#because they’re fun! and the themes are cool! and maybe I’ll learn something new about writing by the time I’m done

[scarlet-traveler]

How to get rid of imposter syndrome with my writing, asking for a friend

[destiny-in-the-universe]

RC9GN: Thoughts Post-S2 Finale

this show had no right- a cliffhanger?

I have so Many Thoughts on the would’ve-been season three and the other stuff that might have come to be (keeping my paws crossed on the idea of it coming back-)

Now, here’s another set of rambles;

It took me way too long to realize about “the cowboy” in the series- before realizing his importance, I honestly thought he was sort of like, a nudge to the creator? But no, oh my god. I’m genuinely curious on the recurring characters that are meant to be immortal, because there’s also Plop Plop, but specifically about “the Creep” - he’s a messenger, and he clearly knows more than he let’s on. We know he doesn’t really pick the next Ninja, but I feel that he also knows- somehow- who might be a good fit. Randy wasn’t chosen just because

(The outlier is Mac Antfee which… doesn’t make sense to me-? But then again it’s a cartoon- it doesn’t always need to make sense)

Another thing! I seriously wanted a bigger battle between Ghoulian/Evil Julian, the Sorcerer, and Randy- like hello? Also, just- Randy’s such a dumb kid, but to be fair, he’s also fourteen. I kind of learned to read between the lines of what the Nomicon means, though not all of it is that obscure. Randy’s just a little bit dumb /lh (although we all know that boy has ADHD-)

Anyway, back to the battle- I know it’s just a cartoon but honestly, Randy tag-teaming Evil Julian with the Sorcerer was such chef’s kiss, and holy- instead of just returning the Sorcerer into his prison, like I genuinely would’ve loved to see Randy uncovering a new power and the battle lasting longer; getting more and more intense, lowkey Randy getting cornered and then a final defeat- I know this doesn’t make sense now oof but still! I wanted more

I seriously really thought that Julian might’ve been clued in on Randy’s identity as the Ninja but ig I was wrong-

Okay, this- this is actually something I wanted to comment on;

After learning about Secrets of the 9, there’s not just one but nine other realms out there- and I don’t know about you,, but getting a chance to explore what they could’ve been would be amazing.

It’s also interesting to note that, well, we have the Norisu 9 and we don’t really know a lot about them- I’d seriously love for there to be a connection back? Nine seems to be a recurring theme, and I’m sure the logo/symbolism on Randy’s shirt also has its part to play, but anyway- this is mostly my self indulgent thoughts-

(For starters, the nine realms being trials that get harder and harder for the Ninja- like, that would be so interesting and fun and cool to mess around with; like, we have the Land of Shadows - which still has the Sorceress? Could she possibly come back? - but then we could have like, Land of the Embers, or something connected to fire- again, don’t pay me too much mind right now but still, I-

The other thing is the following: hear me out. What if the rest of the Norisu 9 are in the other realms? They’re somehow going to be influencing Randy, because I’m pretty sure he’s got to be connected to them somehow- I’ll cover this better later)

I know there’s not really much of an identity reveal with Randy, nor is it as important as it would’ve been with say, Danny Phantom- but if like, Julian or Theresa knew or somehow Debbie remembered, I think it could add a whole lot more drama. A lot more that I think could be a moving part of the show- and the other thing!

McFist and Viceroy. What’s going to become of them now that the Sorcerer has been defeated? I’d honestly still love for them to be reoccurring characters- not exactly as much foils to the Ninja anymore, but let them be kind of… allies? Or at the very least, I want someone to make the connection that the Ninja’s not literally 800 years old, that they’ve been fighting a literal high school freshman

Honestly maybe it’s just me being self indulgent with the idea of Viceroy adopting and/or lessening full on destruction of the Ninja because again, Randy’s fourteen. (He’s a literal teenager tasked with protecting a whole city from forces of evil that technically exist in another plane of existence- that’s so much for him to bear)

I want Randy to kind of reach breaking point and convince himself he’s not fit to be the Ninja, that he’s got to face off a monster or something that is too strong at first- but please, give me more scenes between the First Ninja and Randy. Giving them parallels would be so, so interesting- and maybe I just want more connections between the pair. Either the First Ninja sees himself in Randy, or- Randy’s a descendant of the Norisu 9

(The same way I’m fully convinced that Howard is a descendant of Plop Plop)

Okay, but also- I want more lore on the Norisu 9? Like, you’ve got this group of ninjas that were meant to take on the Sorcerer, and then slowly got picked off until one of them remained- who exactly were they? They definitely were a clan, and the First Ninja specifically mentions “the ultimate sacrifice” which means there was a major battle and somehow he survived- I’m going to traumatize him so much if I’m going to explore this; and also would there be creatures that are part of Japanese mythology? I honestly want to connect this idea back to the Kitsune OC I made for a previous prompt. I could use this to delve more into the relationship between “Finja” and the Kitsune- and if they knew each other in the early days

Additional Under-the-Cut Information

~ nine realms: different trials and new monsters/villains that the Ninja has to face; more specifically Randy since I imagine the other Ninjas didn’t directly have to face the Sorcerer

(possible connections to the Norisu 9, I like to think that there’s a curse but we’re getting off topic here- this is a story for another time)

~ the history behind why McFist seems to have it out for the Ninja- other than you know, being promised a superpower by the Sorcerer- based on creator details, McFist and Mac Antfee could’ve been friends?

~ other people getting possibly involved with the Ninja- leaning to it being Theresa or Julian, but Debbie remembering and/or figuring it out again could also be fun (provided she doesn’t go blabbing again-); I like to think each of them has specific qualities that would add depth to Randy- you know, if the show bothered to give him development (like Fowlham was supposed to be endgame- and Julian knows a lot more now, hello?)

~ if the Sorceress comes back- Randy and her would have to face off again, and I’m weirdly eager about that-

~ I’m going to stop here- for now. I think I might honestly write a fanfic for this? I’d draw it but since I can’t, well- this is the next best thing

- Mod Danny

[lord-explosion-baku]

Tease

Yuuji Itadori x reader x Ryomen Sukuna

Warnings: noncon, dark themes, teasing, slight daddy kink, cunnilingus, vaginal sex, Sukuna’s big stomach tongue doing nasty things, very slight anal play

You’ll never admit that you love this game.

The “tease Yuuji until he’s grumpy, needy, and pouting—all because you refuse to fuck him” game.

There’s something about having your boyfriend nuzzle up in the crook of your neck, wrap his strong arms around you, and pull your ass against his hard, neglected cock, only for you to turn him down, and have him whine for it some more. You laugh and act abashed, but you’re really thinking, ‘Poor Yuuji. When will he ever learn?’

What you should’ve been asking yourself is ‘when will he ever crack?’

Because maybe you arch your back a little too slowly, and maybe you rub up against him a little too much, and when he kisses the back of your neck, maybe you sigh a little too longingly—a little too convincingly—and maybe you drive Yuuji a little too crazy.

“Baby,” he rasps, before ghosting his lips down your neck. His hand runs circles around your stomach, before slowly trailing down to the hem of your skirt. He toys with the waistline, shifting his fingers in and out, barely grazing your skin, then reaches for your button. “Please.”

Grabbing his hand and pulling it up to your lips, you laugh and say, “that’s far enough.”

A deep, permeating groan builds up in the back of Yuuji’s throat. It tumbles out when he shifts his hips forward, and his clothed cock slides between your cheeks.

“Sweetheart,” you chide, and turn in his embrace. Lust-heavy, brown eyes bore into yours. His face is rosy with frustration, and by just a quick glance downwards, you can see that the front of his shorts have a small, wet mark, right where his erection pops out. You try not to grin, and instead say, “it’s not the right time.”

Though your actions betray your words, because you scoot closer to Yuuji in your shared space on the couch. His dick presses against your pubic bone and slides up to your stomach. There’s a sharp inhale, and Yuuji’s cheeks inflate, as if he’s trying not to explode.

“You’re killing me,” he blows out. “Sending your boyfriend straight to his grave.”

“Don’t be so melodramatic.” You laugh while turning his chin to the side to expose the column of his neck. Smirking, you rake your teeth up his throat, relishing the shudder he gives off, his fingers curling into your shirt.

“I want you,” he hisses. “I want you so bad, baby. It’s not fair. Can't you just—just touch it. Just a little bit. It’s aching, baby. Aching for you.”

“Yuuji,” you croon, using his broad chest to level yourself up. You dig your claws into his pecs, causing him to release a low groan. “You love me, right?”

“Of course.” His voice is hoarse with need, just how you like it.

“And you’d do anything for me, right?”

His cheeks are pinker than his hair when he whispers, “yeah-huh.”

Dipping your head down so that your lips are a razor’s edge away from his, you ask, “then you can wait for me, right Yuuji? You can wait, and when it’s the right time, I’ll be sure to make every second worth it to you.”

A croaking noise cracks out of Yuuji’s throat. Goosebumps appear on your legs when he slides his fingers up your thighs, then tightens his hold on your hips, and pulls you down to grind against his dick. It presses against your opening, putting pressure on your clit. Your stomach does a little flip when he asks, “feel how hard it is, baby? Fuck, all I want is to feel you sink onto my cock, y’know. Stretch your tight lil walls. I'd be so careful with you too. Never hurt you.”

Cute, but you already know that.

“Tell me what you really want,” you whisper as your hips begin to roll, your center bobbing up and down his shaft. Yuuji pulses underneath you, his mouth falling open on a shaky exhale.

“Dick you down, hard and good-“ his mutter is practically a groan, his fingers digging into your sides-“hear you cry. Make you regret taking so long.”

Your excitement grows more palpable, your cunt throbbing. “More, Yuuji.”

Blushing, Yuuji gives you more.

“I wanna play with you too. Eat your little pussy until you're trembling, begging to cum. You probably taste so good. So slick and warm. I’ll see you fall apart—break even, and before you get to cum, I’d have you choke on my cock. Your lips are so perfect, I know they’d feel so fucking hot wrapped around me. I think about it all the time.”

“Do you, now?” It’s news to you, but you like it. Yuuji has a bit of a dark side—something you’d like to explore. Leaning down to flick your tongue across his earlobe, slow and sensuously, until you suck him in, relishing how his body tenses up, your body vibrates when his voice breaks on a shuddered gasp. Lowly you ask, “want me to be your slut? Make me take your cock like a good girl? Swallow all of your hot, tasty cum?”

“Fuck. Yes.” Yuuji greedily palms your ass, his thumbs creeping towards your core. When he reaches it, he teases you through your panties, sliding up and down your vulva. “God, you’re wet. I knew you’d be, but—shit.”

Moving an arm around your waist, he presses his knuckle against your clit, soothing it up and down. You twitch, following his touch, sighing softly as he exerts a little more pressure. His other hand trails up your back, until he twists his fingers through your hair, and pulls you into a deep, consuming kiss. His lips are hot, and wet, and needy. His tongue, desperate to taste you, teases your lips open and laps up your moans.

“You want it, too.” Yuuji breathes huskily, petting your hair back. “Don’t even try to deny it.”

Your body flushes, liquid heat shooting down your belly to pool at your center. Yuuji sort of half-laughs, then proceeds to pull your damp panties to the side. However, the moment he reaches for the hem of his shorts, you grab onto his wrist and tut at him. His brows narrow in outrage, but he doesn’t say anything.

The difference between his strength and yours is monumental. Everyone knows how capable he is—his sheer power. He could easily throw you back against the couch and pounce on you, rutting into you to show you your place. It makes you curious. Being thrown around a bit seems like it could be fun. Yuuji asserting his dominance could be even more fun.

But he doesn’t throw you. What he does is far worse.

“I’m sorry,” he says, and it’s not what you want to hear, but there’s a glint in his eye. It’s hard to tell if it really is guilt, or something else.

It’s something else.

Something like black carvings or tattoos appear on his face, arms, and chest. His body shakes, and soon, two powerful arms grow out from under his natural pair, and the slits under his eyes open to reveal scathing, red irises.

No.

Not him.

“Yuuji,” you whisper warily. Your fingers tremble as they reach for your boyfriend’s cheek. “Yuuji, please come back.”

But before your hand can make contact with his face, the monster wraps his fingers around your wrist, yanking your arm back as one of his other three hands snatches your other wrist. He’s quick to lean up and pull you closer so that your breasts push up against his hard, bare chest, your legs wrapped around his torso, and his cock pushing against your ass.

Lips wobbling, you make another pitiful attempt to call Yuuji back to you, but the words don’t come out right. They’re strangled and choked and-

“Pathetic,” the monster in front of you drawls. Keeping your wrists clasped together, he uses a free hand to wipe a renegade tear away from your hot cheeks. “Already crying and I haven’t yet done anything to you. Oh, there’s no need to pout, little one. Daddy’s here.”

Finally, you have enough sense in you to fight back, but it’s all for naught. Even though you try to kick, and you try to bite, and you try to wriggle yourself free, it’s all hopeless. His hold on you is vice, and if anything, he looks amused at your sorry struggle.

Your defiant gaze meets his, and despite the tears streaming down your cheeks, you muster the willpower to bare your teeth at him, and snarl. As if he could ever be intimidated by the likes of you.

He snarls right back, taunting you, making light of your hapless effort to try to threaten him. You jerk back in response, not realizing that you’d be pressed against his hard length. It throbs between your thighs. Your eyes go wide, and in response, the curse snickers.

“Keep wigglin’, girl,” he jeers, free arms moving around your back to lock you in place. “Feels good on my cock.”

Rebelliously, you still, hoping to make it so he gets the least amount of pleasure out of this as possible. If he’s going to kill you, you’d like to go out with some dignity.

As if reading your mind, he tuts at you, just like you did with Yuuji, then moves his cheek to nuzzle against your neck—a mockery of a lover’s touch. The soft charade ends before you can pretend it’s nice, though, because soon his tongue laves out, drawing a wet streak up your throat, before he briskly bites down, sucking harshly on your fragile flesh.

A scream burbles out of your esophagus, but it does nothing to ease the pain the curse is inflicting on you. One of his hands moves up your chest. It gropes your left breast, thumb and forefinger twisting your nipple. He sucks and licks until you’re sure he’s left a giant mark on your skin, and when he’s happy enough with his work, he begins kissing you down your neck, to your collarbone, then to your jaw.

A unique languor disperses throughout your body, sucking your desire to fight. You don’t know if it’s because you’ve tired yourself out, or if you’re just…relieved he’s not hurting you—not in a way that you never wanted Yuuji to, anyways. That doesn’t mean you’re giving up.

There’s one thing you haven’t tried yet, and though it seems your throat to do it, you have no other choice but to try.

“Please,” you begin, feeling lower than dirt at having to beg for your release. “Let me go. I can’t do this…”

“And why should I?” He whispers, cool breath blowing against your cheek.

“Yuuji, he—“

“—offered me a deal,” the monster admits, all teeth. “So long as I don’t inflict any permanent damage on you, and he can feel everything we feel, I can do with you as I wish.”

No. Yuuji would never.

“You’re lying,” you murmur, although when you think about it, you’re not sure. Yuuji had…an odd expression right before the other appeared.

“Whether you believe me or not doesn’t matter to me. I’m in control now, and, little girl, it’s been so long since I’ve had my way with a woman. I plan to cease every second of this. Whether you’re willing or not, I will take you, and oh-“ his voice drops an octave when he says, “I promised him that you’ll like it too. Not that that will be any trouble.”

Unceremoniously, his tongue sweeps your lips, and even though you try your hardest to keep your mouth, when sharp teeth bite down on your bottom lip, you grant his access with a yip.

The kiss is leisurely, like he has all the time to waste on molding his lips to yours. His tongue stroke against yours. Beside yourself, you melt into him, picturing it’s Yuuji you’re touching. He hums, seemingly content with your compliance. When he pulls away, his smirk makes your heart jump. His eyes, Yuuji’s eyes, are still so soft. Deceiving.

He lifts you so he can get a better look at your body. Hands roaming your body, he gazes at you appraisingly, and says, “I’ll admit that the brat has good taste. You’d be the perfect woman if you weren’t such a prude.”

With that, Sukuna tears your shirt off your chest—the flimsy and annoying obstruction—to reveal the sheer bralette underneath. Your nipples press against Sukuna’s hands, hardening when he palms you covetously. His smirk widens.

“Not a prude,” he muses darkly, “a tease.” He pinches your nipples hard, making you half-cry, half-moan. “That was cute. You’re gonna be fun.”

“I don’t want this,” you pant, hating the sound of desire coating each word. “I don’t…”

“No?” The curse—the monster—looks amused, a dark gleam in his eyes. A sharp fingernail trails down your bare stomach, and you shudder as heat rushes towards your center, and down between your thighs. Sensing your inner response, he sneers up at you, and in one horrifying second, your boyfriend’s body splits open, revealing a dark, cavernous hole in his stomach. It contorts in an odd way until sharpened teeth, and a long, pink tongue appears. The stomach grins, right before its tongue slowly licks up your center.

The shrieking begins when the licking doesn’t stop. The slow, rhythmic laps soak through your panties. It moves in an undulating motion, thick and wet, forcing you to ride it like a mechanical bull. It’s so strong that even when you close your thighs around it in hopes of maybe squeezing it enough to hurt, it doesn’t do anything except make the monster below you chuckle. It’s completely violating you, not only licking your pussy, but your ass too. Everything is so wet, and sensitive, and hot, that soon your crying evolves into moans, and you can’t help but clench on top of this intrusion.

“Such a responsive little slut for someone who doesn’t want this.” One of the curse’s four hands pets you down your bare back, until it lands on your ass. He gives it an appreciative squeeze, first to feel you, to claim you, then to hold you in place as his stomach tongue begins vibrating at a high intensity.

“No,” you whimper when you begin to feel something coiling up on the inside. The pleasure is so startling, so intense, that you begin to mewl. You’re begging, but you’re unsure if it’s for him to stop, or if it’s for him to let you cum.

With two hands still holding your wrists together, and the others now sitting behind his head to cushion him, he watches with moderate interest as you come undone.

“That’s a good girl,” he purrs, “you want to cum for me, little one? Let me taste your pleasure?”

“No,” you say again, squeezing your eyes shut, trying to picture you’re anywhere else. “Yuuji.”

The curse tightens his eyes and groans.

Suddenly, the stomach-mouth closes, and you’re lifted up, your panties pulled to the side, and placed back down, his palm pressing into your cunt. Without registering what is happening, you blink at him, a question building in your foggy mind, but you never get to ask it.

Something warm slides up your slit, flirting with your opening. It twirls around your clit, and you begin to shake, realizing that it’s another tongue. He’s eating you out from the palm of his hand, and it only intensifies your tension. You’re burning from the inside out, your pussy pounding as the tongue slides in and out…in and out.

“Say my name,” he hisses, jaggedly, like he’s barely keeping it together. “Say my name, and I’ll take pity on you.”

“Ah…fuck…” Resolve crumbling, you fall forward and onto his chest. His fingers rake up your back, only intensifying your pleasure. Your hips wheel around, chasing his palm…his tongue…your ecstasy.

“Say it,” he commands. The palm’s mouth closes around your clit and starts to suck. Holding back your moans becomes unbearable. It’s all you can do to stop from screaming again, and even then, it’s not much.

“Sukuna!” You plead, tears dotting your eyes. “Please—ah! Please let me cum! Sukuna please, god!”

“So good, little one,” Sukuna coos, “so sweet.” He sucks and nibbles and licks amplify, and you squirm and gyrate against his tongue, barreling towards what was before a very elusive edge. You go over with a trilled moan, trembling, crying, euphoric.

Absolutely devastated.

And it’s not over. He’s not done with you.

Before you can stop vibrating, Sukuna pulls you up against him, lining you up with him. His cock head pries at your center, breaching your surface when he kisses you roughly. It's a vicious and animal, all encompassing kiss, like he’s been starving for it.

“Sit on it,” he instructs. His hands move up and down your sides, either to comfort you, or to remind you that he could force you down if he was so inclined. “Slide down on my cock like a good girl. I want to be buried inside of you.”

When you begin to descend, Sukuna sharply snaps his hips upwards, forcing himself in urgently. The sudden intrusion is enough to make you yip, your body set aflame. Sukuna’s—Yuuji’s pupils expand, his eyes growing darker as he watches you struggle to take him in. There’s no time to get used to his size. He’s moving, and you have no choice but to react. Reluctantly, you stretch for him, and he slowly moves out, only to harshly push back in.

“Beautiful,” he rasps. The praise sends shivers up your spine, and makes you pulse around his cock. You’re sure the evil bastard can feel it, too, because he cups your jaw, and exalts you. “Pretty girl, you feel so good. So tight. A natural submissive, too. Isn’t that right?”

You’re about to object, and when he senses it, he pulls you off of him, and throws you to the floor. You have no time to run, because he climbs on top of you, shoves your head down to the floor, and pulls your ass up.

“When I ask you a question, you answer me,” he rumbles against your neck. It’s violent, but one hand is still on your ass, caressing you soothingly. “You say, ‘yes, daddy’ like my sweet little girl. Unless you want me to treat you as a cum-dumpster—some whore to spill my seed in.” His thumb begins stroking your ass hole, and your body shivers in anticipation. “In any hole that I want. Do you understand me?”

“…yes, daddy,” you weep into the carpet and pray for this to end soon.

Sukuna guides his shaft back inside of you, and it presses against a spot that makes vision darken for a second. He’s relentless when he drives into you, over and over again. His heat surrounds you, weight pressing you into the floor. His large hands rub your skin, petting you all over, and the caresses almost make this intimate, until his touch, again, travels to your other hole.

