#beginning and end of their journey

[cuchufletapl]

Alternatively.

[pigswithwings]

kind of awesome as fuck to be apathetic towards spoilers. i always say its like getting the benefit of a second reading on the first read

[myokk]

She hears him calling her name as she flees down the spiral staircase, almost tripping over her feet in her rush to get away from him, but he catches up quickly, reaching out to grab her arm in an attempt to slow her down. She stops running immediately - she supposes her traitorous body wants to see what he has to say, or maybe it just wants to bask in his intoxicating proximity. He crowds her space, and she sees that unfamiliar look in his eyes again. So very different from the cold disdain she had seen the last time she had been this close to him, during the argument that had ended their friendship.

Oh, Merlin, he's getting closer to her, and she can now clearly see the freckles dusting his cheeks and nose and forehead and then before she knows it, his hand is sliding up her arm, leaving goosebumps everywhere he touches and then he's caressing her jaw with his rough thumb and he pauses. Her eyelids flutter closed as her head tilts towards him - she couldn't stop herself even if she wanted to (what does she want?). She can feel his warm breath ghosting over her lips and she has the improbable, ridiculous thought - how is he remembering to breathe? - before he speaks. His lips brush against hers with every soft word and a deep shiver runs through her body.

"I," she hears him say, his voice so, so low, "haven't been able to think since last week."

That's all she needs to hear, the brush of his bottom lip against hers all she needs to feel, to push her into closing what minuscule distance there is between them and then his lips are on hers and it's better than anything she's been imagining. His mouth is soft against hers, insistent, and her hands go up to grip the collar of his plaid jacket to make sure he doesn't go away or disappear on her.

from my oneshot💘

[kaisollisto]

[sonny-whorezik]

THEY DONT NEED ME HERE AND I KNOW YOURE THERE

[lochallthedoors]

Noel Versus the Council Skies Tracklist

Context: If you pick just one interview of Noel's to read/listen to from the Council Skies promo run, chances are that interview will feature Noel complaining that he fucked up the tracklist--that he now believes "Think of a Number" should have been first and "I'm Not Giving Up Tonight" should have gone last.

I find his obsession with the album's messaging kind of fascinating in the context of whatever led up to the Oasis reunion, so I thought I'd put together a masterlist of interview excerpts where he explains why he made the choice he did and why he wishes he could go back and get a do-over.

I have thoughts but they're very rambly so they're going in the tags. The focus should be on the transcripts here anyway.

NME Interview Posted 3 June 2023

Noel: "Think of a Number," yeah, it's got a Bowie feel to it. If I had my chance--if I had my time again, I would have had that as the opening track on the album. I've kind of--yeah, that's--that's--I mean, every album that I make, anyway, tends to be flawed in some way, and this is almost perfect, but that's the biggest flaw, is that the opening track, "I'm Not Giving Up Tonight," should be the closing track, and "Think of a Number" should be the opening track. But I didn't think "Think of a Number" was strong enough until it was too late. You know, and, uh, yeah--what a dick. But there you go--I'm allowed to be a dick when it's my own music, so. later in the interview Interviewer: I mean, you talked about how, uh, Council Skies was about you asking "how did we get here, and how did I get here?"--as in you, not me. I know how I got here. Um, did you find any answers? Noel: (pause) No, I think--I think the last line of, um, "Think of a Number," although--although it should be the first track on the album, I think the last line of it is perfect for an ending of an album, which is--is--it's like, "let's drink to the future / I hope it comes round again." Did I find any answers? No, but I will--no, I will find them, though.

