#but I’m still not sure if I’m connected to this one

[moonxknightx]

♡˗ˏ✎*ೃ˚ : OFF SCRIPT : :;

╰┈➤ ❝ [PAIRING] ❞ Hugh Jackman x F!Reader

・❥・GENRE: Fluff

ੈ✩‧₊˚ WARNINGS: None! Mentions of (Y/N)

˚₊· ͟͟͞͞➳❥SUMMARY: You star with Hugh Jackman in a steamy movie, but the lines between acting and reality blur when Hugh starts developing real feelings for you. After confessing his jealousy and attraction, you realize you feel the same, and the two of you go off-script to explore a genuine connection.

Based on this request.

THE MOVIE SET WAS BUZZING WITH EXCITEMENT, lights flickering, cameras rolling, and the tension in the air palpable. You’d landed the lead role in an upcoming erotic thriller—a bold career move that had sparked more than a few raised eyebrows. However, what really set tongues wagging was your co-star.

Hugh Jackman. The Wolverine. The greatest showman himself.

To say you were nervous was an understatement. At 55, Hugh was a global icon, still radiating that rugged charm and magnetic energy that made audiences swoon. You, on the other hand, were in your early thirties, on the rise, and wondering how on earth you’d ended up in a movie where you’d have to—well, you know—get intimate with Hugh Jackman.

The director had wasted no time throwing the two of you into the deep end. The first few scenes together? Explosive chemistry. And Hugh, ever the professional, made it feel so natural, even though you both spent half the day either semi-naked or in bed, pretending to tear each other’s clothes off.

~🎬~

"Alright, everyone, places!" The director clapped his hands, signaling the next shot.

You glanced at Hugh, who was casually leaning against a prop desk, shirtless. He caught your gaze, and for a moment, you thought you saw something in his eyes. Something that wasn’t just acting. You brushed it off as nerves.

"Let’s do this," you muttered to yourself, adjusting the strap of your robe, which you’d soon be dropping.

Hugh approached you, flashing that million-dollar grin. "You ready for this?"

"As ready as I’ll ever be," you replied with a nervous laugh. "I’m still not sure how you can do this with such confidence."

He chuckled, voice low and warm. "Years of experience, love. Just remember, it’s all choreography. We’re professionals."

You rolled your eyes playfully. "Right. Professionals. Naked professionals."

Before he could respond, the director’s voice boomed again, "And…action!"

The scene called for you to push Hugh up against the wall, all passion and heat, and for the next few minutes, that’s exactly what you did. Your bodies pressed together, lips inches apart, the camera capturing every bead of sweat, every intense breath. But between takes, there was something more—an almost imperceptible softness in Hugh’s touch, a lingering glance when the director called cut.

~🎬~

Later that day, you found yourself in another steamy scene—but this time, not with Hugh.

Jake, one of the other actors, had been cast as a secondary love interest, and while your chemistry with him was nowhere near as electric, it was enough to sell the scene. You were mid-take, kissing Jake on a couch when you noticed Hugh watching from behind the camera. He was supposed to be off set for this, but there he was, arms crossed, a small frown on his face.

"Cut!" The director called. "That was good, but I need more passion, (Y/N). Really go for it."

You tried again, but the second your lips met Jake’s, you caught Hugh’s expression in your peripheral vision. Was he…jealous?

The next take was even worse. Your brain refused to cooperate, replaying the image of Hugh standing there, looking like he was about to burst through the set like Wolverine in a rage.

Finally, the director let you both off the hook and called for a break. As you got up, wiping your mouth with the back of your hand, you felt a presence behind you. Hugh.

"Bit of a rough take, huh?" he said, his voice low, but his eyes held a teasing glint.

You spun to face him. "Were you watching?"

"Yeah, well…" He shrugged, trying to look casual. "It’s hard not to when…you know…" He gestured vaguely at Jake. "You’re out there, doing that."

You narrowed your eyes at him. "Doing what, Hugh?"

