#because that would make them a crazy person

[specss00]

ALTERHUMAN SLANG DICTIONARY

MAMMALIAN

Got on my back paws - got on my hands and knees. Like how animals can stand up as a trick.

ex: yeah, i really wanted that necklace, i had to get on my back legs so she would get it for me.

Showing fang - standing up for yourself/being assertive. 

ex:  he’s really tough, and he’ll show fang at just about anything.

White eye - going crazy/really scared. Like how animals show the whites of their eyes when very agitated.

ex: haha, i saw how scared you were during that movie, you went all white eye at the end!

Howling at the sun[wolf/werewolf] doing something completely ridiculously/incorrect

Ex: dude did you see how that movie ended? Mc was really howling at the sun

Could hear someone purring[cat, any other purring animal]  noticeably becoming relaxed around someone/something

Ex: I saw you with your new plush yesterday, I could really hear you purring

Treetop chaser - (herbivorous) someone who chases unattainable things.

ex: they’re way out of your league, don’t be a treetop chaser

Bellycrawler - someone overly submissive.

ex - you have to stand up for yourself, don’t be a bellycrawler and let them take advantage of you.

Downy - young, referring to the soft fur of young animals. 

ex - she shouldn’t be out til midnight, she’s still downy!

Sit on your wag - means the same thing as swallow your smile.

ex - i got accepted into college, but my sister wasn’t, so i had to sit on my wag.

Go for the ruff - do something harmless/gently.

ex - the shirt was really ugly, but i went for the ruff so i didn’t hurt his feelings.

Flea - an insult meaning antikin, or a bigot in general.

ex - oh, you have him in your class? Be careful, he’s a total flea.

AQUATIC

Riptide Rider - (aquatic) someone who lives dangerously.

ex: stay away from her, she’s a riptide rider, you’re bound to get hurt.

Current crazy - someone who just follows other people, same as flock brain

ex: my brother joined the football team, and now he’s all current crazy.

Bottomfeeder - an insult for a low-class being.

ex - the boys at my school are such bottomfeeders, they make all the girls uncomfortable.

Floater - an insult for a superior or snobby person.

ex - ugh, they’re such a floater. They brag about their promotions ALL THE TIME.

Seen the whale fall - someone who is very experienced, now become a word for old among younger aquatics.

ex - my gramps has really seen the whale fall, he’s almost 95!

Play remora - like devil’s advocate, because remoras stick close to sharks.

ex - i don’t wanna play remora about this, but i think he was lying.

AVIAN

Flock brain - (avian) someone who can’t think for themselves. 

ex: ugh, she’s only hanging out with them now, she’s being a total flock brain.

A hummer with an eagle - (avian) someone who is clearly out of their depth.

ex: are you sure you can handle advanced classes? No offense, but you’ll be a hummer with the eagles.

Mantling over [smth] - [avian] being possessive, traditionally over food items 

Ex : Sarah is really mantling over that burger menu, I tried to take a fry and she almost bit my head off...

All preened up - [avian] well dressed, well groomed, the state of satisfaction and confidence that comes with A Good Look

Ex : Wow, Eric was all preened up this evening. I don't think I've ever saw him take this many selfies. 

And just for fun...

Going for the rattler - [roadrunner] choosing the hard or dangerous option, with expectation of either great fun or a great reward

Ex : "Huh, this park offers either a canyoning session over rapids or a day in the sun near the lake" "well I'm definitely going for the rattler" 

flare(s) my wings - (avian) makes me tense/nervous/angry 

"i don't like him, he always makes me flare my wings" 

makes my wings flutter - (avian) makes me happy/excited

"pasta always makes my wings flutter"

im pretty sure "ruffles my feathers" is a preexisting one

messy wings (with no time to preen) - (avian) having a bad day/stressed (and haven't had time to cool down)

"yeah today my wings are so messy and i haven't had time to preen"

Having a blood feather - [avian] being particularly irritable 

ex : Don't bother with this guy, he's been having a severe case of blood feathers. He'll jump at you for anything.

Riding the updraft - [flying creature] taking advantage of good opportunities, being lucky in life, having an easy time.

ex : I've been really riding the updraft recently ! Got both a promotion and a new car! 

Beak agape - [avian] furious, about to throw down.

ex : Jesus, this dude really left me beak agape. The audacity to say that !

Feeling clipped - [avian] feeling restless and anxious, like there's no way out

ex : Honestly these last few weeks have left me feeling clipped, between the news, and being dropped from my job. 

REPTILIAN

Makes my scales itch - (draconic) said about something unsettling or that just feels wrong deep down, a gut feeling that something's wrong

ex: We should get out of here. This place is making my scales itch.

Blow fire - (draconic) be extremely angry about something

ex: Did you hear what went down the other day? John was really blowing fire at Derek over that one.

Rattle someone's scales - (draconic) to unsettle or upset someone

ex: Can't stand that guy, he really rattles my scales. 

Cloudy day - (reptilian) usually used as a question, if someone is acting tired or unusual. Like how reptiles need the sun to stay warm, if it’s cloudy, they can’t warm up.

ex: woah, cloudy day? You look like you haven’t slept in months.

[cherry-leclerc]

we never talk about it ☆ op81

genre: humor, angst, yearning, massive crushes, and lots and lots of miscommunication, assistant!reader

word count: 11k

It's unwise—longing for someone like Oscar. While he's the epitome of someone anyone can easily fall in love with, you're the epitome of a devoted girl who will fall in love with him. You might not even care too much about all the heartbreak you endure along the way.

inspired by this !

cherry here!... based on real events.

Do you remember the day we first met?

The wind doesn’t do its job in blocking him out, the way you prayed and wished it would. You’re still able to catch the crack in his voice—a distant reminder of the way it once made you giggle. Even his nose is beet red, matching the Christmas lights. But apart from all that, you still hear him. You still see him. 

You always have.

“A little bit. Yeah.”

He flinches, then tries to play it off with a soft smile. Like he doesn’t want you to uncover the slight hurt he feels. But he can’t read your mind. He never could. And that was the problem.

Oscar nods, feigning indifference. “I do. Remember it all, I mean.  Think back to it quite often."

-

It’s utterly useless to try and ignore him, really.

His hair is too fluffy, his eyes are too bright, and his accent is making you want to flaunt the way some loony character would with a hand over their heart. It was honestly a tad bit demeaning.

But you can't help it. You admire the way his brown locks fall in a lousy manner when he towers down to sign the contract. You blush when his eyes get that twinkle in them. And you swoon over almost anything he says with a shy smile.

“You’re drooling.”

Mortified, you briskly run the back of your hand against your mouth before sending a harsh glare. Lando snickers. “Would you please stop?”

His jaw drops, theatrically. “You’re not actually into him—are you?”

He says it with a trace of humor, but also shock, and you can't help but have your mouth run dry. A loose grin starts to expand across his lips as you hurriedly shake your head. “O-of course not. Are you crazy?”

But if anything, you feel crazy. You must be, right? With every passing second of your heart beating faster and faster against your chest simply just by looking at the young Australian, you’re sure you fall straight into the category like some love fool.

Lando squints his eyes. “I don’t know.” He leans in straight into your face, nearly hissing. “Am I?”

“Am I interrupting?” 

Flinching hard, you turn quickly to face Anastasia. You’d initially met the black haired girl back in 2019. As you started off as the Brits personal assistant, she took over as Carlos’ and later also Daniel’s. Over the course of time, you two came to be as close as sisters. 

“No! Not at all,” you squeak, nervously before pushing the McLaren driver away and patting towards the open chair next to you. She giggles, rolling her eyes and adjusting herself. “How was the flight over?”

A shrug. “As good as it can get. Sat next to a silver fox, so I guess that must count for something, no?” Lando shudders. She leans in closer, plopping her head against your shoulder. “What’d I miss?”

“Not much.” Only, that’s not true. She missed the way he laughed awkwardly when the doors wouldn’t slide open and let him into the headquarters. She missed the way he rolled his R’s a little too hard when saying ‘sorry’. She missed the way he grabbed the pen with a certain glow on his face, like he almost couldn’t believe any of this was happening. Lazy fingers pat her head gently once before sighing. “He seems nice.”

“How do you know?”

You know because of the way he talks to everyone. Like he cares about what they have to say. Whether it’s about how great his career is going to be here in McLaren or if they introduce their kids to him via FaceTime. He always wore the same smile, talked in the same warm tone. So, could your guess be far off? Yes. It could be completely far off. But you would bet money that it wasn’t. 

“Just a wild hypothesis.”

Her laugh isn’t too loud, not ridiculously so, at least, but the fact that it echoes is what makes it appear as such. Anastasia is quick to slap her hand over her mouth, the Brit turns fast to face her with panic evident in his eyes, and you simply blink with a shade of red slowly creeping towards your cheekbones. 

Zak grins. “You three.”

“Oh, we’re out,” Lando mumbles in monotone, already grabbing your wrist and dragging you to the exit. You follow numbly, like you don’t have any strength left in your body. 

“You’re leaving me?” Anastasia hisses.

“She’s my assistant,” he says like a matter-of-fact. “Where I go, she goes.”

“Oh, you Judas—”

“All of you,” Zak clarifies, narrowing his eyes over to you and the Brit. You gulp.

With a soft curse, Anastasia stands up, tall and firm, and makes her way over with all the confidence in the world. You frown, craving to be the same way, even just a small percentage. Instead, you have to be forced by the McLaren driver. 

With every step, your head just spins faster because now, he’s more than real. You can smell his cologne. You can count all the moles that cover his face if you really wanted to. You can spot how his hair is still a bit wet, indicating an early shower. 

He’s just becoming— too real. 

“Lando, buddy, meet your new teammate!”

“Nice to meet you,” the blue eyed boy declares with a loopy grin, letting go of your hand in order to shake his. 

“Likewise.”

Zak claps once. “Oh! And meet your personal assistant, Anastasia.”

“Here for anything you might need,” she cheers with a bright smile.

“Fantastic.”

A wave of silence overlaps your four before Lando clears his throat. “And even though you might not be working with her one-on-one, this is my Anastasia.” A snicker. “My assistant, if you will.”

“Nice to meet you—”

“Nice to meet you—”

You both freeze, hands intertwined for a second longer before abruptly letting go. He lets out a dry laugh while you do the same. The way your skin tingles makes you blush. 

“This is fun and all, but we actually have somewhere to be,” the Brit claims with a suspicious look slashed across his usual laid back expression. You nod. “But we’ll see each other soon, man. Can’t wait to race together!”

In a flash, you two are out the door, leaving a dumbfounded Oscar blinking slowly.

-

“He fucks with you.”

“Excuse me?”

Another bench press. “As in, he likes you. He’s into you.”

You don’t dare ask who he is because you already know who the Brit’s referring to and that would only inflate your ego. Snapping your fingers, you narrow your eyes. “Focus. Two more sets left to go.” He groans, flipping you off.

It would be a lie to say that this didn’t make your self-esteem skyrocket. Could he be right? Could someone like Oscar ever lay eyes on you? Somewhere in your dreams, you’d like to say yes. Yes. That is a possibility. But the longer you think about it, the more unrealistic it gets.

You don’t have what others do. And that itself is enough to pop the bubble. 

-

The start of the season is always tough. 

“He’s extremely nervous.”

For some more than others.

You frown. “Really? But he’s usually so…relaxed.”

Anastasia shrugs, hair falling over her shoulder as she continues typing. “I mean, I tried talking to him but with everything I said, he’d just reply—'that's nice’. It was sarcastic, if anything. I would have laughed if I didn’t feel for him. Poor boy.” Her fingers freeze mid-air. “Wait—do you think you could talk to him?”

“I’m not sure that’s a great idea—”

“Come on! Maybe it’ll help him ease his nerves!”

“Ana—”

“Please.”

You huff. “Okay. Fine. Yeah. I’ll see what I can do.”

As soon as you knock, you almost want to turn away. Maybe it was all an exaggeration. Plus, it’s not like he’s going to die from having butterflies in his stomach. Yeah, surely he’ll be fine and he doesn’t really even need you to—

“Come in.”

He wasn't expecting you, that much you can tell by the way his brows go up. But he’s quick to erase the confusion, settling with a fond expression. “Hey.”

“Hi,” you squeak before cringing at the sound. He chuckles, returning to his warm-up exercises. “How are you feeling?”

Another chuckle, this time amused. “Anastasia sent you, didn’t she?”

“What?” A beat. “No.”

He hums. “Tsk. I’m a bit nervous, that's all.”

You lick your lips, kicking your foot up against the doorframe. What could you possibly say that she hasn’t already? If she couldn’t ease him, then how can you? The thought of messing up and making it worse makes your stomach churn. 

“You’re going to do g—”

“Great?” He sighs, blowing his cheeks. “That’s exactly what she said.”

“And what’s wrong with it? She’s only trying to help.”

“No. I know she is, but…” He looks down onto his lap, pausing all movements. “Look, I appreciate you both. What you’re trying to do for me, but I can’t stand hearing what others think I want to hear.”

“It doesn’t do it for you?”

His eyes grow slightly wide with the way you go about and ask. He’s never seen you be anything other than sweet and reserved. But this—right now—is stern and very coach-like. Something and someone you aren’t. Not even close.

“It doesn’t,” he admits, finally looking away. “Never liked it. Always sounds too forced.”

You nod, crossing your arms. “Fine. I can tell you the truth. I can be truthful.” He perks. “Oscar, you’re a terrific driver.” He groans, covering his face with his hands. “But just because you’re great doesn’t mean you’ll be great all the time.” The Australian frowns, uncovering and looking up at you with attentive eyes. “You’re going to mess up. You’re going to be second, or third, or something even twentieth, but that doesn’t matter, you know why?”

“Why?”

“Because you signed that contract, so you sort of have to suck it up, either way.” He lets out a loud laugh. Very unlike him. A weak smile threatens to fall as you try your best to push it back. “There’s going to be bad races, but there’s also going to be very good races. It all depends on you and how hard you work. Sometimes you’ll have a good car, a good strat, and others you’ll have a shitbox and a bad strat. That’s just the way this sport works, okay?”

Oscar blinks slowly, as if trying to decipher who you are, and that itself makes you dizzy. “I-I-I don’t care if you’re nervous, I don’t care if you’re sure—all we care is that you drive that car, and that you try your best no matter what. Can you do that?”

It’s foreign. The feeling in his chest. He’s not used to hearing any of this. As of recently, everyones been texting him to say how great he’s going to be. How far he’ll go. And while he was grateful for having unconditional support, he also dreaded hearing it sometimes because he doesn’t even want to picture letting any of  them down. He’ll act like he’s fine, he’ll act like he doesn’t care—but none of that would be true.

The brunette tilts his head to the side, slightly squinting. “I can. I can always try my best. Even if I fall short.”

“Good.” A beat. “We all believe in you. No matter what, okay?”

A timid smile. “I know…”

He ends up having to retire the car by lap fifteen, but the most astonishing part is that he’s not even upset. He tried his best. He listened to every single advice his engineer would alert him with. He practiced long hours in the stimulator.

This is just the way things go sometimes. Just like you said.

-

“I’m bored. Can I get a ten minute break or something?” Lando grimaces, rolling his wrist like it's the worst pain in the world. 

You hum, fixing the signed hats back into the box. With eyes screwed, you shrug. “Fine. But only ten! I’m serious. We need to have this done by one.”

“Yes! Ten—got it.”

He doesn’t come back in ten. For the matter, he actually goes missing. 

You narrow your eyes towards the clock, watching as it clicks like some mockery. You’re going to strangle him. You vow at that very moment that you’ll strangle the Brit as soon as you lay hands on him. With one final huff of desperation, you stand up, rubbing your eyes. People frolic through the paddock—you’re sure you even catch a glimpse of Lewis being papped—but that’s not what catches all of your attention. 

Instead, you find yourself leaning against the rail, squinting down to where the man of the hour sits, microphones huddled all around him like some interrogation. Anastasia smiles politely, back straight, and voice-recorder in hand. 

It’s faint—you almost can’t hear a thing—but it’s just enough. 

How does it feel to be back home? Enjoying it, no?

Oscar hums, straight brows slightly furrowed due to the bright sun, but just one adjustment of his hat makes that all go away. “Feels good. I’m able to sleep in my own bed, so that’s pretty cool. And yes. It may be a bit biased, but I am enjoying my time here more than the last two races.” Everyone chuckles. 

Can we talk about your expectations for this weekend? 

You can see him pause, and from where you’re standing, the way his fingers drum against his chair. “Well, I, uh…I hope for a good car.” The joke is supposed to be there, but you can tell everyone was expecting more with the way they murmur to one another. You wince.

Will raises the microphone up to his lips, along with his hand in order to catch the brunette’s attention. “I’m sure there’s been lots of people reaching out to you since this is your first home race, but has there been someone’s advice that has stuck like no other?”

Oscar smiles gently. “There has been, actually.”

You freeze, gripping the steel bar with anticipation. Your knuckles nearly feel like they’re about to snap, and you feel like you’re probably leaning a bit too far over the edge to hear it all, but you don’t even care. Will chuckles. “If it’s not too much to ask, would you mind sharing with us all? I’m sure it’ll help a lot of youngsters watching.”

Anastasia slides the recorder closer. Oscar visibly swallows. “I’m not sure I can. I never asked her for permission to talk about it. And quite frankly, I’d like to keep it between us.”

Will perks up. “Her?”

The black-haired girl is quick to whisper into his ear, turning the opposite way so no one can even attempt to read her lips. He nods, eyes trained forward like some guard. “Any more questions?” But everyone’s intrigued at this point, so all the questions that follow remain the same. Something that makes Anastasia panic and Oscar regret his choice of words. 

“Can we get a name?” some blurts out, nearly seeming desperate to get the inside scoop.

Only, his face remains still, jaw slacked. “No.”

Will raises his hand. “Very well, we don’t have any right to know, but are you willing to share a bit about what she said?”

And it’s almost as if the Australian can foresee that the only way to get out of this situation is by giving them what they want. Even if it’s a stupid little crumb. He sighs, running a hand through his hair. “She told me to try my best. That’s all I can really do.”

The mix of photographers and journalists deflate. “I-I’m sorry,” Lawrence Barretto slides in with a light tone and an ever lighter smile. “Don’t mean to lessen its meaning, but isn’t that a common thing to say? To hear?” An awkward laugh. “I mean, I just thought it’d be something a bit more…deep. Inspiring, perhaps.”

Blood rushes to your cheeks and you’re grateful to whatever God may exist that you’re not down there. On the other hand, Oscar is a bit bothered by the innocent comment, but then realizes he doesn't have to be. They weren’t there. They don’t know just how much more you said. How upfront you were with him without sounding condescending. Something most people did without even realizing. 

The brown eyed boy spares a smile. “Like I said—some things I’d like to keep between her and I. And even if it was just that, it’s the way she said it.” A beat. “It’s quite a lavish thing to have. A sincere person to talk to, I mean.”

Will tilts his head suspiciously. “It appears she might be someone special to you, yes?”

The Australian freezes at the unwanted interpretation. Suddenly, the atmosphere is far too crowded. He lets out a forced chuckle, rolling his neck before messaging it gently. “Well, yes. I’d agree.” 

A mix of giddiness and shock rushes through your veins as you refrain yourself from jumping up and down with excitement. 

“You’d be lucky if you had her as a friend too.”

-

“Is everything okay?”

Biting down on the churro he had gifted you as an apology for not getting back on time, you growl. “Yes. Why wouldn’t it be?”

Lando raises a thick brow. “Dunno. Maybe the fact that you’re moping.”

Your jaw goes slack, immediately turning to face him. “I am not moping.”