Trepidation pumps through your blood, making you squeeze his cock. The fear is something electric and addictive, and it has you warbling. He groans, picking up his pace, but his thumb doesn’t leave its place.

“Are you afraid, little one?” Sukuna’s timbre takes on a darker edge. “Scared I’m gonna do the same thing to your ass that I’m doing to your beautiful, fucking pussy?”

The right answer eludes you. You’re not thinking. Your walls close around Sukuna every time he speaks. Every time he pushes himself to his hilt, fills you up, and claims you. By the tears staining the carpet, you can assume that yes. You’re very afraid.

“Yes, daddy,” you mewl, right before Sukuna twists his fingers into your hair, and pulls you back. Two arms wrap around your stomach, squeezing you to him, and his last hand reaches around you to rub circles around your too-sensitive clit. “Ohhh, god. Yes.”

“You should be.” He latches onto your neck and sucks violently. You scream as your second orgasm rips through you, forcefully shaking your entire body as Sukuna hammers into you, his pace kiltering off. He’s about to chase you.

“Daddy, please, no…” not inside. Not inside.

Sukuna scoffs, gives you several more cruel pumps, then pulls out, straining you to fall on your back so he can stroke himself off, spraying hot, white ropes of cum across your hot stomach.

“Mine,” Sukuna declares. He smoothes his hand over your sweaty belly, spreading his cum across your skin. “The next time you tease the brat, I’ll take more than your pretty pussy, little girl. That’s a promise.” He dips down low to glide his tongue up your cheek. “So don’t you hesitate to call on me again.”

Then, the marks and the arms disappear, the second pair of eyes closing. The brown eyes that blink at you, shining with something like shame or pleasure, are Yuuji’s.

“Baby…” He says, and you don’t have it in you to cringe away from him when he crowds you into a hug. He pulls you against him, kissing your temple, whispering apologies. He asks if you’re okay, and you don’t know.

But you can’t stop thinking…about when the next time you’ll play the “Tease Yuuji” game.

[ckret2]

Alright let’s talk GVK spoilers!!!

My reactions as best I can remember them!

- love how Kong is humanized from the very first scene, like every time he shows up he’s humanized so much more than other titans are. If that was at the expense of other titans being made likable I wouldn’t enjoy it so much, but like, Godzilla is made pretty lovable over the course of Monsterverse, Mothra is too, and all the titans featured for long are given recognizable emotions that let us see them as more intelligent and feeling than “just” animals; so all of them are made understandable/likable/sympathetic. But of them all, Kong is the only one really humanized. Which makes sense, because like, big monkey! Basically our distant cousin!

- And they kept playing, like, normal songs for him, which cracked me up.

- I really appreciated how you could SEE the titans in this movie. After all the weather effects to hide the titans in KOTM, there was such a clear difference in this one from the very start. Kong in the daylight! Godzilla makes his first attack at night, and even then you can see him much more clearly than you can for most of KOTM! Nice!

- after the Iwi were portrayed as silent stoic witnesses in Skull Island, I really appreciated that they took an Iwi character, made her a main character, and gave her dialogue and a real role to play in the story while also keeping her deaf/mute. I think that was a good way to improve on the way that the Iwi got got sidelined in the last movie while still maintaining the worldbuilding!

- I didn’t appreciate so much that, y’know, they murdered the rest of her people off-screen in order to do it. Couldn’t they have gone “her parents died so she got adopted by a Monarch agent that was close to her family, but like, the rest of her tribe is fine”? Or at the very least “their island got fucked up so they had to be evacuated but like they’re settling in somewhere else”? “They’re living under this island dome with Kong and they know what’s up and Monarch’s keeping them in the loop and they decided they’re chill with their new dome home, but this one girl likes to go on adventures with Monarch”? Something? Did we have to kill them all off? Y’all make up an entire fictional indigenous culture and then murder them off-screen when you don’t need them? Just let them live.

- a few minutes in I was like “hold on, we’ve got two characters that speak sign language, we’ve got a giant gorilla, gorillas learn sign language, is there any reason they can’t teach Kong?” and then later I was like “OOOOOH!!” Humans and titans learning how to communicate with each other has been one of my favorite themes to explore in Monsterverse fanfic so I was absolutely tickled to see it getting explored in canon, too.

- That said I think it’s hilarious that the girl managed to teach Kong to sign without, like... anybody seeing. Kong’s hands are above the tree line and there are cameras everywhere, how did NOBODY with Monarch see him signing.

- Bernie’s weaponized being an annoying coworker to such a degree it can only be called an art, and I really appreciated it.

- Godzilla’s extra chonky in this movie and I dig it. Roomie noted he was extra crocodilian and I dig that too.

- “There’s been no confirmed titan sightings in three years” I don’t buy that for a minute. They’re BIG. Rodan NESTS IN VOLCANOES. They found a MOTHRA EGG. Humans have A SCARILY WELL-FUNDED ORGANIZATION DEDICATED SOLELY TO FOLLOWING TITANS AROUND. Like, most of the lore in GVK that I don’t personally like, I can be like “eh... I can tweak it just a little bit with headcanons to make it work for me...” but NO confirmed titan sightings? You expect me to believe ALL of them moved underground when we’d previously seen them all prefer to live above ground? You expect me to believe that now that they’re all AWAKE, they learned how to HIDE?? Uh-uh. And at the end of KOTM there was stuff in the credits about using titan droppings as biofuel, obviously they’re still walking around up top! Can’t take that from me. Nope.

- Who the FUCK is Ren Serizawa and how is he related to Ishiro Serizawa? IS he related? Maybe they just dropped the surname as another “yeah this is a Godzilla movie for Godzilla fans” easter egg but I have a hard time believing that he can’t be somehow related to the other character with the Very Important Last Name who was so important in the last two Godzilla movies. If he is related I’m sure it’s been explained in a tie-in comic or the novelization or something, I’ll look it up later.

- I had to look up how much weight huge battleships can carry while writing a KOTM fic where Ghidorah hitches a ride on one, and y’all, I had to pull weird gravity-negating magic to get him to ride on that boat. Godzilla and Kong woulda sunk that boat like a rock. All I could think during that scene is “this wouldn’t work and I know that because I DID THE RESEARCH and I wasn’t even getting PAID.” I’ll choose to believe that Monarch gets special heavy duty ships designed to carry titans but nobody mentioned it because it wasn’t relevant to Kong’s journey.

- The bit where they could see where Godzilla was swimming because he’d got half a ship hooked to him that was bobbing around on the surface, didn’t Jaws do something like that with a buoy? It’s been ages since I’ve seen Jaws. Anyway good reference.

- Insert “they’re gonna need a bigger boat” joke

- I LOVED the part where they shut down all the ships to get Godzilla to leave. Both because, one, it’s a spectacular callback to KOTM’s “turn off all the guns so he knows we’re not a threat” that makes it seem like now that’s just what Monarch knows what to do to get G to chill out, and two... we know that Godzilla backs off either when he’s killed his enemy or when his enemy has yielded to him. At the end of KOTM—and the end of GVK—the act of yielding is presented as very ceremonial and uniform across species: everyone lowers anything they’ve got that could be dangerous (claws, fangs, beaks, axes) and bows to show Godzilla they’re not gonna fight. Battleships, obviously, can’t bow, but even without being inducted into whatever secret titan cultural intricacies might be going on, humans have figured out their own way to “bow” to Godzilla: cut all the power, so their ships can’t move and can’t use weapons. I know the movie presented it as “playing dead,” but c’mon, if Godzilla could hear MechaG power up from halfway around the planet then he could hear that Kong’s heart was still beating, and he’s been around enough boats to know humans can turn them off and on when they want. The humans bowed to Godzilla. He accepted that they yielded and left.

- Mark Russell looked like such a dad in this movie, like he’s retired 100% from being a rugged action hero and now he’s just Pure Dad. I like him better when he’s a dad, it’s a good development for him. He got like 3 lines and I’m like “I appreciate this character development.”

- Despite all my qualms about how conspiracy theories and extremist groups are handled in Monsterverse (and WHICH conspiracy theories they decide to reference), I really love Madison and Bernie’s dynamic. The adult man who’s the excitable wide-eyed believer in every BS conspiracy you can possibly imagine; and then the serious, severe Teenage Girl On A Mission who’s hypercompetent because she was raised for five years by a friggin doomsday cult militia; and despite having wildly different personalities they’re just, in total agreement about everything. Handled just a BIT differently (like, leaving out the more gross IRL conspiracies) they would be a wildly fun comedic duo—especially with Josh the Only Sane Man coming along as the hapless sidekick. And they all play off of each other so well! Both in a comedic sense, and in more serious moments—when Bernie talked about his wife, there was a real moment of empathy between him and Madison with very little said. I’d watch an entire movie just about the three of them. I’d watch a TV show.

- On the one hand I wasn’t too much of a fan of KOTM’s “all titans... are inherently In Tune With Nature... nature has a Balance, because that’s a Real Thing and not an anthropocentric concept to describe how we like nature to act, and they automatically restore it... because they’re like, some kinda borderline divinities or something... we should probably be worshipping them...” thing; but, now that it was totally absent in GVK, I sorta miss it. Like I feel like there needs to be a balance, a few humans who are like “i lowkey worship these dudes?” and a few others who are like “they’re cool but like, that’s a lil extreme” and that neither side be presented as Right in how they regard titans’ relationship with nature.

- “All titans come from THE HOLLOW EARTH” nah I don’t buy that it’s silly. Basically, what I object to is the idea that all titans have some sort of intrinsic similarity (they all come from the same hitherto-unknown location; they all are part of the same pack that has the same alpha; they all are fueled/fed by the same energy source; etc) rather than letting them be SEPARATE species whose only unifying traits are “they’re all big enough to fuck everything up everywhere they go” and “they’re big enough that the typically-insurmountable barriers between different biomes (mountain ranges, valleys, long distances with terrible weather) aren’t insurmountable for them, so even if they’re specialized in different environments they still all have to deal with each other pretty often.” I’ll make some exceptions for convergent evolution (i.e., claiming multiple titans developed similar traits that are relatively easy to spontaneously evolve and a prerequisite for a creature to survive at such a large size). But I can’t buy “this big gorilla has more biologically in common with this big crocodile-iguana than he does with, say, gorillas,” or most of the other “all these titans have THIS IN COMMON” claims that Monsterverse makes, including “everyone’s from hollow earth.” So I’m tossing that out the window and substituting my own headcanons. Some might’ve evolved there but some evolved on the surface. Maybe a majority of them like ducking in and out of the hollow earth like some kind of titan shortcut system. Kong’s species, I can buy, IS native to hollow earth, considering that they built a whole-ass society down there with tools and architecture.

- I’m SO curious about the little underground Kong home, the Godzilla motif in the floor, and the axe that appeared to be made with a Godzilla scute. What’s the story there??? We know Godzilla’s species and Kong’s species are ancient rivals. Is it because Kong’s species hunted Godzilla’s to steal their scutes to make weapons, seeing them as a valuable resource the way, like, early humans considered woolly mammoths a valuable resource—thus making that Godzilla on the floor equivalent to cave art of mammoths made by people who hunted them—until the Godzillas got pissed and started fighting back en masse? Or were Godzillas and Kongs already enemies when Kongs decided to start making weapons out of their corpses? Did they use to be allies, fighting together, with Godzillas voluntarily offering shed scutes and/or bones of their deceased members to Kongs, and that place used to be a shared home until they started fighting?

- What about that power source, is it something that was already there that both Kongs and Godzillas started to deliberately harvest for technology/atomic breath? Or did Godzillas automatically channel that stuff and Kongs exploited/borrowed/traded with Godzillas to utilize it too? Or is the power from Godzillas who collaboratively poured a bunch of power into the place thus that Kongs were able to use it too? I doubt Godzilla’s species CREATED all that weird energy but the question remains of whether, like, they channel it FROM underground, or naturally produce the same thing in their own bodies, or what.

- Godzilla using his atomic breath to dig a hole STRAIGHT TO KONG just to KICK HIS ASS is hilarious. How lucky that Hong Kong just HAPPENS to be straight over Kong’s house! Were all the tunnels to the hollow earth made by pissed off Godzillas who wanted to kick monkey ass??

- I loved the aesthetic of the battle scene in Hong Kong, with the brightly colored neon building outlines, VERY cool look. The choreography of the battle scene was great too, especially

- we literally broke into applause when Kong shoved the axe handle in Godzilla’s mouth. Love it, perfect callback, that was the ONE thing from the original King Kong Vs Godzilla I was hoping to see referenced and there it was.

- You could really see a difference in how Kong and Godzilla fought—Kong doing a better job at using tools and the environment, Godzilla fighting more like a reptile. They seemed to emphasize Godzilla’s more animalistic behaviors in this movie to accomplish that contrast—he was down on all fours and moving like a crocodile more often, he was clawing at Kong’s chest—but even though it seemed a bit different of a combat technique it also didn’t seem out of place compared to how he fought in prior movies. And we’ve already seen that if Godzilla’s involved in a fight and one of the combatants knows how to use the environment, it’s typically not gonna be Godzilla. (See: Ghidorah using the reflection in a building’s windows to see what’s behind him, and recognizing a nearby power source and biting it to juice himself up.)

- So many of Godzilla’s enemies seem to have specialized in negating his atomic breath in order to combat him! The MUTOs directly suppress his ability to use it—and it makes sense that that’s an inborn ability they have, since they evolved to use Godzilla’s species as prey. Kong has a weapon that both acts as a shield to absorb the breath and turn it back against Godzilla’s species—they didn’t evolve to counter Godzilla, but they developed tools once a rivalry happened. Ghidorah’s the exception—which makes sense, since he came from space—but even at that we see him using tactics specifically to take into account Godzilla’s most powerful weapon (such as keeping one head on lookout for when he starts glowing so that they know when they need to dodge).

- LOVED the reveal that MechaG was based off of Ghidorah’s brain, it has vibes of both the Kiryu Saga and the way that Heisei MechaG is based off of Mecha-King Ghidorah. Not the most surprising plot twist, since we’d theorized that they might use San to make MechaG, but I wasn’t 100% sure they were gonna go with it until they finally did. Even when I was going “huh, the mecha pilot’s chamber looks weirdly organic” I didn’t make the connection to WHY until the reveal, lol.

- “Ghidorah’s necks are so long that the heads have to communicate with each other telepathically” that’s COMPLETELY WILD but I love it, it follows very well from their prior portrayal as telepathic empaths in Heisei, it lines up with their emphasis on electricity (because BRAINWAVES AND ELECTRICITY, hey ho movie monster pseudo science!), and it very much compliments my own private headcanon that they’ve got some psychic/mind control abilities.

- The movie ended with both “Godzilla won, technically” but also “since they teamed up as equals, the ending doesn’t FEEL like ‘Godzilla wins, Kong loses’ but rather ‘they both won against a common foe’” and since I’m on both Team Godzilla and Team They Should Be Friends, I’m happy with this outcome. Plus since the last time they fought, the Japanese movie company graciously let the American monster win, so it’s only polite that the American movie company graciously let the Japanese monster win.

- There were just a few too many humans in this movie. I was intrigued by Ren but we didn’t get much out of him, but like I guess somebody had to be in the pilot’s seat other than the Apex CEO. Didn’t care for the author of the hollow earth book, I feel like his role was superfluous. Didn’t need the Apex CEO’s daughter there at all, coulda done without her. How about this, combine all three roles. Instead of having a whole-ass author who knows about the hollow earth, just casually reference that Rick from KOTM wrote a book about it since he was the expert, and (since he wasn’t in this movie) say that he tragically died going to explore the hollow earth himself, and that way we’ve got the book with the “titans are from there” theory AND an excuse to share the “humans die when they go underground” info. Now, have Ren be working for Apex as a pilot for Mechagodzilla, but have him be MechaG’s pilot because he’s also a good pilot in general, and can fly those HEAV things. Have Apex send him to Monarch to be like “hey, you guys trust me right, since I’m Ishiro Serizawa’s relative? We at Apex have heard all about your failed hollow earth expedition, and due to Ishiro I’ve got some past ties to Monarch so I’ve got high clearance with y’all, so I could bring over this useful Apex tech that’d let you go underground and use what I know about hollow earth from my past time at Monarch to help guide things.” Once they’ve got the little chunk of energy stuff and go topside, he hustles it straight to Apex and straps into his seat to run MechaG. Bam, you’ve combined “person who knows enough about hollow earth to help the expedition,” “person who represents Apex’s interests and gets the energy,” and “person who pilots MechaG” into one character, in a way that takes three flat/underdeveloped characters and turns them into a single interesting character with a lot going on and some intriguing ties to the rest of the cast.

I think that’s everything?? Hoo.

[1ddotdhq]

Sun 31 Jan ‘21 

Happy Walls Dayyy!!!!!! Today was the first anniversary of our #1 fave debut album of 2020, and we all celebrated, Louis included! Last but best thing first: WE GOT A DEMO!! Louis ended the day by publishing a dreamy clip of a demo of the title song ‘Walls’. His clear voice croons over beautiful sliding electric guitars and background reverberance- if that’s his FIRST draft then he is, as we knew, a GENIUS! AND, the King Himself came on twitter to interact with his “loyal” (his words) subjects (that’s us!). He popped up at first to say that his tour, when it comes around, will be “fucking unbelievable...this is our day!”, and talked about his favorite part of the last year (“the two shows I played”), what he noticed most when performing solo the first times (“the space on stage” ughhhh all the tears), what he was looking forward to after COVID (“everything”) and getting through these times- “remember that everything is going to be better when normality sets back in.” He also explained that while he was gonna put out merch today, he “didn’t want to market the day”, but rather make it “a celebration just for us”. But, uh, the merch will be coming eventually! He then replied that there were “too many greedy fuckers out there” who try turn celebratory events into a “cash grab” (to quote the fan), and harries then got mad at that because THEY were like this must be about Harry (lol uhhhh) and assumed he was shading him and Jeff rather than, I don’t know, his OWN FORMER LABEL?? Cool cool cool, but it’s still Harry’s moth on Spotify, so cope. He told us that his proudest moment on the album was recording the strings for the Walls the Single, that he wouldn’t have approached the process differently because he’s still really proud of the album, that he was most looking forward to us hearing KMM or Walls, that Doncaster is his fav place (to no one’s surprise lmao), and, asked what song he likes to rock out to off HIS ALBUM was like oh hey have I got a rec for you: “Maybe Tomorrow” by the Stereophonics. It goes, “think I'll walk me outside and buy a rainbow smile, but be free” and “maybe tomorrow I’ll find my way home” (huh is there something happening tomorrow that could be linked to... OH. Right. Huh. Well all that is just a coincidence I’m sure, it’s not like Louis ever said he likes to rec songs because he wants us to read into the lyrics or anything... oh wait.)    

LTHQ did a insta quiz over on their stories (I only got two questions wrong!) and they did the promised virtual listening party and tweeted along to each song and retweeted fans’ reactions (and all the usernames, larries everywhere, we SEE YOU). Friends of Louis joined in the celebration- Only The Poets, Ashton Irwin of 5SoS fame, Helene Hornyck (“all the love,” she said!), Isaac Anderson and more, and All On The Board made one of their lovely Frankenstein poems which mashing up a bunch of LT1 songs, but in keeping with the theme of the day (and COVID I GUESS) did it as fanart rather than the usual in person board. And all of that was the BORING part of the day, can you BELIEVE?? The FUN part was the Walls Fanart that was chosen to be the new Spotify cards on the official Walls album. As in, they are up right now if you want to go check them out, but I’m gonna tell you straight up: they’re half Harry tats! The Defenseless card, especially, as it is just straight up fanart of Harry’s moth tattoo, especially fun when he had JUST got us talking about its Papillion origin with his finsta! The artist had been worried that Louis would be mad at them for submitting ‘Larry art’, and was overjoyed to learn that, uh... apparently, he was NOT. That was not all! The ‘Too Young’ art card is H’s rose tattoo, ‘Habit’ and ‘Fearless’ were both different variations of H’s anatomical heart tat (the ‘Habit’ one even included the word kind :{) ), and the We Made It rainbow wheel did, in fact, make it to Spotify, just like we thought! “Perfect Now” was Louis standing under a rainbow spotlight—they made that one black and white for spotify but the artist shared the original version. Harries were beside themselves, and tagged Jeff (Azoff), Ben Winston, and Gemma Styles (what?), demanding that they make Louis take the art down because it was clearly Harry art, which 1.) how much more blatant can you be if even ANTIS are noticing and 2.) what sort of control do they think Jeff, Ben, and Gemma have over Louis seeing as, uh, none of them currently work for him??? Weird, are they thinking there might be some kind of link... between Harry and his team and Louis... tell me more antis, truly, I’m fascinated!

One would think that’s more than enough for one day but WAIT THERE’S MORE Zayn is in EXCELLENT quirky Zayn form having fun with his own merch—he posted a gremlin (from the old RL Stine movie ‘Gremlins’) in a NIL beanie captioned “one size fits all humanoid shaped heads” late last night, haaaaa. Yes, I agree! The red stitching really makes the gremlin’s red eyes pop, and his fangs have never looked this good! And the question arose, is Harry’s finsta actually just his side account for following nothing but gay meme accounts? Evidence—the discovery of a second follow, of the openlygayanimals account-- would suggest yes! Well that’s valid, imagine having to not only navigate the internet AS HARRY but also without funny memes of your choice, that’s no life to lead. And Niall complained on twitter that people didn’t understand his sense of humor because SARCASM! He also tweeted about golf, which I’m sure was cool for people who understand it.

