#because there are a lot of inconsistencies

[oblique-lane]

Another take on the TF2 Clone Theory:

Continuation to this.

When I was talking to people about the clone theory, they were always asking me about who were originals and who were clones. I didn't understand why that matters; they're all same people with the same memories of their pre-service past, right?

What I didn't understand is that people had entirely different take on how clones are made than I do. I've never even thought about the fetus tubes until someone specifically pointed out that scene in Emesis Blue... (I also didn't know cloning was a real life thing?? Not just sci-fi trope??)

So yeah I've always thought cloning was instant because it would also explain how respawn works. Classic "resurrection" either isn't the thing (lame) or just takes too much time to commit. However, the super cool very scientific respawn machine will use your remains + storage bio supply to quickly rebuild a new body (as it was at the assigning day) and put your consciousness into that body so you feel like you're living nonstop.

(at least that's the theory)

Also, to answer these questions:

They do remember their connections, their past and their memories. Memories of the past are the same.

Their families were not cloned, they aren't involved in this business in any way. They don't know.

However, to keep this secret from the mercs... Of course if both of the clones will speak to their families they will soon spot some weird things and inconsistencies (talking about things that seemed to never happen). Not even talking about visiting family on holidays, that's an obvious no-no.

So... First of all, a big deal is to make REDs and BLUs lives and experiences here as similar (ideally identical) as possible.

And second: I think their connection to the world is just very limited/prohibited. The telephone connection is entirely controlled by the Administration (Sniper has to drive far away to sneak talk to his parents). Letters are monitored, censored and withhold if necessary (or copied if they are FROM the family). No going home until the contract is due (many years??) etc...

Which contradicts comics in s lot of ways but you know what? I don't even care. Comics are an unreliable narrator anyways. I mean uh... I uh. I'll talk about it some other time.

[sgtpeppers]

Okay so the quick version of this is: saw Two Of Us today, adored it even more than I adore the film, the choice to keep them in John's building worked really well to further highlight the mental health message the director talks about in his little note in the programme, the rooftop scene is somehow even more intimate and lovely in this version and the ending is even more painful! I'm gonna write down more under the cut about it all:

Playlist: The playlist before the show/during the interval is everything you would want it to be and it includes Monkberry Moon Delight which I feel like I never hear in public! 

The overall experience was also just super wholesome, one thing I always love about Beatles events is the range of people there it just makes you feel like your part of such a special thing, so shout out to all the old women talking about Paul near me, the middle aged men in their Beatles shirts, and the girl behind me who was sooo excited to be there and I hope she got to meet the cast after like she wanted to! ALSO the Beatles drinks are so funny, idk why Ringo’s is just earl grey tea 😭

Performances: OKAY let’s get into it. So one of my only real complaints about the film is that although I think overall Jared Harris and Aiden Quinn do an amazing job but I do find the quality a little inconsistent (especially the accents) but Richard Short and Barry Sloane are soooo so good, the accents, the little verbal quirks (which also, kudos to the writer as well) and the physicalities are jarringly good at points, especially Barry Sloane’s John. I also feel like a lot of Get Back was watched in preparation because there were so many little things, like the way John plays with his hair that just took me right back to that. Sometimes with fictional Beatles things I’m constantly thinking about how you’re watching two people try to portray these real people, but I definitely found that they were convincing enough that I wasn’t thinking about it too much. 

Outfits: I did find it kinda weird they went for the Get Back looks rather than how they looked in 76, I feel robbed of the New York City vest tbh but they did look great 

Changes from the film: basically they cut out them going for the walk to the park and to Luigi’s and instead John sets up the table for them like they’re in a restaurant in his kitchen. I think it works really well because they play into John not wanting to leave the building, which just adds into that whole mental health thing, and I think it actually makes the rooftop scene more poignant when they get there, because it feels more like Paul has broken through a bit and coaxed him outside, even if it’s baby steps. Anyway, they still have all the same conversations really the script is just chopped up a bit. 

