#but I am also very easy to please and very go with the flow unless it's something really really really-- ...idek a word to put here.
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hhrtfelt · 4 months ago
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Hey, do you write for min su? Just him being a bit of a pervert
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pervert min-su x fem!reader
₊ âș âŠč ₊ âș âŠč
ïč’ă€€à«źê’°â—ž ◟ ê’±áƒă€€âžă€€new upload! ❜
   ˚     âžș     ❀
 ⾝⾝  ◩  tags: pervertness, suggestive staring/language, min-su acting clueless and dumb to get his way, reader is more clueless, game au, mentions of jerking off, i wouldn’t call this smut but some people may so idk, min-su overshares with the wrong people and they fuck him over, female reader intended (sorry fellas
), ooc? (most likely)
 ⾝⾝  ◩  a/n: how late am i to this
? shut up. also im sorry if this isn’t what you wanteddd people being perverted isn’t my favorite thing to write about but i had no other ideas and decided to do my request so i hope this is good for you!! i also just don’t like writing about me unless it’s like nam-gyu hehehehehhe also sorry if this isn’t short it is currently 1:33AM while i’m writing this sentence

BLUE: MIN-SU
GREEN: NAM-GYU
PURPLE: THANOS (his english is in italics)
PINK: READER
masterlist ‱ rules
₊ âș âŠč ₊ âș âŠč
min-su is a perv, but not on purpose
 his eyes just wander and happen to land on you
!

right?
yes, min-su is naturally shy and a people pleaser, who is usually timid and gets under pressure extremely easy, but why wouldn’t he use that advantage of him being ‘clueless’ or shy all the time to ogle at the girl that’s also in the group with him?
ever since you, se-mi, min-su, nam-gyu, thanos, and gyeong-su have been hanging out, he’s found himself staring more and more at your lips, or at your chest while your talking. enjoying the way your lips move and fantasize on how they would feel against bist, and how your chest would feel if he’s holding them in his hands. wait, is he drooling? fuck.
it’s not his fault you just are the definition of eye candy.
past that, he would always want to attempt to protect you or become someone you could lean on, but he’s to shy to really do anything about it.
when you two are alone, he gets really scared, as if he wasn’t already before, while you talk to him you can’t help but he his eyes ‘innocently’ graze your figure. you didn’t think anything of it, he didn’t mean any harm!
after a game, or talking to you alone, he feels all this pent up emotion that he just goes to the bathroom and relieves some stress.
by imagining you sucking or jerking him off in the stall.
he can’t help it!
cutting to lights out, he finds himself admitting his feelings to nam-gyu and thanos out of peer pressure
(during this section if you didn’t read the cor coded text names before this started, please go back! it’ll make sense!)
“i—i mean she’s cute.. i—i don’t really know..”
ïżŒâ€dude—“
thanos put a hand out and looked up at the both of them from where he was sitting “nam-su i got this, bro”
“dude, we’ve seen the way you look at her tits, it’s okay man.”
min-su attempted to save himself, but let out a shaky sigh, putting his head down as he spoke.
“
yeah well, i’ve liked her since she’s joined the team. i mean, she’s kind, funny, endearing, very
 very beautiful
 and
 um
 very beautiful
yeah
” he rambled to them, not on purpose, but everything just flowed perfectly.
“min-su, when you had to go to the bathroom as soon as we got back from grabbing our lunches, why’d you immediately have to go to the bathroom?” “oh! i know!”
“we all heard you by the way, bro”
min-sus heart sank as he listened to the boys, shrugging them off.
(to cut this short, nam-gyu and thanos told you and you eventually started avoiding his slightly more since you were creeped out)
ok scenario over!!!
while he was sitting next you, he accidentally gripped your waist,
as you felt the grip of his hand on your waist, you turned to him with a concerned and scared looked on your face.
“min-su?” “are you okay?”
he looked completely shaken up as he let go quickly, turning the other way from you.
“yes— i’m so— so so sorry.. i’m sorry.. that was an accident.”
“it’s okay, just give me a warning next time..!”
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saphronethaleph · 11 months ago
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Negotiate Early, Negotiate Often
The unknown Sith lit his lightsaber, one end, then both, revealing it to be a saberstaff.
Qui-Gon and Obi-Wan activated their own lightsabers, then Obi-Wan frowned slightly.
“Just curious,” he said. “But what’s your name? I just realized I’m only thinking of you as ‘the Sith’.”
“My name is Maul,” the Zabrak replied. “Darth Maul. I am your end, Jedi.”
“Hmm, debatable,” Obi-Wan replied. “We don’t actually know yet and that’s the point of this lightsaber battle. As soon as we get around to starting it, anyway.”
He shrugged, twirling his blue saber blade around his hand. “But I’m curious, that’s all. Why now? After hiding for a thousand years, Maul
 why now?”
“Now is the time to reveal ourselves to the Jedi,” Maul declared. “To take our revenge.”
“Right, there’s two Sith at any one time,” Obi-Wan agreed.
“...Padawan?” Qui-Gon asked.
“I’m negotiating,” Obi-Wan replied. “It’s sort of experimental. I’ll see how it works.”
He returned his attention to Maul. “But – well. There’s two Sith at any one time. There’s currently
 what, ten thousand Jedi Knights, and about the same number of trainees and padawans? It’s a lot, is what I’m saying. And now we know you exist.”
Maul’s mouth had fallen open slightly, and he shut it with a scowl.
“You’re lying,” he said, shaking his head. “There can’t be ten thousand of you.”
“There very much can,” Obi-Wan answered. “Though I’m not a knight. I’m a Padawan. Qui-Gon is a Master, but he is also a knight.”
He reached into a pocket. “I’ve not got the names of all ten thousand, but my comlink has a few hundred comcodes programmed into it-”
Maul snarled, reaching out with his hand, and threw a piece of detritus at Obi-Wan with the Force. Obi-Wan immediately put his comlink back in his pocket, spun his saber, and sliced the object in half.
That seemed to get the battle going more generally.
“Is this how weak the Jedi are?” Maul asked, grinning, as they locked blades in front of one of the power cores.
“I’ll be honest,” Obi-Wan replied. “I’m not sure you thought through that whole bit about how we haven’t known you existed for a thousand years.”
Qui-Gon advanced, and Maul twisted to block both attacks at once. That turned into a slash aimed at removing Qui-Gon’s head, and Obi-Wan deflected the slash away with a swipe of his own blade.
“You see,” Obi-Wan went on, as the battle ebbed and flowed. “We haven’t had much in the way of enemies with lightsabers for a thousand years. Most of our work has been dealing with enemies who, at the most, have blasters – and generally speaking we aim to disable, not kill, unless killing is the only remaining option.”
“A sign of the weakness of the Jedi!” Maul laughed.
Obi-Wan blocked all three of Maul’s next attacks, flowing through the forms of Soresu with an easy grace. “Perhaps,” he said. “Or perhaps it’s a sign of strength. To kill someone when there’s an alternative is to take the easy way out – finding a solution that doesn’t require killing everyone who disagrees with you is harder, but more rewarding.”
Qui-Gon just sort of stood back, watching his Padawan and trying to look for an opening where he could help without promptly getting decapitated.
“Are you the Master or the Apprentice?” Obi-Wan asked. “Because if you’re the Master, then – I’ll be quite honest, I do question why you didn’t reveal yourself years ago, and why you’re acting largely as hired muscle.”
He shrugged, working it into his bladework as he deflected one attack after another. “And if you’re the Apprentice, then
 again, why do you reveal yourself now? If you didn’t know there were that many Jedi, what’s your Master’s motive?”
“Stop! Using! Soresu!” Maul snarled, trying to force an attack through Obi-Wan’s defences.
“I’d rather not,” Obi-Wan told him. “We’re talking, aren’t we? I’d rather have the time for a discussion. But please, do think through what I’m saying. Why Naboo?”
“My Master handles politics,” Maul said, then scowled.
“Ah, so you’re the Apprentice,” Obi-Wan declared. “In that case, allow me to compliment you on your excellent skill with Juyo. If I weren’t using a purely defensive Soresu style I’d probably have been filleted by this point-”
Maul punched him in the face with the hilt of his saberstaff, and Qui-Gon stepped in with his green blade flashing to save Obi-Wan from a fatal blow.
“If you could stop annoying the Sith, Padawan?” he suggested.
“Negotiations are often fraught, Master,” Obi-Wan replied, picking himself up again and working in tandem with his Master. “You need to know about the other person before you can reach an acceptable compromise.”
“So, your Master handles politics?” Obi-Wan asked, through the glowing energy doors. “And he sent you here.”
“I don’t want to talk to you any more,” Maul said. “I’m going to kill you both.”
“And then what?” Obi-Wan replied. “Your Master tells you well done, and you go back into hiding, while the next time you face the Jedi Order we’ll have been preparing for it? What about this is worth it?”
“Revenge!” Maul snarled. “At last, we will get revenge on the Jedi!”
“Revenge for something a thousand years ago?” Obi-Wan asked. “...even Master Yoda isn’t that old.”
He shrugged. “What I’m trying to say is that – are you really getting what you want? Or are you following the orders of your Master?”
“I am trying to meditate, here,” Qui-Gon said, kneeling between two of the force fields.
“It’s still a legitimate question,” Obi-Wan replied. “If at least one of us three does have to die, then don’t we at least all want to know why? Maul’s Master sent him here for something, but we don’t know what. Does Maul know? Or is he just going where he’s sent, into deadly peril, where his Master hasn’t even told him how many Jedi there are?”
He lifted his gaze, to catch Maul’s eye. “Has he been told as little as possible, to make him a weapon instead of a person?”
Maul snarled, then the energy gates began to deactivate.
Maul and Qui-Gon immediately engaged in a duel, and as soon as the gates in front of Obi-Wan deactivated he sprinted forwards.
The last one activated just before he reached it, and he stabbed his lightsaber into the projection systems. The whole laser gate shorted out, and Obi-Wan followed through to join his Master in an attack on Maul – then reached out his hand, suddenly yanking on Maul’s saberstaff with the Force.
That threw the Sith off, and Obi-Wan destroyed the staff in a single blow.
“Sorry,” he said. “That was very Niman of me.”
Maul stared at the two glowing lightsabers pointed at him.
“...Jedi don’t kill prisoners, right?” he asked.
“If you’ve committed any crimes, then that might eventually happen,” Obi-Wan said. “But that would be up to a trial. I don’t actually think you’ve done any crimes except trying to run over Anakin with a swoop bike and one count of assault
 so that probably wouldn’t happen, no.”
He glanced at Qui-Gon. “Does that sound right?”
“I’m not even going to interfere here, Obi-Wan,” Qui-Gon replied. “You’re clearly better at defensive negotiations than me.”
“Defensive negotiations?” Maul asked.
“Negotiations involving Soresu,” Qui-Gon explained.
“In that case
” Maul said, then paused. “I have a new person I want to get revenge on. He’s called Darth Sidious, and he did want a benefit from attacking this wretched place.”
He grinned. “He wanted to be elected Chancellor, using the sympathy for his own planet.”
Obi-Wan made an interested noise.
“Well,” he said. “That’s a very impressive revenge, achieved quickly. My compliments!”
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andy-wm · 1 year ago
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Please love me is Jimin's line today
The hardest few seconds for me to watch, were these...
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Jimin was absolutely dreading appearing on screen without his trademark beautiful hair.
We know he left it as late as he could and didn't want to show anyone.
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He looked like he was barely holding it together when he called attention to his hair being shaved. He must have genuinely been scared of the reaction he would get, even from Kook.
"It looks good on you"
Jungkook, you absolute fucking LEGEND 💜
He knew exactly what to say.
When Jungkook told Jimin he looked good (even with no hair) Jimin turned his face away <those feels choking him up> and when he turned back, the almost desperate look of gratitude mixed with relief was so clear.
Please love me is Jimin's line today.
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This is not about vanity, ego or pride.
It brings home how fragile his confidence is. His need for approval and the assurance of being loved is strong. It’s so heartbreaking, but we know he hasn't had an easy road.**
Thankfully he did stand a little bit taller once JK reassured him...
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But it wasn't an easy moment for Jungkook either.
Whether because he had to witness Jimin's fear and could do nothing more than pet his head, or because he was facing his own misgivings (probably both) he looked equally lost in that moment.
Remember that these boys have left their home once before and journeyed to a place that was less than welcoming. They've had to face the grim, disproving faces of unkind critics and a system that didn't support or value them.
I don't doubt there were echoes of that feeling on this day, that same sense of trepidation they've known before.
We know how the military treats men like them.
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And then...
we got this:
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You can take the boy out of Busan but you can't take Busan out of the boy.
(People say this about my home town too...)
The shadow of fear is still there in his eyes but.... he looks like a (very hot) backstreet thug who will absolutely fuck you up no questions asked.
It does occur to me that MS might be the reason Jimin has been learning to fight.
I mean really learning to fight.
Yes he's probably doing boxing too but i suspect something more than that ... you shouldn't get torn knuckles from boxing lessons unless you aren't wrapping your hands properly, just saying.
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<Gotta love a person who can hold you and cradle your head, and also knock down an aggressor when they have to.>
If all else fails (words before fists, right?) I hope he can handle himself.
If he must defend himself, and someone (not him) looks like they've had a close encounter with his fists, I saw nothing.
I hope for both of them, their background will serve them well. In any case they will support one another and their love will see them through this. It's exactly why they are enlisting as companions.
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đŸ°đŸ„
This is no easy journey, for these young men (all seven of them) or for their families, their friends, and their loved ones. Yes, it's reality of life for every person in Korea, but that doesn't make it easier when it's YOU or YOUR person who is going away.