His lips twitched into a smirk, but he quickly suppressed it. "Nothing. Just… I mean, does it have to be so steamy?"

"Uh, yeah, it’s in the script," you teased back, crossing your arms. "Are you getting jealous?"

"What?" He let out a laugh that sounded way too forced. "Me? Jealous? Ridiculous!"

You stepped closer, eyes glinting with mischief. "Sounds like jealousy to me, Jackman."

"Okay, fine, maybe a little," he admitted, running a hand through his hair, that charming grin back on his face. "I mean, I get it. I know it’s acting, but…you know, it’s weird seeing you kiss someone else. Especially when we’ve, uh, done…everything but that."

You felt a blush creep up your neck, remembering your more intimate scenes with him. "Hugh, you do realize that we’re supposed to be acting professionals, right?"

He sighed, his smile turning softer. "Yeah, but sometimes, things get a little blurry. At least for me."

You blinked, caught off guard. "Wait… are you saying you…?"

"I’m saying I might’ve caught feelings for you somewhere between take seven of that bedroom scene and the moment you pushed me up against that wall," he confessed, his voice serious now.

Your heart did a weird flip in your chest. This was not in the script. "Hugh, I—"

"Look, I know there’s an age gap, and this is all very unprofessional, but…" He ran his hand over his face, clearly frustrated with himself. "I don’t know, (Y/N). It’s been getting harder to separate what’s real and what’s not."

You opened your mouth to respond, but the director called everyone back to set before you could get a word in.

~🎬~

The rest of the day was a blur, Hugh’s confession playing on a loop in your mind. By the time you wrapped for the day, you found him sitting in one of the trailers, staring at his phone, clearly deep in thought.

You knocked softly on the doorframe. "Hey."

He looked up, his face softening as soon as he saw you. "Hey."

You stepped inside, closing the door behind you. "So…about earlier."

He stood up, his hands slipping into his pockets, suddenly looking far less like the confident actor you knew. "Yeah, about that…"

"Was that you going off-script?" you teased, though your heart was racing.

He chuckled, but his eyes stayed serious. "Something like that."

You took a deep breath. "Well, for the record…I think I’ve been blurring the lines, too."

His eyes widened in surprise. "You have?"

You nodded, feeling your cheeks heat up. "Yeah. I mean, how could I not? You’re Hugh freakin’ Jackman."

He let out a real laugh this time, the tension in the room breaking. "And you’re (Y/N) freakin’ (L/N)."

You smiled, taking a step closer. "So, what do we do now?"

He shrugged, stepping toward you as well. "Well, there’s no script for this part. I say we improvise."

With that, Hugh closed the gap between you, pulling you into a soft, lingering kiss—one that felt far more real than anything the cameras had captured all day.

And for once, it wasn’t acting.

🏷️: @oatmilkriver @khxna @haytchee @corvusmorte @shybluebirdninja @chronicallybubbly @evasmlp @lex-the-flex

If you want to be added to the tag list, let me know!!

[enanansbbg]

Anhane’s relationship, and it’s complexity:

this was originally uploaded onto twt, but I wanted to reupload it here because I was very proud of this analysis, so please enjoy and feel free to add anything I may have missed or skipped over!

With that being said, here we go! ٩(๑❛ᴗ❛๑)۶

Let’s start with the basics. The pure power of their aibouness, and its connections to vivid street.

To begin, you must understand what a partner is in VBS terms. In this case, it’s ‘a person who brings out parts of you never knew existed’.

In relations to Anhane, this is based off pure raw emotions. This is shown through An’s abandonment issues and Kohane’s want to make her heart pound.

Kohane wants to recreate that feeling she felt when she first heard An singing inside of An, to ‘make her heart pound’, while An’s abandonment issues cause her to fear Kohane’s rapid growth may lead to Kohane abandoning her.

This also plays into a certain factor about Kohane and the idea of her and angst, I believe.

Many people want Kohane to have some kind of angst event, especially related to her backstory, but that would go against all her motives.

