb and incompetent just so Aka can have some last hurrah in the form of forced drama lol
So yeah, as per usual, I'll be hoping for the better option out of the two while preparing myself for the worst outcome.
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Edit: I literally forgot KAMIKI lmao if not Aqua and Akane, KAMIKI should know that Nino is definitely going to go after Ruby. Why would he just sit on his butt and let it happen??
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If there's no twist at all, this will seriously be an all-out character massacre 💀
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IMPORTANT NON TAKE!!!
⚠️⚠️⚠️⚠️@/dissociative-misinfo IS SPREADING MISINFORMATION!!!!!!⚠️⚠️⚠️⚠️
They're saying final fusion is a way to "heal" a system. They did say that it doesn't go away, but that's not HEALED!!
They're saying people HAVE to source separate, which is NOT true!!
And they're also just being a dick-face to anyone who says otherwise!!! Please, please, PLEASE be careful when looking at their blog!!!!!!
Good morning (again), everyone. We have some down time in our second period, so I'm taking the time to address this.
As some of you have already pointed out, the blog mentioned is actively spreading misinfo while being extremely aggressive towards people with different views from them. The specific things I'll be talking about are in relation to one of their reblogs of a post on our blog claiming that any form of healing other than fusion/final fusion is "anti recovery". This is blatantly wrong.
Recovery is not set in stone, nor is it completely linear. No matter what condition someone has, they aren't going to recover and/or heal the same way others might. This can apply to any mental illness and/or disorder. Let's say two people are suffering from clinical depression, and both are taking antidepressants as well as going to therapy regularly. One of the two ends up being in therapy longer that the other, simply because the two individuals recover at different rates and in different ways. One may reach a point of recovery by spending time outdoors in natural sunlight more often, while the other reaches a point of recovery by interacting with family and friends more often. Both are recovering, despite their different ways of doing so.
The same logic can be applied to systemhood. For some systems, fusion is their way of recovering and healing. For others, fusion only causes them more stress, more hardships, which can very well lead to more splitting and a worsening mental state. Final fusion is not a cure-all for dissociative disorders. There is no such thing as a cure-all for anything. As a system, a large part of our healing stems from building connections between headmates and being able to rely on each other. When headmates fuse, there is a clear absence of the support they offered the rest of the system. Our headmates matter to us, so of course we react to fusions and dormancies the same way a singlet would react to the loss of a friend or family member. When me and my fellow headmates work together and support each other, we are healing. We're learning to make the most of this disorder and embrace it with positivity and optimism instead of dread and distaste. We're learning that we aren't alone, and that there is always someone we can lean on when we need it. We're learning to trust, which is something we've always struggled to do because of our trauma responses. For us, that is healing. However, we recognize and acknowledge that there are systems who heal and recover in different ways. That's okay. Trauma is deeply personal, and how you recover from it is entirely dependent on the individual. There's no right or wrong way to overcome trauma. Trying to force someone to do something they can't handle/aren't ready for/don't want isn't helping them. That is hurting them. That is anti-recovery, as you're actively reversing any progress they might have made.
As for source separation, that also entirely depends on the individual. We've talked about this on our main blog, but I'll summarize our points to make this easier on everyone. There are reasons that introjects may choose to source separate, and there are reasons they may choose not to. Both are equally as valid as the other. What an alter chooses to identify with/not identify with is no one else's decision but their own. No one has the right to strip someone of their own identity.
We've found out through a reblog from one of our followers that this blog is pro endo. For that reason, we'll be blocking this blog as this breaks our DNI. We encourage anyone else to block this blog as well to ensure none of you come across any harmful/triggering things yourselves. We haven't looked at any other posts from this blog, but we've seen warnings of their posts being paranoia inducing. Please stay safe out there <3
Okay! That was a lot! Thank you for bringing this to our attention, and thank you to the people who have reblogged these posts combating the spread of misinformation. Fortunately for you all, we have some hot takes lined up and ready to post for you! Thank you for bearing with me. I'll try to keep posts on this blog a little more lighthearted from this point on, but sometimes you need to sit down and talk about something serious ^^;
It's better than having Zack do it, I'll tell you that much /lh humor
Yours truly, Mod Green
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oshinohoshi · 2 months
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What do Ai's words in ch 154 say about her?
I thought I said all I wanted to say about the Hikaru/Ai breakup in this post but I want to comment on something major I glossed over: Ai bringing up Taiki, and therefore Hikaru's sexual assault, before she left.
I've had to mull it over because (without some of the context provided below) it's just so out of character. Ai started her breakup speech with "being with you forever is too much for me," followed that up by stating that Hikaru's child born from molestation was too tough, and ended with "I can't love you." Talk about psychological damage. If I was him, I'd be curled up on the floor sobbing. I'm sure he was.
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Just look at the below panel. Fifteen years later, he framed Taiki's birth as something he did. That's devastating.
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BUT I'm coming back to critically alter this post (sorry to anyone who liked/reblogged it already) because the lovely @aihoshiino provided some important context about Ai's words being vaguer and less harsh in Japanese. I have pasted this as bullet points at the end of this post and it's far more important than anything I have to say, so if you want to stop here and just read that, I highly encourage it.
To summarize: In English, it sounds more like Ai blamed Hikaru for Taiki, whereas in Japanese it's vaguer and not as cruel. Which isn't to say Ai did nothing wrong when she glibly walked away, but it's far more in line with her character.
But there's still the question of why say this at all. Didn't Ai realize that "I can't love you" was enough? Why bring up the worst thing that ever happened to him, the very thing that broke him so badly she felt he couldn't raise their kids?
She may have wanted him to hate her, thereby setting him free of the supposed burden of herself and her pregnancy. It was also a convenient lie. Unfortunately, it was one Hikaru easily swallowed because that was already how he felt about himself.
She said in the DVD that she thought he'd be OK once she was gone. I do wonder if she really thought that or just hoped so. After all, she later felt that a whopping 15 years later he might still be struggling. Either way, it worked to chase him away.
Did Ai blithely say something hurtful and uncalled for that caused lasting damage? Yes. Was she a teenager who couldn't communicate her emotions, ran away from conflict to protect herself, and had a traumatic childhood that influenced her developmentally? Also yes. Not to mention, she was dealing with an emotionally dependent boy and an unplanned pregnancy. It's not an excuse, but it's an explanation.
Even if we were to ignore the subtleties I mentioned and view this in the worst possible light, saying a horrible thing you don't mean doesn't make you a horrible person.
Hikaru gets Ai's characterization mostly right in the below panel but he's wrong if he thinks Ai's cruel words were an accurate representation of her.
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Finally, I think getting hung up on what we, as people who don't have the lived experience of Ai, would do in her shoes is missing the point. The idea isn't to judge Ai as innocent or not innocent. Instead, we are invited to see that Ai was a loving person but she was also human and humans sometimes fuck up badly.
A good chunk of the manga focuses on the complex relationships between characters as well as their relationships with their inner selves. This chapter touches on both. Hikaru misunderstood Ai's intentions and Ai failed to understand her own feelings for him or what to do about it. The reader, meanwhile, if they were clinging to any misconceptions of Ai as some kind of saint, is forced to reconcile with who Ai really was.
The below is the context I mentioned from @aihoshiino. I'm just gonna paste this word for word from Claire:
Ai's words aren't quite as pointedly cruel in Japanese. Her line in Japanese that mangaplus translates as "I can't even, that's too tough, I can't bear it" is '無理無理、流石に それは キツいって、背負え ないよ!` Which is more like, "No way, no way, that's too hard, it's too much to carry"
Importantly, she does not specify who cannot carry this weight
The only time she specifically talks about herself is when she says `子供も・・・うーん 私じゃ難しいかな` which mangaplus tled as "about the baby, it's difficult for me too" and ig that's not WRONG but the tone is kind of off. In Japanese there's more of the sense that she's saying that she, herself, is not up to the task, that she's lacking, she wouldn't be able to do it VS the situation (and Kamiki with it) being in of itself the problem
Basically mangaplus's TL is not incorrect in strict text but does kind of mistranslate the spirit of the exchange imo
It makes Ai more pointedly cruel and self-centred whereas the Japanese text imo is more in line with the thoughtless, innocent cruelty she hurt Nino with
The wording of the Japanese text makes it clear that this was a misunderstanding and Kamiki took the worst possible interpretation of it because he hates himself
That's why Aqua frames Kamiki as being punished for "not understanding her"
Because if he really, truly understood Ai like he said, why would he be so comfortable assuming for nearly 20 years that she would have meant something that cruel?
Thanks Claire!! Saving the fandom one translation at a time.
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elwinsglasses · 2 months
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shannon's editor essay please if i beg will you give it to me
Haha so sorry about that y'all I'm pretty sure I answered an ask or smth about that essay all the way back in March, and now it's uh *checks notes* August. Whoops. I dug back through my drafts and it turns out that the essay was pretty undeveloped lol, and part of the reason that I procrastinated so long was because I was too lazy to hunt down sources for some of the stuff. Also, at this point a lot of the stuff I was going to write about is (at least in my perspective) pretty common knowledge, so I didn't feel it was super important. Anyways though I'll probably never get around to getting it well organized so I'll just bullet point the general ideas. Also just in case this is all my theories/speculations and none of them have been proven.
So basically I had a kind of far-fetched theory about why the character development of Sophie/Fitz/Keefe in the later books but especially Unlocked/Stellarlune was Like That was because of Shannon's editor
Shannon had a baby I believe 2019/2021ish? and as expected her writing schedule was severely impacted bc obviously baby
And the result of that was that (for at least Stellarlune) her editor ended up drafting the general plot, and she would fill in the outlines (this was stated in I believe an instagram live or barnes and noble interview for Stellarlune. There was a post floating around her that summarized that event but for the life of the I can't find it)
Anyways if you're unfamiliar with Shannon's editor, she's a super pro Keefe/Sokeefer, and is the reason why Keefe is on a disproportionate amount of covers. That wouldn't necessarily be a big deal except I feel she's allowed it to color her view of the story, instead of focusing on what makes the most sense narratively speaking
Like my biggest issue as stated in my last post was how the narrative treats Keefe, esp at the beginning of Stellarlune
However, as a whole, I personally found the whole plot and character development of Stellarlune to be a little forced, instead of it feeling like a natural progression
Because Sophie in Legacy, after breaking up with Fitz, was like "hmm I don't think I'm ready to date anyone"
And I was absolutely here for that. However, in Stellarlune, which is set just a few weeks later, she suddenly knows her soulmate is Keefe
And honestly now that I've had time to mull on it, I do think it's not 100% her editor's fault.
Shannon has been writing Kotlc since she was 21, and has been at it for over 10 years. I imagine a lot of how she feels about Kotlc and the characters has changed significantly. Plus she as a person has changed significantly, and is now a mom of two. As such I think she probably also wants to be done with Kotlc, which probably also explains why the Stellarlune felt that way
Either way this is kind of a negative post lol, but I don't exactly blame either of them. I have the feeling Kotlc has worn out its welcome one way or another, and like it or not, the chapter is about to close soon. I still remember fondly how much I loved this book in my early teens, even as I wish it could have ended with more of a bang than a whimper.
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Dinkclump Linkdump
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I'm on tour with my new novel The Bezzle! Catch me TONIGHT in LA (Saturday night, with Adam Conover), Seattle (Monday, with Neal Stephenson), then Portland, Phoenix and more!
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Some Saturday mornings, I look at the week's blogging and realize I have a lot more links saved up than I managed to write about this week, and then I do a linkdump. There've been 14 of these, and this is number 15:
https://pluralistic.net/tag/linkdump/
Attentive readers will note that this isn't Saturday. You're right. But I'm on a book tour and every day is shatterday, because damn, it's grueling and I'm not the spry manchild who took Little Brother on the road in 2008 – I'm a 52 year old with two artificial hips. Hence: an out-of-cycle linkdump. Come see me on tour and marvel at my verticality!
https://pluralistic.net/2024/02/16/narrative-capitalism/#bezzle-tour
Best thing I read this week, hands down, was Ryan Broderick's Garbage Day piece, "AI search is a doomsday cult":
https://www.garbageday.email/p/ai-search-doomsday-cult
Broderick makes so many excellent points in this piece. First among them: AI search sucks, but that's OK, because no one is asking for AI search. This only got more true later in the week when everyone's favorite spicy autocomplete accidentally loaded the James Joyce module:
https://arstechnica.com/information-technology/2024/02/chatgpt-alarms-users-by-spitting-out-shakespearean-nonsense-and-rambling/
(As Matt Webb noted, Chatbots have slid rapidly from Star Trek (computers give you useful information in a timely fashion) to Douglas Adams (computers spout hostile, impenetrable nonsense at you):
https://interconnected.org/home/2024/02/21/adams
But beyond the unsuitability of AI for search results and beyond the public's yawning indifference to AI-infused search, Broderick makes a more important point: AI search is about summarizing web results so you don't have to click links and read the pages yourself.
If that's the future of the web, who the fuck is going to write those pages that the summarizer summarizes? What is the incentive, the business-model, the rational explanation for predicting a world in which millions of us go on writing web-pages, when the gatekeepers to the web have promised to rig the game so that no one will ever visit those pages, or read what we've written there, or even know it was us who wrote the underlying material the summarizer just summarized?
If we stop writing the web, AIs will have to summarize each other, forming an inhuman centipede of botshit-ingestion. This is bad news, because there's pretty solid mathematical evidence that training a bot on botshit makes it absolutely useless. Or, as the authors of the paper – including the eminent cryptographer Ross Anderson – put it, "using model-generated content in training causes irreversible defects":
https://arxiv.org/abs/2305.17493
This is the mathematical evidence for Jathan Sadowski's "Hapsburg AI," or, as the mathematicians call it, "The Curse of Recursion" (new band-name just dropped).
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But if you really have your heart set on living in a ruined dystopia dominated by hostile artificial life-forms, have no fear. As Hamilton Nolan writes in "Radical Capital," a rogues gallery of worker-maiming corporations have asked a court to rule that the NLRB can't punish them for violating labor law:
https://www.hamiltonnolan.com/p/radical-capital
Trader Joe’s, Amazon, Starbucks and SpaceX have all made this argument to various courts. If they prevail, then there will be no one in charge of enforcing federal labor law. Yes, this will let these companies go on ruining their workers' lives, but more importantly, it will give carte blanche to every other employer in the land. At one end of this process is a boss who doesn't want to recognize a union – and at the other end are farmers dying of heat-stroke.
