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#because it was all going down in 1963
julietsays999 · 4 months
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It's going to be a while before I am able to shut up about the Devil's Chord, but I also am so unbelievably obsessed with the return of old scores, specifically in the episode where the existence of the soundtrack within the show was acknowledged. There's the Saxon theme when the Maestro is taking over the TARDIS, and there's the Doomsday-sounding music (I know it's not identical, but I maintain it sounds similar) when the Doctor is worried about losing his blonde, somewhat Rose-coded companion (thinking about all the similarities to End of the World in Space Babies).
Like, The Devil's Chord didn't just acknowledge the existence of the theme music within the show, but also dragged all the history within the show's music into the present (/past in 1963).
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pasteidolons · 21 days
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pincushion - jww
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pairing: tailor!jeon wonwoo x bookbinder!reader genre: 1960's, romance, angst, fluff, smut (MDNI 18+) warnings: swearing, alcohol, smut (p in v, unprotected sex, oral sex), no use of y/n, afab reader, an overabundance of 60's references oops word count: 19.9k summary: when a newly appointed tailor stops into your shop one autumn morning, you're unaware the impact he would have on your life for better or for worse.
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1963, Autumn. The small knife in hand cuts through the thin leather with relative ease, stopping at the point you’d marked with a small piece of chalk, you switch to cut the other end of the material. You eye the coffee sitting on the opposite end of your work bench, watching the steam rise from the cup that you’d barely taken a drink from. It’s only nine in the morning and you hadn’t slept well the night before, had there not been any orders to fill you would have slept in a while longer. 
With the leather finally cut into its allotted pieces you go to move to the bound paper you were trying to cover before you hear someone walk in. The chimes above the door at the front of your shop sound off with a soft resonance, the same sound that had echoed the room for years. Footsteps tread carefully into the center of your shop, you can’t eye the stranger from your closed off workshop unless you open the heavy wooden door. 
A quiet “Hello?” rings out, they sound apprehensive and unfamiliar to you. There’s a tinged worry that treads on the lone word, leaving you all the more perplexed as you set down the leather and the semicircular knife onto your workshop table and head out into the main gallery of your shop. 
“Can I help you?” Question falling from your lips as soon as you begin to push open the oak door, finding a taller man looking down at one of the fabric laden books on one of the display tables. 
“Oh,” his attention turns to you from the book, to the doorway you’d entered from and then back to you.  The horn-rimmed glasses adorning his face slipping down the bridge of his nose. “I’m here to pick up an order for Seungcheol Choi.” His slender hand moves from its once stagnant position to push the glasses back up before moving to his right-side front pocket, “I can show you the receipt if you need it—”
“There’s no need,” you shake your head and raise your hand. Seungcheol had been a longtime customer of your family’s shop, you assume it’s mostly because of a mutual acquaintance with the Hong clan, but you would never be the one to edge into that conversation unprovoked. “I’ll go and grab your order,” a short smile and you’re turning on your heels and striding into your storeroom/workshop once more. 
When you walk back out a few moments later, the books wrapped in brown paper to protect their covers, the stranger is once again looking down at the assortment of books atop your display tables. 
“So,” you begin as you hold out the bound books to him, “are you new? I don’t think Seungcheol has sent you before.”
He takes the books gingerly, his gaze returning to the soft leather-bound journal after he gives you a short nod in thanks. As if it took him a moment to process the question he blinks and turns back to you, “Sorry— My name’s Wonwoo Jeon. I started working for Seungcheol last week.”
“It’s nice to meet you,” you nod, trying to register the face with the name as comprehensively as you could. “Tell him to give me a ring when he needs his next order, I know he goes through those fairly quickly.”
“I will,” Wonwoo smiles, “Before I go do you think I could buy this?” His head nods down to the maroon colored leather-bound journal he’d been eyeing earlier, “It’s absolutely gorgeous.”
A small smile gracing your lips, “Of course, it’s unlined though. Is that alright?”
“It’s perfect, thank you,” he says as you pick up the book as his hands were already burdened with his boss’ order. “How much do I owe you?”
“No charge,” you shake your head, fingers tightening along the spine. It’s smooth but the ridges of the leather run coarse under your touch, “Think of it as a congratulatory gift for getting a job under Choi. I know he has a reputation for being a bit of a—”
“Hard-ass?” Wonwoo muses, eyes widening as he realizes how he’s just insulted his boss. “And really, I can pay for that, I’m sure it must’ve taken you a while to make it.” 
“I’m not sure if that’s the exact term I was looking for, but it does fit,” you laugh, raising the book up. “Don’t worry about it, do you want me to wrap it?” 
“If you could,” he offers a smile as you move to the roll of brown paper atop the register table. 
It only takes a minute for you to cover it, you’d done hundreds, if not thousands, of wrappings for novels and books. Once you finish tying the twine bow atop the journal, you gently stack it on the books Wonwoo holds. 
“I hope to see you here again, Mr. Jeon. That is, if Seungcheol doesn’t scare you off.”
“He’s like a weird mix of my dad and what I’d expect Hardy Amies to be,” you weren’t sure exactly who Amies is or what Wonwoo’s father was like, but you did know Seungcheol. Oddities and all. “And don’t worry, I have a stronger resolve than most,” he shoots you a wink before spinning on his heels and heading towards the door. He calls out, “Thanks again for the book!” before shoving the door open with his hip and losing himself in the crowd of the street outside.
1963, Winter There was nothing quite like the holiday season in New York. Shops elevated the grandeur of their storefronts to catch the eye of window shoppers. Your own shop had seen an influx of patrons, as was typically the case around this time of year. But the demands were great, your hands had the slew of papercuts and hastily put on bandages to show it. Not that you minded it all too much, it was great revenue and it had paid for the camel hair coat you donned this evening. 
The city was abuzz with life and festivities along almost every street, and while the excitement from Hanukkah and Christmas had died down over the last few weeks, most now looked towards the reining in of a New Year as December thirty first arrived. 
“We’re going to be late,” Vernon’s arm slides under yours, the crux of his arm locking into yours as his pace quickens along the dimly lit street. The sound of his derbies clicking against the pavement reverberating around the nearly empty row of houses. 
“It’s ten and we’re going to a New Year’s Eve party, I doubt we’ll be late, Vernon.” You let out a scoff, fumbling with your bag for a moment, not sure what you were searching for in the first place. The streetlamp’s orange glow does not aid you in deciphering the numbers etched into the doorways of the homes. 
“Says the person who took five years to pick out a jacket, I’m surprised we got out of your apartment before my hair turned gray— Wait a minute,” his fingers of his free hand trailing up to the dyed platinum locks on his head as he turns back to shoot you a glare, “It did.”
“You’re such a drama queen,” eyes rolling, you nudge him with your shoulder “It’s not my fault your stylist bleached you instead of dyeing you.”
“I feel like an idiot, they can’t even see me to fix it for another week.” He groans as the pair of you make your way to a brownstone tucked away neatly into one of the city’s streets. It would be innocuous from the others aligning the strip had you not been able to hear the gentle buzz of chatter and the occasional laugh drift out from the screened door. 
“Did Hong invite the whole block?” Vernon murmurs as he lets go of your arm so that he can jump up the short handful of stairs to the front door two by two. 
“It would explain how dead the rest of the street seems,” Musing, you follow him, more carefully as you’d always seemed prone to falling up stairs. The voices grow in volume and now you can even hear the scratchy sound of some music floating from the door. There’s no one at the door to greet you when you walk in, just an array of faces that you seem to recognize while others are brand new acquaintances, Vernon and you drop off your coats in a nearby closet and shuffle your way inside in search for the nearest drink station.
“I’d say his house is beautiful, but I can barely see anything. How does he know this many people?” Vernon questions as he slides out of the way of someone’s elbow almost hitting him in the stomach. “All I want is to get slightly drunk tonight but I bet the alcohol’s already gone.” 
“It’s the Hong household you know that’s not going to happen,” a snicker leaves you before you feel a gentle tapping on your shoulder. Stopping in your tracks you’re fully ready to meet Joshua Hong’s smirk and subsequent banter, but it takes you a minute to realize that it wasn’t your childhood friend that had garnered your attention at all; instead, it’s a somewhat less familiar face.
“Fancy seeing you here.” Wonwoo’s cheeks are slightly flushed with a smile, the contents of his champagne glass half-empty as he poses the question, “Can I get you a drink?”
“Oh, sure.” You return his smile, nodding your head as he begins to walk off, only stopped by someone calling out to him.
“I didn’t know Pincushion would be here,” Vernon’s voice draws nearer behind you, it seems like he realized you weren’t trailing after him anymore. You feel his hand land on your shoulder as he continues to talk to Wonwoo, “How are you?”
“I’m good, thanks.” He taps his shoe on the floor, only stepping forward a little bit to let someone pass by behind him.
“Pincushion?” You question, looking from Vernon to Wonwoo with a quizzical look on your brow.
“That thing he wears around his wrist every time he comes in?” Vernon shrugs, “I couldn’t remember his name the first time I saw him, but I could remember that. Hence: Pincushion.” 
“Is that what it’s called?” You recall the ball of velvety looking green fabric you’d seen on Wonwoo’s wrist the last handful of times he’d come to pick up the tailor shop’s orders. 
“Yeah my grandma used to have one and I stole the needles from it to use as swords for my toys when I was a kid,” his shoulders shrug as he looks past Wonwoo and spots something beyond him. “I see one of those guys with a tray of drinks, I’ll get back to you in a bit.” And with that he’s off, sliding around you and Wonwoo to brush his way through the crowd in a frantic sprint to grab himself a glass.
“Does he know that there’s an open bar in the other room?” Wonwoo asks aloud as he watches your friend disappear into the crowd.
“Not yet but give him twenty minutes and I’m sure he’ll be all over it.” Vernon wasn’t one to drink heavily often, it was more of a holiday thing where he only did it if he knew he wasn’t going into work for the next few days. Needless to say, Christmas and New Years are binge drinking galore for him. 
“So, book binding? How’d you get into that line of work?” You’d been so concentrated on looking for your friend’s brightly colored hair that you almost didn’t hear Wonwoo when he asked. 
“Family business, dad’s too sick to come in.” Your eyes flickering over to him, a small shrug of your shoulders.
“I’m sorry to hear that,” his brow contorts into worry for a moment, as if he’d offended you somehow. 
“Don’t be, if anything I think he’s playing it up a bit just so mom has to be around more often,” You smile, it was really only minor back issues but the doctor had prescribed bed rest and your father had been milking it for months now. 
“Smart man,” a short laugh into his drink before he takes a sip from his glass. “So, how do you know Joshua?”
“Old family friend, plus he’s as rich as all get out so it’s nice to see what it’s like.” You note, looking up to the chandelier overhead. If it were anything but Tiffany you’d be surprised. “What about you?”
“You didn’t hear this from me but Seungcheol might be secretly dating one of his sisters and she invited the whole shop just as an excuse to see him.” The two of you lock eyes, a playful smirk on his lips dancing in the warm glow of the room. “I’m not complaining.”
“I don’t doubt it,” chuckling for a moment, you then look up as if you’ve realized something. “I should probably go and greet the host; can you imagine how rude of a guest I’d be if I didn’t?”
A ceding nod as he steps away from you, gesturing with his glass towards a side room off the main hall, “I think I saw him in there a few minutes ago.”
“Thanks, Wonwoo,” you move to pass him, heading towards the doorway before you stop for a moment, your head tilting in question, “Want to meet back up later?”
“I’d love that,” a gentle thud in your chest as you nod at him, beginning to move again and question the feeling that had plagued you enough to ask him that. 
You don’t find Joshua in that room, or the next, or even upstairs in his own bedroom. You do, however, find him on the second-floor fire escape, the butts of several cigarettes at his feet and a glass of whiskey in his hand. It’s cold, had you known this would be where you’d speak you would’ve brought your coat with you.
“Joshua Hong,” You begin, crouching down to duck through the open window, catching him as he’s begun to lean against the brick exterior of his home, “Hiding away from your party again?”
“The guest of the hour,” A grin as you walk towards him, “How are you? I haven’t seen you at all in the past few months.”
“I’m good, good… It’s been so hectic with the seasonal shopping and all, who knew journals were a hot commodity for gift-giving?” You sigh, elbows resting against the cold fence of the escape. The time between now and the last you’d seen him had been great, but it had always been far and few in between when it came to his jet setting tendencies. 
“Sounds hellish for sure,” Musing, he takes a sip from his glass, the scent of whisky hitting your nose as it nears. His other hand rests atop the rusted metal of the fire escape, impatiently tapping as he looks out into the backyard of his home.
“And what about you, Mr. Start-Up? Tear down any more conglomerates recently?” You query, noticing that he was on one of his inward treks again. Something must’ve come up with his family.  
A snicker, as he offers out his glass to you, noticing that your hands were painfully empty, “No, but we’re working on a pretty big acquisition right now. It’s all mind games and if I didn’t make a shitload of money I’d be out of this business.” 
“Lucky you though, you’re able to retire at thirty-five if you really wanted to,” musing as you swirl around the contents of the glass, the ice inside clinking around. 
He laughs, the cold air mixing with his breath in plumes of white that spiral into the nighttime. You push yourself from the wall, bringing the glass to your lips and downing the rest of the contents as quickly as you can, “This isn’t the time to be hard on yourself, Joshua. I think the countdown’s about to start,” a look at the small wrist watch on your wrist, the time indicating that you had about five minutes until the new year began.
“Shit,” the word elongated exasperatedly as he leans over to catch a glance at the clock face, “Let’s get back out there.”
The two of you amble inside, your cheeks cold with the winter air and hands a little stiff from holding the glass for too long. You set it down on one of the various demilunes scattered around the hall as you make your way back into Joshua’s living room. He’s lost along the way, pulled into a group of businessmen to talk or fawning girls to cajole with, you’re not sure which at this point. All you’re trying to do is find someone you know. 
You can try to push through the crowds to find Joshua, but at this point it’d be like trying to part the Red Sea with your own two hands and it was infeasible to say the least. Or you could head to one of the drink stations around the house in hopes to find Vernon, but he was as elusive as a snake and it’d be a miracle if you could find him before the clock struck midnight.
“Sixty!” A choir of voices ring out from a nearby room, you think you can hear Joshua’s voice rising above them all, but it might also be your ears playing tricks on you.
“Are they really counting down the entire minute?” The voice next to you startled you so much that you jumped, turned, and saw Jeon Wonwoo looking off in the direction of the countdown. His brow furrowing in confusion, “I at least thought it’d be the last ten seconds or something.”
“Jesus Wonwoo,” hand over your heart as you try and catch your breath, “You almost scared me to death.”
A laugh, “Sorry about that, I’m a little light on my feet.”
It also didn’t help that you could barely hear with the throng of people surrounding you. The gaiety electrifies the room, as it does the entire world when on the eve of a brand-new start. 
“Did you want me to help you find one of your friends? I’m sure they couldn’t have gone too far,” his height somewhat advantageous to him as he scans the crowd, not seeing you shake your head as the countdown reaches thirty.
“I think I’m fine just staying with you,” you don’t notice the way he tenses ever so slightly at your words, a more rouge tint to his cheeks as he looks back to you with a sheepish smile.
“Are you sure?” Eyes widening as your gazes’ lock and you feel the familiar warmth creeping up the back of your neck.
“If that’s okay with you?” You question, the countdown hitting fifteen.
“That’s great— fine, it’s— yeah,” he trips and stumbles over his words, trying to find solid ground somewhere on the confab plain. It’s at that moment the countdown comes to ten, and the pair of you join in for the last seconds of 1963.
Five, four, three, two — 
“Happy New Year!” 
The clock had struck midnight and he was the closest one to you, you can’t remember if it was you or him that pulled the other closer to share a kiss. The kiss was chaste, but it resounded around your ribcage like the booming of the fireworks being shot off a distant skyscraper. A smile on your lips as you mouth back your own, “Happy New Year!” Despite it being innocent in nature, you know with the way the feeling buzzes on your lips you yearn for something more.
1964, Early Spring. The two of you’d spent time together since that evening, outside of that transactional relationship formed in the commerce of you selling your journals and him picking them up for Seungcheol whenever he could. It was outside of that realm, more personal as the days, weeks and months had transgressed. 
By some miraculous circumstance, and no less of your incessant mentioning, you and Wonwoo had been seeing each other on a regular basis 
“Seungcheol?” The door of the tailor shop opens with nothing short of a struggle. The heavy oak pressing back against your foot as you pry it open, your hands too full to push it. 
“Need some help?” A voice behind you, startling you so much that you almost drop the large stack of books in your hand. You look over your shoulder to see Wonwoo standing behind you, his head tilted as if to question how you’d made it this far on your own.
“Thanks,” allowing him to brush past you, he steps into the shop and holds the door open wider as you enter. “Where is everyone?” Noticing that the usual handful of other tailors didn’t seem to be aimlessly roaming the store waiting for a customer to arrive.
“Busy,” He notes, motioning for you to hand him the plethora of journals. Obliging willingly, you hand them off and stretch your arms, surely the strain from the hardbacks would pull your finger muscles. “There’s been an emergency tailoring session, some big shot’s in town and needs alterations done for some party they’re throwing tomorrow night.”
“Explains why no one came to pick up the order today,” you muse, “Shouldn’t you be helping with that?”
“I will be in about an hour,” he sighs as if he’s already imagining the work that he’ll need to put in this evening. “But someone had to watch over the shop today.” 
“Do you want company while you wait?”
You’re not sure how you’d gotten roped into staying with Wonwoo until well after the sun had set and the last customer had come in for the day. The lights of the shop are off, save for the small lamp that sits above Wonwoo’s workstation. He sits at his little desk in the back corner of the shop as he sews and hems away. His eyes scan the notes the patron had given when they’d dropped off the clothes, you had to squint to try and read the messy scrawl etched onto the parchment. You sit some desks away, flipping through some editorial detailing the up and coming designers of the fashion world but nothing was particularly catching your eye.
“Three alterations in one night, Seungcheol’s really trying to work us to the bone,” Wonwoo sighs exasperatedly, his hands falling atop his desk, a needle held between his right index and thumb while his other hand holds the garment he’d been attending to.
“Doesn’t it take a week to do something for just one piece?” You ask, not too versed on the schematics of it all, just acutely aware of when your father had needed suits adjusted as he aged.
“Normally,” he glances over to you, a hazy impatience settling behind his brow as he thinks to the two other pieces he was set to mend. “But it’s nine-thirty now and the guy wants them done by noon tomorrow,” Wonwoo almost barks out a laugh at the absurdity of it all, “I didn’t even get the roughest pieces, Mingyu’ll be up all night and finish five minutes beforehand if he’s lucky.”
“What are they making him do?” Magazine set aside as you stand to stretch, your legs numb with the fuzziness of pinched nerves.
“Some simple inseam stuff like I’m doing, but also taking in a few jacket sleeves and fixing shoulder divots,” He says as if you know what he’s talking about, upon seeing the puzzled expression that paints itself on your face he explains a little more, “It’s nearly impossible to do with the amount of time we’ve been given.”
“Why’d Seungcheol accept this job then?” Pins and needles poking through your skin as you walk over to him to take a look at what he was working on.
“Because the client’s paying us a fortune,” setting the needle down he pulls a pin from the cushion around his wrist to situate it into an odd angle in the fabric in front of him, “I might actually be able to take you on a real date if I finish this in time.”
“I’ve kind of liked the ice cream socials,” you shrug your shoulders, as he turns to look at you, “And all of the gritty little dives, it’s more memorable that way. Plus, it makes me a cheap date.”
A small ‘tch’ leaving him as he turns back to his work, “You deserve more than that.”
“As long as you’re there I’ll be fine,” you lean down to press a kiss on his cheek, “Now I’ll stop distracting you, I’ll make dinner or lunch or something because I know you’ll be dead on your feet tomorrow.”
“Try and get to bed early,” he says as you go to grab your things from where you’d left them up front, “I know you like to overwork yourself too.”
1964, Summer When you’d been invited to Wonwoo’s small apartment, you’d expected a small dinner and then maybe you’d go and watch television or explore the city afterwards. What you hadn’t expected was to see dark plumes of smoke emitting from under the doorway. You don’t knock, instead you barge into the apartment to find Wonwoo unlatching his windows and opening them to let the smoke escape, the source of the plumes coming from his small kitchen. 
“What happened?” You call out as he turns to you, your hand rising to your face as if it could vanquish the putrid smell. 
“I cooked,” the last window opens with a struggle, Wonwoo’s arms ache with how much force he had to exert when opening it. He shuffles over to you, seeing that you’d walked into the kitchen to find the source of it all.
“You… cooked….” A charred, black entity sits in a pan that Wonwoo had presumably pulled from the oven minutes prior. “Wonwoo what is that?”
“A loaf!” An almost excited tone cutting through your confusion as you turn and tilt your head at him.
“A… loaf of?”
“Meat!” At least he’s trying to sound cheerful, but that was his disposition most of the time. His hand guides your gaze over to a handwritten recipe atop the counter, he must’ve gotten it from some program. “I followed Julia Child’s recipe.” 
“I’m not trying to be mean but that looks like a brick.” Gaze flickering back to the meat-brick. 
“Yeah,” a sigh as he picks up a nearby spatula, grazing it atop the burnt meat, it scrapes atop it rather than giving way at all, “It’s about as hard as one too.”
The utter exasperation breaking through in his voice cause enough for you to laugh, the absurdity of it all pricking tears into the corners of your eyes. “We can try and salvage it,” you offer once you calm yourself down enough, the occasional chuckle flitting like a bird around your ribcage.
“Let’s just go to Le Pavilion or something, there’s also a new movie out too, we can try and catch it if we eat fast enough.”
And you do. For some reason Wonwoo orders the most expensive dish on the menu and doesn’t even like it, offering it to you instead with an abysmal pout that almost has you reeling in the small interior of the restaurant. The atmosphere is warm and jovial, met by the sinking sun as the two of you exit the venue, hands interlocked with a faint tightness as if you never wanted to be without him in your grasp again. Wonwoo and you then walk to a theater some blocks away, hands still held and a bubbling silence between you.
The film that Wonwoo had mentioned earlier had been Mary Poppins, some Disney film starring Julie Andrews and Dick Van Dyke; you’re sure you’d heard Andrews somewhere before, but you couldn’t quite put your finger on it. 
“I didn’t realize they could combine live action and cartoons like that,” Wonwoo’s voice full of childlike wonder as the pair of you exit the cinema. The smell of popcorn wafts out of the theater’s doors and the bright bulbs of the marquee overhead creates a strange glow contrasted to the nighttime sky. 
“I didn’t either,” you note as a few kids brush past you and begin to race down the street, their voices carrying off into the night. It brings a small smile to your lips as you watch them gallivant around, not a care in the world as they continue to chase one another.
“Do you want me to walk with you back to your place?” Wonwoo offers, extending his hand out to you. You don’t answer aloud, instead just take his hand into yours and begin to walk the steadily emptying streets.
“Have you always lived in the city, Wonwoo?” It takes a moment for you to speak again, instead of just admiring the way that the lights glint off of passing windows and the rumblings of the cars that pass to your left drown out in the other amblings of the city.
“No, my family actually lives up north a little way away.” He hums to himself as he thinks, “I thought I’d always be stuck up there too, but I got the offer from Seungcheol and moved here as fast as I could. Although I’d be lying if I said I didn’t miss it at times.”
“I see,” you mutter, not knowing the feeling of leaving your home. It was a foreign concept to say the least, for almost the entirety of your life you’d known you were going to take over your father’s shop one day, and you’d been complacent in the matter. You’d had your hobbies that you dabbled in, but this was a nostalgic comfort that would and had transitioned into your livelihood that would take you nowhere other than the little shop you call your own. “Would you want to move back?”
“Maybe when I’m older, sure. But I want to see the world first,” he nods his head, a twitch in his hand as he holds yours, “there’s so much I haven’t done or seen.”
It was a reckless ambition, but Wonwoo lived in that fantasy of the unknown, he had for all of his life. That was what he knew and all he abided by. You’d be fooling yourself if you didn’t worry for him at times, but he’d made it so far and you were curious to see where he was going. There was a creative longing, a desire to make, within him that no one else you’d come across had.
“I love you.” The words aren’t romantic when they fall from your mouth, when they’re swept up in the humidity of the summer air and ring around both his and your ears. This was more of a reckoning, a realization of the culmination of your growing feelings towards him since you’d met him almost a year ago now. A weight you hadn’t realized was there lifting from your chest, a songbird free from a gilded cage.
Wonwoo pauses, his feet stopping on the concrete as you continue to walk, only pulled back when you meet resistance. So, you stop yourself, turning back to look at him, a little ‘o’ on his lips and a confused look gracing his features. Had you said it too early? Or did he not reciprocate your feelings?
“You beat me to it,” a small pout emerges onto his lower lip, “I love you too.”
1964, Autumn “I can’t imagine those are comfortable.” You’re sure the clacking of your shoes could be heard miles away, with the obnoxious way they hit the sidewalk. They were pinching your toes too, and you might as well have put a band-aid on the backs of your heels because they were definitely going to be blistered tomorrow morning.
“They most certainly aren’t, but they are cute.” You note, standing on your toes so you can click the red slippers together three times at the heel. “
Wonwoo stands at the bottom of the stairs that lead up to your apartment, offering out his hand for you to grasp when you carefully make your way down the steps. As opposed to the cool air that had begun to settle into the city, his hand offers warmth against your bare skin as his fingers intertwined with yours.
“Which way is Vernon's?” He questions, looking over your costume for the evening.
“He lives over in Flatiron, kind of near the shop so it won’t be too far of a walk.” You notice him looking at the checkered dress and bright shoes. “Was Dorthey not a good idea, Mr. Holmes?” Noting his outfit of choice, the pipe held in his free hand, the detective cap as well as the cape to match.
“I think you look cute,” Looking away from you and towards the street you’d begun to walk down.
Vernon’s apartment was small, it being so led to more intimate parties than one would find at Joshua Hong’s home, in a way you appreciated it a little more. Bigger parties with unfamiliar faces made you feel as if you had to act less like yourself and more robotic in your interactions.
“I’ll let you in if you promise not to chuck my house to Oz,” Vernon asks as he jokingly cracks open his front door as the two of you stand in front of it, “And Pincushion here doesn’t try and solve a murder or two.”
“Hmm I guess that’s doable, right?” You play along, turning to Wonwoo to confirm.
“It might take some restraint but I’m sure I can manage.” Hand under his chin as if he’s deep in thought.
“I’ll take what I can get,” Vernon sighs and swings the door open, “Drinks in the kitchen, I think Chan’s trying to do a comedy-musical routine in the living room. I’d steer clear because he’s trying out ‘audience participation’ tonight.”
“Thanks for the heads up,” You laugh as you walk inside, the warmth of the room exacerbated by the sheer number of people crammed into the tiny space. “I actually kind of want to check out Chan’s thing,” You mention to Wonwoo after you find a space where the two of you can stand unimpeded.
“I don’t know if I can stomach that quite yet, want me to grab you a drink in the meantime?” Wonwoo asks, looking towards the kitchen and the few people filtering in and out of it.
“That’d be great,” a smile and then Wonwoo’s off to struggle his way through the packed room.
Lip bitten, you try to look through the crowd, but the drawls of laughter tell you almost exactly where Chan’s giving his tri-annual standup show. It’s shoulder to shoulder and you can barely hear him over the other going-ons of the party but from what you can ascertain it’s pretty funny.
“Happy Halloween!” A hand on your side as they call out, you turn, and it takes you a moment to recognize the face under the Gomez Addams’ mustache and wig.