I am seeing them off with an in ache in my chest - I know we all are. But I'm toasting their successful military service, and their quick return.
ì§  ì§€ëŻŒì•„, 정ꔭ읎! We love you 💜💛
See you soon, Angels.
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** 'Hurry up and be me soon' ...
Some of us know how much it costs to put our authentic self out into the world. The sacrifices you have to be willing to make are huge. You're not only exposing your own vulnerabilities, but the flow on effect for your family and friends is real.
<talking specifically about Jimin here... how many times do you think his parents will have to say 'no, Jimin doesnt have a girlfriend, and no he isn't looking for one... No he doesn't plan to marry'.>
It's a long journey to self love and acceptance...
We know Jimin has been through a number of iterations of himself. He's been through the tough guy phase, the closed book, the siren, aloof and sophisticated, and the gently feminine.
The image he presents to the world is as much a construct as any person's is - and whether you're aware of this or not, all our public selves are social constructs.
"One size does not fit all" for queer people
For cis gendered heterosexual people, society has a few different ready-made constructs you can adopt, and the rest of society automatically understands the message you're sending. Most of them maintain the status quo of heterosexual cultural norms.
For anyone who DOESNT fit those norms, it's honestly never going to feel good expressing an image that isnt really you. Its like trying and make your circle self fit in a square box.
But theres nothing else that's readily available...
You really have to construct your public image from scratch.
When you aren't part of that typical demographic, figuring out how you want to be seen by the world can be an arduous and complex process.
How much do you reveal? How much do you risk?
You'll experiment with styles, behaviours, and social groups until you find a safe space you can occupy.
Jimin's safe space is with ARMY or his members, but it requires looking perfect.
Think about Jimin's hesitance to appear on camera without makeup. How carefully he chooses his clothes - whether for airport appearances, stage performance or out on the street. He usually has a team of people making sure he looks perfect. His hair is a trademark feature. It's always beautiful.
Remember that he's used to EVERYONE LOOKING AT HIM, ALL THE TIME.
Imagine how it feels to go out in public - against your will - with a shaved head.
Without hair, he would have surely felt naked. Plus, he's no longer in the safe embrace of ARMY, and his buffer of security and managers keeping him out of danger is gone.
He's immensely famous, but not universally loved (don't even go there) and bald, and small, and an IDOL, and very gay ... lets go with unlikely to be heterosexual.
No wonder he was feeling vulnerable.
Ngl, it broke my heart to see him so afraid but I'm sure he'll have a substantial group of supporters around him. I can only hope.
💜💛
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delusinalandpassionate · 8 months ago
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Hi hello I was looking back at the canto 3 DQ scene and had some stuff I wanted to share, rather rambly however, sorry.
For one, Sinclair getting the KotWM is rather funny in hindsight, especially with the lines he was given the 'visions of promise' and the connection to fate given the mirae-mirae river. He has Impending Day for the theme of fate/future as well as he calls the day Kromer asks for the basement key the 'promised day', not to even mention how the blue is of course Demian's main colour, and how the KotWM defeats Don in the source which I am hoping to mean he pays Donqui back for beating him back to his senses.
But onto what this ask was originally going to be about, while in canto 3 its called their 'deal' I am of the opinion the promise White Moon Sinclair mentions is that very deal. With the possibility if the flow Vergillius follows being somewhat literal given the subterranean rivers, and the fact that this was seemingly a deal with him specifically and not the company at large/part of her contract, I do wonder what exactly that promise was, not exactly sure what sort of deal Sancho would want for. But! Vergillius does mention that something significant went down at her recruitment, given the context of the scolding then perhaps she jeopardised something she held dear.
Knowledge on this point is courtesy of Wikipedia, I am somewhat out of my element on this one:
Mambrino's helm within the story is given a familiar golden glow, plus with the way Don flounders when asked of its location, leads me to believe its somehow involved with the [checks notes] 4th person to be stabbed with a bough, namely in being the bough itself or a part of it - if clockhead is anything to go by, then it could be the source of the powers its said to have in the source story, namely invulnerability. Its power is one that can be funneled into being used for a specific purpose via resonance or synchronisation: see canto 6 wherein Dante synchronises with one in order to funnel the power through their clock head and thus produce time related results, so perhaps it gave him the boost in energy needed to make La Manchaland reappear?
On the topic of the bough, it and what's effectively its new host have a bundle of what seems like roots under it, and the familiar golden glow has been tainted red, solidifying that its been a good while since the impailment. I do wonder how someone managed to do that though, unless someone has whatever Iori has going on or whatever Bari has going on I don't think it'd be easy. Unless WARP shenanigans in case it counts as a separate dimension W corp tech can help one travel to.
Small thing but the background in SansĂłn's little solo shot has a pattern with a star in the center, four pointed just as the one Dante follows and this is a very subtle reference to the fact his part of the Blue Group. Also the way Don Prime has his arks covered in the sprites of the past is awfully reminiscent of Hermann to me. Add to that the small star on his necklace you can see if ya squint.
Sancho also looks awfully happy in the door opening cutscene as well, I wish her and her extremely fluffy hair well.
I believe that's all I have to say, well wishes and I hope Thursday decides to hurry up a little
Hello! Okay, I reread your ask a few times and will try my best to answer but I kinda want to make known that English isn't my first language and I can misunderstand some things, so please free to correct my mistakes!
And about first, yeah! It's extremely interesting that Sinclair has the role of Blue Knight, with hints of Bari being sort of prophet. Also even more connections with Blue team?(could he be a sleeping agent) It also interesting to me that out of all characters in this stories Bari is only human(or well Bloodfiends think she human) and it also an interesting thing to me that Sinclair got this role.
I keep thinking about karma getting to her for beating Sinclair, but to be honest, right now, I don't see it's happening. Don isn't distorting. She's actually more lucid than ever, so you can't bear her to senses? It could be an opposite where they will try to beat her and put Rocinante, but I feel like it would be narratively wrong? She needs to wake up.
However, I still think that Sinclair will make an important and difficult decision. I just think that maybe it will be a canto in which they start to think that beating people while they experience psychological breakdown until they get a breakthrough isn't the best idea. But it's too much hope, I think.
For the second point with the deal, well... I do see a point, and it makes sense, but I have trouble with accepting it. Gut feeling or something else.
About Mambrino helm, actually, I kinda think Don Quixote is wearing it right now. At least this thing looks a lot like golden helm. I'm not sure what it's doing through.
About Don Quxote being stabbed with Bough, I think it helps to keep him alive and maybe even empowers, but as we know, Sanson also somehow has access to its power?
It actually could mean that he isn't Higher Kindred, but just a Bloodfiend thar got power from it. Sinners thought that his abilities to force them into plays are Bloodfiends one, but what if they aren't?
Thank you for the information about stars! I didn't even notice it tbh.
And yeah, Sancho is... not happy( but I am)
And Thursday is just five days away.
I unfortunately will have classes so will he late to a party...
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the-wip-project · 1 year ago
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SloMo WriNo: Failure Proofing Your Goals
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A Novel in one year.
So, what are the numbers for that?
If you’re so inclined, you’ve probably already done the math, and come up with some numbers for yourself.
Numbers like projected length of novel (I’m going to use 80k for this, but don’t get married to that, once you get into it the work with find it’s own length) and how many words a day you would need to write to hit that goal. (220)
That’s all very nice, but the problem with word count goals, is that you can create a situation where your writing becomes a pass/fail situation.
A situation where if you perceive yourself as failing (did I meet my word count goal this week? No? I AM A FAILURE!), and the pressure rises, it starts to feel safer to simply quit, rather than face repeated failures.
I’m against that sort of thing. (The quitting and also the negative self talk.)
So how does one measure progress without creating that sort of situation? How can you win the psychology game of getting words on the page?
Of course everyone is different. But here’s two methods (tricks? hacks?) that work for me at various times.
Low Goal, High Results. (The Min-Max zone)
The idea with this is to set a daily, or per session word count goal that feels too easy.
By now I hope you’ve figured out a good time and place to write. So go there, at that time, and do a timed 15 minute sprint. However many words you got, halve it. Repeat this exercise a few times to make sure you’ve got a good average.
Unless you’re a power writer, you will most likely end up with a number that is below that 220 we mathed out earlier, DON’T PANIC. In fact, for this example lets say that you managed to write an average of 200 words in your 15 minute sessions. Which means that your daily goal is now 100 words.
Of course with that number, even if you write every single day for a year that will only give you 36 500 words. Not a novel. Barely a novella!
The point here is not to write only 100 words a day. It’s making the daily task of writing feel easy and approachable. Not scary. If you know you only need to write 100 words, and you know you can get that done easily in less than 15 minutes, then why not do it? And once you’re writing, writing a little more generally happens easily enough. If getting started is the hard part, this should really help.
It’s a common psychological trick. But it’s common for a reason. It works!
Once you’ve set your (very easy) minimum goal, I also encourage you to set a maximum daily goal too. Especially if you’re the type of person who tends to go on 10k writing binges and then not write again for two months. Set your maximum at what you can comfortably write in 1.5-2 hours. So let’s say that’s 1000 words. Meaning your goal is to write 100-1000 words every time you sit down to write, and consider everything, from barely getting 102 to maxing out at 1002 an awesome, winning, writing day.
What does that look like? On a bad day, a day you don’t fee like writing at all, it means you tell yourself that all you need to do is write for ten minutes. Just get down 100 words (or whatever your minimum goal is.) And then if you haven’t found your mojo, you stop. No guilt or regret. You’ve met your goal, even though you’re having a bad day. You’re doing awesome!
On a power day, when you feel almost possessed by the muses, it means that when your timer beeps, or you see that number on the bottom of the screen hit 1000 (or whatever your number is), you make yourself stop. Yes. Stop mid flow. (It’s painful, I know! But please try!) Why stop? Because you’re learning how to have a healthy long term writing habit.
Write yourself some notes, and come at it fresh tomorrow. The goal is teach yourself that your creativity isn’t actually a unreliable muse. You are not subject to it’s whim. With time and practice your creativity will be there whenever you reach for it.
This is the method that I use most of the time, and I strongly recommend you give it a decent try (6 weeks at least.)
However perhaps you’re really just convinced that particular kind of psychological trickery just won’t work for you, or perhaps you’ve tried it in the past without success. Maybe it creates the opposite effect for you, and you find daily writing skippable because the minimum goal feels so low that you think you can make it up later (you won’t, but ahem, brains are weird.) So here is an alternative method that is also quite effective.
2. Higher Goals to Plan For Misses
Instead of setting your goal ridiculously low, you can try setting it high enough that you can miss writing days while still staying on track.
This will only work if you’ve been able to carve out a larger chunk of time for daily writing, thirty minutes to an hour.
So, lets run the example numbers. Using the 80k novel template, we already know that it would take 220 words a day if you write every single day, and never delete anything.
Writing every day is almost impossible, so you’re setting yourself up to fail if you set 220 as your goal.
So instead you plan for writing 6 days a week. Perhaps you intend to take Mondays off. They suck and you know you usually don’t feel like writing then anyway. Awesome. Let’s make that our schedule. Writing 312 days a year means a daily target of 257 words.
But still, that leaves no margin for error. No time for bad days, illness, that one scene you have to cut because it wasn’t working, etc.
So we double it. Your goal, with a plan of writing 6 days a week, is 500 words a day. And also (and this is the important bit) 2000 words a week.
Wait! That’s 4 days, not 6! Yes. That’s the point. It allows room for misses. To allow you to fail without failing. For days when you can’t reach 500, for days when you don’t have time (and with a larger daily goal like this, that’s a lot more possible.) For days when you just can’t.
Of course if you can only count on writing 5 days a week, or 4, or whatever your life situation calls for, adjust your goals accordingly. Always keep your goal word count about 1/3 higher than needed, to give yourself that cushion. If the numbers gets too large to manage, then it’s time to change the long term goal.
Yes. Really. Change it. Setting a goal that you’re bound to fail at is not going to help you.
Perhaps it’s more feasible for you personally to write your novel in 18 months, or two years. As always, your health is more important than an arbitrary time line, and you’ll still be awesome if you write your novel a little slower.
But what if both of those methods still stress you out, or if focusing on the numbers like that kills your joy?
Here’s a bonus method, that I personally use when things get to be a real struggle.
3. Gold Stars
This is for the times when the thought of tracking word count is just one step too many, and becomes an obstacle for writing at all. However when you abandon tracking completely, it’s often a way to abandon writing too.
So having some sort of way to confirm that yes, you’ve written for the day still helps, whether that’s putting a gold star, or an X on a calendar (you can find printable month/page calendars online for free, or you can buy those little book calendars very cheap), creating an art or craft piece (one time I wrote an entire novel assisted by a scarf where I only got to crochet a row after I’d written for the day), or whatever other way you can think of to mark that you wrote. Having a way to look back at your week or month and confirm that yes, you’ve written most days, is often enough keep you honest (with yourself.) As long as it’s something that feels like a reward and not additional work.
So there you have it. 3 methods for setting word count goals and tracking what you’re accomplishing.
Let me know what you’re going to try, or what sort of tricks work for you! (and feel free to ask me for help figuring out how to apply this in your own life.)
—Maree
Subscribe to my substack to make sure you don't miss a post, chat with me on the WIP Project discord, and tag any posts you make about the challenge with #slomowrino if you want me to see them!