The right wing coalition that has put this demand before the court has all sorts of demands, from forced birth to (I kid you not), the end of recreational sex:
https://www.lawyersgunsmoneyblog.com/2024/02/getting-rid-of-birth-control-is-a-key-gop-agenda-item-for-the-second-trump-term
That coalition is backed by ultra-rich monopolists who want wreck the nation that their rank-and-file useful idiots want to wreck your body. These are the monopoly cheerleaders who gave us the abomination that is the Pharmacy Benefit Manager – a useless intermediary that gets to screw patients and pharmacists – and then let PBMs consolidate and merge with pharmacy monopolists.
One such inbred colossus is Change Healthcare, a giant PBM that is, in turn, a mere tendril of United Healthcare, which merged the company with Optum. The resulting system – held together with spit and wishful thinking – has access to the health records of a third of Americans and processes 15 billion prescriptions per day.
Or rather, it did process that amount – until the all-your-eggs-in-one-badly-maintained basket strategy failed on Wednesday, and Change's systems went down due to an unspecified "cybersecurity incident." In the short term, this meant that tens of millions of Americans who tried to refill their prescriptions were told to either pay cash or come back later (if you don't die first). That was the first shoe dropping. The second shoe is the medical records of a third of the country.
Don't worry, I'm sure those records are fine. After all, nothing says security like "merging several disparate legacy IT systems together while simultaneously laying off half your IT staff as surplus to requirements and an impediment to extracting a special dividend for the private equity owners who are, of course, widely recognized as the world's greatest information security practitioners."
Look, not everything is terrible. Some computers are actually getting better. Framework's user-serviceable, super-rugged, easy-to-repair, powerful laptops are the most exciting computers I've ever owned – or broken:
https://pluralistic.net/2022/11/13/graceful-failure/#frame
Now you can get one for $500!
https://frame.work/blog/first-framework-laptop-16-shipments-and-a-499-framework
And the next generation is turning our surprisingly well, despite all our worst efforts. My kid – now 16! – and I just launched our latest joint project, "The Sushi Chronicles," a small website recording our idiosyncratic scores for nearly every sushi restaurant in Burbank, Glendale, Studio City and North Hollywood:
https://sushichronicles.org/
This is the record of two years' worth of Daughter-Daddy sushi nights that started as a way to get my picky eater to try new things and has turned into the highlight of my week. If you're in the area and looking for a nice piece of fish, give it a spin (also, we belatedly realized that we've never reviewed our favorite place, Kuru Kuru in the CVS Plaza on North Hollywood Way – we'll be rectifying that soon).
And yes, we have a lavishly corrupt Supreme Court, but at least now everyone knows it. Glenn Haumann's even set up a Gofundme to raise money to bribe Clarence Thomas (now deleted, alas):
https://www.gofundme.com/f/pzhj4q-the-clarence-thomas-signing-bonus-fund-give-now
The funds are intended as a "signing bonus" in the event that Thomas takes up John Oliver on his offer of a $2.4m luxury RV and $1m/year for life if he'll resign from the court:
https://www.youtube.com/watch?v=GE-VJrdHMug
This is truly one of Oliver's greatest bits, showcasing his mastery over the increasingly vital art of turning abstruse technical issues into entertainment that negates the performative complexity used by today's greatest villains to hide their misdeeds behind a Shield of Boringness (h/t Dana Clare).
The Bezzle is my contribution to turning abstruse scams into a high-impact technothriller that pierces that Shield of Boringness. The key to this is to master exposition, ignoring the (vastly overrated) rule that one must "show, not tell." Good exposition is hard to do, but when it works, it's amazing (as anyone who's read Neal Stephenson's 1,600-word explanation of how to eat Cap'n Crunch cereal in Cryptonomicon can attest). I wrote about this for Mary Robinette Kowal's "My Favorite Bit" this week:
https://maryrobinettekowal.com/journal/my-favorite-bit/my-favorite-bit-cory-doctorow-talks-about-the-bezzle/
Of course, an undisputed master of this form is Adam Conover, whose Adam Ruins Everything show helped invent it. Adam is joining me on stage in LA tomorrow night at Vroman's at 5:30PM, to host me in a book-tour event for my novel The Bezzle:
https://www.vromansbookstore.com/Cory-Doctorow-discusses-The-Bezzle
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/02/23/gazeteer/#out-of-cycle
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Image: Peter Craven (modified) https://commons.wikimedia.org/wiki/File:Aggregate_output_%287637833962%29.jpg
CC BY 2.0 https://creativecommons.org/licenses/by/2.0/deed.en
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essential-oils234 · 6 months
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Writing 101: Tips and tricks for experienced authors to novice ones, or just a little reading for anyone who wants to learn something new.
Have you ever gotten into a slump where writing feels like a failed career and nothing you write ever seems to turn out well? (I know I have). Maybe you're itching to write something, it's been so long since you've looked at your notebooks of inspiration or google docs of madness. Maybe you just don't know where to start, and it feels like you've failed before you even begun.
Well, I have a few tips that just might remedy that!
(I'm in no way an experienced writer. I've read a lot of books, watched a lot of character analyses on Youtube, but I'm only at the start of my writing journey. So please don't take this to be expert advice and don't feel disheartened if my methods don't work for you. Everyone has a unique style of writing, and it's only through trial-and-error that you can really begin to find yours too.)
So, without further ado, here are some tips and tricks that helped me organize my thoughts and plan out chapters, develop my characters, and resist the call of procrastination.
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"What do I want from this story?"
It's a question that sounds elusively simple, but it's one that's more tricky to answer. For me, at least, it's hard to pinpoint a few ideas that manage to encapsulate what I want the readers to feel or understand from my story. It's even harder when I try to summarize my thoughts into broad themes/ideas, such as love, compassion, hard work, etc.
I usually start a story on the basis of something really small, and then I work out from there. For example, I'm currently working on a Genshin Impact fic that I only started writing after watching an animatic. An animatic. (The link will be at the end of this post, if you guys want to check it out and show some love to the creator.)
A whole freaking story started on the basis of an animatic that is 1 minute and 41 seconds long. It's kinda crazy how that worked out. But in a way, it makes sense. The biggest creations start from small, simple ideas that slowly grow over time.
What I'm trying to say is: don't disregard those silly little ideas that you think don't hold much importance over trying to figure out the big, important plot. Oftentimes, it's those silly little ideas that make up the big important plot. So I'd advise you to turn to a blank page or start a new google doc and write that question at the top. "What do I want from this story?" Your answers could be anything, from little details like "he goes back to his birthplace to confront his family" or more broad ideas like "they have a conversation about loss and how to cope with that". Bullet points or sentences, whatever you choose, this is your dumping ground for all the stupid ideas you have that might not ever make it into your story. The point of the question is to exercise your mind and get it thinking about the main plot, as well as a helpful organization tool for all those scattered thoughts that don't really fit anywhere else.
2. "What if I can't start writing a story because I just don't have any ideas?"
That is a harder question to answer, since writer's block has a multitude of solutions that work for some people and don't for others. My advice is, keep focusing on the small things, since it essentially forces you to start minimally and branch out from there. Inspiration is all over the internet, and those small ideas can help jumpstart your brain into creating something new. If you see a few posts about 'cottagecore' on Pinterest and that inspires you to write a fantasy story about witches, then go for it! If you read a book and want to write something similar, except with a different ending, go ahead! (Except if you're posting it on the internet, please credit the original creator.)
Don't feel guilty for "stealing someone else's idea" or mad at yourself for "not being able to come up with anything original". We all have to start somewhere, and it's okay if what you write isn't completely novel. (That's what fanfiction is for, after all!)
Oftentimes, our brain puts us in a corner where we convince ourselves that we just can't write anything because we don't have any ideas. Maybe that's true, but the thing about writer's block is that you really won't have any ideas unless you start actively thinking about potential plots or characters. Searching up 'writing prompts' on Tumblr will no doubt feed you with a slew of interesting ideas that you can build off from there, and Pinterest is a gold-mine of creativity. The main thing, of course, is to have fun in the process. In the end, the person who you're really writing for is yourself.
3. "Okay, I have a few ideas and plot points, but what about organizing it? How do I go about organizing a multi-chapter story?"
This question is from people who are mainly like me, who like organizing their chapters out before they actually write them. It's good to have a reference point to come back to if you take a writing hiatus, and it's just nice having everything jotted down somewhere I can easily find.
I'm not going to get too specific here, since everyone has their own way of writing notes, but after I have a bunch of main ideas that more or less make up the whole plot, I start narrowing those ideas down into chapters. I have sections of bullet-points for each chapter, which have general ideas that aren't too specific, since I tend to figure out the specifics as I'm writing. (ex. He has a flashback that shows his past before switching back to the present) If you're a person who's pretty gung-ho about these things, you might lean towards the idea of "figuring it out as you go along". If you're super organizational, your chapter notes might go down to the most minute detail before you actually start writing.
I also have a few 'braindump' sections that are pretty much like the "What do I want from this story?" notes, except they're a bit more relevant to the plot instead of just random details and dialogue I want to insert sooner or later. I also have sections where I write about important themes in my story that require further elaboration (ex. the concept of morality, what it means to be human, etc.) It's important to flesh out these ideas beforehand so you have a good idea of how to show these underlying themes in your actual story.
Last but not least, please, please, please flesh out your characters before you start writing a story. It's honestly my least favorite part of writing, but it's incredibly important because your characters are what makes up your story. A good story is known from it's good characters. I, personally, create lists of traits/flaws for my main characters so I can, as a writer, understand them better and know how to show their personalities in writing. I also write lists of attributes before and after they go through ✨character development✨ so I can understand how they've changed and grown and start formulating ideas on how to show that in my writing.
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So, we've reached the end! Yay, that took way too long and I didn't even get to talk about procrastination!!🎉🎉 Hopefully, this will not be the first and last 'Writing 101', since there's plenty more I'd like to talk about and plenty more to learn. If you have any questions or anything you want me to talk about next, don't hesitate to drop a comment or ask me anything! I'll try to answer to the best of my abilities. If you liked this post, please leave a like or a comment. It's really motivating and just feels great to know if people like my content.
(Here's the link to the animatic I mentioned earlier: https://www.youtube.com/watch?v=REBxGWSMRn4. It's been a huge source of inspiration for my writing and art, and the person who made it is insanely talented. If you're into Genshin Impact or just want to see some good art, go check out their other animations and comment/leave a like!)
I hope your writing journey is nothing short of spectacular and creatively amazing, and I'll see you in the next one!
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the-somwthing · 8 months
Text
OFFICIAL DOUBLE LIFE SECRET SOULMATES POST TO EXPLAIN THE PLOT
I will state nothing but facts here for other fans to interpret.
- Grian finds out Scar is his soulmate. He’s devastated by this but obviously tries to keep him alive, not telling him that he’s his soulmate until the end of the first session
- Important to note that when Grian was still trying to find his soulmate and tested with BigB, upon finding out they weren’t soulmates Grian said he had “never felt so heartbroken”
- Scar, upon finding out Grian is his soulmate, doesn’t really care about that much, already insisting the Jellies are his soulmate and it was even his thumbnail. He lets Grian drag him to his new home but doesn’t make any other efforts to work with him
- Eventually, Grian decides he wants a new soulmate, and sneaks into Box with the intention to “steal Ren’s man”
- By chance, BigB finds the heart and cookies before Ren does, and takes down the evidence as instructed so Ren won’t find it. He is on board with having a secret soulmate.
- BigB ends up being unable to hide things from his soulmate, he just can’t stand to lie to him, so he tells Ren about the secret soulmate, not revealing who it is but telling him that he has one
- Ren seems to misread the situation and believes BigB just has a secret admirer, which he declares is okay, because they can “look but not touch”
- BigB then of course misunderstands believing that Ren thinks this whole thing is okay to Ren, which I don’t blame him for because he DID explain things that (spoilers) Ren gets upset about later. But also Ren definitely somehow misunderstood, and maybe BigB should’ve caught onto what he was saying.
- BigB and Grian hang out as secret soulmates, BigB telling Grian that Ren doesn’t know who it is, but that he couldn’t hide it from Ren (“you know me”)
- Eventually the Relationship Ranch happens. BigB and Ren go there and despite getting into a few fights and failing some games, things seem to be going okay at the end… until BigB mentions that he saw his secret soulmate. Side note, I freaking love that part, Scott’s like “okay I’ll just step away to evaluate your score” and talks to his audience like “yeah I think I’ll tell them they need to work through some things” and as soon as he comes back Ren is yelling “YOU SAW THE SECRET ADMIRER?!” and Scott’s just like “oh that changes some things”
- Ren logs off in a fit of heartbreak. BigB then celebrates. After returning home he cries about it. He doesn’t want to lose Ren
- Grian and BigB continue to see each other, exchanging goods. Scar sees them at some point.
- btw, I forgot about the Broken Hearts Club, but I will say, you’re all probably thinking it happens after the Relationship Ranch. It doesn’t. Ren joined BEFORE that. Why? Because he went home and BigB wasn’t there once 😭 he came back later and Ren was happy again. Back to the plot
- Ren and BigB, who are now red, are forced back together. Neither one really wants to leave the other so it’s pretty awkward, until BigB reveals the gifts Grian gave him (that he wasn’t supposed to share with Ren I think. He of course cannot hide things from Ren and loves Ren so he shares them with Ren). Ren suddenly changes his mind on the whole secret soulmate thing, and decides he likes it and BigB should continue to see them.
- Scar gives Grian some cookies “for his secret soulmate” as you know an iconic call out line. I will say he literally did not care about anything Grian was doing up until this point. They do not discuss this further, Grian denying he has one.
- Grian Freaking Kills Ren (Which Kills BigB Too)
- As ghosts, Ren says that he and BigB were “loyal to each other till the very end”
- Grian holds a funeral for BigB. BigB as a ghost accepts Grian’s apology and forgives him. Grian declares they are “still secret soulmates”
And that is the entire Secret Soulmate Drama summarized. If I got anything wrong, let me know.
