#brand redesign brand design business brand

[carpetbug]

another character color test (just for u @wisteriasymphony mwuah i luv u)

for some reason i have such a love hate relationship with his color palette, it has potential but it feels sort of bland? if that makes sense lol

tikki and plagg up next <3 i haven’t really considered comparing my different kwami designs + canon so i think ill have a lot of fun with it

[logodesignsposts]

Welcome to my artistic nook! I'm Fokhrul Islam, a passionate logo and branding design professional with over five years of expertise. My design concept is based on simplicity and originality, and I strive to create visually beautiful and meaningful logos. Order me on Fiverr:

https://bit.ly/3SdZtLX

Services Provided: - Custom logo designs that reflect your brand's identity, including minimalist and modern styles.

High-quality printable and digital files in several formats (AI, EPS, PDF, PSD, JPEG, vector, and transparency).

Comprehensive brand assistance provided by a team of expert designers.

100% satisfaction guarantee, including a money-back policy if the designs do not reach your expectations.

Exclusive gifts, such as free mockups, utilized fonts, and color codes.

Specialties: - Minimalist modern designs that are versatile.

Experience with business logo design and brand building.

You can browse my portfolio and get inspired. Please don't hesitate to contact me for a free consultation on your project on Fiverr. Let us work together to create something extraordinary!

[ps20logoportfolio]

Walky Chat || Branding identity

PS20 Studios. Fiverr.com

[incrediwire]

https://www.incrediwire.com/why-is-having-a-website-important-for-business/

The Importance of a Website for Business Success

A website is a crucial component of any business's digital presence, providing a platform for connecting with customers and promoting products or services.

[reasonsforhope]

Article Link

"Minnetonka first started selling its “Thunderbird” moccasins in 1965. Now, for the first time, they’ve been redesigned by a Native American designer.

It’s one step in the company’s larger work to deal with its history of cultural appropriation. The Minneapolis-based company launched in the 1940s as a small business making souvenirs for roadside gift shops in the region—including Native American-inspired moccasins, though the business wasn’t started or run by Native Americans. The moccasins soon became its biggest seller.

[Photo: Minnetonka]

Adrienne Benjamin, an Anishanaabe artist and community activist who became the company’s “reconciliation advisor,” was initially reluctant when a tribal elder approached her about meeting with the company. Other activists had dismissed the idea that the company would do the work to truly transform. But Benjamin agreed to the meeting, and the conversation convinced her to move forward.

“I sensed a genuine commitment to positive change,” she says. “They had really done their homework as far as understanding and acknowledging the wrong and the appropriation. I think they knew for a long time that things needed to get better, and they just weren’t sure what a first step was.”

Pictured: Lucie Skjefte and son Animikii [Photo: Minnetonka]

In 2020, Minnetonka publicly apologized “for having benefited from selling Native-inspired designs without directly honoring Native culture or communities.” It also said that it was actively recruiting Native Americans to work at the company, reexamining its branding, looking for Native-owned businesses to partner with, continuing to support Native American nonprofits, and that it planned to collaborate with Native American artists and designers.

Benjamin partnered with the company on the first collaboration, a collection of hand-beaded hats, and then recruited the Minneapolis-based designer Lucie Skjefte, a citizen of the Red Lake Nation, who designed the beadwork for another moccasin style and a pair of slippers for the brand. Skjefte says that she felt comfortable working with the company knowing that it had already done work with Benjamin on reconciliation. And she wasn’t a stranger to the brand. “Our grandmothers and our mothers would always look for moccasins in a clutch kind of situation where they didn’t have a pair ready and available to make on their own—then they would buy Minnetonka mocs and walk into a traditional pow wow and wear them,” she says. Her mother, she says, who passed away in 2019, would have been “immensely proud” that Skjefte’s design work was part of the moccasins—and on the new version of the Thunderbird moccasin, one of the company’s top-selling styles.

[Photo: Minnetonka]

“I started thinking about all of those stories, and what resonated with me visually,” Skjefte says. The redesign, she says, is much more detailed and authentic than the previous version. “Through the redesign and beading process, we are actively reclaiming and reconnecting our Animikii or Thunderbird motif with its Indigenous roots,” she says. Skjefte will earn royalties for the design, and Minnetonka will also separately donate a portion of the sale of each shoe to Mni Sota Fund, a nonprofit that helps Native Americans in Minnesota get training and capital for home ownership and entrepreneurship.