One interesting thing is that the conversation that happens with the fan in Luigi’s still happens, but John sort of pesters Paul about whether he really thinks silly love songs should be number one, and it’s a nice extra layer to Paul’s insecurity which I enjoyed 

Mental health conversations: I think going into it knowing that the director wanted to make this because of the mental health themes, specifically men’s mental health and how having someone to reach out to is so important, is really interesting. They definitely amped up John’s anxiety from the film, his fidgeting and little moments to himself where he’s trying to get himself together were just so palpable, and Paul talking about his depression after the Beatles broke up was even more raw and upsetting seeing it in front of you. My absolute favourite line in the film is ‘I’m thirty-five years old and I still feel like I’ve done something wrong’ and god, my heart just broke seeing it on stage, I think that’s such a common feeling, just that sense that you’re in trouble for something but you’re not really sure what? Anyway, I just loved Sloane’s delivery of it. 

The Kiss: Okay, look I actually don’t care that much about the kiss in the film, I’m glad it’s in there as a little nod to John’s queerness but it really isn’t anything imo, but I liked it a lot more in this! For one thing rather than coming after a little play fight (which is still cute, don’t get me wrong) they do one of their silly dances where they’re spinning each other round etc, so the scene already feels more tender, and then John just kinda grabs him and it goes on a little longer than in the film. I still think it’s far from one of the most intimate moments in the show, but I do think they made it into something more here. 

Rooftop scene: It’s just. It’s everything. They sit right at the front of the stage, facing each other, cross legged and Paul gives him the whole ‘I see a beautiful baby boy speech’ and it’s PERFECT, this was the moment I was most worried about them screwing up and it was perfectly delivered and they have this lovely big hug after it and it made my heart ache in the best way. And idk, if seeing some guy dressed up as Paul McCartney saying that we should focus on fun and get out our own heads and how we don’t have to stay stuck as the kids who were just scared and trying to survive, doesn’t do something for you, then we’re just very different people. 

SNL scene: okay it’s pretty much the same but the way John is sleeping on Paul was everything, it wasn’t just a head on the shoulder he was fully laying back against Paul!! 

The ending: this is just so brutal because Paul doesn’t leave the flat to get his guitar, he borrows one of John’s and so when Yoko calls and John starts doing the whole ‘I wish you were here, you’re the only one who stops me disappearing’ it’s literally…. In Paul’s face. And it hurts. Then at the very end they cut between John on the phone to Yoko and Paul on the phone to Linda, and so Paul says ‘I love you’ to Linda, then John says ‘I love you too’ to Yoko but it sounds like they said it to each other, and then Here Today plays. The fact most people didn’t appear to be crying baffled me quite frankly. 

Yoko: They decided to have Yoko be the one who actually invited Paul, which felt like an odd choice and didn’t really add anything for me, but there we go 

Okay I’m gonna shut up there because this is way too long and I doubt anyone’s read it but ahhhhhhhhh it was so good and you’re just all lucky I can’t text you because my friends have had much more incoherent versions of all this

[bathtubbbbbbbbb]

I’ve attempted to explain this thing in my head a few times but I always end up up going on a tangenty ramble putting more emphasis on one thing than the other so bear with me which I show you some pictures & hopefully they’re better at articulating what I wanna articulate. (Btw I just quickly got these off of Pinterest so the image quality is inconsistent)

Anyway, so…

(Can’t be seen here but Grayson has a beauty mark under her right eye)

..hopefully you guys are picking up what I’m putting down. Further more…

..surely other people have sorta thought about this.

And the Vi & Vander parallels are abundant, as well as the Silco & Jinx parallels, but to me & many other fans that “you were my brother” line from Vander to Silco was interpreted more as a “brothers in arms” sorta thing not literal brothers — & the.. undertones in Silco & Vander’s dynamic is further cemented by them paralleling Jayce & Viktor — & that thing that Silco said in response “you still don’t understand” sure reads to me as “well ya to YOU we might have been brothers but i felt differently..”.

Anyway the point of this is that Caitlyn’s parallels to other characters are not talked about enough, I think because she parallels a lot of unlikable characters or characters that are considered “evil”, like there’s some pretty heavy handed paralleling with Jinx too. I just want people to talk about it more, to me it makes Caitlyn so much more of an interesting character that she’s sorta grouped in with the “villains” of Arcane character design wise & motivation wise, all those characters, Marcus, Silco, Jinx, wanted the same things as her, justice, results, to prove themselves, & went about achieving them in very similar ways to Caitlyn.