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i3utterflyeffect · 7 months
Note
Could you provide a summary of the Rain World lore, or point to any good videos that do that? I’m interested in the Creatures™️ and want to know more about what you’re basing them off of
I'm so sorry anon i tried to make this short. this is all copypasted from a document. the power of autism killed me
if my frothing is too much here's a video by daszombes that probably summarizes this all
youtube
IN MY DEFENSE THO this video is also like, 20 minutes long.
im like. going into game mechanics and going into it in a similar way to how a normal player might be introduced to the game. and doing a bunch of shit abt it.
ANYWAY!!!!!!!! Summary of Rain World. Let's go. For context purposes I will be telling the story of Survivor and then going into lore, other stories, and Downpour. Obviously spoilers for everything Rain World and Downpour.
WARNINGS
Mentions of general death and animal death (duh)
suicide
child death (briefly)
fictional speciecide/genocide
potential existential crisis fuel
let's get started.
Your name is The Survivor. You live with a family of five. A little sibling, a baby sibling, and your two parents.
The reason the game is called Rain World is because of the heavy rains that buffet your land-- somewhat manageable from the place your home is at, but in many cases, lethal-- not only because of the flooding, but also because it rains hard enough to give you blunt force trauma that will kill you.
You escape these floods using shelters, hiding and hibernating at the end of each 'cycle'-- the time between each downpour.
During one rain, you fall down, plunging into the abyss as you are seperated from your family. Your mission is to go home.
You find yourself in a dilapidated urban sprawl-- it's something close to it, anyway. Not a city, but incredibly industrial. The world is overgrown. This little yellow thing shows up-- it's called an observer but we'll call it by the nickname Iggy for now-- and it directs you to food and then shelter during the barebones tutorial.
You'll go a few cycles, and discover some base mechanics.
KARMA: Karma is, essentially, a way to keep track of how you're doing. Every time you survive a cycle, your Karma goes up. Every time you die, it goes down. You start with 5 base symbols, each granting you one level. Karma is required to navigate the world, as each reigon requires a certain level for you to get in. We'll talk about this later: Karma is actually pretty important to the lore.
CYCLES: Mentioned previously.
DEATH: You are never truly dead in Rain World. Each time you die, you return to your last shelter, restarting the cycle-- but Rain World is special because it's not just you who knows. Creatures have a chance of coming back to life at the end of every cycle, and they will remember you. There's a system that coincides with this--
REPUTATION: Every species has its own perspective on you, and your actions will change their perception of you. Killing a lot of lizards of the same color might make them afraid of you. If you don't, and instead treat them well, they might ignore you. You are prey, so balancing reputation is important-- and I can only think of one creature that won't try to kill you if your reputation's bad. Even the fish will personally drown you.
One creature is incredibly dependent on reputation that it can make or break a run: Scavengers. If you're kind and often trade, offer pearls (they love pearls), save them from enemies, etc., they'll treat you well. Get a bad reputation, though, and you're dead within seconds. Some animals are just skittish though-- there's literally personality values determining how creatures will act. I love that so much.
I think that's all the important lore-based stuff.
After a few cycles, Iggy will direct you to where (at the time you assume) your family is, and you'll follow them through the areas, going through a large building, a garbage waste, and eventually reaching a unusual ocean lined with pipes and with a sunken building in the distance. As you get closer, you discover that Iggy was not directing you to your family, but instead asking you to go to this building.
After a lot of swimming (and running in terror as the giant leviathan worms try to crush you with their metal jaws), you'll meet HER. A blue humanoid with wires spilling out, attached to the room by a mechanical arm-- similar to the ones you might find on a train.
You cannot understand her at this time, but her name is Looks To The Moon; We'll come back later.
After assigning you a fetch quest, Iggy drags you all the way back, and I'm not entirely sure what the beginner's route is, but I'm pretty sure it's (unfortunately) Dark Level Spider Hell.
Eventually, you crawl through that pit, run away from the centipedes trying to kill you, encounter giant birds with mouths like scissors that really want to kill you that are very very fast, run from them, and eventually make your way up to the next area.
THE LEG & THE UNDERHANG
The Leg is an alarming change from the semi-natural formations of the ground. This place is industrial. It's a metal beam-column, reaching up into the endless sky. This place is infested with lizards, and a scarier enemy:
Daddy Long Legs, also known as The Rot. These are blind… Biological lumps of… something. They're black and blue, and completely blind. But they have great hearing, and the rot will find you if you're not careful. And it will consume you.
Keep the Rot in mind for later. It's important for the lore-- basically crucial.
If you can escape this hellscape and make your way to the top, you'll find yourself in a building larger than you can comprehend.
FIVE PEBBLES - SUPERSTRUCTURE
This area is simply labeled Five Pebbles. This will make sense later.
There's no gravity here, but there's lots of lights and strange things-- things that look like they'd belong inside of a creature, and little bite-sized rainbow things. These are called Neurons, and you actually need them for the fetch quest.
There's a lot of things going on, but you won't be able to admire it too long-- this place has Rot inside it too, and it's much harder to avoid when you can't control your path due to being weightless. It's pretty terrifying, but in a way, this place is kind of majestic.
You explore the sprawl of access shafts, and you begin to hear music-- the most acclaimed and chilling track in the game-- as you reach the General Systems Bus. The first time I arrived here, I was completely awestruck.
RANDOM GODS
A large room, with a single chamber isolated in the middle. Projected lights surround you, and you have to climb your way towards the top to enter the unusual room.
Inside is another robot, similar to Looks to the Moon, except he's pink, he wears a cloak, and most of all, he seems shocked at your presence, because the gravity in the room returns, and everything falls to the ground-- including you.
He talks for a moment, before seizing you with the power of Gravity™️, and lifting you up. He implants The Mark Of Communication into your brain-- a mark allowing you to understand the language he speaks.
The following dialogue occurs:
. . . ...is this reaching you? A little animal, on the floor of my chamber. I think I know what you are looking for. You're stuck in a cycle, a repeating pattern. You want a way out. Know that this does not make you special - every living thing shares that same frustration. From the microbes in the processing strata to me, who am, if you excuse me, godlike in comparison. The good news first. In a way, I am what you are searching for. Me and my kind have as our purpose to solve that very oscillating claustrophobia in the chests of you and countless others. A strange charity - you the unknowing recipient, I the reluctant gift. The noble benefactors? Gone. The bad news is that no definitive solution has been found. And every moment the equipment erodes to a new state of decay. I can't help you collectively, or individually. I can't even help myself. For you though, there is another way. The old path. Go to the west past the Farm Arrays, and then down into the earth where the land fissures, as deep as you can reach, where the ancients built their temples and danced their silly rituals. The mark I gave you will let you through. Not that it solves anyone's problem but yours.
Turns out, this entire massive superstructure IS this guy; Five Pebbles is his name, and this puppet is merely a more interaction-friendly extension of his larger form. He's also not very happy with you climbing through his structure, and kicks you out onto the surface of the structure.
Now, let's go back to Moon and get some more information. We'll go to the west later.
Moondown
Looks to The Moon greets you much more pleasantly than Five Pebbles:
Hello little creature. What are you? If I had my memories I would know… You must be very brave to have made it all the way here. But I'm sorry to say your journey here is in vain.B As you can see, I have nothing for you. Not even my memories. Or did I say that already? I see that someone has given you the gift of communication. Must have been Five Pebbles, as you don't look like you can travel very far… He's sick, you know. Being corrupted from the inside by his own experiments. Maybe they all are by now, who knows. We weren't designed to transcend and it drives us mad. It is good to have someone to talk to after all this time! The scavengers aren't exactly good listeners. They do bring me things though, occasionally…
After giving her a neuron, she will thank you.
These neurons are essentially their brains. She only has five left. She was previously a superstructure like Pebbles-- Who she calls her little brother-- but she has collapsed. Giving her these neurons can help her regain her memory.
You can also eat them! Don't do that. You will permanently kill her if you eat all of them. Also, she remembers if you've done that and won't talk to you.
Quick summary of the vanilla ending:
You go underground, find some religious stuff by an ancient culture before whatever culture created the upper world, you find a big golden ocean, you swim down, and… uh…
You get grabbed by a big worm that sends you to the ascension realm??
I don't fully know what the ending is. No one does. We call the big worm Jerry though, and he's a Void Worm.
Anyway, let's talk about the real basics. The juicy stuff:
Iterators and Ancients
Looks To The Moon and Five Pebbles are complex machines called Iterators, created by a dead race named the Ancients.
These Ancients have left the cycle by using something called Void Fluid, a corrosive material from the core of the world that cancels out your revival. This is called 'Ascension'. We'll talk about this more in a minute.
The Ancients way of life is structured around the idea of leaving the cycle of reincarnation, and they eventually succeed-- however, they decided that they should leave a gift to the 'lesser life' of this world, and allow them their own escape-- with less risk and an immediate payoff. Remember what Pebbles said?
A strange charity - you the unknowing recipient, I the reluctant gift. The noble benefactors? Gone.
Yep; The Ancients basically desired worldwide extinction, from what we can tell. And they didn't bother to create that solution themselves, instead tasking a bunch of sentient, functionally immortal beings, to throw themselves repeatedly at a proverbial wall trying to create this worldwide cleanse.
Iterators were made for this.
But let's talk some other things real quick before we dive into that mess.
KARMA AND YOU
Karma. These symbols are fun and also important.
You see, the base symbols Survivor starts with are representations of what the Ancient Monks call the 'five natural urges'. These don't change the gameplay at all, but karma is crazy important in lore.
Let's take a look at the base five.
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KARMA 1: VIOLENCE
The lowest level of karma, this symbol generally represents anger, hate, and violent acts. The symbol is used in several others-- the ones for 'The Hunter' and 'The Outlaw', gotten by eating only meat for 3 cycles or committing needless bloodshed.
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KARMA 2: LUST
Yeah. Lust. I've heard this can also be percieved as a desire for material objects (take that with a grain of salt), but other than that, I don't think I need to say more.
This symbol is used in the passage 'The Mother'.
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KARMA 3: COMPANIONSHIP
The desire to form connections with others in general, not just friendships. Frequently found scrawled in areas with scavengers, and also used in 'The Chieftain', 'The Friend', and 'The Mother'.
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KARMA 4: GLUTTONY
food… hrng….. Anyway this one is the desire to eat good food I assume????? What else is there to say, really?
It's used in The Hunter passage, as well as the Marytr (starve for several cycles intermittently), and Iggy uses it to point you to food.
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KARMA 5: SELF-PRESERVATION/SURVIVAL
The urge to survive. This is why people pretty frequently talk about the ancients having a suicide culture-- not to mention that the others represent signs of depression. It's used in 'The Saint' (survive without using weapons) and 'The Nomad' (pass through 4 regions successfully) and, most notably, it's own passage: 'The Survivor', in which you survive five cycles with this amount of karma. It is the highest karma most slugcats can ascend to without Echoes-- We'll talk about Echoes in a minute.
There's one oddball karma that breaks from the formula, so I'm just going to mention that briefly:
7/7 KARMA: PEACE (O)
For some reason, this Karma is used in some other stuff, and only if it's your current highest Karma. Seen in 'The Monk' and 'The Saint' passages, it basically just means peace. That's all. This one's weird.
Let's get to arguably the most important topic:
ASCENSION AND ECHOES
oh god. where do i start. um.
Okay. So basically. Ascension is a separation from the cycle that keeps you from returning, or 'respawning'.
For ancients, this was simple-- they extract fluid from the core of the world named Void Fluid, and you just… Dive in, I guess?
There was a mass ascension at some point, leaving everything they created behind. But this is all lore for the ANCIENTS. Let's get to the slugcat method.
To ascend, you must reach true max karma (represented the symbol ⊗-- a crossed out circle) and go through the Depths and go into the Void Sea, but you can't get Max Karma yourself. There's two ways:
Visit Five Pebbles and gain the Mark Of Communication
or…
You can visit Echoes.
If someone has many vices, such as being arrogant or egotistical, or other connections to the world, they leave something described as a stain of their ego trapped between reality and ascension.
Ghosts, essentially. That's what they're called in the code as well. They will speak to you if you have the Mark, and a few will reminisce and admit they never even wanted to ascend. Whatever these beings are, they give you extra Karma, elevating you to the next level.
Now that your crash course on that is over, let's talk about the iterators, for realsies.
THE GREAT PROBLEM
Being made for a seemingly impossible task was not easy for them, especially after the ancients, well… 'dipped', I guess you would say.
No one could really get to the solution, despite having many cycles to do so, even before the Ancients left. Previously, the Ancient lived atop them in cities, so it was a very noticeable thing.
Some turned to other things: Art, companionship, creative projects, watching the world outside, talking with friends.
Others balanced between these things, finding something like a job and personal life balance.
And some went insane.
You see, the ancients created a 'Self-Destruction Taboo', which attempts to prevent the iterators from attempting to hurt themselves, only causing more damage as they try to work around it and find their own way out.
This wasn't common at first, but something happened that caused it to spiral out of control:
Sliver Of Straw and the Triple Affirmative.
The triple affirmative is a signal that informs all iterators that the Great Problem-- How to ascend all life-- Has been discovered. Three affirmatives:
Affirmative that a solution has been found.
Affirmative that the solution is portable.
Affirmative that a technical implementation is possible and generally applicable.
Here's the thing: The problem wasn't solved. Moon explains it best:
Do you know Sliver of Straw? She's quite legendary among us. Sliver of Straw is the only one to ever broadcast a specific signal: that the Big Problem we're all working on has been solved. The triple affirmative. […] She's also one of few that has ever been confirmed as exhaustively incapacitated, or dead. We do not die easily. Sliver of Straw sent [The Triple Affirmative] and the ensuing commotion was historically unparalleled, before or after. I still remember it. But… nothing happened - except that Sliver of Straw was apparently dead. When the dust settled we were all still there blinking at each other. Everyone had a theory. Some said that she did have a solution, but that the solution itself was somehow dangerous. These later became known as the Triangulators, who think that a solution should be inferred without being directly discovered. Some said she never had a solution, she just died. And when the systems broke down an erroneous signal was sent. One camp claimed that dying was the solution. Either way, after that these different factions developed, as well as a huge forensic effort to recreate and simulate Sliver of Straw's last moments. Some of the simulations were wrapped in a simulation wrapped in a simulation, in case something dangerous might happen. Nothing much has come from it.
Sliver of Straw also abbreviates to SOS, and their name is similar to needle in a haystack.
We're still not sure what happened: The one fan-theory that pretty much seemed canon due to a challenge level was debunked. SOS remains a mystery. I've got my own thoughts, but we're not talking about that here.