The sound he lets out indicates he doesn’t quite believe you, but is choosing to let it go. Also, he doesn’t want to see your patience run out, too scared of what you might do. The curly haired driver plops down onto his bed that stands in his motorhome, closing his eyes. You nearly envy the indifference in him. The lack of worry. 

“I can hear your teeth clenching. Gross.”

A grunt. “I’m gonna go grab a coffee. Need anything?”

“Only a nap. It’s a good thing you’ll be gone.” He turns over to his side, bringing your jacket over his face to block out any light. You bite the air, swinging silently for a minute or two before exiting the cramped room. 

The sun hurts, you remember thinking, but the upcoming migraine you’re getting is even worse. You should be used to this by now, given you’ve suffered from them since elementary, but based on the way you zig zag without meaning to is enough proof to know that you’re not. Everyone's voices are suddenly muffled, even the sound of engines roaring is as soft as a feather. You wince, massaging your temples as if that might help. 

Woah, are you feeling alright? 

“I’m fine,” you respond meekly, to who even knows. You wave them off rudely. “I’ll be fine. Just. Leave me alone.” 

Anastasia frowns, all while fanning your face. “No. You need to lay down.” She nudges the Australian, who up until now, you had no clue he had his arm clung around your waist. If you weren’t too busy feeling like shit, you’d definitely be making a fool out of yourself. Her green eyes fill up with worry. “I’m gonna go look for a paramedic.”

“You’re doing too much,” you slur, body letting loose and making the brunette shriek as he grips you harder, trying to keep you upright. 

A deadpan expression. “Oscar, take her back to your motorhome and have her lay down.”

He nods, hesitantly. “Y-yeah, okay. Okay.” Once she runs off like a headless chicken, you let out a dramatic gag. Sharp brows knit together with horror. “Do I smell bad?”

A giggle. “No. As a matter of fact, you smell rich.”

With his arm still wrapped around you securely, and warm eyes flickering from to you back to see where he’s heading, he grins, eyes crinkling. “Rich? That just so happens to have a scent?”

You purse your lips, wincing at the fact that your peripheral vision has gone completely dark. “Maybe. Maybe not. Maybe I’m a terrific liar and I’m only stroking your ego for my benefit.”

Another chuckle. “Benefit? What benefit may that be?”

Tsk. “How else am I gonna get you to take me to bed?”

The Australian instantly chokes hard on a string of his own saliva, causing you to flinch at the loud sound. Loud to you, at least. He apologizes, but not before taking a glance down, like it’s the first time meeting you. 

As soon as you lay down on the miniature mattress, you release a groan. Even just having your eyes closed makes you dizzy. You let out a loud groan, kicking your feet against the cushion in desperation.

“That bad?”

“That annoying.”

And even though you can’t see him, he nods, internally freaking out, trying to think of ways to help. “Does this happen to you often?”

“Yes.”

He nods, sheepishly. “W-what do you normally do? You know? To help?”

Tossing over to lay on your side, you pinch your eyes, grinding your molars. For a minute, you sort of thought your teeth might crack. Everything about this situation was becoming unbearable. “My mom, she, um…she’d normally braid my hair. It helped sometimes. Others it didn’t.” Messy hair dangles over your face as you let you out a loud exhale, as if you were in the middle of releasing some demon. “I moved too much, she said.”

Oscar smiles, coming across like a faint memory locked in the back of your mind. “I-I-I can try…” Loopy eyes flicker up to face him, and he’s quick to scrunch his nose. The sight alone makes you breathe easier, though he doesn’t know that. Of course he doesn’t. “Only if you want me to…”

“You know how?”

“Sort of? When I was younger, I used to sit across from my sisters at the breakfast table. I was bound to learn a thing or two.”

The subtle proud smile makes your heart beat flutter, smitten at the insight to his childhood. You wish you knew more. Like what was his favorite show? Did he have any imaginary friends, just like you did? Or maybe his favorite superhero? But you swallow all those questions down your throat as soon as he kneels down next to you. The whiff of soft musk distinctively adds to your headache, but you’re too focused on him for something as dumb as that to matter. 

“Just…close your eyes.”

Taking one last glance at him, you comply, lashes fanning slowly before going completely dark. You can still hear him adjusting, you can feel him take your hair into his hands, but nothing makes you stop breathing like his touch that grazes your cheek. 

It’s almost ghostlike—doesn’t really stay on the same spot for too long—but you know it’s real. Long fingers calmly push strands of hair behind your ear, tranquility expanding over your body. The slight tickle it causes helps ease your pounding migraine, little by little. 

“Are my hands too cold?” he whispers, not trying to intrude, but at the same time, wanting to know. You twist, bottom lip jutting out. Not at all. Keep going. And he does. He ends up tangling your hair a bit, because as it turns out, he doesn’t remember much, but he’s sure to delicately fix his mess, brows drawn in with heavy concentration. 

As soon as your hair is back to flowing free, he relaxes, wincing a bit at the pain in his knees. Your hair feels soft. Just what he would imagine a cloud would feel like. For a second, he begins to wonder, who’s this really for? He feels like this might be soothing him more than you. 

Just then, his finger catches on a knot, and he freezes, stopping all movements. “Holy crap, I am so sorry, I—”

You let out a low whimper, but don’t do so much as bat an eye. You’re sound asleep. The brunette lets out a breath of relief, falling back to sit on the ground. 

Your face is a bit squashed—and you’re drooling just a tad bit—but for some odd reason, he finds himself admiring. You’re full lips. You’re lashes. God, even the way you breathe. He feels a tender smile itching, but it never truly gets to see the light of day, because before he knows it, the door is swung wide open. 

Anastasia stops dead in her tracks. “What happe—is she asleep?”

Oscar opens his mouth, then snaps it shut. He does this a couple of times, awkwardly turning to face you and his assistant, back and forth, back and forth. “She, um…just did. A minute ago.”

She pouts, scratching her head. “Weird. Usually when this happens it prolongs for at least ten minutes before it gets any better.” The green eyed girl sheepishly waves the group of paramedics away. A trail of sighs echo as they turn away. As soon as they’re gone, she gently shuts the door, then tippy toes towards the edge of the small bed. Neat brows furrow. “At least she’s feeling better, no?”

Brown eyes follow her gaze. “Yeah. At least.”

-

Lando ends up throwing—and according to him— “The World’s Coolest Jamboree”. You beg for him to call it anything but jamboree, but he’s too attached to it by the time he sends the last text invite, which so happens to be to the rookie driver. 

“Has anyone RSVPed?” you question over his shoulder. He’s in the middle of mixing some mysterious liquid, but by the looks of it, doesn’t look any good. You grimace. 

He lets out a bleh before dropping his utensils. “No one RSVPs these days. They either show up, or they don’t.” 

A slow nod. “So, you don’t know who’s coming?”

“Not a clue. But most likely everyone.”

You scoff. “How are you so sure?”

He gives you an ‘are you kidding me?’ type glare before sending a sly grin. “First of all, it’s my party. They��d be crazy to miss out.And second of all…it’s only the biggest, funnest, coolest jamboree!”

“Funnest is not a word.”

“And party-poopers aren’t welcomed.” You gasp, smacking his chest harshly. He lets out a snicker, picking up a bag of ice and spilling it into the glass bowl. “But I’ll make an exception. Just this once.”

“Just this once,” you mimic before dipping your pinky in. He instantly slaps your hand away. Smacking your lips, you let out a yelp at the bitter taste. “This tastes like ass. God—not even Daniel will drink this, and that guy drinks anything in his way. I’m surprised he hasn’t been accidentally roofied.”

Lando claps his hands with amusement. “God forbid. And please, pay your respect to Lando’s Best Worst Decision.” A beat. “™.” 

“™?” you deadpan. “What? Are you planning on adding a trademark to this sewage water?”

“It’s good, okay?” Mixing the clear liquid once more, he smiles fondly down at it. “And maybe. I’m seriously considering it.”

You sneer, already walking away.

He ends up being right. Not even an hour later, the party is in full swing. Sure, a couple drivers aren’t able to make it, but it’s still jammed packed. It's honestly a miracle to get through the Monaco flat. 

You’re still sober?

Laughing, you nod, raising your water up in the air like some toast. Daniel frowns. “Considering I have to make sure my number one client doesn’t make any bad choices tonight, then nope. Can’t have a sip of alcohol.” 

Brown eyes flutter slowly. “I’m sure there’s other beverage choices. Have you tried Lando’s Best Worst Decision?” He leans in, winking. “™.”

“Oh no. Don’t tell me you actually like it?” He shrugs and you shudder in disgust. “I’m sure I saw him add ten energy shots and God knows what else.”

“No wonder I feel kinda funky.” Your face drops. “Hey, if you pass out, can I crash tonight?”

“Daniel!” you groan, covering your face. “I swear, I’m going to spill that stupid drin—” Only, Daniel is gone. Craning your head, you circle the room. From where you stand, you’re able to see Carlos and Lando taking part in a heated round of pool, all while Charles sways back and forth, infamous red cup in hand.

Marching over to the kitchen island, you pick up the glass bowl and carry it over to the sink before tipping it over. You huff, hair fanning across your nose. 

“Stupid, stupid boys—”

“Hey.”

You shriek, dropping the bowl, and wincing at the sound of glass shattering. 

Oscar grimaces. “Shit. Sorry. Are you hurt?”

“No.” You sigh. “Lando’s gonna kill me.”

Grabbing the nearby broom, the Australian sweeps carefully while knitting his brows. “Why?”

“It’s a family heirloom.”

“A glass bowl?”

You giggle. “I wonder why too.”

Despite the blaring music, and constant chattering, the room feels rather silent. You fiddle with the hem of your dress, and that seems to catch his eye as it dawns on him that he hasn’t really seen you in anything other than your usual uniform. To be fair, you could say the same. He likes it. 

You clear your throat. “Halfway done. How do you feel?”

He sips on his water, jaw clicking before settling with a sharp tsk. “Good. I think I’m finally getting the hang of it. Anastasia even congratulated me the other day when I diverted a series of questions with ease.”

Impressed, you raise your brows. “Bravo. Wish that was the case with Lando. I swear, sometimes I think he does and says things to make me look bad on purpose.”

“He should stop,” he says with a goofy smile. “Does he not know how lucky he is to get to call you his assistant?”

You blush. “Best friend, actually. I’ve been promoted ever since I pretended to be his girlfriend last New Year's Eve.”

The brunette inches forward with curiosity. “Wish to clarify?”

You hop onto the island, fixing your dress and crossing your legs. “Don’t tell him that I told you any of this, but I secretly think he was embarrassed of not having a midnight’s kiss. Especially since his ex was there with her new boyfriend. Talk about the unexpected.”

His chest tightens. “You two, um…kissed, then?”

“Yes,” you confirm with a childlike grin, and for some reason, it makes him want to puke. “Oh God, I haven’t thought about this in forever!”

He pretends to find interest in the crowded room, but really, it all remains on you. “Was it any good?”

You blush this time and he swears he’s close to walking away. “Yes and no. I mean, it wasn’t bad, but it just didn’t feel right.”

He perks up then, floppy hair bouncing at the sudden speed. “Really?” He coughs, then fixes his watches, training his eyes towards the floor. “Erm, I mean, is that so?”

A nose scrunch. “It felt like kissing someone you’re not supposed to. Which I suppose is true. We’re better off as friends.” He relaxes. “Thinking about it, we might’ve gagged each other's mouths.” You grimace. “If that doesn't show our discomfort, then I don’t know what will.”

“Good to know.” Oscar rubs his arm, up and down, then steps closer to you. You blink. “Hey, I was meaning to ask—”

Strippers? I didn’t order any strippers. 

Hire, a male voice interjects. He means to say he didn’t—hire—any strippers. 

“Son of a…” You wince apologetically, to which he shrugs. Don’t worry. Go. Biting your lip, you nod, rushing to the living room, where Lando, Daniel, and a bunch of other randoms circle the almost nude girls with long legs. 

“I mean, I won’t turn you away, ladies,” the Brit mumbled, already wrapping his arms around their waists. They all giggle, inching closer until he’s a blushing mess. 

You snap your fingers, pointing towards the exit. “All of you need to leave.”

Is that your sister? the one with a cowboy hat whispers into his ear. He quickly shakes his head, narrowing his eyes at you like a deadly weapon. 

“No. That’s his girlfriend,” Daniel yodels, face pressed up against the couch, admiring the group of girls. “But they’re in an open relationship.”

“I’m not his girlfriend—”

“She’s not my girlfriend—”

Oscar’s jaw clenches, eyes focused on the entire commotion. The older Australian rolls his eyes. “Right. We don’t talk about it.”

“Would you stop trying to help?” you shoot back, sarcastically, and clap your hands as if you’re rounding up a new high school cheer. “I need you all out. You want money? Fine. He’ll give you money,” you declare, signaling towards Lando. 

“Hey,” he groans, instantly letting go and stepping closer to you. “They haven’t even done anything to earn it….”

Your eye twitches. “I swear to God—”

“Deal,” the redhead shoots out. “But we need a moment to come to an agreement. You know? On how much we want to ask for.”

“Perfect,” you chirp, rolling your heels. “Take out your wallet, Big Boy.”

“You used to be fun.”

“And you used to be terrified over a pair of tits when I first met you. Whatever happened?” Lando blushes profoundly before pushing you away. “Want them gone, Lando, gone!”

“Yes! Jesus Christ—let me deal with this.”

“I’m done,” you promise with your hands raised up in surrender. “But just remember what happened last time.” He frowns, cocking his head to the side. You wiggle your brows. “São Paulo.” 

Color drains his face before letting out an unhinged laugh and motioning you away. You giggle, heading back to where Oscar stands. 

“I see what you mean,” he announces. What? “How he can have a bit of a headache.” 

“See! I told you! Four years of this!” A dramatic yawn. “I’m tired.” 

A string of boo’s follow once the strippers prance out the door, waving all their money in the air. Specifically Daniel, who genuinely looks upset to see them go. Oscar leans down against the counter, the proximity between you becoming smaller. “You should get some rest, then.” But he selfishly doesn’t  mean it. He wants you to stay—to keep talking to him. 

You let out a snort, grabbing your sides. “I mean, I'm tired of being Lando’s assistant. It’s a full time job, y’know?”

“Oh.” He stands up straight again. “Right. Of course.”

You purse your lips, looking down to your shoes. “But that was actually quite thoughtful.”

She thinks I’m thoughtful, he internally swoons because that must be a good sign, right? Not everyone is thoughtful, but he is, and that must count for something. Gathering all the strength he has left—which is not much considering you blink up at him like some angel—he licks his pink lips. “Back to what I was going to say earlier before you left—”

“I wasn’t trying to step on him! I already said I was sorry!” you hear a familiar voice, instantly turning to find Anastasia kicking Daniel’s face back into place, well, since he now lays asleep on the floor. You curse beneath your breath, jumping off the island once again. 

“His head did a complete 360!” Yuki accuses, clearly panicked. “That's not normal, is it?”

“No, it is,” Pierre replies with a bored tone. “I’ve seen it happen before.”

Crouching down next to the curly haired driver, you jab his cheek before motioning Oscar and Anastasia closer. “Help me carry him to the guest room,” you instruct, already taking off your cardigan. 

The black haired girl is quick on her feet, grabbing the Australians right leg as you grab the left. Oscar, however, swallows hard at the amount of cleavage you’re suddenly displaying, but instantly snaps out of it when both you and Anastasia blink back at him. He picks up the Alpha Tauri driver’s upper body before puffing. 

You blush bright pink at the sight of his muscles pulsing against his t-shirt. “I-It’s just around the corner.” 

As soon as you make it into the room, you three carefully place Daniel onto the bed, to which he squirms before flipping over and snoring away. You motion a finger over your lips before pushing them both out. Gently closing the door behind you,you let out a breath of relief. 

Anastasia lets out a whistle. “Surprisingly not that heavy.”

Oscar scoffs. “Easy for you to say. I had to carry most of his weight.” 

She shrugs, hugging you hello and apologizing for being so late, and you’re quick to reassure her that it’s fine, though she missed the chance to see strippers give Lando a tough time. She sneers. “I didn’t even know there existed strippers in Monaco.” And then she’s off, clapping loudly at the sight of Lando giving out a round of jello shots. You sigh, rubbing your temples.

“I-I’m sorry. What were you going to say?”

He freezes. “Oh. Just that—” He panics. “Only that I like your shoes!”

You blink, deflating from within. But you try to cover it up with a soft smile. “Thanks, I guess?” Orbs flicker down toward your white Sambas. “Lando says they are overrated, but I like ‘em.”

He nods. “Yeah. I like them too.”

-

It happens one Friday afternoon—the decision. 

You’re in between races, you’re in between headaches, and you’re ready to self-implode. So, before any of that happens, you make your first decision. To go on a walk. 

It’s getting rather chilly these days, something you love, but also hate. You love it because there is a certain coziness that comes along with it, but you also hate it because you can’t always be cozy, so you’re left shivering. Much like now. But to be fair, this was your own choosing. 

The pounding that takes over your head lessens the longer you stroll, the longer you breathe actual fresh air. You don’t really think much, you mainly remain blank, but the sound of tires screeching rips you away. Squinting hard, you catch a glimpse of a lady with grocery bags flipping off the fellow driver, who shares nothing but an apologetic smile before driving off. 

“What happened? Do I have something on my face?”

Dusting your nose, then your cheek, you blush faintly. You instantly assume it’s the powdered donuts fault—the one you had gobbled up in a hurry during the drive back to the paddock. It was an early morning, and no one really made it on time when it came to early days, but you always did. And so did Oscar. So, a sleepy Zak gave you a wad of cash, and sent you two to the nearest donut shop. 

The Australian shakes his head, blinking straight ahead. “N-no, I was just checking my blind spot.”

That only makes you blush harder because in what crazy world would he be looking at you? 

A single nod. The car is quiet apart from the sound of his hands moving against the steering wheel, and the sound of the blinker clicking. It’s gloomy, too. You clear your throat. “I love it when it rains.” He hums, calmly, encouraging you to continue. “It just makes me happy.”

“Yeah?”

“Mhm.” You purse your lips. “I sort of wish I were home. That way I can snuggle near the window and fall asleep to the sound of light drizzle.”

The brunette quirks a brow towards the road. “That sounds nice. Like…really nice.” A pause. “Why can’t you do that here, though?”

Here—here means where you are right now. Here means this place that’s not home. Here is not close to being enough, but he doesn’t figure that one out. You blink, dragging your finger along the pink box sitting on your lap. “Trust me, I’ve tried.” A small shrug. “But it’s just not the same, y’know? There’s always something missing.”

He doesn’t waste a moment in asking. “What do you think that is?”

Taken aback by his inquiry, you let yourself surmise for a second or two before licking your lips. “Maybe a pup. To keep me company”

He semi-frowns, cocking his head to send you a deadpan expression. “A dog?”

Now it’s your turn to frown, sending him a glare. “What were you thinking?”

The red light lets him take focus on you. “Dunno. A boyfriend, maybe?”

You’re sure you’re nearly as tomato red as the light staring at you both. “What? You instantly just assume I don't have one already?”

He freezes. “Well, I, um…t-that’s not what I meant—”

“Look, I know I’m not a guys’ typical ‘dream girl’, but sheesh I’m not that unlovable. At least, I hope not, but now you’re making me second guess. I mean, your opinion must indicate everyone sees me as some sort of lonely widow.”

Oscar shakes his head, adamantly. “I don’t see you as such.” A slow pause. “A lonely widow, I mean. I find your words to not be all that true, really. You’re nice. You’re persevering, You’re beautiful. And you have a good heart.” The light translates back to green, and you’re freakishly thankful, that way he can’t see you burn up. “You could easily be anyone's dream. Whoever makes you think otherwise is a phony.”