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isadollie · 11 months ago
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Hi! I hope all is well with you~ I was wondering if I could request and have a match-up with a Mystic Messenger and Obey Me character. Please take your time doing mine if you have got a lot on your plate~ >//<
✿⁠) Your name: Luna
✿⁠) Pronouns: She/Her
✿⁠) Sexuality: Straight
✿⁠) Would you like your match up to be a girl/boy or it doesn't matter?: Boy
✿⁠) Likes: Reading books, plushies, docile cats, having out-of-nowhere insightful and meaningful conversations, squishmallows (I cannot sleep comfortably without hugging one), amusement parks, color pink, jewelries (especially pearls), tea, simulation, games (otome, RPG, and MOBA for e-games, while chess, monopoly, poker, mahjong, jenga, and sudoku for tabletop games), smell of new newspapers and books, umami foods, and wrapping myself in a warm and thick blanket like a burrito (since I have a terrible cold intolerance).
✿⁠) Dislikes: Any foods that tastes too much (e.g. sour, spicy, bitter, etc), dirty environments, tardiness, unnecessary disturbances, nosy, pigheaded, and close-minded individuals, disrespect, getting in trouble, and people who jeopardize group activities through their laziness.
✿⁠) Free time: Simply stay home~ Then, read books, listen to music, play games, surf the internet, eat some foods, and sleep.
✿⁠) An aesthetic you like: Coquette
✿⁠) Appearance: Average-looking with a soft and gentle aura, short height, and wearing a rose-gold eyeglasses since I have a poor eyesight. I have a mole on my right cheek, straight, black hair with bangs, and brown eyes. As for my style, it depends on the occasion. In school and formal events, smart casual (top, pants, heels, and pearl earrings + watch). In get-togethers, I like wearing dress or skirts, heels, jewelries, and hair accessories. My usual color palette are any light/pastel colors for the latter, then for the former, another light/pastel color that I pair up with something darker.
✿⁠) Personality: I am a routine-oriented homebody who enjoys being around familiar people and places and staying in my cozy private space to do my own thing. When it comes to the group setting, I usually take leadership or any important role because I like being included and involved in central planning, inasmuch as I prefer being one of the planners rather than a follower or solely the recipient of that plan. I am conscientious about my goals and responsibilities and have perfectionist tendencies. Because of that, I may appear to be a highly career-oriented individual who does not know how to have fun, but trust me, I am also a lowkey idler and procrastinator. In addition, I am reserved with individuals I do not know too well or vibe with but easy-going, bubbly, expressive, affectionate, and humorous with my friends. I like talking about my insights, ideas, and hobbies, and I feel alone sometimes because I have no one to talk to about it. I am a go-with-the-flow person, never a risk-taker, and tend to conform to the rules unless it does not align with my values and principles. I am also not very noble that I would stake my life for someone else nor forgiving that I would just sit by and allow someone to trample and treat me like a doormat. Lastly, as for my friends' image of me, I always hear I am like My Melody in terms of my outward vibes but with a knife due to my personality.
✿⁠) Dream birthday present: I am not very much into materialistic items, BUT if it is something that I want, then thank you very much, loml đŸ„° Anyhow, I prefer if someone will spend their time with me without an interruption for the whole day just doing random things that we love or would like to try.
✿⁠) Love language: Physical touch because I like cuddles, being hugged (like that big hug where I can bury myself on their chest or neck), and hugging people while caressing their hair, words of affirmation when I am comfortable telling what is on my mind, and quality time because once they enter my private space, I feel like I will absolutely love doing almost everything with them, even the simplest and most mundane things. Acts of service is a plus, too, since I am kind of clumsy, careless with my actions, and forgetful.
✿⁠) Zodiac sign: Libra (Sun), Virgo (Moon), Capricorn (Rising)
✿⁠) Favorite songs: Flowers, Flutter, Your Heart by Kep1er, Courage of Kindness by UmYull, Baby Can You Stay by WNRDA, Lily of the Valley by Daniel, and Peach Eyes by Wave to Earth (actually, I just love all their songs đŸ«¶đŸŒ).
Thank you so much in advance!! ♡
— matchup —
if you'd want a matchup too, make sure to read this! link
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i match you with...
Jumin Han!
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★ certified cat lover, can you blame me for choosing him?
★ honestly i think he'd love coquette aesthetic so so much! soft colors, especially light pink would be his favourite in your outfits, and he'll compliment you a looot
★ gets you new jewelry (jewellery?? how do you spell that somebody help me) all the time, and doesn't listen to you when you say you already have a lot of it. it's never too much in his opinion
★ physical touch is sooo his thing! stroke his hair and he'll be over the moon! assistant kang, call later, cause your boss is busy receiving his cuddles rn. (and planning a brand new cat business)
★ he would really appreciate the fact that you don't care about materialistic items too much. it makes him trust you, knowing that you care about him, and not his money. would still spoil you though
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i match you with...
Asmodeus!
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★ you like the color pink? well here you have the absolute king of pink! he'll love to paint your nails pink, if you'd allow it. even bought twelve different shades of pink nail polish, just for you!
★ he'd also hate dirty environments for sure, you can't change my mind about it, as well as closed-minded people; he'd often complain about those things, knowing you'll understand him
★ you getting cold easily would be so adorable for him! he'd love to hold you so that you're warm, and get you more and more cute blankets to use!
★ he would find squishmallows super cute, would definitely get some for both you and him! (maybe the same ones??)
★ he loves to listen to you talking about your interests, seeing the spark in your eyes as you mention something you're into makes him very happy:3
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hello, here is your matchup:) i hope you like it!<3 thank you for requesting, have a nice day!
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sugrrcoated · 1 year ago
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you can find me on my dash-only sideblog @hcneycoated.
this blog is only being used for reblogging resource purposes. i am not looking for any new discord writing partners at the moment, xo.
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faceclaims ♡ wanted opposites ♡ most wanted ♡ wanted plots ♡ desires ♡ sideblog
i only write with those above the age of 21 considering the nature of my blog. all faceclaims must be above the age of 21, and all muses at least the age of 18. this is non-negotiable.
i currently only write females, but I am open to writing against any combination of genders from male, female, nonbinary, and anywhere in between. please do not feel pressured to only write males against me, i have ZERO preference, and i simply enjoy writing, and exploring different dynamics. all of my muses are bi / pansexual in some capacity unless stated otherwise.
my muse list is under construction, but most of the time i prefer to make new muses up to suit plots. an organized list is in the works as muses are formed.
i have a kink list available and will send it on discord when we go to discuss, please have at least your limits ready so we can discuss our comfort levels beforehand.
please do not god mod, it's as simple as that - I WILL stop responding. this also goes for plotting - i am all for collaborating and making it work together, but if you steamroll & dismiss every idea i have, don't expect me to want to keep contributing. i am very easy going and flexible, please do not take my kindness as weakness. i tend to match energy, and vibes, so let's keep things fun.
i love options, whether it's rapid back and forth, to long, in-depth responses. i love to plot, but am also fine jumping in and seeing how it goes. basically, i am flexible and will go at your flow / pace. i am always open to multiple threads & ships with my writing partners, but i prefer to start with one or two, and go from there as we see fit.
i will use gifs if you'd like, but am fine without them. i prefer to use tupperbox, but can go without it if that's not your thing.
my activity will fluctuate, sometimes i never shut up, and other times i can go weeks without being online / available. i work full-time and try to keep my social life active, please do not pressure me for replies, but if you come to me in a friendly manner to check in, i will always update you asap.
while i am not super picky with the faceclaims i write against, i can be picky with the ones I USE. i try not to be problematic but if i am not vibing with the fc i choose, my muse will die really fast. please always feel comfortable suggesting fcs, but respect if i'm not feeling the suggestion, and we can try to come up with someone we both agree on. i have a future faceclaim tag you can check out, and a list on hand that i'm constantly adding to, i can send any time at your request.
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mareebrittenford · 1 year ago
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SloMo WriNo: Failure Proofing Your Goals
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A Novel in one year.
So, what are the numbers for that?
If you’re so inclined, you’ve probably already done the math, and come up with some numbers for yourself.
Numbers like projected length of novel (I’m going to use 80k for this, but don’t get married to that, once you get into it the work with find it’s own length) and how many words a day you would need to write to hit that goal. (220)
That’s all very nice, but the problem with word count goals, is that you can create a situation where your writing becomes a pass/fail situation.
A situation where if you perceive yourself as failing (did I meet my word count goal this week? No? I AM A FAILURE!) and the pressure rises, it starts to feel safer to simply quit, rather than face repeated failures.
I’m against that sort of thing. (The quitting and also the negative self talk.)
So how does one measure progress without creating that sort of situation? How can you win the psychology game of getting words on the page?
Of course everyone is different. But here’s two methods (tricks? hacks?) that work for me at various times.
Low Goal, High Results. (The Min-Max zone)
The idea with this is to set a daily, or per session word count goal that feels too easy.
By now I hope you’ve figured out a good time and place to write. So go there, at that time, and do a timed 15 minute sprint. However many words you got, halve it. Repeat this exercise a few times to make sure you’ve got a good average.
Unless you’re a power writer, you will most likely end up with a number that is below that 220 we mathed out earlier, DON’T PANIC. In fact, for this example lets say that you managed to write an average of 200 words in your 15 minute sessions. Which means that your daily goal is now 100 words.
Of course with that number, even if you write every single day for a year that will only give you 36 500 words. Not a novel. Barely a novella!
The point here is not to write only 100 words a day. It’s making the daily task of writing feel easy and approachable. Not scary. If you know you only need to write 100 words, and you know you can get that done easily in less than 15 minutes, then why not do it? And once you’re writing, writing a little more generally happens easily enough. If getting started is the hard part, this should really help.
It’s a common psychological trick. But it’s common for a reason. It works!
Once you’ve set your (very easy) minimum goal, I also encourage you to set a maximum daily goal too. Especially if you’re the type of person who tends to go on 10k writing binges and then not write again for two months. Set your maximum at what you can comfortably write in 1.5-2 hours. So let’s say that’s 1000 words. Meaning your goal is to write 100-1000 words every time you sit down to write, and consider everything, from barely getting 102 to maxing out at 1002 an awesome, winning, writing day.
What does that look like? On a bad day, a day you don’t fee like writing at all, it means you tell yourself that all you need to do is write for ten minutes. Just get down 100 words (or whatever your minimum goal is.) And then if you haven’t found your mojo, you stop. No guilt or regret. You’ve met your goal, even though you’re having a bad day. You’re doing awesome!
On a power day, when you feel almost possessed by the muses, it means that when your timer beeps, or you see that number on the bottom of the screen hit 1000 (or whatever your number is), you make yourself stop. Yes. Stop mid flow. (It’s painful, I know! But please try!) Why stop? Because you’re learning how to have a healthy long term writing habit.
Write yourself some notes, and come at it fresh tomorrow. The goal is teach yourself that your creativity isn’t actually a unreliable muse. You are not subject to it’s whim. With time and practice your creativity will be there whenever you reach for it.
This is the method that I use most of the time, and I strongly recommend you give it a decent try (6 weeks at least.)
However perhaps you’re really just convinced that particular kind of psychological trickery just won’t work for you, or perhaps you’ve tried it in the past without success. Maybe it creates the opposite effect for you, and you find daily writing skippable because the minimum goal feels so low that you think you can make it up later (you won’t, but ahem, brains are weird.) So here is an alternative method that is also quite effective.
Higher Goals to Plan For Misses
Instead of setting your goal ridiculously low, you can try setting it high enough that you can miss writing days while still staying on track.
This will only work if you’ve been able to carve out a larger chunk of time for daily writing, thirty minutes to an hour.
So, lets run the example numbers. Using the 80k novel template, we already know that it would take 220 words a day if you write every single day, and never delete anything.
Writing every day is almost impossible, so you’re setting yourself up to fail if you set 220 as your goal.
So instead you plan for writing 6 days a week. Perhaps you intend to take Mondays off. They suck and you know you usually don’t feel like writing then anyway. Awesome. Let’s make that our schedule. Writing 312 days a year means a daily target of 257 words.
But still, that leaves no margin for error. No time for bad days, illness, that one scene you have to cut because it wasn’t working, etc.
So we double it. Your goal, with a plan of writing 6 days a week, is 500 words a day. And also (and this is the important bit) 2000 words a week.
Wait! That’s 4 days, not 6! Yes. That’s the point. It allows room for misses. To allow you to fail without failing. For days when you can’t reach 500, for days when you don’t have time (and with a larger daily goal like this, that’s a lot more possible.) For days when you just can’t.
Of course if you can only count on writing 5 days a week, or 4, or whatever your life situation calls for, adjust your goals accordingly. Always keep your goal word count about 1/3 higher than needed, to give yourself that cushion. If the numbers gets too large to manage, then it’s time to change the long term goal.
Yes. Really. Change it. Setting a goal that you’re bound to fail at is not going to help you.
Perhaps it’s more feasible for you personally to write your novel in 18 months, or two years. As always, your health is more important than an arbitrary time line, and you’ll still be awesome if you write your novel a little slower.
But what if both of those methods still stress you out, or if focusing on the numbers like that kills your joy?
Here’s a bonus method, that I personally use when things get to be a real struggle.
Gold Stars
This is for the times when the thought of tracking word count is just one step too many, and becomes an obstacle for writing at all. However when you abandon tracking completely, it’s often a way to abandon writing too.
So having some sort of way to confirm that yes, you’ve written for the day still helps, whether that’s putting a gold star, or an X on a calendar (you can find printable month/page calendars online for free, or you can buy those little book calendars very cheap), creating an art or craft piece (one time I wrote an entire novel assisted by a scarf where I only got to crochet a row after I’d written for the day), or whatever other way you can think of to mark that you wrote. Having a way to look back at your week or month and confirm that yes, you’ve written most days, is often enough keep you honest (with yourself.) As long as it’s something that feels like a reward and not additional work.