See, Kohane’s pure movies for pursuing music—for working to surpass Rad Weekend all tie back to An. It was hearing An singing at WG that made her heart pound and An asking her to be her singing partner that caused her to even consider music as an option.

From here, their relationship develops into a lot more, and it’s when the idea of partners ‘bringing out an ugly side of you’ comes to play.

You can see even in the maim story An not seeing Kohane as an equal. It only gets called out and resolved in Singing in Sync.

Singing In Sync, ep. 1 and 3

🎧: “In the unlikely event that something does go wrong, I’ll cover for you and get you back on track, okay?”

…

🎧: “I failed as her partner…I couldn’t protect her…

…

🎧: “I mean, she’s my partner…And I wanted to guide her so that she could sing without worrying…”

…

🥞: “You don’t think of Kohane as one of the team.”

An telling Kohane “I’ll protect you if you mess up” subconsciously puts the idea into Kohane’s head “I’m not good enough, so I’ll probably mess up” This is what caused the entire issue in SIS to begin with.

But it’s once An tells her “you can protect me too” that Kohane is able to subconsciously think “I have the power to make her heart pound too”

Singing in Sync, ep. 8

🎧: “If I miss a cue at the next event…”

🎧: “Could you cover for me?”

🐹: “An… Sure, I can do that!”

After this we get Awakening Beat. Kohane is able to come out of her shell and fully adapts the idea “I can make her heart pound too” and has a large boost in confidence because of it. An both brought her confidence down and back up in the spam of one rotation.

Awakening Beat, ep. 8

🎧: (“It’s like she’s not even the Kohane I know. Could this be because she’s completely resolved herself?”

🎧: (“But even with just that, she can really change this much…?”)

However….In the same event, An’s insecurities begin to bloom and in Bout for Beside You, An has to face them for the first time.

Awakening Beat, ep. 8, BFBY, ep. 4

🎧: (“I was just gonna tell her she did amazing… That I never knew she could sing that amazingly, but…”

🎧: (“What’s going on? I just can’t get the words out—”)

…

🎧: “Kohane is…going to leave me behind?”

Here, An realizes her and Kohane ‘perfect’ relationship is more complicated now. While Kohane’s adapted the idea of “I want to make her heart pound”, An opens to idea of “I wont he able to make her heart pound anymore” (they doki doki more than ddlc i swear)

At the end of the event, An ask Kohane the golden question. “If I were to leave somewhere far away, would we still sing together?”

BFBY, ep. 8

🎧: “But what would you do if I said that I’d be going somewhere far far away someday?”

🎧: “And I wanted to reach greater heights just like what Uncle Taiga did exploring the world. If I were to go to someplace even greater and far far away from here—”

Of course, Kohane affirms this. Naturally, Kohane takes a lot of pride in being An’s partner, being the only partner for her. (as said in ORS) She wants to keep singing with An forever.

BFBY, ep. 8

🐹: “Even so, I would want to keep singing with An-chan!”

🐹: “No matter where you go or what you become, I’d still want to be with you!”

🐹: “I want to properly stand beside you and sing with you!”

We’re gonna skip ahead a bit and jump up to KIUAN, where we get our lovely “She looks like Nagi-san” line, the line that killed every Anhane shipper in the tristate area.

But what makes this line so special? Well, for that let’s discuss what made Nagi’s death (and the lie surrounding it) so impactful.

Nagi was someone An looked up to highly. So, when she was suddenly told that Nagi moved, not even saying goodbye, to pursue her music career, it left a mark on An. Added to the fact that Nagi wasn’t returning An’s messages or calls, just completely disappeared.

Now, looking to Bout for Beside you and KIUAN, you can see the importance of these lines. An fears that Kohane will improve so much that she leaves without a word, never talks go her again and just moves on. It’s why she looks so distressed.

VOT ep. 8, BFBY, ep. 8, KIUAN ep. 7

🎧: “…Aww. I wonder what Nagi-san is doing over in America? I wish she’d give us a call at least.”