Some companies go a step farther—Manitobah Mukluks, based in Canada, has an Indigenous founder and more than half Indigenous staff. (While Minnetonka is actively recruiting more Native American workers, the company says that employees self-report race and it can’t share any data about its current number of Indigenous employees.) Beyond its own line of products, Manitobah also has an online Indigenous Market that features artists who earn 100% of the profit for their work.

White Bear Moccasins, a Native-owned-and-made brand in Montana, makes moccasins from bison hide. Each custom pair can take six to eight hours to make; the shoes cost hundreds of dollars, though they can also be repaired and last as long as a lifetime, says owner Shauna White Bear. In interviews, White Bear has said that she wants “to take our craft back,” from companies like Minnetonka. But she also told Fast Company that she doesn’t think that Minnetonka, as a family-owned business, should have to lose its livelihood now and stop making moccasins.

The situation is arguably different for other fashion brands that might use a Native American symbol—or rip off a Native American design completely—on a single product that could easily be taken off the market. Benjamin says that she has also worked with other companies that have discontinued products.

She sees five steps in the process of reconciliation. First, the person or company who did wrong has to acknowledge the wrong. Then they need to publicly apologize, begin to change behavior, start to rebuild trust, and then, eventually, the wronged party might take the step of forgiveness. Right now, she says, Minnetonka is in the third phase of behavior change. The brand plans to continue to collaborate with Native American designers.

The company can be an example to others on how to listen and build true relationships, Benjamin says. “I think that’s the only way that these relationships are going to get any better—people have to sit down and talk about it,” she says. “People have to be real. People have to apologize. They have to want to reconcile with people.”

The leadership at Minnetonka can also be allies in pushing other companies to do better. “My voice is important at the table as an Indigenous woman,” Benjamin says. “Lucie’s voice is important. But at tables where there’s a majority of people that aren’t Indigenous, sometimes those allies’ voices are more powerful in those spaces, because that means that they’ve signed on to what we’re saying. The power has signed on to moving forward and we agree with ‘Yes, this was wrong.’ That’s the stuff that’s going to change [things] right there.”"

-via FastCompany, February 7, 2024

[mistydeyes]

Hey, Hope you're having a good day or night wherever you are.

Can I request a headcanon about 141 with a female reader who likes to draw and sketch a lot? Platonic ofc.

thanks anon, hope you have a good ____ as well <3 i used to be a sketch/artist girl so this was so cute to write :)

an artist’s touch

┊ ⋆ ┊ . ┊ ┊┊ ⋆ ┊ . ┊ ┊┊ ⋆ ┊ . ┊ ┊┊ ⋆ ┊ . ┊ ┊┊ ⋆ ┊ . ┊ ┊┊

summary: When you aren’t on the field, you are an avid artist of multiple mediums. It isn’t brought up much but once it is, the 141 has plenty of questions (and even some requests).

pairing: Taskforce 141 x platonic!fem!reader

warnings: swearing, mentions of blood/violence

┊ ⋆ ┊ . ┊ ┊┊ ⋆ ┊ . ┊ ┊┊ ⋆ ┊ . ┊ ┊┊ ⋆ ┊ . ┊ ┊┊ ⋆ ┊ . ┊ ┊┊

tbh when you first joined, they didn’t know much about your hobby (being part of a specialized task force is busy yk?)

but it was revealed when you finally were granted leave and you discussed your plan upon your return home

“my first stop is going to be to cass art :)”

immediate cacophony of “you draw?” “you’re an artist?” “have you ever drawn us before!”

after a few minutes you quelled all of their questions (“yes, yes, and i literally joined 4 months ago and haven’t had access to a pencil”)

ghost comments, “make sense why you’re so good at stabbing people”

“god you’re so morbid ghost”

when back on base, you were shy to show you’re talents but you eventually relaxed the more you were with your teammates

eventually you began to bring out your sketchbook or paints out when you were relaxing after a mission or training session

once in a while, someone will tell you your work is amazing but if you’re in the zone, they’ll leave you alone

one time price accidentally left his mug too close to your paint cup and you ended up swirling your brush into it

queue a long lecture about how you should pay more attention (but who am i kidding that coffee is so strong he probably didn’t notice)

you humored soap and drew what you thought the real simon riley looked like

ghost snuck a peek and one of the drawings was surprisingly accurate

speaking of which, you may or may not have used your teammates as drawing references but you’ll never tell

gaz just has such angular features which makes drawing his figure so easy

mans looks like a walking drawing figure

it’s relaxing to let your mind wander and hands do the work as you fill a page or canvas

painting at home in your studio helps you to unwind from the grueling job

once, you sketched a few designs for gaz when he mentioned wanting to get a tattoo