[st-louis]

a list of hockey podcasts

i spend... a lot of time reading about, listening to, and learning about hockey and i thought maybe you guys might be interested in the podcasts i follow. i don’t always listen to every episode of every show, but they’re things i have in my subscriptions and listen to frequently.

i’m going to end up having to put this under a cut because it’s getting really long.

general podcasts

the hockey pdocast - without a doubt my favorite general hockey podcast. dimitri filipovic is a stats guy who writes for eprinkside, and his analytic cast definitely shines through in the way he handles the topics. i like the variety of deep dives he does and i always feel like i come away from listening with better understanding of the topic because he doesn’t just talk stats, but gives you context for why those numbers might be the way they are, so if you’re trying to become more familiar with advanced stats this a great one to listen to. also his voice is just so soothing. absolutely my favorite car show.

the athletic hockey show - it’s frequent, long, and informative, but there are different hosts depending on the day and i definitely enjoy listening to some of them more than others (i like ian and hailey a lot, i enjoy the seans, craig and pierre know what they’re talking about but hoo boy i do not enjoy their episodes so much).

staff & graph - they are definitely leafs homers and some of their takes really annoy me especially because they purport to be analysis based and then like... will come out with something that’s not really an analysis so much as it’s, you’re a leafs fan and that’s your opinion, but for the most part i do enjoy it. doerrie is a former front office employee of the devils and she has a lot of very interesting inside knowledge and knowledge based on actually working closely with hockey teams. she still has connections so if you’re interested in ‘sources,’ she usually has good info and stories. again, usually come away feeling like i learned something.

soul on ice - kwame damon mason (film director and hockey fan), akil thomas (kings prospect), elijah roberts (formerly of the niagra ice dogs, currently playing college hockey) hang out and talk hockey and interview guests. they’re all really likeable dudes and have a lot of interviews with players of color and other interesting topics (taya currie!). a solid listen from both a fan and player perspective, for example it was cool to hear akil talking about his experiences during the covid season.

the cross-check nhl show - decent general hockey talk show. andrew berkshire is a habs writer and mary clarke is a general hockey writer but a flyers fan (a show made for me, haha). they’re likeable and have good opinions on social justice related issues within hockey. they cover major stories around the league, discuss their personal teams, and also do a little pop culture segment at the end that i usually skip.

hockey central - unfortunately this is like the epitome of a hockey man podcast (as in, it is literally all hockey men). they come from a variety of backgrounds, including players and coaches, and generally the actual hockey talk is good, even if they get on my nerves sometimes. if you want to know what the average player/former player is thinking this is a pretty good one. and they update a lot.

31 thoughts - jeff marek (also of the hockey central pod) and elliotte friedman talk hockey. if you’re looking for “insider” info this is one of those you’re gonna want to listen to. a bit wishy washy when it comes to stuff like the hawks scandals.

behind the gear - this is an interesting one, because they interview a lot of “lesser known” personalities but it’s always a pretty solid interview. again, i don’t listen to every interview but if there’s a guest that looks interesting, i’ll mark it for later. they have a bunch of interviews with nick and ryan suzuki so that was a personal interest of mine, haha.

puck soup - i almost never listen to this one because it’s too long (like episodes upwards of 100 minutes) and i really don’t like wyshynski as a person. but i do appreciate sean mcindoe. usually only tune in if there’s a topic i’m interested in.

6 degrees with mike mckenna - mike mckenna (former journeyman goalie and flyers goalie of the Eight Goalie Year and former vgk broadcast)’s interview / general hockey show. he’s very personable and a good interviewer.

the press zone - a show mostly focused on prospects, whether that’s in major juniors, the ahl, european leagues, etc. it’s a deeper dive into an area that a lot of the other shows don’t necessarily get to, so i appreciate it.

the hockey think tank - another ‘smaller’ podcast with some interesting and unexpected interviews. again, don’t listen to it all the time but it’s worth a shot if they have a topic you like.

the full 60 - craig custance’s solo show. another “insider.”

missin curfew - i usually only listen to this one if they have a guest i’m interested in because this is also a very bad example of hockey men hanging out and talking and you want to strangle them mostly. it’s two other dudes and kevin hayes’ older brother so you can pretty much expect exactly what you are getting from them.

the broadscast - wish there were more female hockey podcast hosts, but this one is a good one. i like the variety of guests that they have on. i don’t listen to it every episode but will tune in if there’s a topic i like.

flyers-related podcasts

broad street radio - i have such a hate/hate relationship with this one. it’s like the flyers podcast but i hate most of the hosts. i listen mostly for charlie o’connor, who is the only one who can reign in their terrible opinions.

flyers daily - daily news about the flyers, game recaps, and interviews with players. usually short and no-frills episodes, which i appreciate. myrtetus also plays goalie in beer league so he has a player’s perspective, at least, from that level.

flyers talk - nbc’s podcast with jordan hall, taryn hatcher, and joe fordyce. pretty basic talk show from a beat reporter, a former broadcast, and a guy named joe. again fairly no frills, do not always agree with them, but decent enough information.

everything but hockey - andrea helfrich, the most beautiful woman in the world’s, podcast. she does interviews with a lot of people who work with the team in some capacity (for example, nyree, the nutritionist) are associated with the team (she is great with interviewing wives and girlfriends), and the players themselves. she is super charming and good at talking to people so the episodes are usually fun to listen to.

snow the goalie - two flyers beat reporters i dislike but who nevertheless sometimes have The Info.

locked-on flyers - i haven’t actually listened to this much yet but i like locked-on habs a lot and i’m gonna have to give it a chance.

nasty knuckles - this is a podcast i absolutely suffer through. settlemyre is so fucking annoying and maybe the worst interviewer i’ve ever heard. however, if you are interested in the flyers, he has the goods. riley cote is also here. i have to get back to actually transcribing these again because really you don’t want to listen to them.

habs-related podcasts

le support athlétique - arpon and marc antoine from the athletic talk the habs. alternating episodes in french and english, which is frustrating when they are talking in french about something i want to listen to, but i think it’s cool that they provide for the entirety of the fanbase. they are fascinating to listen to, and obviously good friends. i enjoy their insights about the players and coaches.

eyes on the prize - one of my favorites. good hosts, great variety of topics, including interviews with european prospects that you don’t always hear from. it’s also an sbnation podcast but i like it so much better than i like bsh.

habs-statician - statistically-based habs analysis from a fan in toronto. dylan is a really thoughtful podcaster, and i appreciate listening to him very much. 

locked-on canadiens - another daily listen. laura and scott continue the theme of the habs podcasts i enjoy which is mostly that they are really reasonable about their view of the team. they criticize when players aren’t doing well, but not in a mean way, and they praise the players who are doing well. i like the daily analysis and breakdown of the news mixed in with sillier segments like who would play the habs in a movie.

habs tonight - former hab and flyer dale weise and a rotating cast of co-hosts discuss habs related topics. i was skeptical at first because i thought it might be gossipy, but it’s actually not that bad. the hockey talk from a former player is all like “wow, that makes so much sense” when you hear it (the episode where weise talks about joël bouchard, in the first negative thing i’d ever heard about him, is one that i am specifically thinking of here). he’s also good at interviewing his former teammates, you can tell they are at ease with him.

history in the making - national treasure marc dumont interviews habs prospects and other people associated with the team. he is so funny and charming and knowledgeable about hockey, it is always worth a listen.

habby hour - i don’t really enjoy these hosts but i will listen if they’re interviewing someone i’m interested in.

other teams-related podcasts that i listen to

steve dangle - i will admit i mostly started listening to this one as schadenfreude, but for the most part i enjoy it. i don’t really like the co-hosts but i do enjoy how absolutely fed up he is with the leafs. :) but on a more serious note, they do some good work, i was very impressed with their recent episode interviewing rick westhead about his work on the chicago coverups.

[shtern-and-art]

I have more questions because it's no longer 4am lmao.

Does Skeppy fear any animals? I just wanna know if there's any sweet moments of Skeppy clinging to Bad whilst he tries to calm him down.

I'm guessing Bad still hates things like littering and woodcutters but would he ever act particularly strongly about it or would he have more control?

I like how Rat seems to tolerate Skeppy because Bad likes him but would she ever get jealous if Skeppy started pettting another dog?

I have a horrifying image of Bad just spider climbing up a tree to fetch Skeppy. I don't know why but I feel like dude wouldn't even need branches lmao.

What other supernatural creatures/people do they come across? Were there any that were especially dangerous and did they befriend any?

Is Bad much physically stronger than Skeppy? I keep thinking of Skeppy being a little shaz and Bad just one-arm picking him up and slinging him over his shoulder XD.

Does Bad ever get nightmares of the day he became the forest spirit?

How far would Skeppy take stealing? Would he steal something he knows the owner has genuine attachment to? Would he do everything in his power to steal something for Bad even if it means getting hurt?

Who's more likely to protect the other?

Skeppy just minding his business looking at one of Bad's textbooks, turns his head and Bad's just having a tea party with a freaking bear. Surprised the man hasn't had a heart attack yet XD.

What's your favourite thing to imagine them doing?

Is Bsd an adrenaline junky? Or is he scared of more dangerous things like bungee jumping and mountain climbing.

What would their reactions be to rollercoasters?

Do they have a favourite date-night activity?

Everytime I think of this au it brightens my mood!! Thank you for making something so heartwarming!! <3

Glad to see you again :D And yaay, questions!

My pen pressure broke again, I can't finish any sketches for this ask rn, but here's a couple of old messy designs.

1) Comforting and nightmares

Skeppy has a normal, I’d even say adequate level of fear towards wild animals, whilst Bad has it in negative numbers. And, yes, this fun juxtaposition leads to a lot of unfortunate moments of Skeppy nearly dying from heart attack when some of Bad’s animal friends show up unexpectedly, or Bad goes all out for his tea-parties with wild bears or smth.

So, yes, sometimes the comforting hugs are necessary! And no, none of them ever play up the dramaticness of the situation just to drag out the nice comforting moment They do n o t. That’d be very silly and unnecessary, and will deserve a lot of teasing. So, it’s all serious. Not only for the first couple minutes. Yes.

But If you’re looking for comfort-after-actual-hurt – Bad does have to hold and comfort Skeppy, when the stress of trying to not fuck up the good stuff around him gets too strong. And after the nightmares where they are hated and chased by people. Those dreams do not come often, but when they do, Bad is there to hold Skeppy, whisper in his hair that he is alright, that they’re both alright, and that they can handle everything that’s going on right now.

And Bad himself, well. After leaving the town, his nightmares about the night of the ritual stopped almost completely. They come rarely, only when the anxiety gets really bad. Before, in the forest, Bad had them pretty often. It’s one of the reasons he mostly slept not as himself, but in the minds of the animals.

2) Littering

Bad will not maim someone for not getting a candy wrapper in a trashcan, especially if there are people around. But if someone leaves a big mess in the nature, or even (*gasp*) does it regularly, Bad can and will try and teach them a lesson. As in: pull a cautionary (and probably slightly terrifying) prank on the misbehaving person.

It doesn’t always work out as Bad intended, and may even scare some people off anything relating to nature for good, but, according to Bad, it’s still “a fun and useful little hobby to have :3”.

3) Rat

Rat takes a looong time to warm up to any other animals that infringe on her territory. And Skeppy might be a little shit (and his own rights for Bad are debatable) but he is Rat’s territory still (by approximation from Bad). So, she can gatekeep Skeppy a little bit. Not as much as she does Bad, but the man gotta know his place – Rat comes before other dogs for him too.

4) Tree climbing and strength

Oh, Bad can an will climb down a tree like a full-on creepy creature he is: head down, using only his claws, with Skeppy tucked under one arm. Maybe not even upside down, if Skeppy is lucky, and wasn’t too annoying about wanting to stay up on the tree for the night :D

5) Meeting other spn creatures

Oh, that’s a big question (: Yes, they do meet other cryptids, befriend some, and get in trouble with some, and deal with a handful of new and old spn troubles :D

I always thought that Bad and Skeppy’s life after the main story can make a series of short stories (or one big episodic one) dealing with exactly that: the guys traveling around, meeting other cryptids, learning more about themselves and the world, trying to build a life between human and supernatural crisis going on. Just like In The Dark it can based on the mix between the real life and the minecraft-verse events.

I wanted to focus more on finishing the main story first, though, so these stories are not as sought through, I didn’t even write down any of them yet :D

But if you have more concrete questions, ideas, or suggestions (about a specific person, or a specific thing happening) – write me, I’ll think about it, and how it can work with the theme and worldbuilding I have in mind.

6) Stealing + Protectiveness

Skeppy can sometimes forget about, ahem, moral principles, or human decency… emphasis oh “human”. He’s nature and different worldview it gives, it seeps through in his life and actions even more with age. Especially after he’s been away from actual people for a long while. So, I guess, he might at times steal something that is very important to someone, or do something that could be considered weird or rude in general.

And if Bad really needs something, or is in danger – all rules are down. If there is no one to reality check Skeppy, he might proceed to walk on heads, and commit risky and reckless crimes just to help or save Bad.

They both are quite bad with that, the protecting each other thing. Bad, tho, can be more fiscally violent in his protectiveness.

7) Adrenaline and rollercoasters

Well, it’s not that Bad likes adrenaline specifically, he’s just very curious, likes to try new things, and is almost unkillable. So he can just- just go for everything that’s interesting for him with reckless abandon, and if it goes wrong – welp. Bones can heal limbs can regrow, and the cool abandoned caves will not explore themselves. He’ll have to learn to ease up with lack of selfcare though. Because Bad can’t always leave Skeppy to fend for himself, while he heals, and Skeppy does NOT like seeing Bad getting hurt so much, and not caring about himself at all.

This probably comes back to Bad dealing with his spn nature and learning to make peace between it and himself. And to his anxiety, and unhealthy coping mechanisms.

And hey, it’s the same for Skeppy and his lack of adequate moral compass at times :D

There will be a lot of tension and growing they’d have to do in regards to all this.

Also Skeppy is the one who’s really into chasing the thrills :D Man spent nearly half a year annoying probably-murderous-forest-spirit just for little not-boring fun, jeez :DD

Rollercoasters are a no go, tho. They go up in the air, real high, and, once again, Skeppy and highs do not mix, they do not mingle, they will not have tea parties (with or without bears). Unless, of course, Skeppy really needs to prove something. Then he’ll go on a ride, and die an honorable death, and will never admit he screamed all the way through it.

8) Dates

(*insert an innuendo from Skeppy here*) But, ahm, actually I’d say they love going on picnics: getting food, and hanging around in the nature for a while.

And I honestly donno what I like to think about the most… I just really enjoy the vibe and the atmosphere of the whole story, and how Bad and Skeppy interact in general.

It all is a real delight to write about :D

---

In The Dark - masterpost

[monicashipslokius]

Soulmates, Actually Pt 4

(read part 1/part 2/part 3)

A sharp, shrill alarm blares before the sun has even risen, rousing Loki from a perfect slumber. Loki groans their disgust, but it’s muffled in the meat of Mobius’s shoulder.

“Easy, sunshine,” Mobius says, and the infernal man is actually trying to move.

Loki grumbles louder. Mobius, chuckling, eases Loki away from him and onto the pillow instead. It’s not the same - too soft and not nearly warm enough. Loki clings tighter around Mobius’s waist in retaliation.

“We talked about this,” Mobius says. “I have to go back to work today.”

Loki huffs in frustration as they let Mobius remove their hold and lower their arms to the bed. The pillow is a poor replacement.

For a moment, Mobius brushes Loki’s hair back away from their face. His fingers linger, feather-light, at the edge of Loki’s cheekbone. Too soon, the touch is gone.

“I’ll be back at six pm sharp.”

Loki rolls onto Mobius’s side of the bed and falls asleep again.

When they awaken, the sun is bright and the sheets are cool. Loki’s stomach rumbles. They groan as they pull themself out of bed and finally face the day.

The long, lonely day.

A week has passed since Thor’s departure - a week of Loki and Mobius redecorating and cuddling and learning each other.

They bought six plants of varying sizes, new drapes the color of the ocean, and a soft bedspread to match. Mobius fixed up the broken bathroom door, and Loki hung a few new art pieces and string lights.

The La-Z-Boy they arranged in front of a small boxy television set became a fast favorite.

“What did I tell you?” Mobius said the first time Loki relaxed deeply into the recliner. “It’s the perfect throne.”

Mobius may not understand color palettes, but the man knows comfort.

“It will do for now,” Loki told him, not wanting to give too much away.

Mobius’s smile never wavered. “Mmhm.”

Now, Loki drags themself to the kitchen to make a sandwich. Ten minutes later, they are perched on the recliner, plate on their lap, watching soap operas on television.

Claudio is surprised to find that his fiance Regina’s twin sister Georgina has been behind all of his misfortune, but the plot twist has Loki rolling their eyes.

“Amateurs.” Loki bites into an apple slice.

The hours tick by. Loki watches the anchor-shaped clock that hangs in the kitchen - much of their new decor has an ocean theme. But the more Loki watches the clock, the slower time seems to pass.

Time flew by with Mobius here. But without him...

After the soap operas, the courtroom shows begin. And then the news programs. Loki walks laps around the apartment while listening to the weather forecast for the third time - partly cloudy with a 30% chance of rain. The cost of gasoline is skyrocketing. The local high school football team might make county finals, whatever that means.

At quarter to six, Loki thanks the cosmos. Finally. Mobius will be home and put an end to this monotony.

Loki cleans up a bit, dusting some crumbs off the arms of the recliner. They place the plates in the sink.

Then, because they don’t want to appear too eager, they grab a book and stretch out on the bed.

Six o’clock comes and goes. Mobius does not arrive.

By seven, Loki is annoyed.

By eight, they are angry.

By ten, they are concerned.

Dubuque seems relatively safe. And Mobius has lived here alone for a long time before Loki.

But Loki has enemies. Many, many enemies. All of whom would be more than happy to get their hands on their soulmate.

Mobius is probably fine.

But what if he’s not?

At eleven, they are examining the photo of his office building that Mobius keeps on the dresser. Mobius had taken them to see it in the past week, though they hadn’t gone inside. It wasn’t too far a walk, if they recall. Loki is certain that they could find it again, even in darkness.

So they change into a black suit and hurry out the door. The Dubuque city streets are barren this time of night. Loki encounters no one on their trek to the office - until they barge through the front door and are stopped by a security guard.

Loki promised Mobius that they would not hurt anyone, so instead they create a projection of themself to distract the guard while they themself head toward the elevators. Following the signs for the data analytics department, they ride the elevator to the fourth floor.

They step off the elevator into a darkened field of cubicles. Each is the same - small desk, computer, and chair. All are empty. But Loki isn’t alone here. They follow a light through the cubicle maze and come to one that is occupied.

Mobius has a foot-high pile of files on his desk. He’s tapping at his computer keyboard with the index finger of each hand and peering at the small monitor.

“Mobius?”

Mobius jumps, then clutches his chest. He exhales when he sees Loki standing in the opening of his 3ft x 4ft cell. “Give a guy a warning next time.” He smiles. “But it’s good to see you. How’d you get here? Security let you in?”

Loki only frowns at him. “You said you’d be back at six.”

Mobius’s smile loses some of its brightness. “I have to work a little late. Next time we go out, we’ll get you a phone so I can call and let you know -”

“’A little late?’ Mobius, it’s been hours. I thought you were...” They won’t give name to their truest fears. That Mobius had been kidnapped or killed. Or perhaps that he had finally seen the true darkness in Loki and left of his own free will.

Mobius shakes his head. “Come on, Loki. It hasn’t been that long. It’s only...” He glances at his monitor. “Midnight? That can’t be right.”

“I assure you that is accurate.”

Mobius sits back in his squeaking chair, and rubs his hands over his face. “I’m sorry...” He releases a drawn out sigh and his whole body droops. “Boss was cheesed that I bailed on the conference. I have a lot of work to make up.”

The stack of folders towers over Mobius’s slouched shoulders.

“Would it helped if I -”

“You can’t kill him,” Mobius says.

Loki closes their mouth. Tries again. “He needn’t be killed. I could simply... frighten him.”

Mobius shoots Loki a flat look.

“Fine,” Loki says, disappointed. “But what is your intention? To stay here all night?”

Mobius side-eyes the folder mountain. “I’m going to have to.”

“No.”

Mobius sighs. “Loki -”

“This is a place of employment, Mobius, not a living space.”

“It’s my own fault. I should have come back sooner.” He rubs at the corner of one eye. “Maybe I should have stayed at the conference.”

The words stab Loki between the ribs.

“Magicking away was not my best idea,” Mobius says. “I shouldn’t have run from my responsibilities. I’ll never catch up on this work.”

More stabs, a thousand tiny cuts.

“So you regret everything,” Loki says, fighting hard to keep the hurt from their voice. They are disappointed by their own surprise, their own pain. They had thought Mobius was different. They should have known.

Thor was wrong when he said no one could hold Loki’s interest. It was the other way around. Loki protected themself by leaving before the other could get bored. They should have done that here.

But they thought...

Mobius is supposed to be their perfect match.

“No, hey,” Mobius jumps from his chair. That’s all it takes to put him in Loki’s space. Loki takes a step back. “That’s not what I meant. I don’t regret everything, just some things.”

“You regret coming with me when we escaped.”

