#blanking plugs

[kaizenmetals]

We manufacture a variety of Cable Glands Accessories, including blanking plugs, locknuts, earth tags, entry thread seals, and stopper plugs.

[vargaslovinghours]

The unusual but no less hard-hitting 10½! (1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9)

So as it turns out, I did so many Blank Slate/Have you lost your mind? doodles that I ComPletely broke the last sketchdump lol, so it gets it’s own! Who could’ve figured that making basically a full comic of Chapters 2 and 3 would’ve made just a few too many sketches lol

Because of that, I’d strongly recommend reading what I've posted of Have you lost your mind? so far before this! Spoilers and author’s notes/behind the scenes warnings and all that haha

Concept sketch for Scriabin - I always love having visual signifiers to denote timeline/AU/etc. differences so you can tell at a glance where you are :) His silhouette gets to be correct! The details, well, sorry we forgot those ♪

And concepts for Edgar! I've drawn him in different glasses before so it was a bit of an excuse, using these new/old glasses to do so again haha

But in the end I went for a reference! Remember when I drew Edgar's glasses tiny?

And I mean, if he hadn't worn them in a while, maybe they're just a bit small on him! Lol

Poor memory-less Edgar's musings, it's not just sad to be forgotten, it's sad to forget :(

Early concept of Scriabin freaking out by himself in the bedroom. I'm glad I got to keep it :D

Always gotta draw 'em reacting to something just out of frame

Poor Scriabin, he wants to be close despite knowing Edgar doesn't remember him. He has to face this whole Being Human thing completely alone! Edgar just doesn't understand!

He doesn't know how good he's got it haha, if I was really mean I'd have let him keep his glasses instead. There's a bunch of fun themes either way, but stealing from Edgar while hiding in his own hair is as good as any hehe <3

Blank-faced Edgar, I ended up with a lot of these, unsurprisingly. Doesn't help that he's cute haha

As usual, starting from the middle - it's just easier to get ideas flowing around a core! Also that note pointing at Edgar of "Put Todd to bed" was all the everything of the prep work I did for writing that little section, but the rest Absolutely Needed storyboarding lol

He might come to resent you if you manhandle so much right after meeting for the "first" time

Scriabin actually touches him in the original draft, but after I thought about it, it'd probably take a bit to cross the touch barrier comfortably again! Scriabin's still weird about Edgar but Edgar is wary, it's an interesting dynamic

I won't show off every panel, but panels like these where I think they turned out especially cute Have to be included haha <3 I dunno what it is but Scriabin pouting always turns out adorable ♥

Floof harder! Edgar's innocent expressions ahh <3

Starting to lay the groundwork, but still a bit nervously! It is quite fun how they skirt each other, not quite sure what the other knows - how many lies can Scriabin get away with before he gets caught!

Scriabin using some informed guesswork in conjunction with what he definitely knows, he is rather intelligent :) You can also see Edgar's unfocused eyes well in this one, I tried to draw them fuzzy behind those glasses hehe

These are all lined up like this on the page :D Really happy with his hand expressions here, and his face haha

This was one of my favourite lines - he keeps making excuses for Nny! Edgar no! - I fully admit that it's also partially influenced by how cute Edgar turned out haha, the poor thing - but he's so wonderfully fluffy!

I love this line as well, Scriabin utterly convinced that all his hard work must have gotten through to Edgar somewhere in there, he said it often enough, he must have listened to him at least once-!

And then Edgar completely cuts him off and redirects him haha, they’re both hopeless <3

So mad at himself and Edgar, comedy = pain + time, but this is still fresh! Give yourself some time!

That last line in particular is so insidious because he did that, Scriabin was the one who put him in that situation, and now he’s trying to turn it back around on him! He's the worst ♪

Guilty Edgar <3 Still pressing on (changing the subject so he doesn't have to linger on the feeling hehe), he does have his own questions

These kinds of exchanges were especially fun to look back on from their individual perspectives since I only drew it once, starting with Edgar. How honest can Scriabin really be? He can't explain everything and not be kicked out for being a potential danger to Todd or Edgar! He's gotta play his cards Just So

Edgar is also quite intelligent! Catching Scriabin out in a lie, even when he's trying so hard to skirt the truth!