Anyway, after Sliver of Straw died, there soon became more and more self-destructing iterators, with one common method resulting in a term for it's failure: The Rot.
Remember that? Yeah. They slowly destroy an iterator, but it doesn't truly kill them. They're still alive in there, somewhere.
Let's talk about how the Rot works once we get to the point where it begins in the main storyline.
THE COLLAPSE
Looks to the Moon was constructed upon a shoreline, and there was originally no plans to create Five Pebbles.
Almost all Iterators are incredibly far apart, even in their local groups, so it would have seemed preposterous at the time of her creation.
However, her surface became inhospitable some time after her creation, and traversing the ground beneath her would have basically made any attempt at evacuation worthless.
So a solution was proposed-- Two iterators connected by a bridge. They could safely leave her to her own things, and meanwhile, the ancients could spend their remaining time NOT dying.
I'd love to talk about the politics surrounding Five Pebble's creation, but that's unnecessary and this doesn't need to get any longer.
After their creators passed on, Pebbles slowly became despondent and began talking in a private group, using the psuedonym 'Erratic Pulse' to obtain information on how he could circumvent the Self Destruction Taboo..
The local group has 3 others. Two are important, one isn't. (sorry Chasing Wind </3)
Seven Red Suns, or SRS, is our current topic.
They are someone Five Pebbles looks up to, and ended up giving him this info, which they regret.
There's also No Significant Harassment, who is mischievous and good friends with most of the group before everything falls apart.
Here's some in-game dialogue:
[LIVE BROADCAST] - PRIVATE Seven Red Suns, No Significant Harassment SRS: I can't stop dwelling over mistakes that I've made. I could just delete those memories of course, but that feels irresponsible. NSH: Oh? What kind of mistakes are we talking about here? SRS: I once gave someone some... sensitive information... the kind that could be dangerous if acted on. SRS: Yet I should have known they weren't in the right state to use that information responsibly. NSH: I take it you won't tell me the content, or to who. SRS: No, I will not, out of respect. NSH: Look, if you ever want to talk about it I can. We can share this little problem of yours. We were made to solve them after all! NSH: You're worried they're going to get themselves hurt by messing it up? SRS: They already have.
You can find the pearl containing this 'sensitive information' in other campaigns.
Here is Moon's comment on it:
This information is illegal. Someone probably tried to send it by a pearl somehow rather than risking being overheard on broadcast. It's an instruction on how to circumvent the self-destruction taboo. The problem with breaking taboos is that the barriers are encoded into every cell of our organic parts. And there are other taboos strictly regulating our ability to rewrite our own genome. Attempting to circumvent the issue using this process would be extremely risky. That's not to say that there exists any known methods that would avoid putting the user in harm's way. Those barriers are there for a reason. Where exactly did you find this pearl? I imagine you dug it up from somewhere within the surrounding facilities, in which case that wouldn't leave many options as to the recipient. That would explain a lot of things…
Pebbles used this pearl, and because of this, his water intake majorly increased, leaving Moon without any water at all: Iterators need water to function, though, as without it they can't flush out the massive amount of excess materials that is made by their operations. He didn't notice, not until Moon contacted him directly-- And he was angered by this, but not without reason.
Failing the pearl caused him to break the genome reprogramming, causing biological parts to be converted into Rot.
When Moon falls, he shuts out all the other iterators, and goes radio silent.
You're caught up on the backing lore. Now... Campaign time.
TIMELINE: SPEEDRUN EDITION
SPEARMASTER
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A messenger made by Seven Red Suns who can make spears outta bone-- a little bit trypophobic but I forgive them it's not their fault. No mouth btw. those spears are how it eats. slurp
Delivered the pearl containing the Taboo bypass, but Seven Red Suns sends you back, with a message of worries regarding his physical and mental health, trying to tell him to open up and talk about his feelings. Pebbles gets mad. He kicks you out, as well as the pearl you were carrying. Did I mention that he rips it out of your chest? That pearl was embedded in you.
Anyway, you can take the pearl to Moon because she's still standing, and she encodes it with a goodbye, telling you about how she's about to collapse. You run to the communication arrays and broadcast that message for her, before returning home to Seven Red Suns.
ARTIFICER
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"God Forbid Women Do Anything", Genocidal Revenge edition. Artificer had two babies. Scavengers saw one take one of their precious Porls. Baby is dead. Artificer runs but the other baby gets dragged to hell by leeches and drowns.
Anyway, Artificer returns on a genocidal rampage, locked at Karma One: Violence. You use scavenger corpses to get through Karma gates. The only thing that can sate your hunger is blood and flesh. You are continuously aimbotted by Scavengers but you keep coming back to kill more and more.
You're also explosive, did I mention that? I don't think I mentioned that. She explodes. She's very angry. She can launch herself through the air and maul people.
You can get to Karma 10 through echoes, but you're still denied by the void. It's unclear if she becomes an Echo or not.
You also have another ending! If you go to Five Pebbles, he'll say 'hey, that drone you have is a citizenship drone for my city, scavengers are ripping the city apart, I see that you hate them, and if you kill their chieftain we both benefit'!
If you choose to go that route you can tear through the scavengers, have a boss fight, and get a cool mask. Who cares about being empty inside since you can no longer go on a genocidal murder spree and being forever chained to the mortal realm by your anger and bloodshed when you have a cool mask?
Moon is also dead, she's not there.
youtube
Blood and violence. Rip and tear.
Slugcat pup was killed so let their corpses rain from the heavens, etc.
HUNTER
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You are rot, rot is you!
Actually, you're a messenger slugcat made by No Significant Harrassment. For some reason this guy ended up giving you the rot for reasons still unclear to us. Unintentionally? Intentionally? Who knows. Your cycle count goes down instead of up.
You have limited cycles to speedrun to Moon and MAYBE ascend if you're lucky.
Go through Pebbles? He gives you extra cycles and wishes you the best of luck. Kind of depressing that you're both condemned to the same fate.
Get to Moon; Deliver a pearl that's a message of well wishes and cares from NSH. More importantly, deliver a slag reset key and restart her. She gets her neurons back. She's alive! And unable to help you.
Now? Run.
Your biological time bomb is ticking, and when you get into negatives, it shows. Not only does it turn permadeath, but you begin to experience collapsing into seizure-like spasms randomly, a growing hunger, and according to the wiki HALLUCINATIONS?
Ascend and you get a happy ending, but if you die you're gonna get a horrific surprise in the next campaign!
Fun fact: original hard mode campaign. Hunter is more skilled than the other vanilla slugs, but their world is harder too.
GOURMAND
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Food. That's it. Just food. It's either going to be the easiest slugcat or the hardest one.
You eat your list of foods, maybe visit the iterators, and fuck off back home. You don't even have to complete the list. You can just Fucking Leave.
If you do complete the list tho you get slugpups. I like em. Cute slugs.
you can also CRAFT NUKES btw. did i mention that? Gourmand has crafting mechanics and also can craft nukes if you do it right. Not joking
You can also regurgitate an entire living squid. How? Gourmand.
Also by the way Hunter may or may not have popcorned into a mindless mass of rot if you failed to ascend them. Oopsie.
SURVIVOR
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See introduction.
MONK
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Survivor but babey mode (affectionate)
Remember Survivor's little siblings? Monk is one of them. They're a vanilla bannana boy and my favorite little guy.
You basically choose a route and if you've already completed it with Survivor there's a happy sibling reunion. Oh, there's two routes now, by the way. Once you complete Gourmand you can go home to the Outer Expanse. No one's there but you're both chilling.
RIVULET
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WELCOME TO HELL.
This is probably the one that gave Downpour its title. The rain happens every three minutes, maybe less if you get unlucky. The rain shelters are failing and the world's succumbing to Rot.
Go throw yourself into Moon, and you'll discover Monk has given her two neurons and a dress; thank you Monk :]
You also have the mark of communication from someone (who knows who) and you have a pearl for an iterator system that Moon doesn't have called the lymphatic system. Apparently the rain's bad because Pebbles isn't doing well, but how bad can it be?
…hey, why is the citadel covered in Rot? That's weird and annoying.
Was there always this much in the overhang? It's kind of obnoxious.
Finally, you're at Pebbles, so let's-
Oh.
OH.
THAT'S JUST… THE ROT.
THAT'S WHAT IT'S CALLED NOW. OKAY. FUCK.
Pebbles is so sick he can't even maintain zero gravity, it's going on and off.
Dive into the water of the newly discovered path and RUN.
When you get to him, he asks you to disconnect his only life support-- a Rarefraction Cell-- and deliver it to Moon. A final apology. Leave him to listen to his music pearl in peace, it's the only thing he has left.
Take that cell, run to Moon. She knows exactly where it came from. She doesn't know where her core is anymore, though.
Time for the Submerged Superstructure.
Most of Moon's remains are underwater, now infested with kelp, water lizards, and scavengers. But you can swim down, down, down into the creaking metal, the shrieking waters. Let it swallow you whole.
Eventually, you will reach her Heart. Place the Rarefraction Cell inside, and you're washed away.
You are washed to the top, and descend down to find her where you left her-- but renewed with new life.
She'll contact Pebbles one last time. Happy ending, right?
Not yet.
SAINT
THE TRUE TRIPLE AFFIRMATIVE
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Saint may seem peaceful at first-- Fragile and unable to throw spears, fluffy to fight the cold seeping into the world-- but they are arguably the scariest one out there!
The world is ending: Iterators have gone silent, and the world's being blanketed in snow. You're up above it all-- so your first instinct is to go east. To Pebbles.
But he's gone.
Descend, and you'll only find a heap of scrap metal: The Silent Construct. His remains.
You're collecting Echoes.
On the way, you talk to Moon. She tells you about the state of the world. How it's dying. That she might be the only one left.
The world is passing into a new era: one that doesn't need them.
At maximum Karma, Saint becomes something unique.
You gain the ability to ascend anything.
You can go back.
You probably are going to ascend Moon. Only a mercy, right?
Return to the silent superstructure, and find that Pebbles remains. He's still holding that pearl. The music is scratchy. Distorted.
How long has he been here?
However long it was, it was enough to pick off all his neurons. And despite this, he's not even granted the mercy of an ending; he can barely even think or speak. It's cold out here, and you can't imagine it'd be kind to leave him here alone. He has to go, too.
And with that, you descend to the depths.
RUBICON
The Void Sea doesn't have anything for you. In fact, you will only discover yourself in a hellish world where it seems to be flipped upside down, and the remains of the old civilizations that are probably familiar by now are succumbing to the void.
You're burned if you touch the void fluid. You must fly to avoid it.
So you go. You ascend many things that are either trying to kill you or keeping you locked out of other paths.
And finally, at the end, you go up, and ascend.
You swim up. The slugcat tree is here, but it's not what you're looking for.
You drop by a chamber-- one containing the two ascended iterators.
They're free, and finally together. Once you ascend, you can see the future and the past in a cycle.
They look at you, and it's not a circle. It's an endless spiral into entropy. Your future goes on forever.
But you keep ascending.
It's not long before the Void Worm finds you. It offers you ascension, a reprieve.
And you kill it.
You're trapped in the cycle forever. An echo, ever recurring.
And it continues on.
🎉CONGRATS!
you are now a rain world expert. consider yourself lore'd. feel free to look at the critters and beasts on the Miraheze Wiki. (thank you miraheze this is so much better than fandom wikis. we love you)
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not-ishmael · 2 years
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A (not so) Brief Study Into the Nature of Deltarune
TL;DR:
For some time I've been quite intrigued by the appearance of some very particular leitmotifs that Undertale's and Deltarune's OSTs have in common. This took me down a rabbit hole that ended with the realization that it's quite possible that DR Sans and UT Sans are one in the same, and the Reset Theory on Deltarune is probably right.
This forces me to believe that Deltarune is a prequel from the perspective of the characters, and a spiritual sequel from the perspective of the Soul/Player.
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The Pre-Sequel Theory
First and foremost, pardon my english. I'm quite proud of my english skills, but it's not my first language and sometimes I mess up.
This is a LONG post. There's a lot -a LOT- of text and no images at all to ease the reading. I advice jumping into it only if you don't have anything better to do for a bit. The PDF I firstly wrote this on is 6 and a half pages long.
Index:
Motivations.
Clues in Undertale.
Clues in Deltarune.
The Delta Rune.
Conclusions.
Problems with this theory.
Blood (This part is skippable).
Discussion of the problems.
1 Motivations:
I've always been fascinated by soundtracks and ever since Undertale came up, its soundtrack wasn't an exception.
More recently I've been a bit more focused on the leitmotifs that Toby Fox uses in both game's soundtracks and, as many people have found, they share a lot of common themes. For many of them it's easy to understand why (for instance, for common character's themes, like Sans') but for some others it's not so much.
Having a more or less clear relationship between the games through the music, I tried to study the nature of this relationship, and what elements outside the music can be used as proof of this connection. This got me to Sans ,because of course it did.
Trying to justify this took me down the rabbit hole that theory crafting around Sans has always been, and the musical side of my reasoning ended up being a small part of the whole thing. Regardless I'm quite happy with the result, albeit it's not free of problems that I'll address and discuss at the end.
I'd like to also thank @determinators, who's incredible character analysis on Chara inspired me to write this whole thing.
With that out of the way, let's begin by talking about small details that Undertale gives us and hints to it being connected to Deltarune in some way:
2 Clues in Undertale:
There’s a lot of non-music related hints that point towards a possible connection between both games in Undertale. I tried to make a small summarize of all the most important signs I’ve found.
To begin with, there are a couple of small details that show that Sans Undertale seems to have quite the interesting backstory, these being:
Both him and Papyrus appeared one day in Snowdin, seemenly out of nowhere.
In Sans’ lab there’s a broken machine and a poorly drawn picture of 3 people we don’t recognize with ”don’t forget” written on it.
Sans insists a lot about about how he gave up trying to go back (somewhere, sometime, or both).
On the other hand there’s the famous Gaster’s Entry 17, that could imply some knowledge of the Dark Fountains by the former Royal Scientist. Gaster related as well, there’s Clam Girl, who mentions a monster named Suzy. Soon before the release of Deltarune, in the Switch version of the game, Clam Girl would turn grey and says that the time to meet this Suzy ”... is fast approaching”, before disappearing with the sound Mystery Man makes when disappearing himself. Although Suzy is not written the same way as Susie, there’s no reason to believe that Clam Girl is not talking about Deltarune’s Susie. This not only hints to Undertale and Deltarune being connected, but to Gaster being behind the whole connection, since Clam Girls turns into a goner sprite and disappears the same way Mystery Man does. I know Mystery Man is not confirmed to be Gaster, but it’s definitely related to him in someway.
