#but I can't help but feel disappointed

[miss-stereo]

I know it's been days since Wish was released, but I finally watched it and...

I still think Enchanted (2007) is the Disney movie that celebrates the classics while bringing an original story to all audiences.

It has romance, music by Alan Menken, 2D animation, a cool villain, and a amazing cast!

[butterflies-and-bumble-bees]

.

[thesummerestsolstice]

Elrond hides from the stars, at first. Morgoth's hazy corruption hid the sky, at Amon Ereb, and the Feanorians didn't spend much time outside at night anyway– it was dangerous, even for hardened warriors.

Maedhros and Maglor taught them about the stars of course, they were determined to give E&E education befitting of elvish princes, and no such education could be complete without thorough studies of both astronomy and the elvish star lore from the days of Cuivienen. Still, while they could chart the course of any star across the sky, and tell the tale of any constellation, E&E rarely actually got to see the stars.

They could, on rare nights when the smog wasn't so bad, see Gil-Estel, brightest of them all, faintly shining through the haze. They knew what it was. They didn't know what to think about it. The Feanorians didn't like discussing it, so E&E didn't either.

But then, Elrond and Elros left the Feanorians. Maedhros and Maglor sent them away from just about everyone and everything they'd ever known. They came to Gil-Galad's camp as traumatized children who were treated as objects of curiosity, veneration, even suspicion. Eyes follow them everywhere, and their gaze is never neutral– always approving or disapproving, angry or joyful, awed or fearful.

Gil-Galad's camp, guarded by Maiarin soldiers, is nearly free of Morgoth's corruption. For the first time, E&E see the light of the sun and moon in their full glory. They also see Gil-Estel, burning brightly against the dark sky; no faint light.

Elrond doesn't like it. He feels like Gil-Estel is watching him. When he tries to explain this to Gil-Galad, he's met with sympathy– of course Earendil is watching over him. But Gil-Galad doesn't understand.

Elrond hasn't gotten used to being watched, being evaluated, at Gil-Galad's camp. He'd never felt that way at Amon Ereb– where there had been far fewer elves and his presence had quickly become normal. All those elves watching him now? Viscerally uncomfortable. And the thought of the father he barely remembers being another set of eyes judging him is unbearable. After all, what if Earendil doesn't like what he sees?

[currymanganese]

If we ever get Sydcarmy endgame I want to see them crack jokes with each other more, especially during a sex scene if we ever get one, and to see them make each other giggle and fall to pieces and shit. I want them to start sitting next to each other at family, holding hands after the meal or patting/rubbing each other's knees below the table. I want them to throw an arm over each other's shoulders as they brainstorm menu ideas. I want, before they get together, and after they've signed documents to give Sydney an official stake in the restaurant and she shakes the Berzattos' hands, I want Carmy's handshake with her to linger on a little too long and leave him awkward and red as a beet. I want Natalie, Richie, Tina, Ebra, Marcus, Sweeps, Manny, the new staff, Uncle Jimmy, Donna, Sydney's Dad, POTUS, the Vatican, Oprah, and the internet to clock the soft and loving looks that they furtively shoot each other. I want them to have full blown arguments where they don't hold anything back and see them compromise and kiss and make up. I want them to meet each other's families. I want-

*GUNSHOT SOUNDS- CAR SPEEDING OFF*

[madd-nix]

Emmet celebrates another birthday alone, without Ingo.

This was also a bit of a vent art cuz my birthday is in a week (2/11) and I'm just not really looking forward to it. Another year where I've gotten nowhere close to any goals, my financial situation sucks, and no job wants me while my dad makes me feel like that's my fault for not trying hard enough.

Anyway, as always, why not impart my problems and depression onto my blorbo! Sorry Emmet.