“N-no,” he says, but not without hesitation.

“You could have stayed. They weren’t chasing you. You could have told them I brainwashed you and gone on with your day.”

“That’s not what I’m saying.” The bags are heavy under Mobius’s eyes. He’s tired, Loki knows that - but Loki’s tired too. Sitting, waiting, stressing.

The room sparks with tension. Loki’s pain festers under their skin.

And Mobius regrets.

Loki takes a breath, searching for calm. For understanding. For their soulmate. “Come home,” they say, “And we can continue talking in the morning.”

Mobius exhales again, too sharp. He places his hands on his hips and looks at that damned pile of folders again. “I can’t go anywhere.”

“Mobius -”

“This is my life, Loki,” Mobius tells him. “Data analysis is my life. You have to understand that.”

Something dark in Loki’s chest snaps clean in half. “This is your life. This.” They wave a hand around. “This tiny box in a sea of tiny boxes. Where everyone else has left you here in the dark. Where your employer buries you under papers so deep that you cannot find your way out of them. Is all this extra work truly because you left the conference? How often would you work late before I arrived?”

Mobius looks away, and Loki knows they’re right. The answer, too often.

“Are you at least receiving additional benefits for all this extra time spent here?”

Mobius still won’t look at them.

“They are taking advantage of you, of your loyalty, and you are letting them.”

“You don’t know what you’re talking about,” Mobius snaps, the sharpest he’s ever spoken to Loki.

Loki stands taller. They’re used to anger, to cutting words, to pain - more than they were ever used to kindness.

“I am trying to protect you,” Loki says.

“I don’t need protection from my job.”

For one wild moment, Loki thinks of grabbing those folders and tossing them across the room. They dream of throwing Mobius over their shoulder and saving them from this drab place and its tan carpet and eggshell walls.

Instead, they insist, “No, you do. You owned three photos when I first met you: one of your parents, one of a jetski, and one of this office. Can you not see how depressing that is?”

Mobius face hardens.

“You are meant for better things than this. When was the last time you even rode a jetski? Or had fun of any kind?”

“I’m an adult. I don’t need fun.”

“That is absurd.”

Mobius’s brows draw together. “Listen, not all of us could be born into royalty, and just go around doing whatever we want all the time.”

Born into royalty. A fresh sting, not one Mobius could know would hit so hard. But it does all the same. Loki steps backward from the force of it.

Mobius unhooks his arms. “Loki -”

Loki shakes their head. Mobius watches them, confusion replacing frustration, followed quickly by concern. He lifts his hand, but Loki steps back again, further out of reach.

“It’s fine,” Loki says, lying. “Stay as long as you like.” They bury the pain down deep. It’s familiar, an old, hated friend. “I wouldn’t dare dream of treading on your unhappiness.”

Mobius drops his hand. “I am happy. I am perfectly happy.”

“Good,” Loki says.

“Great,” Mobius says.

“Wonderful.”

“Fantastic.”

They stare hard at each other. Loki refuses to look away first.

When Mobius finally does, turning back to his cubicle and his chair and the stack of folders, disappointment floods through Loki.

They don’t wait to be dismissed, they turn and leave on their own.

*

Loki does not return to the apartment. Instead, they walk and they walk and they walk. They almost hope to be accosted by vagrants, so as to release some restless energy in a fight, but they see no one. They reach a river and follow it into a forest.

They sit along the riverbank and watch the sunlight crest over the trees.

Maybe they shouldn’t have surrendered the scepter. With the tesseract, they could have traveled anywhere. Now they are limited to the distance of their own two legs. Not that they would know where to go anyway.

The only place they want to be is back at the apartment with Mobius.

It’s evening when they eventually make their way back there. Their stomach growls, and they’re thirsty and tired. With some food and a good night’s rest, perhaps they could leave again with a plan this time. Hire a taxi to an airport and take a plane. Find a city of decadence and lose themself for a few decades.

They don’t expect Mobius to be home. It’s only shortly after seven, far too early for his beloved late nights. Yet as they place the key into the lock and start to turn, they barely have time to remove it before being yanked forward into the apartment and into a crushing embrace.

“Don’t leave me,” Mobius says. His arms are sure around Loki’s waist. His nose is buried in the crook of Loki’s neck and shoulder. His words are muffled by Loki’s forest-dirty suit coat. “I’m not happy. I haven’t been in a long time. Not until you. And not without you.”

Loki sags into his arms, and he holds tighter, keeping Loki upright. Keeping them safe. They close their eyes and let the warmth of Mobius’s body chase away the chill of the Iowa evening air.

“You scared the hell outta me,” Mobius says, voice shaky. “I looked for you everywhere, but I kept checking here. I kept hoping you’d come back. I’m so sorry.” Mobius leans back. He reaches up and cups Loki’s face between his palms. Gently, he rubs his thumbs over Loki’s cheekbones. “I want to be good for you.”

“How could you think you’re not?”

Regret shines in Mobius’s eyes now, more than it ever did during their argument. “I hurt you. I don’t want to ever do that again.”

Loki places their hand over one of Mobius’s on their face. “I hurt you, too, I suspect.”

“No, everything you said was right.” He swallows. “Work’s all I had for so long, and when I was back there, and they started piling it on... Everyone else in that office has always had someone, so before I would take on the extra work myself. It was better than coming home alone. It’s a hard habit to break. Loki, I’m sorry.”

“You don’t have to do this.” But Loki still wants to hear it. Each of Mobius’s words are a balm over their pain. Mobius keeps going. He doesn’t even stop for breath.

“I lashed out at you, and I only did that because you were right. And I didn’t want to hear it. But then you were gone.”

“I’m here,” Loki says. “I’m here now.”

“I am a lousy soulmate.” Mobius smiles, but it’s too soft, too sad. “After so long alone, I don’t think that I know how to be with somebody. But I want to learn. I want to deserve this, with you.”

“Mobius,” Loki says, and their mending heart threatens to break again. “I am no great prize.”

Mobius starts to laugh. “I’m trying to be serious, Loki.”

“I am too,” Loki says, and whatever Mobius sees on their face stops the laughter. Loki studies the softness in Mobius’s gaze, the adoration, the great care, memorizing as much as they can, in case this is the last time they see it. “I’m a monster.”

Mobius, voice flat and unamused, says, “Be serious.”

“I was not born to royalty. Not like you think,” Loki says and waits. Dread rolls over them in waves, but Mobius does not react more than a slight cant of his head. “I’m not...” It would be easier to show him, but Loki can’t. If they do, Mobius will change all of his sweet words. He won’t stand to share this small apartment with them any longer, and Loki will be back on that riverside. “How you see me is not... how I am.”

Mobius is patient. Mobius waits. Maybe Loki wasn’t wrong about Mobius after all. Maybe Mobius, like them, is imperfect and a little afraid but trying.

Slowly, Loki pulls Mobius’s hands from their face so as not to burn him with the cold of their skin as they lift the glamour that hides their Jotunn form.

They want to look away, to hide from the horror they are sure to see on Mobius’s face, but simultaneously are too desperate to see any and every reaction.

Mobius’s eyes grow wide. His lips part. He blinks a few times.

“Loki,” Mobius says, and Loki braces for fresh heartache. But then he smiles, real and true and bright, a lighthouse in a lifetime of hurt. “Blue like the ocean.” The adoration never dims from his eyes. “You are beautiful.”

*

Mobius insists he doesn’t care, but Loki only feels comfortable again with their glamour restored.

“Either way,” Mobius says, and sends Loki off to the bathroom to shower and change. “I’ll have dinner ready by the time you’re done.”

When Loki leaves the tiny bathroom in their silk pajamas, they find the small two-person table lit by candlelight. Mobius stands beside it, wearing one of the dark suits Loki picked out for him at the store, with a deep green tie that’s slightly askew.

“What’s all this?” Loki asks.

“I know we’re soulmates, and our fates are destined and everything,” Mobius says, tugging at his collar. A bit of pink dusts his cheeks. “But some things should be done the old fashioned way. I want to win your heart, so I thought...” He clears his throat. “I want to wine and dine you. Properly.”

“Ah.” Loki slides further into the room, heart lighter than it’s been in the past forty-eight hours. All the lingering hurts are mended. And Mobius looks delectable in that suit, just as Loki thought he would. Loki strides right up to him, reaches out, and adjusts his tie. “You are attempting to seduce me.”

Mobius’s cheeks redden. He glances away for the briefest of moments before his eyes return to Loki’s face.

“You are everything a guy could want,” Mobius says. “More than I ever dreamed.”

Loki finishes fixing Mobius’s tie, but leaves their hands flat on Mobius’s chest. Mobius takes one and brings it to his mouth. He places a kiss to Loki’s palm.

Loki shivers, but not from any cold.

“Loki,” Mobius says, giving so much weight to the name - things unspoken, maybe not ready to be said, but are known - so known, and ready to be shown.

Mobius leans, and Loki stays very still, waiting, wanting but so, so afraid.

Mobius stops just out of reach. His breath hot on Loki’s lips, he asks, “Can I kiss you?”

Loki swallows all their fear and whispers, “Please.”

Mobius closes the distance and presses their lips together.

Fireworks ignite in Loki’s chest. Their heart thunders. Their hands itch for more, so they grab Mobius by the shoulders and hold, clinging, ruining the new suit and not caring at all.

Mobius cups Loki’s jawline, guiding them closer, tilting gently, positioning Loki just as he wants them. Loki goes willingly, opening their mouth as Mobius licks his way inside.

They should have done this long ago. They should do this all the time. This should never, ever stop.

Loki moans as Mobius’s fingers comb into their hair. Mobius breaks for air, tilts his head, and comes back for more. Loki holds Mobius so close, they are certain their heart beats straight into Mobius’s chest.

It’s perfect, passion incarnate, and Loki wants so much that they -

Loki’s stomach growls. Loudly.

Mobius smiles against Loki’s lips.

Loki groans as Mobius plants one more soft kiss and pulls away.

“Wining and dining time,” he says with a wink.

Loki is both endeared and annoyed. “I will have more of this.” His stomach grumbles again. “After dinner.”

Loki doesn’t miss the flush of Mobius’s cheeks, even as his easy smile returns. “It would be my absolute pleasure, and I mean that.”

[botwstoriesandsuch]

hey Kip! I’m sending asks into different writer’s askboxes, inquiring about cool themes/development facts/stuff the author wants to share about their personal favorite work of their own. What’s yours? :)

Ok so this ask is old and when I first got it I was like “dang I don’t really have a lot to talk about, what should I talk about I could those revalink headcanons the Kip Cut that turned into a working fic uhh hmm maybe I’ll just make something new to talk about real quick” and then I did and now there is a 12+ chapter Revalink fic in my drafts and I’m gonna talk about that now, whoopsie doopsie [click "j" to skip]

aHEM, OK so allow me to break out the primary school white board because yeah, I have a lot of thoughts and the oxford comma has not yet made it’s home into my brain. oh and spoilers for paraphrase. for both all of Chapter one and future events in later chapters, but it’s really nothing you couldn’t surmise from the AO3 tags

so I really wanted to tell the story of Revali and Link learning and struggling to love again after the less-than-fortunate events of Botw, but I wanted a...how you say...fresher, approach on the subject? Like I know we always say that fanfic writers writing the same tropes and stories time and time again is good because we eat that shit up--but at the same time I had asian parenting as was told never to half ass anything ever, no matter what. So now I'm gay and extra and have depression maybe and oh would you look at that @motherhyrule has dropped a beautiful revalink prompt right into my lap

Great so now that we have, that, I shall take you on the step by step process on how to make a :sparkles: story. So step one is to spend at least five to eleven business days for your white board to dismantle your genre and themes and work them around your character arcs. Luckily I have prepared one ahead of time

s*breaks out those laser pointers that uni professors use* So let's start with defining genre. As define because I HATE you, fuck you. I want you to suffer and writhe on the ground, motherfucker. How dare you think that I would give you nothing but pure predictable fluff, fuck you and yours

is the set of expectations that your audience has when consuming a piece of media

And the great thing about fanfiction is that unlike movies or book where the genres are more vague like, "oh it's a noir mystery genre. so there's a crime, maybe a murder, and a detective and a criminal." or "oh it's a teen romance. so there's some white people and a morally questionable six-pack 18 year old love interest that will be painted as desirable for some reason" BUT with fanfiction HALF of the work out the window, because as soon as you see those #revalink #aro sidon #zelpha #revali is an idiot and #found family tags you already know what's up.

Now what's so great about genre and expectation? Well the fun thing about it is that

I will use it to fucking break you.

... ... ...

<3 For example! <3

In Chapter 1: Holes, you already expect there to be revalink, you already expect them to be soulmates with the soulmarks and there's angst and yadayada ya. Revali and Link have to match because thatttss what this is all about, this is about them! This is about cute, little soulmarks and romantic words!

But whoooopsie doopsie [disney channel laugh track plays] they DON'T match anymore! Link's got a different mark! The number one rule of this entire genre has been broken whoooooooooooooooops. *ba dum tiss*

You might notice with a lot of my writing that I do this a lot, this whole..."oop but there's one little thing that's different." TebaSaki sick fic? Ok cool, but what if Teba burns an irreplaceable relic of the Rito champion to fight a wizzrobe first to characterize why his dumbass clicks with Saki. Mipha deciding to persue Link? Ok what if she chases after a dragon to externalize this conflict as she pierces it's flesh for a scale. Link fighting a Lynel? Ok but what if it's actually a sidlink angst fic in disguise and it's also world building on how Link deals with the bloodmoon that erases all of his efforts which is sort of similar to how his existence was erased from Hyrule 100 years ago mwaahahaha! Ok now that I say this outloud I think I just have a pattern of using fight scenes to externalize character growth. I like fight scenes...anyways.

I think another great thing about the realm of fanfiction is that with the tagging system, I can basically use a chekhov's gun sort of deal, without doing any writing. You know I'm gonna use that gun marked "soulmates" but you don't know when I'm gonna shoot it, and you SURE as hell don't know how.

And huzzah! One of the main points of conflict both drives the tension between Revali and Link, solidifies the unique genre and setting of this world, while also creating a new mystery that will carry over for the next few chapters.

Is Revali right in that Link's rebirth makes him destined for someone new now? What will Link do with the information that his soulmark has changed? Why did it change? Did Revali's change as well? How does anything fucking work right now?

And sure, you might be able to tell where things will end with them, but you sure as fuck will not know how because I HATE you. Fuck you. I want you to suffer and writhe on the ground, motherfucker. How dare you think that I would give you nothing but pure predictable fluff. I am not your goddamn fairy godmother, I will do as I fucking please. You will suffer as you fucking deserve, fuck you and your little tiny--

/j

Oh! But you might have noticed on my little planning whiteboard thing that there was a little T-Chart! For Revali and Link! That's because the next important thing besides plot (and in a lot of cases, including this one, it's argued to be even MORE important than plot) is

~CHARACTER DEVELOPMENT~

[to the tune of that history of the world video on youtube]

So yes, it's a little T-Chart outlining their character views in relation to the themes. And the great thing about themes is that they're not something you can necessarily predict in the same way you can with the genre and plot.

But now see, I'm very lazy so I'm just gonna plagiarize @hyrule-kingdom-updates thingy [that you should read btw] because they said my point quite clear enough

Now I don't really need to care about those points about bond and relationships and being understood, because I'm dealing with already established canon characters. I'm not some NERD who dabbles with entire casts of ocs who even cares about ocs not me that's for sure ahaahahaahahahahahaahahahahahAHAHAAHAHAHAHAHAHAHAHAH *cries in my orphaned WTTU fic* AHAHAHA*sobs*DONT FUCKING LOOK AT ME THAT WAY I SWEAR--

/j I love ocs

But the points I do wanna focus on is the idea that characters provide new perspectives on the theme, and that characters growth can be tracked based on their wants, lies, and needs.

So see, themes can be predicted the same as genre/plot because while you can have the same fanfic plots and tropes, theme will always vary!

Sometimes it's a journey of selfworth with Revali! Sometimes it's an exploration of trauma with Link. Sometimes it's about how you deal with the vulnerabilities of love with Mipha. Sometimes there's straight up NOOOO theme, and people just be fucking, and kissing, and baking, and having a good time. And that is totally fine too!

But I'm not a fucking coward.

I'm gonna weave in themes with my plot, because I fucking can.

I'm not a weakling like you.

Do you hear me, 2019 Kip? Do you hear me Demmers? Do you hear me Quill? I'm coming for your ass. You think you're so great, but I'm coming for you. Rest assured that your graves will be as deep as your sculptured pride--

Heeeere is that T-Chart again, plus more!

yyyyyYou might notice that Revali and Link are quite parallel, to paraphrase. Ayoooo, see what I did there? *dabs* I'm a genius. Anywho

They both start off the same way: 100 years ago they were in love and happy. Basically the equivalent of childish naivety. For the first time in their lives, life is whimsical and charming, and they make each other happy. In fact, it's almost a flaw with how they perceive this happiness. But don't worry! It doesn't last long!

You know what happens.

I think the chart is pretty self explanatory. Revali builds walls fast enough to give a republican a wet dream. Meanwhile Link makes every aromantic in the chat groan with his doubled down sentiments in the idea that his chances of being truly happy again are gone.

Now, I can't exactly describe the full on process of the inbetweens, and where Revali and Link are gonna go from here, because...you have to read it for yourself! Heehee...but something I did think was fun was how these character views on the themes are revealed. Because you'll notice that, I never give exposition. Ever.

Ok well, let me rephrase that. I never give exposition scenes. I will never give you a big LOTR fancy wizard scene explaining the ins and outs of a character's question or the world's magic or whatever. I'm a very impatient Kip, and I value efficiency. Nonono, it's all about multi tasking, baby!

Chapter 1: Holes is divided into three parts.

Post 100 Years - Medoh (Establishes Ghost Rev/Bonk Head Link's view)

100 Years Ago - Flight Range (Establishes old Revalink views)

Post 100 years - Mark (Develops Ghost Rev/Bonk Head Link's view in contrast to who they once were)

I think the way that you structure flashbacks is incredible vital, as it's a very quick way to characterize people without having them say stuff like "I used to be like you, until I took an arrow to the knee" or whatever.

And with the main structure of the chapters and the fic as a whole is focus on their characters, that means I can hide whatever other stuff I want in those scenes, becuase you're too busy absorbing the fun character stuff to realizing I'm giving you boring exposition. Like for example:

Post 100 Years - Medoh and Mark

Foreshadowing for the end of the fic

Set up connection to Medoh with Revali

Link has defeated Windblight

Link has been visiting Revali every night for the past few days

Link has already met Kass and presumably Teba

Link doesn't have the Mastersword

Revali's Gale is still an ability that needs master and practice on Link's end

And that's just some of the stuff.

And see, the only reason I can efficiently give all of this information regarding character, and even exposition, is because of the theme. The themes make everything relevant, and everything circles and encompasses one another, so there's absolutely no wasted space. I mean don't even get me started on how it's gonna be to characterize the other characters around this

I don't wanna talk about the other characters too much either because that's spoilers, but you can probably take a gandar based on my notes.

And oh my god this is just on the theme of the faults that come with "soulmates" and "true love" and all that, and how even magical destined relationships still require work and effort, and that no one thing or person solves all your problems. And that's not even TOUCHING the shit on trauma and scars. I didn't think it was even possible for me to talk about botw without touching on that, ha. Ah well, I've been talking for too long.

Revalink has a lot o' writing potential so das pretty cool yeah, I am excite

[marshallpupfan]

Marshall Merchandise Wishlist

Here’s something I’ve been meaning to post for a long time. Just for fun, I figured I’d list off some Marshall merchandise I’ve been trying to obtain, but I haven’t done so yet because of one reason or another (cost, availability, etc.).

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All-Stars/Sports Day Vehicle I had no idea this existed until I found a listing for it on Ebay. Sadly, it was grouped with two other items, and the seller wanted $100... and that’s before shipping and tax. I’ll hold out for a cheaper one...

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(There’s many more pics, but I didn’t want a large post to clutter everyone’s timeline. Hit “Keep reading” if you want to see the rest.)

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Jumbo Movie Plushies I posted this not too long ago. As I said before, I don’t think they’re available in North America, so I’ve been keeping a close eye on Ebay.

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PAW Patrol-Themed Handheld Fans Someone posted this on Discord. They seen them at a 7-11 Gas Station, and the closest one to me is 150 miles away. I tried looking for them at other gas stations and places like Walmart, but no luck.

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PAW Patrol: The Movie Mini Plush I learned about this one on DeviantART. The user said they were sold at the theater where they went to see PAW Patrol: The Movie. Suddenly, I regret watching the film on Paramount Plus! lol

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Marshall Christmas Ornament This was released back in 2016. Naturally, most websites say it’s out of stock, and I’ve yet to see it on Ebay since starting my collection. No doubt this will be very difficult to find.

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Large Plush I learned about these on Twitter, thanks to the Japanese PAW Patrol account. Again, I don’t believe they’re sold in North America.

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Another Large Plush (25inch) I actually don’t know if this is a new or older product, or if it’s even available in my country (I suspect it’s not). It’s super cute, so I really hope to find one some day.

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Yet ANOTHER Large Plush Same deal as the others; not available in North America. I’ve seen a few on Ebay, but combined with shipping, it will cost $100. Maybe one day, when I get my own Scrooge McDuck money vault!

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16″ Ultimate Fire Rescue Marshall Plush I also talked about this one before. It’s my favorite outfit of his, but... yup... it’s not available in North America. We did get something similar, but it’s half the size.

