#bro the animation was so fluid

[puppyeared]

save me old flipnote studio MVs.......

[wannabeanotter]

IN THE LOCKER ROOM

Where am I? Fuck bro, my mind... I clutch my head, but all I can think about is... is... men bro. Fucking big ones. Ones with abs like mine. Ones who are are hairy like me.

The jock grins. Nah bro, not with abs like that. They're so tight, so toned. You're a fucking wrestler now, and the team doesn't need a lightweight. The teams needs a fucking horse.

I feel my body fattening up. My abs are coated in a layer of firm fat and my torso thickens. Hehe bro, I guess this new body has been eating like a pig for years. Pizza after pizza, and all that protein. FUCK YEAH, where else do you think all these gains came from?? And that's not to mention slamming down all those beers. I grunt, and give my new stomach a squeeze.

Wait, grunt? I do it again. My neck is like a horse, a bull. Strong, and as thick as my head. My voice has dropped. Duh bro, you think I'm gonna squeal like a pussy? You think I'm gonna moan when a guy grabs me on the mats? Nah bro, of course I'm fucking grunting, I'm a fucking animal.

FUUUUCCKKKK. Ive got all this energy pent up. I want to get out there, on the mats. I want to fucking slam a guy. I want to fucking BE slammed. I lift up my arms, flexing my huge new biceps, showing off my steamy pits. I give one a sniff, its like a fucking locker room.

Huhu, makes sense.

A guy comes up to me from behind and slaps my ass. Hell yeah bro, give it a squeeze, I know you like it. This beef is for my BOYS, bro. What's that? I need a uniform? I fucking think so bro. I feel my pants melt and ripple up around my legs, flowing like a fluid, fusing with my tshirt into a tight singlet. It snaps into place over my hairy body, releasing a mist of sweat. I look down and see it plastered over my huge cock, and grab my crotch. I'm so fucking horny. Underwear? Nah dude, my balls need to breathe.

That's what I'm talking about, huhu. I'm grinning like a fucking idiot. Bro, I AM a fucking idiot. The dude turns to my face. He's the captain, and he wants me on the team. Uh, duh, why do you think I'm here bro? Great. He grins and pats me on the shoulder. Welcome dude, we'll have you squirming on the mats in no time.

Until then, bro, fucking enjoy yourself.

[gigizetz]

I'm having my fingers crossed that you'll have the inspiration and drive to do an animatic for Get in the water as its one of the songs I'm most looking forward. Definitely understand if not tho as I'm an artist myself and I get it. Also how do you get things to feel so fluid and dynamic? Just how much practice did you do? I feel like I should try to do a few animatic type scene things to try to practice fluidity

bro of course I'm gonna do Get in the Water (when the song comes out) and it will be awesome

I think something that helped to get my stuff to look pretty dynamic was to really study and practice animation fundamentals. Because animatics are like, easier to make animations, so the fundamentals are pretty much the same :D

[dokupine]

How do Piranha Plants look and act in Super Speculative Bros.? What about the fire spitting variant? Petey Piranha, too?

piranha plants are (unsurprisingly) carnivorous plants. In the wild, they’re pitfalls for prey larger than insects. Koopas have selectively bred and farmed them for aesthetics and usefulness as a trap. They can also digest organic matter very well, so they’re often used as trash bins. (Careless individuals might feed them indigestible things like glass and plastic) Throughout the year, the pitfall will close and bloom, attracting swarms of pollinators. The piranha plant will then grow new pitfall leaves, and the old ones will dry up and hang by its sides.

Fire-spitting piranha plants were a genetic engineering project to create a piranha plant that could snare its prey instead of relying on going unnoticed. It wasn’t very effective. They don’t actually spit fire, but their powerful digestive fluid instead. This is still deadly, the projectiles from some varieties can cause chemical burns. At best, the target just gets covered in disgusting goo.

Petey piranha is the mascot of company that industrially farms piranha plants. He’s starred in many animated PSAs about not over-watering your plants or feeding them garbage.

[devildomresidentt]

Leviathan Headcanons (pathetic boyfailure </3 )

Starting out strong, Left handed (derogatory)

Extremely picky eater, can go weeks eating only one food and then have a heavy disgust for the same food a few days after.

He forgets to throw out socks with holes in them, so sometimes he’ll just walk around with socks that are barely holding on by a thread.

Not only does he have a forked tongue, but he can also touch his nose with his tongue (lowkey insecure about his tongue even tho it’s like the hottest thing ever)

On the same note of his tongue, it damn near has a mind of its own.

Sometimes it just hangs out his mouth when he’s hyper focused on something and you’ll have to remind him to put it back in before it dries out.

Levi can speak to aquatic animals, none of his brothers believes him when he says it though.

And with that, he refuses to eat seafood because he claims he, “can still hear them crying and pleading for their lives”.

Levi’s favorite anime is One Piece, he loves the aquatic theme and the bond that the strawhats have.

Hates getting his hair cut with a passion, he literally won’t get it cut until it’s long enough to block his vision and effect his gaming/anime watching.

Arguably sleeps wilder than Mammon, which is one of the reasons he prefers to sleep in a bathtub rather than a bed.

Idk why but I feel it in my bones that bro is Gender-fluid, it just feels right..

Giant Crybaby, will burst into tears over the tiniest most minuscule thing ever (he just like me frl)

!Other headcanons under the cut!

Lucifer’s Ver

Mammon’s Ver

Leviathan's Ver ~ You are here

Satan's Ver

Asmodeus' Ver

Beelzebub's Ver

Belphegor's Ver

[renardtrickster]

Also because bringing up "I watched Hazbin Hotel" and only talking about discourse is a Bad Look, here's my thoughts on the pilot and the four episodes thus far released.

I've seen some people say the animation in the show is less fluid in the pilot, but I think I like the show's animation more? It's a lot more consistent, the characters are shaded so they stand out from the background more (and kind of "pop"), but honestly a passing vibe I got in the pilot now and then was that it was "too fluid", like it moved too fast at places or like it had a lot of "flourishes" that felt off. I can't accurately explain it, but point is, I like the show's vibes more.

I also like the redesigns. I didn't notice anything too drastic with say Dust, Alastor, or Charlie, but Vaggie's was an upgrade. The red shirt breaks up the white, and she's looking much more Moth (the more Moth your characters look the better).

I don't really have anything to say about the voices, my attention was divided elsewhere. I will be committing seppuku later for not being able to have a strong, belligerent opinion on this matter.

Speaking of Vaggie, now that I've seen more of her character, I've grown to appreciate her more. There's a sort of 4-section graph where Charlie and Vaggie believe in the Hotel's success, with Charlie being much more personally emotionally invested in it while Vaggie's more cynical and seems to be doing it more for Charlie's sake. Meanwhile Angel Dust and Alastor don't believe the Hotel can succeed, but Alastor still helps while Angel Dust just blows things off.

Also everyone who did the "she's an Angry Latina stereotype" thing can eat shit now. She was angry in the pilot because Angel Dust publicly embarrassed her girlfriend, tarnished any credibility the Hotel had, and then insulted her to her face while being unrepentant the entire time. Now that we've seen more from her, she's just grumpy and more willing to put her foot down (as opposed to Charlie who is bubbly and more accommodating). I knew this specific accusation was bad faith from day 1.

I genuinely don't think the show is edgy. It "appears" edgy, but Charlie's a disney princess who walked onto the wrong set and is shifting the genre through her presence. The fact that her goal is to show that people in Hell can change and become better people isn't just portrayed as earnest (instead of naive) but it is in fact achievable (as shown by Pentious and the others over time) adds onto this. The show is a fundamentally hopeful and positive one and I respect it for that.

In line with that, I appreciate the musical numbers. They bop, I didn't need to tell you this, but they also fall into the category of "endearing through earnesty". Like Charlie singing to Pentious about how change begins with an apology is the corniest shit on earth, but I couldn't help but smile about it.

I do like the speed of the plot, both the "redeeming people" plot and the "expedited extermination" one. I cynically expected Pentious' redemption to be a red herring, but the fact that he stuck around and is turning over is something I approve of. It is a bit fast at times though, I do know that this is because there's only 8 episodes, but I choose to blame the studio/streaming platform over the writers on this one. Also, we should throw bricks through the window of every streaming service headquarters.

I did like Adam's portrayal. The original Adam and Eve myths, whether or not Lilith is there, do lend themselves to misogyny, both in terms of reading and "what influenced some doctrine". Between Lilith being cast out for not wanting to be subservient to a man/wanting to top and then having sex with animals and demons or something, and Eve getting duped by the snake and now humanity's been cursed with original sin because femoids are dumb and bad and men should make the decisions, etc. etc. Adam being depicted as a misogynistic frat bro-type who is obsessed with his dick and brags about his conquests to random people reads to me more as "a clever take/commentary on christian mythology and culture" instead of "gratuitous edginess".

Honest to god, I think they're better at using swear words now. My principle criticism of Helluva Boss (which I like) is that they sometimes use "fuck" like it's punctuation, and it can get grating or become "noise" that doesn't register, which is Bad when it's your funny dialogue. Cursing is still casual, but I feel like characters only turn on the capslock and start screaming FUCKING SHITASS when they're emotionally compromised or intentionally meant to come across as crude and unlikeable. If they took notes and course-corrected on this, I will never wear a hat because it's going to be off to them forever.

Angel Dusts' voice direction in episode 4 was really good. He usually speaks in a somewhat high-pitched, New York ("new yoike") accent, but when he was yelling at Charlie to leave I noticed that it seemed to get a bit deeper and he lost the accent, as though he was so upset he couldn't keep up the affect anymore. I got chills.