“i don’t know gaz this is permanent” “i’ve seen your sketches and they’re amazing! just send me a few designs”

he landed on a cool watercolor piece you had made months ago

after your design, you would all joke about how you would redesign ghost’s tattoo

“Lt. that shit is heinous, just let me draw you a coverup” “no.”

while you don’t accept commissions anymore, you did gift your captain a painting of his favorite secluded lake scenery

he has it hanging in the foyer of his elegant flat

while you don’t really exchange gifts, everyone knows what they would get you

ghost has taken special attention to the brand of pencil you use and the gouache paintings that litter your quarters

everyone likes to joke w you on the comms

“hey do you think you could paint a picture with the blood of your enemies?” “jesus! soap…but yes i could”

[teawinx]

Descendants redesigns

Back with the others, but just not their "finalized" design Mainly because whenever I consider a design finalized I turn out to be a liar and change it the following week.

Self-roast aside, here is my current versions of the other three.

I didn't mention this in my other post but I've set this in not high school. Putting these characters in fantasy high school is so boring. So I also demodernized them, making them look more fantasy/medieval.

Jay: Aka that one guy who got nothing to do in 3 whole movies.

Jay is actually Aladdin and Jasmine's son, stolen by Jafar when he was a baby. Pulling a Rapunzel on us. He is blessed by Genie magic from his godfather, the Genie, which are suppressed by his bracers.

He is Mal's right hand man, unaware of his true heritage.

Carlos: He red

His new tragic backstory is that his mother made him into her personal mannequin. But to truly represent the "De vil" brand she permanently dyed his skin devil red. Naturally people are freaked out by his appearance and are afraid of him, while Carlos is actually a very sweet and sky person. Also he will wear a giant ass coat in his final design, it's just not here rn.

Evie: She basically is the MC of this rewrite, not Mal lol. She works as a seamstress on the Isle of the lost, keeping herself busy to avoid her mother. Just like with Snow White, the evil Queen is angered by her daughter's beauty and it's only a matter of time before she decides to take her out.

[boin-de-bindery]

All Shook Up / É tutto cosí semplice by ke_vl

My first têtê-bêche binding! First and foremost, thank you ke_vl for trusting me with your AikuSen fics and agreeing to let me bind them 🧡 please check out All Shook Up and É tutto cosí semplice, two stories which catch me in the feels every re-read.

For this project I had to work out how to format both fics into signatures so that the latter one would sit upside down. I was fortunately able to wrangle one fic into 96 pages, while the other ran to 80. Since both are divisible by sixteen, this allowed for the fics to be formatted into self-contained 4-sheet signatures. Hey presto! So rather than navigate inverting PDFs, I printed the two fics separately, then sewed the latter set of signatures on upside down. It was a lot easier than expected, thanks to the numbers working out so neatly.

This is also my first paper cover bind, with recycled 150gsm cotton paper from Søstrene Grene. Adhesive backed vinyl for the cover graphics and text, bound together using kettle stitch. I'm not sure of what brand the endpapers are, but they're 110gsm and pretty sturdy. The endpapers and headbands reference Aiku's heterochromia, while the cover paper is peachy like Sendou lmao. rip blond Sendou

In terms of typesetting, I've found a formula that works for me and my printer... mostly. The margins are a little wide still, even after a round with the chisel. I've pretty much given up on that as a method of page trimming—it scuffs and tears the edges too badly.

Some further WIP pictures/commentary under the cut, since I actually took some for once!

Sewn textblock, then with added headbands/mull. The kettle stitch took me ages for some reason... considering going back to French link stitch for the next project, I think it's quicker.

The headbands are a little scrunched up but I'm happy with them. Green and purple is a pleasing combo.

Completed casing and textblock, then the weeded adhesive vinyl—supervised by Chigiri 👑

I always tell myself my Cricut can handle cursive and thin fonts as long as they're big enough... it really can't 🥲 Had to redesign and reprint the author name / spine titling for É tutto cosí semplice since my original design was too bitty. Weeding was hell regardless. HTV is so much easier to wrangle, but I have loads of the adhesive stuff to use up before I let myself buy more HTV.