Scriabin so mad about being called out, gotta rub it in just a little bit that he's Totally Right lol, what a brat <3

Scriabin is legally and morally and emotionally and spiritually obligated to mess with Edgar sexually in literally every iteration of his existence, it is a core tenant of his being and also he really really wants to (lol) ♪ Drawing Edgar all blushed up is just a bonus, who does this stranger think he is! What has he forgotten! He's not some easy man! Haha, if you only (still) knew, Edgar

Whatever he was going to say would just hurt Scriabin's feelings, better to just cut him off before another reminder gets laid out

Probably my least favourite dialogue that I had to change was making "?" into something that flowed better in just-text, it's not the same! Lots of little notes about word choice actually haha. Love them reaching for each other even like this <3

Edgar has all these feelings to contend with! My favourite shot is easily the last one, Scriabin's relaxed mouth while Edgar's heart is beating out of his veins right into his ear ♥

Pls o////ò;

Existence is exhausting

Even without knowing him, he's just a cautious guy :) And he wants to be gentle with him! He doesn't realize what he's doing, what his actions would mean to Scriabin if he could see them, and he does them all the same 💕

Pretty lad <3

Technically backtracking, to Ch. 3! POV shifts are fun lol

Zarla mentioned Scriabin curling up into a ball in the blankets and I thought it was a cute visual haha ♪ Haven't had a use for it yet but never say never hehe

I wanted to go for some high perspective shots to drive home the uncanny feeling of being really truly alone for the first time ever. That, and he's dramatic anyhow haha

His posing was very important to me! Since Edgar knocks on the door while he's still leaned against it, the contact points would Feel a specific way

Scriabin got a lot of「bracket notes」for his section, usually as digs lol, where does Scriabin get off saying that Edgar has no tact haha

More blank-faced Edgar! These were actually drawn separately - could be chalked up to how each of them remember the event! Edgar sees himself as more put-together and Scriabin as more foolish haha ♪

That horrible sinking feeling

I pick on him a lot but this really would be incredibly scary and sad! He's alone, expelled, and the only person who Knows him now doesn't even recognize him! This was probably the one scene I wanted to be just a bit longer, really feel the weight, hmm

But he's also quite resilient haha, he has to be <3 He has enough tenacity, thank goodness haha

One of those examples of panels basically repeating lol, I can only fit so much text per pose! Plus it's fun to see the little body language differences :)

Another bracket note lol, Scriabin has to be the best at everything!

And another, have I mentioned that Kaggie is my favourite of the two? ✨ I'd still like to give both K and D a more sizeable reference sometime! Scriabin continues to be the cutest when he pouts, agh <3

Touchy touchy touch ♥

I do love the phrase "feeling himself" right after the last panel lol - it can be both literal and metaphorical! And that's what you get for not cleaning up after yourself! I swear that lightswitch panel confused me so many times on reviewing notes lol

He's not even careful pfft. Then again if he was, he wouldn't have a mess to grumble about in the first place!

A familiar face while Scriabin's already feeling small on his lonesome, ~it's symbolic~

Ough, it hurts to think that Edgar might actually be able to watch Zeitgeist, not knowing the deeper implications. The thought of him inviting Scriabin to see it! 💔

The most important question, and he hasn't come to a conclusion yet :) I wonder what his answer will be once he stops hiding from it!

Hhhh this has been a really fun AU to write for, I'm glad that I finally put it to words since it had been rolling around in my head since early 2021 - there are so many fun and insidious things to explore! Especially on Scriabin's side, though I still think it's the most fun to be stuck behind Edgar's eyes, an aware audience knowing what Scriabin is up to while Edgar doesn't hehe ♪ Hopefully I'll have some time to return to it after a bit! :D

[fjb-blurbs]

Naruto: *Screams*

Sasuke: *Screams louder to assert dominance*

Sai: ......Should we do something?

Sakura, observing: hmm, no, I want to see who wins this.