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PAW Patrol: The Movie - Marshall Pencil Topper I found out about this on Discord, too. They come in those mystery bags, like those mini figurines. I haven’t seen any in North America, and when I asked the user where they bought it, they said........ a store in the UK. 😢

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There are other items I could post here, such as the many products by LITL and Daily 4 Fun... but many of those are, of course, not sold in North America. For a show made in Canada, why does it seem like so many cool things are only available across the ocean? lol

[factual-fantasy]

20 old asks that I should’ve gotten around to answering ages ago.. 😬

Daww shucks, I’m glad I could make this year a little brighter for you. :}

Aww! Thank you! I’m so glad! I’ll be sure to keep making it! :D

Oh yeah, this show has got some good angst factors floating around in it behind the scenes.

And really? Huh, I always imagined that he was just holding it with his hand draped over his abdomen. :/

Why thank you!  ღゝ◡╹)ノ♡

Hmm.. headcannons? Well... let me see...

I think that chances are? Captain Barnacles would teach some other crew members how to pilot the Octopod in case of an emergency. Like Peso, Tweak and Kwazii for example, maybe even Dashi too. Kwazii already knows, but I feel like he’d get some proper lessons in case of a serious emergency.

Also, I feel like Peso would be effected by this experience quite a bit. I always imagined that growing up with a huge family? He’s used to being surrounded by loved ones and safety at all times. Now that he’s an Octonaut.. he doesn't have much of that anymore. I imagine he’s always a little on edge because of that and doesn’t like to be alone. Imagine how alone and scared he must’ve felt when every single crew member was down and out and he had to pilot the Octopod through the roaring 40s! I still don’t know how he did it. 

Peso would probably become really jumpy and nervous for about a week after the incident. Not wanting to be left alone, especially not alone in the HQ. Because if he’s alone in there and something goes wrong? He might have to pilot the Octopod again.

I also feel like.. you know.. after seeing the Captain nearly pass out right in front of him? He’d be on edge and kind of following him around for a while to keep and eye on him. 

There’s a lot that can be said about the aftermath and how everybody copes with what they experienced. 90% of the crew was poisoned and then their medic had to pilot their ship out of water so rough, that even the Captain himself would call a challenging task. 

Just imagine if you were in the crew’s shoes, how would you feel if that happened?

I don’t blame you for not realizing I was gone, I forgot I was taking a break too XD.

As for the comfort habits? Hmm... I hope its okay that its going to be text and not a drawing. So, things that certain characters do to other characters to show affection? I cant be too sure..

For Captain Barnacles though? Its always a paw on the shoulder, its like his default. You did something very well/correctly? You in need of some comfort? He wants to show you that he cares about you? Captain Barnacles will manifest beside you and pat you on the shoulder. I think for this reason specifically, none of the crew members get startled when some one touches their shoulder suddenly. They instantly think its something positive coming from the Captain.

Maybe Kwazii would reassure them everything is going to be okay, and then go out on a mission to do everything he can to fix the situation? That sounds like something he’d do. Maybe he’s not too great at comforting people so he just seeks out to fix the problem that’s making them upset in the first place instead.

I feel like Peso would... uhm.. well.. hmm.. comfort habits, something he does do to comfort others... Uhm.. I mean, I know how he likes to be comforted, but not really how he’d comfort others..

Well.. uh.. I’m having trouble with this one. I think most of the other crew members would just stick close by to who ever needs comfort. No one really likes to be alone when they’re upset..? Sorry, my brain is mashed potato's right now, I cant think of anything coherent. <:/

If I remember correctly, I grew up with the UK version. I always would watch Octonauts on the family computer on YouTube. And YouTube only had the UK version it seemed so that’s what I’m familiar with.

It still feels so weird to hear Peso and Dashi’s new voices in the Netflix adaption I tell you what.

Daww thank you! I’m glad you like my silly little headcannons! Here, have another!

The Captain sleeps with a weighted blanket because it mimics the feeling of having a thick fur coat, which he grew up with and no longer has.

ᵇᵇʸ

Thank you!! UHG all these compliments! Its too much! XD

THANK YOU!!! :DDDD 

I mean, hey, yo do you man! I personally don’t ship anyone so its none of my business.  ¯\_(ツ)_/¯

Haha I will do my best, and hey! I’m flattered that you were drawn to my Transformers art! I feel like it was the least liked of my workings..

Thank you! That’s all so sweet!.. Although I wish I could say I don’t feel pressured to post more stuff.. dang near have and elephant sitting on my chest.

I feel like a case where they’d all have a sleepover is either just for funsies.. or if they all went through something really scary. Something that effected them all and they’re all still shaken up.

Perhaps then they’d all gather in one room for a night to sleep soundly, being reassured that every crew member is safe and accounted for.

If Ratchet ever did, he sure wouldn’t like him. XD

Thank you! I often use Peso’s, (and Dashi’s) British voice when thinking about his dialogue.

Hmm.. I’m not sure, I don’t know many shows. But I can probably guess what kind they’d like.

I can see the Captain liking light hearted shows/movies about family, what ever those medias may be.

Kwazii likes anything action packed and/or scary pretty much. Doesn’t even really matter what the shows about, he just likes scary and actiony things.

Peso probably likes lighthearted and comedy themed shows/movies.

Dashi probably likes romance movies, but the lighter ones, not the like.. rated R ones.

Shellington probably just watches documentary's and educational shows because he’s always looking to learn new things.

For some reason I feel like Tweak would like movies/shows that have a superhero type element to them. Like My Hero Academia for example.

I feel like Professor Inkling would probably like old timey comedy shows, like The Three Stooges! I bet he’d love that, and I’d totally watch it with him XD

They all seem like nice characters. Pinto is a pretty cool little brother, he’s always rooting for Peso you know? Aside from that one episode. Everyone’s siblings seem pretty nice.

Koshi is a little baby bean, best little sister ever. 

The Captains sister its awesome, 10/10, 100%, she’s fantastic. Giving Captain Barnacles silly nicknames and being supportive of him. Telling her cubs all about how strong and brave her brother is and junk, the best sappy supportive sister ever.

Pearl seems pretty nice too, she gives off motherly/big sister vibes. Over all I think the sibling characters are pretty neat and fun, I wish we got to see them more often. <:{

[steve0discusses]

S5 Ep6: Joey Wheeler is on Fire, Yet Again

Came down with a little sickness-not the biggie, just a little sly guy. But I took some meds, I’m a little floaty, I’ve only been listening to baroque music all morning for some reason? And I hate baroque music usually? But I’ll leave it to bro to tell me if this is fluid enough.

Just so you know, these caps were kind of a hot mess for a while and some of them read like that Garfield in of hot eat the food comic until...today. So pls don’t judge me, Judge my damn DMV where no one was following Covid regulations because I’m pretty sure that’s where I got this damn cold.

We start off with Roland getting more attention than he ever has in his entire life. Like honestly, I don’t know what Roland’s job really is...but he’s got a very diverse set of very useless skills. One of which, is knowing how to announce sports games that aren’t really a sport, while those games he’s announcing slowly fall into chaos.

Anyway, Roland’s taking so long cherishing his sweet time before everything goes to hell, that he’s boring Joey, who’s kinda turned into a ball of stress in the waiting room.

A lot of this episode is us watching them watching Joey having a break down moment by moment, TBH.

(read more under the cut)

Yugi telling Joey to study his cards and straight up--what?

Like at this point they know what’s on the cards, right? Like there comes a point where even Yugioh cards have a finite amount of words and I’m just going to assume that like...Joey probably knows them all in his own deck, right?

(bro note: they have no limit on what they will put on a card)

Then again, maybe Yugi doesn’t know what “study” means?

Also, appreciate how some artist crosshatched the hell on Joey’s nose there and I zoomed out and ruined it.

Now for some reason every duelist is hanging out in the duel lodge, including our current arch-villain guy who’s brought a book. I want to know what book this guy even reads so no one could suspect he’s actually a hacker who uses computers. He’s reading romance, right? And I don’t think he’d even be into Twilight, I think he’s straight up into hard core Mom romance like a lame ass Nicholas Sparks over there reading “Dear John” for the millionth time because he is completely un-phased by anything else happening in this room.

Joey, our hero, just out there being an asshole for no reason.

After Tea is pushed into a locker or something screaming about her need for female friends (which she screamed in earshot of Rebecca again, who I figured was on friends terms with her after last episode...but I guess not) Leon hops up to remind us that we should be caring about the fact that his character exists.

And like, I love Leon’s hair color--that’s a good choice, and legit that is the color I tried to dye my hair at the beginning of the epidemic (it didn’t work PS, my hair cannot take dye for the life of it) but also like...he just kinda feels like a weak Rebecca as far as characters go. He’s young, he’s good at cards...I think he goes to a private school? That’s all I can think of about Leon.

He mostly just reminds us that the big prize of this tourney is to duel Yugi, who anyone could have dueled at any point even without the tournament.

On the way out of the...duel room? lounge? Area? Joey decides to like...make peace with Zigfried, and I gotta tell you, I kinda have to side with Zigfried, because Joey spent the last ten minutes being a freak in the dressing room/lounge/bathroom and at one point looked like he was going to hold the entire locker room in a stranglehold.

I would also want some space from Joey Wheeler, is what I’m saying.

After insulting Joey’s style (which honestly, Joey...has a style? He pops his collar, that’s his entire style.) Zigfried assures us that Joey’s gonna lose and like...

...probably, right? Just looking at the plausible direction this season will go.

Anyway, Joey is such a mess (which is the theme of the episode, that Joey needs to learn to chill in order to win at card games) that Rebecca is like “I understand if all of you leave me to go help our poor baby Joey.” And no one felt bad for her.

Mokuba comes over to tell everyone all of the Kaiba family secrets because Mokuba has no filter.

Seto has devoted himself to staring at a computer screen for the rest of this episode. I guess he’ll put their names into Google, realize that social media hasn’t been invented yet, and then just lie his head down on the desk and take a power nap until the tournament is over. Much like I did after taking Dayquil this afternoon.

I like how Seto dressed for success and then locked himself in the server room for most of this arc so far. Maybe he’s just...really tired, I dunno. I don’t really blame the guy, he’s had a hard time.

And then Yugi was like “DAMN IT MOKUBA, JUST ONCE CAN YOU NOT INVITE THE ILLUMINATI???”

And we had a weird scene where Yugi just started talking to the ghost and it was while he was talking to everyone else, and the show didn’t treat it like that’s a weird thing to do...but it was a weird thing to do.

This show does that sometimes, where I guess they imply that Yugi’s Pharaoh conversations are split second conversations but...they’re not, right?

Also this chick ain’t gone yet, and Mokuba is just failing at his entire job for not zeroing in on vibes coming off this chick like stinky cheeseman.

So listen.

Did the Kaibas make like 3 types of Blue Eyes Caboose to one up Noah? Because Noah made one choo choo dragon, and then Mokuba and Seto were like “how dare” and then made sure that everyone ride every single version of the blue eyes caboose just to see how proud of them they were.

How many months of troubleshooting was the train? Like how long in development did Seto and Mokuba spend on these? A lot right? Like most of the time?

I did not check the subs to see if Roland said Jumping or Champion but I like to believe that Roland thought it was a cool new name he gave him.

Then these guys all showed up.

Hey so...can we talk seating arrangements?

Tea decided not to sit next to Yugi after complaining about not spending time with him for like how many episodes? Or was it too awkward to sit on top of what was probably Pharaoh?

Or did Mokuba go like “please, Tea, I cannot sit next to the others because I’m pretty sure one is a mole that is about to go cray” and was Tea like “Good, I need female friends, these ones are driving me crazy!” and then was Mokuba like peering desperately over the edge of his self made dragon train prison realizing he has to listen to Tea complain about boys for the rest of his ride across molten lava?

Headcanons abound about this weird seating arrangement that the animators drew for the reasons they did...but reasons I cannot fully understand. That and the Dayquil is making me overfixate on random stuff.

And also, Tea is kind of the Kaiba’s security’s understudy. Just there to always protect Mokuba with her ass because she’s the strongest woman alive.

PS I missed the tumblr wars because at the time I was trying to like...run a proper business on blogger. When Blogger died and I jumped over here it was like a weird ruin where everyone was like “tumblr is the most toxic place alive” and...I’ve had a really nice time here, actually. Completely missed that civil war period and I have no regrets.

Now I was there for the Petz wars (warz, I guess) where people were very militant about Petz abuse (abuze?) where apparently people were using the spray bottle on their catz too much and people were very, very upset about it to the point that they were like campaigning about it on their angelfire websites with the most bizarre grassroots campaigns that I still recall, to this day because they were like...well they looked like this:

PLAPA. Not only am I 100% positive that only this one guy ever called this movement PLAPA, but I’m 100% positive that not only are Catz not real people, but also this wasn’t actually happening and we never had any proof that it was. Either way, if people knew or suspected that you hadn’t deleted the spray bottle from your game (which at the time I had no idea how to do because I was a wee child) they would basically assume you were on a one way road to being a mass murderer in real life.

In real life we were 7 years old so like...thanks?

But that’s the closest I got to toxicity and at the time I was too young to make an email account and actually converse with these people. I was just there to download their Petz hexes, and I already made a post about how wonderful and incredible Petz Hexing was.

And y’all, I heard, just now after a little deep dive into the Petz Abuse debacle (which yes, is on the wiki), that apparently, like gardening, Petz Hexing came back in a big way during the epidemic--and I have found an active Petz forum in this the year 2021. The only problem is that I no longer remember how to use old timey forums...and I think I’m locked out of seeing most of these threads (and like this forum is so old I think I have to send them a letter in the physical mail to apply). But, I’m pretty sure they’re hosting a picture contest for who’s dogz poses the best. And I’m pretty sure someone created a hexxed Pickle Rick. Or it’s a photoshop that was made to look like a hexxed Pickle Rick.

Dammit why did it have to be Pickle Rick? That’s not worth re-installing Petz and getting it to run on Windows 10...

Guys is this the Dayquil? Is this really happening? I feel like I’m losing my mind for so many reasons...

Anyway, speaking about useless hexing it’s about time that our villain did something that was actually dangerous, so Zigfried decided to install a new virus that does more than turn off the lights. (it still turns off lights)

the Spreadsheet Virus!

Confounded by the spreadsheet software, it...um...it does this:

Straight up how does Excel make a volcano erupt? Is that why I have to pay for Microsoft office now?

All this because Joey made fun of Zigfried’s naturally pink hair? Which is the most normal hair on this series outside of like...Tristan?

Hey guys...Joey’s fine, right? Like how many times has Joey been on fire? And once in an iron cage next to like...a Fire Golem?

Joey’s fine.

MAN I miss Fire Golem. He had a good mug.

And then we just kinda watch chaos go across the park, chaos that includes: Too many ghosts in the haunted mansion (which honestly--you’ll get your money’s worth, sounds great!), the Ferris wheel goes kinda fast and thus might accidentally be fun, the lights turn off at some concert stage that only had 2 people on it (so it might just be motion detector lights and not even a virus), and um...literal fire and magma are going to set Joey Wheeler on fire.

Just...one of these events does not seem like the others. In fact most of these things sound like good improvements to the park and they should just hire Zigfried at this point.

Roland puts down his microphone and jogs across the stage, about a mile through the audience bleachers, and into the staff lounge, to go and bother Seto Kaiba, who is in a room that has a hi-def classical painting copy-pasted on the wall and I can’t look away from it.

I almost did a Google search on this painting but then thought better about it. There’s like...a billion classical paintings that look exactly like this, and they wouldn’t use like a Monet, they would have to do something that’s harder to catch to avoid copyright issues (because yes, even old ass paintings have copyright issues, but no one tell NFT’s which are going to be so freakin screwed and was such a bad idea, that I can’t even start).

Anyway, I have no idea who it is and it is legitimately driving me up a wall, but I’m on too much meds to do the effort of putting it in a reverse google image search.

Plus, a reverse google image search would only pull up Seto Kaiba.

So Kaiba takes us on a little flashback to his weird ass past, a weird ass past that just...doesn’t follow any of the established timelines, but I assume was shortly after adoption but before Seto got into a phase where he wore his school outfit everywhere and tried to shove his MMO off onto his Dad as a business model.

Seto is like 8 for some reason. I don’t know why, they kinda drew him younger this season anyway, like maybe they got a lot of fan mail and realized “Hey I think we made the 16 yo boy too sexy?” And they just toned Seto the hell down. That, and it’s a different animation team, and maybe they looked at Seto’s character design and were like “we don’t get paid enough to draw this well.” So...since Seto actually looks like a teen again, I guess his 12 year old self has to look like he’s in Elementary school.

Also, I only recognized this, because at some point in S3 as I was roasting Noah Kaiba’s weird fashion:

I remember distinctly roasting that little bow tie. I don’t remember when I wrote it, I think there was a version of this outfit that was in color...but I don’t remember where.

Anyway, it’s not the same jacket...but man that’s kind of awkward, ya? Like the maid who dressed Mokuba deffo got fired?

He um.

Turned the lights off a little bit.

Guys this villain is like...

...why does he think lights are scary? Like look at little Seto here. The boy is already bored. Seto duels on the edges of cliffs...he doesn’t care about the freakin dark.

We had a guy who killed everyone on the planet last season, and this season we have a little fashion gremlin standing in the corner and flicking the light switch going  “wooooo you never catch me!” and it’s like...

...I’m starting to think this guy isn’t a witch.

Like we’re at Episode 6, there’s still time for this guy to be a witch...but I really am starting to think this guy is just...straight up not a witch. It’s everything Seto wanted, a rival who isn’t a freakin magic person...and sets Joey only fake on fire instead literally on fire like last time...

and Seto is just completely unhinged by it.

Anyway, I’m off to go drink a bowl of soup and pass out. If you’re new here, this is a link to read these in chrono order.

https://steve0discusses.tumblr.com/tagged/yugioh/chrono

[talesofafangirlwithadvr]

Jan/Feb 2021 Picks

HELLO! It’s been a while, but I’M BACK!! Life has gotten a lot busier as I started Grad School this January. So, I feel it may be tough being on time with future Monthly Wraps like I’ve done in the past with working on my MFA, and my job. I’m going to probably do more seasonal wrap ups when I get the time. I also think I’ll be posting more individual posts as I watch an episode. Because even with a busier schedule, there is always time for TV and there’s so much I want to talk about!

You know the drill. Spoilers are coming.....

You’ve been warned :)

WANDAVISION

I want to start off by mentioning that I have not watched this week’s episode yet. So the last one I saw was EPISODE  6 with Halloween in the late 90s/early 2000s.

THIS SHOW! OMG.

I didn’t know what I was signing up for when I watched the first episode and I have been blown away. It is such a cool concept and I love the fact that everyone who watches it is confused. There have been so many interesting theories out there and I am so curious what is going to wind up being true. I love all the nods to old sitcoms and TV shows as well as all the MCU Easter Eggs. (I mean they got X-men’s Quicksilver-like WOW.) It feels really Black Mirror at times with the breaking of the fourth wall. I will never be able to shake the feeling I got in Episode 3, when Vision reversed. (And then I saw a bunch of videos with him looking at the camera as Wanda looks at the TV. Eww I don’t like it, but it’s such a good move on their point.) I love the outside plot as well and the characters who were previously side characters in other MARVEL movies. The love for Jimmy Woo is astounding and I’m here for it. I’m glad it’s Friday, so I can watch the next episode. I’m just upset that we’re so close to the show ending. The next Disney Plus Marvel shows better be just as good. Wandavision set the bar high.  

NANCY DREW

If you’ve visited this page recently, you know I have a very strong love for this show. It is the only one I am still watching religiously on the CW and I am tuning in the night it airs. (That is HUGE for me.) IT IS JUST SO GOOD AND I DON’T KNOW WHERE TO START....

2x05 just aired, which would have been the season 1 finale before COVID and I have it saved on my DVR to watch again. There’s just so much I want to relive and catch that I missed the first watch through. It would have been SUCH A GOOD FINALE, but I’m happy that we can continue with new episodes starting next week. And with the way it ended...there’s so much I need to know!! I’m just curious how fast they’re going to develop certain plots. I love the Drew Crew and how they are a family. Each character is so well developed and their chemistry is great. I love learning more about each of them and watching them develop. My favorite character is definitely Ace. I love all his witty lines and how he is opening up more to the group as well as to us, the audience, as we get more of a look into his personal life. I enjoy all of his scenes with his dad and specifically liked when they were celebrating Shabbat. (I am also here for the Nancy and Ace content. I gush more about this on my other blog: lydia-whogowith-stiles. Check it out if you want to hear more.)

THE WATCH

When I watched the Christmas special (or was it New Years? and why does that feel so long ago) of Doctor Who, BBC America kept advertising a new show called the Watch. Due to the extensive amount of commercials, I decided to tape the first two episodes (which premiered back to back) to see what it was all about. I was unaware that this series is based on the book series created by Terry Pratchett. When I came to see if people were talking about it on Tumblr, I saw that a lot of people didn’t like it because of how drastically different it was. As I was unfamiliar with the original, I can’t compare. The TV show was eight episodes and I just watched the last one that aired this past Sunday. I definitely liked the first half of the season more (I noticed my mind start to drift as I watched later ones), but thought the finale was good. I really enjoyed how they incorporated the theme song. I didn’t realize the connection earlier and now can’t stop humming it. (I don’t know if there will be another season or not.) I enjoyed the characters and how it was like nothing I’ve seen on TV before. It got me thinking a lot about blending genres. I would still recommend checking it out.  