I had a concern that the cover paper design was too busy for the vinyl to stand out on. In the end, the purple looks fine, but I think the reverse cover would look better if I'd used a darker green.

The last issue with the book is how jank the spine looks when the cover is laid flat. I think I glued the purple side of the text block too close to the edge of the coverboard, making the other side bunch? That or yet again, I made the spine stiffener too wide. It's not super noticeable when the book is closed. Hoping to improve on this in future binds!

My favourite detail is inspired by a têtê-bêche novel I owned in childhood (Sisters... No Way! by Siobhán Parkinson) It's written from two perspectives, and when you'd finished reading one, my copy had a note telling you to flip over and read the other side. I did the same thing here, accompanied by panels of the two boys nabbed from the manga.

[dnpanimationstudioclone]

Meet Vox!📺

Made my own take on Vox for fun! This one was really fun to do!📺

Wanted to go for a mix of 50s salesman and modern TV show host. He’s a man of show and business afterall!

Made his screen a mix of 50s TV and modern flat-screen . Show even with a his new trends, fads and updates he's still a product of his time📺

Replaced the bowtie with a tie. To parallel with my Alastor more and neckties were the iconic 50s vibe and allude to him being a big businessman.👔👨‍💼

For his color scheme, ngl I always liked Voxs, especially since it has good contrast to Al, @the-burd-lord suggested I'd go with RGB theme, colors on display screen. Ngl I was conflicted what colors to go with for the vees(Primary, Red blue purple etc). But then I realized when u mix those colors u get those other colors and then I decided to give the Vees two main color themes for each. One for show, the other their true colors! I also looked at 50’s colors for inspiration, mixing it with a more modern electric ZAP! ⚡️ also looked at his pilot colors.

Vox advertises with bright electric blue like cyan! In reality, he's a dark sad blue.

Val advertises with passionate and romantic red but really he's a deceitful toxic yellow

Velvet advertises with elegant purple/magenta but known truth an envious and materialistic green.

Wanted his look to parallel Alastors, keep the vibe of dressing like him but also looking like his own brand! Both have Wave symbols as well as symbols relating to their special media, Alastor radio 📻, Vox TV 📺. Power buttons on his suit, TV waves in his tie, like a satellite📡 🛰️ ,

even incorporated his Logo. Love it!!!! Wanted Vox to give off a newer, brighter vibe! Show he’s keeping up with trends more than Al, staying relevant. Like those TV product ADS!!!!!!!!

Added sharper edges! Sharp guy!

Gave him a bigger build. More square shaped square along with his facial features for a robotic feel◼️🤖📺

Went more with his old Shoe design, but made them white with red.also added more stripes like the OG.

Removed the top hat to make his antennae look like a hat itself, along with making the V symbol.

For his time the pinstripe suit Def fits him, removed the long coattails.

Here’s a Link to Alastor and another. Might connect his story with Vox.

What do u think?How would u redesign Vox? I’d love to know💖

[briskalishous]

You guys, my brain took like from April (I think) to finish this piece. I don't remember the inspiration making this, but it's part of the redesign I'm doing for a fanfic and just in general fun fluffyness becuz this fandom gets too sad sometimes. This was supposed to be done some time ago, but mental health got in the way and also the fact I didn't like the initial final sketch, so I started over, took me some time. And bruh if that wasnt enough, the app I'm using also kept corrupting or losing sketches so I don't have everything together to show the process. But anything is better than nothing. Also, please don't mind the shading, I'm still figuring out light placement and layering, especially on mobile.

Anyways, here's the final product!

I saw some funny sketches of Alastor being carried all the time so I made a funny headcannon that he likes to be picked up or is indifferent to it, just as long the hand and body placement is appropriate with certain people (others that are close have more leniency). I don't really have a story here but I like to say that this trio hug happened becuz it's one of those once in a blue moon family get together where Husk and Alastor aren't in a powerplay and are actually enjoying each other company with Niffty being a small adorable grandma making sure her boys are okay and slightly disturbed/amused by her antics and stories.

With Husk, I kept him somewhat true to his character design, just changed outfits and details on his persona like his symbols, marks, and colors. These symbols will be emphasized in another fanart I'm cooking up. I also placed "brands" that symbolize his deal and ownership status with Alastor. These brands, instead of being actually branded on his person, are branded on any piece of clothing he wears as long as they are visible (shirt, pants, hats, etc). One is on his collar shirt, which equals to Alastor and another on his wraps on his feet of his own Overlord status. In my rewrite, I have it that in order for Husk to maintain his deal of keeping his power is to keep running his business of gambling but with restriction. I have a lot more to write about this, but I'm saving it for his redesign posts in my redesign series. Also, a funny lil hat on the side becuz it's part of his getup that got knocked over in the hug session.