[bonefall]

slips in. i was following your clanmew challenge thing and want to know if these sound right? Pyrrsmeer! Opipwyr. Hwoo-ulnyams piagorll. [ Noncombatant-you-hello! Flickerpaw. Wind-clan learning-rank. ] Pi / Yass pishkaf nyyrwang! [ Saw/heard / Smelled/tasted red-squirrel rotten-quality they-rogue-contain! ] Urchborrl yaowang morrwowang urrgryyr. [ Snowpelt female-quality fast-quality they-clanmate-contain. ] " Snowpelt is a female and large. " Oskfaf ssufwang eebwang urrgryyr. [ Whitefur male-quality ? they-clanmate-contain. ] " Whitefur is a tom and small. " i know i def must of messed smth up somewhere so. :]

We'll be posting answers all at once in a couple of days so everyone can check their work (since there's a few people trying it out!) but I will say; You're doing really well!

We realized though we actually made a goof which you replicated, that's on us. In the Rotting Squirrel example, we bungled the grammar and accidentally put it in SOV word order instead of OSV.

Yass pishkaf nyyrwang mwrrgryyr should be "Yass nyyrwang pishkaf mwrrgryr," because "Rotting" is the OBJECT of the sentence, and the Squirrel is the SUBJECT because it's doing the containing. The squirrel is a literal object; but the rotting is the grammatical object.

(and this is why Clanmew wouldn't exist without Jace, grammar specifics like that soar over my head until they are explained OTL)

[bmpmp3]

holy FUCK IA's voisona 2.0 is OUT

[therealricksanchezpleasestandup]

MORTY IS BACK!

[red-i-mean-blue]

Love nothing more than seeing Brennan “DMed since he was 8” “Camp counsellor” Lee Mulligan bluescreen at Lou saying he did 1 damage.

[pochapal]

back from jury duty day 1

[kindahoping4forever]

Crystalllll he went live again!!! Did you see?? He even gave you two chances to catch him this time 🥰

Yes I was actually around to catch him this time! I've stitched both streams he did together (about 20 mins of footage) and will be uploading them to my YouTube as soon as my internet allows! I'll of course make a post here when the video goes live 💙

[alteredphoenix]

You know what, fuck it, I’m going to say it:

If Episode Final had revealed so much as a hint as to who Michelle’s parents were and what her heritage was and just left it hanging, unanswered, I would have been absolutely fucking livid.

Here’s a girl who’s spent fifteen years of her life where nothing in particular remotely happened, nine of which were spent raised under the care of a man whom I honestly don’t think is related to her at all who taught her medical science in a little village by the sea in Sheep Country, and tells her she’s definitely not this “goddess of healing” everybody else has been calling her as of late because those artes may as well be miracles performed in the flesh and that she shouldn’t be so dependent on them. She doesn’t know who her parents and where they are, other than being doctors that were born outside of Sheep Country, but they’re not in her life and haven’t been for as long as she can remember she can’t even put a name or face to them, and the one person who does have the answers for them keeps putting the talk off for years until one day he gets to hear said girl tell him that no, she’s not staying put and letting the adults get the ingredient they need to heal the Random Joe that got poisoned by a beast that shouldn’t be so close to their little village by the sea, she’s going out there, and she’s doing it with her artes - the same artes she uses to help heal people with, except this time they’re weaponized, he had no idea where she had learned to do all of that, and by Origin she’s hitting the coast and getting that damn flower whether he wants her to or not - and she gets it. She gets it with the help of a soldier passing by and makes it back home in one piece, none the worse for wear. (And isn’t it so strange that a girl raised among sheep is using a wolf in her repertoire of magic? Isn’t it just so strange she’s using the shape of not only one of the sheep’s most fearsome predators but her country’s - and her faction’s - greatest enemy, as well?) But even as she goes back home to help make the medicine that’ll save her patient, she never stops asking the questions she spoke out loud in the Salty Cove: What were my parents like? Were they worried about me getting hurt when I was a child? Which one of them did I get my artes from? Did I get them from both of them? How come they never came to see me?