It’s getting harder not to laugh—most likely out of skeptic shock—but you refrain. He’s simply being kind with you, but that doesn’t stop you from nearly going into cardiac arrest. His words should have been labeled with a warning. 

“Guess this world is filled with lots of phonies.”

He scoffs. “There shouldn’t be. Not when it comes to a girl like you.”

Your breath catches. “Os—”

All of a sudden, the car comes to a harsh stop, sending you flying, but not the Australian, who remains sitting up straight. An older man flips him off before riding off on his bike. You both breath hard, turning to face each other. 

“Are you okay?” he questions, voice laced with worry. 

You nod, slightly dazed. “I, um—yeah. Are you?”

A nod. “I didn’t even see where he came from.”

A weak laugh finally erupts. “Blame it on the poor innocent man— clever.”

Brown eyes soften. They flicker from your orbs back to your pouty lips. He’s only checking if you’re okay, of course. You send him a reassuring bow and he releases a heavy breath. 

“Guess I was too focused on my blind spot, once again.”

The next decision comes when you opt in to join your neighbor, Mr. Lennon, for a cup of tea after he finds you shivering. By that time, it’s raining hard, you're soaking wet, and it only makes sense to accept his kind offer. 

“Mint. To hopefully push back any upcoming cold. God, what were you thinking?”

You let out a laugh. “Not much. That’s why I was aimlessly roaming.”

“What about now?”

You halt, mug raised up to your chapped lips. “What about now?”

He smiles, softly, mixing his own tea with a heavy spoon of honey. “Did the walk help? Were you able to get the wheels rolling?”

Now you giggle loudly. “That’s not very nice! The wheels are working just fine, thank you very much.”

The light scent of pine trees enter the room as soon as he stands up to open his window, the sound of soft rain singing to you as some much needed therapy. “So? What were you pondering about out there?”

“I wasn’t pondering.”

“Walking alone in the middle of a thunderstorm?” A sore laugh. “Been there. Done that. There’s always something on someone’s mind when that happens. Which isn’t often, or usual, so that must mean you’re really stuck up on something.”

“Or someone,” you mumble beneath your breath. His brows dart up, and you sheepishly settle the mug down. “You wouldn’t understand.”

“Try me.”

You blink. You don’t really talk about him out loud. Not with Lando. Not with Anastasia. Not even with your own reflection. Everything has always remained with you. A place you knew to be safe because you made it safe. But Mr. Lennon’s eyes prove to you that he’s lived enough lives—enough scenarios—to maybe understand. Even just a fraction. He watches you visibly gulp. And he knows that look. The confusion, the yearning. 

“I’m in love with this boy.”

He hums, leaning back against his wooden chair. “There’s always a boy.”

You look down. “He’s a friend of mine, which makes everything much worse because I can’t ruin that. But for the first time in all my years of living…” Round, glossy eyes stare back at him with a hopeless expression. “I really—really—want to.”

He’s attentive, he listens like some frozen statue, and maybe that’s what fuels your courage to continue speaking. “My entire life, I’ve had crushes, sure, but I’ve never loved someone. Not seriously. So, of course I’m caught off guard when I do feel that for someone who I’m not even in a relationship with.” A playful snort. “God, I feel so stupid.”

The silence that lingers is comforting. Your nerves flow away with the rain, and you feel at peace. Quietly, he clears his throat. “Can I tell you a story?”

A soft sigh. “I’m all ears.”

Gray brows furrow as if trying to recover a distant memory. “I once loved a boy, too.” Your eyes widen. Sure, you knew he was never married, never even had a kid, but you never thought of any reason as to why not. He nods, faintly. “Not many know, and not because I’m ashamed, not by any means…” A single beat. “But because real, sincere feelings are easier to ignore. Because who wants to deal with reality, right? Who wants to confess and be turned away like some dog at your door?”

Exactly, you think, nodding along. “Everyone is always going to be scared of something, but avoidant people like us are terrified about the what-ifs.” He sends a wink. “And I’m living proof that being that way won’t get you nowhere. And you'll realize sooner or later in life that you’d rather be nowhere with someone you love, than nowhere…” His eyes circle the nearly empty kitchen, despite living there for the past twenty years. “...all alone.”

Your chin wobbles. “You know you have me, right? I’m always next door.” A wet laugh follows. “Anyways, I might even join you in this lonely life, eh? Doesn’t sound half bad if I’m doing it with you.”

Tender eyes close slowly before blinking back at you. “No. I want you to be the complete opposite from me. Be different. Tell him how you feel. Even if it costs you a broken heart, tell him. Because I’m telling you right now that a broken heart is always better than the constant desire that will always follow you like the devil.”

A warm droplet rolls down your cheek as you sheepishly laugh, but he doesn’t judge. He never has. Instead, ever the true gentleman, he hands you his handkerchief. “Did you ever get the chance to tell him that you…”

His wrinkles imprint more vividly as he breathes out. “I did, but it didn’t really make the difference I had hoped for. He was already married to someone else.”

A loud sob escapes. “That’s not f-fair. You deserve to be happy with the man you love.”

“I do. But you know what?” You rub the tears away, eyes connecting. “I’ve made peace with the consequences of my own actions.”

By now the rain has died down, and so have you. With one last smile, Mr. Cleve gives your cold hand a soft squeeze.   

“Learn from my mistakes, won’t you?”

-

That same night, as you cried over a bottle of wine, you made your third and final decision. And you would execute it all the next time you saw him, no matter the outcome. 

But now that you spoke about it once to someone, you felt almost invincible. Which is why you called Lando. 

You what? 

A wince. “You can’t tell him, okay? I’m legitimately trusting you with this!” He opens his mouth, but you’re quick to signal him off. “Including Ana.”

“Wow. I thought she’d know.” You shrug because you don’t really have an explanation for not having had confided in her, but you know deep down that you’re not really into playing a game of Cupid, and that’s exactly what she'd turn this into. The Brit nods, sympathetically. “Alright. I won’t tell a single soul.”

“Thank you.”

“Are you going to tell him how you feel?”

His question comes out hesitant—like he’s afraid of scaring you away from the possibility—but it doesn’t. Instead, you nod, to which he’s extra surprised because you’ve never been the kind to. “That’s the main reason I told you any of this. Because I wanted to ask you if you knew if he has a girlfriend or not? Someone he’s trying to pursue? I’d hate to…intervene.”

Lando let’s put a soft smile, dimples imprinting neatly onto his face. “I mean, he’s particularly private—you know him—but I’ve never heard him mention having a girl. It doesn’t seem like he does. Go for it. What do you have to lose?”

“My dignity? A good friend?”

Silently, he grimaces because even he can see how much this all means to you—how much you’re scared. So, to boost up your confidence—which is something he definitely doesn’t lack—he flashes a loopy grin. “He probably likes you, anyways.”

You come to a fast halt. Suddenly, painting your nails isn’t your top priority. “Really? You think so?” He nods, and you can’t help but smile back. “What’d he say?”

“Well, as I already stated before, he keeps his things locked up pretty well. But I do recall one time…” He closes his eyes harshly. Then, he snaps his fingers loudly. “I believe in Hungary. He was on a high. And we shared a bottle of champagne to celebrate. So, he sort of let loose. Like insanely loose.”

“And?” you push, eagerly trying to get whatever he has stuck in his throat out of him. The green eyed boy snickers. 

“He wasn’t very clear, but he did say he had a crush on a girl. Someone he really wanted to get to know. But that  things were a little bit difficult.” You nod, urging him to continue. “I asked why, and he said it was because she had a good heart, or something of that sort? Good intentions? Can’t remember—and that he didn’t want to ruin it.”

Your breath hitches.

And you have a good heart. You could easily be anyone’s dream. 

-

Ironically, you’re huddled in Lando’s flat once again when it happens. Well. Almost happens. It’s filled with a few McLaren members because he insisted on hosting a nice brunch. And it was. Nice, you mean. 

“Pretty,” Anastasia says, sending a soft smack towards your ass. You yelp, swatting her hand away, and pulling your skirt downward. She snickers. “You should tie your hair up more often. Let’s everyone admire such an angel face.”

“Stop it,” you hiss, but can’t hide the pink flush. “But thank you.” 

She grins, eyes crinkling. Black hair sways as she moves to the beat of the music, nursing her drink. “Nice to have a break…?”

“Definitely.”

At some point, she slithers away, leaving you all alone on the balcony. Which was quite lonesome until he came along. Oscar scrunched his nose, meekly. “Sorry.”

“It’s alright. Don’t own this place, do I?”

He lets off a raw chuckle. Deeper than when you first met him, and you come to the realization that a lot about him has changed. His hair is longer, his neck is thicker, and his shoulders are wider. But his smile and eyes remain the same. Boyish.

“Thinking?”

You sigh, admiring the ocean set out right in front of you. “Thinking, yes. A lot these days.”

And if he’s patient enough, he’d notice the way your hands shake. Tiny vibrates, but still.. He’d notice the way you bite down on your lip, brushing it along the way. He’d notice the way you blink feverishly, like even the wind hurts. 

And he is. He is a patient person. So, he does notice. 

“Do you know what song this is?”

Brows furrow, deep in thought. And he’s quick to note that the ticks you had are coming to an easy halt. Mentally, though, you’re cursing yourself out because you do know. You do know the song that flows nicely into your ears, but simply having him next to you is what’s making you forget. How dare me have that kind of power over you?

“I know it,” you start. “But I can’t seem to remember right now...”

The brunette gently nods his head along to the beat. His eyes close, and his hair delicately tussles, and suddenly he’s the only thing you see. “Sex,” he says. You blush, ripping your gaze away before he catches you in the act. Oscar laughs. “It’s Sex by The 1975. How could I forget?”

“Oh yeah.”

The guitar screeches when the volume somehow gets louder, despite not being inside. “Would have killed me not to get it right. My sister listens to it all the time.”

Plump lips pressed together. “You have a sister?” But you know the answer to that question, of course you do. You’re a girl. You’ve done your research, even when you pinched yourself not to. 

He nods. “Three, actually. Talk about a headache, am I right?”

And it’s almost nostalgic—your laugh. Like it might be one he heard in his past life, but in his current one, can't remember. But it’s okay if he doesn’t because  at least he knows he can learn it. And he has. 

“You look really pretty when you laugh that way. Insanely so.”

You can’t seem to register his words. The way they come off as soft and ginger as they could possibly get. As if he really means it. And for the first time since your first interaction with him almost two years ago—you sort of believe he might. 

“You’re just saying that?” you question as some test, does eyes challenging him into finally spitting out the truth. The same truth you carry. He shakes his head, taking a step closer.

“I mean it.” 

Like a sudden magnet, you two are hesitantly connecting closer and closer together before either of you could stop it. Not that either of you would. The Australian towers over you, almost caging you like some endangered species he’s afraid of slipping away and going extinct. 

You swallow, lashes fluttering, and he smiles at the sight—melts. You’ve always been reserved. Quiet. Shy. And so has he, so he can’t really judge you, but he’s willing to be different—just once in his life—to get what he’s been wanting for a long time now. 

His eyes follow your lips. Admires how plump they are. How they’re the perfect shade of pink. So, when he leans in and you don’t pull away? He thinks he might explode with the need to kiss you. One time. If he’s lucky, just—once. 

“You’ve always been my dre—”

“There you two are!” Anastasia cheers, zigzagging to you both as an apologetic Lando follows right after. By now, Oscar has jumped far away from you, and you’re left feeling empty and lost, blinking at an alarming rate. “We’ve been looking all over!” A hiccup. “What were you two doing?” Your lips remain open but Oscar is the first to let out an awkward cough.

“We were just talking about…logistics!” He turns to you, sparing you a pleading look. “W-weren’t we?”

You finally come to, nodding slowly, eyes buzzing between the two McLaren drivers and your best friend, who wobbles from left to right. “Yeah, I….we—logistics, and whatnot.” A beat. “Doesn’t matter.”

He flinches, avoiding your doleful stare. Oscar forces such a bright smile—the kind that can’t go unnoticed by even the biggest idiot on earth—and nods in agreement. “She’s right. It doesn’t matter.”

Lando analyzes you, then his teammate, and wishes he had done more to keep Anastasia from barging in. But really, was this some sign? Maybe you were some delusional little girl who truly believed she had a chance with the boy next door. The one everyone wants, but only one will get to have.

And let’s face it. 

It was never going to be you.

-

You’d make an excellent detective in your next life, you’re sure of it. But for now, you’re just some brokenhearted assistant who mourns the death of her what-ifs. Someone who is really good at picking up on clues. 

It’s right before Christmas—right before Anastasia’s birthday party—and you’re curling your hair quite poorly. You daze off every now and then, you apply mascara almost zombie-like, and you’re dreading even showing up. Have you been avoiding him? Yes. Yes, you have. Have you been good at it? Only the best, if we’re being truthful here. And were you ready to face him without feeling the need to bolt? 

Nope. Not in this lifetime nor the next.

But still, you force yourself to finish getting ready because this isn’t about you. This isn’t about him. It’s about being there for your friend. 

Mindlessly, on the drive there, pouting in the back of the yellow cab, you click onto Instagram and the first thing you do is smile at the birthday post Anastasia had posted not even five minutes ago. You scroll, smile wider, and then come to a harsh pause. The kind that makes your throat close up. The kind that makes you stop breathing. 

The kind that lets you know—

You’ve lost.

His arms are tied around her waist, his head his nuzzles between her neck, but you can still tell it’s him. His hazel hair can’t go unnoticed. Maybe to someone else, but not you. 

Then, as if all odds are against you, your feed refreshes and you’re left far more dumbfounded. 

She appears in most of his pictures because why not? It’s his girlfriend's birthday, it goes as expected. Museum dates. Pictures of them with each other's families. And you feel greedy like never before because—why couldn't that be you? 

Venmo or cash? You look up, making eye contact with your taxi driver who looks as tired as you are. You press your lips together into a fine line. Digging into your purse, you grab all that you have and jump out of the cab. 

It’s chilly out and the lights are beautifully hung, but it doesn’t do you any good. You just want to go home. Curl up in bed and die. Dig a hole—self-suffocate—who cares. And you’re ready to turn around, go back and apologize to Mr. Lennon for not doing better. You really thought you had it in you, but it just wasn’t enough. 

But then, the door swings open and Pierre curls a brow. Kika waves from behind “He thought it was some serial killer. He’s been watching too much Dateline.” The brunette scurries over, throwing her arms around you and takes a step back. “Come in before you freeze to death.”

But even that didn’t sound too bad. You sheepishly thank her, following the couple back in. A string of jazz cradles the warm lit living room and the scent of apple pie makes you inhale sharply. A giggle stirs up behind you. Anastasia grins.

“You’re here!”

All of a sudden, you hate her smile. You hate her laugh. You hate her entirely. But you also don’t. You can’t hate her smile. You can’t hate her laugh. You can’t hate her entirely. Because even though you feel like she owes you loyalty, that’s not really true. She had zero idea about your feelings towards Oscar and she won. Fair and square. That doesn’t mean you had to like it.

“Happy birthday, Annie.” Hugging her, you giggle against her ear when she jumps up and down, nearly knocking you two over. “For you. From me.”

She wiggles her neat brows, green eyes buzzing with suspicion. “Is it a vibrator again?”

You blush. “No. Even better.”

“Wow! Even better?” She rips the small bag open, eyes widened double in their size. “Oh my God, you got me the Mary Jane’s I wanted?”

“Well, you kept bugging me, and so I thought—”

“D'accord, je comprends. I love them, thank you.” Grabbing your wrist, she tugged you into the empty hallway, and you can already feel her buzzing with excitement. Your stomach churns. “I wanted to tell you as soon as he asked me out—I really did—but he insisted on keeping it between us two for a while, and I told him no, I had to tell you, but then I understood that maybe it was for the best, and I’ve always liked him—”

Every word makes you feel smaller and smaller because the light in her eyes gives it all away. She, too—much like you—is in love with Oscar Piastri. You shake your head, sharing a light laugh. “I totally get it. There’s no need to explain.” 

The green eyed girl visibly relaxes, shoulders rolling back. “I knew you’d understand. Oscar was right—you have a good heart.”

Ana, Yuki just spilled wine on your coach, Daniel rattles from the other side of the room, pointing accusingly towards his teammate who rubs the cushion with his Dior sweatshirt. She sighs. Be right back!

At that moment, you don’t care if you wind up with a deadly case of hypothermia, you simply walk out of the warm house.

“What are you doing? You’re going to get sick.”

Screwing your eyes shut seems to be the only answer to help your mending heart into not breaking completely. And fuck him—fuck him for sounding so goddamn caring. 

You turn with a soft smile, shrugging nonchalantly. “Won’t really make a difference, I already feel sick.” You cough for emphasis. “See?” Oscar rolls his eyes, ignoring the poor excuse, and hands you his puffer jacket. You shake your head. Take it. “No.” He frowns. Why not? Rocks crunch with every step he takes. “It wouldn’t be right.”

“What? Borrowing a jacket from a friend?”

“Borrowing my best friend's boyfriend’s jacket.”

His stomach drops, rolling with a wave of anxiety as he tries to not show his uncomfort. “She told you?”

Your teeth grind harder. “That, and you both posted about a thousand pictures together. Wasn’t that difficult to understand what was going on between you two.” A sore laugh. “I’m happy for you two, though. Really. I am.”

“You are?”

Sending a nasty glare that you tried to keep in for the life in you, you turn over to face him, nose rosy. “Yes. Over the fucking moon.”

He flinches. “Listen, about that day at Lando’s house. I-I-I was caught up in the moment. I shouldn’t have said what I said, o-or tried to kiss you—”

“You’re a phony, you know that, right?”

Another flinch. “I’m trying to apologize to you. I’m sorry. I feel bad, okay?”

Tears well up inside your eyes. Somewhere deep inside your chest, you feel a harsh sting, and still that doesn’t compare to his pity. You let out a scoff, crossing your arms. “You feel bad, for what? For messing with my emotions, or for getting with my best friend?” You poke his chest hard, but he remains as still as a brick wall, a pained expression mapped out. “Which one is it?”

“For all of it!” He grabs your face, making you freeze under his fire-like touch. “I loved you—God—I loved every inch of you. Your humor, your heart, your jokes that never land, the awkward giggles that follow afterward—everything. There was not a single thing you could do that could have pushed me away.”

“Then what happened?” you whisper, eyes tracing his pink lips, trying to enjoy his hands. They’re calloused, sure, but they’re by far the closest thing you’ve had, so nothing else matters. His breath hitches, soft eyes looking down at you in complete defeat. You grimace. “Why was I not enough for you to try?”

His hands drop. Brown locks shakes as he rubs his eyes, like this is all some part of a fever dream. Maybe it was. The Australian frowns. “I could ask you the same thing.”

It’s a slap in the face, and it burns like never before because you know he’s right. “I wanted to tell you!” A shaky breath. “I was going to tell you.”

Leaves rustle. “You were?”

“Yes,” you confess, nodding adamantly. “That day at Lando’s place—I wanted to tell you.”

The McLaren driver bites his tongue hard, blinking rapidly. “W-what would you have said?”

“That I loved you too.”

He can’t hide his pain just by hearing those words. He scrunches his nose. He nods robotically. And he keeps his eyes trained towards the ground, like he’s in the middle of solving a puzzle. 

“I really did like you. From the moment we met.” Finally, he looks up, round eyes searching for any sign of intimacy. If there’s any left—any you still save for him. “Do you remember the day we first met?”

“A little bit. Yeah.”

A second ticks by. “I do. Remember it all, I mean. Think back to it quite often.” He lets out a boyish grin, crinkles forming, making your heart flutter. “You took my breath away.” 