With Niffty, I was going to keep her the same, just some extra bug detail to her person, but I scrapped it off. Instead, I have her as a hybrid of a poodle dog and bug. She and Alastor have a bumpy first introduction becuz of her dog hybrid side, but eventually, they worked it out in a weird, chaotic coworker/roommate relationship. More on that on her redesign post soon. She also has a brand of Alastor’s ownership over her on her apron. She doesn't have much on her appearance but her personality and chaotic mindset makes up for it :3 She's the same crazy lil lady, but with some common sense and sort of old lady behavior from her.

With Alastor, I changed his hair from my redesign, but I think I'm still going to change it with every drawing I do, so it's not permanent. He also has a brand, just not visible, unlike Husk and Niffty. This isn't from his choice of wanting to hide that he's owned but from his owner that nothing should be given away from his disappearance to not ruin his mission. However, there's still that hidden joke that every time Alastor walks, he will feel that brand on his hoof so that no matter where he goes, he is reminded of where he stands. He doesn't look gray here like in his redesign due to the lighting, but I like to say that it will probably change to another headcannon. For instance, depending on how 'human' he feels at the moment, his features and skin color will change. When he's not all powered up and feels at peace, he's more soft and human looking despite his reputation and animal characteristics. But when's he's powered up or is threatened, then his 'humanity' is zapped away, turning his look more demonic/inhuman/alien. I'm still playing with this headcannon, so I may scrap or add on to this.

That's all I have to say for this piece other than I'm proud of the coloring and how soft this looks :D

Here's the process that I could find:

This is from the old sketch. I also had it colored it out and in process of shading but it got eaten by the app so yeah :')

Here is the final process! I changed the positions, the wings and tail, and redid Niffty's design.

[logodesignsposts]

Welcome to my artistic nook! I'm Fokhrul Islam, a passionate logo and branding design professional with over five years of expertise. My design concept is based on simplicity and originality, and I strive to create visually beautiful and meaningful logos. Order me on Fiverr:

Services Provided: - Custom logo designs that reflect your brand's identity, including minimalist and modern styles.

High-quality printable and digital files in several formats (AI, EPS, PDF, PSD, JPEG, vector, and transparency).

Comprehensive brand assistance provided by a team of expert designers.

100% satisfaction guarantee, including a money-back policy if the designs do not reach your expectations.

Exclusive gifts, such as free mockups, utilized fonts, and color codes.

Specialties: - Minimalist modern designs that are versatile.

Experience with business logo design and brand building.

Feel free to browse my portfolio and get inspired. Please don't hesitate to contact me for a free consultation on your project on Fiverr. Let us work together to create something extraordinary!

[ps20logoportfolio]

Anakolla Tea Trails || Branding identity

PS20 Studios. Fiverr.com

[sunshinesmebdy]

Balancing the Scales: Asteroid Mony in Libra and its Influence on Business Wisdom

In the intricate dance of celestial bodies, astrology has long been regarded as a tool for gaining insights into various aspects of life, including business and finance. One celestial player that holds particular significance is the asteroid Mony, with its current positioning in the zodiac sign of Libra. In this blog article, we delve into the mystical realm of astrology to explore the potential effects of asteroid Mony in Libra on business and finance. So, fasten your seatbelts as we embark on a cosmic journey into the world of economic energies guided by the stars.

Understanding Asteroid Mony:

Asteroid Mony, also known as Monya, is a celestial body that astrologers believe can influence financial matters and wealth accumulation. Its placement in different zodiac signs is thought to bring specific qualities and energies to the forefront. Currently stationed in Libra, the sign of balance and harmony, Mony’s cosmic influence takes on a unique and intriguing dimension.

Harmony and Negotiation in Business:

Libra is ruled by Venus, the planet of love and beauty, emphasizing aesthetics, balance, and negotiation. With Mony in Libra, businesses may find themselves more attuned to the principles of harmony in their operations. This celestial alignment suggests that negotiations and partnerships will be crucial for success during this period. Entrepreneurs and business leaders are encouraged to seek win-win situations and adopt a diplomatic approach to financial dealings.

