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#best films of 2013
sunkissedfawn · 22 days
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Victoria (2013) | Dir. Torun Lian
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2woofs-1meow · 4 months
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And I know it is totally crazy, to dream I'd find romance...
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mariocki · 2 months
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Friday the 13th (2009)
"Jason. My special, special boy. They must be punished, Jason. For what they did to you. For what they did to me."
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"I'll look if you look." | What if? (2013)
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L'Écume des jours (2013, Michel Gondry)
28/04/2024
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musiquesduciel · 2 years
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There are days when I'm fine and then there's days when I see a photo of Aditya Roy Kapur in Aashiqui 2 and my chest just tightens
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velociraptors-dont-lie · 10 months
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One of these days I'm going to continue writing my loki fic in which I ignore fucking everything and give the man everything he fucking deserves. Yes. I will. One day. I will return to it.
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blutweiss · 11 months
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Detailed Ranking of the Carrie Movies
Carrie herself-
Number one spot goes to Sissy Spacek. This is really no contest this is what acting is about. I love all the little details in Sissy's performance. How she tries to disappear into her clothes, hide behind her hair and even how she wraps herself up in her shawl at the prom. It's fantastic.
Chloe Grace Moretz- I never fully buy Chloe in the role. She does fine but I feel like her performance and the film itself could have pushed further. That said I felt like I bought the mother/daughter bond between her and Margaret most, warped as it is.
Angela Bettis- I love Angela Bettis but she never really works as Carrie for me. Some aspects of her performance feel over done and I never find myself buying her as a teenager. Though I do like some of her mannerisms like the way she twists her hair. Just go watch May
Margaret
This is a weird one because it's like ranking apples and oranges. Piper Laurie's performance suits the disco fairy tale vibe of the 76 film but I never buy her as a human being and don't think I'm meant too. Juliane Moore feels like someone suffering from genuine mental illness who loves her daughter in her own twisted way except for those few scenes where the movie needs to up its gross-o-meter. Patricia Clarkson does the best job of balancing those two extremes though given the flaws in the 2002 film she's not a clear favorite to me.
Coach Desjardin
Betty Buckley and Judy Greer- This is such an easy tie. Buckley's Desjardin feels like someone who became a teacher because they want to reach the weird kids but feels human enough to struggle with it. While Greer who usually just gets bit parts gets to really shine in this.
Rena Sofer- I do not care for Rena's Desjardin she feels genuinely mean-spirited with her ten-year reunion speech and I don't care for it. I sorta get what they're going for but it makes her come across as a genuinely terrible teacher.
Sue Snell
PLOT TWIST- Its actually Kandyse McClure in the 2002 film as she feels like the most fleshed out and genuine of the Sues. I also like that she actually approaches Carrie herself at a few points. And I'm kinda into the Snow White imagery when she rescues Carrie from the tub.
Another case of apples and oranges Amy Irving's Sue fits the film and feels like a very genuine fairy godmother-esque figure whereas Gabrielle Wilde's is more ambiguous and feels more like a dumb teenager who hasn't thought through her actions. Like genuinely what does she expect to have happen after prom?
Tommy Ross
Like Sissy's Carrie this goes so easily to William Katt's Tommy it's not even funny. I love how Katt's Tommy will get genuinely pissed off. He's mad at the teacher and calls everyone out for the pig's blood stunt before he dies. I also genuinely want to know how things would have turned out after the prom if the pig blood stunt didn't happen because?????? He seems very genuinely into Carrie?????? I'm also soft touch for Katt in general I think he's a fine actor.
Tobias Mehler is essentially a non-entity as Tommy but I do like that he's clearer about his intentions and that Sue is setting them up which makes him feel the most mature of the Tommys.
Look I want to be fair to Elgort No I don't he makes sense sorta as a dumb teenager who hasn't thought things out. But he also feels super flat as just a generic 'good boy' there's none of the genuine anger Katt brings to it that balances the character out.