And as if humanly possible, despite the icy air, your cheekbones flush harder as you bite back a giddy smile. “You barely even noticed me—”

“You wore a white ribbon. Hair half up, half down. Denim overalls with your initials sewn onto them. Emerald earrings.” You blink, clearly taken aback by his polished memory. His eyes soften. “I’ll always notice you.”

-

Anastasia pecks the Australians cheek, giggling after each one. Oscar smiles, letting out a sheepish laugh. From the corner, seated next to Lando, you sigh sadly. The Brit bumps his shoulder up against yours. What’s wrong? But you must not have heard him, or you ignore him, but he, too, has eyes. 

“I swear I didn’t know a thing about them,” he whispers. “If I had, I would have warned you, you know that—”

“Lando,” you cut him off, voice weak and mellow. “It’s okay, it’s not your fault.”

He frowns. “I know that, but—”

“It’s not your fault,” you repeat, this time more firm. He swallows, nodding hesitantly. With a soft laugh, you poke his ribs and he’s quick to let out a yelp. “Just want to forget, you know?”

Lando hums. “Understood.”

Anastasia clinks her spoon against her mug. The one you each painted differently in that one pottery class years ago. She grins. “I’m so glad all of you could make it, really, it means a lot.” Her eyes crinkle sweetly towards Oscar who traces shapes down her back. She blushes for him—the same way you do. “I feel like…I finally have everything I ever wanted.”

A string of oohh's echo the room, whistles ringing. She laughs, head falling back, and he lets out a single chuckle, rosy cheeks making everyone grow louder. Meanwhile, you stay silent, focusing on Lando’s shoes. The Brit winces, rubbing your shoulder awkwardly. 

Daniel yodels, raising his beer. “Well, in that case, I feel like I do too!” He hiccups, making Pierre and Yuki snicker. “A hot girlfriend, good ‘ol friends, and a nice pair of abs.”

“They are nice,” Lily mumbles, earning her a soft smack from Alex who rolls his eyes. 

Carlos cackles. “Me next—um, okay. A good team, my girlfriend, and…and—my hair.”

“Narcissist,” Lando whispers, trying to get a good laugh out of you. And it works. You giggle, muffling the sound with the back of your hand. Oscar perks up, orbs floating over to where you and the Brit whisper to one another, smiles only growing wider. His jaw clenches. Either way, you tune out all the constant chatter after hearing how Pierre was grateful for having a massive cock. 

“I really hope nothing changes between us.”

You laugh. “I think it might be a bit too late for that.”

The Australian scratches his shoes against the wet pavement. He agrees. He won’t admit it, but he agrees. Everything has changed. Timidly, he glances over at you, biting the inside of his cheek. His gaze burns—just like always—and you turn to face him.

By now your tears have dried, but your heartbreak still continues. Something deep inside tells you that it’ll continue for as long as you live. You despise yourself for letting any of this get out of hand. For letting your fear of rejection play a big part in losing him. He smiles.

“I love you, okay?”

You smile. “I love you, too.”

Your voice sounds sweet—just like honey. And if it’s a lie, just to make him feel okay, he’s a grateful bloke. He might not have your heart—not completely—and he might not have your hand in his, but he’s okay with that. Because he’s heard all he’s needed to hear. And he can live at peace.

Oscar grins, leaning down to kiss your cheek. It’s tender, just the way you pictured it. You smell like flowers, just like he had dreamt. He pulls away. “You can always talk to me. Whenever. I’ll always be there for you.”

“Thank you. But I won’t bother you too much.” His brows furrow, mouth opening to protest before you wave him off with a tired smile. “Don’t want to vent to you about…well—you.”

“What about you?” Anastasia squeals, making your jump in place. 

“What about me?” 

She rolls her eyes, theatrically. Oscar remains as still as a statue, enjoying the moment to admire you without having to explain why—all eyes were on you, after all. “Have you ever gotten everything you ever wanted?”

Wistfully, your eyes look up, connecting with the ones you know so well. You admire his boyish features one last time before looking down onto your lap and then focusing on Anastasia.

“No. But I once got very close.”

taglist: @blueflorals @starmanv @coolio2195 @lovrsm @weekendlusting@chanshintien @brune77e @myownwritings @timmychalametsstuff @milasexutoire@alesainz @c-losur3 @darleneslane @togazzo @urfavnoirette @namgification @lpab @d3kstar @anniee-mr @nebarious @notkaryna

[ghostykapi]

three against me (the trio's love)

misamo & fem!reader // college au

thank you for @cry4mina for the misamo pictures and for being delulu with me about misamo <3 MISAMOOO

when you said you wanted your college life to be eventful

you didn't expect the universe throwing you three girlfriends, each with their own side of how they got you locked with them

it starts during the first semester of your 3rd year, when you were in a small cafe, getting to a headstart in your pile of homework

it's perfect, a iced coffee by your side, three readings beside you, your laptop on the coffee table in front of you and phone silenced, muting whatever the onslaught of messages nayeon is sending that you can't even be bothered to check

you needed this, you couldn't handled anymore 'dubchaeng babysitting!' when the duo would just make your head hurt with the amount of crazy ideas they had. the change of pace for the day is much welcome, especially knowing that jeongyeon took over with the lure of seeing a band a cafe next university over

it's nice, you can feel like you are in control for even just for a bit

then the cafe's noise dies down when the door chimes

it's too silent

fuck.

you brace yourself at the trio, who’s presence can make the entire student populous go on their knees. the mere whisper of their little group brings the entire college either trembling

misamo.

you can feel her gaze land on you, despite the only indication that it is one of them without looking is the whispers within the cafe. even the baristas know them

hirai momo. softball player, the star athlete that brings medals and more recognition to your university. average grades, stellar performance when she steps on the field and can land a nasty punch

with each step you hear her take, the more you have to remind yourself not to look. you can hear her giggles and the way your heartbeat is now in your ears

minatozaki sana. influencer and model, the unspoken leader of their group. through her bubbly and charming personality, she uses her wit to become the face of the university. part of the top 10% of the whole university, the inspiration to study hard and diligently

you feel a hand on your shoulder, the firm grasp rendering you unable to move, yet it's how you know who it is. she hums in delight at your sharp intake of breath, knowing that you don't need anything else to tell her apart

myoui mina. rising entrepreneur of 3 different business ventures, the deadliest one from the trio. always calculating, always 10 steps ahead of her peers and competitors. sweet, kind, and demur, she brings class to whatever she does

that includes sitting beside you, her bag gently landing on the table, your proximity leaves the others questioning your relationship, but all you know is that you must have done something at your shared class with her yesterday for her too approach you

"i hope you don't mind" she starts, eyes confident and you want to scream and cry because she's wearing a suit. typically worn when she's fresh from visiting one of her businesses. "i heard you were well versed in code"

"programming is my major yes" you keep your voice leveled, after all, being a woman in such a male dominated course has made you what your flock of admirers say, freezingly cold.

"i have a proposition for you" mina starts, keeping a dangerous game of who can keep the eye contact going "you help me with homeworks and projects while i give you money per assessment made"

while mina has a fair share of students that matched her energy, something in your gaze makes her crack a bit

"what makes you think i'll say yes?"

"you can't say no to me"

"yes i can. here watch i'll say it"

and mina can't deny it when she feels her heart start to race when you get closer to her. faces barely a few inches apart

"i don't do things for money. so no"

and you pull back, ready to put back to attention to your homework when mina speaks up

"every time you have to help me i'll pay you in food"

oh goodness free food

"ok i'm in" you hum, hands typing away on your laptop "we start in two days, send me an address and i'll met you there myoui. now shoo, i have to catch up to my work"

she stares at you with a blank gaze, but inside she's dumbfounded at your boldness

nevertheless, she stands up to leave you be, but before she's out of earshot, she says something you don't quite catch

"what?" you ask

"you should call me mina. myoui is too professional even for my taste dear"

three days later, it's momo who bugs you after your morning class

she slips up right beside you, the lack of dress code in the university gives momo a chance to wear a body hugging pink dress, something that makes everyone go crazy. what you don't like is how every guy is looking at her in ways you want to pluck their eyes out

filthy bastards don't deserve to gaze at her at all

"momo" your ears are red because everyone can clearly see you both in the halls, her arm around your waist as you slowly walk to the next building for your next class "what are you doing?"

"accompanying you to class" momo won't admit it, but ever since mina said you were, in her words, 'pretty and sufficient', she had to see you

"why?" you ask, glaring at every man who's looking at her too creepily, making them scurry away

"just because, plus our classrooms are right beside each other" she relaxes more with each less man in the hall, you notice it

"fine" you huff, and before she can even say anything else, you remove your jacket, giving it to her "wear this for today, i don't want any man to look at you. you're too gorgeous for them"

the rest of the walk is silent on the way to both of your classrooms. only thing you can hear is the squeak of every sneaker from each man running way and the whispers in between students

it's the most peaceful walk momo has had since becoming star athlete

so when you wave at her from the door before disappearing to go to the classroom beside her's, she feels like she can breath without panicking

she hates taking anything math related, but she might bare it more when she knows your beside her classroom

she's hooked

later that afternoon, while you lounge around the student council office sipping a red bull, someone barges in, scaring your team who's having a heated debate on who should the rest of the papers

"fucking jesus who the fuck-" ryujin is silenced from who she sees at the door

minatozaki sana, the ever persistent and one of the most notable member under the team of the president.

"someone sent you flowers?"

not a question you were expecting, even your team is gawking at her

dressed to perfection, you can't catch her in a regular outfit at any point, which is kind of ridiculous. sana doesn't care, always styled like she's going to a fashion week in europe. today she's wearing that white dress that she just wore in her feature in some magazine

what is it with the trio and wearing designer clothing every time they are at university grounds? specifically when they are within your eyesight

"pardon?" you know the amount of admires that still try despite cold rejection, even hailing from different courses. hell you think someone from the university over sent you chocolates once, you gave it to your team though

"did you accept some stupid boy's flowers?" sana repeats, anger in her eyes, an emotion she barely shows, and possessiveness in her body language, something you see glimpses of when someone gets close to mina and momo that she doesn't approve of

"minatozaki you know i don't do that" you say calmly, your team in awe at how you keep a calm attitude "if the suitor doesn't have the guts to face me, then they do not deserve my limited time"

"then you'll entertain if i do right?"

you can hear felix and lily choke over their pizza behind you

"you are not serious" you look at her like she's crazy (she loves being called that, you learn from mina later on)

she gets closer to you, faces barely an inch apart, any slip up from her leaning way to closer over your table and she can just kiss you

"try me, i'll see you at tomorrow's meeting miss vice-president"

when she leaves the office, it takes you and your team a total of 5 minutes to recover

"jesus what the fuck was that"

"ryujin shut up, go back to bickering with lia"

no one has ever said no to the trio

maybe a few people had

they're just not as pretty, charming and confident as you

maybe that's why mina keeps sitting beside you during your shared programming class even oustide 'tutor' hours, why momo's insistent at being beside you in between periods to carry your items on days your classes line up, and why sana shows up in every weekly meeting with an expensive gift or a trinket, challenging each suitor head on.

women like them are gonna be the death of you

"you have some crazy women that like you" jihyo jests beside you, giggling at how sana is glaring daggers at how close you both are. you both are now taking a break along with the rest of the internal team to finalize some papers

"yeah well" you don't like to admit it, but ever since their persistence to always either be near you, you have been starting to crack bit by bit "can't really escape them y'know"

"i think you would look cute with them" jihyo hums, swinging her pen between her fingers, making someone across the table keep her stare at the president "misamo and their girlfriend who sucks ass at karaoke"

"ok that was one time" you huff, jihyo's snickering makes sana look up from her phone, jaw tensing up at how close jihyo is "clearly i let you win because you liked it when tzuyu said she's treat you out if you win right?"

that shuts her up. the said tall woman is at the other side of the room, watching the president's face get red, wondering what you just said to make her like this

"get back to work" jihyo then shoos you away, your laughter making jihyo flip you off before returning to work for herself

before you cam even return to work, your eyes meet sana's, her expression unreadable. you wonder what she's thinking of

you look away, a light blush on your cheeks from her intense stare, busying yourself once more with the papers

to sana, witnessing your smile and laughter rewires her brain, heart pleading with her to speed up whatever this stage the three of them are in. each day that passes drives the three of them crazy

mina is messing up in her calculations, momo is missing her shots and sana is losing her composure on the daily

she needs you. they need you.

when sana heads home that night she keeps thinking about you. even when she lets her girlfriends debate what their late night dinner should be (mina wants tacos, momo is craving for some pasta). she blurts out in the middle of it

"do you think y/n would say yes if we offered her sushi as a late night dinner?"

the two stop at their bickering to look at sana, who's eyes are begging for the next move. she's getting itchy and desperate to make it

"satang" mina reaches out to her, letting sana wrap her arms around her waist as momo hugs them both "did something happen?"

"it's just" sana doesn't even try to hide it at this point, knowing that the three of them are nearing their breaking point "i saw her laugh today and it really made me think that 'i want to make her laugh with us' and i-i don't know but it has been driving me mad"

mina hums in understanding and momo speaks up, ready to take that push

"then let's go"

staying late even after meetings is normal for you to catch up with the papers, but for the past few days, you have been staying late in the office to busy your thoughts

mina hasn't been looking at you in the eye or been acknowledging you

momo hasn't been accompanying you to class

sana hasn't shown up to a single meeting this past two weeks

trying to silence your head, you decided to throw yourself into your extra curriculars every night. this night, you are working alone, the only sounds that you can hear are your aggressive typing on your poor keyboard, the music coming from your small speaker and the voices in your head making your heart ache

and now a knock and the door swinging open

"if you have any concerns please drop them by our social media accounts, email, or even the drop box by the-"

you stop your next words when you look up

mina.

you want to curse at the woman, for deliberately avoiding you. it was worse with her, because at least with the two you didn't have the urge to scream because they simply did not show up.

momo.

even clad in that handsome suit, she's still wearing that jacket you handed over to her. devastatingly handsome and gorgeous, you wonder why did she have to leave you wondering in the noisy university halls

sana.

meetings are still the same, but jihyo keeps on asking why your eyes have been straying, always going back to the door. waiting for that laugh to annoy you, waiting for a snarky remark to any stupid men flirting with you, waiting for anything from her

you really want to throw a chair at them for just showing up now and pissing you off

you don't though, because you missed them

each in their own suit, each with their own gift, each one with a nervous smile that no one will ever see, each one wearing their hearts up their sleeves, and each with the same question you didn't know you wanted to hear until now

"we like you. would you like to go out with us? dinner tomorrow night, our treat"

you can't say no

"you guys are horrible at courting. pick me up at 7"

bonus:

in every first date you've been on, you never come over to your dates home. that changes and ends with them

"hirai" you're trying to keep your breath stable as her hands are playing your hair. eyes hazy, but clearly on you, her self control out the door, just like yours

"myoui" she's behind you, her hands on your waist, murmuring what she's been thinking about for the past days. it's all you, and it makes you melt

"minatozaki" you let her kiss you, silencing your worries and doubts, silencing anything that makes you question them. the heart finally getting what it wants

"you my love, deserve to be ours"

[creatingblackcharacters]

on the topic of fandom racism.. wanted to ask an outside opinion on this.

so without much detail bc i don't wanna get this person harassed or something, i'm in a fandom where most of the characters are japanese and look pretty similar, so the diversity is Not Great. recently i saw an artist, who is white, draw a character with slightly darker skin than the rest of the cast as Black, where he was ambiguously brown before. my problem with this as an outsider is that i think that plays into a ton more stereotypes than if he was just tan or something. this character is regarded to be misogynistic, overly sexual, and especially to his #fffff white japanese (girl) friend.

i, as a white person, would like to approach this artist and ask if that's really the message they wanna send, but god forbid i do not want to sound like those people that believe in "black-washing" or just hate to see more diversity in an anime lineup. would it be white knighting to point this out, or approach that, hey, maybe your only person of color in this cast shouldn't be the one that acts Like That...

Hm. I see what you're saying. I'd suggest a few things, which is really my go-to for everyone white fighting fandom racism:

1) first, look out for the voices of Black fans in that space and see what they're saying. If they are perturbed by what they see, then I would amplify their voices and support them first. Let them know they're not crazy. They're the ones experiencing the harm, let their voices be the ones prioritized. If no one Black has said anything, that could be a sign that this entire fandom isn't safe for that kind of feedback (which... Often.)

2) look at that person's page to see how they treat this character. Do they actually offer them depth? Are they a fan? Have they shared anyone's good perspective of him? Do they actually care about him, and think his being Black serves a better narrative? Or is it really just this character is a douchebag and now he's "Black" because they wanted some diversity points without thinking about it. Hell, does the original media do right by this ambiguously brown character lol? Because that can often be the larger issue too.

3) does this person positively interact with Black people at all? Like people, opinions, topics, politics, anything at all? Or is this their Token Black Blorbo Barbie™? Because that's a red red flag lmao.

4) if you still feel strongly about it, send them a DM. I'd say make sure to be genuinely polite, not because you should be respected more because of it, but so that it's on record that you wanted to give them the space to amend ("Hello, I mean no harm, but I was worried that this may-") You're white too, so it'll be safer. DMs are really a kindness, a last chance for grace; sometimes people are just like "fuck it, that's a racist and imma treat them like it". And I don't begrudge them that, this shit is exhausting and enraging.

5) accept that you may very well approach with the best intentions, and this artist may very well act a complete asshole* about it. They may make excuses, the classic "I would never be racist", they may accuse you of all those things that you just said, try to cast you as the problem, and their friends may very well make you out to be the racist for pointing out the racism. Welcome to fighting antiblackness and racism in fandom 👍🏾 it's a minefield out here.

*keep in mind, even if they "respond sweetly", the whole "thanks 💕" schtick is still them being an asshole. Racism in sweet words is still racism.

6) if they do respond like an asshole, it is not a reflection of you, but of them. 👍🏾 They are now purposely choosing racism. Block them and move accordingly.

[pepperf]

Genuinely can't decide if the writers intended the Five and Lila relationship to be toxic, or if that's just their idea of romance - just like Rochester, Heathcliff, Darcy, and that dude from Twilight, right???

Okay, let's have a readmore. Note tags, ppl, and curate your experience.

Lila has a relatively sensible approach to relationships, which is consistent, despite her somewhat Machiavellian approach to getting what she wants out of them - she put Diego in his place about having realistic expectations back in s3. She's pretty clear about who she is and where her lines are drawn, and is "weirdly self-actualised", according to Klaus. And Five - romantically inexperienced, thinks everyone should do what he says at all times - tries to impose his notion of How This Should Go onto her, from nearly the start of their brief romance, but leaning hard into it once it starts going sour - which also checks out: he was alone for 45 years and his previous relationship was all in his head, giving him full control, so that's what he's used to. But I couldn't tell if they genuinely intended to show it as him being incredibly selfish in prioritising his feelings over her wishes, or if they honestly thought it was romantic. I mean, the barbed wire-style bracelet is a little on the nose, and there's some symbolism that I'll get into in a sec. Truthfully, I'm not inclined to give them the benefit of the doubt - I think SB at least thought it was hot, judging by what he's said about identifying with Five, and about how he finally gets to have a romance. This seems to have been his pet project for the season, blergh.

It's that tedious old misogynist chestnut, that all women secretly want A Man to take control. It's frustrating, because they already established that Lila likes to be in charge, she wants to be free to make her own choices, she'd already had twenty-plus years of being told what to think and do. And yet she has to remind Five, who really ought to know her better by now, "You do not get to decide what I do with my life!" It's also very disconnected from reality. It's not actually fun or sexy to be gaslighted, to be lied to by some insecure asshole who thinks they know better about what's good for you, that they have a right to stick their nose into your personal relationships or keep you away from your kids. Not cool, Five, not cool. He's lucky she didn't kick him in the nuts on the way out. But another reason I think they didn't do this consciously is that Five doesn't seem to realise his assholery - there's no hint that he's regretting anything other than being dumped.