ZOEY’S EXTRORDINARY PLAYLIST

I was VERY excited for this show to come back. I loved the first season so much. It’s just such a heartfelt show and it helped me survive the early parts of quarantine. So far, this season I am noticing how detailed the musical performances are. Mandy Moore is doing an AMAZING job. The choreography is *chefs kiss* I also feel like the song choices have been great and not always the ones I think that would be picked. We are getting to learn more about each character and watch Zoey and her family as they continue life after losing Mitch. I am here for Mo and Max’s restaurant. I think the concept would be so cool in real life. Who knows maybe we’ll see one now. (Max’s rendition of ‘Numb’ was amazing. I’ve never heard the song like that and I think it might be one of my favorites of the season so far.) I hope Max and Zoey get back together by the end of the season. It did feel fast, so I do understand why they had to break up, but it still makes me sad that we watched them get together and then it was taken away from us. The last episode before the break was so powerful and I think the show did an amazing job applying real world issues into their plot. It did not feel forced at all and brought so much awareness. Upset we have to wait so long for a new episode. 

SECRETS OF SULPHUR SPRINGS

Are you looking for a good mystery, but don’t think Disney Channel can provide it? Think again. I have to say, when I started watching I was not expecting this show to be a part of my monthly picks. It pleasantly surprised me. The show involves the mystery of a young girl, Savannah, who went mysteriously missing at camp back in the 90s. Apparently, her ghost still haunts the hotel that was on the camp grounds to this day. Then Griffin and his family buy the hotel with intent of fixing it up and reopening it after all these years. The people in the town think they’re crazy because of its past. But there’s something more going on with Griffin’s dad as well as some of the other adults in the town. They know something about Savannah’s disappearance, but aren’t saying anything about it. While this is a kid’s show (and only half hour episodes) it has been interesting to see where the story will go. I’m sure I am imagining much more intense things for her disappearance than what actually happened. It’s also not super cheesy or have bad acting, which is refreshing. (I really feel Disney Channel has gone down.) Either way, I don’t know how many episodes are left to air, but I think we’re pretty close to the end. If you’re looking for a quick, entertaining mystery I would highly recommend.  

MISS SCARLET AND THE DUKE

And here come my period pieces (ironically both from Masterpiece/PBS this time). I know last year I felt like I watched a lot of historical watches at the beginning of the year. We’ll see if that continues to happen this year too. It does serve as a nice escape. Plus, these are some really good stories. 

Miss Scarlet and the Duke is a part of Masterpiece Mystery on PBS, although it aired on a different network in the UK. It is (another) mystery series (shocking I know with that title!) It follows Eliza Scarlet who has a nose for mystery, but as a woman living in the Victorian era does not have any rights except for being a wife and mother (two things she would rather not be). When her father dies (apparently from a heart attack...emphasis on apparently), she takes over his Private Investigator business. Much to the dismay of long time family friend William “The Duke” who is a Detective Inspector for Scotland Yard. Eliza is often in his office as she gets arrested for being places she shouldn’t or trying to get information out of him. This element of Eliza having to work in a very male dominated Victorian society is one that I feel I haven’t really seen on a TV show. I really like her dynamic with William. There’s always that feeling of “will they won’t they,” but I don’t feel the show just focuses on that. The mystery is the heart of it all. This last week’s episode was REALLY GOOD. As we got to find out more regarding her father’s death. I hear a lot of people want a season 2 and I am right there with them. This show deserves it. 

ALL CREATURES GREAT AND SMALL

Another PBS Masterpiece watch. I love this show, so much more than I was anticipating. It is so heartfelt and makes me so happy and in a good mood after watching it. It follows James Herriot who has recently graduated from veterinary school, but is struggling finding a job. Then he gets a call from Siegfried Farnon’s veterinary practice in Yorkshire. Siegfried is known for having a harsh demeanor and temper, so the assistants he hires don’t often last long. Spoiler alert, that should be pretty obvious, James does. The cast of characters are so lovely and I like all their relationships with one another. The show takes places in the 1930s and I realized I don’t often watch things in this era, so that has been fun to explore. The sets and locations are BEAUTIFUL. In the episodes, we often get these amazing shots that sweep over the exterior and I want to travel to Yorkshire like tomorrow. (See more escapism, it’s great.) The main plot follows everyone interact in the town and watching James become a more confident and experienced veterinarian (which I decided I could never do after watching). I heard that it has been renewed for a second season so that is so fantastic. 

FATE: THE WINX SAGA

The first things I heard about this show was how disappointed everyone was in how they decided to adapt the Winx Club show from their childhood. On this I can agree, but I decided to watch the show anyway. I pretended that it was something new entirely and I have to say I enjoyed it. Of course, there were parts that bothered me and then I had to remember it was a teen show, so angst would be annoying. I think overall it was too short (and should have at least 8 or 10 episodes), but I’m happy that they were able to conclude the main plot well. (Although we did get that cliffhanger, but it is exciting that it was released the show just got renewed for a second season the other day.) I really liked Silva-mainly because it was great seeing Thomas from Downton Abbey in something else. I also enjoyed seeing Jacob Duchman in more things. It was a surprise to see him in Medici and I am just happy he is adding more to his IMDB. 

Quick and addicting watch. Add it to your queue. Just forget it’s supposed to be based on something else. 

BLOWN AWAY SEASON 2

Continuing with the Netflix picks, one of my FAVORITE picks from 2020 got a season 2 and it is already on Netflix! That’s right Blown Away season 2 is now available. I seriously loved the first season of this show SO MUCH! Glass blowing is such a magical process and I am mesmerized every time I watch it. It felt weird starting this show with all new contestants, but then Alex came back as a guest judge and I was so happy. It is just as addicting and I cannot wait to see who wins this season. I am just trying not to rush the episodes. 

VIOLETTA SEASON 3 UPDATE

I know you were all dying to know...

After taking a hiatus from watching during the holidays, I have gotten back into watching the Disney Channel telenovela on Disney Plus. I am now on episode 68. Things are really starting to happen and I am finding myself getting sucked in again, which makes me happy. Episode 60 (pictured above) had A LOT happen and really was a turning point for the second half of the show. Can’t wait to keep watching. Some really awesome songs from these last set of episodes. 

AND NOW FOR MY NOT LOVING IT PICK:

LEGACIES

This third season has really disappointed me so far. As I’ve previously discussed on this page, it feels like they are just reusing previous plots from the last two seasons when there is so much more they can do. There was so much promise for this show and I loved the Vampire Diaries and Originals so much, that it’s sad to see Legacies miss the mark. I wish they gave Hope more storylines that didn’t revolve around Landon. She is such a strong character and is SO POWERFUL. This is something we rarely see and it shouldn’t only be shown to save a guy (multiple times). Their couple plot is continually doing the same thing. I want to see a lot more development with this show over this season to keep me watching. I am actually happy that there isn’t a new episode until March 11th. (That’s saying something...) 

[wexhappyxfew]

i literally choked on my pizza when i saw your writing and analyzing questions post, I HAVE SO MANY QUESTIONS!! first of all, what sort of process do you go through when creating characters? what kind of things do you take into consideration when creating them? i’m fascinated because creating characters is far from easy, especially when you’re creating someone like agent mortem! i’m always interested to know what the writer’s thought process was when creating a new character!

okay, so secondly, i wouldn’t say i’m having trouble with keeping all my planning organised and ‘precise’ in a way, but it’s really not easy 😅 i was wondering what kind of processes you go through when planning, whether you have like a specific structure or a set of steps to follow, or if you just kind of roll with it? at the moment when i plan it’s okay and it makes sense, but it’s literally just 4 or 5 pages of really chunky paragraphs which makes it really difficult to pick out the events again when i come to needing the plan to help me. i don’t really know if you do anything different, but if there is any way you know of that i could keep it more organised and easy to follow, that would be great :)

i’ll keep the last ones a little shorter because this ask is already looking veryyy long — what have you enjoyed writing about natia, what struggles have you faced and what have you learned? and basically the same with agent mortem if that’s possible :) i have asked a LOT of questions in this, so don’t feel like you have to answer them all because it will probably take quite a while 😅 anyway, thank you for putting up with my endless questions, and i hope you have a good day <33

ROSE AH HELLO MY FRIEND!!!! <333 sorry ive just gotten to this omg! it’s been sitting here for a little while but i’ve just had so much going on right now and wanted to make sure when i answered that my *full attention* was put on this! (because i’ve been very excited to answer this ESPECIALLY as i see agent mortem questions poking up on here and that just makes me even more hype!!! :D enjoy! <3

Ooooo this is a cool question! I’ve been asked it before but I feel with different characters and such, it always seems to fluctuate for me at least? In the sense, it’s almost never the same process for me in the developmental stages of a character haha! Sometimes I get characteristics first hand, or sometimes a certain scene pops up that just makes the character click and I can build from there, or sometimes, it’s just a last name or a first name that I work with and suddenly have an idea for!

For example, since we’re on the general topic of Landslide, I’ll talk about some things I did when creating specifically Natia. The “Natia” who is currently portrayed in the fic, was not always really like that. Natia initially was not a SOE Agent/Polish Resistance Fighter and instead a Dutch Resistance Member who would meet with Easy in Episode 4. I always sort of knew Natia, in whatever form she was, would meet Easy in Episode 4, but I wasn’t sure how, so the building in the first 17 chapters was the toughest part to come.

I did heavily feel the Polish were underrepresented in terms of the situation of the war along with everything that happened in the Warsaw Uprising and so I felt it was important to see if I could do something with that and that’s really where Natia came into play!

Natia means “hope” essentially and something I really like doing with her character is to parallel or juxtapose different ideas together, to continue on this sort of theme of her being a quite ominous and ambiguous character — you get the general sense of what her morals are, but in certain points it’s questionable. Morally-ambiguous characters have always been fascinating to me, especially female morally-ambiguous characters and so creating Natia in that respect I felt would be interesting to see what I could do!

Something major that I’ve slowly began to take into consideration with characters more and more, is the sort of general theme I want to be present with them — what’s that goal i that they are moving towards in the end and what’s the them surrounding it? For Natia it’s a multitude of things; family, revenge, being silenced, numb, grief, mentor vs protégé, lone wolf etc….the list could truly go on! And with these basic sort of ideas and themes, I can then move on from there and expand.

Why did she want REVENGE? Because the enemy killed her FAMILY, which is extremely important to her, and she wants to feel some sort of REDEMPTION for them.

Why was she BEING SILENCED? Because of the *past* conflict of the HARMFUL MENTOR VS SILENCED PROTÉGÉ situation that occurred between Agent Mortem and herself, where she allowed herself to be silenced by someone who abused the SUDDEN POWER he never had before in his life, ultimately leading to her continued issues of TRUST that she would meet throughout.

Why is she NUMB? Because at a fairly young age she experienced heavy and intense GRIEF that struck unforgivably at a time where it seemed things were safe. To rip something from a character, especially the main character, like FAMILY which is extremely important, you pull at the heart strings and it makes that character move forward on a quest for that in a way, ultimately by the end of the fic. (Basically you up they are least get a semblance of that lost thing, found again by the end)

Why is she a LONE WOLF? Because of the MENTOR VS PROTÉGÉ situation yet again, where she was taught to rely strictly on herself and no one else and so when TRUST and COMPANIONSHIP and TEAMWORK were introduced to her character, she didn’t know how to cope because she had been so desensitized to the ways of Agent Mortem that working back in the morals of family and friends was a challenge in its own respect.

It’s sort of a like a ripple effect if you think about it and that’s what helps me eventually move forward and develop the character arc I want to take place. She’s this way because of this — sort of like cause and effect. It’s really helped me out with major scenes or plot holes that have risen throughout the fic!

AGREED! Writing in general is not an easy feat and now including mind you ORIGINAL CHARACTERS, you’re literally, essentially, creating human beings from scratch and giving them characteristics, a backstory, trauma if you wish, friends and family, people they love, people they hate, morals, standards EVERYTHING! ITS INSANE! AH AND AGENT MORTEM! I’m so very glad that you brought him up, because his creation definitely stemmed directly from the want to experiment with the relationship of failed mentor vs protégé, entirely. I wanted a foil to Natia that was not directly with her all the time. Mortem plays such a MASSIVE role in her story and yet any interactions between the two are either from her mind or from memories and that’s just such a fun way to play around with their dynamic! (I just finished the creation of his backstory and character arc I want him to take and it’s only made me even more excited for what’s to ultimately come for him as well as Natia!)

A song that HEAVILY represents their dynamic is Ghost by Marvin Brooks (2WEI) and I’ll explain why. Even though Mortem is not always inherently *with* Natia, he still is a huge factor of her life, and still heavily controlling many aspects of her life such as recurring memories, reactions, and how she is also conditioned to react to certain things as well. He is essentially a “ghost” who is “haunting” Natia and I feel that’s an interesting take on their connection because they’re two people who clearly had a power struggle and a difference of opinions of multiple things and that just makes it so incredibly interesting to write!

song:

OOOOOO good question!!! So many people have such different ways of approaching story writing and planning and drafting and writing and editing and it’s honestly amazing!! I will say, I’m not an excessive planner or even a real great planner with writing, I never really have, and even as I’ve developed my writing and learned that “it’s okay to slow down”, or “it’s okay to take time for different portions to provide a deeper focus”, I still have not been someone to plan out every bit of my writing.

Reason being is I enjoy seeing where I can take the story in that time and place. Maybe if I’m doing a quick little writing segment and suddenly this idea just appears and hits me, I work it into the fic and it takes it a whole new direction and I end up not being super upset about it because it just…it works! And of course, this is not how other people operate and I have every respect for people who plan and have every detail laid out and figured out and just….completely and utterly planned to the dot. Lile kudos to people who genuinely get the planning all cleaned up before even writing, truly.

I just finalized Agent Mortem’s backstory and where I want his character arc to go and I’ve had him as a character since August of last year LOL! But ya know sometimes, I sit and I think back and go, maybe I wasn’t ready at that time to develop him completely yet because I, the writer, didn’t understand him enough to and I had to write more of him to be able to get a grasp of who he was and his character (and just about everything else!) and that’s okay!!! :)

Going with this idea I just stated above — the 4 or 5 pages of info — KEEP IT MY FRIEND!!! I swear, half the reason ideas even come to me is simply because I just write a big info dump that has all my little ideas somewhere inside and will ALWAYS be there. I recommend maybe taking a day though - away from focusing on writing or editing - and just picking that apart. (That’s what I did the other day and it helped me out MAJORLY! and it was worth it in the end!) Maybe keep the original 4-5 pages and then copy and paste the same thing in another doc so you always have the original!

And then just go through and split ideas apart! If you start reading and see it moving into another realm of headspace of ideas, just press enter and separate the two — you didn’t delete it, it’s still there and still intact! It’s just easier to look at now because instead of two, jumbled and completely different ideas, you now have two paragraphs and portions of text that relate to their own respective idea. It definitely makes it an easier pill to swallow when trying to get yourself organized!!

This really helped me when I was in my beginning stages of figuring out Landslide ESPECIALLY the first 17ish chapter where Natia was not in contact with Easy yet. I’ve explained it before but those chapters are there because we are seeing her final days with the resistance in Warsaw and how she ultimately ends up with Easy PLUS we see who she is as a character by herself and how she is not merely an extension off of Easy, but her own character, her own person. She has her own story and her own morals and ways of going about her life that don’t even relate to Easy. Their paths just happened to cross!! :)

By getting those first 17ish chapters planned, not extreme planning though I will admit, half the scenes were very much thought up on the spot for example like Natia driving to Munich in disguise or the introduction of Zdzich — two very important scenes that show us something about Natia. (1) She’s willing to go to extreme lengths for the people she loves to ensure that in the end they are safe, even if it means sacrificing herself and (2) she has trouble realizing that there are people out there that genuinely care for her, a connection to her ultimate, unruly and upsetting past. And the best part about it is THESE WEREN’T EVEN PLANNED! So sometimes, just let the story take the reigns and your mind and just guide you through it. Sometimes it is for the best :)

If you have your basic ideas and concepts and themes for how you want your fic to eventually go, the scenes for me most of the time just appear I guess when they should. Sometimes even in the times I'm not writing, I sit theorizing and questioning and thinking and developing ideas in my mind and it's a real good exercise, so when you get back to writing, you already know where you want the fic leading in the end!

MAN I LOVE THIS QUESTION. Anytime I can provide some meta or give some insight to Natia who is just one of the best characters I’ve gotten the pleasure of working with, I’ll gladly answer!

The thing I enjoy writing about Natia the most I feel, and I’ll probably always say this, is her complexity — as a writer, her character orders a healthy challenge for me that I gladly have accepted! You don’t know everything about her as a reader and as you read each chapter, that’s how you slowly uncover and discover what she hid about herself to protect herself. There’s so many different aspects of her that I could discuss truly!! (There has been so many parts that I’ve scrapped because I read through and just think “Man this doesn’t seem like Natia!”. She’s tricky sometimes to stake down exactly how she would react because of her past and her trauma and how long she’s been in war, but I just LOVE it!)

Many different aspects of her character though, come from her past and that’s what makes her interesting. I’ve really enjoyed working with the ideology of “Chekov’s Gun”, a writing device that can be used, with how I will mentioned something and it almost might seem out of the blue, yet later it all just makes sense?! When the flashback is revealed or a small portion of her past is finally allowing *light* in. It's a device I've used with Natia that has just really helped to develop her story at the pace I want it to be revealed! :D

For example, the OCEAN is mentioned many times. I make constant reference to the WAVES, the RECESSION of them from time to time, the comparison of the OCEAN both ABOVE and BELOW surface — all of that sorta stuff! For her character, it seems a bit out of place. She’s COLD. She’s NUMB. She’s BROKEN. What does an open body of water consuming at least 70% of the Earth have to do with an OC based in Warsaw, Poland?

This is where the importance of her PAST will play it’s role, as it has a major INFLUENCE on her and her CHARACTER and her MORALS. One of the main reasons the OCEAN is inherently connected to Natia is because of her PAST and one of those main reasons is AGENT MORTEM and her TRAINING, especially WATER training. I can’t comment further on this though as readers have only touched the tip of the iceberg for the use of the OCEAN and it’s IMPORTANCE so far in this fic! (Ask me again about it once this fic is finished up for the most part, unless….by Part 4 readers understand why!)

Natia just remains a character who constantly is developing and changing inside my head - where I want her path to ultimately end up leading by the end of the fic, where I want both her mental head space vs emotional head space should be and etc. So many portions of this fic are dealt specifically on her internal monologue and how she calculates and problem solves from that portion of her sort of *engagement* within the conflict. There never seems to be a dull moment when writing her!

Another thing I really have enjoyed about writing Natia is her clashing personality traits that make her interesting to write in both different scenarios and reactions. She's stubborn yet humble. She's numb and cold but internally extremely caring and giving and filled with these bottled up emotions. She's mentally strong yet she's been through so much and let the war take so much. She never complains about what she's doing, but she's lost nearly everyone she loves. She's a fighter in this war and refuses to back down from a battle she know she can wage, but the second she is pulled from the aspect of war, things crash and burn around her. Just even these few combating sort of things, really show her character and what, through writing, has slowly developed! They always lay around in the back of my mind and it's one of the main things I remind myself when I write Natia all the tme.

I think one of the most important things I've learned from both writing and creating a character like Natia is that (1) it's okay to ask for help, about anything, literally anything. You don't have to confine everything to yourself and build up this immense pressure to do what you must to continue moving forward. It's okay to have people there to help you and support you. (2) It's okay to be strong alone and even if you seem to be the only one on the current path you're are on, it does not mean you are wrong. it can still lead to the right destination in the end!

Oooo okay! AGENT MORTEM!! I am totally down to chat about some things I've loved to write with him with and some challenges I've discovered, but as far as what I've learned from him, I will be holding off and could answer that when the entire fic is both completed and then updated on platforms....just because ;) don't want to give away any spoilers haha! <3

Something I've enjoyed about writing and crafting Agent Mortem is letting him remain as mysterious and secretive as he is for so long. Initially, I can't even begin to recall what his character would be like even a year ago, but seeing where he has developed now, I'm really happy with where he is. He's mysterious, he's shadowed, he seems like a figure in the background, a past mentor who is half deranged and lost his mind with a background with so substance. It makes for such a fascinating way to begin to reveal his past! (something I've began to insert into part 4 of Landslide and man I'm just so HYPE!)

I feel I'm excited simply because he's finally getting the time and moment he deserves to finally explain and show himself as to what has occurred. There's so many fractured and disconnected parts of what is currently going on with Natia and her connection to both Agent Mortem and then Death is tossed in the mix and it seems this big complicated mess of 'how' Agent Mortem got to be this way, 'why' he does a thing such as this, just different and varying aspects such as that. it makes for those big final reveals to all be even more worth it!

He has been quite the challenge though I will admit. There's so many perspectives he could quite possibly be viewed from and his *character* + morals/values could be pulled in a various amount of ways as well. Making sure he accurately comes across the way I want him to both appear and come across to the reader and to myself has definitely been tricky. He's not as easy as suspected, you know, not just a 'dude who had a bad day and went insane in the end', there's a whole multitude of levels and reasons and a deep, heavy and traumatizing background starting from his birth really (which is a whole other story). Managing and balancing that all in one has definitely been something I've had to keep on top of and monitor but I feel has really been worth the challenge in the end. Because at the end of the day, I'm someone looking to constantly challenge myself.