🎧: “Ah! Maybe I’ll send her a text then! I wonder if she’ll be surprised~?”

…

🎧: “But what would you do if I said that I’d be going somewhere far far away someday?”

…

🎧: “…She looks just like Nagi-san…”

And, it’s why she can’t even believe Kohane when she says just how important An is to her, how much she loves her and wants to sing with her because Nagi said the same thing and now Nagi is gone.

This manages to reach a resolve in WTWG, where An ‘fights’ Kohane, takes all those raw emotions out in a healthy way, through her song.

An’s card in WTWG is more than just ‘An takes her anger out on Kohane’, because in truth that’s not entirely what she’s doing. Instead, it’s An’s raw emotions taking form.

An wants Kohane to grow, she wants Kohane to thrive fully, but that fear of abandonment—Fear that Kohane will leave and never speak to her again makes her want to hold her close and never let her go anywhere.

So what about Kohane?

Well, starting with thr WTWG card/story, Kohane wants to be An’s best partner. As she states, ‘to make An’s heart pound’.

So, to be vulnerable here is to accept all of An’s raw emotions. Let her lean on her and feel everything because to Kohane, that makes her a worthy partner.

She says over and over throughout the fight that An is amazing, that she wants to be like her, how much it makes her heart pound. Really, it reminds me of Kohane’s colorfes story.

WTWG, ep. 7

🐹: (“An-chan…really is amazing.”)

🐹: (“…Whenever I hear An-chan sing, it really makes my heart pound like nothing else. It makes me wish I could sing like her.”)

In it, Kohane goes to Vivid Street, but everyone thinks she’s An. This happens after she thinks about what it would be like to be An, but only going through this dream does she realize that she doesn’t want to be An, she wants to be her. She wants to be An’s partner.

Colorfes Kohane ep. 1 and 2

Record Store Onee-san: “You caught me off guard, using polite like that, An-chan!”

🐹: (“Did she just say An-chan…?”)

…

🐹: (“—An-chan’s so cool and strong…and there’s times I wish I could be like her…”)

🐹: (“I have to be me! Because—”)

🎧: “—Y’know, I was thinking, your singing is always so amazing, Kohane.”

🎧: “Whenever I hear your singing, it makes my heart race. The tension rises, and it makes me feel like I have to start singing right now!”

🐹: (“Because I’m An-chan’s partner—!”)

And to be An’s partner, is to drag all those raw, vertical emotions out of An, just like she does in WTWG.

In conclusion, Anhane explosion their relationship is so complex and strong and I love it

[rosakuma]

The Defense of one suspect and reasoning why the other one is sus(big spoilers for ep14 of DRDT)

Okay so with the huge reveal in the latest episode, we had a big revelation that we are down to two people who could be the killers. This post shall be a heavy discussion of that, so if you haven’t check out the latest episode, please go watch it before continuing to read(thank you!) Also warning: This is very long so prepare yourself to read for awhile if you can or want to.

Those being Eden or Ace. These two are picked as the murders due to both being connected to Nico’s murder attempt on Ace's account of being there. As for why, it’s because only those two could see the murder scene and gain access to the most important part of the crime scene, the tape. I’ve seen both parties talk about why their respective theories on which one did it before this episode. And while I can’t guarantee who I believe is innocent is not the culprit or vice versa, I wanted to share why I don’t believe Ace is the killer. Which would leave Eden as the culprit(unless we get another twist that there was someone following her). I’m going to go point by point with my reasoning. It probably won’t be perfect, but hey. If no one going to try to defend Ace, then I will(poor dude needs it, like seriously it’s so sad he has no one in his corner).

Reason 1: The crime scene + tape

As Teruko concluded, the culprit is connected to Nico’s murder attempt and tries to reuse that method to kill Arei. We know for sure Teruko is not the killer obviously from seeing her POV+ no motive to do so. When we get to the murder scene, we see that before Ace gets up, Teruko and Eden have enough time to look around at what happened. While Eden tells Teruko she needs a minute to process this, for all we know Eden could’ve been scanning the room still or maybe even listening to Teruko’s explanation.