So there you have it. 3 methods for setting word count goals and tracking what you’re accomplishing.
Let me know what you’re going to try, or what sort of tricks work for you!
—Maree
Subscribe to my substack to make sure you don't miss a post, chat with me on the WIP Project discord, and tag any posts you make about the challenge with #slomowrino if you want me to see them!
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mysteriawrites · 2 years ago
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We interrupt your regularly scheduled program for............
A MATCHUP TRADE WITH @crystillyzed​ !!!!!!!!!!!(Yay :D)
Hi Hi thx for doing this with me this is so fun! Let’s get to the matchup...DRUMROLL PLEASE!!!
đŸ„đŸ„đŸ„đŸ„đŸ„đŸ„đŸ„đŸ„đŸ„đŸ„đŸ„đŸ„đŸ„đŸ„đŸ„đŸ„đŸ„
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MYSTA RIAS!!!
Based on your description (and after going through all 32 members of Nijien...) Mysta was the one who stuck out to me the most as being best suited for you.
I feel like Mysta is the right level of goofy/unhinged and calm/rational which helps balance you both out. You both are also pretty similar in personality, so it makes it easier for you guys to relate and understand each other.
I think since you both can be shy and uncomfortable around new people you guys would’ve had to have met through circumstance or coincidence. When you joined Niji with your genmates as the newest wave, you guys mainly talked over twitter and/or discord. You guys found you have similar interests in games and memes, so it was easier for you guys to get closer quickly.
He helps you a lot in the early stages. He may not be able to help you with mixing for your covers like Ike or art for thumbnails and videos like Petra (although you do most of the art yourself anyway), but despite what he believes he’s great at giving realistic down to earth advice. He tells you how best to survive in the industry and how to not let the voices of others tear you down. He believed in you, and that’s what made you fall for him.
You and Mysta are a case of you falling first but him falling harder. He’s so happy to finally have someone around who understands his jokes and his thought processes, as well as won’t laugh at him for saying such strange things or getting things wrong. Once you’ve been in Niji for a few months, you and Mysta decide to do a collab (the game you guys play is up to you use your imagination).
You guys have so much fun laughing, bantering, and maybe screaming together. Mysta has never had this much fun with anyone before, not even the other Luxiem members. That’s when he knows that he has got a thing for you.
Now Mysta is pretty shy and introverted at times, but he is also pretty straightforward. He would confess his feelings to you just to get it off his chest and because he feels you have the right to know even if you don’t reciprocate. Thankfully you do though or else he probably would’ve beaten himself up about it in private (he is an insecure baby who needs love plz).
You guys tend to have your dates at home playing video games or somewhere quiet like the movies or an aquarium. You guys like to laugh and goof off together like you’re in your own little world. Mysta is the type to be really hard on himself, especially when it comes to streaming, and has a tendancy to overthink, but you help him get out of his funk and be more confident in himself and to just go with the flow sometimes.
Although Mysta can seem unhinged and like a bit of an airhead he is the more responsible one of the two of you so he helps (slightly) curve your impulsive side, but he will indulge you sometimes. You two are also the type of couple to send the most cursed shit at 3 am. As your careers grow Mysta sometimes asks if you’ll help him with things like thumbnail art and sometimes you guys will do karaoke collab streams (you both feel very cringe but at least you’re having fun). You two also like to go on tangent rants a lot that can sometimes turn into full blown screaming matches, but sometimes they end in making out who knows.
Overall, you two have a very goofy relationship filled with laughs and memes, but you know how to be serious when necessary. You know that one of the most important parts of a relationship is communication and motivating each other to do your best while also remembering to take it easy once in a while. You two make a wonderful yin and yang (although please teach him how to cook unless you want food poisoning, and if you both can’t cook than good luck trying not to burn the house down.
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Hey, hope you liked the matchup this was so much fun.
Runners Up: Ren Zotto, Sonny Brisko, Enna Alouette
Disclaimer for anyone else reading this: all of my nijien writing and fics are fictional and don’t pertain at all to the streamers behind the model. Please respect them and others in the community thank you.
And now back to your regularly scheduled programming!!!
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insxmonium · 1 year ago
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Mun Communication Preferences based meme
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🏠 Do you prefer to RP within just one fandom, or more? Which verses of yours are more, or less compatible with others?
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i have many fandoms!! i haven't had a chance to really go much outside of the FFVII one but i love crossovers, would love to do a hyrule one, or maybe Hades based!
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đŸ—ș How open are you to meeting new people? Do you like your muses being mentioned IC? To just anyone, or only fandoms/friends that you know?
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i am v friendly and i'm always open to making a new friend!! i do like my muses being mentioned but if i don't know you i can be a lil bit shy. i tend to appreciate it more with a friend tho.
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đŸȘ€ How do OOC posts make you feel? Do they affect your IC writing or flow, to know other muns better?
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i like ooc posts esp if they let me know whether or not i'm doing a good job! it really helps me to know that my RP partners are having fun and that i'm doing well, it doesn't always affect what i'm doing, unless the mun is plotting with me and wants it to go a direction. i like getting to know muns too!
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🐣 Is there anything you're new at, just now learning, or practicing when it comes to RP?
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oh boy it's defs with tumblr here and how everything works. i'm pretty new to it and i can have a hard time figuring out formats; but luckily everyone here has been really nice and patient with me!!
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💡Do you get ideas from reading meta/headcanons/bios, or do those only pop up as you write?
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i have so many headcanons i could write a novella lmaooo i have too much free time at work sometimes when i'm all caught up and scribble down ideas
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💌 Have you ever hit it off with a mun right away? What were they like? How fast do you think it takes to warm up to new people?
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i have!! i've wound up in a relationship with a couple of them long term and honestly they're amazing been the best things in my life for me. they were so sweet and adorable IC and OOC and i felt like i'd known them for ages even tho we just met. they were easy to fall in love with, even before we were actively shipping, it was just all clicking into place. i think it only took three days to admit we liked each other lmaoooo and now we're living together after 4 yrs and it's great. i got two hands and two arms and i try to keep my heart and mind open to new experiences and ppl. it was really similar to my other long term partner in terms of how we got along and now we are all v happy together!!
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💋 Are you silly ooc? Casual? Chatty? Do you prefer or enjoy things like small talk, when not rping?
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i'm very silly my memes are powerful, i'm casual, chatty and enjoy getting to know the mun even if we aren't writing!! i always welcome DMs for plotting or otherwise bc i really value the ppl around me
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đŸ©” Do you have any apparent flaws when it comes to RPing/interacting? Be gentle with yourself!
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i have a hard time DM'ing or reaching out sometimes, it can take me days to get up the courage, and then i get anxiety that maybe i come off too friendly. i always want to join in on the fun with prompts but i get nervous that it's unwanted even if it's open replies... i can also get really really wordy when writing bc i have a constant flow of thought or consciousness going on ahahaha i sometimes also can not read a room even tho i try and text is hard i'm not good at subtext so sometimes nuance is lost on me with muns or i'm not able to tell that they're upset about something unless they tell me they are. i try to be as open and considerate as possible!! but i'm not a mind reader. :(( i also sometimes ask questions directly without understanding sometimes it's being read a very diff way than how I meant it. so please tell me if you want some clarification!! i don't get offended at all if somebody asks me questions, wants to know my feelings, wants to communicate their feelings or needs somebody to listen to them. i welcome venting and reaching out if you're having a tough time even if we aren't writing together
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đŸ‘Ÿ Is knowing a fandom more comfortable when RPing, or do you prefer knowing muns? (Overall.) Do you try new things, or get into new fandoms?
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i like to write in fandoms i'm familiar with to a degree, or at least understand the world and how it functions, but i don't mind trying out new stuff or getting into new things if it fits with my likes and aesthetics I really like fantasy and magic and things with great drama including horror
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✹ Are you easily intimidated by muns or muses that you admire?
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yes omg yes and i will sit and admire and think somebody is v cool from a distance for forever and worry about coming off wrong but wanting to reach out and augh some of you are so absurdly talented
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❀ How does the love in your heart affect how you RP? Any other notable emotions? đŸȘœ In what way is tumblr better than real life for you? Different from your personal dash, if you have one?
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i am a naturally loving and kind person, it can make me very understanding and compassionate for what others are experiencing and going through. i am also considerate and try to make sure everyone is comfortable and having fun even if i can get a bit rambly. i have ASD and sometimes that can be hard for me bc i have a hard time reading others, so i ask a lot of questions, but it's because i care a lot about how the people in my life are doing. even if we're not writing. it's easier to type things to ppl than verbally speak them because my thoughts can get all jumbled IRL i don't have a personal dash i'm just here to write
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đŸ§€ Name the last need that you Had to take care of before rping!! Anything that made you leave dash, or before turning on the computer, etc.!
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i had to spring clean my apartment and i wanted to die bc i stepped on a piece of glass and it was the worst while i was doing dishes :((( but now i'm good
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🟱 Do You like to tell people when you're online? Why or Why not? đŸȘȘ What's consistent between RP life and not? Anything about you bleed into your writing?
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i don't tell ppl i'm online but i work from home so i can kinda always be online tbh i try not to bother them tho if i think they're busy or got other things to do. i'm a little bit of an anxious person sometimes when it comes to trying to DM ppl but i really do try my best i think what's been consistent for me is having a rough time relating to other ppl who share my special interests (thank you ASD for nothing) and that i can sometimes talk about things no one but me cares about for a minute. i have a lot of personality traits and things in common with Cloud that i'm not always proud of, but i'm working on, and i work real hard to tame every day and in therapy bc i believe in trying to become my best self. i think all of us put a degree of ourselves into our muses and that can make us really amazing at portraying them. i try to do it justice using my own personal experiences and trying to think about how they made me feel, so maybe it bleeds into it a little bit, but that's because i want to make sure i'm doing the best possible job i can at writing out the thoughts and feelings of what i'm trying to convey
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🔩 Connect the dots between you and your muse. Ways that you're the same, different, last time you thought about them, etc.
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we both struggle with autism, communication, anxiety and get kinda depressed a lot but we mask extremely well and tend to try to resolve it on our own. it's understood i think that our problems are our own and that we can't make others responsible for us or how we should go about processing things we need to. i can be a little aloof, sometimes quiet, but i am a lot funnier hehe with a broad spectrum of interests and things i like to do!! i'm a better cook, for instance, and i like learning about history, politics, philosophy, world histories, and mental health. i love musicals and poetry and high fantasy things!! i don't really like or watch much anime, but there's a couple of series i like, but i'm all about gaming and RPGs!! i thought a lot about him today bc i'm writing such a good romance between myself and a Tifa and it is melting me. we were talking about the mental illness that both of them deal with and how they process it together and it's been so sweet aaaa i also was thinking about one of my Aeriths and how the dynamic is different but both are so valid and i love how i'm writing two diff stories in tandem and it's the best
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🎀 What's the last nice thing you saw pertaining to rp?
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just so much good writing and interactions on my dash!! even if they're not mutuals i've been enjoying reading their stories and it's refreshing to see everyone be so into it without the drama. Twitter is a hellhole i am glad that i left holy moly i don't notice much fighting over ships over here and instead everyone is having fun, even with OCs, or not in my verse; and it's so nice to watch
Mun Communication Preferences based meme
🏠 Do you prefer to RP within just one fandom, or more? Which verses of yours are more, or less compatible with others? đŸ—ș How open are you to meeting new people? Do you like your muses being mentioned IC? To just anyone, or only fandoms/friends that you know? đŸȘ€ How do OOC posts make you feel? Do they affect your IC writing or flow, to know other muns better? 🐣 Is there anything you're new at, just now learning, or practicing when it comes to RP? 💡Do you get ideas from reading meta/headcanons/bios, or do those only pop up as you write? 💌 Have you ever hit it off with a mun right away? What were they like? How fast do you think it takes to warm up to new people? 💋 Are you silly ooc? Casual? Chatty? Do you prefer or enjoy things like small talk, when not rping? đŸ©” Do you have any apparent flaws when it comes to RPing/interacting? Be gentle with yourself! đŸ‘Ÿ Is knowing a fandom more comfortable when RPing, or do you prefer knowing muns? (Overall.) Do you try new things, or get into new fandoms? ✹ Are you easily intimidated by muns or muses that you admire? ❀ How does the love in your heart affect how you RP? Any other notable emotions? đŸȘœ In what way is tumblr better than real life for you? Different from your personal dash, if you have one? đŸ§€ Name the last need that you Had to take care of before rping!! Anything that made you leave dash, or before turning on the computer, etc.! 🟱 Do You like to tell people when you're online? Why or Why not? đŸȘȘ What's consistent between RP life and not? Anything about you bleed into your writing? 🔩 Connect the dots between you and your muse. Ways that you're the same, different, last time you thought about them, etc. 🎀 What's the last nice thing you saw pertaining to rp?
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akuma-homura · 4 years ago
Text
I didn’t realize there was apparently animosity between higurashi only people and umineko people--
Perhaps, I should never mention I’m a fake fan on a public platform*.