Radio X Interview Posted 8 June 2023

On "I'm Not Giving Up Tonight" Noel: The biggest or the most interesting thing, or what I find interesting is I--this should be the closing track on the album because it ends with a lot of hope, you know I mean? "I'm not giving up tonight" and all that. And I, for some reason--the track that closes the album, we'll get to that obviously at the end, but, um, I didn't feel the track that closes the album was strong enough to open a record with. It's a big, epic kind of affair, and I thought that would be a bit obvious. And, uh, I thought "I'm Not Giving Up Tonight" would be a great way to ease into a new record. If I could go back now, I'd--I'd have it closing--closing the record, but it was too late to change my mind. But, um, I do like that song. It's, uh--it's, uh--yeah, it's got a great vibe that's slightly reminiscent of Buffalo Springfield, and, uh, Gem plays a great guitar part on it. And, uh, yeah, I mean, it's--I don't know. Kennedy: Yeah, yeah, no, it's interesting. I mean, it's got the strings on it, it's got the horns on it, and there's a little bit of the gospel choir, and-- Noel: Yeah-- Kennedy: Those are all elements that are through the record. Noel: But I guess the sentiment of it is a song of defiance, you know? "I'm not giving up tonight," and that, you know, obviously writing these things in--in lockdown there was a bit--there was a bit of that in--in a lot of the songs. But, yeah, it's a grand--it kind of sets it up perfectly because it's a--it's a grand kind of opening, but it's a bit laidback as well. On "Think of a Number" Noel: I love the song. Now--and it's me playing the guitar, so it's really epic, and, so, as mad as this sounds, I didn't think that song was strong enough to open a record with. I liked it, right? And I did, and--and something inside of me hung in there with it, and--I don't like closing records on a negative kind of, uh, almost, um, what's the word I'm looking for--uh, pessimistic kind of, um, feel to it. The last line is, you know, "let's drink to the future, I hope it comes around again"--that really should have been the opening track on the album and finished with "I'm Not Giving Up Tonight," you know? That would have been the journey through the lockdown and isolation and all that. But as that song went on, I was like, you know, just didn't feel it was strong enough. I thought it was just a bit standard High Flying Birds rock kind of tune. Obviously, when we finished--when I finished it and mastered it, the penny dropped one night at home, and I was like "Oh, God," you know. And then you do the frantic "Can we change it?" and it was like, "No, we pressed up now. What are you doing?" Um, so it really should have been the opening track, but I love the lyrics on it, and they paint a really pessimistic picture of the future, which is what I was feeling at the time. And, yeah, there's some great--the lyrics are really visual, and, um, yeah, it's--I mean, it's an epic rock tune, and it's--it's got the full production and, yeah, really great.

XS Manchester Drive Posted 9 June 2023

Note: For the clip of Clint calling out Noel's pause, see definitely-rubbish's post here

Noel: Let's do a track called "Think of a Number." Clint: "Think of a Number"--now, this is the--it's the actual last track on the album, innit? Not including the bonus track? Noel: Mm-hmm. Yeah. Clint: When I heard this--and I made some notes--some of the--"Let's drink to the future / I hope it all comes 'round again." It sounds like you reaching out to somebody. Noel: Well, uh-- [Long pause] Clint: That was a brilliant pause! Noel: I could never-- Clint: That pause was amazing. It's gonna sound great on the radio, that! Noel: I could never decide if that track should have been the opening track or the closing track. And if I had my time again, I'd have it as the opening track, because the track that is the opening track, "I'm Not Giving Up Tonight," would end the album on a real--"I'm not giving up tonight"--a kind of sense of hope. But with this song, right up until the death--I never thought it was strong enough to open a record. I thought people would go, "You know, okay, well, I was expecting that from him." And--yeah, I kind of bottled it a little bit and put it as the closing track, which ends on a really bleak note, you know? Uh, but there you go. You know, you live and learn.

SoCal Sound Interview Recorded June 9, 2023

Harcourt: The opening track is "I'm Not Giving Up Tonight," and, I mean, that's full-on. Noel: Mm-hmm. Harcourt: There's bells, there's whistles-- Noel: Oh, yeah. Harcourt: It's--it's the whole thing. Noel: Yeah. Harcourt: Uh, is that at the beginning of the album for a reason? I mean, it sort of seems to set an intention. Noel: Yeah, I should have actually had it as the closing track. I think--I think there would have been a--well, so, the--the closing track is a track called "Think of a Number," and, actually, the entire track listing was set in stone very, very early, apart from these two tracks, and I kept flipping them, just to listen to at home, and I kept flipping them, and I--ludicrously, I actually thought "Think of a Number" wasn't strong enough to open a record, and I thought people would be expecting a big, kind of--and, actually, in hindsight, I should have had that as the opening track, because it would have meant the album would end on a more positive note, whereas it ends on a bit of a bleak note. Harcourt: Mm. Noel: But that's the one change I would make. Um, but, no, it's ["I'm Not Giving Up Tonight"] not there for any specific reason other than I felt like, for this--you know, my albums always open up with something huge, and I thought for this one, maybe something a bit more understated, um. But it's a fucking great song. Harcourt: It is a great song. Noel: Yeah, it's a great song. Harcourt: Yeah. Noel: The way that it--the way that it came out sounding is amazing. Yeah.