TL;DR Hazbin Hotel is good, actually.

Maybe people should take more breaks from using the internet, for their mental health.

[canmom]

when robots got muscles

You can blame @centrally-unplanned for this post. She(?) wrote...

The ‘chrome’ designs pioneered by illustrators like Hajime Sorayama (Sexy Robot from 1984, for example) tended to be more in vogue at this time (or just…a  hot girl, who is apparently a robot, trust me bro), you don’t see designs like this too commonly until later (ask resident robo-fetishist/animator expert @canmom for details on that timeline).

After a challenge like that how can I refuse? Although the question is ‘when did robots get muscles’, this turned into something of a historical survey of robot designs from the 80s on with a throughline of biomimesis.

(Originally this was just going to be an excuse to talk about Ghost in the Shell... but I gotta be thorough.)

This was all brought on from this picture from a 1989 fanart magazine...

by an artist going by ‘Facepunch Tatebi-kun’ (顔面強打たてびー君, Ganmenkyouda Tatebii-kun). I remarked that it was interesting to see these kinds of ‘robot muscles’ in a picture from 1989, since I thought that kind of design became popular in the 2000s.

On some reflection, I think I gotta revise that opinion! I think ‘robot muscles’ became a thing around the mid 90s in anime; in the West I think it took a bit longer. But you can also see precursors already before that.

So. One thing artists are super into is biomimetic robots. That is, robots whose form (and perhaps function) is similar to animals, especially humans. The word ‘android’ referring to a human-like automaton dates all the way back to the late 19th century, but the modern ‘android, robot, cyborg’ taxonomy apparently became established around the 40s.

There’s two types of humanoid robot that get a lot of play, especially in anime. One is the convincingly humanlike cyborg, which is the same size and shape as a normal human; the other is a what we call in English a ‘mech’, i.e. a big robot you can sit inside.

Of course, if your androids just act like humans all the time, then there’s not much point having them be robots. To really create the frisson of contrast between human and mechanical forms you have to show the mechanism somehow. This could be because the machine isn’t perfectly human-like, and has visibly mechanical joints - take a look at the works of @sukabu89​ for very inventive depiction of this theme - or, the android could be damaged or undergo maintenance.

When you attempt to translate biological forms into a more mechanical design language, the traditional way has been to use hard, rigid shapes, since these make the contrast especially clear. In more recent designs, particularly as we started to see real robots with ‘artificial muscles’ such as the ones created by Boston Dynamics, we get another sort of design language to express ‘mechanical parts’, and robots start having more biological forms with exposed plasticy muscles.

So let’s tell the story. We begin at the end of the 70s.

the dawn of mechaguro

For an early example of ‘mechaguro’ (a term I’m applying very anachronistically!), when a robot gets smashed up, we have Alien (1979). This film did a ridiculous amount to define sci-fi design language, and of course the alien itself blends mechanical and biological forms, with its glossy black surface allowing it to seem to melt into the exposed pipes of the spaceship. But let’s focus on the character Ash, a secret android who is broken apart in the second half of the film.

When Ash is torn apart by the alien, his insides consist of weird white plastic beads and a milky fluid that seems analogous to blood. It’s not clear what the function of any of this tech is - it’s intended to be vague and mysterious. The outside is biomimetic but the inside is anything but. He has a kind of artificial skin which resembles a latex mask.

The Terminator films are another major touchpoint for 80s science fiction. Late in the film, Arnie starts taking damage which reveals the Terminator skeleton underneath his fake skin.

The stop-motion Terminator model is basically designed according to the principle of ‘replace human bones and muscles with hard metal bits’. So you have a metal skull, metal clavicles (which are pistons for some reason), metal shoulder blades, hydraulic pistons generally in the places where muscles are. e.g. in the above picture you can see pistons that stand in place of the sternocleidomastoid muscle, and in this picture...

...you can see metal scapulae and piston biceps and triceps and a piston. The shoulder joint by contrast built in a very non-human-like way. Also there’s random tubes everywhere lol.

That’s generally how androids are portrayed in the 80s. The ‘droids’ in Star Wars are similar; C-3PO is an arrangement of metal plates with gaps suggestive of underlying mechanical details and rudimentary joints and pistons.

In Blade Runner, we have the Replicants, humanoid robots - but by the premise of the film, they are essentially indistinguishable from humans. So when the Replicants die, we never really get to see their robo-innards.

and now, anime

OK, that’s the big four Western 80s sci-fi movie series; what of anime? Of course, androids in anime go all the way back to Astro Boy. But most of these early designs don’t really focus on mechanical details all that much. Super robot designs are more like tokusatsu suits than anything. There were certainly instances of impressive mechanical animation in the 70s, with early experts including Kazuhide Tomonaga on Space Battleship Yamato. Then there’s Hayao Miyazaki’s episodes of Lupin III Part 2 which featured proto-Nausicaa flying a prototype of the robots from Castle in the Sky. It would be some years before anyone could come close to matching these!

The original Gundam in ‘79 famously started the ‘real robot’ movement [Animation Night, so let’s take a brief look at how a Gundam fits together.

Generally speaking, the way Gundams are drawn in Gundam ‘79 is kind of rough. The methods to animate these rigid mechanical systems in super accurate perspective were just not yet established at the end of the 70s, certainly not on a TV budget. The actual joints on the Gundam are left very vague, but it broadly speaking seems to move like a human in armour.

But the OVA boom was about to begin, and while it would be a while before we saw the heights of Headgear/Production I.G./Gainax, things were going to change a lot. Mechanical design and animation was about to get much more sophisticated very very quickly.

In 1982, we have Super Dimension Fortress Macross, with robots that transformed into fighter jets. Its robots are designed by Kazutaka Miyatake, who cut his teeth doing mechanical design for Space Battleship Yamato and Daicon. The Macross TV series introduced the world to the animation of Ichirō ‘Missile Circus’ Itano. [AN64] A plane with legs... honestly looks kind of goofy, but Itano’s ambition to have a highly mobile 3D camera that could move in ways that would simply be impossible in live action marked a huge step up in how robots are animated. And this would get refined even further in the film Do You Remember Love.

In terms of design, we’re really moving our inspiration from ‘tokusatsu suit’ to ‘military hardware’ here. A Macross suit has to look like something that could transform into a plane, so its silly little arms and legs have to look kind of plane-like. In any case, we are definitely still in a world of hard and rigid robotics.

Dallos (1983-4) dir. Mamoru Oshii is known as the first OVA, if not the first successful OVA [AN115]. It features a variety of mining robots on the surface of the Moon, which are generally less humanoid, taking their design cues from JCBs...

...as well as humanoid robots with fairly clear joint patterns...

...and more humanoid robots too.

The eponymous Dallos, however, is a huge humanoid robot that looks like this...

Here we have a pile of mechanical shapes that vaguely calls to mind a human face. It’s suggestive of motifs we’d see later in works like Akira.

A year later in 1985, Megazone 23 really kicks off the OVA boom in earnest [AN 103]. It also has a robot, in the form of a transforming bike that can become a humanoid piloted mech...

You can see mechanical designs and shading have become considerably more detailed; its motion is a lot more complex as well with a ton of indulgent background animation shots. The actual details of the bike -> robot transformation are rather brushed over. But to sort of sum up the design language: we have organic but hard-edged shapes contrasted by inorganic but round shapes. (These terms ‘organic’ and ‘inorganic’ refer mostly to symmetry and a sense of ‘flow’ in the shape.) There are few right angles as such, but a lot of broadly boxy topology. The shapes are broken up by elaborate specular highlights in complex shapes, a motif of the later Kanada school.

OK, but that’s all variants on ‘rigid robot’ so far - what about the androids? What about the more directly biological designs?

Following the enormous success of Megazone 23 Part I, Toshiki Hirano got the chance to adapt his favourite lesbian cosmic horror hentai manga Fight! Iczer One into a rather more tame OVA which released from 1985-87. In terms of mechanical design, this starts to do some interesting moves towards blending biological and mechanical forms...

Of course it has a robot in addition to the requisite bishōjo and lightsabers. In contrast to the boxy shapes we’ve seen so far, the robots in Iczer-One have a much more curvy organic sort of design language. Still, there is not a lot of emphasis on the precise details of mechanical articulation outside of select shots. (It is however notable for the first ever Obari punch!)

Despite the change in shape language, these are still very clearly animated as metal plates and not yet muscles.

In 1984 we have a very important film (for this narrative, and in general), Nausicaa of the Valley of the Wind, the film that created Studio Ghibli. Here we have the ‘God Warriors’, giant humanoid weapons with the ability to shoot a massive laser out of their mouth. Rather than robots, these are very much biological in nature, having to be grown in a kind of cocoon. In the film version of Nausicaa, an incomplete God Warrior is released, leading to an iconic scene animated by Hideaki Anno in which the God Warrior attempts to blow up the oncoming wave of Ohmu.

The God Warrior’s melting flesh is gorgeously animated, bubbling and sloughing off in great big lumps as the skeleton pokes out from underneath. Throughout, Nausicaa is full of beautiful and impressive animation of both machines (mainly planes) and biological (the giant insects), but the God Warriors, as human-made lifeforms, bring the two together. However, this strand wouldn’t be especially followed up on for a long long time.

Right, but what about Bubblebum Crisis (1987-91)? That is, after all, the iconic 80s robot girl OVA. It’s inspired heavily by Western robot-related films like Terminator and Blade Runner; here we have ‘Boomers’ (never stops being funny) as androids that can appear convincingly human. Like the Terminator, the underlying metal parts can burst out. Here we have a metal frame designed to resemble muscles, and also metal tentacles.