Lila was trapped for seven years in an intense, claustrophobic situation with Five - and if they'd continued to exist, she could have worked through the feelings that come out of that. Like Ritu said, of course there's going to be love there: they've spent seven years together, on the run. If nothing else, it would be a matter of survival - either you find a way to get along, or you kill each other. And they went in with a fair amount in common already (although being adopted by the Handler at age four is not at all the same as being recruited by her at age fifty-something). So I'm annoyed that Lila's whole arc this season is one of frustration about having to be the grown up in her relationship, taking a break to reassess, going off to do something a bit crazy and fun - and promptly getting stranded with someone considerably less emotionally competent.

Okay, I'm being somewhat harsh - Lila unexpectedly getting the timeout she wanted could've been a decent storyline, she could have some time to reflect, live the child-free life without consequences, and have some adventures (she actively enjoys danger!). And she and Five got to bond, that had lots of interesting potential, especially with their complicated history. But it tipped over from being a potential opportunity into an immensely over the top punishment for her impulsivity, and took them so far from where they'd started that there's a total emotional disconnect with the main story. Which is a fucking weird choice for one episode in such a short season, ngl.

And then, ugh, she's right back to dealing with the apocalypse, visibly thrown by a Diego who has unexpectedly thought about what she said and is trying to be a better husband, and dealing with a Five who has decided to get territorial. It's deeply uncomfortable, Five is gearing up to start trouble, so wrapped up in his own hurt feelings that he's functionally useless for the actual problem in front of them - leaving Lila to deal with the mess he creates, and then leverage said feelings to get him to put on his big boy pants and help. She still reaches out to him in the end, I think she knows him well enough by this point to understand what makes him tick...and she's having to be the sensible one up to the end of her existence. Can't she have someone who's willing to meet her halfway? The reflecting that Diego did, him making a start on making amends (given that it was only a few hours for him, that's about as much as they could squeeze in) was basically just wasted. They start to reconnect at the end, and mutually apologise for the damage they've done - but that's all they get, and it's a travesty.

Personally I think the whole storyline should have been cut, but if - if - they really felt it added something, they could have given it some time in the real world, see how this shaky new romance holds up against a serious relationship that's been massively fractured. In a different show, that might have been a fine story. But they don't do that. Whatever she might have wanted, Lila doesn't get time to even think about her choices. She gets to stop existing. (Or they could just have not gone there in the first place, god I hate love triangle plotlines, they do no favours for anyone involved!)

Given a continued existence in which to do so, I'm sure Five would have moved on pretty quickly. It's his first romance with a real person, he feels it intensely - but once the dust settled, he'd see that they were in very different emotional places (she wanted to get back to her family, the break from reality is way overdue to end - and he wanted to stay in their little bubble and leave all that behind). The actual romance part was actually pretty brief, and lacking in any deep communication - as Lila says, it wasn't real. They're playing house in an attempt to feel normal - in a greenhouse (a fragile structure, not a real home), eating strawberries (a treat more than real sustenance), like children...hey, maybe I'm wrong and the writers DID intend to do that, bc that's some choice visual metaphors. And they're playing roles: all their normal antagonism - what made them so fun and sparky in previous seasons, and even during the earlier part of their adventure! - disappears. Lila is a chameleon, taking on a character is her happy place - and this was how Five kept himself going, last time he was in this situation, so he's slipping back into that method of survival (although he's not as good as she is at separating reality from fiction). So while all that is totally understandable, it's insubstantial. If Five had the space to do some self-reflection, or if one of his more rational siblings (Luther maybe, or...um...or a friend, if he can make one...or maybe that dude in the Losers Department at the CIA...) sat down with him and explained that you need to treat a partner as an equal, maybe he could do better next time - or double down and keep being an asshole, that's also a strong possibility.

idk - I still don't honestly think the show intended it that way, unfortunately. I think they shoehorned the characters into the scenes they wanted, regardless of sense or even plot requirement. There are a LOT of badly-explained or badly-thought out moments in this season, and this whole mess just adds to the incoherency. Or maybe it's just a consequence of TV - you get multiple creative people involved, and the reasoning gets muddied, especially over time. Maybe it was SB's intention from the start, but he didn't inform the actors until the final season, so they've been playing it straight.

This show has an...interesting tendency to do something that you think is totally unacceptable and just gloss over it at the time, and then address it next season (like Luther apologising to Viktor), as if the writers all brought it up in their respective therapy sessions during the break, and worked through the issues - so maybe if they'd had another season, they would have gone into all that. Maybe. But we're clearly not going to get that, and they're all gone from existence so I can't headcanon that in this universe, they eventually sort it out. So I'm putting it down to one thing:

Break out the dodgy facial hair (I see you're ahead of me, Five) and let's get kicking babies!

[accirax]

Danganronpa: Despair Time Chapter 2 Episode 14 Dissection

I can't think of how to introduce this dissection other than just saying "god damn??". This chapter-- especially its second part-- has been a wild ride, and one that it appears we're nearing the end of. However, we still have one important question left to answer, which I'm sure I'll talk about here. So, let's chat.

SPOILERS for Danganronpa: Despair Time Chapter 2 Episode 14.

Also, I will be discussing Ace and Eden as equally likely blackened candidates in this post. If it will upset you to hear about the prospects of either or both of them being the killer, you might want to sit this one out.

Given what happens later in the episode, it's very interesting that the episode began with (more or less) Ace "admitting" that he has no idea how the murder mechanism worked. A truthful method of disqualification, or a masterful play by Ace to ask Teruko to ask him about the murder method only to pretend that he has no idea what it was? Time will have to tell on that one, because I honestly have no leads.

Similarly, is this Eden being genuinely shaken up and not remembering what transpired in the Gym, or trying to play the helpless innocent card to get out of having to help Teruko explain the murder method that she stole? Spoilers for my thoughts later in this dissection, I guess: they're so evenly matched that it's crazy.

I've always thought that Hu is the prettiest DRDT character, and this episode did nothing but prove me right. Hot damn, ma'am.

The insistence that this questioning is "traumatizing [Nico]" makes me think that Hu could be projecting her own experiences on to them. Perhaps she was once an innocent in a situation for which she kept taking the blame? That would be interesting as another connection between Hu and Nico, of both of them having taken the blame for someone else's follies.

This was a hilarious comeback; never change, Ace. Or, maybe you do need to change slightly, to become a less cowardly and impulsive person. Or maybe I should at least be rooting for you to have the chance to change in the sense that you live long enough to have that work out for you.

Yet another instance of J being the one to say that murder is bad. I wonder if this has to do with her character/backstory in some particular way (although given what we know about her past I have no idea what that would be), or if DRDTdev just needed a judgmental and confrontational person who would snap back at anyone to take over these kinds of lines.

(That's not me dunking on J's character btw she's valid for this)

This was a really clever way for Charles to phrase this to make Hu listen and settle down. I appreciate the out-of-the-box yet logical thinking. (Also I missed hearing Charles' voice :,D)

Woah, I was not expecting to get a Closing Argument comic for the Gym murder, but I am obviously delighted that we have one! Also, OH MY GOD, THE CEILING GRATE. How did none of us even think to consider that as part of the murder mechanism?

However, there are still some aspects of the state of the Gym that haven't yet been accounted for with this version of the murder timeline. I don't really think it's anything that would stop Nico from being Ace's would-be killer at this point, but I'll list them out here in case they are or in case they turn out to be relevant to Arei's murder. I'll also be trying to debunk them, though.

Moved Benches: Some of the benches near the pullup bar were knocked over. These probably fell either in some sort of struggle while knocking out Ace, or when Ace's body fell from the fan.

Moved Weight Rack: The weight rack was moved closer to the bench press and flipped on its back. I guess this really was also knocked over in the same fashion, no matter how unrealistically difficult it should have been to move due to its weight? Or it really was "workout preferences"???

Nico's Missing Cowl: When Teruko and Eden found Nico at the scene of the crime, they weren't wearing their typical dark cape thing. I have no clue why. You could say that Nico was trying to look less instantly recognizable, but it's not as if anyone (other than maybe Teruko) who saw a dark-haired 5'5" individual in a blue shirt instead of a gray cowl would think it was anyone other than Nico. There's also ye olde theory that they might have used it to soak up blood somewhere, but 1) Ace seems to have lost less blood than it may have seemed, and 2) the cowl was still not seen anywhere in the crime scene. I think I remember speculating that after Nico hypothetically used it to soak up blood (or, on second thought, maybe used it to gag Ace with the turpentine), they then stuck it in the fridge to hide it for the time being, at which point MonoTV discarded it and Nico got a new cape from their room. Maybe if it was used to apply the turpentine, Nico also could've put it away to prevent themselves from being affected by the fumes? I guess that's what I'm going with.

Lack of Tape on Pullup Bar: So, this one is obviously relevant to the murder already because Rose not being able to do a pullup is part of what tips off Teruko to the fact that something is off with the tape. However, I have no idea why the tape actually got removed from the bar. I still maintain that I don't think anyone could have stolen the tape off of that bar and repurposed it elsewhere-- most online sources seem to agree that kinesiology tape isn't reusable, and the fact that it was already wrapped around the bar in such a tight spiral would make it difficult to conform to any new specific shapes. My best guess is that Nico might have tried to use the bar instead of the light grate at first, determined that the tape was preventing the wire from sliding properly, and then removed the tape before determining the bar still didn't work. Or, Nico could have tried using the bar before settling on the broom, and thinking that it wouldn't work with tape on it... for some reason? Kinda scratching my head here.

I wonder how long ago it was. It's been four days since the Chapter 2 motive was revealed, although Ace was attacked only two days after the motive. Furthermore, Ace had started bullying Nico to some level already by the end of Chapter 1. I'm sure that Nico must have known what their secret was and probably didn't want it to be shared. My guess would be that they probably started cooking on murder pretty shortly after the new motive was released. That would also work with Charles-via-Whit letting everyone know what the custom weapons were in the first Class Trial.

This was the perfect response for Nico's character. They don't understand why an untruthful "sorry" would actually serve as a courtesy for most people, so they try to say what they feel and get ostracized for it.

Gotta say though, Ace, that was a pretty aggressive reaction from someone who said he "didn't need other people to tell him lies just to keep him happy" ;) (/j)

Damn, way to throw Levi under the bus. I can see why, for someone like Nico, they would want to assert themselves as not the most abnormal person here, though. I just want them to be neurodivergent buddies :(

If that's the case, then I'd have to imagine that we won't be seeing Nico as a killer again down the line. However, they could also just mean "getting caught"/"going in without a solid gameplan," so it's still possible we will. There's also the possibility of them doing something more like a sacrifice kill, although it would take a lot of character work to make something like that feel within Nico's nature.

Sorry to keep screenshotting every little thing Nico says but they keep saying really interesting things. The fact that Nico specifically mentions their father as opposed to "parents" or "family" makes me think that we'll hear more about their father specifically sometime in the future. Or, who knows, maybe their other parent left or died.

Nico: I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry.

This was very interesting as an addendum to the above screenshot. What exactly did Nico "ask for" forgiveness for in the past? Was it just more social blunders, as they described in ch2-e2, or did they get into more trouble closer to this level than we realized? It could also be an indication that Nico has spent time with people who believe that being nonbinary is a crime that Nico needs to feel sorry for. Fascinating stuff, indeed.

Points for Ace being the killer. We know that he went into this trial looking to suspect Nico ("[...] I'm pretty sure I know who the murderer is. It's not David, it's Nico"), so if Ace is the killer, it would make sense if he'd want to make the crime scene resemble Nico's to make his bait more credible.

Hey, it's the aforementioned T A P E T I M E, motherfuckers :D (still /j) Personally, it's quite gratifying to hear that it wasn't just a visual malfunction or a minor detail blown way out of proportion.

You're, uh... getting to this point much faster than I expected, queen. I don't think she's now going to go down the exact same distrustful rabbit hole that she was in before, but there's definitely still potential for her hopes to be crushed by the end of this chapter. Or, maybe she will accept some people as genuine friends, and instead in the future have to confront how she feels when she loses a genuine friend, or not blaming herself for the effects of her luck, or something along those lines. I like that Teruko isn't a static edgy protagonist, though. Like, don't get me wrong, I've always known and appreciated that she has depth, but it's refreshing that she isn't someone who's so stubborn about her own way of thinking that she refuses to admit when she's in the wrong. Teruko really wants friends, guys.

TERUROSE REAL??????

(Also Rose's speech was excellent as well I just didn't have anything in particular to say about it other than "wow" at the moment)

Yahoo, lockdown logic strikes again! Also, a quick

Is Teruko Correct In This Assumption?

Personally, I fully think yes, only Ace or Eden could be the culprit at this point. MonoTV confirmed that it tried to restore the Gym to the best of its ability but couldn't return the tape, which means both that there was no tape in the Gym to be taken and that there was never any spare tape in the Storage Room that MonoTV could have used to replace the roll. I guess you could say that there was an extra roll of tape in the Storage Room that someone else took before the murder took place, but that level of coincidence seems implausible at this point in the Trial.

No, for anyone other than Eden or Ace to have acquired the tape, they must have either stolen it from one of those two or asked for it from one of those two. Asking them seems very unlikely-- for starters, if it was Ace who took the tape, I don't think he'd be giving free hand-outs to anyone. And, if Eden isn't the killer herself, that means all of her fright regarding stumbling upon Ace's body was genuine. I don't think she's naive enough to then hand over what was used in Ace's murder to anyone asking... or at least not without bringing it up now. Beyond that, anyone who would ask either of them for the tape would have to know that the tape was used in the murder attempt, knowledge of which was very limited. This episode went to lengths to establish that Nico was the sole culprit behind the attack on Ace, and while it's still possible it could all be an elaborate lie, the explanation Nico gave felt very in character and important for their characterization moving forwards. So, while Nico would obviously know it was used, if Nico asked either of them for the tape, surely neither Eden nor Ace would trust them. Otherwise, I think Rose is the only one who could have found out it was gone, but even so, given that neither Eden nor Ace have tried to argue that Rose asked them for the tape, I don't think that happened.

You could also say the same of neither Eden nor Ace claiming to have had the tape stolen from them-- but I could see either of them feeling like claiming to have taken the tape at all right now would be a death sentence, so I understand why they wouldn't say it. Still, I don't know if the narrative is there to support the tape having been stolen from them. On the day after the Gym murder (Day 7), Eden isn't seen in the daily life at all. If someone stole the tape from Eden on that day, I would think that DRDTdev would at least want to show us who Eden was spending time with on that day (given that he put in the effort to make the tape sprite disappear from the Gym at the time it did), so that we would have any idea who might have done so. Ace is seen once in the Day 7 daily life, arguing with Hu, Nico, Levi, Veronika, and Arei. However, having just been attacked, I imagine he'd be hyper-aware of anyone getting close to him, and therefore would be more likely to notice if someone was rifling around in his pockets (if he has pockets?).

Really, I think the only possible candidates for who could have stolen tape from Ace or Eden would be Levi (mostly just for Ace) and Arei (from either of them). Levi might have had an opportunity to take the tape from Ace on the night he was attacked, the night of Day 6. Eden said last episode that Levi "kept trying to help him" after Ace was attacked, which could imply that Levi was the one to put bandages around Ace's neck. Furthermore, he does have a criminal past, which could make him better at stealing. Similarly, Arei is confirmed to be a good pickpocket, stealing Min's pen without Min noticing at all. I think she's the only one with the proper buildup to have taken the tape from Ace at that breakfast, and would be the most likely to have spent time with Eden when Eden was off-screen. (Although, it would have to have been before lunch, because Eden says the last time she saw Arei was at lunch.)

However, I don't think many people think that Levi is the killer anymore, and if Arei stole the tape from Eden or Ace only for the killer to then steal the tape from Arei, I would start to wonder why DRDTdev even made the tape such a scarce resource in the first place. Remember that, if the killer was purposefully trying to recreate Nico's idea, they likely knew in advance that they would need the tape to pull off their plan. It was used in enough places that seizing the opportunity to take it off of Arei seems unlikely, as it was too fundamental to the plan's inception. Besides, for the killer to replicate Nico's plan in the first place, the killer likely needs to be Nico, Eden, Ace, or Teruko, who are the ones who could have most easily taken the tape on their own.

I've already seen people accuse this Trial of being bloated, and while I strongly disagree (I only think cases are bloated when they're stalling for time and have nothing of interest to discuss, and we've still had PLENTY of interesting stuff to discuss), if we spent a whole 'nother who-knows-how-many episodes reversing all of the progress we just made to say that either Nico wasn't actually the one to kill Ace or that someone who didn't see the crime scene killed Arei, that bloating problem would only seem worse to those people.

I understand if you don't want to believe that Eden or Ace has to be the culprit for whatever reasons-- whether that be that they're your favorites and you don't want them to die or you really like your theory and don't want it to be false-- but I really think that this episode cemented that either Ace or Eden will be voted for as the blackened for all of the reasons above. Therefore, I shall be proceeding accordingly.

She was WILD for this. Hilarious line of reasoning.

What's Up With the Body Discovery Announcement?

The "reveal" of this line of logic was no surprise to me. As someone who's believed that Eden is the culprit for quite a long time, we've had to figure out ways to get around this thing before, and besides perhaps "not witnessing the murder," someone else seeing the body before the BDA rang is the most obvious way to cheese it.

However, in order for this to be a thing, we have to ask ourselves-- who would have actually seen the body first?

David claims to, but he has an alibi starting at 7:30 AM with Veronika and J. Both because Arei theoretically wasn't dead before then and because we've been operating off of the assumption that a meal takes about 30 minutes to eat, I don't think any of the three of them could have stumbled across Arei in the morning. Nico and Hu both have an alibi, which I'm going to consider solid enough to remove them from possibility-- one of them spotting the body would be helpful to make Eden the killer, and I think the only people who believe that Hu and Nico are lying only believe so under the condition that one of them is the killer. Whit is out, because him seeing the body beforehand doesn't actually accomplish anything, and so is Charles, because we can assume that, if he saw the body, he would be out of commission. I'm also going to strike Rose from seeing the body before breakfast, both because she's very likely to have been asleep and because if she had already seen Arei's body in the Playground, she probably wouldn't have refused to draw a diagram. That would leave only Ace, Levi, and Arturo as non-blackeneds who could have helped facilitate culprit!Eden from not being caught by the BDA.

However, we also have to consider that "before 8 AM" isn't the only time someone could have stumbled across Arei's body. They also could have seen it before Teruko, Eden, and Whit did while everyone was looking for Arei. So, what do we know about what happened during the search for Arei? Not much. Hu says that they should split up, while J says she's going to check Arei's room. Teruko says that most people are probably searching the first floor, an assumption that's supported by Teruko, Eden, and Whit not seeing anyone else while they check the second floor. You might think that would eliminate the possibility of anyone else seeing Arei's body during the search, but Teruko did say most people, not all. There's also what MonoTV said when Teruko and Veronika were investigating the Gym.

MonoTV: It's too high! If you stood in the movie screening room on floor one and started punching through the walls, you'd fall into the playground.

This not-yet-addressed piece of evidence got me thinking about the possibility of someone seeing Arei's body from above, standing in the Motive Screening Room. It still probably couldn't be Teruko, Whit, Charles, Rose, or J, but anyone else would theoretically be back on the table if that were the case. That being said, I can't find any visual differences in how the Motive Screening Room looks between the beginning of Chapter 2, when the search for Arei begins, and when Teruko goes to check the motive secrets (other than a curtain being added over the screen in the third case). So, unless there was already a heretofore unmentioned hole to peek through in the room, I wouldn't count on that being the case. The connection between the Motive Screening Room and the Playground will probably just be relevant to a different chapter.