“Joshua!” A smile as you move to hug him for a moment, pulling away with your hands resting on his forearms, “I thought you were overseas?”
“I was supposed to be, a nasty storm delayed us by a few days over in Spain so I’m not leaving until Wednesday.” He says, looking over your outfit. “Didn’t you wear this like two Halloweens ago?”
“What no one knows won’t hurt them,” a playful nudge on his shoulder, “And if I were to remember, this wig looks very Elvis of you.”
“You might be able to remember correctly,” The black strands of hair that were pulled back are still reminiscent of the shape they once held. “Hey, I was wondering if I could talk to you alone?” Joshua smiles, a nervous tinge to his voice as he continues, “It’s a little loud in here and I can’t really hear.”
“Oh, yeah,” brow furrowing at the attitude shift, “But first I should tell— Wonwoo!” The confused expression on Joshua’s face is somewhat laughable as you wave your boyfriend over, spotting him exiting the kitchen with two drinks in hand.
“There you are,” Wonwoo says as he walks over, placing a kiss on your cheek as he hands you a glass. You’re not too sure what the contents are, but it’s warm and smells spiced and oddly autumnal. “Hey Joshua,” he greets with a small nod of his head as you take a small sip from your glass.
“Hey Wonwoo,” a return of the nod, “I should probably let the two of you go, I just remembered I have some calls I need to make.”
“What did you want to talk about?”  You ask as Joshua begins to turn on his heels. It freezes him, he looks back to you before offering you a warm smile once again.
“It’s nothing important, I’ll catch up with you some other time, yeah?”
The party goes one without much note after, the most affable thing being that routine that Chan had been preparing.  At one point you and Wonwoo had slipped out citing an acute tiredness as an excuse to just walk the city some more. By this time of night, the kids that had gone out in search of candy were slowly waning, now only the belligerently drunk wandered the streets in search of the home they probably lived in.
“You have to admit that the joke about Red Skelton was pretty funny though,” insisting that Chan wasn’t the worst comedian you had ever seen. Sure, his act could be cleaned up a little but there was definitely potential.
“What was it— I know a guy who bought a $99 color TV set. Now every Tuesday night he watches Green Skelton?” Chuckling as he recalls the joke, Wonwoo shakes his head “That was pretty good.”
“That’s the one, he’s no Jerry Lewis but he’s trying his best,” you laugh as you arrive at the entrance of your apartment, “Did you want to come in?”
“I’d love to,” he says, and your heart skips several beats, “but I’ve got a client coming in early tomorrow.” And then your heart drops, “I’ll come by tomorrow after I’m done?”
“Alright,” you nod and you say your good nights, he places a kiss on your cheek before turning on his heels and walking into the darkness of night. 
You fumble with your hands, trying to unlatch the small picnic basket that had acted as your purse for the evening, in search of your keys. 
“Actually, do you have room for one more?” You’d been too distracted trying to get your keys that you hadn’t heard or seen Wonwoo come back to your stoop. 
“I thought you said you had work tomorrow,” a wayward glance to him.
“I do, but it’s dark and I’m kind of afraid to walk home alone, I mean what if a ghost or vampire gets me? I’m too pretty to die right now,” he states, rocking back and forth on his heels as he waits for you to invite him in. 
“A big baby, more like it,” you scoff, once again turning to look at your door and stating, “If you are coming inside, can you lend me my own spare? I think I dropped my keys at Vernon’s.”
“Yeah I think I’ve got it on my ring,” he rummages around his pockets for a moment until you hear the familiar jingle of his keys. There are only four that adorn the metal hoop; his apartment’s, his mailbox’s, Seungcheol’s shop, and the most recent addition: yours. 
“Roommate not home?” He questions as the two of you make your way inside, kicking off your shoes as you beeline to your kitchen.
“At some B. Altman holiday extravaganza with her beau,” pulling two glasses from a cabinet and grabbing a nearby bottle from the small section of your kitchen dedicated to alcohol, “Nightcap?”
“A small one,” Wonwoo nods as you come into the room, he’s standing over your record player, turning it on and beginning to play whatever was on the platter. You set the glasses down onto the coffee table and pry the cork out of the bottle, pouring two small glasses as he falls into the sofa beside you.
“I hope Delamain’ll do?” You set down the bottle and pass a glass to Wonwoo, only settling down on the couch once your own glass is in hand.
“It’s perfectly fine,” he sips at his glass, setting it down on the settee as he muses some more, “What record is this?”
“Ella Fitzgerald, mom gave it to me for my birthday last year, it’s one of her favorites.” Sipping from your own glass steadily turns into you just downing the liquid in one go. The glass hits the end table with a clink when you set it down, Wonwoo’s free hand resting on your thigh as he listens to the music wafting through the air.
“It’s lovely,” he sighs out as you rest your head on his shoulder, the scent of his Pour Monsieur cologne invading your senses as you settle. The meticulous grazing of his fingers over your thigh causes you to sigh, wanting to sink further into him.
“Can you kiss me?” The words fall breathlessly from your lips, as his fingers trace the hem of your dress. And he does, turning his head to crash against you with such voraciousness that your teeth click against each other before he steadies and falls into motion with you. The pair of you stay like that for a moment, before you feel his hand slip under your leg, urging you to sit atop him. 
You straddle his waist, feeling a hardness beginning to strain against his trousers as you grind down onto his lap. He lets out a moan, probably the sweetest thing you’d ever heard, his eyelids fluttering as you do it again. A smirk graces your lips, your hands trailing from his chest to the button on the front of his pants, the fabric coarse under your touch as you move to unfasten it. Before you could, you feel a pair of warm hands atop yours, you looked up to see a wide-eyed Wonwoo. 
“I didn’t think I’d be doing this today, so my underwear isn’t exactly mood appropriate—” He says all too quickly for you to comprehend fully, “Just don’t judge me too hard.”
“They can’t be— Is that Mickey Mouse?” You catch the name on the waistband of his underwear, hesitating on releasing any more of the animated character for your eyes to see. 
“And I think you’ve just killed the mood,” he groans, his head falling onto the back pillow as his hands fall atop the couch cushions. 
“No, I didn’t,” you lean down for a kiss, rolling your hips over him, feeling that he was almost fully erect. His hands fly back to your sides, guiding you along as he lifts his pelvis to meet yours. “I think they’re cute but maybe leave them home next time.”
“Next time?” He mused, looking up at you through clouded eyes, a joking tinge added to his voice “What makes you think there’s going to be a next time?”
“Call it foresight,” shoulders shrugging as you look down at him, your head tilted ever so slightly “and you don’t seem like the hit it and quit it type, baby.” He’d slept over at your apartment before, maybe you’d had a few drunken makeout sessions but nothing ever this sobering, this far. In hindsight maybe you should’ve been nervous, let the butterflies in your stomach take over and calm you down. You’re not sure why you’d taken such a confident route with him, it just seems like he needed it. 
“Baby,” the word fell out as a whisper as you saw the faint pinkness of his cheeks in the glow that emanates from the lamp to his right, “Can you spare me any further embarrassment and just take them off already?”
“It doesn’t feel like you’ve got anything to be embarrassed about,” your hand brushing his away from the front of his pants, you sit up on your knees, “Mind kicking them off for me?”
He readily began to comply as you tried to maneuver without inhibiting him, you noticed him watching you, a hunger in his gaze that sent shivers down your spine. His hands still for a moment and his head twists to look towards the kitchen where the entryway is. 
“Fuck— is someone else here?” He asks and you listen to the familiar sound of your front door unlocking; it doesn’t open but you can hear loud footfalls and an even louder voice talking outside of the door. 
“Sooyoung?” You call out after you were sure the voices had stopped, walking to the kitchen when you hear your roommate's keys hitting the kitchen counter “I thought you were staying at your boyfriend’s?”
“The asshole broke up with me because he wanted to be Holly Golightly. Him! He might have astoundingly good looks for it but I think I’m a little prettier, don’t you think?” The door of the fridge slamming shut, a rustle around the utensil drawer as she looks for a spoon. She did look stunning as the Hepburn character; you have to admit. “They’re re-airing that episode of Perry Mason if you want to watch it.”
“Wonwoo’s actually over so I think I’m just going to call it a night,” You say, leaning against the doorframe, watching her begin to dig into a tub of ice cream. “I’ll be sure to rant about your ex with you tomorrow.”
“You’d really do that?” A sigh as she shoves the spook into her mouth, “I’ll try not to wake you guys up when I get up for work tomorrow.”
“Thanks, Sooyoung,” a smile before you slip away and head back into the living room. “Alright Woo, it’s time for bed.”
“Alright,” Wonwoo pushes himself off of the couch, buttoning his pants and shouting out a ‘Goodnight Sooyoung!’ before ducking into your room. With his long strides he walks to your bed and subsequently falls into it as you turn to close the door behind the two of you.
“Don’t you want to change, Dr. Holmes?” You note his still costumed self as you look at his sprawling figure on the bed, “I think I’ve got your bed clothes from the last time you were here… Not sure if I cleaned them though.”
He huffs, “Forget it, I’m going to sleep.” He crawls to his side, blanketing himself with your duvet as you go into your bathroom to remove your makeup and change. 
You can hear him softly snoring as you exit the restroom, your face still a little damp and the scent of your cleanser tingling your nose. Sooyoung’s turned off the music in the living room, the garbled sounds of the small black and white tv quietly floating in under your door. It takes a moment, but you climb into bed next to Wonwoo, pulling the duvet up to your chin before you shut your eyes and fall into a dreamless slumber.
It isn’t sunny out when you wake up, you don’t want to look at your clock for fear that your alarm was about to go off and you’d miss the opportunity to sleep in a few minutes more. An arm draped over you, even in sleep Wonwoo was a cuddler. Normally you weren’t opposed unless it was the summertime and it was unbearably hot outside. 
“You know,” you hear him mumble tiredly, as if he senses that you’ve woken up too, “I always thought your apartment would be much more… bookier.” With the way his voice rasps with fatigue you’re not sure if he’s fully awake or half asleep. 
“What were you expecting? Books wall to wall?” eyes still closed as you pull your duvet closer to you, feeling his arm tense around your waist. 
“Kind of, something akin to a fairytale library,” his breath hot on your back, the hairs on the back of your neck raising at the sensation. “Like uhm— some Grimm story… Oh,” voice perking, “Can we go for that Halloween next year? You didn’t even tell me what you were going as until I saw you tonight.”
“You want to have a couple’s costume?”
“Yeah,” breathing slowly as if he’s falling back asleep again,”Maybe Lucy and Ricardo, that’d be fun.”
The next time you wake up, the sun’s blaring into your eyes with an intensity you had never asked for.
“Shit, shit, shit, shit, shit, shit,” Wonwoo’s mumbling and shuffling around your room, sunlight was pouring in from your windows and he looked heavenly even in his manic state.
“What’s wrong?” Stifling a yawn behind your hand as you watch him frantically feel his pockets.
“It’s nine-thirty, We— I overslept,” another string of curses escaping him as he looks around your room, “Do you have a phone I can use?”
“It’s on the dresser.” You point lazily to the red rotary.
You hear the dial tone ring a few times before someone on the other end picks up, “Mingyu can you put my client on the line?” A pause, “Yes I know I’m late.” Another pause before Wonwoo speaks again, “Hello Mr. Smith? Yes, this is Wonwoo Jeon. I'm running a little late for our appointment, I had bit of an emergency and— Huh? Oh, yes, of course. I’ll be there as soon as I can.”
“Are you in trouble?”
“Only minorly,” he frowns, “You wouldn’t happen to have a suit perfectly tailored for me to wear, would you?”
“Can’t say that I do, why don’t you just go in what you’re wearing?”
“I am not going dressed up as Sherlock Holmes for this client. I have some pride, you know.” 
“You’re literally wearing Mickey Mouse underwear,” you snort, “it doesn’t look that bad anyway, just don’t wear the hat and lose the pipe. Maybe the cloak too but it’s kind of sexy.” 
“Don’t try to tempt me,” he groans, buttoning and zipping his pants, “I’m late enough as is.” 
“I’d offer you an iron if Sooyoung hadn’t broken mine, that shirt looks super wrinkly now that I see it in the sunlight,” you note, he still looked nice though. He would probably look nice in anything he wore.
“Ugh, really?” Hands running over the wrinkled fabric he sighs to himself, “I’d say I’ve looked worse, but I normally have myself together.” 
“Good luck. I, for one, am going back to sleep.” You sigh and fall back into your blankets, not wanting to leave the sanctuary of warmth quite yet.
“Now who’s the baby?” He scoffs and you hear him tread to the side of the bed, a kiss planted on your forehead as you crinkle your nose up at him. “I’ll call you later today?”
“I’ll talk to you then.”
1964, Late Autumn. The rain began only a few minutes into your trek to the cafe, your umbrella weeping with the droplets as they roll off its surface as you trudge down the street. There’s a rumble in the distance but you’re not sure if it’s the local train station or thunder somewhere off beyond the city. Your other hand in your pocket, running your finger along the ridges of your shop’s key. While you know you’d locked it, you can’t help but have the underlying fear that you’d left the door wide open so that anyone could just walk in. Although you’re not quite sure what they’d take, a few blank notebooks don’t seem like it’d do too well in any sort of underground market. 
By the time you pull yourself from your thoughts, you’re standing in front of a small cafe that feels more like a second home to you than your own apartment did at this point. The door swings open, you stand in the entranceway so that you can close your umbrella and leave it in the small stand upfront before you head fully inside. It smells like autumn, or at least the coffee’d variant of it. Pumpkin, nutmeg, and a few other scents you can’t quite pinpoint wafting through the air as you walk up to the counter to place your order. You pick out a few pastries as well and ask that they’re brought out when your coffee is ready. A hand to remove the paper-wrapped book under your arm so you can reach for your wallet, realizing then that the water had soaked into the leather. The wrapping paper now a little damp from where it’d brushed against your coat, you pick it back up as well as grab the receipt from the barista before scouring the cafe for what you’d come here to do in the first place.
Wonwoo’s dozing off when you find him in the back corner of the coffee shop. His jacket slung on the chair beside him, a scarf thrown haphazardly atop it as he leans with his head tilting backwards, pretty much dead to the world. Had the two of you not been frequent customers you’re sure that he would’ve been kicked out by now. But there he was, black turtleneck, tailored pants, and the cartoon bandages he loves so much wrapped tightly around his fingertips.
He doesn’t wake up when you accidentally scrape your chair on the ground when you pull it back to sit across from him nor does he wake when you drop the paper-bound book atop the table with a loud thud. Wonwoo does, however, wake when you brush your hand gently atop his, nearly falling out of his chair as his eyes open wider than you’d ever seen someone’s do. 
“That wasn’t funny,” he frowns as you snicker, glancing over to the counter trying to act as if he’s regained his composure, “did you already order?”
“For me? Yes,” you place your bag in the chair adjacent to you, shrug off your raincoat and hang it on the back of your chair. “For you, what is it that you get? Flat white, two sugars, low fat milk?”
“That’s it,” he hums, leaning his head back once more. It must’ve been another sleepless night for him.
“You should be thankful I’ve got an exceptional memory,” you frown as he can’t see you, he overworks himself too much and if you ever try to bring it up he brushes it off with a wave and an excuse of ‘I’m just doing what I love’. 
“You know,” he begins, leaning his head back up, opening his eyes to look at you. There was something shining behind them that you’d only seen on a handful of occasions; he has an idea and he’s not sure that you’ll like it, “I was wondering if you’d model a dress for me? Not for a fashion show or anything. I just think it’d look good on you.”
His gaze breaks from yours to look at the aisle behind you, you turn and see the barista coming with your drinks and assortment of baked goods. After a few repetitious ‘thank you’s she leaves and the pair of you are left alone once more. 
“Are you flirting with me?” An eyebrow piqued as you looked at him. He’d asked you to do some of the strangest things before, going from the mundane ‘I think we need to get annual tickets to the opera just in case I forget your birthday and it’ll be a birthday present’ to ‘I swear to god if we don’t rescue this cat right now I’m never calling you again’. But it was two am and a sorely inebriated Wonwoo had thought that a raccoon was a cat as it rummaged through the garbage. That had also been the night where he’d serenaded you with his own rendition of Blossom Dearies ‘Dance Only With Me’ and Sinatra’s ‘I’m a Fool to Want You’; he’d broken down crying at the latter and you’d forced him to go to bed early. He only went on the condition that you’d hug him as he slept. It was certainly an interesting way to spend your first date together. 
“Do you want me to be? I’d say it’s fairly doable,” He winks as he drinks from his mug, blowing on its contents beforehand to cool the brew. 
A laugh, the brown paper under your fingertips wrinkling as you strain your fingers and push it towards him. It slides across the wood with relative ease, your finger partially tearing the paper where it had been dampened by the rain. 
“I brought you your book.”
“Unlined and all?” He asks as he sets down his cup, shifting himself forward to get a better look.
“Unlined, flexible binding, the works.” 
“You’re a lifesaver,” he sighs, taking the still wrapped book into his grasp. 
“I know,” you smile, watching as his fingers toy with the twine that kept it together. 
“Hello? Paging Ms. Bookbinder, you there?” Wonwoo’s hand waves in front of your face, suddenly you’re back in reality and trying to remember the conversation. You didn’t realize you’d zoned out that hard.
“Yes Mr. Reichelt?” You question, looking down as his finger’s unlace the twine you’d wrapped around the paper packaging. 
“Don’t call me that I am much cooler than Franz Reichelt, and less dead, for that matter.”
“Can you say that after you drink your coffee?” You poke jokingly while he eyes his mug with a wary glance.
“Anyway, were you even listening to me?” He leans towards you, elbows resting on the tabletop and a slight curvature to his smile that looked far too playful for the current moment. It stilled your heart for a second before you shake your head at him. 
“Not really, no.” You confess, sipping from your cup, “What is it?”
“I was asking if you would let me make a dress for you. I’ve had this idea in my mind for weeks and I finally got this mulberry silk imported from Lyon and it’s too good not to use immediately.”
“I don’t even need a dress like that, Wonwoo.” You frown, picking at one of the pastries in front of you, pinching off a piece before stuffing it into your mouth. “I’m not exactly the type that goes to parties where I’d need a silk dress.” You think that the last party you’d attended you’d worn a sweater and a dress from your roommate’s closet, nothing remotely close to what he was proposing. 
“You don’t even know what it looks like,” he pouts, “All I need are your measurements, you won’t even have to see the thing if you don’t want to.” 
A sigh, “Fine. When do you want me to drop by?”
“Does Tuesday around ten work for you?”
“I should be able to get Vernon to look over the shop while I’m gone.”
1964, Winter. The ringing of your shop’s bells draws you to the front room, your hands wrought with binding glue, you try to rub them on the apron you wear to rid yourself of the sensation. Before you can ask what the customer needs you stop in your tracks, head tilting to the side, “Isn’t it your day off?”
“It is,” Wonwoo’s voice is cheery as he walks in further, looking at the array of newly bound books sitting out on display.
“What are you doing here?”
“Am I not allowed to want to see you?” You fluster at the words, hard to hide the small smile that forms on your lips.
“I mean, you can, it’s just that I’m working.” You motion to the store, to the few customers browsing the items.
“You’ve spent however many nights watching me hem skirts and taper jackets; I think it’s time I return the favor.” A nod of his head as he pushes his glasses up the bridge of his nose, “What can I do to help?”
“What the hell’s Pincushion doing here?” Before you’re able to open your mouth, Vernon comes out of the back room with a stack of books in his grasp, “I thought you’d be holed up in your shop by now.”
“It’s my day off.”
“And you’re spending it… here…” The thud of books landing on a nearby table as the skepticism in Vernon’s voice rises.
“Yep.”
“He must really like you,” Vernon scoffs, going to grab a different selection of books off of another shelf. He turns to you and asks, “Can you grab me the leather samples from the back? I think Maisel’s coming in today and you know how he gets.”
“Shouldn’t I be asking you that?” You shake your head and head to the back room to search for the swatches.
While he waits, Wonwoo notices a small web lingering in the intersection of two walls, the sunlight glinting off its strands having been what alerted him to his presence in the first place. At first, he thinks to sweep it away with a broom he knows is hidden somewhere in your storeroom. You weren’t the biggest fan of bugs or arachnids; he was surprised you hadn’t rid your shop of it by now. But he can’t find it within himself to brush the web asunder. It had worked hard to build and craft its home; he knew firsthand how difficult creating something from nothing was. 
“Her name is Jorōgumo.” Vernon had walked up behind Wonwoo with little announcement. The younger jumps, turning his head to look at the other. “I offered to kill her… him…? For her but she said it was eating the bugs and to let it be.”
Wonwoo eyes the fat-bodied spider, “Why is it named that?”
“It’s a fairytale from Japan, there’s a spider that looks like a woman. It entices men to follow her and then eats them while they’re distracted,” Vernon explains, the sound of the storeroom opening behind him.
“Are you bullying Arachne again?” You frown, handing the swatches to Vernon and looking up to the small web in the corner.
“I am not bullying Jorōgumo.”
“If I’m keeping a spider in my shop, I am not naming it after a monster.”
“And a heretic is better?” Vernon scoffs, tapping Wonwoo on the shoulder, “What do you think, Pincushion?”
“I’m just wondering why both the myths have to be women,” he shrugs his shoulders and looks to you, “Do you think you’d be free this evening so I can take your measurements? I finally have some free time to start working on that dress.”
“I think so,” a nod as you look at Vernon, “Mind looking after the shop for a bit?”
1965, Early Spring “Didn’t you already measure me?” Wonwoo’s hands hold a rolling measuring tape as he holds it up to your forearm as you ask.
“Yeah, but I want to make sure this is perfect.” Tape lowered; he writes down the number into one of the journals he’d brought with him to your apartment. Trailing away from that your eyes look to the bouquet he brought when he’d come over.
“What’s the deal?” Brow furrowing at the pink, red and white blooms, “You never give me flowers.”
“It’s a special occasion,” Beaming, he’s as bright as the sun. A jilted visage against the cool tones of your apartment’s interior. He looks up to you with a vividness in his eyes, “Your boyfriend’s going to Paris.”
“What do you mean Paris?” A hitch in your voice as you ask, a strange and warped confusion overcoming you.
“Seungcheol got me an apprenticeship with one of his friends, he’s going to be in town in a few weeks to talk about it with me and I want to show off the dress there.” He’s speaking at a mile a minute, a clear excitement as he beams.
“Don’t fall for some mysterious Parisian woman while you’re there,” You poke, still unsure about how you even feel about this.
“I doubt I’ll have time to even wander the city. With all of the workshops and sessions we’ll have. It’s going to be the opportunity of a life— ow—” he says as you gently hit his shoulder. “I won’t fall for some other girl, I promise,” He laughs and continues to take your measurements.
1965, Late Spring “Did you have a good time tonight?” The lock clicking into place as he asks, your footsteps falling on the floor as you make your way to his workbench in the center of what would’ve been his living room had he not made it into a makeshift workshop. 
You note the tools, the fabrics and array of swatches that litter his home, the pincushion he wears on his wrist as he works settled onto the tabletop. It’s as if the apartment is a representation of him, messy in ambition but persevering through the struggles as he tries to find the limelight of his own. A smile forming as he walks over to you.
“I had a wonderful time, thank you for inviting me.”
It had been a small gathering at the tailor shop, a small dinner with Seungcheol, Wonwoo, Seungcheol’s friend and Wonwoo’s future mentor Jeonghan, and yourself. The entirety of the night you’d felt a knot forming in your stomach, the anxiety of Wonwoo’s future endeavors weighing heavily on your shoulders. You want to be happy for him but the closer it gets to Wonwoo’s departure for Paris leaves you feeling more and more despair at the event of it all.
“Thank you for coming,” Wonwoo’s hands find your sides as you lean your backside against the rough wooden edge of the table. “You made it all the more bearable,” smiling softly in the dim lighting of the apartment, he leans forward and places a soft kiss on your lips. The wine from earlier lingers on his breath, you’re sure it does the same to yours, the darkness of the red already making you warm and your body feeling weightless, almost as if you were floating in a pool of water. 
You part, staring into each other’s eyes, a silent conversation before he’s leaning in again to find your lips. His kiss seems as if it seeks to steal the breath from your lungs. To devour you entirely until all you can think of is his closeness, the softness of his lips atop yours, of just him. The woolen fabric of his overcoat is rough under your fingertips as you move your hands from the workshop table to his shoulders, gently pulling at the cloth to urge him to discard the garment. His hands leave your sides momentarily as he shrugs the jacket off, the fabric falling and pooling on the floor at his feet. A metallic clang echoing around the space as he leans forward to lock his lips with yours.
“Wonwoo,” you breathe, soft pants escaping the both of you as you turn your head from him, your eyes trailing to the sewing scissors that had clattered onto the floor. Another rustling of fabric and you realize he’s discarded his suit jacket as well.
“Let it be,” a hand under your chin, guiding you back to the comfort of his lips. He presses himself into your touch, the way your fingers dance along the smooth cotton of his starched shirt, fiddle with the buttons and run your fingertips atop the small engravings adorning them. 
“Are we really going to do this in your workspace?” You look up to his darkened gaze, your voice caught in your throat as his own fingers move to toy with the neckline of your dress. Gentle, electric touches that have you reeling.
“Does that bother you?” His lips leave yours once more as he places soft, yearning kisses to your cheek, trailing down your jaw and then to your neck. He raises a hand to pull away the neckline of the dress to allow him better access to the apogee of nerves nestled at the point where your shoulder and neck meet. Teeth biting ever so gently that you would have mistaken it as a light graze had you not felt the sharp pinch. It pulls an almost whining sound from your vocal cords, causing your head to tilt to allow him more space to roam. 
Lips curling into a smile as he pulls away, his hand sliding from the table to your arm, then raising and gently pulling at your hair, “You didn’t answer me.” 
“God, fuck, no it doesn’t bother me,” you trap his lips in yours, tilting your head up so the orange glow of the street lamps outside shine into your eyes before you shut them, finding yourself lost in the entity of your lover. The slowest ministrations of your hips trying to roll against his, to seek out friction and closeness and the yearning of him to once again be a part of you, “Wonwoo.” Your tone is darker, needier, wanting as he presses his clothed self flush against you. 
A huff of air escaping you as he once again pulls his lips away from you, and then the gentle rolling of his hips against yours ceases as well. Eyes opening to find him looking over you, not scrutinizing, it seems as if he was rather admiring the picture that sat before him.
Head tilting, the presence of desire absent for a moment as he muses, “I think it looks amazing.” He hums as he lowers himself to his knees, somehow the softness of his voice makes you want to comply with every word uttered, “Can you sit on the table for me?”
Hands brushing against tulle and satin and a plethora of other fabrics you could care less about at this moment in time as you find your hold on the table as you move to sit atop its surface, your heeled shoes clattering to the floor as you do so. Wonwoo’s fingers caress your calves as he leans himself closer to your core, his warm breath making your mind conjure some of the most unspeakable thoughts. 
“I’ll have to let the designer know he did an amazing job,” you smile, involuntarily shivering as he slides his hands upwards, the hem of your dress inching towards your stomach the further he ascends. 
His face merely inches from your core now, your hips squirming at the proximity. “I think he’d be appreciative of the feedback,” Wonwoo smiles, his face now obscured from vision due to the collection of fabric, you have half a mind to tear it off of you, not that you ever realistically would. It’s far too precious. 
The rip of fabric, the coolness of the air hitting your now exposed sex, you whine in protest as he begins to slide the now torn fabric of your underwear away from you. 