[mayakern]

Hi Team ❤️

I'm in the Facebook group for trading your skirts and some people have skirts I missed and really want - they're made with the old fabric though. Knowing only skirts of the new fabric I wanted to inquire what the difference is between the two? Have a great start to your week ❤️

the old manu skirt fabric is a bit inconsistent because one of the main reasons we switched factories is because our previous factory would change fabric on us and then lie about it. and towards the tail end of our relationship with them (2020) they tried to get away with substituting the fabric we were paying for with one that was a substantially looser knit and lower thread count. in some cases the material was so flimsy it would fall apart immediately. (those garments were either sold at a steep discount or used as scrap material and everyone who bought one of those skirts was informed beforehand)

our current factory makes a lot of their own fabric and gives us much more detailed information about fabric composition, so thankfully we don't have those issues anymore.

NOW onto the reliable differences: over all, the old skirts are just much lower thread count and have a looser weave, making them more susceptible to pilling and snagging and just general damage in the wash. the fabric was also generally thicker and the midi skirts had a more matte texture/appearance. the waistbands were bulkier and pocket size was sometimes inconsistent. our sizing was also different then so between that + used clothing generally getting stretched out with wear, i would recommend asking the seller to measure the resting and stretched measurements of the waistband.

also in general i would just say that the sewing on the old skirts is over all worse than the work our current factory does.

[littleshysheep-at-da]

Sooo… to start let me say I used to Draw and Post stuff for EVERYTHING I was into but now I only really post my 2 hyper fixations (which I think is more fun? Maybe? Still figuring some Social Media Mentality stuff out haha). But rest assured I still consume a lot of content (mostly a FUCK TON of Manga and some Games).

So I love Dolls and I play Identity V (since like 2019 but I’ve had soooo many Account Issues do not get me started, so inconsistent playing on and off). When I was going through old Dolls I realized I still had 2 Lalaloopsy (while 3 cause one of them came with a Lil Sis I haven’t decided what to do with yet). And with the Buttons Eyes and jokes people make about Lalaloopsy and IDV I decided… Doll Mod time. I decided to do my two favorite skins for my girls Emma and Emily (Hello Kitty Dream Emma and Recovery (Once Line) Emily)! They were Originally Jewel and Berry (Jewel that came with her Lil Sis and Berry with the Kitchen Play-set but idk where the Kitchen ended up) but I cut them in half and switched tops and bottoms so the collars and skirts matched closer to what I wanted to make! It’s sort of my first time doing this type of Sculpting and I bought Sculpting Tools for it and am proud of my improvement even between on to the next (I did Emma first then Emily)!

I know Emma’s outfit has waaay more Bows but it’s too small to do more than what I did and even then I added so many!!! Also no idea if Emily’s hat is supposed to have Gold on it or it’s actually Sliver I cannot tell with the lighting in Game. I tried to do the pattern of the back of the hat but it’s close enough (small scale small scale…).

I’m actually a Hunter Main (and try a bunch of Hunters though mostly 2 old Mains and 3 new ones) and rarely play Survivor lol (though I love a lot of the Survivors as Characters). I used to literally ONLY play Emily but recently picked up Emma because that Hello Kitty skin was too cute to pass up (also Survivor rework happened while I was away so trying new builds out). Also I love this Emily skin but I can’t use it in matches because the Pin glows red right on the chest and I can never tell if it’s the Heartbeat for Hunter or not lol.

[luniviravosshipper]

Did Lissa Go Back to Soren and Claudia After Leaving?

I’ve actually had this post saved up in my drafts uncompleted for over a month now, but I got inspired by this post to finally talk about the theory I’ve been developing.

Buckle in because this is going to be a pretty lengthy post.

It seems to me that a lot of people are confused, as was I initially, about how old Soren was supposedly when everything happened, from him first getting sick to his mom leaving and the events from Puzzle House taking place.

Seeing that the little boy he was depicted as in the show could barely even speak and seemed extradionarly young, a lot of people didn’t understand if he was supposed to be the same age as he was shown to be in Puzzle House.

A lot of people just kind of assumed with the show depicting him so young and small compared to how we saw him in the graphic novel, that the writers were just diverging from their original canon and switching up what ages they wanted Soren and Claudia to be when everything happened. And others have just assumed the writers must have forgotten what ages they initially showed them as or that this is just another one of those cases where the writers weren’t able to write a proper timeline of events.

But… there’s kind of a lot of issues I’ve found in the logic of both assumptions. There’s actually a lot of things the writers have put in the show and its corresponding graphic novels and short stories that could point to neither of those two options being the actual case. I also think it’s incredibly unfair to suggest that the writers must have just been so stupid to have made such a slip up, if they did make one.