Real-life example: A global technology firm, recognizing the need for collaboration during the Mony in Libra transit, engaged in diplomatic negotiations with international partners. By fostering a harmonious working relationship, they successfully navigated complex regulatory landscapes, enabling smoother market entry and expansion.

Balancing the Financial Scales:

Libra is symbolized by the scales, representing justice, fairness, and balance. When Mony aligns with Libra, it can inspire individuals and businesses to reevaluate their financial strategies, ensuring that they are fair and just. This celestial alliance encourages fiscal responsibility and ethical financial practices, fostering a sense of equilibrium in the business world.

Real-life example: A financial institution, inspired by the celestial alliance of Mony in Libra, initiated a review of its lending practices. They implemented fair interest rates and transparent terms, ensuring that their financial strategies aligned with principles of justice and fairness. This not only improved customer trust but also contributed to long-term financial stability.

Creativity and Aesthetic Ventures:

Venus, as the ruler of Libra, also brings a touch of creativity and aesthetic appreciation to the forefront. Businesses may find that investing in artistic ventures or incorporating aesthetic elements into their products and services could prove beneficial during this cosmic alignment. Appealing to the senses and focusing on the visual aspect of branding may be key to capturing the market’s attention.

Real-life example: An innovative tech startup, recognizing the influence of Mony in Libra, revamped its product design to incorporate aesthetically pleasing elements. The redesigned user interface not only enhanced the user experience but also attracted a broader audience, leading to increased market share and improved financial performance.

Strategic Financial Planning:

As Libra is known for its strategic thinking and analytical approach, the combination of Mony and Libra suggests that meticulous financial planning will be rewarded. Businesses are encouraged to analyze their financial structures, investments, and expenses with a discerning eye. Strategic decision-making and calculated risks could lead to financial success during this celestial alignment.

Real-life example: A manufacturing company, guided by the analytical approach of Libra and Mony’s influence, implemented a comprehensive financial planning strategy. This involved a thorough analysis of production costs, strategic investments in technology, and calculated risks in entering new markets. The result was increased operational efficiency and significant revenue growth.

While skeptics may dismiss astrology as mere superstition, many individuals find solace and guidance in its teachings. The alignment of asteroid Mony in Libra offers a unique perspective on business and finance, encouraging businesses to embrace balance, harmony, and strategic thinking in their financial endeavors. Whether you’re a firm believer in astrology or simply intrigued by its mystique, exploring the cosmic influences on business can be a fascinating journey that adds a touch of celestial magic to the world of commerce.

Here are some tips for navigating this transit:

Embrace Diplomacy in Negotiations: During the transit of asteroid Mony in Libra, prioritize diplomatic and harmonious negotiations. Seek win-win situations, and approach business dealings with a spirit of cooperation and compromise. Building positive relationships will contribute to long-term success.

Reevaluate Financial Strategies with Fairness: The scales of Libra symbolize justice and balance. Take this opportunity to review your financial strategies and ensure they are fair and just. Consider implementing ethical financial practices, as this alignment encourages businesses to operate with integrity and transparency.

Strategic Financial Planning is Key: Libra’s strategic thinking, combined with Mony’s financial influence, calls for meticulous financial planning. Analyze your financial structures, investments, and expenses with precision. Develop a strategic roadmap that aligns with your business goals, helping you navigate potential challenges and seize opportunities.

Incorporate Aesthetics for Market Appeal: Venus, the ruler of Libra, brings a creative and aesthetic touch to the transit. Consider incorporating visual appeal into your products, services, or branding. Aesthetically pleasing elements can capture the attention of your target audience and set your business apart in the competitive market.

Foster Equilibrium in Business Operations: Strive for balance in all aspects of your business. Whether it’s balancing budgets, workloads, or team dynamics, maintaining equilibrium is crucial during this celestial alignment. Avoid extremes and find the middle ground to create a stable and sustainable business environment.

Cultivate Ethical Financial Practices: Libra’s influence emphasizes fairness and ethical considerations. Evaluate your financial practices to ensure they align with ethical standards. Adopting transparent and morally sound financial practices not only resonates positively with stakeholders but also contributes to long-term business stability.

Explore Artistic Ventures for Innovation: Leverage the creative energy brought forth by Mony in Libra to explore artistic ventures within your business. Whether it’s incorporating artistic elements into your marketing campaigns or investing in creative projects, tapping into the realm of aesthetics can lead to innovative solutions and heightened consumer engagement.