“I’ll get you some more,” his right hand hovers over you, he uses his middle finger to swipe up the length of your slit, causing you to draw in a sharp breath. 
“Are you a lingerie atelier now— Fuck,” you begin to joke before he begins to tease your clit with the tip of his finger. He moves his middle finger slowly, languidly as he draws deep breaths and stifled moans from your lips.
After a moment, your own hand moves to your breast, trying to fondle the flesh through several layers of fabric. He changes his approach, moving lover to tease your entrance before he slips his finger inside of you and with a moan you roll your hips to try and meet him halfway. 
It’s not until he eases in another finger and begins to slowly draw them in and out of you as well as latch his lips to your clit that your vocalizations rise in volume. The digits curl inside of you, his tongue swirls around the sensitive bundle of nerves and your head finds itself lost in the euphoria of the moment, your hand falling away from your breast to find itself running through Wonwoo’s locks. He hums against you as your fingers tighten their hold, nearly sending you over the edge.
“Are you close?” You look at him, lips coated with the sheen of you, a tinge to his voice that straddles between curiosity and a carnal question. 
Hand moving from his hair to his cheek you can only nod, trying to roll your hips to the increasing speed of his fingers inside of you. His eyes watching you as you do finally reach your climax, chortled breaths escaping you as well as a slew of incoherent words and his name. Wonwoo can feel the way your walls spasm around his fingers and sighs to himself as he pulls them from you, wishing that it had been more than just his digits that had made you cum.
You sit up, a little dazed and a lot more aroused than you were when you’d first stepped into the apartment. Wonwoo rises to greet you, your lips clash together and you can taste yourself on his tongue as you vie for dominance. 
“Switch with me?” You ask, parting for air, voice whispering as your hands move to once again toy with the hem of his collared shirt.
And he does, backing away from you enough so you can land your feet on the floor and trade places with him. Your turn to take control for a moment, you feel the hardness of his cock through his pants as you tentatively palm it, trying to elicit some sort of sound from him. 
“Come on, Woo, I know you’ve got it in you,” you tease, running your hand up and down the etching of his member, slowly and meticulously trying to draw him out of his shell. 
“Have what—” he cuts himself off as you run your fingers over his cockhead, a low groan as if he hadn’t wanted you to hear it. 
“Have that,” you lean forward, pressing a kiss to his cheek. The taste of salt greeting you, the sheen of sweat on his face glittering in the lights dimly illuminating his apartment. You fall to your knees, sending shivers down your spine as the cool air that balloons the skirt of your dress as your knees hit the floor with a dull thud. Hands sliding up his thighs, you move to his belt to hastily unfasten it.
It falls away, as do his pants and underwear, you were going to mention the lack of cartoon characters adorning it, but you were too preoccupied taking him into your mouth to comment. 
Tongue running over the slit on his head, it draws the sweetest sounds from him, saccharine-like honey that drips from his moans and rings around your ears. His hand running through his hair, his other gripping the table as he tries to stop himself from bucking into your mouth as you take him further. 
Your knees ache from the rough floor, the pain not deterrent enough for you to forget about the wetness between your legs. Fidgeting as your head bobs up and down on his length, you don’t think he takes notice. Yet Wonwoo was more perceptive than he let on at times, considering his hand now rests upon your hollowing cheek. 
“Get up,” Wonwoo urges, his voice hoarse as he tries to gently nudge you away from his cock. “I want to cum inside of you.” When you do let him leave your mouth, a thin line of spittle trailing from his head to your lips you hear him sigh out again. It was so easy to get a reaction out of him, he almost feels like putty in the palm of your hand. 
The indents from the wood settle into the flesh of your thighs as he helps you stand and lightly pushes you back onto the table. His belt clattering onto the floor as he fully kicks off his pants, his shoes, and briefs. 
You wonder at this point if you should take off the dress, but as your hand begins to reach for the zipper, he stops you, “No, keep it on.”
He kisses you again, taking his hands to gently pry your legs open so he can align himself with your core. Lips parting, you feel his cock brush up against your entrance before he pushes himself into you, his hands moving to trail up the sides of your legs. Slowly, feeling every inch enveloping him as his fingers tighten their hold on the skin of your hips. 
“Fuck,” he moans, fully sheathing himself inside of you. His brown eyes meeting yours, tongue darting out to wetten his lips, “Do you need a minute?”
When you shake your head no you fully expect him to start rutting into you with reckless abandon as he did most nights you stayed together. But he doesn’t, instead he starts to roll his hips into you, not trying to fuck the life out of you, rather trying to gauge how and what made you feel good.
“Woo,” you mutter with half-lidded eyes, hands trailing up his arms and to his shoulders, your nails digging into the now exposed skin. It was sure to leave marks, but only small crescent moons that would fade away come morning. 
It’s whispered ‘I love you’s’ that fall from his lips as your forearms wrap around his neck to pull you up and draw him in closer, a thrumming in your chest each time he says it. And you repeat it back to the best of your ability, to find a constancy in him that hadn’t ever made itself presentable to you in a lover or significant other before. 
For a moment you’re able to lose yourself in him, to forget that he’d be leaving you soon and your heart along with it. You’re enveloped in the presence of him and you wouldn’t have it any other way, you wouldn’t let it be any other way. 
Wonwoo’s thrusts become more sporadic as he reaches his end, one of his hands leaving your side and moving to your clit to try and bring you over with him one more time. You’re sensitive and strung out on him, legs tensing as they try to close, stopping around his waist as you press your forehead to his shoulder. 
He cums with little warning, other than his hand moving from your clit and back to your side as he stills himself within you. The sweat collected on both of your bows intermingles when he presses his forehead against yours. His breathing slows as he regains his composer, kissing you as he slides himself out of you. When he pulls away to slide on his briefs you land your feet on the ground with shaky legs, holding the edge to balance yourself.
Wonwoo turns back to you and almost has to stifle a short laugh, your face contorting to the feel of his essence leaving you, it’s strange but not overtly bad. Just not something you’re fully accustomed to.
“Let’s wash up, hm?” Hand taking yours, he leads you to his small bedroom, only stopping midway so he can help you out of your clothes. He unzips the dress, the cool air of his apartment fully encasing you as he pulls the fabric off your shoulders. You feel his lips press a soft kiss onto the nape of your neck and he catches the scent of the perfume you’d applied earlier in the evening. The dress falls, pooling at your feet and you step from its depths and onto the hardwood floor. Before you’re able to reach for the dress, Wonwoo’s swept it up, already moving to hang it in his closet. 
The two of you shower together, reminiscing on a handful of occasions with him that you’d fully devoted to memory but also of the future as well. Wonwoo was excited to leave, every mention of it fractalizing your heart just a little bit more, not that you’d let him know, you just put on a smile and tell him how happy you are for him.
You borrow a shirt from him to wear to bed, exiting the bathroom while he brushes his teeth and combs his hair. While he does, you wander his room, looking at the shelves that adorn the space. Most books atop them are about tailoring or sewing, things that wouldn’t typically draw your attention. You then spot a few that are familiar, the bindings nostalgic under your fingertips as you trace them, no names or words that address their titles.
“I never realized I made you so many,” You muse, looking at Wonwoo who’s just exited the bathroom.
“I have been your loyal customer for a while now, you know.” He notes, falling into his bed and collecting the blankets, he pats the mattress beside him to beckon you closer. 
You fall back into the bed beside him after you saunter over, encased in the blankets for a moment by the duvet he tosses atop you before you look at him, “I don’t want you to go.” It’s a simple statement that carries all too much weight for those six words alone, they lie heavily in your chest, saying them aloud does nothing to stop that. 
“I know, I know,” There’s a hurt in his voice as he knows just how difficult it’ll be to part from you. “We’ve still got almost two months left before I go though, let’s try to make the most of it, okay?”
1965, Summer It had only been a month since Wonwoo landed in Paris. His French is awful, and he only knows how to call things pretty, cute or something lewder thanks to the teachings of his fellow apprentices. There are bags under his eyes from another sleepless night, a cigarette hanging from his lips (a terrible habit he’s picked up as of late), and the mute sounds of some song playing out of the bar he’d just crawled out of. It’s probably Bridget Bardot but he can’t tell from his position, not that he can understand anyway, he’s barely been able to comprehend his own thoughts.
His fingers ache, only nude bandages that are a little too pink wrapped around them because he can’t find the cartoon ones that you’d given him tucked away in his things. His eyes feel strained, tired, and pulsing from overanalyzing stitching and searching cloth for tears, pulls or other impurities. Montmartre was beautiful, not that he was able to see it often as he was constantly working. And if he wasn’t working, he was probably trying to catch up on lost rest.
This was his dream, a part of it though, the other half had you somewhere tucked away in the echelons of his fantasy life. Although he was doing what he wanted, what he loved, there was something about you being in absentia that had him feeling empty. He’d written countless letters but only signed and sent a handful, worried of saying too much and worried of saying too little. To you and his father, his father that had sent him on this path at a young age. ‘Make something of yourself,’ he’d said when Wonwoo was seven, ‘you’re too ambitious not to.’
If he could laugh at him now, he would. But his father was an ocean away, retreated somewhere in the depths of Wonwoo’s childhood that he’d rather leave behind. 
Yet on the other hand, he’d written you what felt like every day and struggled with each composition. Wonwoo had never missed someone’s voice as much as yours, the gentle feel of your hand intertwined with his or even the sounds of your footsteps trailing through your shop. He’s supposed to be happy, why isn’t he happy?
The cigarette burns, the acrid smoke filtering into his mouth as he inhales, a plume of what’s left leaving him when he huffs out, the cigarette dropped onto the ground, smoldering away. Hand flitting through his knotted locks, the dampness of sweat clinging to the pads of his fingertips as he brushes over his brow. 
Most people had dropped everything to work under Jeonghan, a certified maestro of their craft. And Wonwoo had dropped everything, not begrudgingly at first, but as the dog days of the beginning of summer and the end of spring drew near there was a rising anxiety within his chest. If you had asked him not to leave as he was standing at the terminal’s gates, he probably wouldn’t have gone at all. 
He’s been giving up more and more lately; sleep, adequate meals, a solitary living space. Wonwoo’s worried when this serpent of work will seek out to devour you away too. It’s not that he wants to let you go, but if he’s to make something of himself he might have to, as cruel and malicious it may seem. In that you waiting for him was burdensome, not to him but to yourself. While he’s off gallivanting in an ancient city you’re in your shop, was he just supposed to expect you to idly sit by and wait for him? He’s not sadistic enough to tether you down to the unknown.  
1965, Late Autumn. You’d come home that morning with a new record tucked under your arm, the words ‘Rubber Soul’ peeking over the paper sheath that the store had given you as you set it down on your countertop after discarding your shoes and jacket by the door. You hum to yourself, shedding your bag, reaching for the new record, and bringing it over to your player, Sooyoung’s worn copy of one of Billie Holiday’s albums resting on the platter. With gentle hands you remove it from the spindle, tucking it away in its cover before releasing Rubber Soul from its own and setting it onto the player. System turned on, you place the needle on the record and adjust the volume so the first few riffs of ‘Drive My Car’ begin playing through the speakers. 
Nodding your head to the rhythm, you set down the cover and make your way to the kitchen, noticing the small pile of postcards and letters you’d received from Wonwoo over the last few months. He’d been so busy he hadn’t really had the time to call or write a lot for that matter. But it wasn’t like calling was free, especially an international connection. With each new card that he sent to you, there seemed to be less that he wrote of and more empty space adorning it. 
“Hey,” You hear Sooyoung say as she exits her room, her purse in hand as she heads to the hall tree to grab a coat, “I’ve gotta head in, someone completely ruined the display for the winter collection.”
“I thought you were in charge of that?” A tilt of your head as she passes by. Sooyoung’s one of the floor managers of the flagship B. Altman some blocks away, and that left her unnecessarily stressed by the minute details of the store. 
“I am, but I let one of the new girls try and set it up,” a frown as she opens the door, “That’s what I get for trying to take on a protegee. I’ll be back around dinnertime, okay?” 
“I’ll see you then,” waving her off with a hand as the door slams shut, the sound of your friend’s key locking the door before the apartment falls into silence once more, the only sound coming from the next song on the vinyl. 
Stifling a yawn with your hand you head to the living room, plopping down onto the sofa as you reach for a magazine atop the table. It was one of your roommate’s detailing a plethora of fashion information, this seemed something like Wonwoo could take to more so than yourself. Before you’re able to get lost in the pit of missing him again the phone on the table next to the sofa begins to ring. 
“Hello?” Magazine tossed aside, you reach for the phone, pulling it to your ear as you lay reclined on the couch. Fully expecting a family member or one of Sooyoung’s friends over the line you sound a little more crass than normal.
“Whoa,” a familiar, achingly distant voice calls out, “Did I do something wrong?” 
“Wonwoo?” Eyes widening, your grip on the phone tightening before your brow furrows and you sit up, “Where are you?”
“I’m actually in a phone booth outside of Jeonghan’s shop right now,” A short laugh, there’s something quiet about it, “I feel like I’m in some sort of film.”
“It sure sounds like you are,” distancing yourself from the line for a moment as the connection pops and crackles. Ear returning to the phone you feel your heart swell as you lean against your wall, “I’ve missed you.”
“I’ve missed you too,” He sounds apprehensive, as if there’s something ruminating behind his lips, but he was too afraid to say it. “I’m sorry for not calling sooner, it’s just been extremely busy here.”
Twirling the phone cord absentmindedly with your finger you shake your head, not that he could see you, “It’s alright.” The disquiet in his voice puts you on edge, “What’s wrong?” 
“I’ve been thinking,” He’s holding his breath, and you don’t realize that you are too.
“Of?”
“Ending this. Us.” There’s a pause, a bated breath, and a clearing of his throat before he begins to speak again. It sounds robotic, rehearsed, even. “I don’t want to leave you waiting for me when I don’t even know when I’ll be back.”
“If you don’t think I’d wait for you you’re ridiculous,” A confused tone to your voice, you blink several times as if that were the cure-all to comprehend what he was suggesting. “Is there someone else?”
“God, no, of course not. It’s just—” A break in the facade for a moment before it turns static again, “You deserve constancy. I don’t want you waiting around for me when you could be happier somewhere else with someone else who’s actually there for you.” 
“Are you serious?” With the thought of him being an ocean away you could barely go as kicking and screaming as you wanted to, but you can’t. It’s hard to collect your thoughts with so many jumbling around your head. 
“I’ll get Seungcheol or someone to stop by and get my things,” voice muffled, there was a small banging coming from the other end, as if someone’s hitting the outside of the phone booth that Wonwoo is situated in. 
“No,” you frown, a heavy feeling settling into your stomach. “I’ll drop the dress and your things off at the shop.”
“Keep the dress, it was a gift,” his voice insists, sounding defeated and tired. 
“I don’t want it, I want you, Wonwoo.”
He would rather watch the stars flicker and die from their sepulchered facades in the expanse above, watch the oceans shrivel and continents shrink, than be the source of your privation. It’s as if he can hear your heart break over the line. It isn’t loud, it isn’t ear shattering— it’s a hairline fracture that webs out and settles into every fiber of your being. He knows it because it’s the same thing he’s afflicted upon himself. 
“I’m sorry, I love you but there’s no feasible way that I can—” he pauses, and you hear a voice tinned by the crackling line. It’s French, sounds angry and causes Wonwoo to speak into the phone once more, “I— I have to go. I’ll call you back later so we can talk about this, okay?”
“Okay,” the word is lifeless as it leaves your mouth, you hang up and pull the phone away from your ear as if you could still hear his voice after you’d killed the call. 
You are a bag of bones, skin, and whatever else deigned itself rotted enough to crawl its way inside of you and flourish. Amber leaves looking more titian as you leave your apartment, a muted tone as you walk the streets and to your shop. The lights inside aren’t as bright as they once were, sounds far too muffled by the blood rushing to your ears as Vernon asks you what’s wrong.  
1966, Winter “Try this one,” The bartender standing in front of you sets down another glass. He’d been talking to you on and off the whole night trying to get your opinions on different drinks he’d been concocting to try and get put on the menu.
“What is it?” Amber liquid swirled around what looked like a dried slice of orange. The whiff of something floral and reminiscent of anise hits your nose, causing your face to scrunch. “That’s not straight absinthe and cognac, is it?”
“Cognac Tesseron, Peychaud’s Bitters, simple syrup, and just the smallest taste of absinthe,” Carefully crafted and delicately handled you pick up the glass and observe it some more. “I’m thinking about calling it the Forget Me Not, but we’ll see what management thinks of that name.” Voice tinged with that oddly specific Brooklyn accent he turns to his other clientele, leaving you with the newest cocktail. Lips carefully pressed to the glass you drink, mulling over the flavors as you do so. After thinking about it you set the glass down, lips pursed together, it wasn’t a bad taste you just wished there were more acidic notes to it.
Alone. You sit alone in the dimly lit bar that denoted itself as La Fête. Why, you aren’t sure, but the cacophony of spirits mixed into the glass between your fingers is the only thing that has made you feel well the entire evening. Some comedian stands on the stage a few meters away, giving off a routine that isn’t hitting as well as it should be. There’s muffled laughs and chortles from the audience in front of him, yet you’ve barely heard a word he’s said.
“Mind if I join you?” A voice rings out to your right; you’re unable to see who it is until they take a seat next to you.
“Mr. Hong,” Eyebrows raised as Joshua turns to face you, “What brings you here?” You hadn’t seen him in a month or so, not after that had happened.
“Vernon told me I could probably find you here, and Sooyoung also told me about trying to cheer you up since the gifts she got you weren’t working,” A smirk playfully bouncing on his lips. “You look awful.” Hands folding atop each other as he adjusts himself in the seat.
“What makes you say that?” Scoffing as you bring your glass to your lips, taking a sip of your drink before setting it back down.
“Vernon did say you were going through something heavy.” His tone lowers, becoming more sympathetic and less lighthearted than it’d been a moment before.
The gentle ambiance of the bar around you, as well as the slew of alcohol in your drink, mellows your inhibitions and voice. It was the calmest you’d felt the entire night. “I just needed a break from all of this,” hand motioning towards your head. 
“I can understand that” Pausing for a moment he opens a nearby menu, perusing the selections. “I just came from a conference in D.C., aren’t you going to ask why?”
“Hmm, why?” You pose, head tilting as you turn to look at him.
“We’re acquiring some major stock in Marriott,” He says with a playful lilt, “Forcing a bunch of bigwigs to give up their assets is an adrenaline rush I won’t get anywhere else but there.”
“Sounds… fun?”
“In reality it’s just a bunch of stuffy old men with their own hands up their asses,” he hums, “Although I guess I have to get used to it; I’ll be one of those men someday.”
“Joshua Hong you will never be like any of those men,” sigh losing itself in your glass as you bring it back to your lips.
“I appreciate the sentiment,” as he closes his menu, he calls the bartender over, ordering some drink that sounds all too extravagant for your taste.
The pair of you sit in silence for a few moments, your glass now set atop the marble bar as your eyes wander around the warm, eclectic interior. “Are you merging them with that Canadian group? I can’t remember their name.” Snapping your fingers together as you try and recall. You look back to Joshua, who was beginning to take a drink of another one of the bartender’s creations.
The glass now moved away, and he frowns into the back of his hand; you wonder if it’s due to the alcohol. Head shaking in the negative he answers, “I actually left that partnership a year or so ago, decided I didn’t want any of ‘Daddy’s Help’ and tried my own hand at it.” Leaning back, he adjusts the lapels of his suit jacket, “And I’ve been doing a pretty good job if I do say so myself.” His confidence is a manic beast at times, but it never fails to make you roll your eyes. “What about you? Gonna commercialize your shop anytime soon?”
“As if,” You snort and look towards the darkened windows of the venue, “I’m perfectly fine in my shop,” Elbow resting on the counter, you lay your cheek atop your hand as your hair falls around your face, looking up at Joshua as your cheeks warm with embarrassment, “It’s all I can manage.”
Joshua laughs, it’s hearty and you feel your pulse rise along with the heat in your cheeks, “Don’t sell yourself short.” Shoulder shrugging, he returns to his drink while you sit up, rubbing your cheek.
“We’ll see when I get there,” smirk showing itself again as his fingers trace circles on the light marble of the bar. “Oh, weird, crazy question really,” His hand moves to his jacket, fumbling around one of the inside pockets for a moment as he searches for something. 
“Want to go to a wedding with me?” A piece of elegantly cut cardstock tossed down onto the bar, you don’t recognize the names scrawled onto the front of it in some pretentious calligraphy.
“Aren’t you dating that girl?” Fingers pulling the card closer, trying to recall the name, “Yoona or something? Why don’t you take her?”
Joshua almost chokes on his water as you speak, hitting his hand against his chest to get some air. “God no,” He coughed, setting his water glass down. “Yoona’s just a family friend, more like my big sister than anything else. If anything, my sister will get married before me.”
You nod your head in understanding, “Ah, is she still dating Seungcheol?”
“Yeah, I wouldn’t trust them to tell me if it was raining outside or not,” he muses. Suddenly his demeanor turns mischievous, you’re not sure how to properly describe it as he leans in towards you, the smirk back with a vengeance. “But why were you interested in who I’m dating? Are you curious?”
It takes most of your willpower to lean back away from him and roll your eyes as you scoff out, “As if.” He only increasingly gets closer before you put a hand on his shoulder and playfully push him back.
“And what about you?” Does he seem nervous? You hear a genuine interest in his voice, but you aren’t sure if you’re exaggerating it due to the miasma of spirits clouding your senses. “Has any prince charming come up and swept you off your feet yet?”
“Does it look like it?” Eyebrow raised, you motion to yourself, “Vernon told you why I’m here, didn’t he?” Frown settling onto your lips you finish your drink, setting it down back onto the bar with an audible clink. 
“He may have mentioned it in passing,” Joshua mutters, finger rubbing along the rim of his glass.
“I haven’t spoken to him in weeks, months even and he has the audacity to send in an order?” You try your best to sound indignant, but the truth was that it’d felt like a stab to your heart to see the hastily signed ‘Wonwoo Jeon’ adorning the invoice. Your heart had almost stopped then, you’d thought that you and he were, at that point, separate entities once more. “He made it blatantly clear he wants nothing to do with me anymore, he can go woo as many Parisians as he’d like, I’m over it.” Not yet, you aren’t. But maybe repeating it enough will make it a reality.
“You know what I think?” Joshua asks, finishing the rest of his drink as you look at your empty glass.
“I’m not drunk enough?”
“I think you’re plenty gone. But I don’t think you’ve ever let anything destroy you this much, or if you have, I’m a terrible friend for not realizing it. And with that being said, I will personally take up the reins to try and get you out of this slump,”
“Any other thoughts, O wise and wonderful mood maker?” 
“Yeah, this comedian’s garbage. I’ll take you to a Lenny Bruce set one day and you’ll laugh your ass off.”
“I appreciate it,” a snicker leaves you. “Anyway,” your eyes move to your watch, checking the time, “I should probably head back to my place, it’s getting late and I’ve got an early morning tomorrow.” You rummage around your bag for a crumpled mess of bills that you toss onto the counter in front of you.
You stand and begin moving towards the exit when Joshua speaks up, “Want me to walk with you?”
“If you want to,” pausing, you turn back to him and offer a smirk of your own, “it’s not too far away.” The two of you walk in silence through the winding interior of the bar as you make your way to the front entrance, you see through the large wooden doors that it is pitch black outside, thankfully the streetlights adorning the sidewalks keep things fairly visible. When the doors open and the two of you step outside you can’t help but let out a “Shit, it got cold.” 
“Here,” Joshua shrugs off his already unbuttoned suit jacket and hands it to you, you can see the thin dress shirt he’s wearing, and you wonder how he’s not shivering himself. “Did you leave your jacket inside?” He asks as you drape the soft fabric over your shoulders.
“At the shop,” Standing outside, your toes on the edge of the sidewalk, your head cranes, trying to remember which way you’d walked here. “It’s…” you look at the signs at the end of the street, “that way,” hand motioning towards your abode once you recognize the names. “It’s about a fifteen-minute walk, I can always call a cab or something, so you don’t have to worry about it.”
“It’s alright,” His shoulders shrug as the two of you begin walking, “It’ll help the alcohol get out of your system.” Had he seen you stumbling on your feet on your way out? If he did, he doesn’t say as the two of you walk the uneven streets, pushing through masses of tourists and civilians parading around the city. It’s not long until the crowds wear thin, leaving you, Joshua, and the occasional pedestrian roaming the streets. “I’ve always loved this city,” Joshua muses as the two of you stroll through one of the many parks dotting the town.
Nodding, “It’s lively for sure.” Your hands move to close his jacket tighter around your bare shoulders, “I don’t think I could imagine leaving it.”
“Maybe for a summer home though?” Joshua laughs, moving his hands to his pockets. “I remember how you’d stay inside whenever it snowed or went below thirty when we were kids.”
Biting the inside of your cheek, “I wouldn’t say it’s that much of a problem anymore, I’m just a big fan of the sun in all its glory, not when it’s obscured behind a wall of cl—” Perhaps you would’ve finished that sentence had the heel of your, admittedly too high-heeled shoe not gotten caught between one of the junctures of the sidewalk, causing you to fall forward. You feel a pair of hands on you, one wrapped around your waist and one on your shoulder, as the ground rapidly rises to meet you.
Eyes closed you hear, “Are you alright?” as you’re hoisted back up onto your feet, never feeling the impact of the ground. 
“I’m fine.” Once his hands had left you, you raise your hands to your cheeks, feeling the rushing blood warm your palms, “I guess I’m a little tipsier than I thought.”
Joshua looks at you for a moment, and then down to your feet, “I think you broke a heel.” Finger raised; you follow it downwards to look at the heel almost completely detached from the sole. “Here,” voice quickening as if to distract you from it, he takes your arm and puts it over his shoulder so you can lean some of your weight onto him, “wouldn’t want you to fall over again.” After offering him a quick smile and a small ‘thanks’ of gratitude you begin to walk again.
After a minute or so of walking, the pair of you take a turn onto one of the main drags of the city, the cool air soaking into you. “Do you mind if we stop for a second?” You ask, thinking you may have twisted your ankle when you tripped.
“Of course,” the two of you make your way to a bench along the sidewalk, you sit while Joshua stands next to you. It’s a moment of quiet before he speaks up again, “Are you feeling alright?”
You can only shake your head in the negative, for fear that you may explode should you open your mouth.
“What’s wrong?” He questions, sitting down next to you, his hand falling atop yours in an act of subtle comfort.
Everything. Your throat becomes dry as you lean forward and embrace him, unable to vocalize the horrid deluge of hopelessness and heartbreak washing over you. 
You had seen the shop where Wonwoo was apprenticing when you’d gone into Seungcheol’s one morning, it had been featured in some editorial that he subscribed to. Seeing that it was a beautiful boutique and was quite revered among local and international audiences hadn’t dampened the blow at all. Wonwoo hadn’t been lying when he said it was the opportunity of a lifetime.
It still hurts. You’d been selfish in trying to make things work, too absorbed in it you hadn’t felt him slipping away until it was too late. Vernon had sat you down one day and told you to shape up. Wonwoo wasn’t coming back and the sooner you realized it the sooner you’d get over him. You don’t remember how long you cried into his shoulder for. For the eidolon of him was beginning to fade now, the lingering remnants of it still striking you to the core whenever you catch a glimpse of it.
“I just want to go home,” you try your best to sound strong, hating that the veneer you usually kept was able to slip so easily. Pulling away from the other you move to stand, kicking off your shoes and moving to hold them before you begin to walk.