Chris Hargensen/ Billy Nolan
This is another case of apples and oranges. Portia Doubleday and Alex Russell feel more familiar in the sense they vaguely remind me of people I went to high school with but idk if they have any more depth to them than the 76 film or the 2002 version. The 76 film at least leans into the flat characterization because it knows what it's about and every fairy tale needs it's baddie.
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ok so i finally watched the lorax for the first time ever and it was alright lol... feels so bizarre to watch something that formed SUCH a big part of tumblr culture back in the day, like i'm some kinda archaeologist discovering the belief systems of an ancient civilisations...
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clownkillsyou · 1 year
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mcla brainrot isnt funny anymore im doing fuckin prequel shit now
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doyoulikethissong-poll · 11 months
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Soggy Bottom Boys - I Am a Man of Constant Sorrow 2000
"I Am a Man of Constant Sorrow" is a traditional American folk song first recorded by Dick Burnett, a partially blind fiddler from Kentucky. The song was originally titles "Farewell Song" when printed in a Richard Burnett songbook in 1913. Burnett recorded the song in 1927 but this version was unreleased and the master recording destroyed. The first commercially released record was by Emry Arthur in 1928, and which gave the song its current title.
It's been covered plenty of times during the years with lyrical tweaks, but the biggest impact worldwide happened with the release of the 2000 film O Brother, Where Art Thou?, where it plays a central role in the plot, earning the three runaway protagonists public recognition as the Soggy Bottom Boys. The song had lead vocals by Dan Tyminski, who also was the vocalist on Avicii's 2013 hit "Hey Brother". "I Am a Man of Constant Sorrow" received a CMA Award for "Single of the Year" in 2001 and a Grammy for "Best Country Collaboration with Vocals" in 2002, and also named Song of the Year by the International Bluegrass Music Association in 2001. It earned a total of 70,4% total yes votes here.
If you love great movies with amazing music, please do check this one out! :D <3
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boringkate · 1 year
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Here’s a bunch of junk for you trans girls to watch
Update: there used to be a link to a mega folder here, but it got taken down.
///TGIRL FEATURE FILMS (alphabetical order)
Adam (2019) it's about a cis boy who's mistaken for a trans boy and rolls with it. Big cast of trans characters including a tgirl played by a tgirl who everyone wants to fuck. Directed by a trans dude. Highly legit. If you're still hung up on pre release speculation based on the novel then you're the most annoying person alive.
Assassination Nation (2018) The first half is Euphoria and the second half is The Purge. ONE OF THE BEST TGIRL MOVIES OF ALL TIME.
Bit (2019) Lesbian girl power vampire movie where the main character is a tgirl played by a tgirl. It's solid. I find it frustrating that they hint at her being trans without explicitly acknowledging it (and she's passing as fuck, so it's easy to not notice), but I know that's what some of y'all want.
Boy Meets Girl (2014) Cis dude for trans girl love story. Pretty normie, but also you see her fully naked (gock out) at the end.
Funeral Parade of Roses (1969) Extremely 60s. Cool as hell.
Lady Daddy (2010) South Korean romcom about a trans girl played by a cis girl who tries unconvincingly to back pass when she finds out she has a kid. Very cute.
Lingua Franca (2019) written directed and starring Isabel Sandoval. An undocumented trans woman immigrant in New York deals with a cis dude partner being a cis dude. Which is also the plot of The Garden Left Behind (2019).
Myra Breckinridge (1970) Raquel Welch is a trans woman and her goal is the destruction of the last vestigial traces of traditional manhood! It's Fight Club! It's Hackers! It's divisive, but it's probably my favorite movie!
So Pretty (2019) Literally the first scripted feature length (non pornographic tho it does have cock) film to feature two trans women played by trans women kissing eachother.