Right as Ace gets up, he’s in pain and yelling while knocking Eden to the ground. He then grabs onto his neck from it stinging in pain.

After Teruko questioned him on what happened, he explained Nico tried to kill him(which he would know it was Nico before being knocked out again since Nico verified that he woke up struggling from the fan before going unconscious again when he hit the floor). To which to add to this, Ace at this moment must’ve been trying to get the wire off of his neck while getting a glance at Nico before he caused the fan to fall down and knock him back unconscious.

He then bolts out of the room to go find Nico to kill them. Afterwards, Teruko and Eden are greeted by MonoTv who has to clean up the scene and then kicks them out. They both go after Ace, who after talking with Teruko, Eden, and Levi, goes into his room for the night.

Now this could arguably be either him or Eden who grabbed the tape. But let’s think about what happens here. Ace wakes up in pain after being unconscious, immediately tries putting pressure on the source of his pain, and then runs out of the room trying to find Nico which is on his mind. Ace didn’t have enough time to absorb what was happening to process what Nico did to him along with grabbing the tape. But Eden however? She had a few minutes to look around the scene and was even knocked down onto the floor. And what was on the floor before that happened? The tape. (Also ignore the pony reacting to the tape being missing, I just wanted to draw my sona reacting to it for fun)

Another important detail to this is that MonoTv kicked Teruko and Eden out of the gym to clean it up.

To which it stated “I kept the gym closed overnight to make sure everything was super dry. Don’t want you slipping and falling into my chemical cleaning brews!” Meaning no one would’ve been able to go back and grab the tape or see the crime scene before it was cleaned up. So at that moment if our potential killers wanted to get that tape for murder, it would have to be right at the moment Teruko and Eden entered and caught Nico. Ace only had one thing on his mind, which was finding Nico. So he would not have picked up the tape. Plus we have to keep in mind that Ace acts on his emotions rather than logic(basically he ain’t that smart). Bro was willing to kill Nico(even though the complications of what would happen if he did it) without stopping for a moment to realize what happened nor to let himself calm down. I doubt he thought of a complex idea to copy Nico’s murder on the spot like that. While Eden on the other hand, our little clockmaker would probably be able to understand the mechanism of this murder in a matter of minutes since she’s used to having to build and work with parts running in motion.

Reason 2: Eden’s behavior, the note, and the timing of Alibi

Eden’s behavior across this case has been strange to me on rewatch. When going to the moment when they found Arei dead. Whit tries to cheer up Eden who is sad and crying over Arei dying. Immediately afterward switching up in saying she’s fine and just needs to deal with it. Even being peppy of saying “I’m super ready to investigate! I’ll do everything I can to help find Arei’s killer”.

She then tries to investigate with Teruko before she rejects her out of worry she could be the killer. Eden still tries to follow Teruko after this and overhears her talking to Charles, Whit, and Rose about the note. We know the note does have Eden’s name and was written to Arei to come meet her at the playground.

Now the logic was brought up of why would Eden try to help resemble the note when that would incriminate her to be the killer. Well, remember, pieces of the note were missing, with the key part being the time on whether it’s “PM” or “AM”. This evidence must’ve been important for Eden to get to prevent anyone from knowing when the murder takes place. Since Arei’s murder was confirmed to have occurred at 7:30 am due to her swinging. We know Eden doesn’t have an alibi for the morning. Only at night around that time she does.

Even the nighttime alibi I argue could’ve not prevented her from getting the fish due to the time frame of when her alibi is and the relaxation room. Eden claims around 7:30 pm that she was cleaning up dinner with Hu, right around when people thought it was the original murder time. Nico claimed after dinner, they went to feed the fish and then left afterward without seeing anyone. We know the relaxation room closes at 10 pm.