“Aren’t your feet going to get cold? It’s nearly the middle of winter,” Joshua calls out after you as he catches up, unsure of how to go about comforting you.
“I’ll be fine,” your toes cold on the concrete, “It’s only a few blocks away.”
It’s silence once more as the pair of you two amble to your apartment, the windows dark when you approach, Sooyoung must be out again. A sigh leaving you, alone again.
“Thanks for walking with me, Shua.” You stop, turning to your accompaniment and smiling softly at him.
“Shua?” His brow raises at that, “Are you sure you’re not still drunk? I don’t think you’ve called me that since we were twelve.”
“Yeah, I know. But I mean it, thank you.” Your other friends had tried to console you but Joshua’s attempt had been the most successful so far that had gotten you to even budge ever so slightly from the slump you’d found yourself in.
1967, Summer. The sparkler hisses as Joshua hands it to you, the bright end flickering with every centimeter the flame engulfs. A smile on your lips as you look at him, an equally bemused smile gracing his face as he steps away and begins handing out sparklers to a few other guests. After the host finishes handing out the sticks a large chorus of ‘Happy Birthday’ begins to ring out, directed at Jihoon Lee. 
You didn’t really know the guy, but Joshua said he was hosting a birthday bash at a lake house up in the Catskills this weekend and it was a good excuse to get away from the city for a bit. It was a work friend of his, not sure from which endeavor but you aren’t complaining. Work at the shop had been far too busy to manage with just Vernon and you, you’d been looking at several applicants, but you had a difficult time sifting through the resumes. This was a much needed, and much deserved, break away from it all. 
Before the sparkler has a chance to burn down to your fingertips you blow it out and set it onto one of the porcelain plates atop the table in front of you. A small crowd had gathered to sing and with the rapidly setting sun it was difficult to see familiar faces among the crowd.
“Looking for someone?” A pair of hands placed on your hips as the question sounds out, the familiarity of it making you smile a little brighter.
“Just you,” You turn, looking at Joshua.
“Oh?” He questions, leaning in for a brief kiss before pulling away, “You’ve got that look on your face.”
“What look?”
“The one that means you’re thinking of something,” A sparkle in his eye, the light from the nearby dock casting a green glow onto the lawn.
“Just work things,” you admit, “Even if I’m miles away from the shop it’s still on my mind.”
“Work’s a sickness, isn’t it?” He mutters, “Well, they’ve already started to cut the cake, want to head in and grab a slice?”
“Sure,” you say as his hands leave your sides, taking one of your hands in his and heading through the lawn and into the brightly lit interior of the home.
“Seungcheol said he’d be arriving a little later, my sister’s ready to blow a gasket but, when isn’t she?” Joshua laughs as you make your way to a nearby table, grabbing a plate with a precut slice of cake on it before turning back to him.
“Is this from the same bakery who made my cake last year?” You ask with nearly a mouthful of cake.
“I told you I made that cake,” he says jokingly, grabbing his own slice, “And if it were, would you say yea or nay for them making the wedding cake?”
“Yea. Definitely, this is by far the best buttercream I’ve ever had,” you nod, “Although I do need a drink.”
“Amaretto sour?” Questioning as he sets down his plate, ready to go off and mix your drink himself.
“You know I can’t,” a frown settling on your lips as you take another bite, “Just water.”
“I’ll be back in a sec,” Joshua says and heads to the bar in the next room over.
You move out of the way of the other partygoers looking for food and make your way to a window that looks out at the road in front of the house. As you watch, you see the bright headlights of a car pulling into the drive, trying to careen past the other vehicles lined up there. It must be Seungcheol.
It’d been a while since you’d last seen him, having to mail his orders to him now that you’d moved shop locations. So, you head to the front door, anxious to see an old friend. The door opens with a swing of grandeur, Seungcheol Choi stepping inside with a clear look of panic on his face.
Seungcheol spots you as he enters, rushing over to you, “She’s not angry, is she?”
“Your wife?” You question, putting a finger under your chin in thought, “She’s only told half of the people here how upset she is, so I think you still have time to save yourself.”
“I’d better get in there then,” he sighs, almost brushing past you before he stops, “I should also tell you that—”
You don’t hear what he says, though. Because you hadn’t realized that there was someone standing behind him until they step through the dark entranceway and into the bright lights of the foyer. For a moment it feels like time has stopped, the plate in your hand straining from the pressure your fingers now exert on it as you lock eyes with someone you hadn’t ever expected to see again.
It’s you who breaks away first, mumbling about needing to find Joshua while it feels as if your heart seizes upon itself in your chest. Before you’re able to rejoin the party, you feel a hand gently grasp your arm, “Can we talk?” The question is quiet, almost lost in the atmosphere of the celebration as Wonwoo asks.
A strangled gulp as you nod, setting the plate down on a small mail-table before you brush past him exit out of the front door. He follows you wordlessly, from the gravel path that wraps around the house and to the backyard that overlooks the lake. You keep walking, wading through grass that comes up to your knees until you’re standing on the wooden dock, the gentle sloshing of water hitting the posts giving you something else to focus on.
Face green in the glow of the dock light overhead, it beams around the soft fog rising from the water as you hope it would swallow you up instead of you having this conversation with Wonwoo. 
“You never returned my calls,” he says, standing several feet away. His tone isn’t accusatory, it sounds hurt.
“I kept forgetting.” Liar. Nails digging into your palms as your hands clench with an anxiety that hadn’t riddled you for two years. “And you only called four times.”
“Five.”
“Four.” Resolution in your voice as you try and stand as firmly as you can. The shoes you’re wearing are pinching your heels and you want nothing more than to kick them off into the water. You turn to look at him, trying to stay calm. “Would you have picked up even if I did call back?” A tangle in your stomach as you recall having Sooyoung answer the phone for the next handful of weeks after the two of you had parted, each time he’d called Sooyoung would say you weren’t home.
He hesitates, at least his body does, the words, “Of course I would have,” escaping him before he could prepare himself with a more eloquent response.  
“You seem to be doing well,” It’s silent until you break it, noting the suit he was wearing was from a higher end retailer.
“So, do you,” a break in his voice as he notices the crack in your demeanor, “I didn’t see you at Seungcheol’s wedding, I thought he would have invited you.”
“My mother got sick, so I missed it,” you recall having to forgo the event last year. Did that mean Wonwoo had been back that soon?
“You still have the dress.” There had been a melancholy deep set into your bones that had lasted for what seemed like lifetimes, now resurfacing more and more the longer you look at him. You’d forgotten about what you were wearing, the same dress that the tailor had labored unknown hours over and that had been the figurative wedge between you and him. Maybe this was some deity’s cruel sense of irony. “I still think it’s one of the best I’ve ever made,” 
“It’s a little tighter now but it’s still one of my favorites,” you can’t lie. Be it from the laborious love that was sewn into every stitch or the bygone memories associated with it, it was and still is one of the best pieces you own.
“I really was an idiot for letting you go, wasn’t I?” Hands shoved into pockets, he’s not sure what to do with himself.
“You did what you had to.” Brow hardening, a remembrance of the last time you’d spoken.
“Don’t say it like that,” a soft plea, he’d never meant to hurt you.
“Then how should I say it?” Bitterness you thought forgotten riddles every word you pose. 
“You know I tried to visit your shop when I first came back,” Deterrent of the conversation, he looks across the water to the distant shore. “But it was empty, some guy passing by had said you packed up months earlier and just left.”
“There was a water main break, ruined most of our inventory and we had to rebuild from scratch in a new place.” You still remember the dread you’d felt that morning, walking in to find everything in shambles.
“With Joshua’s help?”
“Joshua helped.”
“Congratulations on your engagement, by the way,” eyes flickering to the ring on your finger, the light of the dock glinting off the main stone. “He’s a lucky man.”
Wonwoo sounds bitter, you can understand why but you can’t understand one thing. “Why did you come? I’m sure that Seungcheol said that I was going to be here.”
“I don’t know.” The answer is simple, but there’s a heaviness to it that you can feel. “I’m supposed to be flying out to Milan tomorrow. I guess I just wanted to see you again.”
“Did you expect me to fall into your arms, Wonwoo? To take you back?” Lip bitten, you’re sure you were going to draw blood if you kept at it any longer.
“Maybe I did when I came back last year, when I’d tried to see you.” He frowns, “I think now I want to make sure you’re happy.”
Happy. It feels as if that word dances off of the water behind you, across the sound and into the forest. Were you? The encroaching despair that had taken aim and marked you when Wonwoo had left was gone, a memory overwritten by the years that had followed, by the people who had followed. The shedding of yourself that came when he left took a while but without a doubt you can truly say this is the most complacent you’ve ever been.
The door to the lake house opens some ways behind Wonwoo, the lights from inside spreading across the lawn in an obscene spotlight on the two of you. A silhouette stands in the doorway, it’s easy to tell who the figure is as he leans against the door frame. You smile as you look at the outline of Joshua, heart swelling as it once had for the other man in front of you.
“Yeah, Wonwoo, I’m happy.”
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enjoy what you read? leave a comment! it helps with motivating us writers to keep producing content for our lovely readers ❤
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6 Writing Tips from John Steinbeck
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Pulitzer Prize winner and Nobel laureate John Steinbeck's (February 27, 1902–December 20, 1968) tips on writing, originally set down in a 1962 letter to the actor and writer Robert Wallsten, which was included in Steinbeck: A Life in Letters
Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.
Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.
Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.
If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.
Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.
If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.
But perhaps most paradoxically yet poetically, 12 years prior — in 1963, immediately after receiving the Nobel Prize in Literature “for his realistic and imaginative writings, combining as they do sympathetic humour and keen social perception” — Steinbeck issued a thoughtful disclaimer to all such advice:
If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes, but by no means always, find the way to do it. You must perceive the excellence that makes a good story good or the errors that make a bad story. For a bad story is only an ineffective story.
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txttletale · 9 months
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how would you recommend watching doctor who? there are so many different guys idk how it works.
so the thing about doctor who is that there's two shows -- classic who (1963-1989, doctors 1-7) and new who (2005-2023, doctors 9-14). due to a renumber of the seasons and a change in production company, i think it's fair to call the upcoming version of who (2023-??, doctors 15-??) its own, third show. the reason it's been able to run for so long is that when the show's lead actor, (william hartnell as the titular doctor) had to step down in 1966 due to failing health, they made up some sci-fi bullshit: the doctor's species can 'regenerate' instead of dying, instantly healing but changing their appearance and some of their personality. this means that every time a lead actor has walked away (or, in one unfortuante case, been fired) the show's just recast the doctor and moved on, often with notable changes in tone and format.
the easiest option if you don't want to backwatch anything is to start with this year's christmas special, the church on ruby road (2023). it's an obvious jumping on point to the series, introduces you to all the basic stuff (the doctor, the TARDIS, the fact that it's a silly sci-fi show about fighting weird rubber prop critters), and presumably sets up the upcoming season 1 of the disney-bad wolf version of the show that's gonna come out in may 2024.
if you do want to backwatch, you have to decide if you want to start with new who or classic who. i personally would recommend starting with new who, because there's less of it, it's got higher production values, and (imo this is the biggest obstacle to getting into classic who) it's paced in a way that makes much more sense to a modern TV viewer (self-contained 45-minute episodes). also once you're invested in the show, its main character, and some of its classic elements, you get to soyjak at the screen whenever you're watching classic who and you get to see the oirign of a monster you already recognize. you can also skip classic who entirely and never watch it, they don't bring up anything from it in the new series without giving it a new explanation, but if you do this you hate fun.
anyway, starting points for nuwho: the most obvious one is rose (2005). it's the pilot episode for the new show and imo it holds up brilliantly -- it introduces all the most basic concepts of the show, but ultimately it's really all about billie piper and cristopher eccleston's performances and they deliver. the special effects are gonna be pretty terrible for a while because it's early 2000s cg. there's no jumping on point like it for the whole of RTD's run of the show (imo, the best run of nuwho) so if you want to watch seasons 1-4 you've gotta start on rose.
another episode that's written as a jumping on-point is (heavy sigh) the eleventh hour (2011). as well as introducing matt smith's doctor and his companion amy, this also does the whole rigamarole of introducing the show's core elements, giving a nutshell recap of its history in the form of the doctor's rooftop speech, and also signal what the oncoming moffat era is going to be like (whimsical, full of complex time travel plots, way more misogynist). i'm biased -- i'm a hater, one of this episode's central plot conceits sucks real bad and i also hate the eleventh doctor's whole run. but it is meant to be a jumping on point.
there won't be another one of those in nuwho until the pilot (2017). this begins moffat's final season with which he made the odd but extremely welcome decision to jettison all his convoluted continuity shit from the last five seasons and refocus the show with the doctor being a professor at bristol university with a mysterious secret. i think season 10 is a hidden gem and if you find starting from rose daunting this is the next best place to pick up. capaldi's doctor is a delightful abrasive eccentric with a heart of gold at this point in his run & the stories are wall-to-wall bangers with only a couple misses.
finally, you could start on the woman who fell to earth (2018), the first episode to feature jodie whittaker's 13th doctor and head writer chris chibnall. i'd recommend this even less than the eleventh hour, because while i actually like it more, i think it's a much worse preview of what the upcoming era is going to be like than that one. if you watch the woman who fell to earth and keep watching from the start of whittaker's run on the show off the back of it, you're going to be severely disappointed as most of the more promising aspects of the episode get instantly abandoned.
so, summary, if you're starting with nuwho, there's five jumping on points, which i'd rank:
rose > the pilot > the church on ruby road > the eleventh hour > the woman who fell to earth
but i want to start with classic who because i'm a contrarian
alright. classic who also has a few jumping off points -- before i mentioned them, let me just talk about that format thing i mentioned earlier. classic who doesn't have self-contained episodes for the most part, but rather for most of its run told each of its episodic narratives across between two and seven 20-minute episodes. this leads to a lot of weird pacing, forced cliffhangers, and infamously a lot of filler shots of the doctor running up and down identical corridors. so obvsies i'm recommending entire stories here nad not individual episodes. that said, let's look at where you could jump on:
an unearthly child (1963). this is, like, the start of the show. that said i don't recommend it as a place to start (funnily enough), for a couple reasons. firstly, because of dreadful fucking archiving by the BBC, a lot of episodes from the show's first six seasons are straight up missing. some of them have been animated by the BBC from surviving audio recordings, but some of them are just straight up lost -- due to the format, this means there's very few full complete stories, which makes this whole era really hard to navigate. if you don't mind that and really want to start in the black and white era, i'd still recommend the tomb of the cybermen (1967) instead -- hartnell's portrayal of the doctor as a haughty, slightly impish old professor is great, but troughton basically defined the character's core traits for the next sixty years.
spearhead from space (1970) is a pretty big format upheaval for the show and so serves as a pretty great classic jumping-on point. it's the first episode to be in colour, and sets up a new status quo for the doctor as being trapped on earth and working for an elite paramlitary organization called UNIT that operates out of a ratty office. it's an interesting premise that the show gets some great stories out of. the special effects are bad in the best way. pertwee has instant charm in the role and it's all around a banger by classic standards.
if you want to jump right to the one all the boomers are nostalgic for, you can also start with robot (1974). i wouldn't recommend it, though--tom baker is electric in the role from the start, but the episode itself kind of assumes a lot of the context of the third doctor's setup and supporting cast which you're not gonna have.
i wouldn't recommend anyone start at any point during the fifth or sixth doctors runs because i want them to actually like the show, so i guess the last jumping on point i could really recommend after robot would be, like, dragonfire (1987), which heralds the show's short-lived renaissance with the seventh doctor and his best companion, ace. but although you'd be watching some of the absolute best the classic show ever gets, it feels like it would be a weird and disorienting place to start.
finally, you could watch tales of the tardis (2023), a limited series produced to celebrate the show's 60th anniversary. each episode follows the same format: through a vaguely handwaved Palace of Memories plot, two much-aged characters from the classic series meet up and fondly remember one of the adventures they shared. the bookends with the original actors are mostly shameless fanservice, but the episodes they're reminiscing about are superbly edited down into a much more watchable format -- it works as a good 'sample platter' for most eras of the show (although, weirdly, there wasn't anything from tom baker's run!) and i think it honestly wouldn't be a bad shout to just start from tales of the tardis and then keep watching from whichever of the stories featured in it you liked most. that all said, if you want to start with classic who, i'd rank these jumping on points as follows:
spearhead from space > tales of the tardis > tomb of the cybermen > dragonfire > robot > an unearthly child
all that shit said it's fundamentally a very episodic show with very few exceptions like trial of a time lord and whatever moffat was doing seasons 6-7 so in the end you can basically just start with any episode and more or less get some of the idea. have fun and make sure to do the most important job of a doctor who fan, update the tardis wiki page for penis whenever one is mentioned
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lookingforhappy · 2 months
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TUA Inconsistencies, Plotholes and Goofs
before u read, pls know that i adore this show and wouldn't be critiquing it this harshly if i wasn't utterly obsessed with it.
I don't think that all of these need fixes or explanations since they function as fun little plot devices etc but I think it's important to note that they do break the story a little. although there are some that really do need fixes.
this comes from a place of interest, analysis, and frustration but not hate.
(also apologies to all the gifmakers who i have indirectly @'d in this post)
here's a list of all the problems i could remember in tua:
The Commission is too OP
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(this one I saw posited by another blog but I can't remember who first brought it up? so credit to whoever said this first i think)
The Commission is shown to be capable of:
time travel
time freezing
body cloning & consciousness transplanting (essentially, their workers can live forever because they can build new bodies and transfer their minds as soon as they start to get old/ill)
paradox-proofing
timeline monitoring/spying (the Infinite Switchboard)
if the Commission has had the ISB all along + infinite time + unaging employees, then they have been able to watch every second of history, and every second of every alternate history ever (Lila watches the timeline Five rewound/erased).
If they can see every second of every possible history, then even if they're the most inefficiant organisation ever, they're able to know everything before it/they even exist.
which makes more or less every plot point impossible:
Five would not have been able to return to 2019 without being spotted and hunted down by people who know exactly what he looks like (13yro not 58 yro), exactly where he is (also making the tracker in his arm, and in the sweet wrapper, redundant), and exactly when he's vulnerable eg. when he sleeps, is injured or drunk.
The Handler would not have been able to hide in 1963 and plot against the Commission without being spotted by the Commission and killed/fired. Same thing goes for stealing and hiding multiple Briefcases.
The 1963 Apocalypse would not have been allowed to happen as the Commsission would have had Viktor killed long before it happened.
The Kugelblitz wouldn't have happened because the Commission would have seen it decades or centuries in advance and prevented it (this should be top priority because this is what kills them!).
Herb and Dot's Goals for the Commission
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In s1 the Commission wants a very specific timeline to take place (aka the apocalypse) with no deviations, and are willing to do anything and everything to make it so.
Herb and Dot seem more than happy to go along with this, and even believe that the Commission is correct for doing this.
Dot in particular is the Case Manager for the apocalypse, meaning she is the one who spotted Five when he arrived as a 13yro and left him there to die/live a life of pain and isolation. She also was chiefly responsible for ensuring the deaths of 7 billion people including all the Hargreeves' for "the greater good".
Dot is actually seen snitching on Five to The Handler, was implied to be working with The Handler to prevent Five from stopping the apocalypse, and is the one to alert security/sound the alarm when Five starts fighting The Handler.
So it's pretty weird that in s2 and 3 Herb and Dot are suddenly fine with the apocalypse not happening. It's one thing to change management, and another to completely uproot the entire mission statement/ethos of the Commission. The Commission, from the moment Herb and Dot gain control, has no goal or purpose. because they gave up that purpose when they agreed to let the Hargreeves go to an apocalypse free 2019.
This is also weird as Five is completely fine and trusting of them at the end of s2, when all they've done so far to him is prove that they cannot be trusted and will do anything to cause the apocalypse, as well as having left him to suffer alone in an apocalypse for 45 years as well as force him to join the Commission and become a murderer (or else die alone).
The Two Fives + The Briefcase
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old!Five doesn't take his Briefcase to 2019 in the original timeline.
So why don't Five and Luther wait until old!Five has left for 2019 to pick his Briefcase up off the ground, where it's entirely unguarded and completely abandoned, and avoid the Paradox Psychosis altogether.
old!Five wasn't in the timeline or remotely near enough to Five to cause Paradox Psychosis when Five originally came up with this plan.
The Grandfather Paradox + Similar Goofs
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TUA Time Travel operates on branching/alternate timelines, like Loki, not on a loop/predestined, like HP, and not on one single malleable timeline, like Back to the Future. ergo The Grandfather Paradox cannot exist within the show.
As soon as Five averts the 2019 apocalypse, his existence would trigger a paradox as without the apocalypse he never got trapped and has no reason/knowledge to return to 2019 to prevent it.
Same thing for S2, the only reason the nukes aren't dropped in S2 is bc Five saw it happen and time travelled back to prevent it, but as soon as that apocalypse is prevented, the nukes are never dropped, and so he never sees the apocalypse happen and therefore cannot know to prevent it.
In fact, the very first episode of S2 as a whole should cause the Grandfather Paradox, by the shows own laws: as by causing a nuclear apocalypse, their mothers were never born/did not survive long enough to birth them -> so they cannot be alive -> they cannot time travel -> cannot cause an apocalypse in 1960s -> the mothers were born -> and around and around and around.
A similar goof happens in S2, as Five helps his older self return to 2019 without de-aging himself. Five is concerned that he will cease to exist if his other self doesn't travel to 2019, but his older self does travel back. But as a 58 year old man. However, Five himself doesn't turn into a 58 year old man as he should have if this was a singular malleable timeline. Hence, he needn't have worried as they created a separate branching timeline rather than edit their own timeline.
so essentially, they're creating entirely new alternate timelines and nothing they do changes their own experiences, lives, memories or bodies.
It doesn't matter that their mothers were killed before they were born in the sparrow timeline, because they're not from this branch and therefore still have mothers in their original timeline. which is proven to not affect their current selves.
Which... breaks the entire plot of S3.
(S3 may have also caused another paradox as the reset causes Five to regain his arm, and lose the tattoo, possibly meaning he doesn't found the Commission, meaning essentially none of the series can even start as Five cannot leave the apocalypse without the Commission).
Polk Salad Annie
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Five travels to 1982, Wisconsin, to kill the Commission Board. yet he has no Briefcase, cannot time travel on his own, and is shown to meet The Handler separately rather than be picked up by her for transport.
(If Lila took him, then surely he would have attempted to steal the Briefcase from her rather than go through with the plan.)
furthermore, 1982 should be inaccessable. or at least, it should be a nuclear wasteland.
At this point, the events culminating in the prevention of the apocalypse haven't started: The Handler is not in control of the Commission, so Lila can't kidnap Diego to work for them, so he can't find the ISB and discover Viktor is the cause of the apocalypse, so Klaus doesn't know to take Ben to the FBI building, so the apocalypse can't be prevented. Five's action in 1982 is what sets that in motion (The Handler seizes control of the Commission), but 1982 doesn't exist in this timeline, so how does that work?
Five and the Commission don't seem to know how to Timeline hop, only how to create new timelines, and how to move backwards and forwards on their current timeline.
The only way to make 1982 accessable is to remove Viktor from the timeline or prevent the FBI from capturing him. Which they didn't. So how can Five get there.
The 7 Bells
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Reginald's reasoning for adopting the superkids is to send them to Oblivion to use it to reset the Universe. He needs himself and a minimum of 7 superkids to do this, any less and Oblivion won't activate, and without him there to program it, nothing changes.
In the Original Timeline, his plan is foiled in 2002 when he looses Five, and he doesn't try to rectify it. Then again in 2006 when he looses Ben, and yet again doesn't rectify it.
He screws himself over even worse by killing himself in 2019, as now he cannot even go to Oblivion to program it. Klaus could theoretically summon or be possessed by Reginald, but once again, Reginald only has 5 out of 7, and with Klaus indisposed by summoning Reginald, he only has 4 available to power Oblivion.
Even stranger, he could have adopted spares for if situations like Five and Ben happen, in the form of the Sparrows, but he chose not to.
its also a strange choice to build the academy(s) as public superheroes, as he chose to send his only 7 children into life threatening situations repeatedly, which nearly killed Luther, probably nearly killed sparrow Ben, and did kill umbrella Ben.
He also admits that he purposefully stunted the Umbrella's powers, which contradicts his Oblivion plan, where they need to fight 3 near-immortal Guardians. it also contradicts his words to Klaus in s1 - that he's disappointed because Klaus never reached his true potential. Which, if he killed himself with the plan to have Klaus summon him to reprogram Oblivion, he would need Klaus at full power to be able to do that at all.
The Sparrows also don't seem to have this issue, they have great control of their powers, Ben especially. so why bother stunting one lot of kids, but not the other.
Smaller Goofs
-Luther being normal not monkey in 2015 (1x03) when he had his accident in 2012 (1x04) is a big goof up
-klaus not reanimating in the original apocalypse with five remains unexplained
-in s1 the commission is set in 1955 (1x06), in s3 it's set in 1953 (3x07) and this remains unexplained
-klaus was kidnapped in just a towel but Hazel and Cha-Cha have his jacket for some reason
-all of the Founder Five plotline bc there is no given reasoning for why Five would willingly go against all of his morals and create the organisation that caused him pain (both emotional and physical) and got his family killed.
-if Luther was on the moon for a purpose, why not have him running useful tests to make sure Abigail's pod remains functioning? or acting as a sentry to make sure no one sends an exploration mission to the moon/behind the moon? why just have him send samples, that reginald never even opens, every day for 4 years? and how could sparrow reginald know what umbrella reginald planned for Luther? they're different people.
-edit: 12/07/24 the newspaper Five finds in the apocalypse is dated as 1st April, but when he finds the same newspaper at the end of season 1, it's still March 31st and Diego says that newspaper was sold that morning.
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moon-simmers · 5 months
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ARGENTINIDAD
🇦🇷 A Argentinian Historial Sim Download A few weeks ago my historical tumblr with things related from my country took a lot of relevance, thanks to many resources I realized that there are many people who are interested in having several argentinian sims in their game, so this is for them and everyone interested in the history of different countries (or who need some sim for their game lol).
[More photos, info and download below]
These sims are originally from my Women's Day post inspired by female historical figures from different decades in Argentina. They are doctors, lawyers, writers and much more. But there is a bonus included which is two new sims = Corina Kavannagh and Lola Mora.
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Corina Kavanagh. 1890-1984.
Corina Kavanagh was an Argentinian rancher known for the Kavanagh Building , the tallest concrete skyscraper in Argentina and South America at the beginning of the last century. This building has a legend that says it was built because Corina fell in love with a man of the Anchorena family, one of the most illustrious surnames in Argentina. The Anchorena's were an aristocratic and landowning dynasty with a Basilica which they could see from their mansion. Corina had a wealthy family but they looked down on her as a "nouveau riche" with no lineage, so the Anchorenas prohibited her from having a relationship with one of their members. Corina bought the land between the basilica and the mansion and built 120 meters of concrete so that they could not see the church. Since 1936, the only way for the Anchorena family to visit their Basilica was through the Corina Kavanagh passage.
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(Lola) Dolores Candelaria Mora. 1866-1936.
The most flattered and discussed Argentine sculptor of her time, the artist who scandalized the society of her time, died in poverty and was vindicated by time. She began studying portrait and drawing in Tucumán and then obtained a scholarship in 1896 to perfect herself in Rome where she changed drawing for sculpture. There she was highly praised and in 1900 the artist decided to return to the country, where she obtained several state commissions, including the Fountain of the Nereids in 1903. She also faced controversy due to the nudity of her figures, and in her workshop it was common to find her working with pants on the structures of the sculptures.