The shapes of these robots are a lot more organic. The robot neck has tubes that sort of resemble the neck muscles, metal plates that resemble pectorals and abs and deltoids and biceps and so on. You’ve even got a direct riff on the Terminator ‘fleshy face falling away to reveal metal skull with glowing red eye’! Under the plates there are clusters of tubes which also heavily resemble muscles. Also you’ve got the classic ‘three small circles’ motif there.

Contrasted against them are the Knight Sabers, who aren’t cyborgs as such but fight in powered exoskeletons which fit the design motifs of robot girls.

These suits are quite form-fitting, with a rubber under-layer and metal shells on top. There is definitely some attention paid to how they’ll articulate around the joints. One very recognisable 80s motif is the sort of extending spike thingies you can see on her hat there; there’s also the jets that extend out behind the suit. And, you have that multi-layer shiny highlighting of course!

Still, the way the characters move in Bubblegum Crisis is still very squarely Kanada School poses; big movements, lots of held poses accentuated by flashing and line boil, not a lot of concern for conservation of momentum or anything like that.

For a contrasting strand we can look at the rise of the ‘Otomo school’ (if you will) of realism. Around the end of the 80s, a pool of talented animators were gathering around Katsuhiro Otomo. Their most famous work is Akira, but I’m actually going to begin with Robot Carnival (1987), a wonderful anthology of short films from 1987. This features a huge variety of interpretations of the concept of robots.

For example, for Kōji Morimoto, later co-founder of Studio 4°C, the robot is a kind of cobbled-together steampunk Frankenstein’s monster. It’s a very cool design with all sorts of asymmetries and exposed parts suggesting its cobbled-together nature. And although all the robot does in this short is stand up and then fall over, a great deal of attention is paid to the little details of its articulation and its movement through space.

Presence, directed by Yasuomi Umetsu, is notable for its steps in the direction of realism - Umetsu’s characters are hyperdetailed and in some ways over-drawn. The opening shots establish this is a world where lifelike androids are common, when an android gets his head kicked off and stolen by children. Here the robot-as-doll metaphor comes in, something that will be increasingly central in the next decade. The robot girl is essentially a human-sized doll in a room full of other toys. Her creator smashes her to pieces with a wrench; later her ghost visits him as an old man. We see the girl attached to a bunch of wires, but she bleeds like a human.

Cloud by Manabu Ōhashi features another humanoid robot, an Astro Boy-like child recognisable as a robot based on his segmented torso and legs and robotic ear... cones. Here the robot is a standin for human emotions, the boy’s struggles projected onto the constantly changing sky as he walks against the wind.

Strange Tales of Meiji Machine Culture: Westerner’s Invasion by Hiroyuki Kitakubo (later to direct Golden Boy, Roujin Z and Blood: The Last Vampire) is a sendup of mecha shows in which two very goofy looking steampunk robots operated respectively by Japanese and Western crews duke it out, laying waste to the city around them. The Japanese robot is basically a big wooden samurai...

and the Western (more specifically American) robot is, uh

sorta big barrel with little eyes on top? I’m not entirely sure what the deal is with this design!

That’s really not relevant to our story tbh I just think it’s a neat short.

Chicken Man and Red Neck, by Takashi Nakamura, features especially distinctive robot designs. The film is kind of a dream sequence in which a terrified drunk man witnesses the revels of the machines of Tokyo, transformed into robots; the robots are extremely shaped, moving through a world that is pretty much just pistons...

These robots call to mind the dancing demons in Fantasia’s Night On Bald Mountain sequence, or even Bosch.

Otomo’s own segments feature the Robot Carnival itself, a vast mechanical structure built as... well some kind of entertaining spectacle, but which now drives around the post-apocalyptic wasteland dropping robots which explode as bombs. It’s cute.

OK, to wrap up the 80s, we gotta cover Akira (1988) [AN34]! Akira has plenty of impressive mechanical animation of helicopters, hovercraft thingies, satellite lasers and of course the famous bike, but it doesn’t really feature robots as such - but what it does have is a blending of mechanical and biological forms in its climactic sequence where Tetsuo’s psychic powers go out of control. First, wires start to spread like the roots of a plant from his robot arm - less an actual machine and more something he assembled with his psychic powers...

He takes a bullet, and the mechanical wires and muscles start to blend together and spread out like a slime mold...

...which he can extend as essentially a giant tentacle.

When his powers fully go off the rails, he bulges out into big blobs of flesh which have both veins and wires running over them. These burst out of the metallic parts as well.

He turns into essentially a giant biomechanical baby.

Did Akira invent these images of blending biology and machinery? Probably not, but I’m not really familiar enough with manga of the time to say. What can at least be said is that Otomo’s absurdly meticulous style could really sell it. Otomo was truly a god of perspective and detail; Akira the film was an enormous, prestigious production that threw ludicrous effort and resources towards realising his vision (which doesn’t mean it paid its inbetweeners much more...). A lot of the animators who worked on Akira would go on to be prominent in...

the 1990s

So, the 1990s. If the 80s was dominated by the later Kanada School, the new movement of the 90s, at least as far as film animation goes, was ‘realism’.

But before we get onto that, let’s take a brief look at Gunnm (1990). Known as Battle Angel Alita in the West, this manga by Yukito Kishiro depicts a world in which most people are cyborgs; it was adapted to an OVA by Madhouse in 1993 and became wildly popular overseas. Its protagonist Gally, aka Alita, starts out the story as a wrecked cyborg body like this...

Looking at this design, you can see similar patterns as we have so far. We have metal clavicles, metal sternocleidomastoid muscle, metal pectorals, metal spine. There aren’t robot muscles, per se, but there’s a lot of attention to detail on mimicking biological shapes.

Before long she is rebuilt (twice in the manga, once in the anime). Her new body is like this...

...which is to say a skintight bodysuit in the middle, and metal arms. These arms, although designed in a way that indicates hard surface and with a hinge joint at the elbow, are designed in a way that mimics the flow of muscles in a human arm. By contrast, her sorta-love interest Yugo has a body like this:

which gets mashed to pieces in the finale of the OVA. There’s a striking mechaguro scene in which Gally catches Yugo, but leaves him hanging by a fraying arm, which snaps, leaving him to fall to his death. Compared to later iterations of the ‘robot arm torn apart’ device, this one’s relatively light on detail...

Cyborg bodies in Gunnm are used as a visual indication of character type. Gally has curves but also sleek robo muscles: she’s a Beautiful Fighting Girl, sweet but also extremely powerful. A huge ‘muscular’ cyborg with wide shoulders is likely to be a brute. Yugo here has much more plain, simple shapes with visible bolts, not precision pieces like Gally.

I don’t know how much of this originates with Gunnm. I’m sure the idea of cyborg girls was in the air long before, but this became an influential example on the tail end of the time of the 80s bishōjo. One device that is notable here is the idea of a ‘full body cyborg’, which is only human down to the brain (or perhaps not even that). Body swapping is a major theme in Gunnm, something that would be expanded on before long...

And if that was going out, what was coming in? Let’s look at Patlabor, which traces the evolution of the Headgear artistic collective and IG Tatsunoko into Production I.G.. This is about as down to earth as giant robot stories can get, with robots as just everyday machines used for work and by the cops. But where things really go nuts in animation terms is the opening to Patlabor 2 (1993).

Here you can see some of the most impressive sequences of mechanical animation ever drawn. We see pilot Noa testing out the robot, and especially notable are the scenes of the hand flexing and of walking. Enormous attention is paid to the articulation of joints. The robot’s hand can swivel 360 degrees, unlike a human; however, like a human, the articulation of the fingers seems to be controlled by hydraulics in the forearm (whereas in humans, the muscles and tendons in the forearm control our fingers). When the robot’s foot steps, it flexes like a real human foot, with believable joints, and a sensible arrangement of pistons to absorb force.

It’s not imitating a human’s muscles, but the attention to the details of the robot’s mechanical design serves precisely to draw our attention to the ways it’s like/unlike a human - the robot’s hand impossible motion immediately contrasted with its pilot shot from the same angle. And the perspective drawing is absolutely impeccable. The robot is made of purely rigid structures, and the way rigid structures articulate is not at all how a human’s joints articulate.

The sequence above was animated by Atsushi Takeuchi. But across the board, the bar was getting pushed for mechanical animation. For example, observe this cut from Mobile Suit Gundam: The 08th MS Team (1996-1999), in which the robot tears off its own arm and beats up another robot. The precision of the way the joints are animated and the way the robots move in space is just completely on another level compared to what Gundam had been doing a couple of decades prior.

Anyway, we’re here to talk about robot muscles, and we’re just a few years out from that now!

The year that robots got muscles, at least as far as anime is concerned, is 1995.

You can probably guess the next part. In 1995, we get Eva and GitS. Let’s start with GitS, to continue the Production I.G./Mamoru Oshii thread. The opening sequence of GitS, animated by - who else could it be? - Hiroyuki Okiura - has to be one of the most iconic segments of video ever drawn. Here’s a merely 720p youtube upload but go and find the place you have GitS stored on your hard drive and watch it in proper quality eh.

OK, yes, a lot of it is a naked lady floating around, sue me or whatever. But the sense of form. We see early on an appearance of ‘robot muscles’, here closely resembling real muscles...

We can see from the way this is drawn that it’s made of a combination of artificial muscles, solid segments, and flexible, fabric-like panels. One of my favourite shots at the beginning shows the solid segments of the skull clicking into place. Here we have a very clear contrast between the angular, hard edges of the mechanical pieces against the organic forms of a human body.

Elsewhere in the film, we see various incredibly cool bits of ‘wouldn’t be fucked up if a body did this‘, like the fingers...