[pallanophblargh]

You know what the worst feeling I've been having lately is? Wanting more than anything to get back into Actual Art again but finding a sudden anxiety that stops me. Even if I'm still as capable as I was, it's the mental block. It's why I've all but kept commissions closed for this whole time: this overwhelming fear of letting people down. Especially in times as troubled as these, where money is tight, and patience is thin. I've always been blessed with such patient and considerate commissioners, but I would hate to test people because of my malfunctioning brat of a brain.

I just wish it came to me as easily as it did before the massive burnout/medication. But it's up to me to come up with my own motivation. And it's ME.

Anyway. Thanks as always for sticking around despite... all of this. I'll get back on the horse soon.

[six-of-cringe]

"haha wylan walks in on jesper kissing the wrong guy" yes funny but moving on, have you ever wondered why Wylan was up there in the first place. Because the last he'd seen of Jesper was him being yelled at by Colm to explain what was going on or Colm would "tan your hide so bad you won't be able to sit down for two weeks". Everyone else finds Jesper getting full government-named very funny, but to Wylan this threat would not seem empty - that is just what happens when sons make mistakes. Consider that he wanted to check on Jesper, to see if he was alright, because though it's not really addressed directly, the story gives us several moments of Wylan not trusting Colm and trying to "protect" Jesper from him. Wylan had been isolated to the point where he only knew one father-son relationship, or even one relationship at all, which was between him and Van Eck. Why would he trust Colm? Maybe he just wandered into the room for a silly plot convenience, but I think he was there to assess the damage and be there for Jesper in case the thing that happens between fathers and their sons happened to him.

[riddlerosehearts]

i don't wanna like. complain too much especially now that the PJO show's first season is over but i do feel kind of lied to about it with how rick constantly claimed it would be super accurate and perfect unlike the movies and how he said stuff like this:

because this is literally exactly what i wanted. i wanted to see as much of the book's story as possible while also getting some fun additions or even changes when necessary (for example, one change that i really want if we ever get the final book is luke's death scene, when he asks annabeth if she loved him--this needs to either not happen, or annabeth's answer needs to be changed from "you were like a brother to me, but i didn't love you" to something that affirms that she did love him in a familial way, so that his question can't be taken as a romantic thing. maybe his wording of it should change as well.) and i also thought it's only natural that they'd have to cut less important scenes. but they changed sooo so much and the show is basically just more accurate than the movies in the sense that they go to all the right locations, fight the right monsters, and hit the right basic plot beats, but the how and why of it all is so different. the details are all off. and also imo they somehow managed to make it boring to watch, which is an even worse crime to me. honestly i don't want books i enjoy to get screen adaptations anymore. make them stage musicals on par with the lightning thief musical or just leave them alone.

[owlyflufff]

haikyu's dumpster batte is only going to be around 1 hour and 24 minutes, oh it's genuinely bokuakaover

[nezuchuuko]

It’s Always Sunny in Philadelphia: Season 13, Episode 10 - Mac Finds his Pride. 🏳️‍🌈🏳️‍🌈🏳️‍🌈

“You don’t know what’s going on inside of me.” “I mean the struggle to be who I am.” “There’s like this storm inside of me and it’s been raging my whole life, and I’m down on my knees, and I’m looking for answers, and then God comes down to me and it’s a very hot chick and she pulls me up and we start dancing.”

“Wait, wait, wait…you’re gay, but you’re dancing with a hot chick, and she’s God?”

“Yes.”

“The Catholics really fucked you up.”

[jnjlen-ou-skinjbir]

Girls night

[realtranstybalt]

[spacebubblehomebase]

hi, just letting you know that ahmed 90s-ghost doesn't verify fundraisers anymore! he quit after it got too overwhelming, so you shouldn't @ him asking him to. you can probably find the post about it by searching his blog.

Thanks for letting me know, Anon...

I get it... I REALLY do.