DOWNLOAD:
Listed below are all the sims to download and with a view of their outfits.
CUSTOM CONTENT NEEDED (Not included)
THE CC FOR EACH ONE IS LISTED HERE
Each zip includes a file explaining how to install it.
It is a google document with all the cc of each creator (some links go to simfileshare because they are cc of some deactivated creator).
AT THE BOTTOM IS LISTED ONE SHEET FOR EACH SIM
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SIMS DOWNLOAD:
Mariquita J. P. Sánchez de Thompson. 1786-1868
[SIMFILESHARE]
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Felicitas A. G. Guerrero. 1846-1872
SIM: [SIMFILESHARE]
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Cecilia Grierson. 1859-1934.
SIM: [SIMFILESHARE]
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(Lola) Dolores Candelaria Mora. 1866-1936.
SIM: [SIMFILESHARE]
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Julieta Lantari. 1873-1932
SIM: [SIMFILESHARE]
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María Angélica Barreda. 1888-1963.
SIM: [SIMFILESHARE]
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Corina Kavanagh. 1890-1984.
SIM: [SIMFILESHARE]
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Amalia Celia Figueredo de Pietra. 1895-1985.
SIM: [SIMFILESHARE]
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Victoria Ocampo 1890-1979
SIM: [SIMFILESHARE]
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Finlandia Pizzul. 1902-1987.
SIM: [SIMFILESHARE]
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KO-FI / CAFECITO
289 notes · View notes
traincat · 6 days
Note
hey!
I recently made a post about wanting to understand the concept of Spideytorch more, and was directed to your blog! If it's not too much of an ask, could you break down their relationship for me?
Sure! I can do that. I'm going to refer back to your post just as a jumping off point -- Spideytorch is definitely, 100% a comics-based thing. Prior to the upcoming Fantastic Four MCU film, the film rights for both characters have never been held by the same company, and "crossover" films are very much a product of the MCU, although ironically Andrew Garfield did once say he wanted Michael B Jordan, who played Johnny in the 2015 Fantastic Four film, to play his Peter's love interest.
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Thank you for your service, Andrew.
But while it is comics-based, it's a very different scenario than Spideypool, where the comics are very much based on their popularity as a duo in fandom. I'm not a Spideypool fan, just as like a disclaimer, but as someone interested in the symbiotic relationship between fandom and superhero comics, Spideypool is really interesting because their popularity came first -- they got that team up comic because they were already popular in fandom, they didn't become popular in fandom because they had the team up comic. So it's a really interesting look at how fan activity influences the connections comic characters have. That's not the case with Spideytorch.
(I'm not saying one of those things is inherently better than the other, but since you mentioned Spideypool and their team up comic in your post, I thought it made for an interesting comparison.)
Peter and Johnny literally meet in Amazing Spider-Man #1, back in 1963. The two premier teen heroes of the day, they have a lot of early interaction because they played well off each other -- Peter, a broke loner, was often jealous of Johnny's fame and money, whereas Johnny bemoaned his girl problems compared to chick magnet Peter. (Johnny's girlfriend at the time literally asked him why he couldn't be more like Peter.) They're both pretty big personalities, so there was a lot of pigtail pulling in the early days, but even when they argued there was always a sense that they genuinely liked each other deep down. For Peter, who didn't have friends in the business, Johnny was someone he could rely on, and for Johnny -- who just, like, did not have friends at all until he got to college -- Spider-Man was a peer, someone he looked up to and admired.
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(ASM #3)
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(ASM #8)
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(Strange Tales Annual #2 -- this is the first appearance of Johnny and Peter's "usual place," the Statue of Liberty. Iconic.)
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(ASM #19)
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(ASM #127)
As Johnny and Peter grew up, the frequency of their team ups faded a little, but their lives have always intersected. In some ways, they've run in parallel. They went to college at the same time, got married at the same time. (Peter's marriage was solid until he sold it to the devil; Johnny's faltered after a decade because sometimes you think you marry someone but they're actually a shapeshifting alien from outerspace who was sent to kill your family. Peter is one of the very few people who Johnny told about that in the aftermath.) Peter unmasked to Johnny, told him his identity, one of the very few people he's done that for. When Johnny "died" (he got better), he left Peter his place on the Fantastic Four. And then, when Johnny came back from the dead, the first person he saw on the other side was Peter.
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(FF #1)
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(ASM #657, titled Torch Song)
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(Fantastic Four #601)
They've lived together, fought together, shared their lives with each other. They trust each other, bone deep, despite their squabbles and differences. It's always been a love connection, however you define that love. It's a connection that has existed from 1963 until today, across multiple fictional universes and continuities. For me, the appeal of them has always been not just their chemistry but also their history.
Also they're just a lot of fun.
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(FF #17)
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(Fantastic Four v5 #14)
I have a long list of important comics for them in chronological order here, if you want to read more: https://traincat.tumblr.com/post/123691883369/so-ive-only-recently-gotten-into-spidertorch
I hope that helps clear up the history a little bit!
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gardenschedule · 8 months
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Quotes about John Lennon’s sexuality
This is just a reference post for convenience, not an analysis (but I’ve added some comments here and there). This is extremely long with a lot of quotes! And where there's smoke there's fire, imo.
John's (internalized) homophobia: Starting with this topic to provide context & contrast to the rest of this post
At the party the boys’ old friend Bob Wooler, the Cavern emcee, made a crack to John about his holiday. John, who’d had plenty to drink, exploded. He leapt on Bob, and by the time he was dragged off Bob had a black eye and badly bruised ribs. I took John home as fast as I could, and Brian drove Bob to the hospital.
I was appalled that John had lashed out again. I’d thought those days were over. But John was still livid, muttering that Bob had called him a queer.
Cynthia Lennon, John
[Bob Wooler had] insinuated that me and Brian had had an affair in Spain. I was out of me mind with drink. You know, when you get down to the point where you want to drink out of all the empty glasses, that drunk. And he was saying, ‘Come on, John, tell me’ – something like that – ‘Tell me about you and Brian, we all know.’ And obviously I must have been frightened of the fag in me to get so angry. You know, when you’re twenty-one, you want to be a man, and all that. If somebody said it now, I wouldn’t give a shit.
John Lennon, John Lennon: For The Record, Peter McCabe and Robert D Schonfeld
“The Beatles’ first national coverage was me beating up Bob Wooler at Paul’s 21st party because he intimated I was homosexual. I must have had a fear that maybe I was homosexual to attack him like that and it’s very complicated reasoning. But I was very drunk and I hit him and I could have really killed somebody then. And that scared me… That was in the Daily Mirror, it was the back page…”
John Lennon, talking about a (one sided) fight he had with Cavern DJ Bob Wooler at Paul’s 21st birthday party in 1963.
Everyone in Liverpool knew that Epstein was gay, and some kid in the audience screamed, ‘John Lennon’s a fucking queer!’ And John – who never wore his glasses on stage – put his guitar down and went into the crowd, shouting, ‘Who said that?’ So this kid says, ‘I fucking did.’ John went after him and BAM, gave him the Liverpool kiss, sticking the nut on him – twice! And the kid went down in a mass of blood, snot and teeth. Then John got back on the stage. ‘Anybody else?’ he asked. Silence. ‘All right then. “Some Other Guy”.’”
Lemmy Kilmister, White Line Fever: The Biography. (2004)
“Victim in 1961 was one of the first British films to deal properly and thoughtfully with the subject. Dirk Bogarde welcomed the opportunity to play the homosexual barrister, and there were some very tense scenes between him and his wife, Sylvia Syms. In one scene, Dirk Bogarde lifts his garage door at the back of the mews to discover that someone has painted graffiti about him on the wall. The Beatles were sitting together at a Cavern lunchtime session and John Lennon, who was talking to Paul and George, was making biting remarks about Victim, which was on at the Odeon. I knew by then that Brian was what he was, and I thought, ‘Well, I am surprised at John, who is 21 and a young man of the world.’ He was making such nasty, puritanical observations, but I never said anything as they didn’t know that I was listening.”
Bob Wooler, c/o Spencer Leigh, The Best of Fellas: The Story of Bob Wooler. (2002)
If somebody is going to manage me, I want to know them inside out. He told me he was a fag.
 I like “Honky Tonk Woman” but I think Mick’s a joke, with all that fag dancing, I always did
I think its concept is revolutionary, and I hope it’s for workers and not for tarts and fags.
I don’t know about the “history”; the people who are in control and in power, and the class system and the whole bullshit bourgeoisie is exactly the same, except there is a lot of fag middle class kids with long, long hair walking around London in trendy clothes
I don’t dig that junkie fag scene he lives in; I don’t know whether he lives like that or what.
Casual homophobia in Lennon Remembers (Notable for the increase in homophobic language post-primary scream therapy, here is some interesting speculation about how these two things are related)
The violence that had been building inside John Lennon all night came bursting out the moment he left the studio. It struck so fast and unexpectedly that it stunned May Pang. She recalled that John was walking unsteadily toward the parking lot when suddenly he cast a drunken look over his shoulder at Jesse Ed Davis. Running over to him, Lennon gave Jesse Ed a passionate kiss on the mouth. Not to be outdone, Jesse Ed grabbed John and kissed him back. Lennon screamed, “F****t!” — and knocked Jesse flat on his ass.
The Lives of John Lennon by Albert Goldman (May Pang, describing an incident during the recording of Rock 'n' Roll in 1973: p.564)
It turned into a full-on fight. John was incredibly strong! He got me in some kind of a hold behind my back that I could not get out of, like a full nelson. And he started to kiss me on the mouth! He was laughin’ and kissin’ me on the mouth. I was strugglin’ to git away and I couldn’t git away. Then he stuck his tongue in my mouth. God! So I bit him. Bit him on the tongue. That pissed him off. So he grabbed the marble ashtray that we couldn’t break and banged me on the head. Knocked me cold.
The Lives of John Lennon by Albert Goldman (a direct quote from Jesse Ed Davis about a different night: p. 576-577)
Alternatively, he could be openly supportive:
Why make it sad to be gay? Doing your thing is O.K. Our bodies our own So leave us alone Go play with yourself – today.
A poem submitted for Len Richmond and Gary Noguera's Gay Liberation Handbook, on 30 May 1972
John spreading rumours: John (and Yoko) had a propensity for intentionally spreading rumours about his sexuality, with many people claiming that he found it funny. Multiple people refused to believe his own words about his experiences or willingness with men.
John told me he had had a one-night stand with Brian, on a holiday with him in Spain, when Brian had invited him out, a few days after the birth of Julian in 1963, leaving Cyn alone. I mentioned this brief holiday in the book, but not what John had alleged had taken place. Partly, I didn't really believe it, though John was daft enough to try almost anything once. John was certainly not homosexual, and this boast, or lie, would have given the wrong impression. It was also not fair on Cynthia, his then wife.
Hunter Davies, The Beatles: The Authorised Biography (updated edition, 2010)
John himself said he finally allowed Brian to make love to him “to get it out of the way.” Those who knew John well, who had known him for years, don’t believe it for a moment. John was aggressively heterosexual and had never given a hint that he was anything but.
Tony Bramwell, Magical Mystery Tours: My Life With The Beatles, 2014
John roared with laughter at the rumours that began afterwards. Typically, he encouraged the stories that he and Brian were gay lovers because he thought it was funny and John was one of the world’s great wind-up merchants. He told me afterwards in one of our frankest heart-to-hearts that Brian never seriously did proposition him. He had teased Brian about the young men he kept gazing at and the odd ones who had found their way to his room. Brian had joked to John about the women who hurled themselves at him. ‘If he’d asked me, I probably would have done anything he wanted. I was so much in awe of Brian then I’d have tried a night of vice-versa. But he never wanted me like that. Sure, I took the mickey a bit and pretended to lead him on. But we both knew we were joking.
Alistair Taylor, With The Beatles, 2003
Years later, John finally came clean about what had happened: not to anyone who’d been around at the time, but to the unshockable woman with whom he shared the last decade of his life. He said that one night during the trip, Brian had cast aside shyness and scruples and finally come on to him, but that he’d replied, “If you feel like that, go out and find a hustler.” Afterward, he had deliberately fed Pete Shotton the myth of his brief surrender, so that everyone would believe his power over Brian to be absolute.
Philip Norman, John Lennon: The Life, 2008
The next night Elliot [Mintz] took us out with a friend of his, Sal Mineo, and we all went to a gay cabaret/discotheque. John was oblivious to the gay ambience. He was curious about everyone’s sexuality and liked to gossip about who was sleeping with whom, whether they were gay or straight. John made no judgements about homosexuality but was really curious about who was and who wasn’t gay.
He knew that his appearance at a gay club might start rumors about his own sexuality, and it made him laugh. He told me that there had been rumors about him and his first manager, Brian Epstein, and that he usually didn’t deny them. He liked the fact that people could be titillated by having suspicions about his masculinity. Then I was the one who was laughing. “How could anyone believe a man who likes women as much as you do is gay?” I told him.
May Pang’s Loving John (1983).
Q. Have you ever fucked a guy?
A. Not yet, I thought I’d save it til I was 40, life begins at 40 you know, tho I never noticed it.
Q. It is trendy to be bisexual and you’re usually ‘keeping up with the Jones’, haven’t you ever… there was talk about you and PAUL…
A. Oh, I thought it was about me and Brian Epstein… anyway, I’m saving all the juice for my own version of THE REAL FAB FOUR BEATLES STORY etc.. etc..
John Lennon self interview for Andy Warhol’s Interview Magazine (November 1974).
John: Yes, all your best friends let you know what's going on. I was trying to put it 'round that I was gay, you know-- I thought that would throw them off... dancing at all the gay clubs in Los Angeles, flirting with the boys... but it never got off the ground.
Q: I think I've only heard that lately about Paul.
John: Oh, I've had him, he's no good. [Laughter]
John Lennon, interviewed by Lisa Robinson for Hit Parader: A conversation with John Lennon (December 1975).
“It’s great,” Ono laughs. “I mean, both John and I thought it was good that people think we were bisexual, or homosexual.” She laughs again.
“Uh, well, the story I was told was a very explicit story, and from that I think they didn’t have it [sex],” Ono tells me. “But they went to Spain, and when they came back, tons of reporters were asking, ‘Did you do it, did you do it?’ So he said, ‘I did it.’ Isn’t that amazing? But of course he would say that. I’m sure Brian Epstein made a move, yeah.”
And Lennon said no to Epstein?
“He just didn’t want to do it, I think.”
Yoko Ono: I Still Fear John’s Killer by Tim Teeman for the Daily Beast (13 October 2015).
Over dinner the Wenners learned the secrets of the Beatles kingdom from Ono, who would often suggest to Wenner that John Lennon was gay. “She’s always hinted that there was some gay component to John,” said Wenner, “but in a vague or generalized way, like, ‘Isn’t everybody gay?’ Or, ‘I always told John he was gay.’ ” (She also told McCartney this theory after Lennon died, which he didn’t believe.)”
Joe Hagan, Sticky Fingers: The Life and Times of Jann Wenner & Rolling Stone Magazine. (2017)
On the other hand, he supposedly hated the rumours:
Claims have been made since that Brian and John had a gay relationship. Nothing could be further from the truth. John was a hundred per cent heterosexual and, like most lads at that time, horrified by the idea of homosexuality.
It was a holiday John came to regret because it sparked off a string of rumours about his relationship with Brian. He had to put up with sly digs, winks and innuendo that he was secretly gay. It infuriated him: all he'd wanted was a break with a friend, but it was turned into so much more.
Cynthia Lennon, John, 2005
And I just went on holiday. I watched Brian picking up the boys. I like playing a bit faggy, all that. It was enjoyable, but there were big rumours in Liverpool, it was terrible. Very embarrassing. Rumors about you and Brian? Oh, fuck knows—yes, yes. I was pretty close to Brian because if somebody's going to manage me, I want to know them inside out.
John Lennon, Jann S. Wenner, Lennon Remembers, 1970
Unfortunately, certain Liverpool acquaintances (who had no way of knowing that there was a kernel of truth to their allegations) wouldn't let John hear the end of it. All in good fun, no doubt, but John was still too enamored of his macho self-image to take lightly any inference that he was anything less than 100 percent heterosexual.
The Beatles, Lennon, and me - Pete Shotton
John's comments about his sexuality:
It’s just handy to fuck your best friend. That’s what it is. And once I resolved the fact that it was a woman as well, it’s all right. We go through the trauma of life and death every day so it’s not so much of a worry about what sex we are anymore.
John Lennon, interview w/ Jonathan Cott for Rolling Stone: Yoko Ono and her sixteen-track voice. (March 18th, 1971)
I just realized that [Yoko] knew everything I knew, and more, probably, and it was coming out of a woman’s head. It just sort of bowled me over, you know? And it was like finding gold or something. To find somebody that you can go and get pissed with, and have exactly the same relationship as any mate in Liverpool you’d ever had, but also you could go to bed with him, and it could stroke your head when you felt tired, or sick, or depressed. It could also be Mother. And obviously, that’s what the male-female – you know, you could take those roles with each other.
John Lennon, interview w/ Peter McCabe and Robert D. Schonfeld c/o Peter McCabe and Robert D. Schonfeld, John Lennon: For The Record. (September 5th, 1971)
It’s a plus, it’s not a minus. The plus is that your best friend, also, can hold you without… I mean, I’m not a homosexual, or we could have had a homosexual relationship and maybe that would have satisfied it, with working with other male artists. [faltering] An artist – it’s more – it’s much better to be working with another artist of the same energy, and that’s why there’s always been Beatles or Marx Brothers or men, together. Because it’s alright for them to work together or whatever it is. It’s the same except that we sleep together, you know? I mean, not counting love and all the things on the side, just as a working relationship with her, it has all the benefits of working with another male artist and all the joint inspiration, and then we can hold hands too, right?
John Lennon, interview w/ Sandra Shevey. (Mid-June?, 1972)
I was on holiday with Brian Epstein in Spain, where the rumours went around that he and I were having a love affair. Well, it was almost a love affair, but not quite. It was never consummated. But it was a pretty intense relationship. It was my first experience with a homosexual that I was conscious was homosexual. He had admitted it to me. We had this holiday together because Cyn was pregnant, and I went to Spain and there were lots of funny stories. We used to sit in a cafe in Torremolinos looking at all the boys and I’d say, ‘Do you like that one, do you like this one?’ I was rather enjoying the experience, thinking like a writer all the time: I am experiencing this, you know.
John Lennon, Rolling Stone, 1980
I was thinking, if only I could get out of Liverpool, be famous and rich, that would be great. I’ve always wanted to be a famous artist, you know? Possibly I’d have to marry a very rich old lady… or man, you know… to… to look after me while I did my art. But then Rock & Roll came and I thought ‘Ah, this is the one’, so I didn’t have to marry anybody or live with them, you know?
John Lennon interview
There was even some discussion, albeit not very serious, of whether he should stick to his own gender. “John said ‘It would hurt you like crazy if I made it with a girl. With a guy, maybe you wouldn’t be hurt, because that’s not competition. But I can’t make it with a guy because I love women too much, and I’d have to fall in love with the guy and I don’t think I can.’”
John Lennon: The Life
I look at early pictures of meself, and I was torn between being Marlon Brando and being the sensitive poet – the Oscar Wilde part of me with the velvet, feminine side. I was always torn between the two, mainly opting for the macho side, because if you showed the other side, you were dead.
John Lennon, December 5th, 1980
“John believed in my work as an artist wasn’t accepted in part because I am a woman. He got angry when people said about me, “She’s not a woman, she’s a female impersonator.” John said to me, “If I had been gay and gotten together with a guy who was talented like you, after ten years that guy would have become famous as an artist in his own right. Maybe we should come out and say, ‘Actually, Yoko is a guy.’ Maybe that will do it!”
Yoko Ono, interview w/ Jon Wiener, c/o Jon Wiener, Come Together: John Lennon In His Time. (1984)
In this intense, intimate and revealing original cassette recording of a private conversation in 1969 between John Lennon and Yoko Ono, the couple speaks primarily about Yoko’s past relationships, her music and art, and their random views on sex, love, promiscuity, and homosexuality. […] [Lennon] adds that he had never met an attractive woman that had sexually aroused him to any great degree.
Description of the 45-minute audiotape auctioned in 2009 by Alexander Autographs.
Yoko's comments about his sexuality:
“Well, that’s another thing. John and I had a big talk about it, saying, basically, all of us must be bisexual. And we were sort of in a situation of thinking that we’re not [bisexual] because of society. So we are hiding the other side of ourselves, which is less acceptable. But I don’t have a strong sexual desire towards another woman.”
Did Lennon have sex with other men?
“I think he had a desire to, but I think he was too inhibited,” says Ono.
“No, not inhibited. He said, ‘I don’t mind if there’s an incredibly attractive guy.’ It’s very difficult: They would have to be not just physically attractive, but mentally very advanced too. And you can’t find people like that.”
So did Lennon ever have sex with men?
“No, I don’t think so,” says Ono. “The beginning of the year he was killed, he said to me, ‘I could have done it, but I can’t because I just never found somebody that was that attractive.’ Both John and I were into attractiveness—you know—beauty.”
Yoko Ono: I Still Fear John’s Killer by Tim Teeman for the Daily Beast (13 October 2015).
"As mild and oblique as the comment was [Paul's "You took your lucky break and broke it in two" line from "Too Many People"], it seemed to cut John to the heart. On top of the questionnaire inside theMcCartney album and the lawsuit, it was like the tipping point between a divorcing couple that turns love into savage, no-holds-barred hostility. Indeed, John's wounded anger was more that of an ex-spouse than ex-colleague, reinforcing a suspicion already in Yoko's mind that his feelings for Paul had been far more intense than the world at large ever guessed. From chance remarks he had made, she gathered there had even been a moment where - on the principle that bohemians should try everything - he had contemplated an affair with Paul, but had been deterred by Paul's immovable heterosexuality. Nor, apparently, was Yoko the only one to have picked up on this. Around Apple, in her hearing, Paul would sometimes be called John's princess. She had also once heard a rehearsal tape with John's voice calling out "Paul ... Paul ... " in a strangely subservient, pleading way. "I knew there was something going on there," she remembers. "From his point of view, not from Paul's. And he was so angry at Paul, I couldn't help wondering what it was really about.""
Philip Norman, John Lennon: The Life, 2008
I’m sure that if he had been a woman or something, he would have been a great threat, because there’s something definitely very strong with me, John, and Paul.
Yoko Ono, Revolution Tape, June 4th 1968
Friends & acquaintances comments on his sexuality:
I realised I was probably bisexual; there was nothing to be ashamed of in this – John Lennon had reputedly spoken to mutual friends of his own experiments.
Who I Am: A Memoir, Pete Townshend 2012
PAUL: There were lots of people asking cheeky questions, and they were always saying, “Well, why–have you ever tried homosexuality, John?” You know, they always used to ask all that kind of stuff. I remember John saying to them, “No, I’ve never met a fella I fancy enough.” And that was his kind of opinion. You know, “I may go–I may be gay one day, if some fella really turns me on.” He was–he was that open about it. But as far as I was concerned, I slept in a million hotel rooms–as we all did–slept in a million places with John, and there was never any hint of it.
December 24th, 1983: interview with DJ Roger Scott
“And you, Icke?” asked Paul. “Who’s your favourite author?” “Henry Miller. I think he’s very good,” I said. In that moment John suddenly looked over at me. Until then he had been watching Bettina, the bar lady, rinsing glasses and tidying up the bar, with his typical somewhat blasé expression. Our discussion hadn’t seemed to interest him much. Now he was looking directly into my eyes. Quietly and without taking his eyes off me, he walked around the whole counter over to me, planted a kiss on my mouth and went back to his spot. At first, I was quite surprised and didn’t know what to do about it, then I found it rather funny and thought little of it. A few days later, it happened again. I happened upon* him in the hallway behind the stage and again he took my hand and kissed me. At some point the thought occurred to me, “man, he thinks I’m gay, but I can’t help him with that.” What was really going on, I don’t know. Maybe he meant the kisses as overtures; he was even treated as a closet case by homosexuals.
Hans-Walther (Icke) Braun (a friend of the Beatles in Hamburg)
"What happened," John explained, "is that Eppy just kept on and on at me. Until one night I finally just pulled me trousers down and said to him: 'Oh, for Christ's sake, Brian, just stick it up me fucking arse then.' "And he said to me, 'Actually, John, I don't do that kind of thing. That's not what I like to do.' "'Well,' I said, 'what is it you want to do, then?' "And he said, 'I'd really just like to touch you, John.' "And so I let him toss me off." And that was that. End of story. "That's all, John?" I said. "Well, so what? What's the big fucking deal, then?" "Yeah, so fucking what! The poor bastard. He's having a fucking hard enough time anyway." This was in reference to the "butch" dockers who, on several recent occasions, had rewarded Brian's advances by beating him to a bloody pulp. "So what harm did it do, then, Pete, for fuck's sake?" John asked rhetorically. "No harm at all. The poor fucking bastard, he can't help the way he is." "No need to get so worked up," I said. "You know I don't give a shit. What's a fucking wank between friends anyway?"
Pete Shotton, Nicholas Schaffner, John Lennon: In My Life, 1983
I think he was trying to find himself a… what he’d call a soulmate. Someone who had as mad ideas as he had. I think he felt that she had the talent… but that’s debatable. But he needed that— he didn’t need a ‘mumsie’ partner at that point. He needed a mate. And I think he actually said, at some stage, in an interview that, you know— She’s the nearest thing to a man — a mate; man — that he’s ever had in a woman.
Cynthia Lennon, interviewed by Alex Belfield for BBC Radio (2006).
Paul wrote to me from the Star Club in Hamburg once, a great letter, it even had doodles on the front of it, but it was stolen. He said that in one of the clubs one night John Lennon ended up with a stunning, exotic-looking woman—only to discover on closer inspection that she was a he, which all the other Beatles found hilarious.
Sue Johnston (actress), The Mirror. (August 23rd, 2011)
Though raised amid the same homophobia as his companions, John seemed totally unshocked by St Pauli’s abundant drag scene; indeed, he often seemed actively to seek it out. ‘There was one particular club he used to like,’ Tony Sheridan remembers, ‘full of these big guys with hairy hands, deep voices—and breasts. But they used to make an effort to talk English. There was something about the place that seemed to make John feel at home.’
In John Lennon: The Life by Philip Norman (2008).
“We’d read all these things about leather and we didn’t have any leather but I had my oilskins and we had some polythene bags from somewhere. We all dressed up in them and wore them in bed. John stayed the night with us in the same bed. I don’t think anything very exciting happened and we all wondered what the fun was in being ‘kinky’. It was probably more my idea than John’s.”
Royston Ellis
In the same book Pauline speculates, sensationally, that John and her brother had a homosexual relationship. ‘I have known in my heart for many years that Stuart and John had a sexual relationship,’ she writes, though she fails to provide any firm evidence. Pauline wonders whether this ‘relationship’ was the real cause of the antagonism between Paul and Stu.
Fab, An Intimate Life of Paul McCartney
Journalist & author comments on his sexuality:
“No, he wasn’t sexually attracted to Paul. Paul was very very pretty, but he actually wasn’t someone who made gay men fancy him. John was much more likely to make a gay man like Brian Epstein because John seemed so straight, there was nothing sort of girly about John at all. But John wanted to be, in his mind, a real artist, that is someone who painted and did sculpture. And he thought that a real artist or he called it a bohemian, should be open to all experiences. He should perhaps have a homosexual experience. Who was around? Paul was around. They used to share beds you know, in these cheap hotels when they would go around with the Beatles. There was never any question of Paul ever reciprocating such a thing, it was merely a thought that according to Yoko had flitted across John’s mind. Now John could use sexuality, I mean he did somewhat play on the fact that Brian Epstein, the Beatles manager, was in love with him you know, but it was just a game really with John.”