There must be something going on with Papyrus as well, since he’s Sans’ brother and comes to Snowdin with him, but in Undertale he doesn’t seem to know as much as Sans knows. This could mean, since Papyrus doesn’t bleed, that Undertale Papyrus and Undertale Sans are not the same kind of being, and don't share a past.
2.1 Sans’ lines during combat:
During the fight against Sans, nearing the end of the Genocide Route, we get some clues about his backstory within his lines of dialogue. He begins, after the Player’s first attack, by saying:
our reports showed a massive anomaly in the timespace continuum. timelines jumping left and right, stopping and starting...until suddenly, everything ends. heh heh heh... that's your fault, isn't it?
We don’t know who is he working with, but it seems they know very well about the power to control the timeline, since they were monitoring it.
Sans continues with:
knowing that one day, without any warning... it's all going to be reset.
look. i gave up trying to go back a long time ago. and getting to the sur-ace doesn't really appeal anymore, either. cause even if we do...we'll just end up right back here, without any memory of it, right?
to be blunt...it makes it kind of hard to give it my all.
Here we get a bit more information. Sans is -understandably- depressed about the whole reset situation, but mentions ”going back” somewhere. We know it’s not somewhen since he doesn’t remember earlier timelines -besides the occasional déjà vu- and it’s not the Surface because he mentions it right after that line. So, where else would Sans be trying to go back to? It can’t be anywhere in the Undertale world, since he can move freely through the Underground - even through teleportation- and he specifically states that it’s not the Surface. Thus it can only mean somewhere outside the Undertale world.
A bit after that he continues with:
all i know is... seeing what comes next... i can't afford not to care anymore.
What does he mean by ”seeing what comes next”? He doesn’t know the future, nor what the Player did in other timelines. So, what is he seeing? I have no clue for what he could be referring too, but I do think that the answer lies within Deltarune’s story. We’ll have to wait for future chapters to know.
2.2 Sans’ secret lab:
After Sans gives the Silver Key -which appears to be a reference to a book about timetravel by H.P. Lovecraft- to the Player, we can access the Secret Lab hidden underneath his house. Inside of it we find:
A covered up broken machine.
Blueprints for a machine written in un- readable symbols.
A badge.
A photo album with:
A picture of Sans, happy, with other people the Player doesn’t recognize.
If the Player already fought Asriel: A second picture appears, showing Sans, Frisk and their friends.
After the v1.001 patch of the game, if the Player has talked to Clam Girl and knows of Suzy, from the back of the photo album sticks out a poorly drawn picture of three smiling people with the words ”Don’t Forget” written on it.
The first three items, although interesting, don’t give us much to work with. The machine is covered up and the blueprints are unreadable. The badge could become another huge hint in the future, if during Deltarune’s festival Sans happens to win a badge for winning at something, but this is purely speculation so I won’t be taking it into account.
The pictures and the drawing, on the contrary, give us much more information. Let's discuss them a bit more in depth:
2.2.1 The photo album:
By the time the Player gets the Silver Key, possibly after the battle with Asriel, they (and Frisk) have met every main character in Undertale’s story. Thus, the people in the first picture, who neither the Player nor Frisk recognize, can’t be anyone we know. They could be people from other places in the Underground Frisk hasn’t met -although from a storytelling perspective this doesn’t make much sense- or they could be from the Deltarune world -which makes a lot more sense storywise-.
Furthermore, there’s the poorly drawn picture. Since this picture only appears after talking to Clam Girl, a character heavily tied to Deltarune -specifically to one Deltarune Character-, and it has the words ”Don’t forget” -words that don't mean anything special in Undertale, but are extremely important an present in Deltarune from the very beginning- written on it, it’s safe to assume that the three poorly drawn characters are a trio from Deltarune. Due to Frisk not recognizing them, they have to be characters that only appear on Deltarune. What trio of characters do we know from Deltarune that fit these characteristics? I’m fairly sure Kris and Susie are two of the three, but the third is a bit more complicated. My first suspect was that it was Ralsei, but since he’s a darkner and we don’t know if darkners will be able to get to the Light world somehow, nor if Sans will end up in a Dark world; I’m more inclined to leave that third character’s identity up for debate. My other candidate is Noelle, since Berdly dies in the Snowgrave route of Chapter 2 -and Toby Fox likes to keep all possible endings as canon- and we don’t know any other important lightner that doesn’t appear in Undertale as well.
3 Clues in Deltarune:
Since we have just 2 chapters -out of Toby knows how many-, not many hints to Undertale appear in the second game. Still, much can be said from the leitmotifs that can be heard in the game’s soundtrack, which was the main motivation for this analysis.
3.1 A brief introduction to leitmotifs:
*This part is skippable if you know what a leitmotif is*
To those who don’t know, a leitmotif is a small piece of melody that appears many times in a composition, and is associated to someone, somewhere or an idea. Examples of this are the main themes of characters: a recognizable simple melody that is associated to a specific someone-For instance, the melody in Nyeh Heh Heh!, which would be Papyrus’ leitmotif-.
Soundtracks are rigged with leitmotifs, and neither Undertale’s nor Deltarune’s soundtracks are an exception. Since each one is associated to a specific character, place or idea, the use of the same ones in both games is something to keep in mind.
3.2 Leitmotifs that appear in both games:
The first song that plays inside the world of Deltarune, in Chapter 1, is Beginning, which has 2 leitmotifs in it: Once upon a time -from Undertale-, and Don’t Forget, -from Deltarune-. This second leitmotif appears in several other songs in Chapter 1, and in some of Chapter 2.
The song that plays in the menu after you finish Chapter 1 is called Before the Story, which has the exact same melody as in Once upon a time. This leitmotif is one of the most -if not he most- used in Undertale’s soundtrack. For me, it’s kind of the ”Undertale theme”, for how much it appears in the soundtrack of the game -same as Don't Forget would be Deltarune's theme-.
There are some other Undertale leitmotifs in Deltarune’s OST that I won’t be taking into consideration. These are the character’s leitmotifs, like Sans’, and other that represent important emotions like determination, despair and hope-These leitmotifs are a bit difficult to recognize if you’re not deep into the music side of the games. Determination can be heard, among others, in Undertale’s Determination and Deltarune’s Rude Buster; Despair corresponds to the melody in Undertale’s Burn in Despair, and appears in Your Best Nightmare, Vs. Susie and at Queen’s basement, right before the Spamton NEO fight; and Hope is sometimes called ”Snowdin’s theme”, which appears in Undertale’s Snowdin Town and Hopes and Dreams -thus why I prefer to call it Hope’s leitmotif- and in Deltarune’s A Town Called Hometown-. These leitmotifs being in both games is to be expected, since they either represent common characters or common emotions to both games, so they're not really relevant to the theory.
Going back to the theory, the use of ”Don’t Forget” as a title for the most present leitmotif in Deltarune is a bit on the nose, taking into account the poorly drawn picture in Sans’ Secret Lab. The soundtrack acts as a constant reminder to not forget -pun intended- that drawing. But this isn’t the only insinuation Toby’s left in the game’s music. There’s another, much obscurer clue, it being the name of the song Before the Story. Since it plays in the menu only after you play Chapter 1, it can’t be referring to ”before the story” of Deltarune, since that story has already begun. So, what if the Story is Undertale’s? If so, since it uses the most important leitmotif of Undertale in a song called ”Before the Story”, this would imply that Deltarune’s story happens before Undertale.
3.3 Non-musical clues:
How the Player interacts with the world seems to also indicate a relationship between games. Specifically those lines that point to the Player knowing characters -or things about characters- that Kris doesn’t know yet. This in and of itself is not enough to prove that the games are a direct sequel and prequel of each other but, in combination with everything else already discussed it does add to that idea.
4 The Delta Rune:
Both the appearance of the Delta Rune in both games and its name are big indicators of this connection between games. Even though in Undertale it’s not known what its original meaning was, there’s a prophecy that sounds remarkably alike to the Delta Rune Legend from Deltarune. In Undertale there are two interpretations: either the Angel will murder all monsters, or free them all from the Underground. Additionally, in Deltarune, the Legend Ralsei tells us says that the Angel is to be defeated by three heroes: two lightners -a human and a monster- and a darkner.
Since the Delta Rune is older than written history in Undertale and it’s original meaning was lost to time, that one of the 2 interpretations for this symbol is so close to the Legend Ralsei gives us, with an evil Angel instead of a benevolent one, could mean that, originally, both Runes had the same meaning behind.
5 Conclusions:
With all this in mind, I’m quite sure now that at the end of Deltarune Sans will end up being stuck in Undertale’s world, possibly using the machine he keeps covered up in his lab. Since Papyrus doesn’t seem to be much different to any other monster in the Underground I don’t think he comes from Deltarune’s world, so I fear a tragic end for the Papyrus we’re yet to meet.
This ending would make sense of the whole ”Your choices don’t matter” thing. The Snowgrave route seemed to contradict this statement but, if just Sans is going to Undertale, whatever you do on Deltarune’s Universe won’t matter to Sans’ end. Undertale’s story is already written and the end we got will remain untouched, as Toby said. This also implies that our actions don't matter to Deltarune’s world end too. This, plus the possible death of Papyrus, points to a violent end of the game. Being blunt: I think the Roaring is inevitable.
But if Deltarune is a prequel, how is it that the Player recognizes the characters that both games have in common and it’s advised that the game is played after Undertale? I believe the game is a prequel from Sans’ perspective, and a spiritual sequel from the Player’s. The Player, being the meta-being that it is in the games, doesn’t need to abide by the same temporal rules the characters are forced to follow. Thus there's no contradiction in Deltarune being a prequel to Undertale.
6 Problems with this theory:
To prove this theory we need for Papyrus to die and the Roaring to happen. It’s a grim condition, perhaps too much so that I don’t see Toby having a dream about it and deciding to dedicate the next +10 years of his life to make a game about it; or perhaps it's just the kind of dramatic and emotive ending that would motivate someone to do exactly just that.
UT Papyrus seems to not know anything about his brother’s possible past in another world, and acts as if they had been together since forever. They both appeared one day in Snowdin and his past seems as mysterious as Sans’, but they can’t be directly related since Papyrus doesn’t bleed.
I don’t know how will Sans get to Undertale’s world (my guess is Gaster, but he’s a bit of an easy-way-out in theory crafting).
Naming a song doesn’t need to be a very thought out process, even if Toby Fox has a tendency to be very attentive to details. The name of Before the story could just be a synonym to "Main menu".
Grillby’s. Sans’ convenience store, ’Sans, appears to have the same façade as Grillby’s in Undertale, with the name of Grillby rubbed off. This small detail is a possible proof against the sequel thesis, albeit it could just mean that Hometown had a Grillby’s before Sans’ convenience store and it closed down for some unknown reason.
It’s debated whether monsters from Deltarune have magic or not. There are some indications that they do have magical powers, but for some reason seem to have forgotten about them and it’s been left as an obscure thing very little people know about. Anyhow, Sans does have -very powerful- magic powers in Undertale, so this uncertainty could disprove the whole theory.
7 Blood.
*This entire part is skippable, after reading the TL;DR*
TL;DR: As always, blood seems to be the biggest issue around Sans’ theories. To summarize, unless we get undeniable proof that DR monsters do bleed in some way before turning into dust, Sans bleeding could be a huge weak point for this theory.
Before I finish this post, I'd like to address one of the biggest conundrums in Undertale: Sans' blood. Throughout the post I've gone with the assumption that Sans can bleed without proving it in anyway.
It’s fair to say that Sans does bleed in Undertale before turning into dust outside the screen, and he’s the only Undertale monster that does. We know he bleeds because he does it from the mouth as well, far from where the Player cuts him, which would only happen with regular bleeding around a digestive system rather than with ketchup stored in his rib cage. But, is there any indication that Deltarune monsters bleed?
This is highly debatable, but there are some unused sprites that show Susie bleeding. Even though they are unused, why would Toby Fox make them if the thought of bleeding monsters wasn’t in his mind? There’s a monster kid - not the Monster Kid- that asks Kris if it hurts to be made of blood, which implies that monsters are not; but the bleeding Susie sprite is a huge indicative that Toby had this idea of monsters bleeding in Deltarune.
Regarding the ”everybody bleeds” quote, in the Japanese version of the game Susie doesn’t mention blood but ”wounds”, using a word in no way related to blood or bloody wounds. Because of this, the quote is probably just a figure of speech. It’s a bit odd that a monster would use a figure of speech that mentions blood, but it’s probably because the script is written by a human, for humans to read; or that she comes from a human community, as some have hypothesised.
7.1 Berdly’s death:
Anyhow, monsters in Deltarune do seem to turn into dust after they die. Gerson, for instance, had his dust buried with his hammer, following a similar funeral ritual to that of Undertale. But Berdly, who is presumably dead after Chapter 2 if the Snowgrave route was taken, didn’t. At least, not for a long time, from after he died until Kris, Susie and Noelle leave the Librarby.
The toy in the hospital’s waiting room appears to confirm to Berdly’s death, since one of the blue beads breaks off after Snowgrave -this means there's more than 1 blue bead, possibly 2: one for Berdly and one for Kris-. But can we be certain that this means death? We do know this toy symbolizes the state of the game: the beads’ colours are the same as the main characters’, it’s said that they each ”march along their set paths", reminding us that our actions don't matter, and in the end of Chapter 2 - if nobody died- it says that the beads "march on". Berdly’s coloured bead being broken and off the rail after Snowgrave, and him appearing to ”not be awake” in the Light world indicate the end of the road for that character. It’s safe to assume that this detail does confirm that he dies after Snowgrave. But if so, how is it that his body didn’t turn immediately into dust?
In the Neutral route, Berdly’s arm gets burned and, after the Dark Fountain gets sealed, his arm doesn’t seem to respond. It’s not burned, just not moving. From this we can assume that injuries in the Dark world have physical manifestations in the Light world. This explains why Berdly is just dead and not frozen after Snowgrave. But it also could mean that he’s not completely dead, but fallen down, a comatose fatal state. This could mean that the broken bead does means certain death, just not right away. If so, then there’s nothing pointing to Deltarune monsters being any different to Undertale’s in nature, other than their apparent lack of magic powers, and this whole theory crumbles to dust -pun intended-.