*the joke being this is a public platform and I am outright posting this on my public personal tumblr account
#[ ;text ]#ie. i've only read like the first couple eps of Umineko and never actually finished it#but I spoiled myself for a good chunk of it. especially w bern and lambda#but i don't know everything obviously#that being said its ideas and themes and meta-stuff and music have stuck with me for about a decade#and influenced a lot of what I do creative-wise hgfdsfghj#that being said. I actually watched all of Higurashi even if Kai's disappeared from my memory the most#I was very very very into Higurashi as a kid even if it freaked me the fuck out at first#loved the music. was completely enticed by the story and characters. thrilled by the looping mechanism.#I'm... slowly trying to read the VN but I'm not even through to the spiralling down of Onikakushi hgfghj#both are very important to me. even if I don't know everything. and even if I technically t haven't properly experienced Umineko#shruggy shrugs#my way of consuming media is very casual anyway#and I feel like my Homestuck past also influences it to a degree... what with the recent dubious canonicity stuff#like I guess even if it isn't CONFIRMED and all in my head I'm still considering the OG 'separate' and Gou kind of its own thing now#maybe similar to how like the pmmm writers said the anime was its own thing and the movies leading to Rebellion is another or something#that beings said. I personally also am not upset considering Gou an actual continuation to the Rika we knew in the OG either.#but I am also very easy to please and very go with the flow unless it's something really really really-- ...idek a word to put here.#shrugs a lot
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toxicanonymity · 2 years ago
Note
is there anything u wont write about?
Great Q, thank you for asking and I'm kinda figuring that out as I go.
I may not respond to all asks or I may be slow to respond but it doesn't mean I don't like your idea. Please think of it as more of a suggestion because I can't do them all - i wish I could 😞 I may not do it and if I do, it could take forever or be soon. There are many factors. But I promise i still took a moment to appreciate the fact that you would ask me. It means a lot. 💕 What I AM into
NO GO LIST for requests âŹ‡ïž
(very unlikely to write upon request for various reasons)
Fluff, Emotional hurt/comfort
Slashers in relationships, Michael Myers talking, Michael unmasked, fluffy pre-slash Corey
Threesomes, group sex. They're just too time consuming :(
Animal hurt/death
Long fics / elaborate ideas with lots of plot or details. I have to get in a natural flow and rarely even use an outline of my own lol.
Specific reader qualities (like body type or fem/masc).
Giving a joel a specific fetish or revolving a whole character around a fetish. (adding this bc high volume and I do a small % of them)
Period sex because to me it's no different from regular sex.
Songs, unless I happen to already know it and be into it.
Niche stuff that doesn't strike my fancy or that I don't know much about.
Characters I don't have interest in, ability, etc
Characters (or their actors) that feel too young for me to write. I'm in my 30s (i saw MCR live in 2004).
Pedro himself (includes HCs/speculation) or other contemporary real people. I need to be able to get into a character's head and make it my own.
Pregnancy, babies, children
ABOUT
I wish I could do more of them, y'all have sooo many great asks.
It's not first come first serve. my writing approach is intuitive and i can't force it. I work on requests that fit what i'm in a good headspace to write. I also may prioritize based on ease; how hot it is to me; appeal to the rest of you; whether the fandom is oversaturated with it; whether i've already done something similar
You should read through my library before requesting to make sure you're okay with the type of stuff I post because I could take your request anywhere.
If I have requests that are similar OR that I think would work really well together (like make each other hotter), I might combine them so make sure you follow me in case yours is answered as part of another one.
I love that I get so many asks for my existing versions of chsracers / joelkémons, but if I do it, it's not always going to be the Joel you ask for.
Why I still welcome asks despite having more than I can do
A hot ask can come in at any moment that's such a good fit that I can jump right on it and bang it out. These may be "easy" or especially motivating for me personally. Examples: free use, movie night, Instagram (spawned stepdad!Joel), thighs out (bf's dad), Aches. . we wouldn't have any of those if I did asks first come first serve or had closed my inbox to catch up.
An ask may come in that gives me inspiration on an "old" one, and I can do them together. This happens regularly.
Some of the asks in my inbox are ones where I either haven't gotten inspired or haven't figured out how to do it without making it long w/ significant effort and sacrificing our ongoing stories.
I appreciate y’all being so supportive and trusting me in where to focus my effort. I strive to do ones I think y'all will like & that I can do well.
Did you get my request?
Where's my request?
Why don't you put more detail in everything?
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bluejayblueskies · 4 years ago
Note
For the Touches Ask Game, if you can, a little Jonmartin with Touching/9?
Thank you so much, I love your writing!!! 😭💕
touches prompt list
9 - holding hands across the table
i did a season two lunch dinner date fic! cw for mentions of paranoia/stalking and murder (in typical s2 fashion)
.
They’ve been having lunch together for two months when Martin asks, with enough stuttering that it takes Jon a moment to process his words, if Jon would like to get dinner with him.
Jon hesitates only briefly before agreeing. Between finding out about Martin’s CV and the newly delivered CCTV footage, he’s almost entirely convinced that Martin did not, in fact, murder Gertrude Robinson and that his various attempts to make sure Jon eats and sleeps and drinks tea are simply a result of Martin being
 well. Being nice, he supposes. If overbearingly so.
Why Martin feels the need to coddle Jon, he doesn’t quite know. But if he’s being honest with himself, he’s
 not complaining. His frequent skipping of meals often isn’t an intentional thing, born instead of his tendency to get so wrapped up in his work that hours fly by without him noticing, and while sometimes he’s irritated when his flow is interrupted by Martin’s cheery greeting, more often than not it’s
 a relief. To step out of the Archives, away from the feeling of eyes on the back of his neck, and pretend like he isn’t working alongside a murderer.
Maybe a murderer. He
 he doesn’t know. According to the CCTV footage, Tim and Sasha and Martin and Elias all have alibis. But he still can’t shake the feeling that he gets, sitting in his office or walking down the corridors or reading through statements, that something isn’t right.
That there’s something in the Archives that’s not supposed to be there.
So, it’s
 nice to get outside. And as much as Tim may joke about it—or
 used to joke about it, at least—Jon does, in fact, try to eat three square meals a day if he can remember to do so. Try being the operative word. He’s been
 caught up in work lately, and often he glances at the clock to see that it’s well past ten and he’s accidentally skipped dinner entirely. He hadn’t thought Martin had noticed, given that the man doesn’t live in the Archives anymore and typically leaves promptly at five along with Tim and Sasha, but evidently, he was wrong.
As Jon sits across the table from Martin at the small cafĂ© they’ve chosen for lunch, he has the fleeting thought that Martin’s been sneaking back and watching him work and that’s how he knows that Jon has been missing dinner. He lets himself feel it, takes a deep breath, and pushes it away with considerable effort. No, that’s not
 he trusts Martin. He does. Or he
 he wants to. He’s trying.
“Jon?”
“Hm?” Jon blinks up at Martin, who’s clearly waiting for a response. “Sorry, I-I didn’t catch that.”
Martin’s cheeks are dusted a rosy red. He fiddles nervously with the black ring on his finger—a bit thicker in width than Jon’s, the metal smooth and bright where it reflects the sunlight. “Is—is this Friday okay? At—at seven? I-I can, um, meet you at the Institute. U-Unless you’d like to meet there! That’s, er. That’s fine with me too.”
“The Institute is fine,” Jon says, picking at his sandwich with a frown. The bread is damp and squishes under his fingers. “Perhaps we can go somewhere a bit less
 soggy.”
“R-Right, yeah. I, um. I was actually thinking
 you know that new bistro o-over in Clapham? M-Maybe not, it’s, er. It’s new. But I-I heard it has good South Asian food, which, um. I know you like.”
Martin’s face is fully crimson by this point. Maybe we should sit inside next time, Jon thinks. Or at least in the shade. The sun is rather intense. Martin picks up his mug of tea and takes a long sip, staring resolutely down at the table once he’s done. Jon waits, but it appears that Martin is done rambling, so he says, “Yes, that sounds fine.” Then, because it’s polite (and not untrue): “I am
 looking forward to it.”
“O-Oh? Oh!” Martin looks at him, a wide smile spreading across his face. “Y-Yeah, um. M-Me too.”
We should definitely sit inside next time, Jon thinks as the back of his neck grows warm, the tips of his ears surely darkening. Good lord.
He doesn’t think the heat is responsible for the way Martin’s smile makes something in his stomach flutter. He decides to blame that on the atrocious sandwich because
 well. It’s as convenient an excuse as any.
Because Martin is just looking out for Jon’s wellbeing. This is no different than him bringing mugs of tea when Jon is recording statements or accompanying him to A&E to get stitches after Michael or inviting him to lunch in the first place. This is not, he tells his ridiculous, over-zealous, butterfly-filled stomach, a date.
Because it’s not. Martin is simply a coworker—an employee—and a friend. Who he trusts. Maybe. Probably. And thinks about sometimes when he’s unoccupied. His hands, mostly, which look very soft and very capable. His smiles as well, each one like a gift meant just for Jon. The way he carries the heavier boxes that Jon can’t quite manage and can reach the top shelves to retrieve statements without even having to clamber up onto the bottom ones.
All completely normal thoughts to be having about a friend
So, when Jon wears the soft maroon button-down on Friday that he’s been told brings out his eyes and takes care to arrange his hair into something other than the haphazard braid he’s been managing lately and digs a bottle of peach nail varnish out of the bottom of his drawer the night before to coat his fingernails with, it’s just because he feels like it. Not because this is a date. Because it’s not a date. It’s just dinner. With Martin.
Who shows up to the Institute at quarter to seven wearing a nicer jumper than usual—cable-knit and mustard yellow, looking incredibly soft to the touch—and with small black studs decorating the lobes of his ears. He smiles widely when he sees Jon, also standing outside earlier than agreed upon, and Jon almost turns around to see if someone’s behind him. But there isn’t. That smile, unfettered and full of joy—it’s
 it’s for him.
Surely, Martin is just
 happy to see him leaving the office while it’s still light out for once. He’s certainly chided Jon enough times for his habit of falling asleep at his desk. (Which he’s been trying to do less lately, if only because it would be easy for someone to sneak up on him while he’s unconscious and slip a knife into his back or poison his tea or shoot him three times in the chest or—)
“R-Ready to head out?” Martin says, abruptly halting Jon’s train of thought. He tries not to look like he’d just been theorizing about his own inevitable demise as he mumbles his assent and follows Martin away from the Institute and into the still-bustling streets of London.
And if he presses close to Martin’s side while they walk, well. It’s just because every brush of unfamiliar contact against him feels overwhelming, enough so to make him flinch away. And if he takes Martin’s hand for a small period of time, well. It’s just because the crowd has thickened and he doesn’t want them to get separated. And if he feels particularly warm in his jacket when Martin laughs awkwardly at his own joke and rubs at the back of his neck, well. That’s just from exertion. It is quite a far walk to the restaurant.
The bistro is lovely. Jon typically doesn’t go for places like this—tucked between two nondescript buildings with a glass front that reveals soft, intimate lighting within and flowers planted in boxes outside—but once they’re inside and seated at their table, it’s
 oddly charming. Jon shrugs out of his jacket, and even though it’s the same shirt he’s been wearing all day, Martin compliments him on it with a flush. The change from frigid winter air to the warmth of the bistro brings heat to Jon’s face as well, and he rolls up the cuffs of his sleeves to just below his elbows. Martin makes a choking sound, but when Jon looks up with a frown, he has his glass of water pressed to his lips.
“Sorry,” Martin says once he’s placed the glass back on the table. “Just, um. Uh. Tickle in my throat. A-Allergies, you know.”
Martin’s face pinches in what looks like a repressed wince, and Jon tries to be reassuring. After all, Martin is taking time out of his schedule to be here with Jon, and Jon doesn’t want to seem ungrateful. His grandmother taught him proper manners, and besides, he is
 rather glad to be here.
His commiseration about his own experiences with seasonal allergies turns into a mini-lecture on the species of pollen-producing plants in their area. He only realizes he’s doing it when the waiter comes by with a cheery smile and asks if they’re ready to order.
Jon’s mouth snaps shut mid-sentence. He has not even opened his menu.
“I. Um.” Jon is about to ask for more time—which he strongly dislikes doing, as he’s had the waiting staff forget more than once about his table and he’s had to go through the mortifying ordeal of hailing them down like a-a bloody taxi—when Martin tilts his own menu toward Jon and points to an item in the middle of the page.
“They have chicken karahi and naan. I, er. I heard it’s good if you’re
 interested.”
Jon blinks at the menu in surprise. “That
 sounds great, actually. Er, medium spice, please.”
Martin orders his own squash curry, and the waiter takes their menus when he departs, leaving the spot in front of Jon oddly empty. Jon taps his fingers on the newly barren tabletop a few times, trying and failing to remember where he’d left off in his lecture. Ultimately, he gives up, deciding that Martin isn’t going to be interested in hearing about all of that and he’s already said enough on the subject.
Then, Martin says, “So, you were saying—about the pollen?” and something in Jon’s chest squeezes, an emotion he doesn’t know the name of. Relief, maybe, as Martin’s words manage to spark his memory and he picks up his train of thought again easily enough. Yes, that’s
 that’s probably it.
The first few times they’d gone to lunch, Jon had made an effort to stop himself from rambling, as he was prone to do any time someone gave him the opportunity. He’d engrossed himself in his sandwiches and rice bowls and mediocre Chinese takeaway in order to keep from launching into an explanation of the origins of said folding takeaway containers or the documentary he’d watched recently about the Zhou dynasty. And the first few lunches had been
 awkward. It wasn’t because Jon thought Martin was a murderer—he doesn’t think he’d have agreed to go for lunch if he truly believed that Martin might harm him. It was just
 how things like this went when Jon was involved. He knows he struggles with casual conversation, and he’s never understood the purpose or execution of ‘small talk.’ He would be perfectly content to eat and exist in silence, except all too often he feels expected to provide some sort of conversation or entertainment, upon which point the silence becomes horribly oppressive and stress-inducing.