Philip Norman interview
"Yet even [John's resentment over Paul announcing the breakup first] does not explain his later remark to Yoko that no one had ever hurt him the way Paul hurt him. It almost suggests that, deep beneath the schoolboy friendship and the complementary musical brilliance, lay some streak of homosexual adoration that John himself never realised. He might have longed to get away from Paul, but he could never quite get over him."
Philip Norman, Shout!, 1981
And any mention of Paul brought a wintry bleakness to her face. 'John always used to say,' [Yoko] told me at one point, 'that no one ever hurt him the way Paul hurt him.' The words suggested a far deeper emotional attachment between the two than the world had ever suspected---they were like those of a spurned lover---and I naturally included them in my account of my visit for the Sunday Times. After it appeared, I returned to my London flat one evening to be told by my then girlfriend, ‘Paul, phoned you.’ She said he wanted to know what Yoko had meant and that he’d seemed upset rather than angry.
Paul McCartney: The Life - Philip Norman.
“If you had a choice, Eppy,” John said, “if you could press a button and be hetero, would you do it?” Brian thought for a moment. “Strangely, no,” he said. A little later a peculiar game developed. John would point out some passing man to Brian, and Brian would explain to him what it was about the fellow that he found attractive or unattractive. “I was rather enjoying the experience,” John said, “thinking like a writer all the time: I am experiencing this.” And still later, back in their hotel suite, drunk and sleepy from the sweet Spanish wine, Brian and John undressed in silence. “It’s okay, Eppy,” John said, and lay down on his bed. Brian would have liked to have hugged him, but he was afraid. Instead, John lay there, tentative and still, and Brian fulfilled the fantasies he was so sure would bring him contentment, only to awake the next morning as hollow as before.
Peter Brown, The Love You Make, 1983
“[John and Janov] talked…about Brian Epstein…‘He knew Brian had adored him, and there was a lot of guilt there about the way he'd depended on Brian yet mistreated him,’ Janov recalls. They talked about John's notorious Spanish holiday with Brian in 1963 and the (to John) insignificant physical encounter that had resulted. The more Janov heard about Brian, the more he longed to have had him as a patient. ‘God, that was a tragic story. There was someone who needed therapy even more than John did.’”
Phillip Normans book, John Lennon: The Life.
Whilst the Beatles had always been marketed as a heterosexual group - in contrast with the Stones, whose image was androgynous - they were sympathetic to the homosexual population. Lennon himself was alleged to have had affairs with both men and women, and although he never openly admitted it to me, his condemnation of Britain as a land which feeds on a homosexual subsculture persuades me at this late stage that he was speaking from experience. I am sure that the break-up of the Beatles, or, more specifically, of John and Paul, must have been more traumatic than any of us suspect.
Sandra Shevey, The Other Side of Lennon
‘OK: John Reid said that when we were in Boston with Elton and John in 1974, he couldn’t resist asking John whether the rumours about him and Epstein were true. This was in response to John having said to John Reid, “You’re the most intimidating man I’ve met since Brian Epstein.” And so John Reid, never knowingly one to miss an opportunity, said, “Did you ever have sex with Brian?” And John said, “Twice. Once to see what it was like, and once to make sure I didn’t like it.” ‘All these years, by the way, I have not wanted to be the guy who declared, “John Lennon and Brian Epstein had sex.” You can appreciate how I feel about this. Do we want the historical record to be accurate, or does John have a right to privacy? And would it upset Cynthia [by now deceased], or Julian? I don’t mind about Yoko, she’d probably think it was a great idea. Bisexuality, wooh.’ ‘Simon Napier-Bell said that both Epstein and John told him they did it in Spain,’ I said. ‘Ah, I’m not the only one. Good,’ replied Paul.
...
But then there were John’s liaisons with David Bowie, which David himself told me about. According to him, it happened on several occasions. He didn’t go into detail, nor did I press him, but he was perfectly open about it. About Mick Jagger, too, I told Paul. ‘Huh. I feel sort of left out,’ said Paul.
Paul Gambaccini, Lesley-Ann Jones - The Search for John Lennon
"That Bowie worshipped Lennon was no secret…They'd met in Los Angeles, [Bowie] told me, during John's Lost Weekend…The crazy pair went out to play, according to David, when John was on yet another break from May [Pang] and far away from Yoko. They gender bendered about, John indulging again that 'inner fag' of his… They later 'hooked up': 'There was a whore in the middle, and it wasn't either of us,' David smirked. 'At some point in the proceedings, she left. I think it was a she. Not that we minded.' By the time they made it back to New York, the ambisextrous pair were 'lifelong friends!"
Lesley-Ann Jones - The Search for John Lennon
Marriage, Divorce & replacing Paul with Yoko:
"I used my resentment and withdrawing from Paul and the Beatles and the relationship with Paul to write 'How Do You Sleep?'
John (Source: Bill Harry, The John Lennon Encyclopedia, 2001)
JOHN: In a marriage, or a love affair – when the seven-year-itch or the twelve-year (note: there is no such thing as the twelve year itch but guess how long J&P were together) or whatever these things that you have to go through – there comes a point where the marriage collapses because they can’t face that reality, and they go seeking what they thought they should be having, still, somewhere else. I get a new girl, it’ll all be like that again; I get a new boy… But for all marriages, all couples, it’ll all be the same again. But what you lose is what you put into that… relationship.
September, 1980
There seem to be certain cycles that relationships go through. And the critical points are at different parts of the different cycles, different points on the – if there’s a straight line, there are different points, you know? And the bit, the new way of talking is like, “Well, why have a relationship? We can just stop and get another one.” But the karmic joke about that is, that any new relationship, presuming you’re lucky enough to find a new relationship anywhere near the relationship that you’re giving up – or exchanging, or walking away from, or have destroyed by inattention or inadvertent or selfishness or whatever it is – that you have to go through the same thing again anyway. You reach the same point.
John Lennon, interview w/ David Sheff for Playboy. (September, 1980)
"I'd like to thank Elton and the boys for having me on tonight. We tried to think of a number to finish off with so I can get out of here and be sick, and we thought we'd do a number of an old estranged fiancé of mine called Paul."
John, introducing "I Saw Her Standing There" at the Thanksgiving show at Madison Square Garden in 1974
You know, John loved Paul. No doubt about it. I remember once he said to me, “I’m the only person who’s allowed to say things like that about Paul. I don’t like it when other people do.” He didn’t like if other people said nasty things about Paul. And he always referred to Paul as his estranged fiancé and things like that, like he did on that [live] record ‘I Saw Her Standing There’ with Elton in Madison Square Garden.
1990: Former Beatles publicist Tony King
TRYNKA: When The Beatles split, did you feel relief? YOKO: No. I always thought, “John won’t be doing this thing with The Beatles and eventually I can do my work too.” That was my plan. But suddenly he’s saying, “I burned my bridge with them, so now it’s you, okay?” I thought, “My God, he was getting the thrill of working with three very strong individuals, and now I have to take all that brunt.” He did put it that way; he was “riding on the boat called Paul, and now I’m going to ride on a boat called Yoko.”
Yoko Ono, interview w/ Paul Trynka for MOJO. (May, 2003)
“. . . I mean, I think really what it was, really all that happened was that John fell in love. With Yoko. And so, with such a powerful alliance like that, it was difficult for him to still be seeing me. It was as if I was another girlfriend, almost. Our relationship was a strong relationship. And if he was to start a new relationship, he had to put this other one away. And I understood that. I mean, I couldn’t stand in the way of someone who’d fallen in love. You can’t say, “Who’s this?” You can’t really do that. If I was a girl, maybe I could go out and… But you know I mean in this case I just sort of said, right – I mean, I didn’t say anything, but I could see that was the way it was going to go, and that Yoko would be very sort of powerful for him. So um, we all had to get out the way.”
Paul McCartney, interview with German tv program Exclusiv, April 1985.
BARROW: She was a very strong influence on John, and may well have been telling him that he could do best on his own, but I still think that on the back of John’s mind would be this sort of fascination with wanting to get back with the first girlfriend, if you’d like [laughs], and it was to get back with Paul that he had so much history with.
Tony Barrow, The Beatles’ press officer
"[Paul] said it was written about Julian. He knew I was splitting with Cyn and leaving Julian then. He was driving to see Julian to say hello. He had been like an uncle. And he came up with 'Hey Jude.' But I always heard it as a song to me. Now I'm sounding like one of those fans reading things into it...Think about it: Yoko had just come into the picture. He is saying 'Hey, Jude' - 'Hey, John.' Subconsciously, he was saying, 'Go ahead, leave me.' On a conscious level, he didn't want me to go ahead. The angel in him was saying 'Bless you.' The Devil in him didn't like it at all, because he didn't want to lose his partner."
John (Source: Playboy, 1980)
SALEWICZ: Well, I always found it interesting the fact that he got – I mean, it seemed too much like coincidence to me, the fact that he got married a week or month after you. You know what I mean? PAUL: Yeah. I think we spurred each other into marriage. I mean, you know. They were very strong together, which left me out of the picture. So I got together with Linda and then we got strong with our own kind of thing. And I used to listen to a lot of what they said. I remember him saying to me, “You’ve got to work at marriage,” which is something I still remember as a bit of advice. I still remember that. Um… And then yeah, I think they were a little bit peeved that we got married first. Probably. In a little way, you know, just minor jealousies. And so they got married. I don’t know if that’s – I mean, who knows… [inaudible] making it up, anyway.
September, 1986 (MPL Communications, London): journalist Chris Salewicz
“If you look at interviews and stuff with John, from around about that time he was in Imagine [documentary] he kind of admits that he’s having problems with himself. So, well, the first thing you do when you’re having problems with yourself is you bitch about someone else. And the closest person was me…He had a real go at me. I personally think it was ‘cause he was trying to clear the decks for Yoko. He’s got a new love, he’s trying to say to her, “Look, baby, I love you. I hate those guys.”
Paul McCartney
"The line [the walrus was Paul] was put in partly because I was feeling guilty because I was with Yoko and I was leaving Paul. It's a very perverse way of saying to Paul: 'here, have this crumb, this illusion, this stroke - because I'm leaving.'" -John
Playboy, 1980
JOHN: And throwing in the line “the Walrus was Paul” just to confuse everybody a bit more. And because I felt slightly guilty because I’d got Yoko, and he’d got nothing, and I was gonna quit. [laughs; bleak] And so I thought ‘Walrus’ has now become [in] meaning, “I am the one.” It didn’t mean that in the song, originally. It just meant I’m the – it could have been I’m the – “I’m The Fox Terrier,” you know. I mean, it’s just a bit of poetry.
August, 1980: John talks to Playboy writer David Sheff about ‘Glass Onion’.
"I started thinking, 'Well, if that's the case [not getting back together], I had better get myself together. I just can't let John control the situation and dump us as if we're the jilted girlfriends.'"
The Beatles, Anthology, 1995
“After we’d done the One To One concert film,” recalled Steve Gebhardt, “I remember John saying to me that the days of everything being Johnandyoko – one word – were over. I was shocked.” Ono completed her record, Approximately Infinite Universe, which was greeted more positively than her previous releases. Lennon did his best to publicise it, writing a personal note to the Capitol Records boss asking him to throw the company’s weight behind it. But in mid-January 1973 Lennon and Ono quarrelled publicly at another party. “I wish I was back with Paul,” Lennon reportedly said.
Peter Doggett, You Never Give Me Your Money: The Battle for the Soul of The Beatles. (2009)
YOKO: I think that it’s like [John] was married to Paul, and now he was married to me… So it was a situation that he didn’t feel like he wanted to go back, really. John had a lot of respect for Paul, and of course, love. But I would think that if the truth may be told, the love was lost on both ways. There were times that Paul did say a lot of strange things about John, so that I know that it wasn’t like Paul loved John but John didn’t love Paul, or John actually loved Paul but Paul didn’t. I mean, it was like a very healthy situation where they outgrew each other’s company. And only until John became what he is now – which is after John’s death that people started to revere John – it became an issue for Paul. Because you have to understand that table was turned many times. One, when John made the Jesus Christ remark, and Paul became virtually a leader. And John turned the table on Paul by becoming a partner with me, probably. But then the thing is, the table was turned again by Paul becoming extremely successful with Wings. So he was doing alright, while John did Some Time in New York City with me, and then followed that with Mind Games or something, you know. 1990: Yoko
“They loved each other more than most couples do, and when they split it was more wrenching than most divorces”
Beatles publicist Tony Barrow on Lennon and McCartney
““I’m sure that in the case of Paul there’s that feeling that I’m the woman who took away his partner – it’s like a divorce.””
Yoko Ono (You Never Give Me Your Money, Peter Doggett)
“On March 12, Paul married Linda Eastman at Marylebone Register Office in London, amid scenes of hysterical grief from his female fans. None of the other Beatles was present. The news reached John as he and Yoko were driving down to visit Aunt Mimi in Poole. Yoko’s divorce decree had become final a few weeks earlier, and, in a resurgence of Beatle copycat, John told her they, too, must get married as soon as possible”
Philip Norman, John Lennon: The life
“Then also we were like married, so you got the bitterness. It’s not a woman scorned this time, it’s two men scorned — probably even worse. And I had to make way for Yoko. My relationship with John could not have remained as it was and Yoko feel secure.”
Paul McCartney, Interview by Duncan Fallowell in the Chicago Tribune, October 14th, 1984
Knowing John so well, I believe that the only reason he picked Yoko was [he wanted] a negative reaction. I mean, it was purely a negative reaction because he couldn’t take any more girls in the world, actually. I mean, he knew that he could have any girl. And the girls, that were nice-looking—he couldn’t stand them. I mean, from morning to night, there were girls not boys—actually, running after them. We used to go to his house and think that we are in peace. Suddenly a girl with a broken leg is jumping over John’s fence to, to get an autograph. It was a pain in the neck. John wanted to be with a woman. But he needed as well very, very much a friend. He needed a male friend. And my opinion is that Yoko, he managed somehow to combine both. He had a fear for pretty women running after him. Yoko was not very pretty, uh, at all, and he replaced a male in his life plus a female.
Magic Alex, All You Need Is Love – Peter Brown & Steven Gaines
Jealousy regarding Paul Mccartney: I wouldn't consider any of this especially convincing on it's own, however John's consistent dislike for and rudeness towards Paul's partners is notable
I was a very possessive and jealous guy, and the lyrics explain that pretty clearly. Not just jealous towards Yoko, but towards everything, male and female – incredibly possessive.
1970 (audio snippet approx 2:06)
In an entry noting McCartney’s marriage to Linda Eastman, Lennon crossed out “wedding” and wrote “funeral”, the Observer said.
Associated Press: Lennon’s resentment of McCartney reflected in book notes. (July 20th, 1986)
Q: I saw that thing in The Observer the other week, about the manuscript of the Apple Beatles biography and the vitriolic comments John made in the margins. I think that shows the sort of pain he was going through. Look, he was a great guy, great sense of humour and I’d do it all again. I’d go through it all again, and have him slagging me off again just because he was so great; those are all the down moments, there was much more pleasure than has really come out. I had a wonderful time, with one of the world’s most talented people. We had all that craziness, but if someone took one of your wedding photos and put ‘funeral’ on it, as he did on that manuscript, you’d tend to feel a bit sorry for the guy. I’ll tell you what, if I’d ever done that to him, he would’ve just hit the roof. But I just sat through it all like mild-mannered Clark Kent Q: When did you actually get a perspective on it? I still haven’t. It’s still inside me. John was lucky. He got all his hurt out. I’m a different sort of a personality. There’s still a lot inside me that’s trying to work it out. And that’s why it’s good to see that wedding-funeral bit, because I started to think, ‘Wait a minute, this is someone who’s going over the top. This is paranoia manifesting itself.’ And so my feeling is just like it was at the time, which is like, He’s my buddy, I don’t really want to do anything to hurt him, or his memory, or anything. I don’t want to hurt Yoko. But, at the same time, it doesn’t mean that I understand what went down.
Paul McCartney: An Innocent Man? (October, 1986)
Q: "But for a while you didn't get along with Linda." JOHN: "We all got along well with Linda." Q: "When did you first meet her?" JOHN: "The first time was after that Apple press conference in America. We were going back to the airport and she was in the car with us. I didn't think she was particularly attractive. A bit too tweedy, you know. But she sat in the car and took photographs and that was it. And the next minute she's married him."
John Lennon Interview: St. Regis Hotel, New York City 9/5/1971
One night John came in and some chick was in bed with Paul and he cut all her clothes up with a pair of scissors, and was stabbing the wardrobe. Everybody was lying in bed thinking, ‘Oh fuck, I hope he doesn’t kill me.’ [He was] a frothing mad person—he knew how to have ‘fun.’
George Harrison, c/o Derek Taylor, Fifty Years Adrift. (1984)
"One time Paul had a chick in bed and John came in and got a pair of scissors and cut all her clothes into pieces and then wrecked the wardrobe. He got like that occasionally, it was because of the pills and being up too long."
George Harrison (Source: The Beatles, Anthology, 1995)
"I remember I had a girlfriend called Celia. I must have been 16 or 17, about the same age as her...we went out one evening and for some reason John tagged along, I can't remember why it was. I think he'd thought I was going to see him, I thought I'd cancelled it and he showed up at my house. But he was a mate, and he came on a date with this Celia girl, and at the end of the date she said, 'Why did you bring that dreadful guy?' And of course I said, 'Well, he's all right really.' And I think, in many ways, I always found myself doing that. It was always, 'Well, I know he was rude; it was funny, though, wasn't it?'"
Paul, Barry Miles, Many Years From Now, 1997
I came for dinner, and I was the only girl there. John definitely didn't like that. He didn't like me being there at ALL. He was mean and sarcastic. As far as he was concerned, I had no business being invited to dinner with the four of them. For him this was an exclusive boys' club. He was purposely making me feel uneasy. At one point, the boys were handing around a scrapbook -- looking at pictures of that first tour. John made some snide comment like, "What is SHE doing here?" I got the idea that he thought Paul was an idiot to take a girl so seriously he'd actually invite her to dinner, when all he really needed to do was fuck her AFTER dinner.
Peggy Lipton, Breathing Out, 2005
Whether it was her cool confidence or her posh accent, something about Jane goaded John to direct his caustic eyes in her direction. “Well. Let’s all play a question-and-answer-game!” He announced a bit too cheerily. Then he turned to Jane. “So tell us, luv, how do girls play with themselves?” Silence. Jane’s eyes widened. Paul, sitting close to her on the floor, put his hand in the air, as if he could wave John’s words back into his mouth. “John! John!” he yelped. “Stop it. You can’t do that.” John just smiled, peering intently through his glasses. “No, you can tell us. Come on. We all want to know, come on.” Paul, looking aghast, shook his head vehemently. “John. For christsakes, John.”
Peter Ames Carlin, Paul McCartney: A Life
JOHN: So it was always the family thing, you see. If Jane [Asher] was to have a career, then that’s not going to be a cozy family, is it? All the other girls were just groupies mainly. And with Linda not only did he have a ready-made family, but she knows what he wants, obviously, and has given it to him. The complete family life. He’s in Scotland. He told me he doesn’t like English cities anymore. So that’s how it is. MCCABE: So you think with Linda he’s found what he wanted? JOHN: I guess so. I guess so. I just don’t understand… I never knew what he wanted in a woman because I never knew what I wanted. I knew I wanted something intelligent or something arty, whatever it was. But you don’t really know what you want until you find it. So anyway, I was very surprised with Linda. I wouldn’t have been surprised if he’d married Jane Asher, because it had been going on for a long time and they went through a whole ordinary love scene. But with Linda it was just like, boom! She was in and that was the end of it.
John Lennon, interview w/ Peter McCabe and Robert Schonfeld. (September, 1971)
Random cute things: flirting etc
I remember we were going down to the studio [...] and there was a great crowd pressing against the car. John was sitting in the back and he said, “Push Paul out first. He’s the prettiest.”
Victor Spinetti, in the documentary You Can’t Do That! The Making of ‘A Hard Day’s Night’ (1995).
We were away. The boys had relaxed. As we walked off to do the next scene, I heard them joshing each other, like schoolboys on the way to class. 'Are those jeans tight, Paul?' That was John. 'What do you mean tight?' 'I can see your suspender belt through 'em and your stockings. You've got ladders in them.'
Up Front: His Strictly Confidential Autobiography by Victor Spinetti
“I could even hear what they were saying off-mike; ‘Oh Paul, you’re so cute tonight.’ was met with the reply ‘Sod off, Lennon.’”
Joan Baez on accompanying the Beatles to their concert in Red Rocks Amphitheatre, Denver. 26 August 1964
To Lennon, [Paul] was "cute, and didn’t he know it," a born performer who was also a "thruster" and an "operator" behind the scenes.
Christopher Sandford, Paul McCartney, 2005
In a late wee-hour-of-the-morning talk, he once told me, ‘I’m just like everybody else Harry, I fell for Paul’s looks.”
Harry Nilsson speaking about John Lennon
HARRY: Someone told me a few minutes ago they saw John walking on the street [once] wearing a sign saying – a button, rather, saying ‘I Love Paul’. And this girl who told me that said she asked him, “Why are you wearing the button that says ‘I Love Paul’?” He said, “Because I love Paul.” [laughs]
February 17th, 1984: Harry Nilsson
PAUL: It’s like, uh, “We have to get back.” “We’re on our way home.” JOHN: Yeah. PAUL: There’s a story. There’s another one – ‘Don’t Let Me Down’. “Oh darling, I’ll never let you down.” Like we’re doing— JOHN: Yeah. It’s like you and me are lovers. PAUL: [reserved] Yeah. [pause] JOHN: We’ll just have to camp it up for those two. PAUL: Yeah. Well, I’ll be wearing my skirt for the show, anyway.
Get Back sessions
PAUL: Okay, “two of us riding nowhere” that’s as if…we’re like…two, but then “we’re on our way home”  JOHN: It’s like we’re like a couple of queens. PAUL: Yeah. Well, you know. Well, I mean, that’s…  JOHN: We’re a couple of queens… PAUL: That’s just too bad. Unless you want to get Paul and Paula in. Poetic license, John. JOHN: You’re telling me, Paul.
Get Back sessions
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saytrrose · 9 months
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Can we see More about your racing AU please?
Looks so amazing and i love It so much
I do suppose I could share the character design line up!
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I really just need to finish designing all the go karts, (atleast most are done!) and then I can make proper cards for them and really get into the written details.
To be honest it’s a little hard to just ramble about info and details without specific questions to go off of, so I’ll try my best hhh
for starters, the tent? Not a tent!
It’s actually a stadium, the amazing digital race!
And rooms? Sort of tweaked, they are more like each character owns a personal garage, a large open space where they store their vehicles and then have a loft above that showcases their cozy safe havens. Bed, entertainment, basically a small room in a much larger one.
I haven’t revealed Ragatha, Zooble or Gangles karts yet but I’ll go ahead and just talk about all of them!
Caine:
Caine has a motorcycle, specifically one inspired off of the motorcycle I’m saving up for this summer, a Kawasaki Eliminator. It’s a cruiser, I’m thinking he has a 600cc model but considering Bubble is his right hand man and operates as the races pit crew- he’s definitely tinkered with Caines bike, making adjustments and improving the engine. God only knows what the little psycho did, but it’s a damn good bike that’s not supposed to rev as loud as it does.
Pomni:
Her kart is inspired off a Volkswagen Beetle, seemed very VERY Pomni to me. Her car mimics her outfit design a lot, I might do some color changes to be honest but it will be super minimal, it’ll be final when the cards are done! She definitely stops at the pit the most often despite her placement in a race, are my tires okay?? Do I need my oil?? I know you just filled it but it went down- is anything damaged?? Sweetie you did one lap..
Jax:
Jesus Christ he has a giant supercharger on the hood of his car, and he is absolutely one of those annoying mfs that reva their engine OBNOXIOUSLY loud all the time like he’s super cool. If you’re wondering who most of the skid marks on the track are from, that’s also Jax. Hes the best as drifting, and he loves to show that off. His car isn’t based too much on an actual vehicle?? I stared at Mario karts and pieced it together, but also gave it a very sports car look, the wing on the back fr fr I think Jax would dig that.
Kinger:
OHHSOSK I was so creative with his little wagon,,, it’s castle shaped!! And the best part? Operates like a rocket. In the back past the battlement (the crown looking thing you see atop castle pillars) ARE GIANT exhaust pipes and yes, they do spit fire !! Operates like a rocket. It’s very cool! (Also he has a great muffler because unlike Jax he’s considerate of others hearing 💔) Oh also, he has one of those silly horns, I forgot how to describe it but you can just look at how I drew it on his kart and you’ll know heheh!
Zooble:
Our second motorcyclist, owns a trike! If you don’t know what that is, picture a bike with training wheels but super badass. 3 wheels! It’s inspired off the Harley Davidson freewheeler, I like that design a lot but it’s def not actually a Harley because istg when you buy those bikes your just paying for the fancy name brand- expect it to be in the shop all the time, smh not good- BUT ANYWAY!! The looks are inspired off it though and I can’t wait for this one because it’s just as crazy kooky as Zoobles design is.
Gangle:
Her kart is based on my favorite car, classic style but not too cool because you can bet she has anime stickers on the back and a decal that says “please let me merge before I start crying.” It’s similar to a karmann ghia convertible, 1963. Cherry red (so so pretty) She always has the top down, unless competing because damn you gotta go fast. That car itself is really slow, top speed normally is 68mph, however people have modified them enough to get up to 120mph. Thats still pretty slow compared to others, but her kart only reflects the appearance of the ghia! It’s much faster and I assume Bubble works on all their vehicles if asked to.
Lastly, Ragatha:
Our 3rd motorcyclist. 4 Karts, 3 cyclists. Her bike is a futuristic style, if you want a good idea then look up “icare bike”! Not so much a straight forward posture, she leans over ofc, you’ll likely get the idea when you see her bike. I’ll be honest, I haven’t gotten too into her design yet because I haven’t started drawing but!! Dark blue leds,, everywhere yes yes so cool ❤️
Sorry that’s so much 😭 but yeah! Just need to finish 3 kart designs for you guys and I can make official ref cards 👀
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silverwhittlingknife · 3 months
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Good morning. I'm fairly new to batfamily comics and I was wondering if you know what the design inspirations for the nightwing black and blue suit are? Is it mentioned in the comics? I live in New Zealand and all the robins here are all black, except the south island robin which has a splash of white on its chest. To me the nightwing suit looks very reminiscent of New Zealand robins, though I'm sure that's just familiarity bias.
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GOOD MORNING!!! I had no idea there were blue robins!! That is extremely cool & these birds are my friends now <333 There are (tragically) no blue robins in comics AFAIK, but the Nightwing costume design is still fun to trace...
The Nightwing Costume: A History
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Nightwing I, Nightwing II, and a 1980s punk rocker.
Short version: The Nightwing black+blue+yellow costume is something Clark Kent wears in 1960s Superman comics, where the colors are inspired by Batman's costume - both in-universe and out-of-universe. So when Dick originally takes on the costume, it's an homage to both Batman and Superman. <3 The exact history gets tweaked a few times, but those basic vibes are usually consistent.