To which I purposed that Eden would’ve had enough time to get the water before it closed and after Nico left. Nico didn’t keep track of what time they fed the fish right? So for all we know they could’ve finished up dinner early or around 7:30 pm, left, and fed the fish. I doubt it took Eden and Hu that long to clean up dinner, so she could’ve slipped and gone to the relaxation room before 10 pm to receive the fish. Now yes you can still apply this to Ace of doing this still too, but I just wanted to point out that Eden could’ve still done it within the time frame. Eden if she was the culprit, she would wanted the note to be vague originally to make them think it was around 7:30pm as around the time of her alibi with Hu so no one would think of any suspicious on her possibly preparing for Arei’s murder for in the morning. Which would by default make someone like Ace who has no alibis at nighttime and the morning seem more suspicious than her who has one at least during nighttime. Thus why she came over to help repair the note as while it would make her seem suspicious of restoring it, she could argue with someone trying to frame her and that “Why would I help repair something that would incriminate me!?”

Reason 3: Evidence that doesn’t add up with Ace.

The evidence that confuses me with Ace being the killer is the starch ball and the turpentine. The starch ball most fans have concluded is turpentine, which was used for the clothes to stick them together. The thing is we don’t know the exact use this has in the murder case. But that isn’t important for this yet, what is important is where it came from. Charles found the ball in the dress-up room formed by Teruko and Hu’s old clothes.

The clothes were left in the dressing room. Meaning the murderer must’ve known about this outfit change occurring in there. We see suspiciously later that before Nico’s murder attempt, Eden was already there when Teruko went to that room. Eden claims she heard about the outfit change from Hu and went there to receive the new clothes for her and Teruko.

Eden at this time could’ve easily gotten hold of Teruko and Hu’s old clothes to use. Not to mention, if we assume that Eden was going to plan to kill Arei(just maybe didn’t have a set method yet), their conversation between them of Arei promising to be Eden’s friend happened before she came here.

As for Ace, when at any point was he in the dressing room? He wasn’t there when Teruko, Hu, and Whit had outfit changes or after it. So I’m confused about where Ace could’ve known about the clothes and got them to form the ball. And the ball has to be important as otherwise why is it there? It needs to be used for some part of the murder we haven’t figured out(my guess is it was used to knock out Arei) as I doubt the Dev would’ve just added a useless piece of evidence(even in DR there wasn’t evidence that was useless or not used). The only thing I’m confused about is how Eden got the turpentine, but idk how Ace would’ve either.

Reason 4: Fricken David

Okay I know this is David we’re talking about here and we know he’s a lying scumbag who tried manipulating everyone into committing mass suicide to follow in what he thinks Xander wanted to do to end the killing game. But I don’t think he’s lying about seeing Arei first. As much David trying to get everyone killed here(which causes more doubt of agreeing with J on he could be lying AND putting the idea into Teruko’s head that “Oh you want to distrust others, it’s the only thing you can do” which would motivate her into trusting Eden), I think he’s serious about Arei. If David truly didn’t care about Arei, then why were we shown that flashback that continued off of the conversation Arei and David had that Ace overheard?

David thought back on that moment when Arei confided in him that she was relieved they were the same and that maybe they could be friends while learning to be less shitty together. He even lied to Eden that nothing else happened because he didn’t want to share that moment or possibly give despair to Eden about what happened between them.

Even before when he had his fake persona on, the way he reacted about Arei dying and in the trial of his feelings towards the killer…I feel like it’s one of the rare times he’s being genuine about his feelings here. Arei was someone who understood him and could’ve helped him as a friend…to only lose her the next day. Of course, he’d be pissed and upset. I can even believe he did see her first because in disbelief or upset that he lost the only person who truly knew and understood him. Following I wrote out the dialogue word for word of the scene where David describes how Arei could’ve fallen for the note, him showing disgust for the killer, and even Eden showing regret in thinking this(which before we thought was just about the note, but now…she might’ve meant that as “I killed Arei and all she wanted to do was change…but I didn’t give her that chance….it is my fault”).