Here, what we expect to be soft biological fingers is contrasted with unexpected rigidity, mechanical joints under a shell.

Also in this scene we encounter a robot body that has been stripped of her arms, legs and hips but is nevertheless still alive...

most extraordinary hacker in the history of cybercrime and you have your titties out and yet you still can’t get them to stop misgendering you, smh

For the Terminator, having its body smashed up and continuing to walk was a demonstration of its strength. Here, as would become perhaps an increasing motif, having a robot body is a source of vulnerability: people can do things to you that would kill an ordinary human but you keep going through it. Not surprisingly, ‘robot body maintenance’ is a recurring porn device. (One that GitS deploys in SAC s2).

But of course this all builds up to the all time classics of mechaguro scene at the ending where the Major attempts to tear off the hatch of a spider tank. Muscles ripple individually under the surface of her skin, her arms bulge in exaggerated contraction, and then her arms fully tear apart under the force.

Here, we’re showing her as mechanical not by contrasting rigid forms with biological ones, but by exaggerating the biological ones to the point of doing something extremely unnatural. Human muscles do not generally flex in such an individual way, nor are they strong enough to tear the arm apart, but robot muscles? Yeah, they could do that. This sets up the next scene where the Major lies unnaturally still, but can still exert control through hacking through her union with the Puppet Master.

Robots holding onto something so hard their arms explode has become... if not a recurring image, then at least one that was called back decades later in Violet Evergarden.

The final scene of GitS brings back the image of robot-as-doll, with the Major’s consciousness now uploaded into a black-market robot body that resembles a child in a dress.

This is further expounded on in Oshii’s second GitS movie Innocence (2004), with its Ballade of the Puppets in the soundtrack as Batou and Togusa (and eventually, the Major) are attacked by essentially an army of ball-jointed doll gynoids. The puppets’ movements are extremely unnatural and erratic acrobatics, constantly flipping all over the place; when hit by bullets, panels pop open to reveal the underlying brass skeleton. It’s a very cool image. (The thing that lets the sequence down is the extremely dated CGI and aggressive digital compositing.)

It also has Donna Harraway as a literal cyborg!

Now, the GitS movies didn’t drop fully formed out of nowhere, but draw on the work of Masamune Shirow. The manga has a somewhat different design sensibility than the movie, distinctive and shiny as all Shirow’s art. It is more rounded and organic, less cold.

So, the basic design of a cyberbody originates with Shirow. You can see it on this page (unfortunately from a flipped version, translation Dark Horse):

You might be able to determine from how the nurses are dressed that, yeah, the GitS manga is in significant part fetish porn. But really nerdy fetish porn, which is the best kind. This chapter is almost entirely dedicated to explaining how cyborg bodies are constructed in great detail, from the ‘sensory film’ (that’s what’s being applied in the opening to the 1995 film) to the hair implantation.

It’s interesting seeing how some of the more out-there designs of the manga, like Chief Aramaki, are transformed into the realist style of Hiroyuki Okiura. It’s Okiura, so it works great of course.

I don’t know if there are manga examples of such detail about cyborg bodies that predate Shirow.

Anyway, that’s just one of the two punches dropped in 1995. The other is Neon Genesis Evangelion. To the pedants: sure, the Evas are not actually robots, but they’re giant cyborgs that play the role of ‘robot’ in the story and they look like robots so I’m counting them.

Anyway, the thing about the Evas is they are incredibly lithe. They run, rip and tear and swing heavy objects around in a way that’s both weighty and distinctly biological. Their bodies are extremely flexible compared to prior mechs (look at how much the spines bend in that Iso cut from EoE!), but not without hard, rigid components such as the shoulder towers. Their jaws are bestial but feature mechanical-like components like interlocking hexagonal teeth and jet-like vents. They are in short a fantastic design that blends biological and mechanical features.

The impact of Eva on just about everything can’t be overstated, but as far as robot design, well. There certainly were works that leaned on the precedent set by Eva, as for example RahXephon, which also treats robots as something spiritual, prone to popping into a blob of weird little bubbles just like in Eva.

There’s a great deal missing from this account. I am very focused on anime because I’ve watched a lot more anime than I’ve read manga or played games from this period. So I’m sure there’s major foundational works I’m missing here!

the 2000s

When did the West start to catch up? eh that’s subjective - David Cronenberg was way ahead of the game! - but specifically in the sense of robots with mechanical muscles, I think the major points in the timeline go a bit like this.

In 1999, there’s the Matrix, which leans heavily on anime. This features a similar ‘robot takeover’ premise to Terminator, but here it’s biomimetic robots modelled after squids, with clouds of constantly moving tentacles that sweep behind them. After making a cool half a billion dollars, the Wachowskis decided to pay all their favourite anime directors to make short films. I’m not going to comment on every part of the Animatrix, since most of it isn’t really relevant, but I will point to this horrifying cut by Takeshi Honda in The Second Renaissance in which a robot woman has her clothes torn and then skin bashed off by a mob. The framing, motion, her expression of abject terror, and the ‘reveal’ of her ‘true’ nature, all viscerally call to mind a trans bashing.

On the manga side, a big one to mention is Gantz, a gory nihilistic seinen manga which ran from 2000-2013. The characters in Gantz fight in special latex-like suits which take on the appearance of muscles while engaging superstrength, but can also sustain damage that causes them to drip fluids from ports located at the neck and become fatal to their wearer. Gantz was adapted to anime by Ichirō Itano in 2004, but I haven’t seen it so I can’t comment on any notable animation.

Cyborgs are a favourite subject of games, but in the 2000s, games are really pushing art direction and biopunk stuff is in. Half Life 2 (2004) has its spider-crab like Striders and dropships and so on. Oddworld: Abe’s Oddysee (1997) bases its whole concept around the sheer variety of weird creatures that would inhabit its dystopian factory. And I gotta give a shoutout to Septerra Core (1999) - in case one other person has played that lmao

At some point after 2005, Boston Dynamics became a viral sensation thanks to their robot BigDog. BigDog is just welded steel and hydraulics, but its lifelike hopping movement style definitely brought to mind the idea that the future of robots is going to be in biomimesis.

So, 2007, here comes Crysis to melt your PC! This is an FPS with the not-uncommon premise of being a supersoldier fighting (country America hates) and also aliens, but its gimmick was that you have a special exosuit that wraps around your body with artificial muscles, making you much stronger and manlier or whatever.

This is indicated by a visualisation that could be right out of a toothpaste ad, where tiny little balls drop into the character’s pores and somehow go straight into the bloodstream which is of course a void full of flying red blood cells. And so on. It sold the game, though! The ad there focuses almost entirely on the suit and not the character wearing it, who is basically an irrelevant soldier man. What it entailed in gameplay terms is that you have a mode switcher so you can have strength or armour or invisibility or whatever. But it’s cool military superscience, you see!

Anyway. Not like my preferred flavour of cyborg is any less stupid I guess x3

In the same year, Bayformers started. These films’ robots are honestly just visual noise, there’s so many moving metal shards going every which way that it’s next to impossible to discern any sort of underlying mechanical principle. A similar ‘overwhelming business’ visual effect would be applied the next year in Iron Man, kicking off the MCU. So mechanical muscles definitely weren’t the only expression of ‘hyper-advanced robot’ in Western visual media in the late 2000s.

I’m going to end my story with two more games: Horizon Zero Dawn and NieR Automata.

Horizon features a world inhabited by a large variety of robot animals, using the peak of AAA rendering techniques. The robots are designed to be biomimetic after both modern animals and prehistoric ones, and feature a combination of hard surfaces and softer biological muscles. For example, a robot horse:

The discipline of making designs like these now has a name: it’s called ‘hard surface modelling’ and it involves boolean operations and bevels and other techniques designed to create a balance of hard edges on a surface against the smoother parts. The design language of Horizon says that the hard plates are white, the soft parts are very dark and may be patterned like a cloth texture, and there can be small colour accents here and there.

I think you can definitely see the influence of Boston Dynamics’s robots (and recent military tech in general) in these designs, iterated on through a decade and a half of increasingly intra-referential concept art. They are visually very busy designs, but there are a couple of recognisable features that draw attention by being inorganic, such as the cylindrical fuel tank at the back. Vitally, the silhouette is very readable.

This robot T. rex for comparison serves as a world boss monster, and you can see it’s got a bunch of military looking attachments that look like radars and missile launchers and so on. As real tech evolved, so too did our idea of what a scary robot ought to look like.

So, that’s where this kind of design pattern has gone in mainstream games.

Now to finish, a brief comment on NieR Automata. Its designs draw hard on those of Ghost in the Shell. Visually it draws a strong contrast between the Machine Lifeforms, who have inorganic shapes (spheres and cylinders) and very visible and plausible mechanical joints, and the doll-like androids, who might as well be human (although A2 provides some contrast in an android who is damaged enough for the underlying materials to show through). The mechanical nature of the androids is communicated by the acrobatic way they move and the interface elements, and dead androids you find in the field - and later when they start losing arms and stuff, it’s a whole thing. But just like humans in Yoko Taro Games, they’re capable of dying in a puddle of blood.

(I guess if you take one thing from this post it’s that if you’re a robot, don’t expect to keep your arms.)

Robot muscles gives you a chance to give both the ‘anatomy porn’ of drawing something very precisely right, with the added bonus of giving you a reason to draw the muscles écorché, and the chance to make it weird and defamiliarised by splitting it with mechanical elements. In short... they look cool!