Regardless of what’s true, however, the one thing that’s clear is that the inconsistencies with how the creators choose to portray Claudia and Soren’s ages throughout the series has stirred up quite a bit of confusion and conflict within the fandom. So the question must be asked. Why?

Why so many inconsistencies? Are these inconsistencies evident of some sort of issue on the writers’ part, like one of the possible ones that’s been suggested by others that I’ve listed above? Or are these inconsistencies more evident of how the writers have actually intended to cause such confusion in the fandom space for an ulterior purpose that has yet to be revealed?

So, having those questions in mind, I’ve done a little digging and I think I might have figured out what’s going on from my investigation. Or I at least figured out part of it.

Let’s get into it.

From what I’ve seen online, Soren’s age in particular seems to be the main focus within the discussion surrounding what the kids’ speculated ages were when everything happened. Probably because of how most of these events specifically revolve around him and the fact that we’ve mainly seen him at different ages from Viren’s perspective. So I’ll start by talking about him first.

We first see Soren as this little kid who can almost barely pronounce his words with ruffled up hair and chubby cheeks back in episode 2 of season 5.

And for a very large part of season 6 we see him to be of that same age and of that same physical description in the flashbacks.

We even get a retelling of the same scene we saw when this version of him was first introduced back in season 5 in season 6. And it seems safe to assume that this retelling is supposed to be more representative of what actually happened than what we saw from Viren’s dream sequence, given that it’s a lot more negative.

So, right off the bat, that might already be an indicator that Soren was this young at some point in the series of events between him first getting sick and what happened in Puzzle House and this isn’t merely a distorted view of young Soren from Viren’s perspective.

Besides Soren, we also do see Claudia at a younger age in the series compared to how she first appeared in the Puzzle House graphic novel a couple of times.

And even earlier than that as well, back in season 5 in Viren’s dream sequence.

I wouldn’t say she’s as young as she’s been shown in the flashbacks in season 6 when she had the pig tails, but I also don’t think she’s quite the same age as she was in Puzzle House. It does look like she’s wearing the same undershirt as she was in the graphic novel, so maybe she’s closer to her age in Puzzle House here. But I think she looks like she could be more in between. (I actually have a smaller theory that this is supposed to be showing Claudia and how she looked like when she first learned dark magic because of the whole “I’m following in your footsteps” motif here.)

For the majority of the scenes we’ve seen of Claudia as a little kid though, we’ve mostly just seen her with those pig tails. And we haven’t seen her nearly as much as we’ve seen Soren. So we’ve been kind of led to believe that was her age when most of the events with Soren getting sick and healed and their mom leaving took place. I mean, we quite literally see her chasing after her mom leaving when she was that little.

But… Claudia does not look to be that young in the Reflections story “Lost Child”.

In fact, Claudia looks like how she did in Puzzle House here. And her mom is riding horseback when she’s leaving, making the setting of this image seem entirely different to the one we saw in season 6 of what we assumed to be her mom leaving.

I saw some people claim that Scholastic has restrictions for what ages characters can take in comics, which I haven’t found a source at all for yet, but some people think that that might have messed some things up with their age depictions in the show. But, this image comes from their official website where they don’t have to be subjected to such restrictions. And I just don’t see why they wouldn’t adjust their ages or the timeline of events in the show to make everything line up.

Puzzle House was first announced in September of 2022 with cover art and previews before season 5 was released in August of 2023. Even though it wasn’t officially released till after season 5, they were clearly working on it and planning the story for a much longer time before the season came out. They would’ve had plenty of time to fix their storyline so that it would make sense. But they didn’t. They still choose to depict Soren much younger then how we saw him in the graphic novel, and later on Claudia too in season 6. And we haven’t really found a good reason yet for why they would want to diverge from their already established canon. So, what if it was intentional?

So when I first started investigating everything, I went back to episode 8 of season 6 to look for a certain image. Because I could have sworn I did see Soren aged up, like he was in Puzzle House, in one of Viren’s memories. Which initially confused me because I had no idea what age we were supposed to have figured he had been when everything happened. And I did find it. It was this lovely shot of their entire family.

And Soren does not at all look like how we’ve been seeing him in any of the memories the creators have been showing us thus far of Viren’s. He has a different hairstyle and looks less chibi like. And he looks a lot closer here to how he looked in Puzzle House.