Therefore, that leaves us once again with Ace, Levi, and Arturo. The main problem with believing that any of them could have seen the body beforehand is why they wouldn't have brought that up at this point in the Trial. Here are my best guesses as to why:

Ace: I have genuinely no clue why Ace wouldn't have brought up that he saw the body in the morning (assuming that he actually did) to defend himself at this point. It's not like it would make anyone more suspicious of you.

Levi: Levi does seem to be a bit dense regarding what is and isn't helpful behavior in a Trial, so the most likely possibility to me is that he just didn't realize that confirming he saw her was helpful. Like, "oh, I didn't realize that me confirming that I saw Arei would help us pin down Eden as the killer. I was just trying to figure out how David and I both saw Arei's body this morning and I didn't see him." "Wh-- David was obviously lying!" "He was?" "I already told you he was lying before..." "Levi... we talked about this..." Bonus points for it not being out of character for Levi to be unfazed by seeing a body, though.

Arturo: In Arturo's case, I think it would have to be that he'd still be worried about people seeing him as suspicious for saying he found Arei's body in the case of accusing Eden specifically. They already have a past history of conflict, and I could see someone brashly accusing Arturo of throwing Eden under the bus just to get revenge on her for the secret thing (even if I don't think he would actually do that). He also made an enemy out of Arei, so I don't think he would be particularly fazed by seeing her corpse either-- similarities to Felicity's cause of death notwithstanding. However, I also find it likely that he trailed after J in going to check Arei's room.

So, what's our conclusion here? Does this mean that Eden is basically fully cleared by triggering the BDA? I wouldn't count her out just yet, but the evidence isn't looking great for her. It's quite possible David only brought up this argument to A) hold out suspension of disbelief that it's not just Ace for a little while longer, B) drop this logic as foreshadowing for a future killer's plan, C) characterize the kind of logic he uses in a Class Trial, or D) bring up this argument in canon so that the people who theorized that the BDA might not clear Eden or Whit wouldn't be like, "wait, but what about...?" However, it's also possible that one of the possibilities I listed above, something I might have missed, or the "see no evil" idea (as FF put it) could keep Eden in contention. That dynamism is part of what makes Ace and Eden feel so evenly matched.

See, this is what I assumed David was getting at after Nico reminded me of his early-morning alibi. But then he just kept talking...

I'm not going to delve into what David was thinking here too much, because I already have an anonymous ask about what I think David's rationale was that this will almost certainly come up in. However, as a short version, I imagine that David is trying to get everyone angry at each other in the hopes that it'll incite another murder that he can get the class to fail? Or to cause enough discord in the group that they just fail this one. That would be why he also rags on Rose for not remembering the tape, and insults Arturo's sister-- he wants no one to trust anyone so that the murder-solving process will be as un-streamlined as possible.

The fact that he targets Teruko so specifically is probably because he (accurately) assesses her as the only real threat there. Charles and Rose can help, sure, but their mental struggles make them easy enough to eliminate if you play your cards right. Teruko's main flaw is her lack of trust, so if David wants to weaken her, it makes sense to go right for that jugular. Furthermore, by stating his plans so plainly and publicly, it might incite other people to fight back against him and say that Teruko should trust them. However, that kind of olive branch might make Teruko even less inclined to get close to them, if what Teruko said to Eden at the end of ch2-e03 can tell us anything. Didn't stop Eden from trying at the end of this last episode, though!

After taking some more time to think about what David was up to this chapter, I might change my mind on those being his goals. But, this post does serve as my initial thoughts of sorts, and that's what I initially think about this scene.

I wholeheartedly agree.

Does Ace Have Nothing To Do With Arei?

What Ace has to say is more or less true-- barring the breakfast in which Arei didn't talk at all (AKA, no conversation), Ace has literally never been in a small group event with Arei. However, although they didn't talk to each other, Ace did overhear the conversation between David and Arei, which does give him a connection to Arei. Quite relevantly, Arei did say this to David during their conversation:

Arei: You said that sharing our secrets would help fight against the motive. But when I think about it, not a single good thing has come out of that. Eden was stupidly naive, as usual, and tried to talk to Arturo, so now I have to protect her.

From this, Ace could probably surmise that Eden had Arturo's secret, she talked to him about it, and that Arei stepped in to save her from Arturo. He was one of the few people who could have known that Eden and Arei grew closer before the murder occurred: another connection Ace had to information about Arei.

However, before you use that evidence to call Ace the killer, let me remind you that he still doesn't have enough information to write the note from just eavesdropping on this conversation alone. As I outlined in this theory (same as the one I just linked above), whoever wrote the note had to specifically know that Arturo's secret was about his sister, which Arei doesn't divulge (quite possibly because she didn't even know) to David. Therefore, although Arei mentioning Arturo and Eden in this conversation is interesting, it doesn't actually make Ace any more likely to be the killer, because he still would have needed to find some way to spy on Eden's secret and/or Arturo and Eden's conversation to write that note. (Unless mentioning the sister specifically was an oversight plot hole, but I never want to use that as my reasoning.)

So, do I get what Arturo is getting at? Yeah, Ace and Arei were never particularly involved, and Eden clearly has a greater connection to the victim. However, there is more to the Ace/Arei bond than it might first appear, and it's possible that could come up in the Trial moving forward.

This distinction-- between "Arei was my friend" and "Arei could have been my friend"-- could be very telling down the line. Eden pauses mid-tear-filled rant to distinguish that Arei is not her friend, not because she's dead, but because they hadn't reached that point yet. Arei is not Eden's friend in death. What can that possibly mean other than that Eden killed Arei?

... BUT THEN HOW THE FUCK CAN EDEN GO AND SAY ALL OF THIS, BE THE KILLER, AND THEREFORE PROVE DAVID RIGHT???

AND THE "BECAUSE THAT'S WHAT FRIENDS DO" REFERENCE??? AT THIS HOUR????? I DON'T EVEN KNOW IF THAT MAKES HER SEEM MORE OR LESS SUSPICIOUS!!!!

OUGH AND THE MIN PARALLELS TOOOOOOO

MIN WAS TERUKO'S FRIEND BUT ALSO A KILLER. DOES THAT MEAN EDEN IS GOING TO BREAK THE CYCLE OR DOES IT MEAN THAT WE'RE STUCK IN A DOOMED STORY IN WHICH TERUKO IS THE PROTAGONIST? IT COULD GO EITHER WAY!!!

Jumping back in time for just a moment...

A Piece of Evidence That Lines Up to Them Only

I thought about making this its own separate post, but decided not to. If you guys want me to make this part it's own separate post so it's easier to find/comment on directly, let me know, and I'll set that up.

But before you can make your decision, I suppose I have to explain what I aim to do here. Basically, Teruko has told us that she's still torn between Eden and Ace (mood), and that, while she'll start off attacking Ace, she's looking for any pieces of evidence that could prove that only one of them could have committed the crime. Problem is, we have no indication of what that specific piece of evidence could be, and, trust me, it could be a lot of them. Thus, what I'm going to do in this "mini" theory is list out every piece of evidence that I can think of, and say whether it points to Eden being the culprit, Ace being the culprit, or it can't point to either of them. Perhaps once we're done, you'll see why I'm so conflicted on which of them it would be.

I'm going to tier these pieces of evidence in terms of least likely to be the missing piece to most likely to be the missing piece, starting with all of the aforementioned unexplained gym evidence. The knocked over benches and weight rack were not part of the replicated crime scene, and I have no idea how Ace or Eden would have wound up with any version of Nico's cowl. The missing tape on the pull-up bar has the greatest likelihood to be relevant, but as we're already suspecting both of them for having the tape, I don't think it'd be a decision maker. Any of those pieces of evidence would be likely to come up in proving that Nico wasn't the one behind Ace's murder, but this theory is operating under the assumption that Nico is the one who tried to kill Ace, and either Ace or Eden killed Arei. If you want the answers for your own theory, do your own homework. (/lh)

Ace or Eden will get a point for any evidence that I think would better be used to accuse them as being the culprit. Therefore, winning points is actually a bad thing if you want to be innocent. For convenience of "scoring," Eden will be purple because of her shirt and Ace will be pink because of his "maroon" hair... and because I needed red and orange for the likelihood ranking.

UNLIKELY FINAL PIECES OF EVIDENCE

Arei's Body Swinging: This evidence has already been used to establish that Arei was killed in the morning, not at night. Either Ace or Eden could have killed Arei at 7:30 AM, so point to neither of them.

Ace Trying to Assign Himself to Guard Duty: This one is obviously a point for Ace if it were the final piece, but it's such a minor happenstance that I doubt Teruko would think to bring it up as the main thing against him. Like, she could bring it up in general, but I don't think it'd be her crowning jewel. Still, it's a piece of evidence we haven't discussed yet, so credit where credit is due.

Arei's Bound Wrists: Bound by the grippy tape that either of them could have stolen. Point to no one.

Broken Playground Lights: The lights in the Playground are broken, likely from the mechanism being hung up through the ceiling rafters. You could argue that this is a point for Ace's strength, but I don't think throwing a ball that high requires so much strength that Eden couldn't do it, especially if you might be able to use the see-saw to launch it somehow. Point to no one.

Dried Up Puddles: This has nothing to do with either of them. Point to no one.

Carousel Wrapped in Tape: Again, either could have had the tape, so point to no one.

Two Pieces of Rope: Either of them could have taken the rope from Storage and cut it; point to no one.

Food/Utensils/Napkins in Trash: Probably David's dinner. Possibly evidence of Eden and Arei having breakfast together, but that's a stretch. Point to no one.

Cups/Tissues/Palette in Trash: Rose says these were hers. Point to no one.

Incense in Trash: I know thebadjoe had (has?) theories about this being used to conceal the scent of Arei's body being hidden in the Relaxation Room a day earlier than anyone thought, but I find that to be too much of a stretch to accost Eden for it here. I think it's just filler. Point to no one.

Grippy Tape in Trash: I should just stop writing out tape evidence. Point to no one.

Broken Jugs: The killer used jugs of water to make Arei heavier, which broke when she fell. They probably had the fish water in them, but we're not talking about the fish themselves at the moment. I'll say point for Ace because the jugs are probably from the Gym, and we've seen Ace in the Gym far more times than we've seen Eden.

Needle and Black Thread: This evidence... might have to do with the ball of clothes, which we'll get to later. However, if this is relevant to the murder, it's probably from the Dress-Up Room, in which we've seen Eden but never Ace. Point to Eden.

Construction of the Note: After a bit of internal debate, I'm going to call this a point for no one. Why? Well, it's because Eden would have reason to help construct the note whether she was the killer or not. If she is the killer, she might have wanted to guide the discussion that followed its reconstruction, to urge to Rose and Whit that she's innocent and that someone must have framed her. It would also give her reason to come into the Trial already having a handwriting sample on her. However, if Eden is innocent, she also easily could have just wanted to help out. Most importantly, Eden already brought up the note being constructed in her initial defense, so I doubt Teruko would reuse it as the nail in someone's coffin.

Splashing Arei With Water: Either of them could have thought of this and accomplished this. Point to no one.

SOMEWHAT LIKELY FINAL PIECES OF EVIDENCE

Body Discovery Announcement: While this may very well play an important part in solving the case, I don't think it'll be the final smash, so to speak. That's mostly because we already talked about it a lot in determining whether Eden could have done it. In the end, I think we'll either have to come up with a way to justify Eden having cheated the BDA-- by Levi or Arturo having seen it or via see no evil-- or we'll accuse Ace without the BDA being a problem. I guess I have to call this a point for Eden because if the BDA were to be the damning evidence, I think it'd have to be for her. However, in my heart, this is totally evidence supporting Ace being the killer.

Arei's Broken Neck: I'm using this as a stand-in for the strength of the killer, in the sense of lifting Arei up and being able to stop the carousel. This is a point for Ace, because he's a professional athlete and Eden is generally the weakest person in the cast.

Scratches on the Ground: This evidence certainly seems to indicate that there was a struggle at the Playground, but is there anything more to it than that? I'm more willing to believe that Ace could have beaten Arei in a fight, but does that point to Eden because there would've been more of a struggle, or Ace because Eden wouldn't have wanted to fight Arei at all? Ace also normally wears heels (while Eden and Arei don't), which is what Hu cites will naturally scratch up the floor. This evidence is vague enough that I don't think it'll be used to point to either of them, but if it did, I think it's more likely to be Ace.

Ball of Starched Clothes: For starters, I'll share (I think it's) thebadjoe's theory that the ball was adhered together using starch from the Relaxation Room that's sprayed on the plants at night, because I saw some people questioning how the clothes could have been stuck together. Anyways, the ball of clothes itself is definitely a point for Eden, because we saw her in the Dress-Up Room specifically looking for Teruko's clothes. Although, Ace certainly saw Teruko and Hu's new fits, so he could have figured it out for himself.

Actual Acquisition of the Tape: I don't think this will be used as the final piece just because I feel like the narrative is pointing towards the damning evidence relating to Arei's actual murder as opposed to Nico's. However, it's relevant to discuss, so I'll list it here. Although Teruko says that Ace and Eden had equal odds at the tape, on the surface, it really makes much more sense if Eden was the one to take it. Star explained it well here, but I'll add my own recap: in the moments when the tape must have been taken, in between when Nico leaves and when MonoTV kicks everyone out, Ace is recovering from unconsciousness, covered in blood, full of rage, and has all eyes on him. Meanwhile, Eden is scared, sure, but she had a clear moment to actually examine the scene of the crime and is also knocked to the ground-- potentially right next to the tape-- with all her wits about her. While it's not impossible to believe that Ace sleight-of-handed the tape, Eden had a much clearer path to taking it. Point to Eden.

MOST LIKELY FINAL PIECES OF EVIDENCE

Arei's Missing Glove: To my memory, Arei's glove hasn't been brought up in the Trial at all, which is definitely strange, because it must be missing for a reason. If DRDTdev is crafting so much detail into the BDA that the swinging of the body is plot-relevant, there's no way he would have just missed giving Arei her glove. The question is, what was this used for? Those who are familiar with my theories should know that I've never been a fan of dress-up theories, so I'm going to discount that possibility. The thing I thought was the most likely was that the killer donned the glove so that their hands wouldn't get super scratched up from grabbing the grippy tape-d carousel bars, before gleamingtempest reminded everyone that both Eden and Ace already wear gloves. Still, looking at them, Eden's gloves are probably made of something more like cotton while Ace's gloves likely have some sort of tougher grip on the inside. So, Eden would probably be more likely to need something else to protect her hands. Also, given that both of Arei's wrists have marks on them, the glove was likely taken off before her wrists were tied. I can't figure out why Ace would have taken off Arei's glove before restraining her or how he would have gotten Arei to take it off otherwise, while for Eden, at least, I can imagine her asking Arei to take off her glove. Therefore, I'm going to call this one a point for Eden, while also throwing out that it might just be missing if Arei didn't bother putting on her glove for the early morning meetup.

Fish on the Playground: You've heard it from me before, Eden has an alibi through the entire time the fish could have been taken. With seemingly no accomplices (other than possibly Arei) in sight, I don't know how Eden would have gotten her hands on those fish. Meanwhile, Ace had a great opportunity. Point for Ace.

Pieced-Together Note: This evidence is very confusing, because I don't see how/why either of them would have implemented it. For Ace, I wrote that entire theory (I'm not going to link it a third time) about how, based on the information in the note and the layout of the first floor, it really seemed like eavesdropping was impossible, and the person who wrote the note had to be Arturo or Eden. Then there's what thefandomenchantress pointed out about Ace's pedantry making it seem like he wouldn't misspell "responsible" in the note, and that he just doesn't give me the vibes of someone who writes in cursive. By all accounts, it really seems like Ace can't have written that note. But then again, why would Eden have written that note? Okay, bad phrasing; she wrote it to get Arei to come to the Playground. But still, why would she sign it? Or if she were to sign it, to make sure that Arei knew it was her, why include so much detail about what Arturo's secret was? More importantly, why wouldn't Eden have just stuffed the ripped up note into her belt, or her pockets, or her room if it would serve to incriminate her? Put it wherever she put that glove! Hell, why not eat the note, if it's a life or death situation? There's the "reverse psychology" argument, but similar to what Teruko said this episode, it would have been much simpler for Eden to have pretended that Arei came to the Playground for some other reason without the killer planting some sort of note meant to frame her. And it's not like I think Eden is really the type to misspell "responsible" either. So, I'm kind of at a loss. It's such a major piece of evidence that I feel it has to come into play again somehow, but I'm not sure how. I think I'm going to call this one a point for Ace because at the very least I understand why he would want to leave this evidence here, even if I don't know how he created it. For Eden, I don't get why she'd leave it lying around, even if in pieces. You can call it revenge for Eden getting the point on the BDA, if you wish.

So, what are the results? If you add up all the points together, you wind up with 6 points for Ace and 6 points for Eden. Funny. If you tier the points, however, with 1 point for unlikely pieces, 2 points for somewhat likely pieces, and 3 points for the most likely pieces, you get 12 points for Ace and 10 points for Eden. Of course, that's using my tierlist of which pieces of evidence are most likely and on top of that, assigning the BDA and the Note the way that they are (if you flip them it's 11-11), but still. If you're invested in my findings, these are the results.

Needless to say, I hope you can understand why I'm having such a hard time determining which one of them will turn out to be the killer. Although, I must add...

If we're suspecting Ace first before we've done our Debate Scrum, that's not a good look for Eden never being suspected again in this Trial.

Concluding Thoughts

What? A conclusion? I've never done one of these on a dissection before?!!

Yeah, well, this time, I have stuff to say that I couldn't really correlate to one image in particular! And also I ran out of images, so this is what you get!!!

I spent that whole "A Piece of Evidence" section talking about the physical evidence that could support Ace or Eden being Arei's killer, but in it, I really didn't get to talk about the narrative implications of either of them being the killer at all. I know that Narrative Defenses are typically Venus' thing, but I have my thoughts on this, too. Namely, that both of them are riddled with narrative problems for being the killer at this point.

(Note: I don't mean "problems" in the sense that DRDTdev has written anything poorly. What I mean is, my own perception of how the characters are conveyed has me currently raising red flags about how either of their stories will pan out as a killer or how the rest of the story will pan out without them. At the time the answer comes, I have full faith that I'll be satisfied with the results.)

Let's start by looking at Eden, the spotlight character of the end of this episode. After that whole heartfelt speech with the CGs and the tears and the brilliant voice acting and the everything, how could Eden possibly be the killer?! I'm the one who was trying to defend the possibility of her still being the culprit after her little rant last week, and while I could probably do that again with this speech, it just felt so... I dunno, sincere. You can really feel Teruko's reluctance to put her faith in Eden, but her choice to do it anyways. Teruko already showed signs of growth this episode by admitting that she can't always solve mysteries by herself, so could that be a sign that she might come around on the group faster than we initially anticipated? If Eden was the killer, it would crush Teruko so hard. Is there any recovering from that? Can we really prove David right?

On the other hand, Ace is, quite possibly, one of the most intertwined members of the cast. He's probably Levi and Nico's #1 correspondent, and he's up there for Hu as well-- assuming they both survive the chapter, I'm sure their animosity towards each other will only grow in Chapter 3. With Ace just having given up on Levi, having just been the target of Nico's battery and Hu's verbal lashes, can the story really work without him in it at this point? Eden hardly has connections with anyone other than Teruko-- Hu's probably next, but Eden probably ranks, like, fourth on her list after Nico, Ace, and David-- which should make her more expendable. Is it really Ace's time already?

However, despite my complaints, I also think that both of them could be really good options as the killer here-- the two options I prefer over anybody else.