In this whole post I’ve basically not touched at all on illustration. I can point to a variety of illustrations of robot girls, but in terms of periodising them, I just don’t think I know enough. Though it’s safe to say that cyborg bodies in various states of construction or disrepair are now a mainstream of concept art - and that Ghost in the Shell is usually cited as an influence. I don’t know if robot muscles ever truly became the mainstream way to depict a robot, but it does feel like they’re increasingly common.

One artist I will briefly mention (besides sukabu), mostly bc I think they’re neat, is Haruyo Megurimu, who draws these very intricate designs of ‘necrotech’ which is sort of very biological robots extending out of human bodies - limbs extended on long spindly insectoid strands, jaws splitting open, that kinda thing. Can’t say who influenced them or anything but it’s a compelling extension of the idea into a particular corner of aesthetic space.

And that’s all I’ve got I think. There’s definitely big gaps like. More recent sci-movies. Western comics. Nevertheless, that’s an arc.

If you’ve read this far: thank you for indulging my autism.

[pumpkinsouppe]

Here's my interpretations of all the OOT sages!! I have closeups of each sage and my thoughts behind their headcanon design changes below ^_^ (im alsooooo thinking of selling these as stickers if i ever figure out my silhouette)

Zelda

I headcanon Zelda is half Hylian half Sheikah with Impa being their aunt (mother’s sister, mother being full Sheikah and died when Zelda was young)

I also hc Zelda/Sheik as either transmasc or gender fluid depending on the interpretation of OOT I’m using, in this art Zelda is gender fluid and since I’m talking about sheik and Zelda a lot here I’ll just use they/them

Combined Zelda’s design with Sheik’s to make it more believable that they’re the same person this includes:

A skin color closer to Sheik’s concept art

Heterochromia, which is why sheik was hiding one of their eyes (and Zelda was forced to wear contacts or use magic to hide being half Sheikah post civil war)

Hylian pointed ears, another characteristic sheik had to hide (more info under Impa’s notes)

Lighter blond hair to be closer to Sheikah white hair

Sheik’s eye shape and eyebrows

Textured long hair, sheik would have a braid like in smash bros

Not pictured but if sheik is broad shouldered and muscular, then so is Zelda!!!!

Big forehead Zelda truther

Impa

Shares some traits with Zelda since I hc them as being related such as similar nose shape, eye shape, and skin tone

Textured hair styled into locs, tied into a short ponytail

Sheikah pointed ears, since Sheik hides their ears I thought it would be fun to have another different characteristic between the human races such as differing ear shapes. If Sheik showed their ears it would be a giveaway that they are not fully Sheikah

The rest is basically the same

Rauru

Rauru is perfect as he is all I did was give him spots on his skin to give him more accurate skin of an older person

Saria

So one thing I hc about Saria is that she was Link’s caretaker/mother figure in OOT so my main goal was to make her look childlike but have a more mature face

So I gave her rounder cheeks and made her smaller compared to everyone else and gave her larger eyes and a button nose but I also gave her some lines around her eyes to suggest age, I also gave her thinner eyebrows similar to a kid

I changed her eyes to brown bc I’m tired of all these blue eyed characters, there’s a severe drought of brown eyed characters in tloz

I gave her freckles

Her ears are also pointed upwards. I think the great deku tree did his best to make the kokiri look Hylian especially for link’s sake but he couldn’t get the ears right and they turned a little more animal-like since they live in the middle of the forest and are used to animals than humans. So kokiri look identical to Hylian children except the one difference is their ears being a different shape

Everything else is basically the same

Ruto

RUTOOOOOO ‼️‼️‼️‼️💕💕💕💕💕💕💕‼️‼️‼️‼️‼️💕💕💕💕

Her size is much larger bc why are all the royal male zora 20 stories high but not the female zora, she would be almost as tall as Darunia at this age

I changed her eyes to be like all the other zora, it’s weird all the other zora have full color eyes yet she has human eyes 😭😭 you can tell the Zelda team was terrified about being called monster fuckers by committing fully to making Ruto have all the same traits as other zora

I also gave her freckles and added more spots on her to give her more texture and bc I love the way the Majora’s mask zora look

I haven’t drawn her body so I don’t have itemized changes but I’d make a couple more changes, other than that she’s perfect. Only smaller changes were made to just make her more zora-like than the design the devs used bc they were scared of idek what. Women can be beasts and monsters!!!! Cowards

Nabooru

Nabooru had the most changes besides Zelda but technically Zelda was a mash of two designs rather than fixing all of the issues with Nabooru’s design

My goal was to make her look like an actual person rather than a caricature such as changing her over exaggerated nose to be a hooked nose, removing the white on her lips, etc. If there is anything I need to change about my new design for her please let me know, I want to keep her recognizable without using the harmful designs the devs gave her

I gave her a darker skin color and gave her moles

I toned her red hair so that it looks more natural

I haven't fully decided on her clothes but considering she's in the desert i gave her long sleeves esp bc the area you find her in has crazy sandstorms

I'm still deciding if i keep her yellow eyes or not, i like their contrast and how it matches her eyeshadow but also I want more brown eyed characters

Darunia

The one big change about Darunia is making him more animal like by giving him more of a snout and a dog-like nose. I don't like how Gorons are designed in games like twilight princess and the white lips they have in majora's mask so my main goal was for him to just seem more animalistic and non-human

i also added lighter color around his nose area to suggest age similar to a dog

nothing else changes other than that

[kaythefloppa]

Wild Kratts - Our Blue and Green World: Part 1: Review [Spoilers]

Welp, here it is, the Wild Kratts TV movie (not to be confused with the feature film they've been teasing us with since 2021). There's been a lot of hype around this special and season, especially with how much the latter was being hyped up during the hiatus. Let's see if the blue and green bros were able to deliver: Spoilers under the cut

Well, this is certainly an attention grabber!

This entire live action intro is shot and edited like an animated Wild Kratts episode, it's glorious.

Woah, intro change!

They said the thing! They said the thing!

HELP THIS IS SO RELATABLE. Also, THE BOYS ARE FIGHTING

Lmao I don't think they do it very often, but using animals/nature in their insults is very creative.

Also, whooping crane episode when?

This entire song is mercifully short. Like most character sung songs in Wild Kratts, it's not good, but this at least is clever in its lyrics and its visuals. It feels like a Disney reference at best and I am content with that. I also ADORED seeing the Draco and Walrus Suit return again. It's arguably the best musical number in the series. No, that is not saying a lot.

MARTIN WHY ARE YOU THE ONE WHO'S MIFFED YOU NEARLY MUFASA'D YOUR LITTLE BROTHER

CHRIS WHY ARE YOU MILDLY INCONVENIENCED YOU GOT ACRAPHOBIA FALLING FROM THAT HEIGHT

When I first saw the clip, I thought that they were going somewhere with this, like they'd activate Peacock Powers at the end when they recognized the compatibility and blue and green. But nope. Wasted potential is an understatement.

Also, where the fuck are they right now? In a previous shot there was Target the Chameleon, implying that they've been to Madagascar, but that is an Indian peafowl, and as far as I'm concerned, they don't live in Madagascar. Were they just having an off-day? These animals have little to nothing to do with the plot when they really shouldn't have, so I don't see why they couldn't have just shown a projector image or something.

Remember when I joked about the Wild Pony Power Suit returning in S7.... fuck you Apollo.

Man, they are eating it up with the animation here. It's hard to tell with screengrabs but man, is it fluid.

The first half of this episode is mixed. While it feels like the brothers are incredibly stubborn, it also does make sense for them to be this fixated on their favorites. So I can totally buy this. It could've been insufferable to watch, but it wasn't.

As if YOU haven't spied on them since the first time your dorito-headed ass showed up on screen

Did you find that funny? Because not only do they do a similar joke like that later on, but they follow through on that joke in the most unexpected way you will shit your pants when you first ingest it.

Oh my god if they make a Creature Power Suit off of that bird, I will take back any diss I've made, that is so beautiful.

Good to know that Aviva put the button near the chest and not near the back.

Maybe it's just me but this is kinda pushing it. Chris is literally getting his organs crushed, I think that should matter more than A) being right or B) trying to get 2 people to stop fighting.

I'm loving the callback and what this leads up to but ew, all this does is remind me about how ugly bright the color pallatte in S6. Really glad they fixed it in S7.

HELL FUCKING YES

This episode finds really unique ways of showing how the two different biomes are interconnected. It's like Rainforest Stew's (very brilliantly handled) message only to a larger degree. Kids can learn a lot from this.

I fucking love this episode, man.

Honestly, the way they write Paisley in the first half of the episode is very in-line with her character. Most shows that do what this episode does has them be out-of-character as a set-up, but here, she's just roasting the fuck out of Zach. Once again, recontextualized entirely in the climax.

HOW THE FUCK DID HE GET TO MADAGASCAR FROM THE GODDAMN AMAZON IN ONE AFTERNOON THAT IS LIKE MORE THAN 1,000 MILES AWAY?? ARE ANACONDAS THAT FAST?????

Also, INDRIS!!!!! :D

I was frankly expecting this to horribly backfire but spoilers, it doesn't. This actually winds up working. Common Aviva W.

To be continued.... will the blue and green rivalry end? Will one prove superior over another? And will they be able to stop Zach and Paisley and save the planet earth? And will this change the adventures of the Wild Kratts team forever? Stay tuned for part 2!

Pros:

The live action segments.

The animation of the earth's model.

The musical number not being ass.

Paisely's catty behavior.

The Anaconda Suit.

The inventive ways they show how the stability of the Earth is complex. There are a lot of ways it functions and thus a lot of ways it needs to survive

The comedy.