But he also knows that talking too much can be just as bad as not talking enough. His grandmother had always told him so. So he suffered through the awkward silences for the first few days, and Martin had let him, clearly assuming that if Jon wasn’t speaking, he shouldn’t either.
Then, around their fourth or fifth lunch together, Martin had begun to ask him questions. They were casual, genuine, and so clearly targeted at Jon’s interests that Jon was convinced that Martin was somehow following him home or searching through his computer history or—or something. On their eighth lunch together, Martin asked Jon about the newest exhibit at the museum—it had been about sharks, if Jon remembers correctly—and Jon couldn’t help asking how Martin knew that he’d gone to see it. He hadn’t explicitly asked if Martin had been following him, but he’s sure the sentiment was clear in his eyes.
The tips of Martin’s cheeks had grown red, and he’d said that Jon had mentioned a few days prior that he was planning on going. All traces of fear and paranoia had left Jon’s mind then, replaced by surprise and, beneath it, something warm and bubbly. Martin had remembered.
Their conversations had gotten a lot easier after that.
Despite how Martin seems to enjoy Jon’s long-winded tangents, he
 does still make an effort not to hold a completely one-sided conversation. So, a few minutes into the continuation of his pollen discussion, he finds a natural stopping point and says, “So, er. You
 like being outside?”
Not the most
 articulated question Jon has ever asked. But Martin doesn’t seem to mind. His fingers curl around the bottom of his water glass, his palms smudging the condensation. “Yeah, w-when I can find the time, I suppose. I-I try to go for walks around my neighborhood if I can, if it’s not too dark by the time I get home, and there’s this park in—”
Martin cuts off with a small cough. He lifts his glass and takes a long sip, while Jon sits and drums his fingers against the table and tries not to bounce his leg too noticeably. “Sorry,” Martin says as soon as the glass leaves his lips, giving Jon an apologetic smile that somehow seems
 artificial. Like it’s been plastered atop another, heavier expression. “S-Something in my throat again.” He hesitates, then continues, “There’s a park in Devon that I-I like, whenever I’m in that area.”
Devon’s quite a trip away, Jon thinks but doesn’t say. Why do you go to Devon? he doesn’t say. Is that where you go on Saturdays? he doesn’t say, because—well. It’s rather embarrassing, among other things, to admit to the fact that you’ve gone through your employee’s desk calendar because you thought he might have shot an old woman three times in the chest and had plans to do the same to you. Particularly when you are having dinner with said employee.
Ugh. Probably best not to think about the fact that he is technically Martin’s boss when he’s sitting three feet away from him at a candlelit table on what, to an outside observer, might look startlingly similar to a date.
But it’s not a date. Because Martin didn’t say it was a date, and he’s just trying to care for Jon, in that
 over-the-top way that he does. Jon tries to muster up some irritation at the reminder that he’s likely being coddled, just for habit’s sake, but comes up empty.
He hasn’t been truly irritated with Martin in quite some time. He
 doesn’t really know when that changed. When Martin became a source of comfort, rather than of annoyance.
“Jon?” Martin says. Right. Martin is still sitting across from him.
“Right,” Jon says, trying to sound like he hasn’t been drifting off in a hundred different directions. “That sounds
 nice.”
Martin’s lips curl up into a small smile. “Yeah. I-It is. It, um. It makes the trip worth it, to be able to sit on one of the benches and just
 write poetry.”
Jon has read some of Martin’s poetry, though Martin doesn’t know that. Jon doesn’t like poetry. Jon liked Martin’s poetry. These are, apparently, two truths that can and do coexist.
Jon does not mean to say, “Could I hear one?” But it appears that he is weary enough and relaxed enough and distracted enough that his verbal filter has small, critical holes in it. Damn.
Martin sputters. “U-Um, well, I-I suppose
 I could, I-I do have a few, er. M-Memorized, if you—you really
” He trails off uncertainly. “You’re. Um. You’re sure?”
Well. Nothing to do but lean into it, Jon supposes. “I wouldn’t have asked if I weren’t sure, Martin,” he says, a bit snippier than he intends. The tips of his ears are hot, and he is deeply thankful that the dimness of the bistro hides the way they’re surely darkening.
“R-Right.” Martin clears his throat, looks down at the table. “I-I suppose I’ll just
 do a short one?”
He proceeds to recite, in quiet, surprisingly stutterless lines, one of the poems that Jon already knows from the notebooks he’d left behind in the Archives. It’s
 his favorite, if he were forced to pick one. But there is something different—something more—about hearing Martin speak the words aloud rather than simply reading them on a page. Martin pauses in places Jon hadn’t thought to pause, lingers on words he hadn’t thought to linger on, and adds a softness to the ends of lines and phrases that Jon finds himself enraptured by.
Logically, he knows that it’s not good poetry. He’d begrudgingly taken a poetry class during uni, had hated every minute of it, and had donated all of his books to charity shops the moment he wasn’t in need of them anymore. He’s read Dickens and Poe and Whitman—all the works that are considered great representations of their art form.
Martin’s poetry is nothing like theirs. His lines don’t follow the same rhythms; his words are clumsier, his images less profound. But still, even though Jon knows that it is technically not good poetry, he
 he likes it.
He tries not to analyze that feeling too closely.
“So, um. Yeah,” Martin says after he finishes, rubbing his thumb over his ring. “I-It’s not really
 great work, heh, you know, s-sorry.”
Jon is not the comforting sort. He’s been told that he’s too sharp at the edges, skin too full of spines and thorns. So he surprises himself, and probably his grandmother from beyond the grave, when he reaches across the table and takes Martin’s hand in his. It’s soft and big, the pads of Martin’s fingers lightly calloused from a past history of manual labor, and Jon thinks just for a moment how small his own hands look in Martin’s. He surprises himself even more when he says, honestly, “I enjoyed it, Martin.”
Martin blinks at him, eyes wide and owlish. His hand is rigid in Jon’s, like he’s afraid that if he moves, he’ll frighten Jon away like a skittish cat. “O-Oh.” It’s hard to tell in the dim light, but Jon thinks Martin might be blushing. “Well. T-Thanks.”
Jon nods once stiffly. He does not retract his hand. At first, it’s because he doesn’t think to do so, too wrapped up in the feeling of his skin against Martin’s. Then, it’s because it’s been long enough that doing so would be more awkward than keeping his hand there. He asks Martin about the inspiration behind the poem, for want of another conversation topic, and Martin talks about the trip he took to the countryside once and how it stuck with him, and Jon’s hand remains atop Martin’s. Martin takes a drink from his glass, and Jon takes a drink from his, but both of them use their free hands, as if in unspoken agreement that this is just how things are now. Jon’s hand is resting atop Martin’s and it will be until he has just cause to move it and that is just the way of the universe. Nothing to be done about it.
Their food comes, and looking extremely regretful about the fact, Martin extracts his hand from underneath Jon’s and reaches for his fork. They don’t mention the loss, and it’s quiet for a period of time while Jon eats his chicken karahi and Martin eats his squash curry and Jon tries not to openly moan at how good the food is.
Something must show on his face, because Martin smiles warmly at him and says, “Well? Was that Yelp reviewer correct when they said that the chicken karahi is ‘literally the best food they’ve ever eaten in their entire life’?”
Jon swallows a bite of admittedly very good chicken. “Well. I don’t know that I would quite go to that extreme, but it is rather enjoyable.” Reminds me of the way my grandmother used to make it, he doesn’t say. That feels like a date conversation, and this isn’t a date.
(It feels very much like a date.)
(It isn’t a date.)
“Good,” Martin says. Then, he smiles, wide and unabashed and like a ray of sunlight, and Jon quickly buries himself in his food again so he doesn’t say something foolish like I really like it when you smile at me like that or Is this a date? or I would very much like this to be a date.
They finish eating, and the waiter takes away their plates with the promise of bringing the check soon. Jon’s hands rest on the table, index finger fiddling with the edge of the cloth placemat in front of him. He’s in the middle of trying to convince himself that yes, it would be ridiculous to take Martin’s hand again, you should definitely not do that on this very much not-a-date, when Martin reaches out and takes Jon’s hand in his. Properly takes it, pressing their palms together and slotting his fingers easily between Jon’s and knocking their rings together as he squeezes gently.
“Um,” Jon says eloquently. He should very much not ask if this is a date. “What are you doing?”
Nope, that’s worse. That’s definitely worse.
“Oh!” Martin lets go of Jon’s hand immediately, and Jon does not try to chase Martin’s hand as it retracts, thank you very much. He’s more dignified than that. “S-Sorry, I thought
 I, um. Never mind. I-I shouldn’t have
 sorry. Again.”
“It’s fine,” Jon finds himself saying. Then, in an effort to do damage control: “I
 didn’t mind.”
“You
 didn’t?” Martin seems confused, which is understandable. If Georgie were here, she’d tell him that he’s giving, quote, ‘mixed signals.’ He’d never quite understood what counts as ‘mixed signals,’ and he doesn’t know that he ever will.
“I did not,” Jon confirms. “I just
 I suppose I
”
He should not ask if this is a date. He really, really shouldn’t.
“Is this a-a date?”
It appears he’s found another one of the holes in his verbal filter. Lovely.
Martin’s eyes grow impossibly wider. He makes a series of sputtering sounds as Jon waits and tries not to bounce a hole through the floor with the heel of his foot. “You—you didn’t
” Martin seems to have a miniature internal debate with himself, his face cycling through a dozen different expressions over the next few seconds. Finally, he sighs and says, eyes fixated on the table between them, “I had
 intended it to be. Though I suppose if—if you didn’t know it was a date, that. Um. Kind of defeats the purpose.”
“Does it?” Jon’s mouth says without his permission.
“I-I mean
 you can’t really have a one-sided date,” Martin says with an awkward laugh. The waiter is nowhere to be seen, which Jon is grateful for and disheartened by in equal measure. This situation would certainly be easier with a convenient escape.
“I
 suppose.” Jon worries at the edge of the placemat, pulling on a loose thread. “Though, it’s
 if this were a date—or, I suppose, if I-I’d known it was meant to be a date—I
 wouldn’t have acted much differently.” He pulls harder at the thread, feeling a bit bad for the way the fabric bunches around it. “I
 would not have been
 that is to say, I would have liked it if
 rather, to say that I didn’t think about it would be, er
 well, incorrect.”
Martin stares at him, clearly unable to make sense of Jon’s admittedly disjointed, half-finished sentences. Jon sighs and says, under his breath, “I am not opposed to considering tonight a date.”
Martin’s cheeks are red enough now that Jon can see the flush, even in the dim light. “U-Um. What?”
“I am not opposed,” Jon repeats, louder, “to considering tonight a date.” Lord, that’s mortifying to say out loud. How do people do this? To emphasize his point, he sticks his hand out, palm-up on the table. It’s stiff and awkward and he probably looks like a cat with its hackles raised. He focuses on the cable knit of Martin’s jumper so he doesn’t have to see whatever amused or mocking or disappointed expression is on Martin’s face as he realizes just how bad Jon is at all of this.
Martin is quiet for a moment. Then, just as Jon is about to pull his hand away and flee for the exit, he feels a touch against his palm. Martin’s hand settles tentatively atop his—not weaving their fingers together, not even properly holding it, just
 pressing together, palm to palm. Jon can feel Martin’s heartbeat faintly against the tips of his fingers where they press against the inside of Martin’s wrist. “Okay,” Martin says softly, like Jon has just given him a precious gift. “Then it’s a date.”
It’s a date. Jon’s skin has absolutely no reason to prickle at those words, nor does his stomach have any reason to squeeze and sprout butterflies. He nods, a bit brusquely, and opens his mouth to say something—god knows what—when the waiter appears next to their table, somehow having both comically bad and impossibly good timing.
Martin pays, despite Jon’s insistence that he can cover his own share, and then they’re back out in the cool night air, making their way toward the tube station. The first few minutes are quiet. There’s a tension between them that feels more anticipatory than awkward. Their hands brush once, twice. Then, on the third time, Martin hooks his fingers around Jon’s and clasps his hand in his, and Jon lets out a breath he hadn’t known he’d been holding.
They hold hands all the way to the tube station, up until they have to part ways to take separate lines. Jon runs through all the things that he thinks he’s supposed to say in a situation like this—I had fun tonight or We should do this again sometime or
 something—but ends up saying instead, “How long have you
?”
He trails off, squeezing Martin’s hand a few times thoughtlessly, like a warm, bony stress ball. Martin seems to infer the rest of his question, however, because he squeezes Jon’s hand in return and says, “It’s
 new for me too, if that’s what you’re asking.”
Jon nods and squeezes Martin’s hand again. He thinks that’s going to become quite a habit if they keep this up. “Right.”
Martin hesitates, before letting his grip on Jon’s hand loosen slightly. “We
 we don’t have to do this again if you don’t want to. I-I know things are complicated right now, and I
” He worries his bottom lip between his teeth. “I want to do this again, for
 for what it’s worth. But I get it. If you don’t, that is. For—for any reason.”
“I do,” Jon says, surprising himself with his conviction. “I-I don’t
 you’re right. Things are
 complicated.” That’s certainly a word for it. “But I
 I trust you, Martin. O-Or
 I want to trust you.” He takes a deep breath. “I am making the decision to trust you.” It’s hard and it’s terrifying and there’s an animal instinct deep within Jon that’s telling him not to expose his vulnerable side, but
 somehow, despite all of that, Martin makes him feel
 well. Not safe, but as close to safe as he can get right now. Which is an accomplishment in its own right.