Long version: IF YOU WOULD LIKE TO HEAR SO MUCH MORE THAN YOU WANTED TO KNOW re:a bunch of Doylist comics history followed by the various Watsonian explanations for Dick's costume choices, I have rambled about this below the cut in three parts:
1960s and 70s: Nightwing I: Superman and Jimmy Olsen, the Dynamic Duo of Kandor!!
1980s and Onward: Nightwing II: Dick Grayson's New Teen Titans & Gen X Influences
In-Universe Explanations for Dick's Costume: A History
1960s + 70s: The DYNAMIC DUO OF KANDOR
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Superman 158: The first appearance of Nightwing I!
Nightwing I - he's actually just Superman in another costume - was created for adventures in the Bottled City of Kandor! Kandor was invented in 1958 by Action Comics writer Otto Binder; it was a Kryptonian city shrunk by Braniac and kept as a trophy. Clark rescued the bottled city from him, kept it in the Fortress of Solitude, and sometimes used a shrink ray to shrink himself down to visit the city. (This was the 50s and 60s! Goofy sci-fi was in!) Kandor was a great setting for Superman stories because Clark could interact with a Kryptonian city without time travel. Plus, since Kandor had a miniature red sun, Clark could have adventures there where he didn't have powers.
In 1963, Superman writer Edmond Hamilton got the idea of having Superman and Jimmy Olson go undercover in Kandor. They have to come up with superhero disguises -- so naturally, Clark "takes a cue from his old friends Batman and Robin, and he and Jimmy Olsen become - The DYNAMIC DUO OF KANDOR!"
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Nightwing and Flamebird's names got linked to newly-invented Kryptonian birds (you can see the birds in the cages behind them) - therefore paralleling Batman and Robin, inspired by Earth's bats and robins!
Readers loved Clark and Jimmy's buddy-movie adventures as Nightwing and Flamebird, and the story conceit stuck around for quite a while. If you're curious, you can read a bit more about the stories here! I like them; they're goofy but adorable.
Kandor eventually got written out in 1979, when a writer who was bored with it "fixed" the city and had Clark find a way to make all the people normal size. No more adventures for Clark and Jimmy...
This meant that the Nightwing name was up for grabs.
1980s: The NEW TEEN TITANS & Gen X Influences
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In 1984 - five years after Kandor, Nightwing, and Flamebird had gotten written out of Superman comics - Marv Wolfman and George Pérez wanted to give Dick a new name and costume in Tales of the Teen Titans 44. They landed on Nightwing. It was a perfect legacy identity, representing an homage to both of Dick's role models: an identity that was used by Superman, but modeled after Batman.
Although the name stayed the same, the costume changed quite a bit! The design changes are IMO revealing both of the era in general and of some characterization choices Wolfman and Pérez were making for Dick.
Pérez - the artist, and therefore the guy who redesigned the Nightwing costume - gave a 1987 interview where he said this about Dick:
Robin/Nightwing, I like him a lot because of his history, he’s been around so long, and there’s a certain sleek sexuality about the character. He’s got a certain sense of everyman, a young swashbuckler type...
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IMO you can see those elements in Pérez's design - it's got vaguely piratical/swashbuckler vibes, and my extensive research (...okay, this article on 80s fashion trends) suggests that this very silly-looking Halloween costume may indeed be riffing on edgy sex symbols of the 1980s.
And both those choices are in keeping with the vibe of New Teen Titans, an aggressively not-kid-appropriate comic that was trying to do a more mature / edgy / adult take on superheroes.
What does that mean, "more mature"? Partly, it just meant, uh, sex. Dick and Kory were actually the first DC couple to ever be implied to be having premarital sex (in NTT 28 in 1983, where they're shown in bed together); in earlier eras, this would've been forbidden by the Comic Code Authority, which banned "illicit sex," sympathetic criminals, and a bunch of other things.
But it's not just about sex. In the 80s, comic readers were getting older and more impatient with moralizing in general; wholesome role models were out and sex, drugs, and rock-and-roll were in. Wolfman and Pérez were reinventing Dick as an aged-up, angsty, angry young man who was part of a more soap opera-esque team, with characters sleeping with each other and getting jealous and getting married and fighting with each other and generally making a lot of understandable-but-edgier decisions.
The switch to the Nightwing costume, a few years in, aesthetically mirrors Dick's shift in characterization from preppy good kid to angsty rebel:
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Nightwing II, or, "What would happen if you took Superman-pretending-be-Batman and stuck him in a blender with Billy Idol?"
Pérez started with the blue-and-yellow color scheme of the original Nightwing - which is just copying Batman, right down to the utility/antigravity belt. But for Dick, Pérez tweaked it to add 1980s fashion details that were Hip With The Edgy Youth, like a deep V-neck showing the chest, bling-y accents, and big flaps for the shirt collar.
(Billy Idol had become a huge success in 1983, the year before Dick became Nightwing; the punk rocker was a college dropout and fashion icon for Gen X's edgy young men ... Look, I'm not saying he's a direct inspiration for Dick's costume, I'm just saying!! Similarities, no?? The other obvious point-of-reference is 70s disco - thus the fan nickname "disco-wing" - which had been popularized by John Travolta, another celebrity dropout.)
You can see a parallel shift in Dick's relationship to education - in the 1970s, he was basically a Good Role Model And Responsible College Student at Hudson University, where AFAIK he stayed in his first semester of college for about a decade. By contrast, in 1980, the first issue of New Teen Titans kicks off with Dick having dropped out of college and having tensions with Bruce about it - not a stereotypical "good kid" choice.
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Dick in New Teen Titans 1, looking... a little bit dopey, let's face it; he may be a cool & edgy college dropout now but his motorcycle kinda looks like it belongs to a middle-schooler
By NTT 34 in 1987, Dick's costume had gotten more dramatic and his motorcycle had gotten significantly cooler-looking:
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Over time, the Nightwing costume got tweaked in various ways to get more sedate and to add a more birdlike V-shape to the chest, but that's the Nightwing origin story!
Okay, so that's out-of-universe. But what about IN-UNIVERSE EXPLANATIONS for Dick's costume?
WHAT A GOOD QUESTION. There are three you can choose from!
FIRST OFF, in the original 1984 story, Dick says he got the idea from a costume Clark wore - a reference to Clark and Jimmy's adventures in Kandor.
BUT THEN, in the post-Crisis reboot, the Bottled City of Kandor got deleted from continuity for a while, along with Clark and Jimmy's history of being Nightwing and Flamebird. (Crisis on Infinite Earths was a late-1980s event that merged DC's Earth-One and Earth-Two, retconned a lot of backstories, erased a lot of goofier story elements, and tried to create a more streamlined DCU. Fans usually call the comics that were published after this event "post-Crisis comics," because "thecomicsthatwerepublishedpost-CrisisonInfiniteEarths" can't be said five times fast.)
With Kandor gone, the name's origin had to be tweaked a bit. In post-Crisis, Dick still gets the name idea from Superman, but it's from a Kryptonian legend that Clark knows, as opposed to a costume Clark wore.
And then in Nightwing: Year One, a retcon/retelling midway through post-Crisis, Dixon tweaks things a bit further, so that instead of the Robin costume being an homage to the Graysons' costumes (a Wolfman retcon in LPoD), it's instead the Nightwing costume which is an homage to the Graysons' costumes, and it's deliberately modeled after something John Grayson wore.
... So in-universe, the possible explanations are basically:
Pre-Crisis: Dick got both the name and the costume design from Superman, who came up with them in order to imitate Batman, OR
Post-Crisis: Dick got the name from Superman, and Dick came up with the costume on his own - probably still deliberately imitating Batman's color choices, OR
Post-Crisis: Dick got the name from Superman and the design from John Grayson's acrobat costume.
(The post-Crisis period ended in 2011 with Flashpoint, so for a while people called post-2011 comics "post-Flashpoint," but nowadays it's usually divided into DC's branded eras: new 52, Rebirth, and Infinite Frontier. I don't think those eras have any significant retcons to Dick's costume origin, but I'm not 100% sure.)
ALL THAT SAID, I love the idea of "it's Robin, but blue," so thank you; that's adorable and it's gonna live in my heart forever now <333
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Happy 28th! Here is my February 2024 fic rec, organized by word count, from longest to shortest. You can view my other fic recs here. Enjoy!
Remember Me Fondly by kiddle / @bluejeanlouis (73k)
“You’ve told the beginning of the story so many times. I want to hear the end.”Louis laughed, scratching at his chin. “I can’t say I really know when the end happened.”“How about the tour of ninety-five?”“Alright.” Louis took a deep breath. “But it took a few steps to get there. What would you like to know?”Penny cleared her throat.“How did you first meet Harry Styles?” Grunge legends Fearless Doe topped the rock charts in the ‘90s, but they spent the decade kicking Smudge off their heels. From lawsuits to jaw-dropping scandals and a surprising joint world tour, the two bands share a complicated history.
Twenty-five years later, frontmen Louis Tomlinson and Harry Styles are finally ready to sit down and tell the world their two sides of the same story.
Truth may vary.
I Would Know You From Touch Alone by staybeautiful / @harruandlou (72k)
They had never been face to face before now. They’d never touched, skin to skin, until Harry landed a punch to his face, high on his cheekbone.
Louis shoved him off and was pulling his fist back from Harry’s abdomen before he realized his face wasn’t tingling because of the pain.
It pooled out from his cheek, over his face, down his neck and spine. A shiver in the late September night. Heat, sparks - whatever you wanted to fucking call it.
or The Tomlinson and Cox gangs have hated each other for over forty years. Harry Styles, the grandson of Gritty Cox, was freshly back to the city after uni when, on his first night out, he punched the Tomlinson heir in the face. It shouldn’t have mattered, their gangs have done worse to each other. But all it took was one single touch to recognize your soulmate. Louis was adamant that being soulmates changed nothing, not who they were or which family they were loyal to. Or, at least, it shouldn’t have.
A Yuzu Grows in Brooklyn by stylinsoncity / @aliensingucci (66k)
Harry is a recent implant in new york and a young chef opening a restaurant called yuzu. louis, a music teacher and broadway lover, has been around the block for a while. in a city that's so fast-paced, they're slow to catch on to each other.
Ferricadooza! by suspendrs / @suspendrs (65k)
Harry can’t even fathom the idea of surrendering; he’d fight ‘til he died, if he had to, anything to keep from surrendering.
Or, the year is 1963, homosexuality is illegal in the UK, Louis owns a gay bar, and Harry’s an underground boxing champion with an unfortunate enemy.
The Recklessness in Water by LarryOn (50k)
Louis Tomlinson is miserable. He's stuck on a family vacation at a lake cabin in New Hampshire when all he wants to do is bemoan his sorry existence and wallow in his sweatpants. As if the humidity and mosquitos weren't bad enough, he becomes the singular target of an obnoxious lifeguard named Harry.
Passing By by Larry_you_know / @larryyouknow (48k)
Sometimes, people are in each other's lives just for the briefest of moments. They meet and then go their separate ways because being vulnerable is scary and it might be easier to not let anybody else in. But some people aren’t meant to be just passing by. Maybe when they open their eyes, they can learn things about themselves they haven’t known before. If they let their hearts speak they will find a way to be together.
Or the one where Harry doesn't even know he's into guys until he meets Louis on a boat trip. There's something more to their friendship but it ain't gonna be smooth sailing.
Rivers 'Til i Reach You by embodied (29k)
Louis can’t begin to understand how he’s always this close and still can’t manage to make Harry his. He stands up and gets another beer.   AU. Louis studies astronomy; Harry studies Louis. They spend their summers on the water and it shouldn't be complicated (spoiler: it is).
You Promised Forever by indierection (amandamoraisa) (21k)
[Harry wants a baby. Louis wanted a baby. Now he's not so sure.]
Of course they've always wanted to have kids, even as young as they were in 2012. But it's only ten years later, when they've been married for already three and One Direction is no longer together, that Harry and Louis will finally get to start their own family. Or at least that's what they thought, because Louis suddenly feels the pressure of fatherhood on his shoulders as he realizes he has to be responsible for another human being; and if that's not terrifying he doesn't know what it is. He is, in fact, having these sudden panic attacks when he thinks too much about the future. Yet, Louis just sucks it up because he's losing his mind, but Harry has already to much on his. Besides, in the end they are fireproof. Aren't they?
The Sunshine Stays by QuickedWeen / @becomeawendybird (15k)
It's three years after One Direction got back together, and Harry and Louis have just come off a world tour. They're enjoying a much more relaxed schedule the second time around, allowing themselves to bask in married life. Until, one day, Louis surprises Harry on vacation, and there are some surprising consequences.
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nothing-to-say-okay · 1 month
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In My Life/Got To Get You Into My Life/A Day In The Life
Disclaimer: This is just some brainstorming/free association game.
(I am sure this is all purely an accidental coincidence and these songs have nothing in common - It’s about smoking weed and what not (I actually don’t think that’s completely a lie as much as I do think that the feeling of being on a bus drug trip is being used as a metaphorical vehicle - pun not intended - at least not by me). Anyways, here’s a random compilation:)
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(Got To Get You Into My Life, Revolver 1966)
I think that’s one of his best songs, too, because the lyrics are good, and I didn’t write ‘em. You see? I mean, so when I say that he could write lyrics if he put the effort, then there’s the occasional song like that, where, like he says, “I took a ride...” You know what I mean? It’s – it’s not sort of wishy washy. It actually describes his experience on taking acid. I think that’s what he was talking about, really, but I couldn’t swear to it. But I think it was a result of that, you know.
(John on GTGYIML, Playboy interview with David Sheff, 1980 - source)
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(In My Life, Rubber Soul, 1965 - lyrics written down by John in the 70s with a curious detail)
In my life I will love you more - as in the person is not really in his life yet (he’s got to get them into his life or something)/he’s not living his life (or life that he wants to live)?
‘In My Life’ started out as a bus journey from my house in 251 Menlove Avenue to town, mentioning every place that I could remember. And it was ridiculous, you know, but that’s how I first set about. I thought, “Oh, write about childhood, okay, I’ll write about all these nice names, like Strawberry Fields, Penny Lane...” And – this is before even ‘Penny Lane’ was written. That I had Penny Lane, Strawberry Fields, um – tram sheds. [laughs] Tram sheds are the, uh, depot just outside Penny Lane. And it was the most boring sort of “What I Did On My Holidays” bus trip song, and it wasn’t working at all. I thought, “I cannot do this! I cannot do this.” It’s that I wrote it all down like that, and it was such a boring – thing. And then – after going through that kind of thing, then I laid back and these lyrics started coming to me. About “the places I remember.” [...]
(John about IML, Playboy interview with David Sheff, 1980 - source)
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(A Day In The Life, Sgt. Pepper 1967)
“Paul sleeps with his eyes open though,” Lennon said with a frozen smile. “Yeah - and you speak whole sentences in your sleep,” McCartney countered. “What kind of sentences?” I asked. “It seems,” Lennon replied loftily, “that my most frequent phrase is: ‘Well get on that bloody bus, then.’”
(The Beatles for Daily Mirror, 1963 - source)
BONUS:
The song John is referencing as “What I Did On My Holidays” is most likely Summer Holiday (1963) by Cliff Richard (the fella is having an enjoyable bus trip in the movie clip).
youtube
Everybody has a summer holiday
Doing things they always wanted to
So we're going on a summer holiday
To make our dreams come true
For me and you
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writingforcuteppl · 2 years
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Nothing’s Gonna Take You From My Side
PAIRING: Sparrow!Ben Hargreeves x Umbrella!Reader
SUMMARY: After returning from the 60s, you weren’t the only ones surprised that Ben was alive; the Sparrow Academy was surprised you were active too.
GENRE: Fluff.
WARNINGS: Cursing, violence, mentions of death.
WORD COUNT: 6.4k words
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“Holy shit,” you could hear whispers from not only your siblings but from these people that claimed to be the “Sparrow Academy.” You didn’t understand their shock in the first place. Of course, for you, seeing Ben alive after so many years was a shocker. The last time you saw him, all of you were 17 years old.
“Is that you?” You could see the shock on Luther’s face as he got closer to Ben.
He looked more mature, and of course, it didn’t look like YOUR Ben. He seemed more serious and mean. Ben couldn’t take his eyes off of you. He slowly made his way to you. The closer he got, the more you started to hold your breath. You have dreamed of this exact moment for years, to have Ben in front of you for at least one more time, even if you knew this wasn’t the Ben you knew. He stood just inches from you. You could see shock and confusion mixed with happiness. For a moment, he looked like your sweet and innocent Ben. The one you have loved for so many years. You could feel one tear roll down your cheek, which was whipped out by Ben. He left his hand on your cheek, stroking it. You leaned into his touch, closing your eyes and trying to enjoy the little contact he was providing you. This couldn’t be real right? This has to be a dream. You felt his hands holding your face, and you opened your eyes. He was admiring you as if he hadn’t seen you in so long. And you could tell because you were sure you were looking at him in the same way.
“How are you alive?” he whispered while hugging you. That took you by surprise. What was he talking about? He was the one who died, not you. You pulled away from the hug, even if you wanted to stay like that forever.
“What, what do you mean I’m alive? Ben, you’re the one that's dead, not me” You could see the same confusion on his face.
“She’s back, and she’s still as dumb as she was,” a girl on the balcony said.
“What did you just say about my sister?” You heard Diego say, taking out a knife. You looked back at him with a pleading face. If this escalated, things were going to end badly. “AND WHO ARE THE WEIRDOS ON THE BALCONY?” Diego spat out.
“Shut up Jayme!” Ben shouted at the girl. They may be siblings, but you could feel the venom coming out of Ben. The Sparrows started to go down the balcony. Everything was happening so fast that you almost forgot Reginald was still in the room.
“They are the Sparrows. My children.” Now, what the hell the old man was talking about?
“I’m sorry, what do you mean, your children? That’s not possible, old man.” Five told Reginald. Finding out they were the Sparrow Academy and Reginald’s “new children” was not what you expected to find out after returning from the past. Ben put one arm around you. You looked at him, but he was looking at the situation unfolding in front of you, entertained by your siblings' confusion.
“Of course it is! I think I’d know, wouldn’t I?” Anger was starting to bubble inside you. Reginald wasn’t the best father in the world, but saying that he had other children was too much, even for someone as cruel as him.
“Everybody can see Ben, right?” Klaus turned around, amazed by Ben.
“Cute hat, Sundance,” Ben said to him. You could hear the irony. Yeah, this wasn’t your Ben. You tried to free yourself from his grasp, but he was stronger than you. He wasn’t making it easy for you to pull away. He was grabbing you as if you could disappear at any minute.
“They call themselves the Umbrella Academy, a group of scheming, perfidious malcontents who accosted me in the fall of 1963 when I was away on business in Dallas. Be warned, they claim to be my spawn.” He had to be joking. You could see your siblings started to get angry at his words. All of this was just insane. You tried again to escape Ben’s hold, but it was useless.
“Stop it, darling. You’re not going anywhere. Not again,” he whispered in your ear. Something about the way he let out the pet name made you feel the whole damn zoo in your stomach.
“Claim? Look, Five, what the hell is going on” Allison was mad, and you didn’t only sense it, but you could see it.
“I don’t know yet, but it’s concerning.” Five looked at the Sparrow and noticed the way Ben was holding you.
“Is he telling the truth?” The guy next to Ben said.
“Not the part about us being perfidious,” Viktor answered him.
“No, we’re amateur-fidious, at best” You could see Klaus was trying so hard to ease the tension in the room.
“But we are his children. This is our house,” Viktor tried to explain to the Sparrows.
“Yeah, yeah. We, uh… We grew up here.” Luther stuttered. A guy from the Sparrows, who you could tell had been badly injured, mocked what he had just said. You rolled your eyes. And you thought there couldn’t be anyone as immature as your siblings.
“I kinda think we would have noticed you,” the other girl from the Sparrows answered. Luther stayed silent for a moment and introduced himself with the biggest smile you have seen in any of your siblings. You knew what he was doing.
“Really, Luther? Right now?” You said to him. You heard a chuckle coming out of Ben.
“Okay. None of you belong here” Allison was done with all of this situation, just like you. The past days have been nothing but trying to save the world not once but twice, and the only thing you wanted was to rest. Ben could see your tired expression. “Don’t worry. Once we finish with them, you can rest, darling” Ben kissed your forehead, and the action made you smile. You didn’t fully understand why he was being so polite and caring to you, but you didn’t want him to stop.
“Oh well, I guess we’ll just pack our bags and move out,” A girl with glasses said, and the cube that was next to her made noises. Now, what the hell was that? This just keeps getting more ridiculous.
“Oh, you slay me, Chris,” you heard Ben say next to you. You heard steps getting closer to where you were.
“I wasn’t expecting company” You turned your head to the voice. It was Mom. You somehow managed to get free from Ben’s hold. Getting closer to her. You felt Diego standing next to you. “This is the best I could do on short- short- notice.”
“Mom…” Diego said. It felt so comforting seeing her.
“Mom? She’s a robot, you perv,” The girl that called you dumb a moment ago, Jayme, blurted out.
“It’s not a robot” Diego was trying his best to remain calm. Out of your siblings, you and Diego were really close to Mom. Even if she wasn’t your real mom, you knew she was the closest to one.
“Hey, don’t you call him that,” Luther tried to defend Diego.
“Or what?” Ben asked.
“Why don’t you come closer and find out” Luther and Ben started to get closer to each other, with the full intention to start fighting.
“Luther!” You tried to get his attention.
“Luther! Guys, Chill!” Viktor tried to calm Ben and Luther, but of course, they didn't listen.
“Think I’m afraid?” Ben was ready to fight Luther at any moment. He stole a glance at you to see your reaction. You were unimpressed.
“Stand down, Ben” The guy next to bend extended his arm to prevent Ben from going forward to Luther.
“How about I hide that big Rubik’s Cube up your ass?” This was not going to end well. You saw how all your siblings were starting to get madder by the second. Even if everyone in the room seemed to be upset, you just couldn’t seem to move; having Ben so close to you after all this time was starting to affect you badly.
“ENOUGH!”
Jayme suddenly fired some kind of liquid out of her mouth. The substance landed on Diego’s left cheek. You could see how he was touching it, trying to understand what just landed on his cheek.
“I don’t know what circus you people escaped from or how you got past our security, but we’re done here. You got 30 seconds to get out of our house.”
“And what if we don’t?” Allison was ready to fight.
“Then we’ll have to settle this the old-fashioned way.”
“Agreed,” Luther said.
There was such a deadly silence in the room, the tension growing by the second. Your sight went to Diego, and he didn’t seem very well. It looked like he got sick in such a short amount of time. Something was on the substance Jayme threw at him. It looked like he completely disconnected from reality.
“Look, we just fought a literal army, okay? This doesn’t need to get ugly. Let’s all just calm down, and let’s talk” Finally, someone with a little sense and Viktor was right. This was just so stupid to fight over who’s Reginald’s children. If it was up to you… Well, you didn’t care.
“Psst. Ben-er-ino” Klaus seemed to be the happiest one in this situation. You knew how Klaus was able to see Ben even after his death, so you understood his happiness. “You look so much better alive than you do dead. Am I right? Except for that haircut.”
Ben was annoyed, and his face showed it. You took advantage of his annoyance to free yourself from him and made your way next to Diego.
“What the hell did you just say?” You were glad Ben was too distracted. You were pretty sure if it wasn’t for Klaus’ comment, his grasp would’ve tightened around your body.
“Come on come on, stop with all the hostility, Mr. Grumpy Pants” Klaus made his way so he could be standing in front of Ben. “Oh wow. Nice scar. Muy macho”
“Shut your mouth!” You could see the last hint of patience leave Ben’s body
“You shut your mouth and just hug your brother-” That was it. Ben punched Klaus in the face, and you felt your blood boiling out of anger. Klaus stumbled and tripped over the center table. You quickly made your way to him, wanting to make sure he was ok.
“Hey! What the hell?! You didn’t have to do that!” You heard Luther say.
“Oh, I’m pretty sure I did!” everyone in the room started to bicker, but you couldn’t care less. Right now, you were just mad at Ben for hurting Klaus not only physically but emotionally too. You didn’t need Klaus to tell you that. Ben was his only real companion for so many years that the way this Ben reacted definitely hurt Klaus.
You felt someone’s pair of hands holding you by the waist, and when you least expected it, you saw Luther fly across the room, crashing down straight into Klaus.
“You ok?” Diego asked you.
“Yeah, don’t worry.” you turned your head to him flashing him a smile. You took a look at everyone in the room. And your eyes landed on how Reginald was just leaving the room, knowing well a fight was just going to start. Diego pulled you away from the center of the room. The guy that was next to Ben, the one that was standing in the middle, sprinted to the other side of the room, running and walking over the table and going straight to Klaus and Luther. This was going to get messier.
All of the Sparrows remaining except for Ben and that cube, stay in the living. As for the other ones, they start to follow Allison and Viktor.
Five went straight to Ben while you and Diego stayed in your place, waiting for the cube to get closer to you.
“Come at me, litter box!” Diego shouted and tried his best to keep his balance, but he was still trying to recover after the substance hit his skin. The cube, well, Christopher, made some noises. Surprisingly you did understand what he said, and Diego did too.
“Hey! Listen, I have amazing hair, all right? This was era-appropriate” Christopher didn’t care about what Diego was explaining since the stupid cube shot some kind of lightning toward Diego. “That’s all you got?”
“Not on my fucking watch” You wanted to get as close to the cube as possible, but you felt something tighten around your body. It was a tentacle.
Christoper started to chase Diego, and you saw where the tentacle was coming from. You were shocked but not surprised. What piqued your interest is that Ben was still fighting with Five but somehow managed to restrain you effortlessly. You started to punch the tentacle that was around your waist for it to let you go, but it was useless. It appears the tentacle had his own strength. Five was bitting the shit out of Ben, but the tentacle remained as strong. When you least expect it, another tentacle went and tangled around your arms, making you stay still without an opportunity to fight back.
Ben gets Five in a headlock, but luckily Five manages to blink to get away from Ben. Ben seemed slightly confused at Five’s actions.
“You’re alive. That’s… great. Or possibly horrible. I’m not really sure yet.”
“Is that some kind of weird smack talk?”
“It’s more of an existential problem, really, Ben. Now can you please let go of my sister?” Five looked at you, and he realized Ben managed to leave you still.
“Awesome. Well, here’s your next problem” Ben didn’t even wait for a second when a tentacle shot out of his body. Five disappeared again, teleporting to the balcony close to where you were.
“You know, even though you’re a total asshat now….” Five blinked and appeared behind Ben. He punched Ben in the face, knocking him out. “It’s nice to see you again, really” You felt the tentacles loosening around your body. Letting you fall on the balcony’s floor.
“Thanks, Five!” you shouted from the balcony.
“Well, maybe you want to use your powers, sis” Five smirked at his comment, knowing fully well your powers only worked outside since you were able to control only the weather.
“Oh look, now you’re a comedian,” you smiled at him. “Five, watch out” You saw how Christopher started to fly toward Five, but out of a sudden, Diego jumped onto the flying cube.
“Who’s your daddy? I’m your daddy! Who’s… your… daddy?” Five, and you only saw how Christopher started to go up to the rooftop with Diego and started to spin him around in an attempt to get Diego away from him. Christopher turned so fast that Diego flew away onto the left side of the balcony.
“Let’s get the fuck out of here,” You said under your breath. You made your way down the balcony and entered the living room; you were getting closer to Five when you felt two arms wrapped around your body.