Be Mindful of Timing in Financial Decisions: Libra is associated with balance and timing. When making significant financial decisions, consider the timing carefully. Waiting for the opportune moment and aligning your actions with the natural flow of cosmic energies can enhance the success of your financial endeavors.

By incorporating these tips into your business strategies, you can harness the positive energies associated with asteroid Mony in Libra, creating a harmonious and prosperous path for your business and financial ventures.

[the-casbah-way]

i know that the idea of velvette being a sort of daughter figure to vox and valentino is a fan theory, but i really hope they don't take that route for her in the show. i feel like it undermines velvette’s character and creates a power dynamic between herself and the other vee’s which implies velvette isn’t as powerful or capable as them which we know isn’t true. i don’t know if it’s because of her age or because she’s a woman but people seem to want velvette to be reliant on or admiring of vox and val in a way that just doesn’t make sense to me based on what we’ve seen of her character already. the whole point of the vee’s is that they prop each other up and they’ve created a collective image/brand for themselves that revolves around the three of them as a group. they each have their own specialty and their own strengths which is why they need to work together. they all have something unique and valuable to offer. velvette being in charge of social media gives her an insane amount of power and influence over hell and she’s clearly just as intelligent and capable as vox appears to be — she’s definitely more level-headed and down to earth than val, and she’s far better at keeping a lid on her temper than both he and vox when she really needs to and she seems really focused on her job. she doesn’t let her personal feelings interfere with her work in the way vox and val do with alastor and angel respectively. it wouldn’t make sense for her to view the other two as father figures when it would be far more realistic for their relationship to resemble a friendship or a business partnership. i also feel like her redesign reflects the fact that she’s definitely more mature and capable than we may have initially assumed her to be, given she now looks far less childish and her new look is more put-together and almost business-like. it makes her fit in really well with vox’s design which i feel is important for the way the audience is the supposed to view her. i know that we haven’t seen as much of velvette as we have with some of the other characters so maybe some of my interpretations of her will end up changing further down the line, but based on what we’ve seen so far i really dislike the idea of her being the “daughter” of the vee’s, basically

[datrb]

2023 art review!

Even if this year wasn't the biggest on art, due to my physical condition (especially in last couple of months), it would still be nice to look back on what i did as an artist throughout it!

This is gonna be a fun ride...

So, let's dive straight into it, shall we?

Continuation under the cut

January

2023 started on a high note, with me just having finished the King piece, and moving on to the next big thing, being an AvA3/5 double piece.

Sadly, during the process i messed up big time which led to me being unable to finish the piece the way i wanted to, rendering this project an eternal WIP. However, i still cherish the idea and do wish to either redraw, or complete it.

February

Doing 2 big projects one after another did end up affecting my overall drive, so i spent majority of that month just making sketches.

First one is a little redraw/redesign of my old character - Derek, whom i used for a roleplay with my friends like 3 or 4 years ago, and second one is Deach, a character from my fantasy setting.

Also, back then i joined a new fandom, people in which have reminded me of my admiration for SCP, after which me and my friends proceeded to make OCs for it. Was a fun time! (Also this access card was sold by me as a YCH, sadly i couldn't really find buyers, so yikes)

March

By march is slowly started recovering from january's disappointement and was a bit more productive already. One of my friends really helped with it too.

A musician friend of mine reached out to me, asking to develop a design for a villain character in the plot he was working on. After listening to the theme song i couldn't resist. This ended up being one of my favorite designs so far, and i adore its look in neon.

In the meantime, i kept working on my fantasy setting, refining more minor details of designs and stories, yet having to reserve only to making sketches as i was too busy with college and other projects. Characters you see on screen are Ian and Lanfor respectfully. One is a strong yet troubled mage and other is a great Emperor, and even better person.

April

I'd say april was one of the most productive months of this year, mostly because i managed to snatch some time for myself and my setting, which allowed me to complete two full pieces and achieve some extreme progress with my story.

This piece is an illustration to a scene i wrote for two of the characters, Lanfor and Emile, called "Night Visitor". This was a scene of a reunion of two old friends. A bittersweet, yet a lovely work. Love both the written one as well as the illustration.

This one was more of a... Proof of concept. Needed to test out the expresiveness of the design for one or a relatively new characters - Covlar. Was originally a simple sketch on paper, but i couldn't resist the urge of making it into a complete illustration. I then proceeded to make a few notes for this scene. Both want to write it properly and avoid it at all cost... Best to avoid it, for my own sanity.