Eden is the character who's most connected with Arei. She plays into the chapter themes of being a good person beautifully. She's a good person, a tragic figure, that killed not because she wanted anybody dead, but presumably because she had something back at home that she had to get back to at all costs. Killing her off would break Teruko-- would break everyone. With the reveal of everyone's secrets, next chapter is going to be a living hell, so why not make that hell worse by removing the biggest conflict de-escalator here? It would force other people to step up to bat. It would give everyone a chance to change, what Eden wanted for Arei most of all. Eden's development isn't an arc, per say, but a fall-- a reminder that even the "most good" people can do the unspeakable.

Meanwhile, Ace has perhaps the most obvious reason to kill someone: he literally almost fucking died himself. Ace's execution would be a reminder of the physical reality of the killing game. That actions have consequences. Even if the guy who started all those fights is dead and gone, you can still feel his presence lingering in the arguments between the others. The guy you underestimated most of all-- not for being kind, but for being dumb-- can send you into a multi-hour spiral in which you accuse even the sweetest of participants. Ace's development isn't an arc, per say, but a fall-- a reminder that reveling in your own distrust and anger might lead you to do the unspeakable.

For someone who's spent so long believing that Eden is the culprit of the chapter, it's really amazing how down-to-the-wire DRDTdev has made the end of the case, where either option feels so believable that it's like you can picture the rope in their hands. Whether my theories, old or new, were right or wrong, I am highly looking forward to watching next week's episode and discussing it with you all. See you on Friday-- just try not to freak out too much before then, alright? (/aff)

[lady-phasma]

I felt compelled to cite my sources for Armand and Lestat being an item off and on over the years. I’ve been in this fandom too long to get involved in ship wars or to really have an OTP for these crazy-ass vampires. I happen to love Armand and Lestat from the books and think that Assad and Sam make it work so well on screen. I hope we get loads more of them for season 3.

Anne wrote all of her characters as deeply flawed, we can all agree on that, but the nearly fanfiction level of “let’s see what happens when two of my most flawed characters get together” writing she did in TVA is brilliant. Book spoilers below.

Here's a link to a post I made about Lestat's perspective of Armand from TVL. (I have included one quote from TVL below because it's too precious to exclude.)

Lestat spends almost a full page describing how he sees Armand at a ball at the Palais Royal:

Yet never had Nicolas, mortal or immortal, been so alluring. Never had Gabrielle held me so in thrall. Dear God, this is love. This is desire. And all my past amours have been but the shadow of this. - The Vampire Lestat, p. 275

They literally feel the same about each other: instant attraction, love, desire, and so on. And it is powerful.

So powerful that hundreds of years later (in one of my favorite passages from any of her books) Armand is the only person allowed to approach an unconscious Lestat. Not only approach him, but allowed to lay down next to him and cuddle, caress, and console Lestat, to cry onto him.

I looked down on Lestat, who was unchanged, his hair fallen as before, a little over his left eye. His right arm was out, and his fingers curling upwards, and there came from him not the slightest movement, not even a breath from his lungs or a sigh from his pores. I knelt down beside him again. I reached out, and without flinching or hesitating, I brushed his hair back from his face. I could feel the shock in the room. I heard the sighs, the gasps from the others. But Lestat himself didn't stir. Slowly, I brushed his hair more tenderly, and I saw to my own mute shock one of my tears fall right onto his face. It was red yet watery and transparent and it appeared to vanish as it moved down the curve of his cheekbone and into the natural hollow below. I slipped down closer, turning on my side, facing him, my hand still on his hair. I stretched my legs out behind me, and alongside of him, and I lay there, letting my face rest right on his outstretched arm. Again there came the shocked gasps and sighs, and I tried to keep my heart absolutely pure of pride and pure of anything but love. It was not differentiated or defined, this love, but only love, the love I could feel perhaps for one I killed or one I succored, or one whom I passed in the street, or for one whom I knew and valued as much as him. - The Vampire Armand, pp. 368-369 (emphasis is mine)

But the contrasting absolute annoyance Armand has for Lestat is hilarious! He loves him but can barely stand him sometimes (that isn't unusual for Lestat's admirers).

Lestat, not a bad friend to have, and one for whom I would lay down my immortal life, one for whose love and companionship I have ofttimes begged, one whom I find maddening and fascinating and intolerably annoying, one without whom I cannot exist. The Vampire Armand, p. 276

But it's the way he describes things that happen to him that maddens me, the way that he connects one incident to another as though all these random and grisly occurrences were in fact links in some significant chain. They are not. They are capers. And he knows it. But he must make a gutter theatrical out of stubbing his toe. The James Bond of the Vampires, the Sam Spade of his own pages. - The Vampire Armand, p. 288 (emphasis mine)

Though Armand's head on Lestat's arm might be the most beautiful image of the two of them from any of the books, this line gives me chills every time:

"Lestat, my Lestat - for he was never theirs, was he? - my Lestat was crazed and railing as the result of his awful saga […]" - The Vampire Armand, p. 320 (emphasis mine)

Yes, your Lestat.

[deathdetermineslife]

this will be a long winded yap session however I want to answer something in regards to the poll you made.

i personally don't think nonsharers are "doing too much" or "being obnoxious", actually, I think they're the only real part of the ficto community. sharers don't see their f/o as their real partner. this is a fact. you do not love them like we do. and honestly it's just a shame so many nonsharers get hate because!!! we!!! actually love our partners!!!

you wouldn't want to share your real partner, would you? no, probably not, therefore why would you be okay sharing a fictional one? you aren't ficto! and I'm honestly sick and tired of people selfshipping for a hobby because you do not belong in this community! you are not really and truly ficto. plain and simple.

nonsharers are the only valid form of selfshipping imo. I'm and sure if I sent this in off anon I'd be lynched, so, I won't. but this is the opinion of most nonsharers. we don't like you guys, you make us look stupid. okay send tweet bye have a good morning/night/evening.

hey anon so actually what the fuck

there's so much to unpack here. first of all, hating on an entire (valid, may I add) part of the community is crazy work. second of all, some people are polyamorous. do you know that? not everyone is monogamous. third of all, I don't exactly know if this was directed at me considering one, I am ficto (which ??? you don't have to be nonsharing to be ficto,,, let me get out the ficto handbook and check here—), and two, I am a sharer, which doesn't make me any less ficto?

let's break this down; sharers make the ficto community (the "real" ficto community) look stupid how? because we share our partners? and this effects you... how? this is a genuine question. how does me wanting other people to love my husband (because lord knows he deserves it) making the ficto community look stupid? I myself am not poly, but would you go up to a polyamourus ficto and tell them they aren't really ficto because... they're fucking poly??? I'm trying to wrap my head around this.

there's actually so much happening in this I'm struggling to fucking understand. hobbyists are also selfshippers! they are selfshipping! what! you don't have to be exclusively ficto to selfship... also another thing we're forgetting, fictosexuality is a spectrum. I am exclusively ficto, but not everyone is??? and it's crazy to confidently say "sharers don't see their f/o as a real partner THIS IS A FACT" because it's not. he is my real partner. he's the only person I want to be with for the rest of my life. where are you getting this information anon.

why do so many in this community insist on being genuinely so hateful. no one is making this community look stupid other than you for being an absolutely terrible and mean person. we DO NOT put other people down on this account. you're right anon, people would be on your ass if you said this publicly, because this is flat out just mean. no better way to phrase that. you need to do some serious introspection if you think entire groups of people aren't valid for something that has no effect on your own selfshipping.

[pocketgalaxies]

Since you’ve now watched the wedding do you have any thoughts on Derrig especially with how important he is to Orym? I remember the first time I watched it I found him boring compared to Lieve’tel who came before him and he didn’t do much, like you said nobody really did for a while there, cause it was mostly role play since it was a wedding and he was just out of place in that aspect too as Keyleth’s bodyguard who they were just meeting for the first time; and even after all this time and knowing he is incredibly important to a main character in C3, I still can’t shake this initial impression.

hello sorry for answering this late i wanted to catch up on c3

it got kinda long. didn't realize i could have so many thoughts about this dude!

i actually really enjoyed derrig! i think liam established him very quickly as someone who is fatherly, practical, and friendly. no-nonsense when shit hit the fan but also i just Know that he loves dad jokes and he makes his kids cringe so bad with how much he brags about them. he went home after the wedding and played scanlan shorthalt records nonstop until everyone in the house went crazy. he has also lost hours and hours and hours of sleep over what might happen to his family if he ever dies in the line of duty, and he knows that he might, and he knows that he Would if keyleth needed him to.

i think in general he's just such a Dad and that makes him very endearing to me. he is significantly older than all of vm and was very patient fielding all of their super nosy unprofessional questions about what he "intends to do" with keyleth. he watched her grow up and he knew vax (probably a bit better than he let on) and i think he has seen how that loss affected her, and i think he understands that the worry he's felt for her over the last several months could only be a fraction of how vm feels. so he entertains their questions, and he stays by her side when she's panicking about her speech, and he tells vex he's sorry, and he's just there, in case he's needed. not just by keyleth but by any of vm. which speaks volumes imo!

SORRY you asked about orym not keyleth. i think it's all about how derrig's interactions with vm reflect what his family must be like. derrig is a bit of a jokester and he's a bit of a boomer (affectionate) but he is diligent and dedicated and very skilled. in my mind orym was always this constantly Serious person while will had more of that silliness in him and pulled orym out of his shell a bit. i think will took after derrig as a jokester but orym took after him as a Soldier. and it's very easy to imagine how orym fit in to this family – an only child, quiet and severe, who loves his single mother deeply, being welcomed into this bustling loud family with the pranksters and the annual vacations and the spontaneous competitions with dad that are judged by mom. they love him like one of their own. they love him because he is one of their own

and i think losing derrig and will was zephrah losing two brilliant sparks of life, and what was left was a family mourning joy and memories and unconditional love. and i think that explains quite a lot about orym, actually.

[quillkiller]

divorced teen mom lily and trans snape reunion fucks so hard i love lesbian snily please save me

genuinely makes my brain go so crazy… lily would see their childhood friendship through completely different eyes..,,,

sev is this tall confident woman and lily can barely believe it’s her childhood best friend at first because sev was always this socially awkward uncomfortable in her own skin-kid, and here’s this radicalized dyke with her long hair and blazers and ties… while lily is the one who has ’’’’’’let herself go’’’’’’’ <- term i hate but i dont know how else to describe it lmao. like she married her high school sweetheart and immediately had a kid and resigned herself to a life of being the perfect mother and perfect wife. until it all fell apart and she just couldnt keep going….. and now she want to go to university and she’s raising harry in a shitty flat off campus, trying to balance everything and find her way back to herself…….. she’s an absolute MESS !!! trying her best to GET BY !!!! but sev takes one look at her after years of not seeing her or talking to her and her heart is in her throat. her childhood best friend and first love and immeditaley realising she Never Got Over It. and same with lily.. she takes one look at sev after all these years and is soooooo overcome with how much she missed her. how everything just went sooooooo wrong with them and neither of them could be HONEST with each other as they started getting older and not being able to explain to each other how they dont like the person the other one was becoming (while neither of them wanted to even BE what they were becoming!!!!!!)…. lily giving up on her dreams for this jock she claimed to HATE !!! and sev falling into the wrong crowd and feeling like she had something to prove because of her upbringing ……. what if severus is a TA in lilys class and she walks in with all her lesbian swagger and lily with her messy hair and baby food stained shirt nearly falls from her seat ……

and here they meet again…. given a second chance…

[ittybittyremy]

bells hells' points about the archheart conversation (c3e108)

I organized everyone's points so that it would be easier to analyze them

This may look a little messy so sorry in advance

Note: I am only including the conversation and not anything afterwards (i.e. Braius' interaction with Asmodeus)

Conversation starts at 3:19:30 on Beacon

Chetney

Reminds the team that there is another god who has a similar opinion to the Archheart

Reminds the group that the last bit of the lock on Predathos shared a similarity with the Divine Gate. He wonders if they break down the gate, would it pull the pin on Predathos, keeping them back for a bit. And if that was the case, it could be fair game

Agrees with Orym's “I don’t know that we need to decide that we have to throw the switch instead of him when we at least have a chance to cut off his hand before he pulls it”

Asks Imogen and Fearne “I’m not Ruidusborn, so it’s not really up to me. How do you feel about the notion that one of you or both of you could be asked to be a vessel? Where are you? How are you feeling about that?”

Says “I don't know” at Imogen's “but there’s no way I’m more powerful than some of the Exaltants up there already”

Thinks it’s crazy that the gods could see BH as their last ditch effort

Says “right” (Regarding Braius’ “At the end of the day, whoever succeeds, whoever has power, whoever accomplishes their goals, they can make things right. You have to win first”)

“The weird part is all these different parties have the same goal, to push the reset button, to grab the reins. We all have different perspectives. The Unseelie want the chance to do it and wipe the slate but they want to be in charge. Ludinus, same thing, but he wants to be in charge. I’m not saying we’re wrong. I think we’re better, but we’re really no different.”

“I was asking if he had talked to Ludinus or done this before, like a catalyst, like a voice in your ear. I don’t know”

Feels like they’re having their strings pulled

Thinks that they should talk to the Matron because “conversations are important. Everything breaks down when people don’t talk.”

Laudna

“I really liked [the Archheart]”

“The other scary thing is if he’s sending Ruidusborn to their deaths, is he testing the boundary or are they testing who’s powerful enough to possibly take Predathos into them?”

Agrees with Dorian's view that releasing Predathos is inevitable but wanting to be there when it happens

Mentions that the Matron may be the one that has similar ideas to the Archheart

Wonders if Ludinus will be successful in broadcasting the gods destroying Aeor

Thinks there’s a chance that the gods strike back if the broadcast is released as there powers wanes

Reminds the group that Archheart said “a second Calamity”

Reminds Imogen that she’s very capable when she says “but there’s no way I’m more powerful than some of the Exaltants up there already”

Thinks that “being Ruidusborn doesn’t necesarily gives them godlike or god eater powers…”

“If it’s not [Imogen’s] mother, it’s probably one of the two of you. And that makes my stomach turn”

Doesn't think the gods are a monolith

“We’re the worst. Like just kind of in general, like we are a bunch of fuck-ups. We’re kind of the worst. Strangely, I think that’s the quality that everyone sees in us that makes us the best for this job” (Regarding Orym saying that the gods could see BH as their last ditch effort)

Agree’s with Chetney's “I think we’re better, but we’re really no different [from the others who want to release Predathos]"

“We learn more everyday. We’re still on this journey. No decisions have been made. We’re not speaking in absolutions.”

Thinks the RQ ”has a reason to take all of this very personally more so than any of the others”

Dorian

Thinks that Predathos being released is inevitable. He would rather be there when it happens

“Cowards are often honest” (about the Archheart)

Wonders if there’s a chance that the gods strike back if the broadcast is released as there powers wanes

Nods at Orym’s “Ludinus is at the end of the road no matter what.”

“Faith’s a hard thing to let go of” (regarding Imogen’s “but a lot of people on this world depend on [the gods]”)

“It’s hard to believe but there is real evil in the world. I’ve seen it. Not everything deserves a second chance… But maybe you’re right, I wish you were. I wish the world were the way you saw it but it’s got to be done, but that’s not a chance I’m willing to take either” (in regards to Fearne saying that Predathos potentially being good)

“I think Predathos is a weapon. Do we want to have the power to wield it? I don’t know. But I trust us more than anyone”

“It was so ugly the way we did [the mission], but we did do what we came here for.”

Asks Chetney if he thinks “we’re getting our strings pulled”

“I think (the Raven Queen) is motivated by fear as well. I would imagine if you could see the future, the one future you couldn’t see is the future where the gods come to an end.” (Going under the assumption the she can see the future)

Braius

He saw the deal as the vessel “being” Predathos

Makes an affirming sound at Orym’s “it can end at job one, if you do it successfully”

Doesn’t think they went to far with the mission. “We’re on a mission to save the world. Some stuff is going to happen. It’s all in service of a greater good”

“At the end of the day, whoever succeeds, whoever has power, whoever accomplishes their goals, they can make things right. You have to win first”

Fearne

“The deal is that we would [release Predathos]”

Thinks most of the world believes in the gods

“What about the other gods? What if they have different ideas?”

Wonders if we should get the opinions of other gods

Thinks the Archheart seemed tired

Doesn’t answer Chetney’s question about how she feels about potentially being a vessel

“I mean, listen, If it’s something that’s got to be done. It’s got to be done. Personally, I think- I don’t know, I think if something is captured up there, this Predathos. Does it make us any better that we’re keeping him caged up just to save other people and other things?”

“What if [Predathos] just want[s] to go back and be with his family?”

Agrees with Dorian's “Not everything deserves a second chance.” (regarding Predathos)

Strongly agrees with Imogen’s “What the Archheart is trying to convince us to do is the exact same thing that everyone else is trying to do.”

Imogen

“[The Archheart] made some really amazing points”

“Do we really want to follow?”

The deal is that we would still wake up Predathos. That’s the deal they want; wake up Predathos.”

She highlights that the people who believe in the gods wouldn’t get what they want

“The Archheart made it pretty clear that taking Predathos would be [deadly]”

Thinks the Archheart seemed tired

Agree with Ashton’s “I do think that most scenarios in this current situation lead to just the worst that we can imagine”

Agrees with Orym’s “Ludinus is at the end of the road no matter what.”

“I haven’t really thought about it yet, Chet. I’ve been of the notion that I don’t want to let Predathos free. I know so many people disagree with what the gods do, and so many in our group do. But a lot of people on this world depend on them. To throw that all away seems callous.” (When Chetney asked about how she feels about potentially being a vessel)

Wonders if they went to far with the mission

Agree with Dorian’s “Faith’s a hard thing to let go of”

“It’s not like, you know, their faith would be shattered because they don’t know. Their faith would be shattered because their gods abandoned them. Their gods would have run away from them in their time of need when all of their Ruidians or Reilorans are destroying their lands and demons from the depths are breaking through portals. I don’t know what will happen, to Orym’s point. So I don’t know how I feel about back that play up. But I think if it’s going to happen, if it has to happen, if there’s no stopping it, if it comes down to it and he’s coming out, then I would gladly step up and at least try. But there’s no way I’m more powerful than some of the Exaltants up there already”

“I think us (Fearne and Imogen) combined, there might be some hope”

Wonders if Predathos could be like Gloamglut. “He’s just young”

"Well, I kind of sensed him. He wants to eat” (Regarding Fearne wondering if Predathos just wants to go back to his family)

Thinks that they should talk to the Matron of Ravens to see what she has to say

Agrees with Dorian’s “It was so ugly the way we did [the mission], but we did do what we came here for.”

“What the Archheart is trying to convince us to do is the exact same thing that everyone else is trying to do.”

Wonders if the RQ knew her champions would become the catalyst for the key

Orym

“We’ve yet to see one thing that proves to us what will happen after that thing is let loose. We’ve had people tell us it will be fine, we’ve had people tell us it would be destructive. We’ve had a god tell us to fight. We’ve had a god tell us to burn it all to the ground.”

He wouldn’t risk it because he doesn’t think anyone, including Ludinus, knows what will happen when Predathos is let free

Disagrees with Dorian statement of “I think it’s coming, one way or the other, and I’d rather be there when it does”

Highlights that they’re making a play for Ludinus because taking Predathos on would be deadly

Acknowledges that the gods may have different ideas

“It’s a big coin toss, guys”

Agrees with Dorian’s “There’s no one I trust more than us”

Thinks that “Ludinus is at the end of the road no matter what.”