“You’re not going away so easily, my darling,” Ben whispered. You could hear he was starting to get tired of all the fighting. Five disappeared from the living room. It was like your whole body stopped responding the moment you heard the nickname roll out of him. You don’t want to admit it, but he has power over you. Maybe it’s just weakness, or perhaps you just really missed him after all these years, but you were sure about something. You weren’t going to be able to fight against him. And the same happened to him. How can he fight the love of his life? Someone he also thought he had lost forever. He wasn’t going to let you go so easily. And he will make sure you never leave his side ever again. You were staring at Ben, having him so close… You were able to take a look at the scar he had on his left cheek. You want to ask what happened to him, but something interrupts you. Well, someone is actually shouting.
“See? We’re hugging! This is progress!” you turned your head to Klaus, noticing the giant tentacle around his body.
“Let him go, Ben,” you begged him.
“Ok,” you could see how Klaus fell to the floor with a loud thud. Ben was smirking.
“That’s not what I meant, asshole.”
“It was funny, you have to admit it, angel,” you wanted to answer back, but he kissed your forehead, making you forget everything the moment you felt his lips on you.
“Cat got you tongue?” You heard Ben chuckle.
“Shut up” You felt the blood rush to your cheeks. Damn him, all so beautiful and perfect.
“See? Bigger isn’t always better,” One of the Sparrows spat out after punching Luther.
“Is that what you tell your girlfriends?” You asked him, making him look at you. Luther took this as an opportunity and attempted to kick him down, but he was faster and managed to avoid Luther’s kick by jumping, and then he kicked Luther in the face knocking him down.
“Thai food for dinner?” The Sparrow girl that’s wearing glasses asked.
“I could go for pad see ew,” Ben answered her question. It seemed like all this fight was so easy for them, as if they didn’t care about it. You were impressed, but at the same time, it hurt your pride. Your siblings were doing everything in their hands to at least fight for your home, and all of these people were acting as if none of it mattered as if you didn’t matter.
“I’m in. Marcus, Thai?”
“Why are you even asking him? He hates Thai” Ben was making your approach where Luther was.
“What? Since when?”
“Fine. Italian,” the girl in glasses asked.
“Absolutely not” You looked at Ben and then returned your sight to where Luther was being beaten by who you assumed was Marcus. How could they have such a trivial conversation while one of them was beating the shit out of your brother? That only helped you confirm something. They were good, and they knew it.
“We done here?” Marcus stepped on Luther’s chest.
“Nope,” you wanted to smile at Luther’s answer, but right now, you were more worried someone managed to knock Luther down. “I don’t run from a fight.”
“Yeah, that’s the wrong answer, dude.” The Sparrow guy next to Ben, that was all beaten up, said to him.
“Let him finish him off,” Ben interrupted him. You hit him in the chest.
“Come on, Luther,” you whispered to yourself. He cannot let some random guy treat him like a punching bag. You wanted so badly to help him. You knew if all of you were outside, all of them would have been thrown away by now. But unfortunately, you were inside, and Ben was keeping you from doing anything at all.
“Let’s end this” Marcus started to kick Luther in the chest repeatedly, the action making you flinch, and you turned your body to Ben so you could hug him. Ben slid one of his arms around your body. You know it was wrong, but you just needed his comfort right now. You were pretty sure you heard some bones being broken, and you were trying so hard to not start crying right now. You listened to a rumble of thunder in the distance, meaning that if you didn’t calm down and started to collect yourself, a thunderstorm would get closer anytime soon. So you decided to pay attention to Ben’s heartbeat. It was calm. Not a single glimpse of being agitated or excited. It was as if you were the one who made his heartbeat stay peaceful.
“Stay down!” Marcus yelled at Luther.
“Luther!” You heard Viktor scream from the balcony.
“Viktor!” Luther groaned. You heard someone speak to Viktor, making you turn your head to where the voices were coming from. One of the Sparrow girls made Viktor levitate to the center of the living room.
“Guys, go! Get out!” Luther took your arm, pulling you towards him, taking advantage of Ben’s confusion. The two of you managed to get out through a secret door in the living room, running as fast as you could. A part of you was worried about Ben. If he didn’t get out of that place, Viktor was going to hurt him badly. But you knew you shouldn’t feel that way. Not after the way he treated your siblings. Even if he looked like your Ben, he wasn’t that Ben. So you knew you needed to focus on that. If you didn’t do it, not only were you going to get hurt, but your siblings would be too, and that’s the last thing you wanted.
You and Luther managed your way out of the secret passage. You could see Luther was trying to walk like he usually does. The previous fight made all the bones in his body move from the place they were supposed to be, his joints cracking when suddenly he turned around and punched the girl that made Viktor levitate not so long ago.
“Oh shit!” Luther exclaimed. “Hey, I’m sorry. Uh, are you okay?” Luther squatted down so he could help the girl.
“Yeah,” you could see Luther was actually worried for her, and it warmed your heart. “Hi,” she said to the two of you. “I’m Sloane” Luther smiled at her.
“Hey, Sloane. Uh... I’m Luther, and this is my sister Y/n” You waved at her and offered her a sympathetic smile. She seemed nice. Even nicer than her siblings
“Luther! Y/n! We’re leaving! Come on!” Five shouted at you and grabbed your hand for you to follow him.
“Just a second” Luther tried to continue speaking, but Allison just grabbed Luther for him to start moving.
“Come on! We gotta go!” Allison said, hustling Luther away in the process.
You were arriving at the end of the hallway when you saw the girl with glasses materializing some ravens from her back for them to start following the four of you.
“Seriously?” Luther baffled.
“Move, move, move, move!” The four of you started to run again as fast as you could, trying to get away from the birds as if your life depended on it
“The briefcase!” Five shouted.
“What?” You asked him, but Five blinked away before he could even listen to you.
“No time!” Allison tried to stop him to no avail.
“I hate that he can do that.”
“Go! Shut it!” Allison commanded. The three of you managed to enter a new room closing the door behind you. You could hear the ravens screeching from the other side of the door.
“That was close,” you panted out, trying to calm down your breathing. When you least expect it, the ravens started to peck the door with their beaks.
“Oh shit!”
“What do we do?” Allison was starting to get worried. You looked around the room and saw a window.
“Come! We have to jump,” you instructed them to follow you. You open the window in a swift move, making the air move around you and your siblings, helping you to get out of the window without having to jump from the first floor. When the three of you were on the floor, you started running as fast as possible. You didn’t know where, but you just wanted to get as far from that house as soon as possible.
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All of your siblings except for Viktor managed their way to a park that was near the academy. All of them looked like shit. Out of the 6 of you, you were the one who was only agitated by the previous events. You knew the reason for you not being as beaten as them was because Ben made sure you didn’t get hurt, preventing you from actually fighting. You were mad and disappointed in yourself. You should have been able to at least help them during the fights, but the fact that your powers do not work indoors made it more complicated. You felt so useless, all of them were able to fight back and use their powers to their advantage, but you, you weren’t even able to free yourself from Ben’s tentacles. Your mind started to go around in circles, and your heartbeat was beginning to pick up its pace that you overlooked when the sky was starting to get cloudy while thunders and lightning could be seen and heard from the distance.
“Y/n” Five tried to get your attention. He could see your anger, and he was pretty sure the cloudiness was because of you “Hey, it’s okay, we’re fine” You felt his hand touching your arm, trying to calm you down, and it worked. He gave you a quick smile, and you smiled back at him. You slowly calmed down, making the clouds go away.
“Just gonna sit. I’m just gonna sit for a minute,” Luther groaned as he was sitting down on the park bench.
“That didn’t go well.”
“No, not our best work,” Five answered Diego.
“Oh, I’m cracking” You could see and hear the way Klaus’ body moved and cracked, making you shiver.
“You alright?” You asked Luther. After the beating Marcus gave him, you were worried for him.
“I don’t know yet.” Luther sighed. “I’ve just never had my ass handed to me like that before. It’s like… Here you go, it’s your ass,” Luther mimicked, giving you something to show his point, which only made you laugh. Allison was looking at him as if something wrong happened to him.
“Okay, I think Luther’s concussed.”
“Luther, how many fingers?” Klaus asked him, and Luther looked baffled.
“Oh my god, Viktor” Before someone could answer him, Allison pointed at him.
“Oh, thank god you’re alive,” Viktor said from afar.
“You okay?” Allison asked him
“Apparently, so is Ben,” Klaus said cautiously, looking at you, trying to not get a reaction from you. Trying to get your mind away from Ben. You stay motionless.
“Yeah. And he’s a complete dickhead” You nodded at her comment.
“They’re all dickheads” you hear Diego say.
“Dickheads who can fight” Luther was right. They were able to defeat the 6 of you like it was the easiest thing in the world.
“Okay, the next person to say dickhead is getting a punch to the throat.”
“Dickhead” All of you said in unison.
“Hey, did Dad tell you why he was calling them his kids?” Diego asked Klaus, and for the first time since you arrived at the park, you started to pay attention to the conversation.
“He sure did!” Klaus laughed. “You ready? Dad was so repulsed by us back in Texas that he adopted an entirely different group of children just so that he didn’t have to raise us” That piece of shit! Talking about your attitude as if he wasn’t the reason why you turned out like that in the first place.
“That’s just peak, Dad,” Diego said
“Isn’t it?”
“So he just didn’t want us anymore?” Viktor asked. A hint of disappointment could be heard.
“Did he ever?” Allison blurted out. She’s right. Reginald never really cared for the 8 of you. You always asked yourself why he even bothered to adopt all of you in the first place if he wasn’t going to at least treat you with civility.
“See? I told you we shouldn’t have asked him for help in ’63”
“I think you’re all missing the big picture here. If Dad didn’t adopt us as kids, he changed the timeline,” Five started to explain to you. “So, who knows what else is different now.”
“Shouldn’t you know?” Allison asked Five.
“Sorry, Allison, but it might take me over 20 minutes and a traumatic brain injury to figure this out. Is that okay with you?”
“No, actually, it’s not”
In an attempt to calm everyone, Viktor spoke, “Guys, look, it’s fine. We still have the Commission’s briefcase, so worst case, we can just go back in time and fix it.
“Great!”
“Okay. There are two problems with that statement. First off…” Five started explaining
“Here we go.” You looked at Five, knowing well you were about to be told by him how dumb of a statement that was
“Time travel is complicated, people.”
“Yeah, we get it. Your job is so hard, so what?” Diego tried his best to remain calm.
“And secondly…” Five made a pause. That’s not a good sign. “I no longer have the briefcase.” Everyone was shocked at his comment. How could he lose it? He was always so careful and made sure to never leave the briefcase alone.
“Five. Where the hell is the briefcase?” Five didn’t answer. At the lack of response, one by one started to get up, knowing something had to be done to get the briefcase back.
Diego came closer to you. Your silence was starting to make him feel uneasy. He put an arm around you, pulling you closer to him.
“How do you feel? I can hear how your brain has been thinking since we arrived at the park” he always managed to get a smile out of you no matter what situation you were in, and this time wasn’t the exception. You sighed.
“I don’t know. I feel angry at myself. I wasn’t able to help you guys back there. It was like I just was someone useless. And then the Ben situation… You saw him, he’s more than alive, and, god, it felt so good being close to him again, but he’s just a jerk that I want to punch in the face, but I can’t do it since, well, it’s Ben. And not only that, but you saw how those dickheads looked at me. It was just as we were looking at Ben. As if they knew me from before but were gone a long time ago. It made me feel uneasy.” Diego made you stop walking and gave you a tight hug, and, of course, you hugged him back. “And don’t even get me started with this Sparrow Academy thing. The fucking balls that old man has,” Diego chuckled. “Not only he makes our childhood the worst one, but he just discarded us like we were trash. I swear to god…” The weather around you started to change. The wind began to howl. You wanted to show that old man who he messed with that you didn’t even notice you were starting to get angrier by the second.
“Whoa, whoa, whoa, calm down, little tornado. You are going to blow us away if you don’t calm down” You turned your head to Diego, and the wind you created messed up his long hair.
“Oops..?” The two of you started to pick up the pace, your other 5 siblings were already walking, not sure where, but you just followed them without any question.
“What are we doing?” Allison asked.
“Ruminating,” Five answered her.
“Why is everyone staring at us?” every person that was walking by or was just hanging around in the park gave the 6 of you nasty looks.
“Because we look like the damn Village People just lost a fight” Diego took Klaus’ hat off him, trying to make him look as normal as Klaus could look.
“Gimme that. Hey!” Kalus attempted to get his hat back from Diego. “Ow!” but of course, Diego was stronger than him.
“You know what? I need to go find Claire. I will catch up with you guys later” Something made you go into alert mode. If the timeline changed… Would everything you left before going back in time still be in this timeline? Ben was just an example. He was back… Well kinda.
“Guys cut it out” Five “attempted” to stop Klaus and Diego.
Allison started to walk away from you. You began to follow her until someone familiar caught your eye. Across the big body of water in the middle of the park was Ben standing just looking at you. He was wearing different clothes, more usual compared to his Sparrow uniform, and he also was wearing a cap and some sunglasses. He shot a smile at you, and you could feel your heart beating in your ears. You stopped hearing whatever conversation your siblings were having. It was like only the two of you were in that park.
“What makes you think they are coming after us?” you heard Viktor said
“Because I would” Diego looked at you.
“Yeah, we did break into their house…Bust up all their nice antiques and shit.”
“Our house” You stopped paying attention. Ben moved his head, trying to show you where he was going so you could follow him.
“And well, there’s also Ben” Everyone stayed in silence after Five’s comment, and you felt everyone’s eyes on you.
“What?”
“Well, let’s be honest, Y/n, we saw how you acted back there. And we also saw how Ben acted….”
“That means nothing. He’s not our Ben, so stop it with the judgy looks” You didn’t want to admit how bad Ben was affecting you.
“Can you just not mention the thing about him, please?
“Yeah. I don’t think the crime-fighting super nerds are gonna let that go.”
“Let’s just think of someplace off the radar where we can lie low and not draw attention?”
“What kind of a weird-ass place are we not gonna draw attention to?” everyone looked at Klaus. If someone knew of a sketchy place, that was Klaus.
“You know what? I’ll meet you there, okay?”
“Where do you think you’re going?” Five questioned you. “Besides, you don’t even know where he’s taking us.”
“Oh, believe me, I know where we’re going. I just need… you know… fresh air,” you started to walk, remembering where Ben was walking to a few moments ago.
“Oh yeah, because being at a park means there’s no fresh air,” you heard Luther, but you decided to just ignore him.
You realize you didn’t know what you were going to say to him. You were pretty sure if you were able to understand he wasn’t the Ben you knew, he understood you weren’t the Y/n he knew.
“Hi,” Ben said when you were close enough to listen to him.
“Hi,” you sighed. You needed to collect yourself and stay focused.
“It’s really you Y/n” “Ben went for a hug. You enjoyed having him this close.
“Ben, I’m….” You tried to free yourself from his hug, but he was stronger than you.
“I know. Just let me enjoy this, please” Ben begged for you to stay just a bit more time in his embrace. He slowly pulled away from you. Ben removed his hat and glasses, and you finally saw his face in detail for the first time. He looked so gorgeous.
“Wanna talk?” Ben grabbed your hand, and you felt a shiver roll down your spine.
“Sure,” he guided you to a free bench in the park. The two of you sat down.
“I’m gonna start. Is that ok with you?” you only nodded. “I was shocked to see you back there. For a moment, I actually believed my Y/n was alive. And well, the way you looked at me… I’m sorry if it took you by surprise.”
“It’s okay. Well, I was also shocked to see you. The last time I saw my Ben alive was when I was 17 years old, so I understand the feeling.” you gave him a reassuring smile, and he mimicked you. You stayed like that for some minutes. Holding his hand, listening to the air go through the leaves of the trees. Enjoying every moment of it.
“I don’t… I can’t lose you again, Y/n,” Ben finally said. “You don’t understand how much I’ve missed you. How I wish I could go back in time and hold you just one more time. And know that I have you right in front of me. I will never let you go. Nothing’s gonna take you from my side, not again.”
“What makes you think I’m just like your Y/n? What if I’m just completely different from her? I mean, just look at you. You are so different from my Ben,” Ben sent a questioning look at you. At his lack of response, you continued. “Well, for instance, don’t take it the wrong way, but you seem conceited. Like, that’s cool, but you just want to show off. Prove that you’re the best-”
“I am the best.”
“See? My Ben wasn’t like that. He was sweet and polite. Someone so caring. He didn't like the attention at all...” You felt a tear roll down your cheek, and Ben swiped it away.
“Well, you’re right. I am different from him….”
“Exactly. Look, I love having you here in front of me. But just as you lost someone, I did too. And to be honest, I don’t think I will be able to lose you again. I cannot go through that again, Ben. So I will ask again. What if I’m not like the Y/n you knew?”
“Well, you are as beautiful as she was. That’s good.” you laughed. “Yeah, maybe she was a little tougher. You seem like a really sweet person. And judging by today’s events, you also have the same power as her. Weather manipulation.”
“How…”
“My Y/n wasn’t able to manipulate the weather indoors. And well, you weren’t able to do much today. And, of course, I also didn’t let you fight.”
“Yeah, what was all that about?”
“As I said. I won’t lose you again. I will do everything in my hands to keep you by my side. Even if that means fighting your stupid siblings again.”
“Hey!” you hit him in the arm jokingly.
“I’m serious” Ben started to approach you slowly. He lay his hand on your left cheek, stroking your cheek with his thumb. “I never stopped loving you, my darling, and I will make sure no one gets in our way. Not again.” you sighed and closed your eyes. His touch on your skin felt good. You felt Ben’s lips on yours, giving you a short but sweet kiss. “Please, don’t leave me, please.” Ben rested his forehead on yours. You opened your eyes and looked right directly into his beautiful, brown eyes, and that’s when you knew… You will never leave his side ever again.
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n a v i g a t I o n
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mrsdarkandyandere7 · 2 years
Text
Yandere Five Hargreeves - You're from 1963
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Pairing: Yandere Five Hargreeves x (female) Reader
▶ This is a yandere/dark work and it may contain triggering content so please READ THE WARNINGS before. Do not read if minor.
More at Masterlist
SUMMARY: You're from 1963 and Elliot's adopted sister.
WARNINGS: S2 spoilers; Kidnap.
AN: Aged-up Five. Also you're not necessarly white, cause you're adopted. Please, reblog and give me feedback.
--
You’re Elliot’s adopted younger sister but you, unlike your brother, are not that enthusiastic about Five or his family. You simply don’t share the same morbid fascination your brother has over them, but somehow you end up catching Five’s attention.
You’re tolerable, he assumes. Much more tolerable than Elliot and because of that, Five remains closer to you. 
Five is constantly around you, except for when he has dangerous matters to take care of. He frustratedly vents to you about his plans and complains about his siblings, even if you don’t seem too interested in listening to him. 
“And can you believe that Diego got himself locked up in an asylum, that idiot! I’m surprised that it didn't happen sooner.” 
It soon becomes evident that Five is never far from you and Lila takes every opportunity to expose Five for being so smitten by you, even if he vehemently tries to deny it. 
If you go to the kitchen, so will he. “I was actually going to get some coffee too.” 
If you head to college, Five will be right behind you. “I always wanted to see how the education system worked in 1963, so might as well come with you. For research purposes.” 
So, you’re forced to endure his company but you’re good at ignoring Five, letting him be the strange young yet old man he is. You let him talk and be with you, always keeping your head down on a book to give you an excuse to not talk much with him.
But then Elliot is murdered and it shakes everything in your life. You blame the Hargreeves for that. You blame Five. It’s because of them that your brother is dead. 
You try to grab your stuff and leave the apartment, away from all of them and their problems except Five doesn’t let you. He’ll lock you up in your room, preventing you from leaving, not only for your safety but also because he can’t let you leave. 
Five promptly refused Vanya’s demands to bring Sissy and Harlan back to 2019, but the same doesn’t apply to you. Five will do anything - absolutely anything - to take you with him. Doesn’t matter if you want to or not, but it’s still happening. 
It’s mostly for you that he slaughtered the board members and he would do it again and again, if it means he can take you home with him.  
And once Five finally finds a way back home, he’ll drag you with him, uncaring of the shocked expressions on his sibling’s faces as they watch him wrestling you into coming with them. 
Once you’re all back in 2019, Five wastes no time in taking you to a remote location, only you and him, away from his family and everyone. Just you and him. 
“Isn’t this much better this way? Just you and me, together for the rest of our lives. And honey, don’t hope my siblings will save because no one will take you away from me.” 
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flotuslover53 · 1 month
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Hey.. I'm that quora guy from earlier, I was scrolling for a little while before i found stuff that I think will pique your interestxdd
What did JFK think of Richard Nixon?
Congressmen John F. Kennedy and Richard Nixon in 1947.
JFK is age 29 (one month shy of 30). Nixon is age 34.
JFK liked and admired Nixon. Their friendship continued throughout JFK’s life.
“On New Year's Eve 1959, two days before he announced his candidacy for the presidency, Kennedy made an admission to his neighbor, journalist Charles Bartlett, that was so startling Bartlett wrote it down the following morning: "Jack says if the Democrats don't nominate him, he's going to vote for Nixon."
“Few men had observed Nixon's gifts - his ambition, his perseverance and his intellect - from the intimate vantage point afforded Kennedy. In early 1947, a civic group in the steel town of McKeesport, Pa., asked their congressman, Frank Buchanan, to invite the two congressional freshmen with the brightest futures to come debate the Taft-Hartley labor bill. Buchanan picked Kennedy and Nixon, both just elected after naval service in the Pacific.”
“On April 21, 1947, the first Kennedy-Nixon debate was held in the ballroom of the Penn McKeesport Hotel, with Kennedy getting the more sympathetic proposition. Some of the blue-collar steelers booed Nixon's warnings about encroaching union power.”
“Boarding the overnight Capitol Limited train back to D.C., the 29-year-old Kennedy and the 34-year-old Nixon drew straws for the lower berth. Nixon won, but the bed went largely unused as the awkward grocer's son found an unexpected common denominator in the handsome playboy heir to one of America's great fortunes.”
"We sat up late talking," Nixon recalled. "Neither of us was a backslapper, and we were both uncomfortable with boisterous displays of superficial camaraderie. He was shy, and that sometimes made him appear aloof. But it was shyness born of an instinct that guarded privacy and concealed emotions. I understood these qualities because I shared them."
“In 1950, Nixon planned his run for the Senate against Hollywood actress-turned-Democratic Rep. Helen Gahagan Douglas, longtime mistress of Texan Lyndon Johnson. During that campaign, Douglas branded Nixon with an epithet that would stick for life: Tricky Dick.”
“In the infamously mean-spirited race, Nixon got a psychological and a financial windfall from an unexpected source.”
“Kennedy dropped into Nixon's office and handed an envelope to administrative assistant Bill Arnold. "This man brought a personal check for $1,000," Arnold would recall. "He explained that the check should be used in Nixon's campaign for senator." Kennedy's contribution amounted to approximately one-third of the average American's annual income.”
“After Kennedy's 1952 election to the Senate, Nixon offered a different sort of help. The membership chairman of the exclusive, all-male Burning Tree golf club in Maryland got a letter from the new vice president: "I have known Senator Kennedy for a number of years as a personal friend and I feel he would make an excellent addition to the membership."
“In the Senate Office Building next to the Capitol, Kennedy was given Room 362. Nixon was right across the hall in Room 361. For eight years, there would be an easy camaraderie not just between Kennedy and Nixon but also between their secretaries. Kennedy's assistant Evelyn Lincoln would recall, "Rose Mary Woods and I were very friendly."
“In the summer of 1963, he took his wife and two daughters on a six-week overseas vacation. In a hotel room in Rome, Nixon picked up the ringing phone and heard the operator say that the president was calling. Five days after making his "Ich bin ein Berliner" speech, an ebullient Kennedy was in town.”
"Sounding happy and relaxed, he said that he heard we were in Rome and just wanted to say hello," Nixon said.”
“It was the last time Nixon and Kennedy spoke.”
Is it true? Thats beyond me XD But it's cool nonetheless.
Wow thank u for this!! I can confirm at least most of these are true.
The story about them sharing a bunk on the train after their first debate is from this article which I would recommend to everyone who is interested in the Kennedy/Nixon dynamic. They really had the most perfect meet-cute!!
It's also true that JFK gave Nixon $1,000 for his campaign against Helen Gahagan Douglas, as he says in this interview. The money came from JFK's father, but as Nixon says, he wouldn't have received the check unless JFK also supported him. (This video has some other very cute anecdotes in it, I've rewatched it so many times hehe)
Nixon and Kennedy did have offices directly across from each other, and as my source I'll just show this adorable cartoon Nixon gave to JFK:
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I'm also extremely sure that the Rome story is true, and I'm also sure I've seen it mentioned in multiple sources, but for some reason the only source coming to mind right now is this fictionalised horror story about Nixon I read a few months ago where the phone call between them was included in one scene. (I'll look for a better source on this lol)
I love all these little anecdotes about the JFK/Nixon friendship, even though they may not have been the closest of friends it's fascinating to me that they had this longstanding relationship that lasted over a century and spanned just about the entire time that the two men were involved in politics. Truly they were drawn together by fate so many times!!
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taigan-hse · 4 months
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The new season of Doctor Who is giving me some problems.
To be clear, I’m having fun. But in each episode there’s always something that makes me go “but..wait… how does that work?”
Space Babies
It’s been the longest since I watched this so I’m not positive but did they explain why the babies had developed intelligence while keeping infant bodies? Did they build the strollers and control manipulators or did Nan-E provide those? And the Boogeyman being created because “computers are literal” is what my old math teachers would call a “hand wavy” explanation, one that only work if you don’t look at it too closely.
Devil’s Chord
The fact that the Doctor could just intuit most of the chord to send the Maestro back? I’m not a music person but I don’t get how that works. Also, we’re just kinda assuming the Maestro’s defeat mean that they never existed? Otherwise we’re living in a world with no major music between 1925 and 1963. No Buddy Holly. No Elvis. No Bing Crosby. No Sinatra. No Glen Miller. No Perry Cuomo.
Boom
At first, I had no problem with the mine having all those complicated rules for what would make it go off. But later we learn that, if it can’t make up its mind it defaults to detonate? Then why all the checks? Why not just blow on any contact? It’s not even a matter of economics because we know the mine is reusable. (The one the Doctor stepped on was the same one that blew up the guy in the opening.)
73 yards
This was the first one that actually made me mad. When Ruby’s mother turned against her, I was thinking “ok, so this is an illusion or a manifestation of Ruby’s fears.” But it wasn’t that. Ruby’s mother actually abandoned her and told her she wasn’t wanted by her or by her birth parents. Yes, at the end it’s time paradoxed out of existence but it was her actual mother saying that. Since they never explain the mechanism by which the Follower did that to people, I can’t accept what could do that. And even if it could, what about her grandmother? She never got the whammy put on her. Did she not argue with her daughter about it?
Also, why did Roger ap Gwilliam give up his political career? The Follower causes people to want to avoid Ruby, right? Couldn’t he just… fire her and never see her again?
Dot and Bubble
Why did the AI turn on everyone? I get we all were kinda in agreement they deserved it at the end, but it felt like very lazy writing. “Well, of course, an AI is going to want to kill all humans.” Not to mention, why kill people with genetically engineered giant slugs when everyone already had a Dot and we see that the Dots are quite capable of killing people on their own?
In summary, I get the feeling that each episode had a theme or setting that Davies/Moffat wanted to explore and wrote whatever was needed to do that, whether or not it made any sense. I think the acting has been top tier, it’s just the writing letting the show down.
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