Here’s a girl that’s running the counter at the clinic like usual, a normal day in a rather normal life, and one day the man that’s been raising her for almost ten years decides to tell her that lunch can wait, there’s something more important they need to do - that he needs to do, something more important that she needs to hear, and he lays it out to simple and clear: he’s going to tell her everything about her parents, the people she’s always wanted to know about, and put all those questions she’s been asking him and to herself to rest. No more secrets. Here’s a girl who’s this close to knowing, this close to having the truth be revealed, and in a fit of cosmic irony - be it out of a sense of morbid humor or cruelty - they get cut off. They find out a man’s been injured; he’s in dire straits and he needs to be tended to and fast. Here’s a girl that’s ready to tear through the house for medicine that might ease his pain when there’s a knock on the door, and it’s the lady soldier from before at the Cove. She tells her that a guy got attacked not by beasts but people and showing signs of a disease that infects the person with a change that turns them into something other, more demon than man, and he needs to be found ASAP.

And then her grandfather gets bitten. The change is already taking hold of him. And then she finds out from the soldier that once it happens there’s no cure. There is no saving someone from infection, and that’s there only recourse, and that recourse is death. Death before the virus can spread. And suddenly all the answers that she could have had about her parents, the family she never knew, are ripped away from her. Suddenly the man that held those answers, the man who raised her and gave her a childhood, is on death’s door, and there is no saving him from the infection that is going to rob him of his will and thought and turn him into a monster whose only goal is to kill and keep the virus going. Suddenly the soldier, the medic who’s been traveling the countryside searching for the group that was infected to put them down, is drawing her blade with a remorseful look in her eye. Suddenly, the life as the girl knows it comes crashing down, just like that.

She snaps. For the first time she’s not using her artes to heal but to hurt, to stop the soldier from killing the only family she has - the only family she has left and has ever known - and gets him out of there, passing him off to a friend with the promise that he gets her grandfather as far away from the little village by the sea as possible. And then she turns her sights on the soldiers that accompanied their captain, these people that have the nerve to take away her family from her. And so she turns the wolves on them, and in their shock they’re driven from her home, and that is good enough for her. It’s good enough for her to run and catch up and find her friend and grandfather. Except when she does he tells her her grandfather managed to get away, making for the Salty Cove. And so she runs, Federation soldiers and their lady knight hot on her heels.

Very briefly, she considers bolting for the north, the land of her enemy. Very briefly, she considers finding refuge and hope and solace within the Land of Wolves, where the sheep dare not tread.

Here’s a girl that finally finds him, worse than he looked before at the bite’s onset, and the knight corners her. There’s nowhere left to run. She tells her it has to be done. Doing it hurts her just as much as the sight of the man suffering from his infliction hurts the girl. If there was a way to save him she would do so in a heartbeat. But there isn’t; the choice has already been - she must kill him. But so has the girl. The girl tells her she won’t let her take him from her. And the knight agrees. She knows what she’s about to do is awful and is going to stick with the girl for the rest of her life - for both their lives. She does not condemn for her feelings. If that is how you truly feel, she tells the girl, then show me your resolve!

And so they fight. Neither will back down. And yet, despite the reaction the girl had at the little village by the sea, the knight tells her that in doing so she had saved everyone from suffering the same fate that’s befallen her grandfather. That by removing him from human contact, she has effectively put an end to the threat that would have hung over them. Through her, the disease will be vanquished from the face of the Land of Sheep. And here’s a girl who denies it, that she didn’t do it out of altruism. Here’s a girl that denies she did it for the man who is her only family and not for others. Through him she was given a purpose. Through him her life was made valuable. And still the knight does not condemn her. Still she tells her that even with things coming to a head as they are now, her feelings are not wrong. She loves her family more than anything in the world.

And then her grandfather gets up and charge when they’re at a standstill. And then the knight moves, too fast for the girl to see, and runs her blade through him. And then they learn that he wasn’t as far long as he appeared, that he made the choice of his own free will, and spends his final moments in the girl’s arms, voicing his regrets. And then he lets her go. And then he dies - and with it all the answers she could’ve had. All the value and purpose she had been given in her life has been rendered null - just like that.

Despite it all, we never get any more information on her family beyond that. We don’t even get a mention of there possibly being a note, something, that Ollie could have left behind to at least give Michelle an idea as to where to start looking. Could she have found it at Aedis? It’s possible; after all, Grace was the one that gave her the admittance letter to pack up and leave the only place she’s ever called home. It’s at Aedis she finds a new family to call her own, friends she has only ever dreamed of having and a school she has always imagined herself being in. It’s through Aedis she would have found a new purpose and find the value she thought was lost - or, rather, perhaps she thought was never there.