Cons:

The villains do not do anything until the second half of this episode. In fact, they're left completely in the backdrop. I expected them to make their prescence known and for Aviva to invent the discs to get them together for the SAKE of fighting the villains. But no. It makes the stakes feel hollow, which is the opposite of what they should be gunning for in an hour long special that they hype the shit out of.

CONCLUSION:

It was an "okay" set-up. It did live up to some of the hype it had, but not all of it. Honestly if it wasn't for the second half of this episode, this movie would be mediocre or slightly above average, but no. They do pick themselves off the ground and... they do jump the shark. But we'll get to that next time

[tsunami-kelsey]

EDDSWORLD HEADCANNONS 💪

SHIPS:

TomTordEdd

MattJon

Markuardo

Patpaul

EDD:

– 5'11" (says hes 6')

– Pansexual 

– AuDHD

– Meladaptive Daydreamer

– Chubby <33333

– Brown curly hair

– Hairy limbs and torso because yes 🧡🧡

– Used to have deep brown eyes but they became bright green because of power edd

– Still has his powers, except he cant control them as well

– Draws as a job (is actually a very popular artist)

– Also works part-time at the Diner!

– Loves bugies

– Is actually very good with plants

– terrible cook, amazing baker

– Unironicly acts like a cat

– ls the only one with a healthy, living, loving family group

MATT:

– Gender-fluid! (mainly masc)

– Gay!!

– 6'7"

– ADHD

– Only drinks animal blood

– Hangs out in the bathroom while hes at the house the most (he has to look good😔)

– Can only turn into a bat on the 31st of every month (the date number he was turned :3)

– Likes to color!

– Being a Model is his job (he isn't popular but bro get BANK!!!!!)

– used to go to the neighbors house everyday to hang out with Jon </3

– May or may not have turned Jon into a vampire on accident... (dont ask)

– Used to be pale, and is now even MORE pale because of vampire

– ginger. he is very sensitive to sunlight and always has been, so he beings sunscreen and a sun umbrella with him everywhere

– has the best clothes ever, likes to hold fashion shows for the gang

– Color Blind! Cant see blue 😔

TOM:

– 5'5"

– Trans Masc <3

– Bisexual obv

– Has a band (Lead singer and guitarist)

– Makes Kandi with Edd

– AuDHD

– Has yellow teeth because ALCOHOL!!!

– HATES the noises of crinkling plastic

– freely shifts around the others because he knows even when he isn't mentally/physically there he wont hurt them.

– SHARP TEETH SHARP TEETH SHARP TEETH

– Wears blue earplugs because sensitive monster ears

– Has so many percings in insane

– Punk fashion!!

– Lacks empathy but ISNT A HEARTLESS BEING.

– Forgets to eat, shower, and just take care of himself becaus of his ADHD (he doesnt mean to)

– Very entergetic with people he loves

– Has a secret intrest in dragons and other things

– Has gone to concerts (MCR, Mother Mother, Rob Zombie, etc etc) with Jon :3

– Is actualy Jon's older brother!!

TORD:

– 5'9"

– Pansexual

– Surpisingly amazing cook

– Has tried human flesh before and liked it

– The real Tord died in 2008, the Red Army creating a clone of him and the clone growing fond of the other three.

– BEFORE DEATH: Dark brown haie, hazel/blue eyes, chose to not accociate himself with his parents (his father was a terrible person, like father like son am i right?) Mostly wore black and some Red, thin norwrigen accent

– AFTER DEATH / CLONE: light chestnut hair with deep brown roots, grey eyes, constantly talks about his army (where the clone was created, he doesnt have many memories of the tord before him), Wears more red and some black, THICK norwrigian accent

– Has more than 90GB at this point (ifykyk)

– Rebuilt their house with the help of the army's fonds, replicating everything as best as he could.

– Stayed with them for another 5 years in the house than went to command the RED ARMY

– Cold to people he doesnt know, entergetic and flurty to those he does

JON ( DECEASED . ):

– loved cereal, any kind

– never left Tom's side when they where little

– Had sevear anxiety

– 5'3"

– Pansexual

– Had like 3 tattoons, but he always hid them because he was scared of what the others would say

– Loved rock music, used to vibe to metal too

– Died when tord blew up the houses.

– He was in the hospital for maybe a week before he let himself give up.

– Had asthma and dyslexia!

– Loved to knit :3

– Had gotten turned into a little vampire by matt, but was never immortal (like matt)

– Hangs out with Mark in his little ghost form. He likes to mess with edwardo when he notices that Ed is feeling down

MARK:

– 6'5"

– Bisexual <3

– Make Up artist for movies and things!

– Married to Edwardo 

– Can see and feel ghosts. (this is important)

– Has prescriptions but he never takes them because they make him feel worse

– took Jon's death the hardest.

– A very picky eater

– Terrible cook (he tries guys)

– every letter from Todd is addressed to him for some reason

– HATES bugs. If he sees one he will shreak even if its a butterfly or something

– Actually gets along with Matt a lot

– Does Matt's make up when Matt has a show

– Amazing fashion but never uses it to its true potential 😔

– Works out a lot with Ed :3

EDWARDO:

– Has a pug named Dogwardo.

– Gay.

– 5'10" (says hes 6ft but than edd interjects)

– has so much beef with Edd that its concerning

– Dated Laurel and then went "oh wait im gay, mb bro" (she didnt care lolz)

– Knows how to control his powers very well, used them to complete dayly tasks

– Actualy incredibly clingy to Mark

– THE BEST FUCKING COOK YOU WILL EVER MEET, THIS MAN MAKES THE BEST FOOD EVER.

– Works full-time at the diner and works in the kitchen :D

– Best friends with Laurel and Honey :3

– hairy man /POS /POS

– Forced Todd to move in when Jon died (he needed the comfort but wont admit it)

TODD:

– Photographer! (get it? because he shoots photos? and tord- yeah you get it)

– Is Tord's clone from the labs

– much more tame hair, he loves styling hair

– adores birds, he has a pet paret named Lavender (or Lavie)

– The only straight one. EDIT: I LIED HES ASEXUAL 💪

– 6'8"

– Moved into the house after the explosions and stuff, took Jons old room but technically lives on the couch because he spends all his time there

– Loves to travel :D

– Tries to be best buds with his clone but fails everytime

– His outfits are much more well kept than tords :3

– Hates anything political

– Very fond of Laurel, thinks shes PRETTYYY :0000 (they never get together, hes to much of a wimp to even say hi to her)

[milks-thoughts]

Rottmnt x human sister reader, splinter decides she should go to a human high school so she could be around her own kind and learn more. And the bros are all pretty protective over this and are worried about her being in human school.

I’m trying out a new header style! Tell me if you enjoy it or if I should go back to the color strips!

Summary: Reader goes to school, hell ensues

TW: vomiting, a nasty panic attack in a public space, talk of animals insides

Notes: anyone mentioned in this that isn’t from Rise is an oc of mine! Please don’t use them in any works without explicit permission

Study Sessions

You stared at your father as he called a family meeting, usually, these go horribly wrong. Especially as of recently, when your father decided that you, the youngest and the only girl (other than your older sister, April) should go to school…and not the school Donnie and (as of recent) Draxum have been teaching. No, human school. A human high school. You sat down at the table and hugged your knees to your chest, Donnie leaning on the wall, Raph and Leo sitting in the chairs and Mikey sitting on the counter. Splinter smiled but before he could speak Red spoke “ Pops- if this is about school I’m sure Donnie could teach her about algebra and..whatever else human kids learn! “ Donnie snarked “ I could teach her rocket science! “ Splinter nodded “ I’m sure you could purple but, she needs to be with other humans, learn to socialize “ you looked away as he slid papers on the table “ April’s parents did me a favor and enrolled her with Casey Jr! “ you felt doom and anxieties cloud your chest, you took the papers and read it, the papers were illegal documents that Donnie made…you read through each line before getting your schedule. How fun. It was seven classes a day with each class being an essential skill…apparently. What I’m the actual fuck is Home Ec.

The next few weeks came quicker than anticipated. Donnie made you and Casey matching bracelets, they were emergency bracelets (ignoring that your ninpō could just…tell them if something was wrong). And of course they were genius tech! He was making an empire after all! You did clothes shopping with April and also learned how to be socially acceptable with not only April's help, but also Sunita…and finally, the dreaded day. You and Casey stood shoulder to shoulder and stared at the high school, it was bustling, a few interesting faces but mostly everyone already knew each other. There was a larger group, of about seven people. You noted how one had a pretty sapphire necklace and a prosthetic arm that was so fluid it rivaled Donnie’s own he made for Leo. You gave Casey a hopeful smile and walked into the high school, you were immediately overstimulated. Going from a rather empty sewer to a high school was anxiety filling. A blonde haired girl bumped into you, when you turned to apologize for being in her way she immediately apologized. She was probably 5 '6 with sea green eyes and blonde hair “ my names Nyssa, you two seem a bit lost- do you need some help? “ Casey immediately nodded, Nyssa smiled and held out her hand “ oh right! They/Them! "Oops. You smiled and spoke your name, Casey following your lead. Nyssa led you two to your first class “ Your schedules are exactly the same, I didn’t know they could do that. You may get separated when testing comes up, you could be boosted into honors or lowered to just skills class “ Nyssa stopped at the first door. How amazing, math at 8 AM.