And so did Claudia.

At first, I was left even more confused about what was happening. Because I thought Lissa left when they were way younger. But this image seems to imply that she could have still been with the kids when they were older. Older then in the image we saw of Lissa leaving. And, a lot like many others, I originally thought that they were just trying to completely disregard the fact that they depicted them way older in the graphic novel and were trying to pretend that they were way younger in the show. Because this is perhaps one of the only shots in the show that we get to see them to be around the same age as they were in the comics and reflections stories.

But the thing is, only a couple seconds before do we get this shot.

And in this shot, do they actually look like how we’ve been seeing them so far in Viren’s memories. As very little toddlers.

So… what is happening here? How old were they actually when everything was happening?

Well, let’s review everything we know so far. Soren and Claudia were first depicted older in the reflection story “Lost Child” back in May of 2023 and the Puzzle House graphic novel back in September of 2022 way before season 5 came out in August of 2023, so there was plenty of time for them to change their depicted ages in season 5 to align more with the ages we’ve been previously shown of them having. And there was a large enough gap between the release of season 5 and season 6 for them to fix any issues with their timeline and depictions of their ages if there were any. And, in spite of how young they were depicted mostly in seasons 5 and 6, we still do see them depicted as similar ages as they were in the reflection stories and comics, so that obviously indicates that the writers are very much aware of the differences in their shown ages between those different stories. And it overall just seems like it’d be way easier and convenient for them to keep them aged up in the series to align with the ages we’ve already been shown of them having when a lot of these events first occurred if that was what they really wanted.

None of this information seems to point to the creators making a mistake or an accident in their different depictions of Claudia and Soren’s ages throughout the series. If anything, it seems to point to the opposite. Because why would they make any of these decisions in the first place if they weren’t for a specific intended purpose?

So, why exactly were Soren and Claudia’s ages so inconsistent and why were they mostly shown to be so young in the series? I think there’s only one answer here that really makes sense. Because they never really had a fixed age when everything happened. It all happened over a very long period of time. Spanning from when Soren was perhaps, like, four and Claudia was about two or three all the way to when they were around ten or something.

And this might mean that we have also been misled on one other thing (although it’s likely more on many other things, but that’s not the point here). When their mom actually left. Because there’s a chance that she might have left when they were much older. Long after Soren was actually healed from his sickness.

Because, a) what was that image in the reflections story about? And b) what’s up with Soren, Claudia, and Viren all being so emotionally distraught in the Puzzle House graphic novel about Lissa leaving if she left such a long time ago?

Okay, before I start explaining my second point, I should probably clarify something here. I initially thought and claimed awhile back that Atticus said that everything happened during a span of a year. I was completely wrong and I don’t know where I got that idea from. (I might have gotten confused since I saw someone else suggest awhile back ago that Harrow and Sarai got together only 5 to 7 months after that scene of Viren and Harrow talking in season 6. But in retrospect, that doesn’t really make all that much sense. Not that it’s their fault for having that misunderstanding, they were probably as confused as I was on the passage of time between, well, everything that happened in Viren and the children’s lives. The writers really did make it seem like everything happened all at once, but there was probably a lot more space between all the events that occurred as I’m trying to examine and explain in this post.)

All that King Atticus says is that it all happened one after the other. But he in no way specified a time frame of when and of how long.

However, after rereading Puzzle House, I have found that there is an indication made about the time frame between some of these events. That being the time between them first exploring the Puzzle House and Lissa leaving them.

It’s implied here that it’s only been a couple of weeks since she left because it’s only been a couple of weeks since Claudia has started to act more emotionally off.

I mean, I know that he also says that she’s been acting odd since Kpp’ar disappeared too, which we now know from season 6 that he disappeared before Soren got healed and when he was likely smaller. (This is actually where things seem sort of weird to me and I have trouble understanding the timeline of events most. I feel like he should have gotten coined when they were older because of the clear influence he’s had in their lives. But maybe they were actually older when he did and the two scenes that we saw of Lissa leaving and Viren shutting out Soren happened before Viren got the staff and was still trying to figure out how to heal Soren. But I don’t know. Why would Viren start resenting Soren so early on before he even healed him yet? Why would Soren be so much older when he actually got healed if we have only seen him be heavily implied to be young when he did? Why would Lissa leave then in the very beginning of everything, unless maybe it was in immediate reaction to Viren taking advantage of her and using her tears? But then why would she leave if Soren was still sick? Maybe that’s why she came back?? Because she felt guilty?? Maybe Lissa officially left later when Viren got the staff and she found out that he might have done something to Kpp’ar ??? I don’t know. This is all just speculation and I’m just not sure. Anyways.) But the fact he specifies that it’s been weeks since she hasn’t been speaking a lot and that she seems a lot more affected by what’s happened in their lives, I feel like that’s more of a sign that that’s the time frame from when their mom first officially left to them being in the Puzzle House.