“I don’t know that we need to decide that we have to throw the switch instead of [Ludinus] when we at least have a chance to cut off his hand before he pulls it”

Thinks that it can/could end with cutting Ludinus’ hand before he pulls the switch “if you do it successfully”

“There’s nothing saying that you have to flip that switch and turn reality upside down. None of you can tell me what will happen if one our friends does what Ludinus wants to do. None of you have any evidence, proof. Intuition doesn’t cut it. Your gut does not cut it. You are putting the population of this world at risk. So I hope you are all fucking sure at the end of the road. I’ll be there to get you there. I’ll stand by your side. I will do my damnedest to keep you all alive. But don’t let it be a coin toss or ‘let’s see what happens,’ because you just don’t know”

“I also just over the last months have the feeling that we’re walking some line and that’s why so many of them are paying attention to us. Maybe they see us as a last ditch effort”

“It is, but it’s uncanny.”(Replying to Chetney’s “it’s crazy” that they’re the gods’ last ditch effort)

“No one said it was going to be easy” (Regarding Imogen asking if they went too far with the mission)

Ashton

“It’s a deal I can get behind”

“Everyone gets what they want”

Does not think most of the world believes in the gods, just “a lot” of them do

“They get to live” (In response to Fearne talking about other gods having other ideas)

They trust Archheart the most (of all the gods) because “he’s the only one who had clear misgivings. Everyone else was hand wringing. He was the only one who was actually - He was the only one with a big picture”

Trusts Archheart because he sees them as a coward. He thinks cowards are honest

“Big coin” (when Orym says that it’s “a big coin toss”)

Feels that they would know if Ludinus was broadcasting the Gods vs Aeor already

“I do think that most scenarios in this current situation lead to just the worst that we can imagine”

Says the they trust Imogen and Fearne (after Laudna reminds Ashton of the potential second Calamity)

Thinks that “it should be us”

Agrees with Orym’s “Ludinus is at the end of the road no matter what.”

“Job one. [Ludinus] doesn’t touch the switch” (Regarding Orym's “I don’t know that we need to decide that we have to throw the switch instead of [Ludinus] when we at least have a chance to cut off his hand before he pulls it”)

Responds to Orym’s “don’t let it be a coin toss” (Regarding releasing Predathos) with “Well, then we’re very lucky that we no longer have anyone who believes and puts their faith in a coin toss” and leaves

[starreyblueberry]

Timmy Turners fate in the new series is one of the most anticipated/theorized aspects of the new show right now. We have multiple easter eggs towards him being a possible character in the new show, and due to the creator saying that Timmys kids could possibly be Cosmo and Wandas next godkids, I don't think Timmy has kids yet (aka the channel chaser ending might be on its way, but not happened just yet.) He is arguably going to either be a huge hit or miss, everyone has different ideas, fates, what he should be, what would be the best conclusion to his character. The lines between real genuine trauma and gags in the old show are blurry, as well as core aspects of his personality. It’s so hard to actually write him as an adult for the new show purely cause what exactly are you going to take from the show that MATTERS. Will you take the lovingness of his parents from season one? or the neglectful spiteful parents they become from season 4. Will you take the horrible grades as him actuallly being bad at school, or crocker failing him on purpose. Will chole even be his best friend? Or is it back to AJ and Chester? Or will his only friends be cosmo and wanda?

We’re Cosmo and Wanda parents to Timmy, or just godparents.

Its already proven that timmys magic somewhat stayed (aka Peris existence, Dale being a millionare, hell even dimsdale/fairy world being intact) If they will acklowdge that? The school mascot being Timmy turner adjacent, past fairy’s seeming to have remembered Timmy (The tooth fairy having a little card of Timmy, Jorgen hanging out w cosmo and Wanda more CAUSE of Timmy’s adventures etc). He’s somehow a crutal part of almost every piece of the show and he’s not even there. I fully believe they’re gonna explain why a lot of Timmy’s wishes have stayed (in my opinion so many of his changes have made the world in general a better place, and he has saved the universe so often undoing his shit would kinda change the whole fabric of space and time, thus making his magic stay, memories are more… iffy.)

I know a huge thing is also the family dynamic, the fact Timmy is their favourite, hell the HALL OF TIMMY!!! The fact they keep a picture of his room in their house, the fact that they reference him sometimes within conversations with hazel. Never actually spoken his name but implied that’s their Timmy (aside from one time) That the reason the world is right now the reason this problem or circumstance or blessing is happening is because of Timmy Turner.

The amount of pure power Timmy has over the show is something crazy, and I do trust the new writers to give us an ending that will satisfy us. He’s been so connected to many people’s childhoods, showing found family at its core. He’s snarky, loud, smart, kind, and more. People want to see him happy, people want to see him with his family. Who you count as his family is up to you. It’s already been semi-confirmed it’s gonna be connected to the channel chasers ending since most of the general audience has said they wished the show ended during that time ( I have my own opions about it but I digress.) It would be super cool if they did their own take, aka any unconventional Timmy future that we haven’t seen as a concept in the OG show. I know many people are rooting for too remember, for them to be united, and I really wish it happens. We also have to remember this is hazels story too, and we’ll be seeing the end of Timmy’s story rather then the middle of it. A special about him would be amazing though, especially if he’s either the hero, or the villain. Idk!!One day I’ll make a full post about every possible future Timmy and my preferences towards which ones, but for now I’ll stick with my analysis of the OG show.

All I know is that Timmy changed Cosmo, Wandas, and Peris life almost more then any other Godkid, and I like to think the show respects the impact he had. Not only as their godkid, but as their first kid to consider true family.

[matrixbearer2024]

“Daddy dearest can't save you now squirt! You're mine!”

Aeschylus has nightmares about a familiar chaotic triangle we yeet around because LORE! I'm planning to make a comic about him waking up from the nightmare because holy SPAZZ he needs some good shit to recover and help with this.

More lore and context under the cut:

Way back when Aeschylus was a kid he used to adventure out of the shack and into the woods to explore and or bring back neat little critters to ask papa Sixer about(despite his mom having scolded them both about bringing random specimen of all kinds into the house). The behavior didn't really stop even after Ford got sucked into the portal, hell it happened more often because Max kept looking for his dad- convinced he just got lost on an expedition or something similar.

However, as you all know how Cipher messes with everyone's minds when granted the opportunity- the triangle tried to beeline for the kid that most resembled his darling Fordsy in both personality and behavior when the researcher finally grew wise to his shenanigans. He didn't really have many opportunities to for a couple years because of Stanley and Ford's wifey protectively hovering over the triplets but Bill would say waiting four earth years was well worth the return for the damage he had inflicted.

All it took was a little bit of stroking that same flame of curiosity as he did Sixer and Aeschylus was all his for the taking. Like father, like son, Bill couldn't have found it more amusing. Slowly he guided the kid deep into the forest, away from the eyes of mother mayhem and uncle irritating.

Much to the triangle's annoyance however, Aeschylus was more cautious of him than Ford ever was. The kid refused to make a deal with him and even tried running away at some point when he finally realised what the triangle was trying to do.

"Nu-uh! You're the weird guy that made my daddy crazy! My mommy says to never make a deal with you!"

Bill was pretty pissed at this point that his plans are being proper screwed with so he forced his hand.

"If you're not going to give me access to your head, I'll just take it then!"

Imagine having taken your eyes off your eldest toddler son for just a second only to find him suddenly gone. It took so much strength to even allow the kids outside of the cabin you called your home ever since Cipher started haunting you and the family since Ford's unfortunate incident with the portal. To find Aeschylus missing would've driven anyone at that point into a flurry of panic.

When Stan came out to check on the both of you, his expression of dread and anxiety merely mirrored your own to a lesser extent. The two of you immediately shouting for the kid as you checked the nearby area thoroughly, the both of you making your ways deeper into the forest surrounding the log cabin cautiously.

It was Stanley who found Aeschylus first, seeing the kid strung up high into the canopy was eerie enough but noticing he wasn't responsive made the panic shoot sky high. There was some kind of large furry creature that poked and swat around the young boy like a pinata which Stan immediately threw hands with the get rid of the darn thing in his emotional high.

You heard the screaming and shouting and rushed over before feeling sick to your stomach, there your kid was- but strung by the neck by a vine so high he seemed to nearly be a part of the forest canopy. You steeled yourself and pulled the small pistol from your pocket which your husband had made prior with the intention to use it for hunting creatures.

Who knew it's first use would be as a pivotal tool to save your son?

Despite shaky hands and eyes blurred with tears, your aim rang true and the ion blast burnt the vine clean a couple inches above the toddler's head. You didn't account for the tall drop however, as the priority was first and foremost to get him down before he was hung to death.

Thankfully, Stanley had been paying close attention as he managed to catch Aeschylus with a loud grunt. The kid was dropped on him like a bomb multiple times both literally and metaphorically but this moment falls under the former. Your stomach dropped to the floor when you also started to smell the familiar metallic tang of blood.

It wasn't rocket science for both you and Stanley to know that you needed to rush Aeschylus to the hospital, especially as the vine around his neck unwound to leave a large and nasty wound that seemed to circle around his entire neck. The vine itself was thorny and barbed but it had apparently dug deep enough into the kid's skin to cut.

Stanley drove to the hospital like a bat out of hell while you kept a towel firmly pressed into your son's neck in an attempt to stop the bleeding. The kid was breathing but shallowly, not to mention he was turning paler by the second.

You and Stan were never really religious, but you could both only really pray to whatever deity was up there if there even was any- to keep Aeschylus alive. You wondered how much your husband would've lost his shit had he been here, but you swallowed down the grief at the reminder of him as your in-law pulled into the ER parking lot.

Memories from that point on were a blur, you could only be grateful that despite the apparent tension between your husband and his twin brother- Stanley didn't just leave your family behind. He was expectedly dejected that he wasn't even told about the triplets getting born, much less his brother getting married, but he still stayed to care for you all in place of his brother. Not to replace him, but to do what he knew Poindexter would've and should've had he not been stuck wherever the portal threw him.

By the time you'd been able to see Aeschylus again, the doctors claim that it's a miracle the kid even survived. It's as if just enough pressure was put on his neck not to kill him but to make him suffer. He didn't pass out from oxygen deprivation, but from the pain.

You fell to your knees sobbing when you heard that, already knowing what or who was responsible rather because of their words. Aeschylus couldn't talk for a couple weeks due to this incident, and even afterwards his voice had changed due to the damage.

You regretted this moment every single day afterwards, all the more when your son even refused to step a foot outside anymore. He refused to explore the woods he once loved, the woods your family used to stroll by sunset or camp out in when Ford was still around.

Aeschylus started wearing high-collared shirts or turtlenecks to hide the scar as well, not telling anyone exactly why or how he got into that situation in the first place as everyone in the family already had an inkling or hunch. They didn't need to ask. He didn't want to be shifted to homeschool however, as much as you and Stan tried to convince him- since he seemed determined to study for whatever reason.

This event still gives Aeschylus nightmares until the present day, Bill Cipher didn't get into his head- but the triangle got damn well close and he would've had to pay his life if you or Stan hadn't found him.

Those same nightmares is why Aeschylus barely manages to sleep, having developed insomnia out of the fear and paranoia around the same time he was able to come home from the hospital. Even if you asked him now what was the scariest experience in his life, Aeschylus would likely mention this near death experience- as nothing else in his life has ever come quite close to this incident, not even weirdmaggedon.

Sketchy for this piece is here:

[herefortheships]

Why would you say people ship Beetlejuice and Lydia? I’ve been a fan for so long I’m just like “huh…why do we ship it?”

Suddenly remembered I hadn’t answered this, and since I can’t sleep right now I’ll answer it! I meant to earlier and forgot.

I personally ship it because I love the concept of monster x human relationships, and especially when one character (usually the male part of the ship when it’s m/f) in this case this character is Betelgeuse, is dark, powerful, often immortal and even terrifying, (in Betelgeuse’s case also unhinged and absolutely crazy lol), and definitely the least you would expect to EVER fall in love, and yet he does fall in love with this other character who happens to be human, mortal, often quiet and also unlikely to fall in love. These two are the least likely to fall for each other, but they do! Then he starts to show a softer, completely unexpectedly romantic side to him that is reserved only for this woman he loves and no one else. She is both his strength and his weakness all at the same time. He is willing to do everything and anything for her.

Often these two characters are complete opposites and at odds with each other (or even enemies!) and yet they find each other in the middle. There is something they find in the other which cannot be replaced or found in anyone else in the world, and as unexpected and unusual and crazy at it is, before they even know it, their connection is forged in a way where they cannot and will not ever belong or fit in with anyone else. They’ve become a part of each other, even when the odds were against them or might be against them forever because they are intrinsically worlds apart. But love just finds them, and they meet in the middle.

I also love this kind of couple a lot when one of the two realizes their connection before the other, like Beetlejuice just knowing Lydia is *the one*, even if he can’t explain to her how he knows or why. This same scenario happens with Spike in Buffy the Vampire Slayer. At some point he realized she was the one, and she just got under his skin and became an inseparable part of his being.

Although not always, I believe this type of couple also follows the female gaze, since the male character (as I mentioned above it’s often the male character) shows an interest in the emotions of the female part. This is true in Beetlebabes. He isn’t interested only in her body, but also in honoring her emotions and desires (like Betelgeuse honoring Lydia’s wishes to have a more private wedding and respecting her boundaries by not forcing her to kiss him or something like that, plus making an effort at being romantic by serenading her and giving her an absolutely romantic wedding with a magical dance in the air). These interactions that are more romantic than sexual speak to the female gaze.

I think also that Beetlejuice Beetlejuice had several “Universal fantasies” entwined in the Betelgeuse x Lydia relationship that are just irresistible for many romance lovers and when those are present, our minds just inevitably grab on to those fantasies and identity them whether we are aware of them or not. Our mind just goes yep this is a romance and oh boy what a romance this is and before you know it you are obsessed. If you haven’t read about Universal Fantasies in writing, these are basically just more specific tropes that really speak to audiences in a way that hooks them powerfully to a story, and more specifically to romantic stories. This concept is introduced by Theodora Taylor in her book 7 Figure Fiction (which I’m sure many writers know about since it’s pretty popular but I mention it just in case it’s new to someone reading this).

Another reason lots of people love this ship is just aesthetics as well which is also valid. For me this for sure became one of my top three Burton couples.

[yuwuta]

personally i feel like eren wouldn’t be one of those nonchalant guys tho.. def the obsessed w you crazy type

eren wouldn’t know what the word nonchalant meant if you printed out dictionary definition and stapled it to his forehead he has never been nonchalant about anything in his life. at all. he was born chalant and loud and vocal and with all his feelings at 100% all the time always. and to make matters worse, he also has no tact omg like he just says anything and everything, there’s no internal monologue there’s no filter, he speaks therefore he is 😭😭

the sweet thing is that despite his sometimes brash or matter of fact delivery, he’s earnest and endearing. he often compliments you and flatters you, but is confused when you’re affectionate with him after or thank him for it—in his head, he wasn’t trying to flatter you, what he said was a fact; you’re pretty, you look good in that outfit, your hair looks nice today, your perfume smells nice—he meant it, but he didn’t /say/ it to be sweet, which, in its own way, is really sweet; he said it because he thought it, because he meant it, because it’s true. he can’t lie to you, he always means what he says; everything is at face value but it’s not shallow yk, he’s just very genuine (he doesn’t know how not to be).

the not so sweet thing is that he means everything he says, not just the compliments. when he said “do you want me to kill that guy for you?” it wasn’t a joke, he meant it and if you don’t realize it’s not a joke, and you don’t outright tell him no he’ll do it 😭 and if not him, he’s got friends that’ll do it for him. he can’t hide his feelings so when you tease and ask him if he’s jealous, his face is very straight when he says “yes, i am.” when he’s stuck brooding at some party he was dragged to and jean is groaning about he’s being a buzzkill, eren doesn’t think twice before rolling his eyes, “well i could have been home having sex with my girlfriend but you’re the one who couldn’t carry all the beer here by yourself.” someone hits on him while he’s at the store and there’s no letting them down gently it’s, “i have a girlfriend,” and if they don’t stop at that he has to sigh, “i said i have a girlfriend. and she’s hotter than you. and i would die for her.”

[crustyfloor]

FUCK THEM UPPPPPPP TILL OH MY GODDDDDDDDDDD

The visuals of Till's splash art (in my humble opinion, the best one so far) is STUNNING. AND very interesting.

For Till specifically to cover All-In is an interesting message to give off, All-In is a song about freedom. A type of freedom that allows you to live confidently and freely, creating whatever type of world you want, the stage is yours, so make what you want of it. living confidently in YOUR OWN SKIN. And living freely "cause you only got one life to live"

Freedom is something Till fights for relentlessly, and confidence is a bravado, as by far the most uncontrolled and tested person in the cast, he still fights for his boundaries and self-expression even when he's punished, molded into something he's not, or beaten into obedience, tested far past the limit; he never loses his bite. A wild dog can never be tamed.

This is the cover that follows what becomes of Till after round 6, and still, in Till's all-in, he sounds so raw, pained, energized, and passionate desperation is evident. It's a contrast from HyunA's celebratory cheers and upbeat mood because Till isn't celebrating the idea of freedom; he's angrily proving to everyone, especially the aliens, that he isn't backing down yet and he'll still keep fighting and that he can fight for his own freedom.

Till's cover of All-in is truly the most powerful depiction of Till's fighting spirit, after everything he's gone through, the pain, the grief. It's all in his voice and the way he sings he's pained the entire time he sings and he's aggressive because the fire of his spirit is lit once again. He's going "all-in" so to speak and expressing himself.

The tape around his neck--

It's a contrast to HyunA who doesn't mind showing her brand, even proudly showing it off as a form of reclaiming her individualism.

Till is different. Because being reminded that he is and was once a pet is not something he would want to remember about himself, he will always bitterly try to distance himself from that fact in any way he can, HyunA feels free from the system when she can own it, but when Till sees his branding, he'll still always feel that collar. It's a testament to his self-deprecation, as long as the evidence of his past is present, and he still feels all the pain the aliens inflicted on him, It'd be presumptuous to think he'd ever feel like he can relate and fit in with the other "fools" who are so free.

It'd be presumptuous to think he'd ever feel free. That's what the aliens wanted, right?

Another interesting part of this is that the name 'All-in" is actually a real-life poker reference, to go "all-in" in poker is to voluntarily bet all of your remaining chips, there is nothing else you can do but hope for the best after that point (and hope you win).

When HyunA sings All-in, she deceives you into thinking she has the upper hand or good hand, and that she will win. When Till sings it, he's giving it all away recklessly, he's showing all he has. Basically, him saying fuck it. he doesn't know if he'll win or not but says, "Let's go all-in and risk it all anyways" Even if internally he knows that this is stupid and risky, this is his foolish rebellion.

At this point he has nothing to lose and nothing to gain, it's his final stand as he lets his heart out not for the crowd, but for the family he lost, himself, a form of self-expression. He will be so nervous, so aggrieved but it's the freest he will ever feel on that stage.

The color symbolism also drives me CRAZY.

For his other two splash art, he's been represented with a color close enough to teal. In both songs, he's open when he sings and fully serene. Teal is a generally calming color, and it's not too evocative. It's more emotional (and has it's own reservations)

And then, we have green, which is a general symbol of growth, new beginnings, and freshness. After all, Till has been through all-in is a sign of his growth. And a new era of his life, or in other words a sudden tonal shift from his depressive state in round 6.

And for my favorite (it's not.) part! the head shot, (interesting how his has nearly the biggest impact out of them all.)

A bit of a theory.

It's a bit similar to one particular art of him, he has a little shape that's almost akin to impact from a gunshot near the same area.

So, I think this is tell-tale symbolism for a future injury, but the gun portrayed is a bubble gun. I believe it is symbolism for the wound being non-fatal, so even if Till loses and gets shot, he'll survive, fundamentally changed. and will probably join the rebellion, too.

/side note

The heartbeats in Till's version of all-in are faster and louder than HyunA's version, similar to CURE.