When the class finished you saw the white haired boy meet up with a brown haired girl with a tiger eye brooch. All the jewelry you’ve been seeing was very similar to Sunitas cloaking device, the brown haired girl seemed to be a senior based on how old she looked and sounded. You smiled and led Casey to your other classroom. Science.. how lovely, you knew you’d get this fine. Casey had a bit less of knowledge than you, they didn’t exactly have a need for schooling in the apocalypse. While you…well your brain has been nurtured by your older brother since the both of your youth. You could speak four different languages fluently, you could do some math that college students learn, you could do most things. Your biggest problem? American history. You learned Japanese history, your father telling you myths and legends that he learned. And you knew a bit of history from China. A sudden electrical feeling ran through you and Casey, it was simply a blue warmth, less like a fire or a sun and more like an electric heat. You were more than happy to welcome it into your ninpō, walking with it through your science class. It was simple biology, you slept through most of it with Casey and answered any questions sent your way. It left soon after second period and left you alone during third.

Then it was time for your language class…you spoke flawlessly, holding a full conversation with the teacher in Spanish before halfway switching to Japanese to see if the teacher could too. He couldn’t. Casey suddenly spoke up next to you and you turned, the two of you happily chattering in Japanese, sometimes clicking at each other before you realized that was weird, so you continued in Japanese. Yes, both you and Casey are fluent in the “ turtle language “ but shhh that doesn’t matter. Language class moved quickly and then off to fourth. You met Nyssa again, they said hello as you sat down next to Casey in biology. It was announced that you’ll be dissecting something. When you questioned what the teacher smiled “ oh! we’ll be dissecting something super exciting tomorrow, a red eared slider! “ you felt queasy. Quickly shooting up your hand to ask for the restroom, you sped off and found yourself emptying your stomach in the school hallway, a trash can in your hold, your ninpō going crazy and altering not only all of your brothers of your panicking but also a feeling…someone who was spewing mystic energy somewhere in this school, and no, it wasn’t Draxum. His mystic powers felt a certain…way. It wasn’t long before Casey found you and rubbed your back. The feeling of Raphs sturdy ninpō wrapping around your panicking one helped calm you down. You breathed and wiped your mouth with a sanitary wipe Donnie was demanding you keep with you. Slowly you and Casey went back to class, you still looked clammy and jumpy as you sat down and looked anywhere but the board that was a display of snapping turtles insides, Casey was holding it together, but barely. Like an overstuffed suitcase. The bell soon rang after that.

You made your way to lunch where you spoke to Draxum a bit and then was swept away by Nyssa. Brought to a table with the same few interesting people you’ve seen that day. When you really got closer to them, most of the jewelry was spewing mystic energy…cloaking devices. The brown haired senior was named Bellezza, there was a tan girl with short curly hair and a seal coat named Öskra, a blonde senior with blue eyes named River, she had a opal gemstone in a choker on her neck. A brown haired girl named Ésme who shared a ruby ring with the white haired boy (whom you learned was named Mason) and was the only one who didn’t buzz with mystic energy. And the last person, a black haired boy with burgundy eyes named Alexander, he had a garnet bracelet on. They all seemed to be able to pick up on your free flowing ninpō, and how it was prickling from previous panic. You were stuck close to Casey as you rested through lunch, your ninpō reaching and searching for two in particular. One that kind of felt like Mc Donald’s sprite and the electrical warmth. They both responded immediately, their ninpōs like two cats curling around a scared kitten. Your ninpō is the metaphorical kitten.

You didn’t eat lunch that day, moving into fifth period, ELA. The teacher gave you a free period and you simply slept. Your lashes attached to your cheek before you woke up with a startled noise, your eyes wide before looking up. There was your purple clad brother, staring at you as you looked at the ceiling tiles. You glared at him, before looking around and getting yourself into the roof quickly “ what are you doing here?! “ you hissed “ I’m just seeing how my dear sister is doing! and if this school is really better than my teachings! '' you sighed “ it’s super easy right now- “ Donnie laughed “ of course it is! He said confidently “ you smiled at your brother and sighed “ How’s everyone holding up at home? '' Donnie hummed “ Nardo has been fighting Raph to not just portal in this school and hunt you down. I didn’t let him come! “ you stared at him dead panned “ and you can? '' Donnie stared and then slowly backed away into the shadows of the dusty air vent. You dropped down quietly after that and slipped back into your seat, knocking dust off yourself. The bell rang again…god you were tired of that damn bell. Time for sixth period.

Next was a world history class. The teacher had turtles as a class pet, you were immediately drawn to them. Casey watched as you quietly chirped and rumbled at them. The turtles craning their heads closer to you as you made noises at them, their quiet voices responding. You quickly scampered to your seat, far away from Casey. Squished between two boys that made your ninpō scream and demand you return to Casey’s side, anxieties pulling your brain into mush. The teacher put on a video about ancient Egyptian mythology. Stuff you already knew. Your eyes grew heavy as you fell asleep, halfway through your rest the sound of a large bang startled you awake.

You whipped back with a noise and fell out of your chair. Backing up a bit, you didn’t see a classroom. You saw the tunnels, kraang infested as they chased you and your brothers. Raph missing. That was your whole mission, to retrieve your oldest brother. Leo and Casey Jr got separated. Mikey and Donnie hid in the tank. Leaving you, to get stolen away. You fumbled and looked around for something, anything to fight the kraang. Someone grabbed your arm and you started hitting it, the arm didn’t relent, it was softly pulling you away from the tunnel. The whole…incident… was traumatic for you. any really, everyone. You, Casey, Raph, and Leo got the nastiest of the flashbacks. The yokai therapist that the family got said they were classified as panic attacks. Even as the soft arms pushed you to the floor you continued hitting and thrashing, pausing when the feeling of something wrapping around your ninpō entered your brain. Your body is basically shocked to real life. Casey was holding you by your arms, you had hot tears running down your face and hurt vocal cords. You stared at him and blinked before letting out a quiet sob and leaning forward, him just holding you throughout the entirety of sixth period.

You guys didn’t go to seventh period. You just sat in the corner of a hallway and breathed, at some point the same blonde senior, River, came and sat down with you two. And after that? Mason, the albino boy, and Bellezza the senior with auburn hair joined her. They were all siblings, Casey theorized that they were wolf yokai based on how they flocked like a pack. Seventh period ended quickly, when April came to get you guys she immediately noticed the tense mood from you two, walking back to the sewers…she could only wonder how the brothers would react. When the three of you walked in, Raph was the first to notice you being back, he looked at your and Casey’s sour faces and lowered his snout so it rested on your head and hugged you, chuffing hard enough your entire body vibrated. You made small similar noises, but they were weak and halfhearted. Raph was so worried about what happened to you at school. Leo and Donnie soon returned to the main area and joined the upwards cuddle session, Casey and April being pulled into it as they all wrapped around Raph to feel his churrs, Mikey soon attaching to Raphs shells and starting to chur as well, you forgot how amazing it felt to be held like this. You took off your cloaking device and the scars that were hidden from the public eye became known. Oh how much they wanted to ask about school, why your ninpō wailed in pain, why your chirps that normally sounded so nice were half hearted and deflated

[strawbbella]

Its so over bros the new animation and writing team

Goddamnit

And before ppl say "oh give the new team a chance" its not abt the team, its abt the show. The quirky, handrawn, fluid animation was such a crucial aspect for lmk's charm. Like any frame of the show is wallpaper worthy. Not only that, head writers are gone too! Im so done

Don't ask a LMK fan what went down on May 10th

[my-name-is-bunnyfoxy]

I CAME BACK FROM THE MOVIE LIKE AN HOUR OR SO AGO- AND HOLLY CRAP- Here is some stuff I will say and I'll give my review at the end.

I love how to movie doesn't waste time and immediately jumps straight into action and also the backstory of it's soon to be main villain.

The designs are really nice I like them a lot. They are nice to look at. Maybe for some it might take a while to get used to but their decent at best.

I enjoy that right when we are introduced to the turtles they don't waste time showing their personalities.

This movie's angst inspiration definetelly came from the fandom lmao

like bro they just threw a bunch of angst in there.

Speaking of angst, I like how they immediately establish how much the turtles genuinely wanna be accepted into humanity and how they don't hold back on making sad scenes.

I don't mind Leo's crush. It's cute and I like how it's depicted. It's not that focused on which I don't really mind. I don't know where I sit with MM Aprilnardo, I'll wait until the series drops or we get a sequel and see what happens. If nothing happens between the two then I guess I won't be too hard into it. Unless maybe we see April and Leo both sharing feelings or something. Though if April politely rejects him I'll leave it at that. Again I still don't know where to sit with this ship.

Splinter is cool and funny. Also- we don't talk about that scene with him and scumbug-

The backstory for the characters is sad and I like how you can genuinely sympathize with them and it's not forced or anything.

I-I-I-I-I-I had to look away at the Puke scenes and the make out scene- Yeah I did get second hand embarrassment with this movie-

I enjoy how cringey it is- Like I get second hand embarrassment and yet it's funny to me-

MondoMikey shippers DNI. They are cousins in Mutant Mayhem.

I love how the movie's style is that of 87 and take more inspiration from the 87 version though to me the personalities for the characters were a mixture of rise and 2012 with some inclusion of 87 as well.

I actually watched this movie in my language not the english one. Sadly I didn't record any of the scenes so I can't show it to ya'll. :( Mainly cause I assumed it wasn't allowed to be recorded.

Shocked I didn't cry at certain scenes-

I enjoy that each character shines in his own way and all of them manage to do so.

Don't lay a finger on Leo... I will bite your legs off...

Sadly me and my papa didn't stay until the cliffhanger but I watched it on YouTube though.

The animation kind of seems messy but I do feel like it's something a little kid would design and considering this is a kids movie and all it's understandable. Though it gives us a lot of funny expressions xp

Story is unique, fight scenes really fun and amazing, the ending felt deserved and overall I enjoyed it.

Now, I know Superfly is a villain and all but if I'm gonna be honest- He didn't deserve death. I wish he got a redemption arc. He's just a broken villain who I ended up sympathizing and understanding. Yeah he wasn't doing the right thing but can you blame him?