Martin exhales slowly and gives Jon a small, hesitant smile. “Thank you. I-I know that’s difficult, and I
” Martin squeezes Jon’s hand, just once. “I-I’m happy.”
And Jon finds that he means it when he says softly, “I’m happy too.”
Martin gets on his train, and Jon gets on his. And despite the ever-present itching beneath his skin and the persistent belief that something isn’t right and the knowledge that he is likely a hunted man, from the moment he lets go of Martin’s hand to the moment he closes his eyes and curls onto his side in bed, that happiness remains.
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amysubmits · 4 years ago
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“Just Knowing” & Communication
I got an ask recently asking if I could write something about how doms seem to sometimes “instinctively know” things about their sub, and how communication plays into that. 
I thought it was a great point, and I had an experience that I’d been wanting to share in some way, that I thought would work well within that concept. Anyway, here goes...
I have shared experiences where CD reads my needs seamlessly. Those moments can feel almost magical and that makes me want to share them. I have occasionally heard from people who seem to think CD is nearly capable of reading my mind, as a result of posts like that. It’s not my intention to give that impression. 
There are occasional moments where I am shocked at how he knows things I didn’t say. I’ve also shared that sometimes those moments where he perfectly meets my needs are often the moments where I feel the most owned. That’s because him knowing and meeting my needs feels so intensely intimate, and so much of our D/s comes down to emotional intimacy.
He isn’t a mind reader, though. We have been together over a decade now, and he’s observant. I think that deserves a big mention, when discussing how he ‘just knows’ things about me. He notices my body language, and how I react to things. He learns a lot about me by simply paying close attention. This is really important to me. Him naturally watching me, noticing my mood and such, is a big way that he makes me feel loved. I couldn’t be with someone who wasn’t naturally drawn to try to learn me, and pay close attention to me. Just him being someone who pays attention is a huge part of how I feel loved. It shows me that he wants to know as much as he can about me, and that he wants to meet my needs. More than that, his desire to want to learn my needs period, matters. There are some people who just don’t wish to get that deep with their partner, they don’t care to know their partner like the back of their had. That would be a problem, for me, because I do want that level of intimacy. Part of how I knew that CD had that desire for deeper intimacy, was how he tried to learn what he could by observing me. 
At the same time, being mindful of your loved one’s body language, facial expressions and behaviors only goes so far. You can’t observe your way into knowing exactly what someone wants or needs. You just can’t. Certain things just have to be explicitly stated. While a good portion of our emotional intimacy comes from paying close attention to each other, more of it comes from our communication.
The truth is, there have been times where I’ve been frustrated that CD didn’t catch something. I’ve occasionally had the emotional reaction of almost feeling neglected because he didn’t notice something about me. And that? Is not a healthy reaction for me to have. That reaction is something I have to try to be conscious of, and I can’t allow myself to run away with those feelings. I have to recognize them and fight back against them. Because I can’t expect him to read my mind, or to pick up on everything, to ‘just know’ everything, or anything, really. If he isn’t aware of something, it is my responsibility to communicate. 
We were new to D/s in particular, we talked about our needs and wants all the time, often daily. Getting started with D/s requires really thorough communication so that you know the boundaries and limits of the dynamic, and so that you know what is expected of each of you. Even though we tried to hammer out our dynamic in advance, we found ourselves experiencing scenarios that we weren’t sure how they ‘should’ be handled with our D/s, because we couldn’t pre-plan our D/s for how to go about every possible scenario that life may throw at us. So whenever we experienced something new and didn’t know how to handle it, we’d have to discuss how we wanted to handle it. Or in there cases we’d handle a situation and then realize we wished it had been handled differently, and we’d discuss that and plan to do differently next time. 
After a while (many months?) it got to where we had the basics down and we didn’t need to talk about things as often anymore. We didn’t have to discuss it multiple times a week anymore, but perhaps a couple times a month was sufficient. Still, the frequency ebbs and flows. We go through phases, even now, 6 years in, of discussing our D/s more or less often. It mainly depends on whether we’re facing new things in life or making changes to our rules or the rest of our dynamic, or whether life is normal and our dynamic is unchanged. If we make changes, that means we’ll communicate about our D/s more often for a while, usually. Tons of what we know about each other and our needs are things we’ve learned through all that communication. Way more than we’ve learned by just observing each other. 
Our “meta-talks” (discussions about our D/s) are perhaps one of the areas that I don’t give enough attention to on this blog. They’re often very private feeling, so it’s hard to feel comfortable sharing much about them. 
A couple of months ago after a meta-talk, we came to the conclusion that it would be helpful for us to focus on making sure I feel very seen. It wasn’t that I had stopped feeling seen...but more that our current life circumstances were making me need to feel more seen than usual. Anyway, CD had me make him a list of things that made me feel seen, to share with him.
The things I shared on that list were all things he had done “naturally” before. So it was more about sharing with him what things he does that make me feel particularly seen. Still, I did over-think it, a little bit. I wondered if it would feel different for him to do these things for me after I shared them with him, rather than doing them purely instinctually, like he had in the past. Would it feel less genuine? Would I be able to absorb it and really effectively feel see if I suspected he was doing this for the purpose of making me feel seen? 
Early on, I did feel a bit bashful or self-conscious when I noticed him doing those things a little bit more often. I felt a bit insecure like “Oh, he just thinks he has to do that because I need to feel more seen.” and for some reason that cheapened it a little in my mind, and also made me feel a bit selfish or something. Worrying about being a burden on people is a deep seeded insecurity of mine that comes in up all sorts of ways. So it’s not surprising that my brain tried to twist this into ‘he just feels obligated to’. Even early on when I was feeling those insecurities, I was feeling seen, at the same time.  As more time went on though, those insecurities softened and I was able to recognize that these things were feeling fulfilling to him, too, which further eased my insecurities. 
This is just one example of how our direct communication has benefitted our D/s. When this type of thing occurs over the course of many years, I hope you can imagine how that can assist with creating those “he just knows” moments. 
I think a lot of good relationships have similar experiences with hesitating to share exactly what you want from your partner. The love is there, the good intent is there, but unless you tell your partner exactly what makes you feel the best...you can’t magically expect them to know. Yet many of us have this instinct that “I can’t tell them exactly how I’d like them to treat me, or it won’t be as ‘real’”. 
I think D/s often complicates this issue even farther. Subs hesitate to ask for ‘too much’ because they don’t want to be too needy, or to feel like they’re taking charge or telling their doms what to do. Which I think is a valid concern. In my view, the answer to that potential problem isn’t to avoid sharing what make you feel good. Instead, it’s just to be mindful of the way that you are communicating, so that you are sharing the knowledge of your needs or desires without telling them what to do. 
Communicating in great detail is a huge part of how we find the intimacy that we’re after with D/s. Understanding in detail what makes each other feel dominant and submissive does SO much to assist us with keeping our D/s on track, and to keep each other feeling loved and cared for. These deep, difficult, detailed discussions are also helpful to our D/s because they make me realize how safe our relationship is. That sense of security allows me to let go and be more submissive. 
As I said earlier, I understand that instinct that if you tell someone exactly what you want, and then they do it, your initial instinct may be to feel like it’s less meaningful when they do it. Like asking for it somehow ‘cheapened’ it. 
I think that is a largely misguided instinct, though. I think that if you tell someone what feels good to you, and they do it just to placate you or please you? You can tell they’re just phoning it in. And if you tell them what makes you feel good, and they do it because they enjoy making you feel good? You’ll feel that too. 
It’s similar to how starting D/s worked for us. When I first asked for it, I worried it would be something he did just for me. But once he found meaning in it himself? I could tell that our D/s was fulfilling for him, that it was giving him joy, and that he was really feeling the connection with me through this dynamic. It was just easy to see that he was really ‘feeling it’. A similar thing can happen with "smaller” things such as specific acts of love, care or service. 
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tarotchariotpickyourcard · 4 years ago
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Pick a card reading: What you should like more about yourself!
This one is for the ones on that self love journey, the ones that need a pick me up or have a hard time with self confidence/esteem especially.
So I'm sure it's quite clear. The cards that you pick will reflect why you deserve to be more loving to yourself, what wonderful qualities you have, and maybe help convince you to lessen your negative inner language.
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Please pick one of the groups ( 1, 2, 3 or 4.)
You might be drawn to an item, the card itself, or a number. Please calm your mind and meditate for a minute.
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Side note: If you have a hard time choosing, or nothing seems strong to you, perhaps you could come back later on and try. Do not pressure yourself, darling.
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Number one is the badge saying "yup"
Number 2 is the wing
Number 3 is the little bird
Number 4 is the chain saying "BE MINE"
GROUP 1 : (Yup badge)
Morning affirmations, Joy, Strength
6 of wands, 4 of pentacles, Mother of swords
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What an interesting blend of character you are!
With the owl, this is a strong suggestion that you are able to see through deep into situations and understand "in between the lines". A great communicator, the queen of swords can be straight to the point, brilliant and not to be messed with. Your ability to say it like it is might be perceived as a little harsh to very sensitive or younger people, however it is a strong and much needed trait in the world. We need people with the organisational skills and know how of the mother of swords! The queen always reminds me of someone who is a good teacher, and a fair person.
With the 6 of wands and the 4 of pentacles, the combination hits in a way of potentially dulling that light. The traits I list may be some that you are aware of in a way, but perhaps have a lesser opinion of. The interesting mix of you is in the way of you being so strong, able to endure and be positive, yet a wonderful balance of being able to have boundaries. Again, I'm seeing the strong ability to recognise when someone is being a "rat" as the animal is right next to the owl. I can't help but get the idea that it is direct experience. I would be surprised if you haven't recently come to a revelation about a person in your social circle, or cut someone out/created more boundaries.
Strength mentions having resilience, coming through things more compassionate, stronger and brighter. Brighter being strong in focus to me, as it is next to joy. Your ability to have fun *despite* issues or obstacles is an enviable trait! I really feel that while you might have your difficulties, you never let them suck you in for too long mentally. You seem to try and stay positive through things, and not everyone can do that. You are also much more smart/knowledgeable than you give yourself credit for. Don't let anyone put you down, because you're being shown that if you go for what you've been studying/working at, with strong persistence you can succeed. I feel like the branches signify people who have acted as obstacles, or your troubles in life. This is confirmation you can rise above them, and if you're stuck right now, please accept my confirmation that things can and will change. Life can't help but flow, no matter how people may try and resist. So if anyone is putting you down, or getting in your way - know that their resistance to your future and well being is futile.
You keep having those boundaries. Keep on keeping on. You're sharp, you're witty, and of all things you have kept your kind heart. One day the joy you try to find in the little things will come to you effortlessly and in x100.
I got the need to call you cherub. Chin up, Cherub.
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GROUP 2 (the wing)
Wait, generosity, magic, peacefulness
The hermit, Ace of swords, Son of swords.
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eYou're an extremely thoughtful person, aren't you? I get social activist vibes, the kind of person who thinks about bigger issues than just in their personal world, and could debate very well. The ability to get to the kernel of truth within an argument or bigger pattern in the world seems equal to none. If you have a hard time accepting that your opinions mean something, or you would be able to be persuasive, this is confirmation for you that actually - yes - you do have something meaningful to share with others.
In this pile I'm seeing a more peaceful, patient character. Someone who simply tries to be good, and do good for others. You create magic for other people. My heart swells at this, as I'm seeing reciprocity of kindnesses between you and others over time.
While The son of swords on it's own could potentially be quick to intervene or make a judgement, with the hermit and wait, I'm feeling more that you take the time to think things over. For example, if asked to make a decision, you would want to take your time and really think. If you were asked what your thoughts were on a political stand point, you would think in depth and make no judgements from the surface. This is so helpful, as there's less chance of misunderstanding/unkindness as well as the ability to make better long term decisions for yourself.
Very introspective, and the ace of swords suggests you have great clarity of mind. I can imagine you would be a wonderful person for explaining complicated matters to a wide group of people.
Generosity is what it says on the tin: You are a generous human. That is so, so important. There are many people out there who might feel like no one thinks about them or cares, and you come in and surprise them with something, or offer them help without them asking. It makes people feel valued, and like they are important or have a place in someone's life.
Peacefulness suggests not inviting drama, and I get 2 things. You might be described as grounded, or "chill". As well as this likely suggests your lack of interest in being within a dramatic situation. You are likely very good at looking at others drama, and seeing where it truly stems from, as well as having a good idea of advice for them. If you have friends right now, it's likely they feel peaceful being around you and that they can truly calm down or get your advice on their *own* drama.
You are so important to the people around you, and if there are people that can't appreciate you, I promise you they have *no* idea how lucky they are. You offer so much as a friend, confidant, and as a person who cares for the worlds well being. I appreciate you.
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GROUP 3: ( Little bird
Blessed change, gratitude, engagement, follow your heart, father of pentacles, the empress, the star
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You're cool.
Right off the bat, I see your ability to see the silver lining, to take changes as they come (and I don't mean you happily drudge through hard changes, I mean more like you accept them more easily than others). Do you know, it really helps a persons resilience in life if they can have gratitude for things in general, as well as seeing the positive affects of life changes. You have an ability to notice the opportunities in said silver lining. An example I've read in the past involved a man who lost his job, but an opportunity came up for something he was passionate regarding his hobby. He would not have been free to do it unless he was let go of.