As always, blood seems to be the biggest issue around Sans’ theories. So, to summarize, unless we get undeniable proof that monsters bleed in some way before turning into dust, this will keep on being a huge weak point in this theory.
8 Discussion of the problems:
Regardless of these problems, including the blood one, I still believe that this theory holds. There’s enough evidence to back up the thesis. Even if monsters don’t bleed in Deltarune, it’d make perfect sense for Sans UT to be from this world and not Undertale’s.
Nevertheless, if the blood problem isn’t explained through Deltarune, new theories will have to arise to explain why Sans is so different from any other monster.
Furthermore, if bleeding is not something Deltarune monsters do, then it’s possible that UT Papyrus is the same as DR Papyrus, like Sans, since the main reason for that distinction was that Papyrus didn’t bleed. This would imply an ending a bit less grim for the skeleton duo, although the inevitability of the Roaring still looks unavoidable to maintain the whole theme of the game: ”Your choices don’t matter ”
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centrally-unplanned · 6 months
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Hm I think this a weird take based a bit on strawmanning other people. We have this question from a reader:
From my understanding you suggested that in the near future AI will be able to sum up the content a user may want to see into a digest, so that they can spend less time using their devices. I think that is a misunderstanding of how the typical user experiences social media. While there surely are some brilliant people such as the young scientists you described during the episode who use social media only to connect with peers and find valuable information, I would argue that most users, alas including myself, turn to social media when seeking mindless distraction, when bored or maybe too tired to read of watch a film. Therefore, having a digest will prove unsatisfactory. What a typical user wants is the stream of content to continue.
Which I agree with, Cowen's proposal (in an earlier interview) that AI summaries of social media would be widely used and cut back is iffy to me. At the margins used, sure always, but not much - its not being used for information like that. Its experiential. Its like 80% jokes, you think AI is going to summarize jokes? And then what, you read the summary and then sit on the bus not looking at your phone for the rest of the trip?
He replies to this question along two axes: one is saying that Substitution Effects are everywhere, even in addiction:
I think these are some of the least understood points of 2024.  Let us start with the substitution effect.  The “digest” feature of AI will soon let you turn your feeds into summaries and pointers to the important parts.  In other words, you will be able to consume those feeds more quickly.  In some cases the quality of the feed experience may go up, in other cases it may go down (presumably over time quality of the digest will improve). We all know that if tech allows you to cook more quickly (e.g., microwave ovens), you will spend less time cooking.  That is true even if you are “addicted” to cooking, if you cook because of social pressures, if cooking puts you into a daze, or whatever.  The substitution effect still applies, noting that in some cases the new tech may make the cooked food better, in other cases worse.  In similar fashion, you will spend less time with your feed, following the advent of AI feed digests.
That cooking analogy is like such an oddball choice to make - being addicted to cooking is like not a thing, so we don't have any points of reference, and as much as it is I don't buy you at all! I don't think they would cook less. They would be less happy, its an addiction. What??
I won't totally reject it, like I can imagine how social media is about giving you "hits" and if something gives you hits faster it can sate you faster. I just really don't think feed summarizes are going to do much in that regard.
The second point is a bit meatier - essentially saying people are tying themselves up into a contradiction when they discuss how social media is both an addiction and also a social pressure from peers:
The AI example is also a forcing one when it comes to motives for spending time with social media feeds.  Many critics wish to have it both ways.  They want to say “the feed is no fun, teenagers stick with the feed because of social pressures to be in touch with others, but they ideally would rather do something else.”  But when a new technology allows them to secede from feed obsession to some degree, (some of) those same critics say: “They can’t/won’t secede — they are addicted!”  The word “dopamine” is then likely to follow, though rarely the word “fun.” It is better to just start by admitting that the feed is fun, and informative, for many teenagers and adults too.  Of course not everything fun is good for you, but the “social pressure” verbal gambit is a slight of hand to make social media sound like an obvious bad across all margins, and a network that needs to be taken down, rather than something we ought to help people manage better, at the margin.  If it really were mainly a social pressure problem, it would be relatively easy to solve.
This seems like a strawman to me - everyone agrees its fun in some sense, its just more complicated than that. And that is not how people are using social pressure at all. He thinks of it as a "social pressure to stay informed", like everyone needs to know the facts of what happened, etc. So if you get an AI summary of "what happened" then you can survive gossip at the lunch table without embarrassing yourself.
Which is not how this works - the social pressure is to be there, be part of the conversation, be in the room where it happens. You sometimes won't even be reading any of the same stuff as your peers, but you can develop taste and contribute and share in the culture. The pressure is that the culture feels non-optional, to be someone who doesn't have online tastes makes you weird and cringe. And, to be clear, it makes you feel cringe. No one needs to call you cringe, its self-policed. And even for you direct friends, what you think they are gonna post Youtube videos, ask you to watch them, and then you are just gonna pretend you did via an AI summary? Again, that will happen, but bro that is lying, that won't become the default way anyone interacts with this stuff.
When teenagers say they want to delete social media, they do not mean "I did not have fun for the last 15 minutes scrolling my feed". Instead they referring to a wider, embedded social order and self-identity formation culture that is rubbing them wrong. Which they might be projecting, of course, but its a far wider critique.
I'm not even coming out here as a social media mental health critic, I have my complaints but I am unsure more than I am sure. But that is independent of this being a rushed analytical model.
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luv-applejuice · 4 months
Text
The reason why I started cutting again after being clean for ten years
(Forewarning: Long Personal Post)
Hi there. If you decide to read this, thank you, and I hope my story is interesting to you, or perhaps even makes you think. If I put in as many details as I want to, it will be unfathomably long, so I’ll try to just summarize the key points, but I’m perfectly happy to share more details with anyone who may be curious.
I like to go by Eve, and (like many of us) I intentionally cut myself for the first time when I was around thirteen years old. The reason why I cut for the first time back then is a story for another day (but a story I will share on request nonetheless). In other words, it isn’t imperatively relevant to this one. The most important information to be gleaned from it is that at the time, I was in an abusive relationship, and I was involved in a widespread school scandal that caused my autonomy and privacy to be publicly violated by the staff and the students alike. It was a horrible ordeal where I was shamed, ridiculed, harassed, and belittled. My only choice back then was to transfer over to an entirely different school district.
At the time, I was terrified that my reputation would follow me, and I wanted a fresh start, so I forced myself to stop cutting. Though, now, as I look back at that time through the eyes of an adult, I had always continued to self-harm in other ways (such as having lots of risky sex and similar such things). I desperately hid my scars from discerning eyes, and miraculously, no one, including my parents, ever found out. I was by no means living a normal life, as I still dealt with lots of bullying and harassment, but my situation, at least, wasn’t nearly as bad as it had been at my previous school.
Little by little, my situation began to shift. I went from surviving a suicide attempt to being recognized for my performances. Eventually, I was accepted into college on scholarship and was able to leave my hometown behind. Along with some painful memories, the times I had cut had begun to fade into obscurity and feel more and more distant. The scars too, began to fade almost as if they really were just a bad dream.
I think it’s important to clarify, however, that just because I wasn’t cutting anymore doesn’t mean I was automatically happy. Though I wasn’t actively indulging in it, I always retained a fascination for it that I had consciously repressed. It was something I hid, just like the marks themselves. At some point, I became someone who prided themselves in being someone in “impeccable control of themselves” but also simultaneously someone who suppressed my genuine emotions by default.
Ten years passed.
I was clean for a decade.
It should have, but it didn’t really garner me much of a sense of accomplishment. I guess I really didn’t put much thought in to it. Maybe it’s because no one ever found out in the first place, so no one was ever there to tell me “good job.”
I had recently graduated college after more rocky years that continued to be chock full of elaborate bullying campaigns, and I was lined up for a job I had always wanted and that made a decent amount of money. I got hired, moved to an apartment close by, and quickly bonded with some of my new coworkers. I did great work and was well-liked by my supervisors. For what might have been the first time in my whole life, I felt like I belonged someplace.
Amongst this new group of friends was a very beautiful girl who was also quite an internet celebrity. Really, beautiful is a bit of an understatement- she’s the kind of supermodel-level stunning that teens everywhere try to emulate. She’s so pretty that she can get whoever and whatever she wants. She’s so strikingly hot that a group of people on the internet genuinely banded together to celebrate her eighteenth birthday. That’s the kind of person this girl is. She’s also completely covered in self-harm scars.
I was shocked, and maybe even a little scandalized the first time I saw her. She was very clearly openly cutting in front of her friends, coworkers and bosses. To be completely honest, I developed a bit of a shitty attitude about it. I decided that it wasn’t appropriate to make me look at these semi-fresh cuts every single day when I was trying to work. I decided that it wasn’t fair to shove it in my face after I had struggled for so long. Before you judge me too harshly, please remember that these actions would have been inconceivable for me based on my life experience up until that point. In reality, I think I was just secretly burning with jealousy.
“Why did I have to go to such lengths to hide myself but she gets no consequences for flaunting it all? How is it fair that she can get so much special treatment just because she’s tall and rich and pretty? If people are so nice to her, why weren’t they ever nice to me? Is there really such a big difference between her and I?”
I hated her. I wanted desperately to have sex with her. I wanted us to be friends.
These were the kinds of selfish feelings I experienced at the time.
She and I became something in between friends and enemies. (Rivals?) It really wasn’t anyone’s fault- unfortunately, the two of us got compared to each other in the workplace quite often and became forcefully tied into an inconvenient little packaged duo. It was only natural- we’re both openly neurodivergent, we have the same style and the same interests, and we even got hired on the same day. We even LOOK very similar– only, her features all seem like slightly more polished versions of mine. It’s justified that we felt an unfortunate instinct to try to one-up each other.
That said, however… I felt as if I was living in her shadow. Not one single day would pass without customers falling over themselves to get her number, whereas the stacks of harassment reports I had to file just kept piling and piling up. I started getting treated as a discount version of her by regular customers and coworkers alike. One of the only things I was able to claim for myself was that at least I behaved more “appropriately” by concealing my old marks.
I think….. she had everything I never ever even knew I wanted.
Unfortunately, that time I spent at the job I loved was cut short.
One of the oldest members of the company with a fondness for hazing all of the new female hires thought it would be fun to make up some rumors about me…. maybe it’s because I had already become such a hot topic at work lately, but the gossip spread like wildfire and I think grew thrice the size of what she had intended. It mutated and morphed the way that gossip does and eventually made its way to the supervisors. With my job in peril, I quickly tried to file a claim with HR and contact the owners, but for anyone who’s ever worked in an American company…. Yeah. You know how it is. The heads saw an image-ruining scandal brewing and terminated me without doing so much as an investigation. The only good thing that came of it is that my termination was so unfair and uncalled for that the company ended up unionizing immediately after… but it was too late for me. Everything I worked so hard for burnt up in an instant and I was left with nothing but embers. I found myself shamed, ridiculed, harassed, and belittled. I found myself right back where I started. The girl with all the pretty scars, of course, continues to excel there to this day.
I was faced with a cruel reality. “Where did all that self-righteousness ever get me? How did I ever benefit from that false sense of superiority? Did I ever once gain anything from lying to myself? Did concealing everything let me keep my job or my friends? Did anything I do ever really matter?”
Thus… I finally relapsed and my ten year celibacy was broken. It’s been only six months and it’s an interesting feeling to do it again. I’m sort of learning how to do it in a way that feels good for me all over again. I feel like I got my virginity back. It’s scary, it’s liberating, it’s exciting, it’s pleasureful, and it’s difficult all at the same time. For now, it feels like it’s what’s good for me here in this moment. I’m happy that I’ve chosen to do what empowers me. And if I ever do decide to stop someday…. It will be because I myself want to do it, not out of fear and shame.
Maybe I’ll be brave enough to wear my scars proudly someday like her.
I’m a little better now than I was six months ago. Now you’re caught up and you know all about me, dear stranger.
This isn’t a post telling anyone that they need to recover, and it’s also not a post telling anyone they shouldn’t or that it’s pointless to. It a post telling you that cutting doesn’t automatically fix 100% of your problems, and being clean doesn’t automatically make you happy either. I think I’d like to live in a world someday where it isn’t completely demonized or completely worshipped. Until then…hang in there and practice good aftercare. And thanks for reading this far.
…….Let me know if you want me to change out your bandages for you. Maybe you can do the same for me?
-Eve
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omegapheromone · 3 months
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do you have any advice for someone who is struggling to figure out their misce identity?
personally i’ve always just assumed that i’m an omega (because i’m a smaller person and more submissive?) and gone with that, but after thinking about it more i really don’t think i am?
i think that i have a lot of “typical” or “normal” omega traits, but i feel much more like an alpha? so uhh yeah hopefully this isn’t too annoying
Hiya! Not at all annoying, this ask is a great opportunity for me to talk about some topics I've been wanting to talk about for a while, actually! I will write a longer post but here's everything, VERY shortly:
First of all, ask yourself why you ascribe specific traits or features to specific dynamics, and WHY in your mind being small and submissive means one HAS TO be an Omega. Does this mean that absolutely no omega ever can be tall, muscular, strong, dominant? Does this mean that not a single alpha ever can be small or submissive? Where did these mental associations come from? Could it be that you have subconsciously taken the most common and stereotypical fictional traits of "alphas and omegas", even if you know logically it doesn't work in real life, and are trying to force those stereotypes onto yourself? Would you tell anyone ELSE but yourself that they cannot be an alpha because they are small and submissive? Or would you tell anyone else that they cannot be an omega, because they are tall and strong and dominant? Or are these things you're only trying to force on yourself because you think you should fit some stereotype that's completely based on fictional characters?
My tone there isn't meant to sound harsh at all- I go WAY more in detail below, but the post is long, like, genuinely very long, and I'm just trying to summarize the simplest and most important point as concisely as I can in a string of questions to ask yourself- the point in ALL of this is that your identity should be dictated by what feels right and good to YOU, not what stereotype you fit into. People are always more complex than stereotypes, and if you feel more alpha, then that's all you need. Physical traits, personality, sexual preferences, etc- none of these things dictate what your dynamic is or should be.
That being said, I have to give a fair warning. This post WILL end up being LONG.