And if it had only been just a couple weeks since Lissa left before they went into the Puzzle House, then that would better explain the image from the reflections.

It would also explain why a lot of the conflict in the graphic novel revolved around Claudia struggling to come to terms with her feelings on her mom leaving them and why Viren is shown to be so emotionally distant in it.

Then there’s the other hints that have been made outside of the graphic novel and the flashbacks we’ve seen.

There’s the information that we know about how Viren made attempts to win back Lissa’s trust, most notably by using the Sunray Monarchs to change his corrupted appearance. But Lissa wasn’t won over. And there was a lot of conflict that grew between them as a result which eventually encouraged them to split.

Of course, Viren could have tried to change his appearance and gain Lissa’s trust before the image we saw of Lissa leaving in season 6. But I think it would make more sense if it happened afterwards so that they would be fighting for longer and it would be while Soren and Claudia were old enough to be able to remember it.

And, I mean, just stating the most obvious explanation here. It’s like what people have been saying. How could they ask them to make such an adult decision? How could Lissa and Viren ask their kids to choose between the two of them? Probably because they could actually make the choice at the time. They could actually articulate their words and were grown up enough at the time to understand what was happening. They weren’t as small as we might have been led on to think they were. They were much older when she officially left them.

Anyways, I’m sure that there’s even more evidence I haven’t picked out yet that could also be hinting to Lissa leaving at a later point in the kids’ lives then we’ve been led to believe. (I would try to gather more intel from the novels but I sadly do not own either one of the two as of right now.) But in general, those are some of my biggest pieces of evidence I have to support my theory.

So, this very significant scene showcasing when Viren first started to resent Soren…

Might have happened way before Lissa actually left. And, given this added context that she hadn’t left yet (or at least permanently left), this completely reframes this scene and what it means.

And, that just leaves what is still largely unknown.

What is happening here exactly?

Not only does it completely contradict the image from the reflection story, but it also just outright doesn’t really make sense on its own.

Where does this fit into the timeline and what is its relevance?

Is this supposed to be showing Lissa trying to leave for the first time, even though she later on decided to go back, like I’ve been speculating? But then why would she go back? And why would she leave again only permanently that time if she chose to go back after the first attempt? What sparked her to try to leave both those times?

Truth is, I have some ideas and some of those ideas I’ve already listed and insinuated to having in this post, but overall I quite simply don’t know. The only thing I’m truly certain of is that this image alone suggests that there is a lot more going on here than we fully know about yet.

[puppyeared]

doodles of my fav sillies

anton belongs to @poicyss

[celeryguy]

It’s a little outdated since I’ve cleaned it up more, but here’s a very small clip of the animation

(Don’t expect the rest of the animation to be that smooth lol, I like to indulge myself a little with bits and bobbles of smoother animation)

[buwheal]

Hey Spam, not to sound rude or anything, but i think something is stuck in your hair to your left. IDK what it is, but it looks like kinda spiky so please be careful!

[radiotrophicfungi]

by the way, are there any disability-specific blinkies anyone would particularly like to see? my inbox is probably going to remain closed for the sake of my own sanity, but you can always drop a reply down below. :-)

[wonder-worker]

I've been thinking about the tragedy of Elizabeth Woodville living to see the end of her family name.

I don't mean her family with her husband, which lived on through her daughter and grandson. I mean her own.

Her sisters died, one by one, many of them after 1485. When Elizabeth died, only Katherine was left, and she would die before the turn of the century as well.

All her brothers died, too. Lewis died in childhood. John was executed. Anthony was murdered. Lionel died suddenly in the peak of Richard's reign, unable to see his niece become queen. Edward perished at war. Richard died in grieving peace. For all the violence and judgement the family endured, it was "an accident of biology" that ended their line: none of the brothers left heirs, and the Woodville name was extinguished. We know the family was aware of this. We know they mourned it, too:

“Buy a bell to be a tenor at Grafton to the bells now there, for a remembrance of the last of my blood.”