May

May was a bit of trainwreck, because i got a brand new laptop, which took me quite some time to get used to and even more time to reassure myself that it is in fact alright for me to draw on this suspicioiusly thin piece of tech.

Ironically enough, the only vomplete piece i drew that month was drawn on my old laptop. This screenshot redraw was to made to honour the premiere of AvA6 ep.1. Sadly, i did it a bit late because fo technical issues, but i still had a ton of fun doing it.

June

June was... Chaotic, to say the least. Mostly because i finally got comfortable with the new laptop and could now draw a lot more freely due to it being a lot more compact than the original one, which worked almost like a PC. Besides, i got a ton more free time because semester finals ended up being a breeze.

Ended up making a ton sketches and doodles, that i didn't actually plan to finish, but still enjoyed a ton. Here are some of them

Then, ofc, the memes and the gand redesign, because AvA6 just had to break all of my portrayals. But, i mean, after AvM s3 my original designs did become a bit dated.

The biggest pride and saddest of failures was this picnic piece, however. I still plan on finishing it, but it is hard doing so, when i have changed quite a bit of my artstyle by now.

July

July was quite lazy. Semester ended and i spent that entire month out of the city. It was a great time, very peaceul indeed.

And again, that musician friend from before came into clutch, asking me to develop another design for his other project. And again a villain. He said he really liked how i draw bastard type of characters.

August

Well this is where fun began. End of summer break means i have just this much time to actually draw something i would never have time to draw normally.

For me to draw something to commemorate a new episode is almost like a tradition at this point. And, given how long it's been since i made anything that would require effort, no wonder i have chosen arguably the most complex piece to pull off energy-wise. Yet i did and now i simply adore this piece, even if it did render me disabled. (I crunched through all of this piece, pulling off 40+ hours of work in just 4 days, so naturaly it ended up worsening my condition by a lot)

Then i also proceeded to do all of these tiny side projects, like Victim ask, which i couldn't last long at due to my condition, and working on a design for my favourite streamer. (Which i cannot show as the work is not complete an it's best if i avoid spoilers)

September and October

These two months i spent being unable to draw at all via a doctor's advice. Arguably, these two were the hardest months for me to handle.

I assume you can imagine how hard it is to suddenly stop being able to do what you love, regardless of how much you wish to do it.

Novemer

*Nervous laughter* I... actually still wasn't allowed to use my hand, but that didn't stop me and i ended up making an entire series of sketches to celebrate AvA6 ep2.

"Small in big quantity will sure be less exhausting than a single big thing" - (C) Me, proably

I will admit, i still adore all of these sketches and each of them deserves to become a fully fledged piece in it's own right, but i really better keep them as they are. For my own safety.

December

As you way have expected, this month will stay without a single thing from me. It's not because i don't want to, but because i can't. And, given the circumstance, it better stay that way.

Afterword

I finally got my diagnosis and soon enough i will start active treatment for my condition. It would be a shame to make this worse than it already is with impulses like those that happened in november, so i am making this post as a way to draw a line for myself.

It is still kinda crazy to realize that there are quite a few people interested in what i make, so i will make sure to take my recovery as responcible as possible, and then come back to you with even more art in the upcoming year! Let's be positive about it.

[redladydeath]

With Vel becoming CEO and taking over Vox's old duties, does Val now help out with her fashion side of the business? He's an artist and enjoys modeling, so definetely a fashion minded individual and he cant just leave her to flounder when she's practically all he has left. He has a lot less time to direct his porn but his workers do a good enough job without him and nobody watches for the dialogue anyway.

This is good for Angel cause he spends less time with Val but also bad cause when Val is around he has 10x the stress, anger (and sadness) to take out on him. He does get to model outfits instead of just porn though and that's nice.

If Val gets a redesign I feel like it should have a rich widow vibe. Extravagant but with subtle signs of mourning.

Yeah, I think the two of them would have to start picking up extra work in each other's fields. Val designs clothes for Vel's brand and starts contributing to non-porn films, Velvette picks up most of Vox's old duties and starts trying to develop The OnlyFans of Hell (others exist, but she wants hers to subsume them all). Occasionally, when Vox is more lucid and capable of carrying on a two-sided conversation, they'll tell him about the projects they're working on; once in a blue moon, they'll even get a pretty decent idea out of him. Sometimes they're grateful that they're both so busy now, because it leaves them less time to stop and think about how truly unhappy they are.