David: What kind of person would fall for such an obvious trap? You’d have to be shortsighted, naive, foolish, senseless, downright idiotic.. Unless, of course, you were Arei

David: That girl wanted desperately to prove herself as a “friend” to Eden. And yet she completely lacked any experience with what “friends” were actually like.

David: Of course it never occurred to her that handling out suspicious notes was something that normal people did. What could she know about “friendship” after all? Someone like her, who had not once experienced kindness in entire her life up until now?

David: Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn’t understand in the slightest.

David: It’s…it’s so…Ahaha. It’s just so foolish. For someone to take advantage of Arei like that….

David: It’s absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.

Eden: …So then…It really is my fault…isn’t it? She died because she believed in me

With David’s expression throughout this entire scene even if this was before he revealed his true colors. It shows signs of his true self and how much he really loathes the person who killed Arei. He knows personally that she wanted to change and that she understood him. There’s no way by now he’s making it up that he didn’t see her body with knowing how much emotion he has in his facial expression and dialogue in this scene. It also really doesn’t help Eden’s case of seeming so regretful after this.

Reason 5: The theme of the chapter overall

Okay, so I think ultimately to me at least, why it doesn’t seem like Ace would fit as the culprit of this chapter is due to its theme. The theme is “There are no good or bad people” and “Everyone is not always what they seem”. We see throughout this chapter that every character we thought was a “good person” is slowly showing their flaws and even turning out to have some darkness in them.

We thought Levi was just an awkward guy who wanted to be helpful to others around him, turns out he killed 4 people(one is his dad) and barely remembers it because no one he cares about as the concept of caring for others is foreign to him and he just tries to copies others to try to be good. Nico seems like a shy person who struggles to defend themself from bullies like Ace. Nico then literally tries to murder Ace and almost does, while admitting(with regret) that they did try to kill Ace because Ace reminded them of their traumatic past with their peers, teachers, and father. David is the biggest example of someone we thought cared about giving inspirational speeches to others to turn out to be a manipulative jerk who might be suffering from depression(if he was telling the truth which I think he was to some extent). Even others had their moments too with Arturo being revealed to have guilt over his sister dying because he left and threatening Eden to keep it secret, Veronika only doing her talent to prevent herself from self-harming her, and even Hu showing her flaws of trying to be useful and letting her ego get the best of her in defending the wrong people.

So looking at both of our two culprits, Eden fits to be the main culprit. Before all of the reveals and Arei’s revelation about good and bad, I felt like the characters were categorized into two groups. The “Saints/Good people” and “The jerks/irredeemable ones”. Like what Arei said, she thought people like Eden and David were the ideal good people to look up to or to be, while someone like her who had a rough start and ended up as a jerk cannot ever be good. To assume that means not seeing any of the other cast people as people generally can either be good or bad or even neither(morally grey).

We see the flaws of who we thought was the ideal good or potentially good person of David, Hu, Nico, or Levi while seeing there’s more than what meets the eye to the jerk group of Arturo, Ace, and Arei(the triple A battery squad lol). Eden is the only person left in the cast we haven’t seen(not counting her being responsible for Xander’s eye as only us the audience seen that) whose main flaws or her status as a good person is broken. I’m not saying Eden has to be the culprit to reveal she was secretly evil all this time! But she has to be the culprit because she has yet to be shown as human as Arei is. Ace started as a jerk and while still is, we get hints and see how his situation is a tragic one. Like Arei, he probably had a bad start in life or before this killing game that affected him. His worst enemies are himself and the others, he has no one to defend his side for who he is to them. Despite the fact, that he’s a victim of an almost murder attempt on his life and even a victim of an eating disorder that is eating away from his body and mind. Ace unlike Eden or Nico doesn’t have someone willing to defend him or speak up for him when in trouble. The one person he did think he had was Levi, but that was just a projection.

Eden on the other hand I feel like what’s not talked about her is her main flaw of being “weak” and relying on others.

Examples:

▪️Ep 9 when Eden says “Teruko! Back me up!” “You’re smart and you always know what evidence to use during the class trial so find a way to show everyone they’re wrong about Arei!” “Please! I’m relying on you!”