Off topic but what gender is Leatherhead-? I kind of got confused ngl lmao

So in my opinion, it's either 8.5 or a 9/10. Mainly because there are some cringey scenes that I did cringe at and ngl I feel like certain scenes's pace was kind of a bit too fast. I don't know really-

BONUS: My papa's thoughts on the movie:

Found it cringe and stupid

He prefers the old TMNT

Prefers it when they stick to the shadows rather then go to high school

He thought Splinter was stupid and how he said the old one was a 'badass mothefucka'. His words not mine.

He prefers when Leo is really serious and calm, Raph a hot head and constantly wanting to smash things, Donnie being calm and smart and Mikey- Mikey he didn't mind since he said he is always stupid and a dumbass- (not really his words but close enough-)

He found the story not to be that really consistent and also the animation to him wasn't fluid. He didn't think it was the best or that good.

The story is interesting to him and unique and all though.

Don't hate my papa pretty please-

He pretty much grew on the 87 and OG comics. He kind of also probably had to deal with watching with me and my bro the TMNTs we grew up with. If anyone's curious, my bro grew up on the 2003 and kind of also 2012 since we both binged watched it a lot every time we came back home from school meanwhile I grew up on the 2012 but also in a way with 2003. Mainly since I have a few memories of seeing some episodes of it so I know some stuff.

Anyway- his score is a 6/10 for the movie and he says that is a VERY generous score.

Extra add in:

I realized my outfit looked similar to April's- Just- it had different colors and- I'm white as fu- Loved April a lot in this movie by the way.

I watched it with 3D glasses.

They were also selling masks of the TMNT. I only saw Raph, Mikey and Donnie but not Leo. I didn't buy one by the way-

I annoyed my dad with how much I was jumping and kicking my feet around.

And yeah that's all-

Loved the movie, I enjoyed it, I hope ya'll have enjoyed it as well and yeah!

[earthnashes]

Woops guess who started watching Gargoyles with the squad in my discord server :)

We only watched the episodes the show first premiered with (the “Awakening” episodes) but holy shit I forgot how much I LOVE this show.

The animation is absolutely gorgeous and so fluid, and there’s so much nuance to them! Little things, like Goliath constantly using his tail as a means of attack, or how he is animated to be so careful when handling Demona or Elisa. And how differently each character moves; I love how Lex is often on all four whereas everyone else is predominantly standing upright. And how Broadway walks with a lot more weight than the rest of the cast given him being a BICC BOI.

And don’t get me started on the animalistic traits the Gargoyles exhibit man. I’ve always loved that, when something that isn’t human shows behaviors and actions that aren’t human, like the Gargoyles running on all four or when surprised they perk up like a dog listening for threats. It’s so cool, and sells the idea that while very intelligent and sapient, the Gargoyles still operate somewhat on instinct (or at least moreso than humans do).

The way the scenes were shot were crazy too man, especially the creativity of the transitions and particularly how they handled the compositions and direction of the climbing and flight scenes. The action also is top notch man.

And the voice acting, the sound mixing. GAH DAMN. Every character has an excellent voice; I already knew that but hearing it again just really hit it home just how much the character’s voices fit them and the tasty skill behind the actors themselves man. Not to mention the personalities; I forgot how often Elisa pulls wise cracks, I love her. ;w;

As for overall sound, all of it slapped, but a thing I absolutely love that a lot of other media that feature monsters in them don’t do often is backing the vocals with more feral/animalistic/inhuman sounds to really bring the point home that these things aren’t human. Like, Goliath’s cry backed with a lion’s roar, or the cat-like snarls Demona hisses out, or the whale-ish groans and bro I’m a fucking SUCKER for that shit.

But yeah! Just wanted to gush about the show a little bit. It was so fucking good, we were eatin good when it aired back in the day cuz jees. The quality and effort is crazy. I’m excited to watch the rest of the series and uhhhh ya’ll may have to see a few doodles from me for that there AU as we go. owo

[boytoyhalo]

hi you should talk more about your blue ring Pac headcanons (it's really cool and I like it a lot)

YIPPEEYIPPEEYIPPEEYIPPEE KISSING U ON THE MOUTH RN MWAH THANK YOU SO MUCH FOR GIVING ME AN EXCUSE TO TALK ABOUT HIM

ok so first and foremost as I've said I imagine him having the spots on his face neck and shoulders, i think he'd have them on all of his joints too though. The spots are normally dark yellow/brown when theyre at rest but thats BORING so i hc that the blue in his are always somewhat visible but when startled or threatened they glow brighter and expand. this video is a good visual reference (watch it its neat)

I imagine that along with the spots the rest of his skin would get a bit darker like the octopus does! i also imagine that his skin would be bumpy/textured the way they are, especially around his browbone and temples.

He can't entirely change his shape the way an octopus can, he's still mostly human in function and his muscles are as unyielding as anyone elses most of the time - but when he wants to he can stretch out to make himself look bigger and more threatening, and he's unnaturally flexible enough to slip through small cracks and crevices. it's... really freaky to watch. of course his metal leg poses a challenge since it can't be as fluid as the rest of him, but he's tricky enough to get it through most of the time. If he really needs to hide in a small space and it won't give he can always just detach it

He has crevice dweller instincts, so whenever he needs comfort or security his first instinct is to squeeze himself into the smallest space he can. He habitually piles whatever he can find outside of the space and outside of the door to his room/bases like the real life octopus piles rocks outside its home

He doesn't have tentacles, but his hands and fingers are covered in tiny almost invisible suckers that have surprising grip strength - not enough to stick him to walls spiderman style, but enough that he never drops anything and if he's holding your hand it takes notable effort to detach yourself

Blue ring octopuses carry two toxins (probably??? theres some dispute) - one that paralyses prey thats present in their saliva, and an incredibly potent neurotoxin in that they use for defense and acts both as a poison to predators and as injectible venom- they're one of the deadliest animals on earth in relation to their size. Pac has both of these but less potent, a hard enough bite from him will result in some nausea, dizziness, and weakened/paralyzed muscles if he breaks skin (his teeth are just a TINY bit too sharp to be normal by human standards, but not enough to tear through muscle) but it wont Kill you. and making out with him will give you a few spasms and a bit of weakness/dizziness - fit learns this the hard way, and pac apologizes profusely but because he's pac fit is actually really into it which is kinda weird but hey what are you supposed to do when your boyfriend has toxic saliva other than develop a kink for it (sorry for making it about fitpac it will happen again)

also because BROs carry their venom all throughout their body theyre immune to their own toxin and most other toxins in the same group, so Pac probably has a higher poison resistance than a normal human would

He's a really strong swimmer of course, unnaturally strong for how the prosthetic should weigh him down. Since he still has human shaped limbs what he does isnt quite jet propulsion, but its somwhere between that and normal swimming. I cannot describe the movement im imagining so like just watch the video and try to recreate the Vibes with a human shaped body and you'll get to the same place i am

ok that's kinda all i have there isn't really that much to go off of just because the nature of the octopus makes it kinda hard to study them in depth so we only really know the basics of their behavior, the only other thing i can think of is more of a fun fact which is that their venom is actually produced via a symbiotic relationship with bacteria that lives in their mouth! can't really do much with that in terms of applying it to a character headcanon but its pretty cool right

also i am kinda torn between the normal human mouth with toxic saliva and a normal human mouth that's actually just a front and can unhinge to reveal a horned beak and tentacles hidden inside (if u dont know octopus body plan is basically head with mouth at the bottom and then the tentacles surround it, and it feeds by using the tentacles to pull food in towards the beak which it uses to puncture it and inject venom) I kinda do love that cuz it's freaky and eldrich but on the other hand there is literally no physical way that could ever make any sense so... idk you can decide for yourself lol

thank you again for giving me an excuse to flesh out this headcanon i love it so so much im glad im not the only one that finds it interesting

[hinakagesposts]

SP HEADCANNONS (prone to inaccuracies)

Kenny

Gender-fluid

Let his hair grow out in high school & only started cutting it during college

HATES onions

worked at Tweak Bros w/ Bebe & Tweek

blondie squad is real!

smoked a lot during HS but worked really hard during college to quit

favorite animal is a ferret

super into anime & adult cartoons

favorite childhood movie was Taledega Nights

Stan

Addictive personality

Bisexual (figured it out after the whole Wendyl situation)

Bipolar 2 sufferer

Loves Bojack Horseman

Owns a beat up pickup truck (it’s his most prized possession)

Dated Wendy until college (couldn’t do long distance)

Bebe

Lesbian!

Had a one-sided crush on Wendy for a long time

Definitely was super into the trashy McBling & y2k fashion during middle school/high school

Cats > dogs

has misophonia

Soft spot for tweek, Kenny & marj/butters

Craig’s frenemy

Tweek

Borderline with schizoaffective disorder

Mommy issues (js like me fr)

Went through a long hair phase in middle school because he developed a fear of barbers

Actually really athletic (track & boxing >>)

Huge glow up sophomore year

Yellow teeth

Loves cats (they remind him of Craig)

Tricia absolutely adores him

Has a hard time accepting that Craig really cares for him bc of the lack of love he had in his childhood

Craig

had braces FOR EVER

mama’s boy

Peruvian (on Laura’s side)

Red & Stan’s cousin

Speaks fluent Spanish

Compliments Tweek in Spanish when he’s too embarrassed to say it in English

Has a good sibling relationship with Tricia

Attends Tweek’s therapy sessions sometimes so he can learn ways to help him cope (he’s a rlly good bf idc)

space is still a special interest

Autistic