Another thing- I personally am an omega and have always identified as such, so I'm gonna tag @pack-the-pack and more specifically @miscealignment a.k.a. Null's more misce-focused blog- not only do I find his opinions interesting and generally insightful when it comes to all matters misce, but I think Null will probably have more to say about the alpha part specifically. I'd also like to tag @beta-adjacent for similar reasons! Further down, I'm going to talk about my own personal perceptions of the dynamics, and my point if view as an omega only goes so far, ESPECIALLY when I've never really questioned the fact that I am an omega, even when OTHER people have (more on that way, way later.)
With those out of the way, my actual response will be posted under the cut just so I don't clog anyone's dashboard too much! Once again, prepare for rambling and a LOT of text. Sorry in advance (;´∀`)
About Misce- Your Mental Image;
a.k.a. let's start with a little imagination. ...or lack of, maybe?
Firstly, I would ask you to evaluate what you think of when you think about each of the dynamics. While you're completely free to your personal interpretation as is everyone, I tend to think that if your mental images look something like "Alpha=dom, top, strong, masculine", and "Omega=sub, bottom, feminine, dainty and emotional" and "Beta=side character", you're not REALLY looking at misce dynamics, rather, you're more thinking of a highly stereotypical and (subconsciously) heteronormative version of omegaverse that is (often) used almost exclusively only for the sake of making mpreg possible in m/m fiction. And to be clear, yet again: Misce is NOT Omegaverse.
This specific way of interpreting alpha/omega/beta dynamics is literally just straight people gender norms repackaged to be forced onto gay/queer people, and is not in any way realistic to 99.99% of irl gay/queer relationships, nevermind people. A lot of misce folks are also some flavour of lgbtq+ anyway, and you can see why it could become an issue to impose heteronormative roles onto people who do not, by definition, fit said roles. Here's what I mean:
"Alphas are tall, big and strong and handsome dominant leader types who provide for the physically weak, dainty and small and traditionally attractive, emotional, submissive omegas. Omegas bear and raise the children, while alphas work and earn money. Omegas are at a social disadvantage because of their dynamic, and alphas often benefit from theirs, therefore it's not unusual to see omegas being exploited by alphas. And Betas are the 'other people' who don't fit these roles, I guess."
Now switch "alpha" to man, and "omega" to woman, and read it again. (And for an extra spicy take, switch "beta" to "lgbtq+ folk"... just saying.) See what I mean?
This is a common portrayal in a LOT of omegaverse fiction regardless of what biological sex/gender the characters are, and I'm SURE you've seen portrayals like this many, many times. In fiction, there's nothing wrong with interpretations or depictions like this! I know some people are unable to read works of fiction critically and think that using portrayals like these is somehow inherently bad, and sure, this specific market is definitely oversaturated as well- but the thing is that for many authors and creatives, applying these existing (male and female) roles and forms of discrimination onto imagined secondary genders such as alphas and omegas is a way to explore gender discrimination, homophobia, misogyny, social issues, etc in writing. But the crucial part is that this ONLY WORKS IN FICTION. Omegaverse is fiction, so it's fine. But Misce is not fiction. Misce is identities and people.
About Misce- Identity, NOT Tropes Or Roles;
a.k.a. let's not base real people identities on fictional stuff (or sexual preferences, for that matter).
You cannot apply those previously discussed concepts to real, living people's identities. This much is obvious. Cathegorizing real people into "alphas are the strong and big and dominant ones", "betas are the in-between ones", and "omegas are the dainty and small and submissive ones" doesn't work and should never be done to begin with.
You also cannot cathegorize people based on their sexual preferences- "Alpha" does not automatically mean they top or dom. "Omega" does not automatically mean "bottom" or "sub". Beta does not automatically mean vers/switch. Sexual preferences are separate from dynamics, and you should not assume anything based on someone's dynamic to begin with. While misce has its sexual aspects to many, it's almost never ONLY sexual. In my experience, if anything, it's a very small part of being misce to most people I know.
This is all to say- your sexual preferences do not and should not determine your dynamic in any way- so whatever you like in bed should not make you feel like you need to identify with some specific dynamic. You could be the most submissive bottom on earth and be an alpha and that would not be weird or "wrong" or "strange". I think just about any misce person could tell you this- anyone who understands that misce ISN'T "just an irl larp of omegaverse", at least.
This is a good opportunity for me to segway into the next part- misce is based on a LOT more than "just" the most stereotypical omegaverse roles. For a lot of people, being misce connects to other forms of non-human identity, whether that's being otherkin, therian, alterhuman, whatever. I'm not actually all that familiar with those things, as I've never bothered getting involved or familiar with said communities. I've never felt human either, but I struggle to figure out the specifics of it so I just don't bother- I'm content like this, and don't feel the need to label it or try to "pick a specific animal" or whatever. I'm happy being just... a being (lol) and that's enough for me.
About Misce- Deeply Nonhuman Humans;
a.k.a. there are two wolves inside of you...
...However, I recognize that with this part- me not really feeling like my misce self is connected to animal-type nonhumanity specifically, I am NOT in the majority.
I believe "miscecanis" and "miscelupus" were the first(?) terms that utilized the now-popularized term "misce" in them, and they specifically refer to canines (any, but often dogs) and wolves. Considering omegaverse itself is also based on that (proven to be unreliable/misinformed) study on wolf pack structures from ages ago, it makes sense that many misce folk would also identify with canine-adjacent creatures- I do too, I just dislike using those labels since that's nowhere near the most notable part of my own sense of non-human-ness. But I digress. A lot of misce folk, especially ones who identify with specific animals, have created their own labels to match the animals they identify most with- miscelapin, miscevulpes, miscefelis, etc. The catchall term for most misce folk, esp ones who feel that their "animal-identifying side" is strongly connected to being misce, tends to be misceanimalis.
Personally, I just say "misce" since a non-animal-attached term doesn't seem to exist at the moment and to me, being an omega isn't necessarily a non-human animal-identity thing at all- but that's just me and I don't think there's a "right" or "wrong" way to personally interpret and "be" misce.
All that being said, generally, the misce community tends to lean towards a more instinct-based social model, pack dynamics and emotional/non-verbal etc communication. I think that much is pretty obvious anyway. So, naturally, the dynamics themselves are often interpreted through that lens- "what's the 'pack role' of any given dynamic?"
Generally, everyone has their own interpretation of this, and that's totally alright- misce looks a bit different for every individual, and definitions are fluid enough that the answer you get depends on who you ask. Speaking of which...
About Misce- Dynamics;
a.k.a. this is the part where podcast bros get so confused
So, while I'm going to now list a few generic concepts/roles/tropes/traits that TEND TO be associated with specific dynamics, just know that it's completely fine to interpret them differently and come up with your own stuff for your own identity. Misce stuff is generally kind of vague and definitions depend on the person you ask anyway- Should you ask someone else to explain what kind of traits they associate most with various dynamics, you might get a different answer- what, in my eyes, is a "commonly omega trait" might be a beta trait in someone else's mind, and so on.
These summaries are based on my own personal experiences combined with speculation, and include a lot of generalization in places- if you identify as any of these dynamics and feel that my description of said dynamic is "off" or not accurate to your lived misce experience, please know that I'm not at ALL saying your experience isn't valid, or that your identity as that dynamic is being questioned. As stated before- everyone defines things differently, and there is no right or wrong way to define or BE misce.
Also: I'm going to go through both positive and negative traits for each dynamic based on my personal observations of patterns I've noticed. I WILL include a "worst case scenario" thing about each dynamic, just to illustrate how sometimes traits may manifest as genuinely bad/abusive behaviours. Every dynamic is capable of being abusive and toxic, and there is no specific dynamic that is "more likely to be abusive" than the others.
☽ ALPHAS • [ α ] ☾
"Providers, protectors, guardians and defenders, responsible for the pack staying safe, well and the members having their needs met."
Often, alphas are seen as the more physical/tangible providers, "mirroring" the more emotional/psychological form of nurture provided by omegas (more on that later). This DOES NOT mean Alphas are always "the breadwinners"- it takes many forms. That COULD be working to provide a stable income and housing, sure, but it's equally as possible for an alpha to prefer being a homemaker- making food for the pack, cleaning and organizing, etc can be just as much a form of "providing" as working for an income could be. The distinction here is that where omegas commonly tend to show their care in a more emotional and intangible way, Alphas are (often, not always) the ones who will buy their friends little trinkets and souvenirs that remind the alpha of them, cook up meals to provide and ensure the physical wellbeing of their closest ones, offer to help with menial tasks and so on. It's all about trying to ensure the people closest to them are well, and doing what they can to keep it that way.
Alphas often get a reputation for being protective over their loved ones, and while in fiction, esp omegaverse manhwa/manga/webtoons/etc this tends to get portrayed as "possessive toxic masculinity" type tropes (looking at you, 'Terminus', 'Kiss me, liar' and 'Night by the sea'...) this also has many forms, and isn't at all limited to Alphas only.
Alphas DO tend to feel very responsible/protective over their friends and/or pack though, more than other dynamics do- a sort of "hurt me, I don't care, but hurt my friends, you're dead" type attitude is quite common to alphas in my experience, at least as an omega observer. From what I can tell, Alphas derive a lot of pride and satisfaction from being able to support and lift up those closest to them, and while generally Alphas aren't fond of conflict any more than any other dynamic, they usually WILL go to bat for their friends/pack, argue to ensure their friends are taken seriously, stand up for them, and so on. From what I've seen, at times, it's the Alpha that feels more upset over someone being nasty to said alpha's friend, than the friend is themselves.
Alphas are generally seen as the ones who take care of the physical needs and safety of the pack- "safety" makes it sound like they're out there fighting wild beasts and evil spirits or something, which isn't really the case when you think "modern world", but the point is they often strive to ensure that everyone they love feels safe and comfortable around them, and that sources of stress/anxiety/worry are removed. This could take the form of helping a friend pay their rent when a friend is broke and the Alpha is able to pitch in, or it could be helping someone fill out job applications if they're finding it overwhelming to do alone, or helping a depressed friend clean and cook so that they're less stressed out and are able to recover without the additional stress of having to plan and think about food and nutrition. It could be giving massages to help someone relax, or it could be letting a friend come over just to sleep at their place when the friend is struggling to feel safe on their own.
Basically- some personality traits I've noticed many of my alpha- and alpha-coded friends tend to have, would be that they're generally very caring people who tend to put those most important to them first before themselves. Often Alphas will step in to shield others from injustice and/or perceived threats without hesitation- be that unfair treatment or a stranger being a little too friendly at the club. Alphas may or may not talk about their problems openly, but the ones who do tend to only talk about the problems and how to solve or overcome them, NOT how it has made them feel and if they're feeling alright, but when/if they DO talk about their feelings more honestly, it's basically always a huge sign of trust and closeness. A majority of my alpha friends tend to be either gift-givers who love showing appreciation in the form of presents or homemade food, OR they're silent providers, whose doors are always open (within reason) and will always be there to provide a place for their friends to crash at when said friends just need a break somewhere safe and comfortable. Often, they're both. (Shoutout to my closest irl friend who is very alpha-coded and keeps telling me I can just go to his place to sleep if I want to get away from either family or loneliness at home in a diff city lmao. I always feel like far too much of a burden so I never have, but I genuinely appreciate the offers so much)
Alphas, at least based on my humble observations, have some fairly commonly shared negative traits as well, such as being the type to run themselves to the ground to ensure others are well (especially emotionally- it's a stereotype that Alphas are bad at expressing emotion, but it's somewhat true that often Alphas will try to avoid their own struggles and emotions by constantly rushing to care and provide for others instead of sitting down to feel their emotions lmao). Alphas tend to overwork themselves for the sake of others, and overall share a "neglect self for the sake of others" thing that omegas also have, just. Different flavour.
Some alphas do also tend to have a bit of an ego at times, especially pertaining to things they excel at, and can indeed get jealous of their friends/pack-mates/partners/etc. Occasionally, this manifests as a form of entitlement, often based on the alpha feeling like they've sacrificed so much for the person that they feel like they "deserve something in return". In most cases, it's nothing outrageous- just time, effort, and acknowledgement of all the effort, though I find that sometimes alphas tend to expect others to be able to "read the Alpha's mind" and just figure out what the Alpha needs without ever communicating it out loud (this could be due to a fear of being too "demanding" or too "overbearing" which many Alphas I've known have struggled with, likely specifically because that's often how Alphas get stereotyped, leading to most Alphas trying hard to show they are NOT like the stereotype. I can imagine it's a struggle!).
At times, Alphas may be prone to being sort of control-freaks about certain things. This usually isn't an issue for most, but it sometimes shows through in their personalities as being frustrated if things aren't done "the way they like, when they like". There's various reasons- for some, it's because they're used to doing things one way and feel that it is the best way, for others, it's a feeling of "knowing best", and for some, it's a sense of wanting to have control over how things are done or hoe they happen, because not having that control causes anxiety.
On the darker side of things, some alphas may become genuinely possessive over people, often subconsciously feeling like they're entitled to and feel that they have "claimed" a person, and feel that they should be able to decide things for said person/people. When this happens, it's usually also coupled with some degree of idolization/objectification of whoever is the subject of these feelings, and the alpha may get excessively upset if the actual person doesn't completely match the "mental idealized version" in their head- this could happen for a number of reasons from something as simple as the person deciding to change something about their appearance, to having a personality that doesn't "match" the one the Alpha had "imagined". This can lead to issues with some Alphas being controlling and/or obsessive over everything, and may escalate to worse abuse based on a desire to "control" or "own". This kind of a thing is NOT exclusive to Alphas, anyone can be shitty, but this specific form of it is slightly more common with alphas specifically, over other forms of shitty/abusive patterns.
☽ OMEGAS • [ Ω ] ☾
"Emotional providers and nurturers, often take the role of maternal figures whether symbolically or literally. Caring and loving and very in tune with the emotional needs of those closest to them."
Omegas are often portrayed as more sensitive to pheromones than other dynamics, a.k.a. better at "reading people" and responding to the needs of others before they may even be consciously aware of said needs. Of course, IRL pheromones aren't a thing, but omegas are still very in-tune with the emotional states of others and as such, often, omegas can sense a conflict brewing even before it takes place, and prefer to avoid that if possible- they'd prefer to figure out what the cause of upset is, and address the feelings BEFORE they escalate. While the emotional hyper-awareness is useful in many situations, at times it instead results in excessive overthinking and stressing out over very mundane interactions.