Elizabeth lived through the deposition and death of her young sons, and lived to see the end of her own family name. It must have been such a haunting loss, on both sides.

[cluescorner]

I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc

[un-pearable]

as true as the jokes about “everyone wants to rewrite ninjago” are i feel like smthn people forget when complaining about the inconsistencies of the show is that…. it wasn’t planned? it’s not like most other animated shows lately - it didn’t start with a deeply fleshed out world or a meticulously designed pitch bible with grandiose plans for a long-term story or character arcs. the ninja don’t originally get their powers from heredity because they weren’t hereditary powers yet. the magic system doesn’t make sense bc they literally just made it up as they went! they go back and forth on stuff like whether non-elementals can learn spinjitzu bc it’s a collaborative piece of media made by people with vastly different levels of control over the story, the animation, the sets, etc. that varied over the course of the series. it’s totally understandable and exciting to see so many people reworking the early stuff with the lore and logic later seasons introduced but i personally feel that… if you’re doing that. you need to understand why the show is like that instead of writing it off as being bad and shitty. it was working with what it had. it’s only what it is now because of that awkward troubleshooting phase, not in spite of it

[putting-pomni-in-places]

God I hate finals

[oceanic-sunsets]

I think there’s someone he likes, because he’s been acting weird.

People have pointed out how Mike was linked with the word weird the same season El uses it to describe Will, guessing it’s because he likes a girl.

But let’s for a moment go back to vol. 1, pre van scene. And let’s think about the story from the audience’s perspective, not from the narrative.

WHO was the one the General Audience perceived as “acting weird”, “being out of character “, “regressing”?

It wasn’t Will.

Some people didn’t even notice his crush on Mike even if it was painfully obvious. They noticed he was emotional, but didn’t label him as being out of character, or having a major shift considering the previous portrayal of his character.

That’s because Will was acting normal, like himself, even with everything going on, his reactions made sense. He was staring longingly and hopelessly at Mike, and even then SO many people didn’t catch up what was going on!

But what did EVERYONE notice?

Mike Wheeler.

[hezuart]

If Seven have water bending powers, Six soul eating powers and Mono space-time powers what would Raincoat Girl powers would be

oOOOO see, I thought about this quite a bit for the past week. I don't think Raincoat girl's powers will come up in Channel Change, so I'll share my headcanon here.

Raincoat girl I've always called "Five" though I've considered calling her "Quinn" (or even "Cinc") sometimes to not be so obviously a number, kind of like Mono's naming scheme. But I don't think the name Quinn would stick with the fandom as well as "Five" would...

To me, Five would have the ability to change her size at will. (Typically shrink, but only when she gets more powerful later she will learn how to enlarge herself.) She may also have the ability the manipulate the sizes of objects, people, or animals around her.

My evidence: 1. "VERY LITTLE Nightmares" game title 2. The Nest is more like a giant doll house, and she's surrounded by children turned into dolls 3. Each collectible has something to do with the children's powers. She collects Jack-in-the-boxes; children's toys that had been made in France as little "Demon-in-the-boxes". A tiny puppet pops out to surprise/scare the person playing its music because typically, no one would expect a creature to be compressed in something so small.

Six is a soul eater. She can suck the souls out of adults for sustenance. She can suck the youth out of children, turning them into nomes so that she may remain immortal. She may have the ability to teleport through shadows. She may or may not also have the ability to create shadow proxy children?

Mono is a space-time manipulator. He can travel through time and teleport elsewhere through TVs. He can leave behind imprints of children and also reabsorb them? He has minor to major telekinesis and draws in the attention of those around him.

Seven has hydrokinesis. He can physically manipulate water. He can create air pockets to breathe underwater. If he concentrates, he can also control the water inside someone's body including his own. This proves difficult when trying to lift others, but his body is the easiest to control, giving the illusion that he's floating on air.

Five/Quinn is a size shifter. She can shrink at will to crawl through small spaces like a mouse; to get into hidden rooms or to avoid being caught. She can also enlarge herself at will and has the ability the manipulate thse sizes of objects, people, or animals around her. But this requires heavy concentration to do so.