Something Must Break (2014) THE OTHER BEST TGIRL MOVIE OF ALL TIME. Drugs. Crimes. Gock. Slow motion pissing. Slow motion park Fucking. Genuinely the most beautiful sex scene I've seen in any movie. And she makes it to the end still alive and more sure of herself and at peace than ever.
Tangerine (2015) Groundbreaking and also a bunch of the secondary characters are real life pornstars (which I think is neat).
The Garden Left Behind (2019) This and Lingua Franca (2019) really are tgirl twin films, but (like with Antz and A Bug’s Life) the vibes and details make them distinct (I assume tho tbh I’ve never watched Antz).
///TGIRL DOCUMENTARIES
Bambi (2013) about a trans girl showgirl in 50s/60s paris
Paris is Burning (1990) basically it's Pose.
Shinjuku Boys (1995) Trans dudes working in a tokyo club that caters to tboy chasing cis girls. There's at least one trans girl in the mix too.
///FORCED FEMINIZATION
A Reflection of Fear (1972) They raised her as a girl and it made her do murders! It drags in places, but the girl in it is so ethereal and it has ageplay vibes and daddy issues.
Memory Run (1996) A very fun direct to video scifi action flick about fighting fascism by blowing up your pre transition self with a rocket launcher + it's based on a novel written by a trans woman.
She-Man A Story of Fixation (1967) Notable for being such a cliche sissy maid fantasy while also coming out so early + it was Bob Clark's first film lol.
Sleepaway Camp (1983) A more famous version of Reflection of Fear.
Surrender Dorothy (1998) A MUST WATCH. I personally bought a physical DVD and made an ISO of it for you because I was unsatisfied with the quality of the only copy that seemed to exist online. I ALSO PERSONALLY CREATED MY OWN SUBTITLES FOR IT BECAUSE EVEN THE DVD DIDN’T INCLUDE ANY! WHICH TOOK HOURS TO DO!
The Skin I Live In (2011) A rapist is kidnapped and turned into a girl by a mournful vengeful plastic surgeon. Which was also the plot of Victim (2010). I never really vibe with Pedro Almodóvar movies, but I recognize this is the preeminent forced feminization film.
///SHORT FILMS
Gender Troublemakers (1993) Some 90s Toronto trans girls fucking and discoursing. Explicit tgirl on tgirl action. This is the only one on the list that I haven’t actually watched yet. I’m hyped to watch it tho. Seems mindblowingly rad af.
Happy Birthday Marsha (2018) It's about Marsha P. Johnson.
I don't Know (1971) I'm obsessed with the trans girl in this one she just keeps popping up in all kinds of early 70s stuff. Directed by Penelope Spheeris (who is the sister of the cis gf in it).
Mesmeralda (2019) AN ABSOLUTE BANGER HOLY FUCK THE VIBES ARE OFF THE CHARTS! PLS WATCH THIS! I refuse to apologize for it being 15GB. It’s worth every byte.
Pat Rocco's Changes (1970) It's that same girl again!
Queens at Heart (1967) I can't get over that hairdresser girl thinking she's back passing. Most adorably weak boymode ever.
Shangri-La (2021) Another Isabel Sandoval joint.
The Yellow Wallpaper (2021) Freshly post op girl with a supportive boyfriend goes unhinged.
Undress Me (2012) Jana Bringlöv Ekspong did a few short films. Give janabringlove a google after watching this.
///JUST LIKE BTW
Some of these would be tough to find elsewhere, but most of the movies are also watchable on fmovies and/or can be torrented in higher quality.
After you've worked your way through the folder then just start doing Google searches for trans films. Look at IMDB keywords and letterboxd lists. There are so many more out there. These are just like my personal picks.
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samyelbanette · 2 years
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My friend is coming over later to watch Moulin Rouge with me.
I can’t remember which interview it was, but I swear I remember hearing Niko say he likes this movie (or maybe he said that it made him cry?)