And a good challenge, whether it be writing or academics or a workout, is healthy and GOOD! That's what Landslide in a whole has really shown me, to challenge yourself daily to see where you can push yourself and your imagination and creativity, just to see where you can even go!! it's exciting and refreshing!

Thank you so much for this wonderful ask Rose! I appreciate it more than ANYTHING as you well know, and I know it's taken me *quite* some time to answer, but I've been working on it for weeks now and finally got it out because it was ready! I really wanted to take my time with it and develop it to its full potential in the end and I feel I have (without giving away any spoilers haha!) As always, please know if you have any further questions regarding Natia Filipska, Agent Mortem, Death (along with other characters of Landslide), writing, the process (my own included), tips for writing/planning, or just anything else in general, I will always be happy to help in anyway I can! You're always welcome, anyone always is!!! <3333 Thank you again, I had so much fun doing this more than anything! :D

[whatiwillsay]

submission:

Reputation is about more than one relationship; a thesis by anon

Hello! I am that anon who thinks Rep is about more than one relationship and this is a hill I am very much willing to die on. I believe there are (at least) two relationship stories told in detail on this album.

One is the relationship between two very famous women (*cough*Kaylor*cough), who are struggling to make it work because of the public pressures. The other is between Taylor and someone who is out of the public eye, or at least someone she is able to keep the relationship completely private. I’m not going to speculate on whether that’s Lily or Joe (lol so full disclosure I don’t think it’s Joe but someone else might) or maybe someone else we don’t know much about. All I know is that there is more than one relationship being discussed. Let’s dive into this analysis, shall we?

The first explicit mention of the public relationship - let’s actually just refer to it as Kaylor from here on out - is on End Game.

Big reputation, big reputation Ooh, you and me, we got big reputations Ah, and you heard about me Ooh, I got some big enemies (yeah) Big reputation, big reputation Ooh, you and me would be a big conversation Ah, and I heard about you (yeah) Ooh, you like the bad ones, too

Tay’s lover on here is someone with a big reputation, and being with the person would be a big conversation. Endless Kaylor analyses have discussed this as ‘proof’ that it’s not about Joe. Which, yes, obviously. But equally obviously, any woman in a relationship with Tay would be a big conversation so once we exclude Joe as a possibility, as we rightfully should, we wind up with plenty of other options.

Later in the song we do hear more explicit Karlie lines like “it’s like your body is gold”. We all suspect Karlie is gold (I tend to agree), so let’s call it a Kaylor anthem. Cool. Then, what can we learn about their relationship from this song?

I don’t wanna touch you, I don’t wanna be Just another ex that you don’t wanna see I don’t wanna miss you (I don’t wanna miss you) Like the other girls do I don’t wanna hurt you, I just wanna be Drinking on a beach with you all over me I know what they all say (I know what they all say) But I ain’t tryna play I wanna be your end game (End game) I wanna be your first string (First string) I wanna be your A-Team (A-Team) I wanna be your end game, end game

The lyrics explicitly suggest Tay’s begging the lover to make it work. It’s “I wanna be” not “I am”. She’s craving affirmation, she’s wanting to be chosen; we can pick that up from the repetitive nature of the song. First string, A-team, end game… She just wants for her to be the one. Some might say that would be fun. She’d love for them to wind up together - but there is no clear sign in the lyrics that it’s an actual possibility. It’s what she wants. She’s trying to convince her lover that she is committed, but they never resolve that commitment in the song. It’s never fully requited. No matter how many times she offers what she ‘wants’, there is no response.

Later, she sings:

I hit you like bang We tried to forget it, but we just couldn’t And I bury hatchets, but I keep maps of where I put ‘em Reputation precedes me, they told you I’m crazy I swear I don’t love the drama, it loves me And I can’t let you go, your hand prints on my soul It’s like your eyes are liquor, it’s like your body is gold You’ve been calling my bluff on all my usual tricks So here’s the truth from my red lips I wanna be your end game (End game) I wanna be your first string (Me and you) I wanna be your A-Team (Be your A-Team now) I wanna be your end game, end game I wanna be your end game (oh, I do) I wanna be your first string (first string) I wanna be your A-Team (A-Team) I wanna be your end game, end game

I’ve referenced part of this above, because it’s where the Kaylor-ness of it all gets more explicit (drinking/liquor/intoxication, gold, handprints/footprints). But again, this isn’t a happy ‘in love’ song. It’s Taylor actively trying to convince Karlie that her feelings are real. “Here’s the truth” she says - that doesn’t sound romantic, it sounds like they’re fighting and wanting to make things work but it’s all proving to be incredibly challenging.

When we add Taylor’s tone of voice in - and the almost forlorn “I wanna be your end game” at the start - my reading makes a lot of sense. It’s definitely a Kaylor song; Kaylor songs are always steeped in anxiety.

Our next clear Kaylor song is ‘Don’t Blame Me’ which (importantly) Taylor didn’t write, but which clearly picks up on themes she finds relatable. Apparently it’s similar to Hozier’s Take Me To Church (I don’t know much about Hozier, but from a quick glance at those lyrics that’s not a wildly happy song either).

Something happened for the first time In the darkest little paradise. Shaking, pacing, I just need you. For you, I would cross the line, I would waste my time, I would lose my mind. They say, “She’s gone too far this time.” Don’t blame me. Love made me crazy. If it doesn’t, you ain’t doing it right. Lord, save me. My drug is my baby I’ll be using for the rest of my life.

We’re going back to that same theme from End Game - Tay is begging her lover to make it work. “For you” she says, “I” would do just about anything. Cross the line, waste time (a biggie when you’re Taylor fucking Swift), even lose her mind. Love has made her crazy, unstable - it’s almost a play on the satire of Blank Space. True love seems to have actually made her into that mad woman she laughed at on the previous album. She’s shaking and pacing, craving the physical release of her drug of choice. (The shaking and pacing in a darkened room comes up later on the album again, by the way - it’s clear that Tay is super into Karlie and I do get it, she’s so gorgeous it’s nuts).

Then comes this gayness:

My name is whatever you decide, And I’m just gonna call you mine.

I’m gonna pause here because these call me by your name vibes are just. So. Damn. Gay. But that’s neither here nor there. Tay continues:

I’m insane, but I’m your baby (your baby). Echoes (echoes) of your name inside my mind. Halo, hiding my obsession. I once was poison ivy, but now I’m your daisy. And, baby, for you, I would fall from grace Just to touch your face. If you walk away, I’d beg you on my knees to stay.

Again, we’re picking up those same recurrent themes: she’s asking her to stay, she is willing to risk it all for love. The daisy is a Kaylor inside joke, we all know about Big Sur, so I’m not going to dwell on that.

The name thing is more interesting, as is the ‘halo, hiding my obsession’. To me, both gesture towards the public nature of the relationship that first started in End Game and picks up steam in later songs. “My name is whatever you decide” she says, but the other woman’s name keeps echoing in her mind, possibly because of her lover’s big reputation? I don’t know for sure, but I think it’s fascinating. I think Tay’s got a thing about names - lol Betty and James but also later in this album; bear with me - so I think this whole name bit is of interest. I think Tay likes the idea of the symbolism of names and the concept often comes up in her lyrics…

Then we get the line which suggests one or both of them have a (public) halo, that they use to hide the desperate love Tay feels for her lover. To be honest, that screams glass closeting phase to me. We go straight from ‘hiding my obsession’ to the daisy references. “Glass closeting with me is fun!” cries Tay, “Please stay with me, please please please.”

But once again, there’s no answer.

And then we switch gears and go into Delicate. What we’ve established in the two songs above is Tay is very invested and wants to make it work, and that she’s dealing with someone who is also famous, and that there are complications. One of those complications is that she’s insecure in the relationship.

Delicate opens with:

This ain’t for the best My reputation’s never been worse, so You must like me for me…

It sets a different tone and attitude to the last two songs. For the first time, we’re hearing an analysis of her lover’s feelings. She’s not begging, she’s not urging. She’s shocked that this person wants her for her. The big reputations and the shaking, quaking and pining are suddenly gone.

We can’t make Any promises now, can we, babe? But you can make me a drink…

Here the lover is more involved than she was previously. Taylor has gone from asking for something to saying that this is what’s happening. This is chilled, low key. This isn’t an obsession. This isn’t her ‘hitting like bang’. It’s two people starting something very… delicate. It’s not love at first sight, it’s an exploration of possibilities. They’re going to a dive bar, they’re hanging out. It’s calm and peaceful. Her anxiety here is a gentle, delicate, romantic one. It’s not dramatic like on the Kaylor songs.

Come here, you can meet me in the back Dark jeans and your Nikes, look at you

The theme of secrecy comes in strong on the lines above. They’re hiding, and they’re private. This is not “I would fall from grace just to touch your face” - the stakes are markedly lower. It’s the start of something new, something beautiful. She’s starting over again. And she’s doing so with someone who is willing to hide with her.

This is in sharp contrast to our Kaylor anthems, as we’ve already seen above. Ready for another Kaylor song? So It Goes (again, not by Tay but thematically linked) is peak Kaylor.

See you in the dark All eyes on you, my magician All eyes on us You make everyone disappear, and Cut me into pieces Gold cage, hostage to my feelings Back against the wall Trippin’, trip, trippin’ when you’re gone

Okay, here we have a gold cage imprisoning Tay and a ‘lightning strikes every time she moves’ woman stealing the attention of everyone who sees her. She’s got Tay backed up with nowhere to go and tripping when she’s gone. That’s the same insecurity from before.

'Cause we break down a little But when you get me alone, it’s so simple

She’s explicitly acknowledging their problems, but the problems fall away when they’re in bed or having a romantic interaction.

'Cause baby, I know what you know We can feel it… And all the pieces fall Right into place Getting caught up in a moment Lipstick on your face So it goes… I’m yours to keep And I’m yours to lose You know I’m not a bad girl, but I Do bad things with you So it goes…

The above doesn’t need much additional analysis, there are Kaylors who’ve done it and I recommend going to read those (or just looking up times Tay ended up with smudged lippy around Karlie).

Here’s the really relevant bit:

Met you in a bar All eyes on me, your illusionist All eyes on us I make all your grey days clear and Wear you like a necklace I’m so chill, but you make me jealous But I got your heart Skippin’, skip, skippin’ when I’m gone

Does that sound the same as the ‘dive bar on the East Side where you at?’ Because to me, while describing similar situations - dates in bars - they are explicitly different in mood, tone and atmosphere. In Delicate, Tay and her lover were hiding out in the back, having a heart to heart. Here, the bar has ‘all eyes’ on them. Kaylor both have big reputations and Karlie makes Tay anxious and jealous. She’s not ever sure where she stands with her. The best she can come up with (and you must listen for the high-pitched, uncertain tone with which this line is sung) is that Karlie’s heart skips when Tay’s gone. That’s hardly explicit confirmation of deep, requited feelings.

You did a number on me But, honestly, baby, who’s counting? I did a number on you But, honestly, baby, who’s counting? You did a number on me But, honestly, baby, who’s counting? Who’s counting? 1, 2, 3

This once again acknowledges the difficulties in the relationship. It is not ‘Delicate’. It is not always happy. It’s a proper fucking mess.

Cool now let’s take a look at another Kaylor anthem:

I, I loved you in secret First sight, yeah, we love without reason

I hear the naysayers point to the ‘in secret’ as paralleling Delicate (which so far has been the only one that’s not about Karlie). The thing, though, is that this is about love at first sight/physical attraction/lust - not about the meaningful emotional connection we glimpsed in Delicate. Delicate is explicitly not about love ar first sight or love without reason. It’s about embarking on something new and beautiful but having trepidation along the way. It’s about careful connection.

My, my love had been frozen Deep blue, but you painted me golden

I’m including this as further evidence this is about Kaylor. As I said Karlie = gold. We’ve heard this image in every Kaylor song. You know what didn’t feature in Delicate? Gold. Spoiler: it won’t feature in CIWYW and KOMH either.

I could’ve spent forever with your hands in my pockets Picture of your face in an invisible locket You said there was nothing in the world that could stop it I had a bad feeling And darling, you had turned my bed into a sacred oasis People started talking, putting us through our paces I knew there was no one in the world who could take it I had a bad feeling

In this verse we have people talking and noticing this couple. She’s describing a well-known, public relationship. It isn’t a secret, not really, despite the actual love being kept somewhat secret. Their locket may be invisible but despite that, this relationship is something well known. Furthermore, we already know she has had a bad feeling. That’s kind of the premise of many of her other Karlie anthems - she’s begging Karlie to stay and trying to convince her that they have something real and serious. She is constantly trying to convince Karlie of the seriousness of her feelings. And, well, the song ends with her saying she’d like to dance with Karlie again but there’s no real way forward, seeing as their hands are tied. The whole thing is quite sad.

Let’s look at the other very very Kaylor song (like there’s literally no other way to read it):

Our secret moments In a crowded room They got no idea About me and you There is an indentation In the shape of you Made your mark on me A golden tattoo All of this silence and patience, pining and anticipation My hands are shaking from holding back from you (ah, ah, ah) All of this silence and patience, pining and desperately waiting My hands are shaking from all this (ha, ha, ha, ha)

We have the familiar desperation, the shaking, the gold, and the secret moments in plain view. And again, they’re both very famous:

Everyone thinks that they know us But they know nothing about All of this silence and patience, pining and anticipation

We also get this bit:

Say my name and everything just stops I don’t want you like a best friend

There’s the name thing again and after that the gayest, most glass closety line I’ve ever witnessed. “I don’t want you like a best friend”, she says. I want your body. I want your love. I want us. I want this relationship to be real.

You know what that clarification is in sharp contrast to:

(Call it what you want, call it what you want, call it) So call it what you want, yeah Call it what you want to

Tay didn’t want to call it what you want with Karlie. She wanted to call it end game, first string, A team. She didn’t want to be friends. People talking about them caused her anxiety and lead to the breakup described in DWOHT. CIWYW has that renewed joyful tone that she had in Delicate. It’s hopeful and optimistic. It’s all about about connection and meaningful interactions:

I want to wear his initial on a chain round my neck Chain round my neck Not because he owns me But 'cause he really knows me

This is not an invisible locket, this is not about sex and getting clothes off in bathtubs, this is about a really deep emotional connection which we first heard on Delicate. Notably, it’s the third time she speaks of necklaces on the album, but it’s the first that it’s not sexual. It’s also - importantly - not invisible. It’s not comparing the lover to a necklace (like before, which makes it a physical connection) or saying their relationship can be entirely symbolized by one. She’s saying she’d actually love to actually have tangible physical proof of the relationship. She wouldn’t have said that about Karlie because she wasn’t expressly convinced the feelings were fully mutual. Also, this song is missing that desperate pining and longing that she experiences for Karlie in the Kaylor songs.

I know people hear “Karlie” instead of “Call It” but honestly it makes more sense as one of the non-Kaylor songs. I think maybe the rhyme is her trolling Karlie - call it what you want, which is certainly not what she had with Karlie. This would also kind of explain the laugh in Miss Americana. If someone sang me a song about how things are good between us, and added in a dig at her ex, I’d laugh too. And let’s be honest discussing exes - especially exes in the same social circle (Tay, Lily and Karlie) - is peak lesbian culture.

One more thing:

Cause… My baby’s fit like a daydream Walking with his head down I’m the one he’s walking to

Karlie has never had her head down. She is super active on socials, as a model, and as a philanthropist. Karlie has never been quietly walking “to” Tay. She’s been stunting and traveling and being extraordinarily visible. And all the Kaylor songs deal with that very public nature - with rumors and discussions and everyone’s eyes being on Karlie and the anxiety that causes Tay. I know some Kaylors think they just went underground after being caught making out but that’s just not what’s being described in CIWYW. It’s a different person.

My baby’s fly like a jet stream High above the whole scene Loves me like I’m brand new So call it what you want, yeah

She’s explicitly saying her baby doesn’t form part of “the scene” but rather floats above it. How does that fit Karlie going on vacation with Scooter? Or anything about Karlie, actually? This is obviously about someone very private or not particularly famous. Or both.

Bonus lyric from a non love song that points to an actively private relationship is “and here’s to my baby, he ain’t reading what they call me lately” - why would Karlie not read stuff? She is calling the paps on herself and Josh regularly but she’s not following Tay’s PR game? Make it make sense?

Anyhow back to CIWYW. In that song, her baby loves her - a source of anxiety that never gets stated explicitly resolved in the Kaylor songs. Those songs have her begging for love, not stating it’s existence matter of factly. The difference is palpable.

And I know I make the same mistakes every time Bridges burn, I never learn At least I did one thing right I did one thing right I’m laughing with my lover Making forts under covers Trust him like a brother Yeah, you know I did one thing right

I’m including this because of the chilled out atmosphere, the “brother” simile (which to me is kind of the opposite of “not wanting you like a best friend”) and the insistence that this is “right” which is absent in the Kaylor songs.

KOMH keeps with that same quiet, calm, positive energy.

I’m perfectly fine, I live on my own I made up my mind, I’m better off being alone We met a few weeks ago Now you try on calling me, baby, like trying on clothes Salute to me I’m your American Queen And you move to me like I’m a Motown beat And we rule the kingdom inside my room 'Cause all the boys and their expensive cars With their Range Rovers and their Jaguars Never took me quite where you do

“Try on calling me” like “trying on clothes” is that same idea from Delicate. Things are early, and uncertain. They’re exploring this and seeing where it goes.

This is not a public relationship, it’s entirely “inside her room”. And it doesn’t feature expensive cars and the visibility her - or Karlie’s - stunts had. (Kinda interesting that she drove Lily in the Toyota, don’t you think? And also drives her/someone in Miss Americana?)

This relationship is super secret:

Late in the night, the city’s asleep Your love is a secret I’m hoping, dreaming, dying to keep Change my priorities The taste of your lips is my idea of luxury

But what’s secret? Not Tay’s love of this person like before. “Your love” is the secret. As I’ve pointed out that affirmation of requitedness never happens in the Kaylor anthems and hiding out in the dark. Additionally “idea of luxury” is very different to her drug imagery from the Kaylor songs, by the way. This is not addictive, this is just nice.

And all at once, you are the one I have been waiting for King of my heart, body and soul, ooh whoa And all at once, you are all I want, I’ll never let you go

I believe the “all at once” contrasts the love/lust at first sight feelings she expressed for Karlie. This didn’t “hit her like bang” - it surprised her after a few weeks. And it’s not just a physical connection. This person rules her heart, body and soul.

And what do they do together? Well it’s less ripping off clothes and more chilled hangouts with someone who makes her happy:

Is this the end of all the endings? My broken bones are mending With all these nights we’re spending Up on the roof with a school girl crush Drinking beer out of plastic cups Say you fancy me, not fancy stuff Baby, all at once, this is enough

This is very cute. It’s very much lacking anxiety. She’s happy with her new person; it is finally “enough”. That’s not true for her relationship with Karlie. “School girl crush” is a very cutesy image - and is in stark contrast to the craving, shaking, pining, and bedpost carving that came with “not wanting you like a best friend”. Notice how the second relationship uses constant friendship/platonic imagery and how that type of imagery is not expressly disavowed in the Kaylor songs.

I also think it’s worth contrasting the “beer out of plastic cups” on the roof with “I’m spilling wine in the bathtub” and “eyes like liquor”. All three references are about drinking - but only one is peppy, cute and upbeat and the others are full of lustful desperation.

Now the other possible reading - implicitly favored by the Kaylor community - is that KOMH, CIWYW, and Delicate are set at a different point in the relationship to the sex songs. Unfortunately that doesn’t really hold water because, as I’ve pointed out, the origin story described is different. Kaylor “hit like bang” and fell in love at first sight. The other relationship started out slow and cautious, but quickly settled into something quietly special. These other songs are about a connection that’s chilled out and very emotional and cerebral. The Kaylor songs are about how much she wants to sex up Karlie and leave scratches down her back (which, I mean, fair). The other songs are about tentative emotions and cutesy intersections.

Also KOMH, CIWYW and Delicate are the three songs that feature British/foreign imagery. (This is why I think they’re about Lily or maaaaaybe Joe but again I doubt that and the scene in MA where a woman laughs during CIWYW contradicts it and I also have further lyrical evidence it’s not him which I’ll address below). In KOMH she says “you fancy me” and describes herself as “an American queen”, in CIWYW her baby’s “fit like a daydream” and in Delicate she asks about the “girls back home”. Also East side and West side in Delicate make more sense as being about London. Dive bars in the East End are a vibe. But that’s neither here nor there.

Why is this analysis important? To me it shows that contrary to the rosy Kaylor depictions, the Kaylor lyrics consistently show they always had massive issues (not dissimilar to her issues with Di actually).

Very quickly on why Joe’s not the muse: he’s referenced in Dress in a verse makes no sense lyrically or musically or thematically in the song and I think is only there to make it slightly less gay because otherwise the song is making Kaylor Facebook official. But the “wake up by your side” doesn’t fit in with the pining and anticipation and drunken bath time fun. It’s just thrown in there as deflection. It doesn’t actually fit the other relationship on the album - it’s very romantic but “my one and only, my lifeline” is not the cutesy tone of the other songs. This verse is just made up and slapped in to feed the hets. The musical accompaniment is so markedly different that it is clear it literally doesn’t belong in the song. The other song that makes reference to him, I believe, is “Ready for it”. I think “I keep him forever, like a vendetta” is very much about her plans for him. But it’s a very different thought to “is this the end of all the endings?” because that’s a far less certain emotion. She’s only 100% sure about Joe because it’s… not real.