I understand. Y'know I used to be so excited to get Asks. It means someone wants to talk about art and silly cartoon characters with me. But now all I feel is dread. Not because I don't want to help, but because the help I give is never enough. I used to privately mesage back to those Asks, but one became 6 became 10 to... Well. I can't donate. Euros and dollars are valued a lot higher here, thus the opposite is also true. The value of our money is but a paltry bread's worth and even if I split it in crumbs, with the amount of people who approach me for help, it'll soon run dry, but I'm just a student who still rely on my parents financially. So I thought I'd share instead, but that quickly got out of hand. I post one thing and get multiple asks by the HOUR. I already had to apologize for struggling to meet demands before and I only had 3 or 6 rare to come-by short Asks about art. Now I have a hundred and counting I have to check personally. I didn't want to admit it, but I've also long been overwhelmed. I just didn't feel like I had the right to say so. I still don't. But the truth is, anyone can say they're verified too, which is terrible because not only will I be partially responsible for my followers who got scammed by bots or scumbags who take advantage of those at war with fake fundraisers, but even worse is that the help and money may not even reach those who actually need it. I thought I would be fine the first time. I don't really like posting too much about our depressing reality or watching news in general because my account was supposed to be a "safe SPACE" and a "nice little BUBBLE" for us to be happy and escape for awhile, so I didn'tmthink much about rebloggingit at first. I only wanted to help. But it just kept going and I got swept away. There's so many of them, but there's only one of me and I've been spiraling lately. So for now, I will no longer take any Asks about this subject (which I always avoid mentioning directly because the algorithm has it out for putting you guys down and I wanted you all to make it so I didn't tag those reblogs with such). I'll still take Asks provided they're related to my actual content and of course I'll still support raising awareness for Pal est ine, yet I also get it if this may appear selfish to some of you. I tried. I really did. But if you'd rather ignore, unfollow, or block me for this decision, I understand. I'm just sorry it had to come to this and that I wasn't strong enough to help more. -Bubs.

[kindahoping4forever]

my ultimate wish for this next era is they finally let Ryan go like they did Andy. I'm so sick of not getting the content we deserve. All the gatekeeping of tour diaries and now the crumbs of concert footage in that "documentary" yesterday. he was working for months on that? that's why we didn't get tour diaries? all that footage just goes in his vault now? Please.

Hello! I'm sorry to hear you felt disappointed by yesterday's special. However, I feel compelled to comment on a few objective points in your ask.

- "Live & Backstage in Amsterdam" was directed by James Tonkin, the same director (and production team, Hangman) they worked with on "The Feeling of Falling Upwards" (and the unreleased "Live in Brixton" special). Ryan was credited as director of the documentary footage and as a contributing editor (1 of 3) but the live footage and overall final program was not his work.

- Regardless of the particular creatives involved here (or in any given project for that matter), the fact remains that any directors, producers, photographers, etc are all hired hands operating with full input and specific direction from the band. The band chose to make this a hybrid concert film/documentary. The band chose to condense the setlist the way they did. The band chose this format over the traditional tour diaries. What happens to the unused footage will be determined by the band. Ryan is a friend but he is first and foremost an employee and the band owns that footage. (Likewise, the MYT diaries are not sitting on Andy Deluca's hard drive because he's "gatekeeping" or too lazy to edit it. If the band wanted them released, they'd be released.) All this to say, of course you don't have to agree with the decisions but it's important to clarify who your complaint is with.

- This concept of the band or their collaborators "gatekeeping" and fans not getting what we "deserve" is, to be blunt, entitled and immature. Being a fan does not make an artist indebted to you. They make music, if you feel so inclined, you listen. That's it. That's the extent of the contract. Anything beyond that is optional for both parties. Any content an artist chooses to release is not out of obligation or generosity, it's part business strategy, part artistic vision. Artists do not owe you anything. This band does not owe you anything.

[gingerteaonthetardis]

been up since 3 am thinking about spike btvs and that's going super well. does anyone want anything. maybe some tea while i'm up

[fragmentedblade]

Goodness, apparently Argenti's One and Only is named in Chinese after Rocinante, which is so fitting for him, especially with Himeko's words about him in mind