You're my free flowing group. Very adaptable. You're able to take time out to really think about what you truly desire in life. When themes like this come up, I really get the idea of authenticity. To put a focus on following your heart, being grateful for what you've taken part in and even quirky circumstances is a massive strength. Do you have any idea how scary that is to people? To wake up and think "My heart wants this, I'm going to actually aim for it because I need to be myself." That's terrifying to many!
Note: If you are finding it hard to be upfront or true to yourself due to fear, this is confirmation that you will be able to in the future. Take your time, as this will come naturally to you.
I know you might be shrugging thinking, but sometimes I get really negative or scared too. I won't say that's not a thing humans experience. What I am saying however, is that you have that strength of character to say actually, nothing would be worse than to answer to my fear. Fear of self expression, fear of being judged. Fear of not having your project liked. These kinds of things.
I feel like you're a fun person who is very interesting to people/has had at least one very interesting or unusual experience. I want you to know the cards are showing that people really enjoy speaking with you, and hearing your stories. So no negative self talk of being boring, or disliked.
Your flexibility, and your ability to be sociable, yet able to pull back appropriately is wonderful. The world needs those who can be more easy going as this can help people de-stress and stop thinking about their worries.
I'm seeing wonderful creativity, and again, being able to be social and talk to many people very well. You're a shining star, and you're supposed to be!
I wonder if sometimes you feel like you need to be "more" productive, but let me tell you... Networking with people is half the job.
I'm also wondering (as a rainbow stands out) if some here are part of the LGBTQIA+ community. It would make sense with the authenticity. If you have a social media presence, or a creative project you want to get out, or expressing your personal experiences to the world - this is confirmation to keep standing tall, stand proud because yes, you do have a lot to offer! King of pentacles next to the empress also suggests you might be on to something that can bring in some income for you. Again, even sharing your experiences is very valued and may well be it. The world itself wants to see you, or whatever you desire to create.
If you have a hard time focusing or being practical, darling, you get along well with others for a reason. Ask for help, whether it's family, friends online, a teacher, anyone. There's help to steer you further in the right direction. You're a beautiful person and you matter to people. You are loved, so please love yourself.
There's something here that seems upset, and I just have the biggest urge to hug you! So if you will, accept my many energetic and virtual hugs!
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GROUP 4: "Be mine"
Worthiness, Ups and downs, courage
Ace of pentacles, Ace of wands, daughter of wands (reversed)
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Daughter of wands reversed suggests to me, that you have the traits such as this, but perhaps not the confidence in yourself right now about those things. The book describes her as passionate, visionary, cares more for career and starts a family later; stubborn, strong (i take this as physically actually) and may be going through a spiritual breakthrough or a big change. With this I get the thought that you probably don't recognise just *how* passionate you truly are. You might be finding it hard to go a certain way in your career and studies. There might even be some worries that you might not stick at it. But what you are not realising is your actions have magic in them.
If you are interested in LOA: Your actions manifest not only in a practical sense, but *that's* what truly gets the energy moving. You need physical expression of some kind.
I'm getting such practical, but passionate energy. The ace of wands with courage? That's amazing. Fire sign or not, you have classic fire energy. Even when you lack confidence, you have a strange inner ability to be brave even at your worst times.
Oh, if only you had the confidence to aim!
Your energy and action are seriously magnificent. You have a *lot* of inner energy, spiritual energy, physical vitality. If you have health issues this might sound strange to you - but I get the idea your body was built with a lot of vitality available. You might have really struggled in life with ups and downs here, but I'm seeing you crash right through all the barriers and try to do life the best way you know how. No matter your struggles, you are a warrior here.
The 2 aces here (that is so interesting to have seen) show that you are probably quite good at beginning new things, and when you're motivated, you're MOTIVATED. I'm getting the idea that when you *do* take action on a goal, you go at it with everything and it can surprise people.
I'm seeing creative ability. It's an ability that I have seen myself. An example would be.... A mistake is made in a piece of art. It didn't go the way you wanted originally. But, wait a minute... that's starting to look like something, so I'm going to change it all up and create something completely different than intended.
It's seeing potential in a small detail. I'm seeing original thinking.
I just see a bulls eye, and such great energy and ability, but the lack of confidence. And so, I feel like you're at a time where you're stopping yourself, or won't aim for something out of fear of failing. I also got the sentence biting your tongue. I'm sorry if you're in a situation where you can't speak up for yourself, as this is not aligned with your character.
Overall I believe your a creative but practical person, and have the ability to really pull through and create wonderful things. You can be *very* brave as well as motivated and so I feel you inspire others, as well as surprise them.
I really do feel that with worthiness, it is hinting to confidence/self esteem issues as it says "know that you deserve to receive good in all ways".
You deserve to be successful. You deserve to take the career path that you have been thinking about. You deserve people to treat you well. You deserve to have that hobby, whether you're "good" or not.
Deep down somewhere you know you are bigger than this. I am wishing for a healthy full confidence boost for you and some new energy to help push you.
Please have the courage to aim, as bob ross says:
"we don't make mistakes, we make happy little accidents"
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And that's the last of them! I hope you enjoyed, and I hoped this help you feel a little better about yourself. We need to cheer ourselves up sometimes and let ourselves think good things. We attract more honey with sugar after all!
Until the next pick a card!
Thank you!
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forever-rogue · 4 years ago
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Would you be up for writing a SMUT fiction with the one & only, Marcus Moreno? Where Y/N is like 5 years younger then Marcus, but they fall in love anyway. Y/N meets his daughter and they have dinner together, but then she has a sleepover at a friends house and then Marcus and Y/N fuck? 😂 Idk, something like that.
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I love Marcus so much, okay? I am weak for this man! Enjoy - this does have spice, the sweetest of spice - 18+ only!
Marcus Moreno x fem!reader; warnings: smut
Pedro Characters Masterlist
»»————- ♡ ————-««
Marcus was a man of many things - conviction, steadfast in his ways, kind, selfless, funny, handsome - the list went on and on. But among the many things, he was also incredulous at the fact that someone like you could be smitten with him.
But here you were - his lover, his friend, his partner. So many brilliant things all wrapped into one. He'd been hesitant to approach you, considering himself to be too dorky, too lame, and too old. He was only a few years older, nothing much, but it had never seemed to bother you. As soon as he'd met you and felt that familiar warmth wash over him, he'd felt like an old fool.
 More times than you could count had you caught him staring at you with that silly, goofy smile on his face. But he was never going to make a move, no, nope, definitely not. That would have been a sin, practically blasphemous and he would never entertain the notion and he was nervous just thinking about it and -
You had casually strolled him up after a mission, giving him a smile before sitting down next to him and cutting to the chase.
"Do you want to go out with me?" Marcus nearly spit out his coffee as you sat there and watched him a soft smile tugging on the corners of your mouth. Once he calmed down and quit coughing, he opened and closed his mouth a few times, trying to get his bearings.
"Do I...what?" he pushed up his glasses - surely he couldn't have heard you correctly.
"Do you, Marcus Moreno," you pointed at him with a bemused expression, "want to go out with me? And I'll make this super clear, do you want to go out with me on a date, with romantic intentions? I'd like to take you to dinner sometime."
"Me?" he bumbled as a tinge of pink flushed into his cheeks.
"Of course you," you laughed lightly at him and he visibly relaxed at the warm sound, "unless there's another Marcus Moreno around I should know about?"
"I...no..no. Only me."
"I hope not," you insisted as you reached over and straightened his glasses, "because I'm quite fond of this one. You don't have to of course...please tell me if I'm overstepping boundaries since you are technically the boss. And perhaps I flatter myself with thinking you might feel the same."
"I'd love to," he nodded as he relaxed and grinned back around you, "I...ugh...yeah. I'll really like that."
"Great," you beamed at him, making him melt all over again, "its a date."
»»————- ♡ ————-««
That had been a few months ago, and some days he still couldn't believe his luck. Then again, neither could you - how you had gotten on lucky as to call Marcus your own you would never know. 
Marcus had been nervous about stepping back into the dating field, well you, you were the first and only, but you'd made it so easy. There was never any awkwardness or worry or fear...it all just fell into sweet, blissful place. 
The thing he has been most nervous about though was Missy. Her approval meant everything, she was his world after all. But he also wanted you to like her because you were also becoming an increasingly big part of his world.
But his worries had been for naught because you fell in love with the young girl when you'd met her and vice versa. Now the two of you were thick as thieves, often ganging up on him. Not that he minded of course; his heart hadn't felt so full and happy in a long time and that was everything to him.
"Honey?" you put your hand on his shoulder before giving it a gentle squeeze. Marcus had been halfway through stirring a pot of pasta, homemade that afternoon by yourself and Missy, but had completely zoned out. As soon as he felt your gentle touch he seemed to snap back into reality, a small smile crossing his features. You gently tapped the side of his before he leaned in and kissed you, "What's going on up there, Moreno?"
"Nothing," he turned back to the pot and gave it a final stir before putting the lid back on. He reached for you,  his hands easily finding purchase on your hips as he tugged your towards him. You made a small sound of surprise before snaking your arms around his neck and carding a hand through his dark locks, "just thinking about how much I love you."
Love. That's what this was. He knew that now, hell, he'd known for some time, but he'd been nervous to admit to it. He never thought he'd be saying those words again, at least not to anyone besides Missy or his mother.
And it had terrified him. It had scared him to death - the idea of loving another again. At first he didn't know how to respond, how to react or what to do. It was overwhelming and all consuming, and yet...it made him happy. So happy. And it was apparent to everyone around him - how filled with life he was again, how the light never faded from his eyes, how his smile was bigger than ever. That's when he knew exactly what it was.
Of course, Marcus being Marcus, was so concerned with when and how to tell that he blurted it out during the middle of sex. It was right when you were both on the precipice of your climaxes, and he couldn't help himself as he nuzzled his face into your shoulder.
It had been slightly unexpected, sure, but you just kissed him and repeated the words back to him sweetly - reverently. You knew too that this wasn't like anything you'd experienced before...this was everything.
"I love you too, Marcus," you whispered as you trailed a few fingers along jaw, touching the patchy stubble that you loved so much, "I-"
"The kitchen is a communal place," Missy groaned at the two of you as he came down the stairs, her backpack and sleepover gear in tow, "I'd appreciate if we kept it that way."
"Very funny," Marcus pulled back from you with a wink as you went over and helped Missy with her stuff, "I'm the adult I make the rules!"
"Whatever Dad," she sassed him as you just laughed, "see you tomorrow. Love you!"
"Love you too kiddo," Marcus offered her a wave as you carried her bag to the door for her.
"Have fun with your friends," you leaned down and gave her a tight hug. She responded in kind before taking her things in hand, "don't get into too much trouble, yeah? And if you need anything, we'll be right here."
"We won't," she insisted with a sly little grin that you couldn't quite believe, "have fun too! See you tomorrow. I love you!"
And just as quick as a flash she was bolting out the door and down the street to her friend's house. It took you a moment to recover as you realized what she had said. You walked back to the kitchen with a grin on your face and your heart feeling like it was going to overflow at any moment.
"What?" Marcus asked as you walked in a daze.
"Missy," your voice was soft as you leaned against the counter, "she said she loved me...its the first time she's said it."
"And why wouldn't she?" he too felt an overwhelming rush of emotion as he realized just how much this meant to him, "you're pretty amazing after all."
"I love her too, so much...I just...I want her to know I love you and her and I want to be a part of your lives  but I would ever try to replace her mom," you explained as he nodded in understanding. Marcus moved to stand in front of you, his hands finding either side of your face as he pressed a kiss to your forehead, "how did I get so lucky to find the two of you? I love you both more than you will ever know."
"And so we do," he promised as he leaned in and properly kissed you, "I love you."
Without thinking, you hopped onto the counter and wrapped your legs around his waist before wrapping your arms around his neck. His large, warm hands slowly worked their way from your waist to up and under your shirt, as he skimmed your soft skin.
Your soft kisses quickly turned into hungry, needy ones as you pulled off his glasses and tossed them aside. Marcus went from your lips to your jaw before working his way down your neck, biting and sucking at the delicate skin.
"Marcus," you almost moaned his name as you pressed yourself against the hardness you could already feel in his jeans, "this is a communal space. Keep it clean."
"Don't want to," he huffed with laughter as his hand moved to the button of your jeans and he quickly undid the fly. He lifted you up briefly as he pulled down your jeans and underwear as you reached for his jeans to repeat the process. 
Your mouths almost never parted, except for the soft giggles that flowed as you felt more like naughty schoolchildren that could be caught at any second, rather than grown adults.
"Marcus - the food," you suddenly remembered. He shook his head as you paused for a moment.
"Its all off," he promised while cupping your breasts in his hands, earning a delighted moan from you, "it can all wait. Dessert first."
"Then take me," you tugged down just jeans and boxers, pushing them down as he wasted no time in lining himself up at your entrance and slowly pushing in. When he bottomed out, you both groaned in between kisses as he gave you a moment to adjust. 
Then there was no rush, and he started to move languidly, setting a gentle pace as he kept on kissing you. It was sweet, sex with Marcus was always something you thoroughly enjoyed, especially times like this. It was so intimate, so loving, it was everything and all consuming at once.
"'m not gonna last," he whispered as he left a trail of fiery kisses along your jaw. You nodded in agreement as you held him close, trying to memorize every touch, every feel.
"'s okay, honey," you promised as you guided him back to your lips, "come with me, please. I love you Marcus, I love you so much."
That was all it took to get him to reach his peak as your walls hugged him and you both came with small moans. Marcus held you tightly as you tried to catch your breath and he stayed buried inside you, peppering you in the most saccharine of kisses, "I love you too. More than you will ever know."
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