[mufos-photo-album]

Experiments in Wayfarer Language Visualizations

(Fancy words for "how I plan to represent the Wayfarer language in a webcomic format". Transcript at bottom of post)

[ID: Two screenshots of the Wayfarer language being spoken, represented by a yellow-colored text bubble with Journey symbols underneath the written text]

Up until now, I depicted the Wayfarer language by using some combo of yellow-colored text bubble and over/underlaying some Journey symbols underneath.

When it comes to adapting this for a webcomic, I wanna change this up, since grabbing/cropping the symbols is too time-consuming, but only having a yellow-colored text bubble feels plain (even though it gets the message across that what is being spoken is a different language).

The complexity factor is important to me since the Journey/Wayfarer calls are a lot more layered/complex than other calls in Sky. This auditor[y] aspect is something I wanna convey visually.

Below is the solution I have cooked up for this future problem. No more symbols (unless the contents are deliberately obscured from the reader), and auditor[y] complexity is conveyed by the complexity of the text bubble itself. I hope to make replicating this effect easier for myself in the future by having a template I can trace over.

[ID: A linear scale measuring level of fluency (of the Wayfarer language). The left side is "fluent" and the right side is "doesn't understand". 4 characters are arranged across the scale indicating their level of fluency. Piripu is most fluent, Odiwa's Wayfarer is pretty good, Kucevoz's could use some work, and Mufotsuki doesn't speak Wayfarer. Each of them has a differently styled speech bubble to convey this information.]

This kind of set up would allow for some fun language-based interactions.

Pictured to the left: When everyone at the function is speaking a language you don't understand, and the only word you recognize is your own name.

[ID: A simple doodle of Piripu and Mufotsuki talking. Piripu, in Wayfarer, says: "... It's nice and all, however Mufotsuki tends to talk a lot in her sleep". Mufo, only able to recognize her name, replies: "Are you talking about me...?"]

[blizzyblitz]

Hi, here's a list of my special interests/things I hyperfixate on

[thepersonalwords]

In the end, every startup is different. But in the beginning every startup is the same.

Richie Norton

[sylviaritter]

Speedpainting 15122024

Welcome to my 2024 Speedpainting Advent Calendar. Door 15 .

Created with Krita. Copyright © 2024 Sylvia Ritter.

www.sylvia-ritter.com,

Mastodon, Bluesky, Facebook, Instagram.

[liesmultixxx]

𝐀𝐥𝐥 𝐈 𝐤𝐧𝐨𝐰 𝐬𝐢𝐧𝐜𝐞 𝐲𝐞𝐬𝐭𝐞𝐫𝐝𝐚𝐲 𝐢𝐬 𝐞𝐯𝐞𝐫𝐲𝐭𝐡𝐢𝐧𝐠 𝐡𝐚𝐬 𝐜𝐡𝐚𝐧𝐠𝐞𝐝

[canisalbus]

What are these short and compact games that you have been playing?

Well, off the top of my head, shorter games (10 hours or less) that I've been really enamored by include Journey, Night In The Woods, Abzû, Sable, Limbo, Gris, Year Walk, Never Alone, The Mooseman, Samorost 3, Katamari Damacy and Firewatch. I'm not saying all of them are objectively great and everyone's cup of tea, but I personally vibed with them.

[sunshine-and-her-ikevil-stuff]

*thinking about the villains' tragic fates*

You know, their routes never really talk too much about their fates and how it effects them mentally. Or how the MC feels about it, and dealing with the fear and angst of it with the slight exception of William's route

*eyes widen*

... I think I know what the sequels are gonna be about

[michyeosseo]

Just because of a bit of cheers when doing sori, you think you have some grand talent? That path ruins a person.

Moon Sori as SEO YONG-RYE aka CHAE GONG-SEON

JEONGNYEON: THE STAR IS BORN (2024)

[worldbuildingwanderlust]

Let it all begin

Face to face

With another World's

End

[strawburrymeadows]

thinking about the rose and yaz parallels. thinking about how they both wanted to stay with their doctor forever. thinking about how they both got the doctor to open up. thinking about how they both helped however they could when the doctor was in danger. thinking about similar they were, and thinking about how rose and the doctor got a happy ending, but yaz didn’t. thinking about how everything worked out in the end for rose, but yaz and the doctor were always meant to be a tragedy. thinking about how rose got to stay with the doctor forever, but yaz had to let her go.