The pack roles omegas are most often portrayed as having are usually things that concern the emotional wellbeing and social harmony of the pack, ensuring that its members are feeling cared for, seen&heard and understood, as well as being the "caretakers" for children/young members in the pack. Omegas are often great listeners, and will do so for hours. They're good at validating and echoing the feelings of others, and many omegas actually derive satisfaction from knowing they were able to help someone feel better- even when there wasn't anything to feel BAD about- just being able to offer emotional validation, comfort, or improve someone's mood tends to make omegas feel happy. In general, many Omegas are able to empathize very deeply, and tend to be good at "seeing things from the perspective of others".
Omegas are often portrayed as especially fond of children and having strong maternal instincts towards kids, both those of others, as well as their own. Stereotypically, omegas are portrayed as wanting children of their own (or, as some like to call them, pups), but this isn't really a "every omega ever" thing. This type of maternal instinct can present in MANY ways, and doesn't always even require children in the equation. Being a "chronically 'mom-friend' type person" can be one manifestation of that, for example, while in other cases, Omegas thrive in older sibling/uncle/etc roles, rather than parental ones.
Omegas are often portrayed as highly emotional/emotion-driven themselves, with a highly developed sense of empathy and compassion. This sometimes manifests as overthinking, anxiety, social exhaustion, hyper-empathy, being easily swayed by the reactions and/or feelings of others, a tendency to seek emotional approval and a likelihood to choose people-pleasing over their own wants and needs. While Alphas are more likely to neglect their emotional well-being, Omegas are somewhat an opposite, and tend to neglect taking proper physical care of themselves in favour of "being there" for someone else. Similarly, while Alphas tend to bottle up or brick-wall their emotions and instead keep physically busy, Omegas tend to retreat and isolate and neglect their bodies when feeling bad.
On the more dark side- which I feel is SO important to talk about as I rarely see people bring this up- Omegas, thanks to their high level of emotional intelligence, are also often very skilled at subtle but devastating emotional manipulation and even abuse. Omegas are great at playing the victim to gain sympathy or pity when it suits them, and are great at appealing to the emotions and feelings of other people to sway them- essentially, omegas tend to make for good liars and manipulators. Omegas are far more likely to utilize manipulation tactics, emotional abuse, self-victimization and mind games, than other dynamics- that isn't to say that alphas or betas are incapable of it, or that this is the ONLY way Omegas may be abusive, nor am I saying that every omega is abusive, obviously- but it's good to keep in mind, especially given the fact that certain medias love to portray omegas as "innocent pure uwu cinnamon rolls who can never do any harm".
☽ BETAS • [β] ☾
Let's be real for a moment and skip the quotation mark description I did for both Alphas and Omegas. There is a reason why I left Betas last, but it's not why you might think.
Both due to the fact that in SO MUCH of omegaverse fiction, Betas are simply nothing but an afterthought in a story about an a/o couple, as well as the fact that people have different ideas of things, a "widely accepted common portrayal of what a Beta is like" doesn't really exist. I feel that it's especially important to acknowledge this specifically because this means that people have VERY different headcanons for betas, both in terms of omegaverse, as well as in terms of what it means to be a beta. It WILL look a little different for every individual beta, likely far more so than it does for the other dynamics. The way I see it, there's both good and bad parts about this- the identity of a beta is less "restricted by" or "bound to" any specific traits or aspects, BUT at the same time, a lot of people may struggle with this as well, potentially feeling like they may not "fit in" or that their personal identity as a beta isn't "enough" or is "too strange". The misce community grows over time, mostly because people who were into omegaverse in fiction come across it and go, "wait, I can just be (dynamic)? Cool!" Which often leads to fundamental misunderstandings, and is an entirely different topic to begin with.
Anyway, what I am getting at is that the more "old school" misce blogs and folk, from what I TEND TO SEE, are far more open to all kinds of beta headcanons and interpretations, while the "new blood" coming in (which, hey, my blog isn't that old either, so)- tends to be people who see betas as "the normal people", basically equivalent to not even having a dynamic at all. So let's start there- let's lose that idea right away. Betas are NOT "no dynamic" or "neutral dynamic". Betas are Betas- and people who are NOT misce, and have NO dynamic identity, are the neutral/no-dynamic ones. Those people are not betas by default.
So, what ARE betas?
Short answer? You tell me.
Longer answer? It's largely up to individual interpretation.
Longest answer? ...
The way I have always seen this is that there are various interpretations of a "beta" and none of them are inherently wrong or right. If you're misce and you identify as a beta in the way they are most commonly depicted as being "the normal people of omegaverse", not having cycles (aside from menstrual ones for afab betas), not having specific traits/skills/etc, and just "being normal (in comparison to alphas and omegas)" then that's entirely valid and just as good as any other interpretation. What matter most is that YOU are happy, feel represented, and have a label you like.
However, if you identify differently as a beta- perhaps you DO have a cycle, whether that is a rut or a heat or a mixture of both, either or, or something completely different- that's also just as good- as long as you feel like yourself. (I didn't spend time talking about ruts and heats in the sections for alphas and omegas, since it's quite straightforward, but I may make a post on that at some point.) For now though- I DO actually believe I can think of at least some commonly shared beta-traits, similar to how I did for the previous sections. They may not apply to every interpretation of misce betas, but that's a given.
So, what traits are common to Betas, then?
In my experience, I find that many of my beta-coded or beta friends, they all share a certain energy that's hard for me to explain. Betas, in my eyes, seem very lively- not necessarily that they are "more energetic" or "happier" or anything, it's more like, they seem to be very "alive" in some strange way I cannot quite describe, but it makes me feel good by proxy. The way I see it, Betas, regardless of how introverted they are in terms of personality, are almost always incredibly easy to talk to, have really comforting presences, and overall make any friend group feel "complete" and "balanced".
This is actually something I noticed very strongly at Pride yesterday! A bunch of my friends are Betas, a good few are Alpha, and a couple are other Omegas (at least, in terms of how I tend to see them), and without fail, Betas always feel like the glue that makes the group feel complete. In MANY cases, they're the bridge between myself and people I've never even met, and their presence lifts everyone's spirits. Betas make groups feel like teams instead of a handful of individuals sharing a space.
Not only that- they're INSANELY resourceful and prepared. As soon as I mentioned my shoes were starting to chafe, two band-aids were IMMEDIATELY handed to me by one of my very beta-coded friends. If anyone is going to survive the apocalypse, I'm betting on the betas in a heartbeat. They're prepared, they know how to keep themselves AND their friends alive, they're good at organizing stuff and delegating tasks to the most appropriate people. Whoever thinks Alphas are at the top and rule the world are WRONG. It's Betas. It's always Betas. If they stopped existing, the world would grind to a halt in less than 12 hours, I'm calling it now. Betas get shit done and make it work, and not only that, they can gigure out what your strengths are, and can figure out which tasks you'd be best at. I'm 100% certain that almost every competent manager, strategist, advisor, expert, scout, spy, organizer, consultant, etc. Is always a Beta. If you want solid advice and good insights with anything practical, ask a Beta. They will either know the answer, or will point you to someone else who does.
From what I've observed, Betas are clever, resourceful, creative and innovative, good at planning ahead AND coming up with ideas on the fly. In terms of pack roles, it fully makes sense to me to view Betas as the leaders and practical thinkers who ensure things work. While Alphas may be the kind to defend the pack from external threats, the Betas are the ones who will help you avoid the threats in the first place. Omegas may be good at predicting and avoiding conflict and resolving feelings that may lead to internal disagreements, but Betas are the ones who will SOLVE conflicts, come up with compromises, and ensure nobody is treated unfairly.
And honestly, this is why I hope misce betas chime in! Please describe your experiences as Betas and of being a beta in misce communities, what it means to you and who you are, etc. In the notes? As I said many times- my observations only go so far.
About Misce- Personal Experience;
a.k.a. this is the part where I ramble even more.
So, I've talked about various stuff, and this is the second-to-last part. In the last part, I will try to provide my personal advice and takes, so skip there if my personal life experiences do not interest you at all. This part is just something I wanted to include, because while I've never personally really questioned my dynamic identity, I want to talk about things that COULD have made me question it, and why.
Omega.
I've always identified as one so strongly that I confidently named my blog "omegapheromone" and refer to myself online as "Gamie", a play on the word "Omega" itself, just rearranged and one letter off. I identified as an omega before I knew what misce was.
But, the people around me haven't been so confident about it.
I don't know if I'll have deleted that post by the time this one is finally done, or by the time you're reading this, whether that's the same day or a year or more from this post's date of posting- but I very recently shared a selfie, a face reveal of sorts. If it's deleted, let me describe myself in it: an androgynous/boyish person with pastel-coloured hair and clothes.
From that selfie, you wouldn't think it, especially with the angle and such- but I'm actually quite tall (167cm/5'5", almost 5'6" or so). Tall, and I have strangely broad shoulders and back for an AFAB person. I'm actually taller and often more "broad" than many of my friends, and in the past, when hanging out with friends, I've heard the "so are you the 'man' in the relationship" type comments when people have mistaken me and any of my friends for a couple. This is how people, even other queer people, tend to view me for some reason. It doesn't bother me TOO much these days, but it used to, and I still find myself wishing I was smaller, shorter, more "dainty" so that people would immediately think "oh, an omega", instead of assuming I'm an "alpha" (or in the case of real world, assuming I'm the assertive and sexually dominant type). I'd like it if people looked at me and, instead of feeling like I'm the type to care for and protect them, saw me as something they want to take care of and protect. It sounds incredibly cliché, but after living 20+ years with this being my experience (being seen as the type that protects ans dotes on others and whatnot), it's just something that's stuck with me. All my exes have approached me with the assumption that I was a dominant type, often also flat out thinking I was a cis dude (somehow, though I guess in the past my sense of fashion wasn't as "cutesy", and instead was more edgy). They weren't turned off by the fact that I flat out had to tell them, no, I'm very much a bottom and you cannot make me top for the life of me, trust me, it WILL NOT be good for either of us. I'd say "lucky me" but the most notable case turned out to be abusive and controlling, so I can't really say that, either. Of course, as I said above, sexual preferences have NOTHING to do with one's dynamic, for me it just happens to coincide that I'm an omega, a bottom, AND for some reason, have a very assertive/dominant aura despite not being either of those things, and as a result, to me, it feels like people are constantly just mistaking me for the "generic portrayal of an alpha".
As much as I complain about feeling dejected that I doubt I'll ever REALLY have the experience where "oh I want to dote on and protect him" is the other person's very first impression/thought, I've made peace with it. In the grand scheme of things, it doesn't matter so much- there's someone for everyone, or however the saying goes.
Still, it's interesting. For as long as I can remember, people have described me with words like "intimidating", saying that they've been afraid to approach because I look like I'm somehow either "too cool" for them, or "wouldn't want to talk" or whatever. Maybe I've built walls that are just too high after getting bullied as a child, or maybe my general detachment and aloofness have made me come across as cold and unwilling to make friends. It's not true though- I do genuinely enjoy meeting people and making friends. To an extent I'm aloof, and at times I will just disappear for a while before acting like no time passed at all, but that's not me trying to be distant on purpose at all.
Anyway, all of that is to say, I've never doubted my omega-ness. I've identified as one since I was a teen and read my first omegaverse fanfics. It's just something I've known. Sometimes I've wondered if I should TRY to force myself to be more of a top and pretend to be an Alpha, but the idea is just uncomfortable. I'd just be lying, both to myself and any potential partner having to experience it- and I don't like how lying to myself feels at all. It's like playing a character I hate, a mockery or parody of who I actually am, and it just makes me feel bad. I refuse to define myself based on the assumptions OTHER PEOPLE make about me, based on my height, build, "vibe" or anything else. If they make an assumption and are wrong about it, that's on THEM for making an assumption. I'm not going to cut my legs off just to be shorter, and I'm not going to strave myself (again) just to seem "dainty and fragile and weak and in need of protection" either. Fuck that, I have internal organ damage from that already, so no thanks, I'm not going to make that worse.
The Advice
the part where I actually answer the question asked.
Alright, so the question bears repeating since I've rambled so long it literally took an entire day to write this post;
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Do I have any advice? Some. Most of it I've touched on already. Sit down with yourself openly and honestly, and question what your concepts are based on. Are you forcing yourself to fit a fictional stereotype thar was never meant to suit real life people to begin with, or do you ACTUALLY identify with something? Sit down with what your idea of misce as a whole is, and question what it means to you, what your place in it is, and take time to get familiar with various portrayals of all different kinds of dynamics, not just the most stereotypical ones. Domestic soft homemaker alphas, CEO boss dom omegas, betas who AREN'T just "normal guy in a world of alphas and omegas". Also even if you find a list of "traits that (dynamic xyz) has always!!!!", take your time to look at it. Are there alternative ways to interpret it? Can some traits show up differently? Does "protective" always mean "possessive"? Could it not mean "caring, concerned of their friends' wellbeing, the type to stay up until 4am to ensure a friend gets home safe and texts them, and if they don't, will physically drive over to check on them"? You get the idea.
"Because I'm a smaller person and more submissive?" - I already talked a Lot about this, but why are these things "inherently omega" traits in your mind, anon? Try saying this out loud: "Every omega is a small person, and every omega is always submissive, no matter what." If it feels uncomfortable to state that confidently as fact, then you likely never believed that yourself to begin with, but rather were telling yourself that you "have to be a certain way because you do not fit the stereotype of the OTHER things". You don't have to fit a mold. The molds are based on fiction anyway- you're you. What matters is how YOU feel, what YOU feel most comfortable with, and what label YOU vibe with the most. You don't have to force the identity of an omega onto yourself if you feel more like an alpha, just because you happen to be "smaller and more submissive". Yet again, sexual preferences don't dictate your dynamic at all either. If you feel more like an alpha, then that's all you need. There's no height requirement, this isn't an amusement park ride. There's no minimum muscle mass requirement, this is not a bodybuilder competition. There's no requirement to be dominant or a top or anything at all- that's not even what misce is about. You are you, and what you vibe with is the most important. If that means being a small and more submissive alpha, then congrats on presenting as an alpha!!! You are loved and accepted here!!! 💕
Love you, anon, I hope this helps even a little, and I hope you find what YOU are most comfortable with!
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