Can you imagine what it would’ve been like if the game decided, out of blue, to tell the player the names of Michelle’s parents, or showed them in silhouette, and never brought it up again, because the game shut down? Can you imagine getting just that and only that and nothing else because the game didn’t make enough money to justify what was being put out on an MTX cash shop that it didn’t require?

I would be livid. I would be furious. I would be just as blue-balled from the beginning as I would’ve been toward the end, because despite the parallels Michelle doesn’t quite get the same closure that Hugo gets at Episode Final. While her backstory entertains the idea, she - given what little canon has showed us and as far as it’s considered - chooses to forego leaving the Federation behind and defecting to the Empire as he did, even if the reasons might’ve ended up differently (although I wager, if not for Grace and whatever conclusion Michelle arrived at - to get her into the mindset of - between accepting the letter and deciding on leaving for Silvayer, she would have settled on throwing her lot in with Gildlla, if not out of a desire to protect the people of Bazine, then perhaps for one where she would find purpose and value over there). However, in Hugo’s defense, he doesn’t have the question of who he is and why he is like Michelle does hanging over his head, because that wasn’t what he was introduced with from the onset. The game at least decides to answer why he chose to side with the Empire and is doing what he has to do to protect his friends and family across the border, even if that means his decision comes at the cost of inevitably coming to blows with them and potentially damaging those ties he has with them forever.

But his is an easy mystery to solve, because among all the other mysteries that linger in the background finding out why a student from Aedis betrayed the Federation and is now fighting for the Empire - the same Empire that set Anthwan on fire and razed Le Sant, his hometown, to the ground - is a rather easy question to answer. Traitors are a staple to the Tales franchise, and what would be more enticing to learn the revelations and reasonings of a marked traitor than the person that was designed to be in the role of the traitor in mind from the very beginning?

Of course, the topic of parents - and the lore behind them - are just as essential to the Tales narrative as the traitor archetype, and it’s Michelle that has that question, and many others proceeding them, that go unanswered in the end. Who are they? Where did they come from? How are her artes related to them? How important are they to the story and the Greater Scope Plot, and what is it about them that made Ollie hesitate so much he couldn’t bring himself to tell her until she told him she was going to go out into the wild and use her artes to protect herself from the beasts and monsters that would have gotten in her way?

Who knows! Because at the end of the day it’s money that makes the world go round and money is the lifeblood that flows through an IP, especially in an entry that’s made on a mobile phone. We might never get an answer to those questions that the narrative, and even Michelle herself, proposed, and with it the character arc - positive or negative - that Michelle could’ve had as a result.

[kaizenmetals]

[medicinemane]

To be honest, seeing a post about how since binders are hand wash and that's a pain, old washboards do a good job (did I reblog that?...I forget) really kind of makes me want to get a washboard for my laundry

See... I kind of fucking hate using machines like that for some reason. Like, I don't use the dishwasher, it's so much easier for me to do it by hand (even easier if I get ahold of some good dish rags cause... when I've got a rag I can get things cleaned even quicker and easier)

Just something about the loading and unloading... doesn't work well for me

But using a washboard on the couple things I use (I mean I'm at home a lot, so I don't go through a ton of stuff), and then hanging them on one of those little... like the indoor hanging racks (which I could make if I'd just make it)... that feels easier too me

Hard to get started doing cause... it's... it's a big learning investment, not that it's complex but like... even if you... well even if I know all the steps for something, doing it the first time still is really hard and like learning, I can't say how it is for you

But like, once I started doing it and was used to it I feel like I'd do it a lot more than I'm willing to do laundry in a machine

...I don't know... just thoughts I have. Don't know why I'm like this, but I am

[8redphoenix8]

im reminiscing on wtnv. thank you tumblr for reminding me.

[iron-cutting-meteor-sword]

lupin twitter is going INSANE from the Lupin McDonald’s brand commercial qnwktjkqkrnnw

[seagullcharmer]

okay, it's not dave and the chain, but i would like to direct anon to don't you worry child by rarsneezes (which loosely inspired breaking the chain tbh) there are some very cool character interactions, including dave and kratos, dave and shadow the hedgehog, and jade and soma cruz