And final note: Getaway Car is obviously a satirical piece about Hiddlestunt obviously. And I think New Year’s Day is a general love song about the type of relationship she wants, similar to some of her early songs, not about Karlie or Di or Lily/whoever else. It’s missing any of the imagery associated with either relationship except “don’t ever become a stranger” but it might be written from diary entries (which she has shown us she does). Final final note: I don’t know for sure who Gorgeous is about. It could just be a song about hot girls more generally.

If anyone is interested in further thoughts, I’m happy to do this for Lover and folklore too. I think we need to challenge the myth of Kaylor being perfect. And I think we should listen closely and let the lyrics speak for themselves.

*********************************************

thanks for taking the time to write all this up! let’s discuss!!!

[peachcitt]

okay, so style reference you say? I'm 👀

YES STYLE REFERENCE I SAY

this is going to be. a very long post i think with probably a lot of tangents and probably with a lot more thorough explanation than you could ever want but. here we go

because all of my theory/explanation posts end up So Long, i like to organize myself by keeping myself to a structure, and i also like to think if i put stuff in sub categories with bolded titles, people reading can skip ahead to the stuff they want if they're low on time or don't feel like slogging through everything. so here's the structure of the official Peach Style Reference Narrative

1. Early Days - how i started writing, my early inspirations, origins

2. Current Days - discussions of current style references plus examples and comparisons, discussions of original content versus fan content

3. Future Days - where i expect my writing to grow, trajectories i want, conclusory thoughts

without further ado, let's get into it!

1. Early Days

like i mentioned on the discord server, ive been writing creatively for. a very long time. i just turned 20 (like. literally today. we love to see it) and that seems very young, but i remember writing creatively when i was maybe six or seven, and before that i played with dolls a lot, which meant every day i was creating little narratives for myself. in addition to this - and this is probably why i started writing so young - i was (and am!) a very avid reader. i was that little jerk in elementary school reading chapter books and going into the older kids' section in the school library because i'd already mentally surpassed the books in the section meant for kids my age. so, basically, ive been writing for maybe 13 or 14 years at the least.

when i was young, my favorite books that i remember trying to copy in my own stories were: the magic treehouse books, harry potter, and percy jackson.

the magic treehouse

i honestly could not tell you which magic treehouse book it was, but i remember reading a specific magic treehouse book where the magic lady that left the treehouse for the kids sends the kids (jack and annie??) a note in distress, and she didn't get to finish signing her name because whoever had gotten her had interrupted her. it had been printed in the book with the ink on her name running.

i could not tell you anything else that happened in that book, but i can tell you that at some point in time soon after i read that book i started writing a story with an interrupted letter just like that. i loved the drama, the mystery of it all. i wanted to do something that was a little scary like that, a little exciting.

harry potter

harry potter isn't much of a style reference, but it was a huge impact of my childhood. truth be told i kind of hated the books when i was really young because i grew up watching the movies, and when i tried to read the books when i was in elementary school, the teenage angst that hits about book 5 simply Did Not make sense to me. i also find the language of harry potter to be super cumbersome, and sometimes it feels to me like the books are long just for the sake of being long. they have a huge cultural impact, but i feel the same way about harry potter's style as i do about dickens. cool and interesting, but, like, could you get to the point already? (and also my opinion of j.k. rowling has steadily been growing worse and worse over the years, for obvious reasons. harry potter is nostalgic for me, but i can't look at it now without thinking about it critically, which really lowers my opinion of it)

however, you could probably call my first fanfiction a harry potter fanfiction. i started it when i was maybe six or seven, and it was a rewrite of the chamber of secrets with my childhood best friend as the main character (she didn't know about it, i just had her as the main character because i thought she was cool). i of course never finished it, but harry potter probably did a huge part of planting that seed of magic in me. everything i want to write included some form of magic - although my perspective on what can be considered magic has steadily expanded over the years.

percy jackson

of all my childhood "style references" that still influence me to this day, percy jackson has got to be the biggest. for starters, it's magic. second, it's main themes are about friendship and family - things that i like all my stories now to always include. third - and most important - is the narrative voice.

in terms of narrative voice, percy has a huge personality. he's witty and snarky, but also very thoughtful and poignant. a lot of my early writing was in first person, and it's probably because of percy. also, percy jackson was the first fandom i really got into, and it was the first media that i started officially writing and posting fanfiction for. percy's voice is so clear and hooking, and i wanted to be able to write something funny and real like that.

also - chapter titles. the original pjo series is famous for its weird and hilarious chapter titles, and even though i didn't really start writing fics or stories that were long enough to need chapter titles until a while later, i loved the idea of putting in a chapter title that would make a reader laugh, or maybe even make a reader feel a little apprehensive about the events to come.

but back to percy's narrative voice. i loved that style, almost conversational, so much that i started thinking like it. when i wasn't doing anything, like walking home in middle school, i often found myself narrating my life in my head like percy would, trying to find that humor and spark in my every day surroundings. i still find myself doing that very often, but not necessarily in the classic pjo style. now i narrate everything in my head a little differently, but that practice narration in my early days really helped my shape my voice, i think.

other series i read when i was younger include: a a series of unfortunate events and the name of this book is secret. i don't remember seeing a lot of influence in my early writing from those books, but i definitely think the styles of those books hit me a little later, which i will talk about in the next section.

but, yeah. these were the big three of my childhood. i also read a lot of ya romance, children's mystery books, princess stories, and various types of fantasy, which i think you could probably tell from the genres i like to stick to now. except i don't write a ton of mystery because, as much as i admire the complicated plots, im not sure if i'd have the patience to plan all that out.

in terms of the rest of the genres, a ton of my earlier writing included classic ya romance and fantasy tropes - chosen girl, love triangles, angsty overpowered teens, etc etc. even though those kinds of stories are not necessarily the kinds of stories i want to write or read now, i think my early writing of those kinds of things was really valuable. it's kind of a dirty secret with finished or unfinished works generally considered 'cringe' - often that writer is a new writer, or they're trying something new, or they just haven't found their voice yet. all of those things are perfectly okay and normal, and a lot of people in the writing community preach that kind of thing, but i don't necessarily see people cutting new writers slack in actual practice. writing "overrused" tropes isn't cringe, it's normal, and, besides, what trope isn't overrused? people have been writing and telling stories for thousands of years - nothing is really new. what matter is that someone new is telling the story, and that's what makes it valuable.

so, yeah, a lot of my childhood writing is cringe to me now, but i wouldn't be where i am without it.

with that being said, let's actually look at where i am now

2. Current Days

im going to break this section down into two parts, sort of: original fiction and fanfiction. because i think both of these things have become really important to me, and i don't believe i personally could exist as a writer without one or the other. it's a symbiotic relationship.

we'll start with fanfiction.

my relationship with fanfiction is relatively positive in online spaces: i write what i want to see from media that i like, and i have fun doing it. i also get some comments on my fics by lovely people that detail exactly what they like - some even go so far to talk about narrative style, voice, or tone - and that's really helpful. generally, i see fanfiction not only as a fun hobby and vent space for my strong positive feelings about certain media, but also as a place for me to try new things, experiment, and earn positive feedback.

i don't often share my original fiction online (and if i do, never at the same scope as my fanfiction), so i don't get that same opportunity to see what "works" with readers. fanfiction gives me the space to see that, and i apply new knowledge ive learned to my original fiction. that's what i mean by a symbiotic relationship.

in terms of specific style references for specific fics (which is what i know you probably most want to see), i'll try my best to pick them all out and give specific examples.

those benevolent stars and i am the messenger by markus zusak

in my favorite book list, i saw you mention tbs, so i'll start there. to be honest, i had no idea what my style reference for tbs was when i first saw your tags, and i almost didn't think there was anything specific. style references are a bit sneaky like that - if you've been referencing for someone for a long time, it becomes less of an intentional reference and more of just a you think, so it gets harder to tell.

lucky for this post, i just finished doing my yearly reread of zusak's i am the messenger, and as i was reading, i noticed a few spots where i was like wait hey i remember doing that.

for starters, iatm has been my favorite book for about six or seven years now, so i would say that some aspects of my style certainly comes from zusak because of how much i love iatm but also his other books. zusak has this huge talent for writing short, punchy sentences that convey so much in just a few words, and i think i've ended up trying to do that in my own writing. often, in my writing you'll see fragmentary sentences such as "He stopped. Blinked. Looked at her." that's not from anything specific, but i know ive written something like that maybe a million times over. zusak doesn't do the same thing - often his fragments are jam-packed with imagery in a way that mine aren't - but there's a thoughtfulness in his fragments that are in mine, too. a sort of pause. a hint that there's thinking happening in the narrator or a certain character. for example, i did a quick flip through of my copy and we have:

"We stare across the table.

Just briefly.

At each other." (I am the Messenger, p.144)

so you see how my common sentence fragment of "he stopped / blinked / looked at her" tracks with a fragment like this? i like the way zusak broke up sentences to make you dwell on them a little longer, consider the importance of each section, so i started doing that wayy before i wrote tbs i think.

also, at the time i wrote tbs, i think i was in the process of, or had just finished doing my reread of iatm, and, like i said, zusak loves imagery. tbs is a very imagery-heavy fic. tbs was influenced by a lot of music - a lot of the scenes have very specific pieces of music that i wrote imagining the tone and vibe of. iatm also references a lot of outside media sources, mostly music and films.

there are a couple of scenes in tbs that i think i wrote specifically mimicking or accidentally referencing from iatm. for example, we have this scene in tbs:

"It was almost like he could feel Marinette’s eyes on his back, steady and gentle. 'But you still love her.”

'Yeah,' Adrien said quietly, 'I still love her.' His eyes moved along a streak of purple that bled into a dark blue. 'I hate her a little bit, too.'

Marinette was silent.

He turned around, giving her a smile." (Those Benevolent Stars, chapter 3)

and this scene from iatm:

"'Do you hate me, Ed?'

Still stupid with bubbles and vodka in my stomach, I answer. Very seriously.

'Yes,' I whisper. 'I do.'

We both smack the sudden silence with laughter." (I am the Messenger, p. 233)

obviously there are differences, and i don't think i did it on purpose, but the interaction is very similar. i love the gentle intimacy of that scene in iatm, that weird complication relationship between the main character and the person he loves, the hurt, the brushing it off with laughter. so i wrote a scene that incorporated those things

zusak is also really good at writing moments of quiet into his books that aren't necessarily important to the plot, but are still important. if you've ever read that ghibli meta post talking about the 'quiet' between scenes in studio ghibli scenes, meant to give both the audience and the characters space to breath, it's like that. nothing in iatm is not imporant - it all serves a purpose, even the quiet moments, and i try to do the same thing. there's moments like that in tbs i think, like:

"Marinette gave him a small smile before turning back to her ice cream. Adrien tried to eat his ice cream a little faster, licking up where it had dripped onto his hand.

They were quiet for a while longer, and Marinette finished her ice cream. She leaned back on her hands and looked up at the dark sky, littered with stars.

He could see them all in her eyes, too." (Those Benevolent Stars, chapter 3)

and in iatm, you get scenes like:

"Our feet dangle.

I watch them, and I watch the jeans on Audrey's legs.

We only sit there now.

Audrey and me." (I am the Messenger, p.120)

so i definitely think tbs is a very i-am-the-messenger/markuz zusak-inspired fic. there's a lot of zusak's quiet, and there's the pieces of zusak's style that i've picked up along the way that really shine in tbs

tomorrow and this body's not big enough for the both of us by edgar cantero

ive talked about cantero a few times recently, but, as you've probably noticed, in relation to my fic called 'tomorrow.' i wrote tomorrow pretty soon after reading this body's not big enough for the both of us, and i used tomorrow specifically to experiment with cantero's visual writing style. in all the books by cantero ive read, there's this kind of hyper-awareness of a film gaze - how a certain scene would be shot on a camera, dialogue as script writing, and other things like that mixed with prose. i thought it was fascinating, and after finishing this body, i really wanted to play around with that idea. so i wrote tomorrow keeping in mind a "film gaze." for example:

"Two figures sitting on a rooftop, silhouettes. The moon hovers over them carefully, a crescent afraid to break the silence. One of the figures takes a breath, looks up into the sky at the hesitant moon, and he sighs. He closes his mouth again." (tomorrow)

versus in cantero's work, where we get descriptions like:

"And then, like a high-heeled coup de grace, she arrived.

She paused briefly outside the door, her hourglass silhouette cast upon the glass panel with the fresh shiny vinyl letters" (This Body's Not Big Enough for the Both of Us, prologue)

the tone of the two excerpts are very different, but there's a very visual sense to both of them, like they are being described from a shot in a movie rather than a regular work in prose. in tomorrow i also work a lot with specific camera imagery - saying where the camera goes in the scene, what it focuses on - and this body doesn't do this too much, but cantero's meddling kids does at least once that i remember.

regardless, after finishing this body, i wanted to try my hand at the visual structure that cantero uses in his works, so i really leaned in to the idea.

chat noir's white french man hit list for feminist purposes and grasshopper jungle by andrew smith

this is, as of right now, the most recent fic on my ao3, and i started it the literal day i finished grasshopper jungle. i think you might be getting a theme here - i read a really good book, and then immediately after i start writing something. the easiest way to get inspired as a writer is to read.

chat noir's hit list is a fic that is very much aware of the fact that it is a story being told - you don't know by who or for what real reason until the end, but it's a self aware sort of story. it's also very snarky and sarcastic, and it expands past just the confines of its own story; it's about chat noir and his hit list, but it also talks in depth about emilie agreste, chat noir's relationship with ladybug, and his relationship with himself. this is very much the kind of thing that you would find in an andrew smith book - grasshopper jungle is a story being told to you, and it's also about more than just the original pieces of the plot. the narrator tells the story that expands past regular confines of the story he means to tell - he's telling the 'history' of his life and his town, but he also talks about his great-great grandfather, the origins of the ketchup his girlfriend's dad eats, and what's happening in other parts of the country as he and his best friend are hanging out. the line in chat's hit list of "stars exploded, the sun did not, life continued on" was very much a grasshopper jungle and andrew smith-inspired line.

at the end of adrien's narration in chat's hit list, he says:

"It should be mentioned at this point in time that this story is not over, although I’ll stop telling it here.

So that’s the story of Chat Noir, who is also Adrien Agreste, who was very much a normal boy, except for the fact that he wasn’t. It’s a sad story, but it is also a happy story, and it is highly confidential. I’m sure you understand." (Chat Noir's White French Man Hit List for Feminist Purposes)

and at the end of grasshopper jungle, as the main character is closing out his narration, we get:

What I have written here is not the history of Eden. It is the history of the end of the world. All real histories will be about everything, and they will stretch to the end of the world.

The end of the world started when Andrej Szczerba slid into the cold sea as his boy, Krys, watched and wept and drifted closer and closer to the United States of America.

Nobody knew anything about it." (Grasshopper Jungle, p.382-3)

It's not overtly similar, but the structure is the same: recognition of the end, short summary of where we started and left the story, tag phrase that was used prior in the work. when i was writing the end of adrien's narration, i didn't mean to mirror grasshopper jungle so closely, but sometimes things just happen that way - honestly, so many of the things i do in my writing aren't intentional, they're subconscious. when i make a conscious choice, it's related to plot or to a new strategy im applying to style or voice that i'm not used to, but a lot of the things i do fly under the radar in my brain unless im purposefully trying to piece them apart like i am here.

i will say the meta-story of chat's hit list was pretty directly inspired by grasshopper jungle because i love meta stories, and i like using opportunities to put them in. i just love the idea of reading a story of someone telling someone else a story, which is what the two books by andrew smith i've read have been, and i think that's just fascinating, which is why i used it here.

ive gotten a couple of comments on chat's hit list that liken the narrative style to pseudonymous bosch's the name of this book is secret and lemony snicket's a series of unfortunate events, which i thought was really interesting, because i was purposefully trying to make the voice an impression of andrew smith's voice adapted to the tone of ml, but i could definitely see their reasoning.

andrew smith, like i mentioned before, likes specifics - what exactly people were doing at certain times, where a specific bottle of ketchup came from, etc. from what i remember of the name of this book is secret and a series of unfortunate events, i remember the descriptions included in those books chock full of highly specific, snarky details that aren't truly necessary, but do a whole lot in terms of adding a certain flavor to the narration. i won't try and look up examples from unfortunate events and the name of this book, but here are a couple examples:

"See, the thing about Emilie Agreste, formerly Emilie Graham De Vanily, is that she was what could be generously called a ‘radical.’ Born in 1969, like most amazing and world-altering things, Emilie Graham De Vanily grew up in London alongside her twin sister, who is a nice enough woman and who is not really that important to this story, and she was raised with the firm and gentle hands of people who had witnessed war and cruelty and had found that they did not like at all. Emilie Graham De Vanily grew up learning about the true history of England, which is not a very nice history, truly, and she grew up knowing that people with white skin like her were historically not all that great. That, historically, was a very radical thought." (Chat Noir's White French Man Hit List for Feminist Purposes)

from chat's hit list, and this:

"In 1905, being seventeen years old made you a man. In 1969 when hungry Jack fought in Vietnam, seventeen years old was a man. My brother, Eric, who was somewhere in Afghanistan, was twenty-two.

Krzys Szczerba came across the Atlantic with his father. They planned on working and earning enough money so Krzys's mother, brother, and two sisters could come to the United States, too. People who did that were called Bread Polacks. They came here to make money." (Grasshopper Jungle, p. 68)

from grasshopper jungle. once again, obviously very different, but you can tell im playing around with that same feeling of giving a surplus of facts in my narration in the same way that andrew smith does. you can't really tell in the grasshopper jungle excerpt, but oftentimes the surplus of 'facts' serves almost a comedic effect, which is definitely something that you can feel in chat noir's hit list.

[REDACTED] and six of crows by leigh bardugo

as a reward for sticking around through this, i'll give out something fun here. the current long fic that ive been working on recently has proved to be very bardugo-inspired, particularly six of crows-inspired.

in six of crows, bardugo gives us action right off the bat and then integrates flashbacks into lulls of action so that there's never truly a dull moment. i found [REDACTED] to be a fic where i wanted to use flashbacks in a similar way, so that i would get something like:

"She doesn’t stay for the whole parade, but she stays for enough of it. Nothing unusual happens, just like always, but she still makes cursory patrols around the city, ending up at the Eiffel Tower, just like always. She sits on the railing way up at the top, and she crosses her ankles, swinging her legs back and forth and humming softly to herself as she watches the sun set.

'Little kitty on the roof, all alone without his lady,' he used to sing when he’d gotten back to their meeting point from patrolling his half of the city before her. It was just a silly little song, one that he’d clearly made up for himself."

It didn’t hurt until he’d been akumatized, and she’d seen that one version of the future - the one where he’d destroyed the whole world because of Gabriel Agreste. She’d seen him then, a lonely figure in white, humming his little song to himself. Who knows how long he’d been like that before she’d been transported to him, how long he’d been really and truly alone. (REDACTED, chapter 1)

and in comparison, we get a lot of scenes in six of crows like:

"Kaz leaned against the ship's railing. He wished he hadn't said anything about his brother. Even those few words raised the memories, clamoring for attention. What had he said to Geels at the Exchange? I'm the kind of bastard they only manufacture in the Barrel. One more lie, one more piece of the myth he'd built for himself.

After their father died, crushed beneath a plow with his insides strewn across a field like a trail of damp red blossoms, Jordie had sold the farm. Not for much." (Six of Crows, p.205-6)

bardugo uses most of the flashbacks during a time in which the main characters are on a long sea voyage, which means they have a lot of time to reflect on their pasts and what brought them to these situations - it's a smart way to fill the empty space of the sea voyage and to really dwell on how important the voyage is. in a similar way, i chose to use the flashbacks in dull or lulling moments in the events of the story, ones in which marinette lets her mind wander or sees something that makes her remember something specific.

however, here's a situation where you can see me adapt the style into something that makes more sense for me, personally: in my excerpt, the tense changes between the current events and the flashback events, while in bardugo's excerpt, the tense stays the same at a comfortable past tense. when i was writing my fic with the flashbacks, i thought the constant, sometimes abrupt, switching would get confusing, so i made sure to always have a clear line using the past and present tense that readers could consciously or unconsciously take notice of.

so there are a couple of instances within some fairly recent fics i have that have specific callbacks to specific books. there are a whole bunch more, i think, but these are the ones that ive played around with intentionally the most recently or the most often.

3. Future Days

based on my recent rapid experimentation in fics (the most recent four fics on my ao3 have been very experimental in comparison to most of my works), i really anticipate a lot of growth in my overall style. ive been having a lot of fun experimenting and throwing in things that a few years ago i would've never even thought of, so im really excited to see where that might lead me, style wise.

i think as a writer there's always room for growth and learning, and that kind of growth and learning comes from not only practicing writing, but also reading. i cannot stress enough how valuable and impactful reading is on writing. considering ive been trying to read a lot more than i have been in recent years, it makes a lot of sense that ive been making a lot of weird decisions and learning more about what i want to see in my own writing.

honestly, if you ever want to know about any of my other fics, or you want to see how this kind of thing translates to my original works, just shoot me an ask! this post is already long enough, so i think i'll go ahead and end it here, but just know you can always ask questions<3

thank you so much for asking me this question and letting me indulge, and thank you for reading!!!<3<3<3<3