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The Good Dinosaur (2015, Peter Sohn)
25/05/2024
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midnightsslut · 4 months
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A Guide to Red - The Quintessential Taylor Swift Album
After the release of The Manuscript, the role of Red and Red (Taylor’s Version) in Taylor’s life and discography has been highly discussed. A lot of people have referred to it as her magnum opus and most formative album. I have decided to compile a condensed list of about a dozen key interviews, performances, speeches, posts, and videos from 2011 all the way until 2024 that illustrate the importance of this record for Taylor’s personal life and career. I’m putting the list under a cut because it got pretty long. You don’t have to go through all of these, obviously, but I would suggest at least one per era. The bolded ones are essential in my opinion.
Pre-Red - These interviews hint at Taylor’s emotional state at the time and thus the content that will be explored on the Red album
2011 The New Yorker profile
Taylor Swift reveals new album is all about heartbreak - Extra TV
Bonus: an article going through Taylor’s arm lyrics on the Speak Now World Tour, which she described as mood rings for any particular show
Lover diary entries from the making of Red (credit to @cabincreaking for the scans)
- All Too Well lyrics first draft (February 2011)
- Random bursts of happiness and anxiety during the Speak Now Tour (June 17, 2011)
- Red (September 8, 2011)
- Holy Ground (February 2012)
- Nothing New (March 2, 2012)
- Working with Max Martin (June 10, 2012)
Red era - Listen to the original sixteen songs on the Red album at this point.
Red announcement livestream + Q&A
Red prologue
2012 Rolling Stone interview
2012 The Guardian interview
2012 Billboard interview
2012 Esquire interview
Sirius XM Town Hall - an hourlong interview from the day Red came out
Good Morning America - this is the first mention of the ten-minute version of All Too Well
Red track-by-track descriptions
Random interview where she discusses the connection between writing Speak Now and Red
I Knew You Were Trouble music video
Diary entry about how love is fiction and she might move to New York after all (January 6, 2014)
Diary entry from Grammy night (January 25, 2014)
Red Tour London performance of All Too Well - any performance of this song from 2013-14 will work here, but this one has a pretty comprehensive speech
Final performance of All Too Well on the Red Tour - just listen to the speech here
Post-Red era - Over the course of these interviews, you’ll see her relationship to the album evolve.
Taylor’s description of Clean (skip to 11:18)
2014 BBC Live Lounge interview
1989 World Tour interview where she mentions thinking she’d never sell as many albums as she did with Red before 1989 came out
Clean speech - a lot of these will work, but these two best describe her relationship with the Red era and heartbreak in general
All Too Well (The 1989 World Tour live)
2015 GrammyPro interview
All Too Well Super Saturday Night performance
Reputation Tour All Too Well speech
Red into Daylight performance - 2019 City of Lover concert in Paris
Re-recordings era - at this point, listen to the red vault
2020 Rolling Stone podcast
Red (Taylor’s Version) prologue
2021 Saturday Night Live performance
All Too Well: The Short Film + Behind the Scenes
Seth Meyers interview
2022 Tribeca film talk OR TIFF (both are equally good. I have a slight preference for the former, but there are some interesting new details in the latter). You could also watch directors on directors from the same year as a bonus, but it’s less comprehensive.
2022 Graham Norton - How All Too Well (10 Minute Version) came about + how the re-recordings inspired Midnights
Also listen to Midnights
The Eras Tour
All Too Well speech (Glendale Night 2 & Atlanta Night 1) - any of the speeches from March and April 2023 will work, but these two really illustrate how she feels about this time in her life now and how the fans changed the Red album for her. Obviously credit to @cages-boxes-hunters-foxes for the transcripts!
Maroon first ever live performance (‘This is a song about something that happened a long time ago, but it took place in New York’)
Aaaand finally listen to The Tortured Poets Department, especially The Manuscript
This is a lot, but it’s worth it. Enjoy!
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