▪️Ep 10 when Eden says “If I was strong enough…If I didn’t need Arei to help me…” and Arei saying “Just as I thought, you’re pathetic and weak, and you always need to rely on others to get by”

In a sense, this parallels Nico who attempted to murk Ace because others had to pick up their battle and Ace called them weak for not being able to stand up for themselves. Eden for all we know might’ve gone through the same thing when Arei yelled at her and it resulted in her planning Arei’s demise. Like Nico, she probably regrets it now. But unlike them, Eden isn’t admitting to this flaw of being the cause of this situation and is trying to rely on others like Teruko to defend her from being accused of Arei’s murder. Even down to doing the same hug that Min did to Teruko previous chapter.

Another point to add is that with the previous points showing a bit of Eden showing guilt. I can possible see her main motive of killing Arei is because of not believing her at the time. Even Arei notes this in ep10

Arei: That look you’re giving me…You don’t believe me, do you? Figures.

Arei: I’ve been so shitty and manipulative this whole time. It’s only fair that you think I’m only putting on another fake act to make people like me.

Ultimately to fit what Arei said even someone as sickeningly sweet as Eden had done something bad, which makes her human. Eden I feel has to be the culprit as what would Ace fit in this? It would just feel like Arei’s words meant nothing and Ace was the irredeemable jerk the whole time who “got what he deserved” despite not having anyone to reach out to him like David did for Arei.

Hooboy that was long. Like I say this may not be perfect in terms of defense of Ace and might not fully cement Eden as the culprit. For all we know, there could be a secret third option. Plus there still isn’t a full explanation for some parts like how both parties got the turpentine or Eden’s stalker(tbh tho I could just see her being paranoid it’s Arturo and Bro is stalking J so). But I just wanted to share my piece as I think part 2 of ch.2 did make me see Ace in a different light and Eden too, to where I wanted to at least give Ace a defense the best I could because he doesn’t have anyone on his side. Along with highlight parts of Eden’s character I feel needs adjust for why she could be the culprit. Anyway, might make more post stuff on analyzing Ace or other parts of the case. If you have any thoughts, share them! As long we’re all civil and just having fun with this tragically emotional case, I’m happy to hear others' thoughts on who dunnit. Thanks for reading!^^

[geraskierfanficprompts]

When Jaskier's angry or upset, it's always "Don't touch me!" "Get away!" "Hands off!" And then the bard will be gone for hours or days until he calms down.

Now, Geralt understands this kind of reaction. He himself doesn't want to talk to/be around others when he's angry. Much less let anyone touch him. The thing is...Jaskier acting that way never fails to make Geralt feel like shit. Jaskier is usually so affectionate that the sudden cut off is jarring. The first few times it happened, Geralt had been sure that Jaskier was fed up with him and leaving for good.

However, Jaskier always returns. They make amends, and the bard resumes his touchy, affectionate ways.

One day though, they have their worst argument yet. And although he had always come back before, Geralt is certain that this is the time Jaskier will leave forever. If Jaskier walks out that door, Geralt is sure he will never see him again.

So, unthinkingly, Geralt catches the bard's wrist.

Jaskier's eyes widen, panic replaces anger. "Geralt! Let me go! Let me go right now!"

Geralt loosens his grip reflexively in response to Jaskier's panic. Did the bard think the witcher would force him to stay?

He opens his mouth to try to explain.

Only, the world is...spinning? And Geralt's tongue is heavy. And everything is warm. Oh, he feels like he’s going to hurl.

Then, he passes out.

An unknown amount of time later, Geralt wakes. He feels kind of hungover but is otherwise fine. To his relief, Jaskier is sitting at his bedside.

When the bard notices Geralt is awake, he inquires after his health. At Geralt's reassurance that he is fine, Jaskier launched into a tirade about the number of times he had told Geralt "NOT TO TOUCH ME WHEN I’M MAD! AND THAT INCLUDES RIGHT NOW, YOU SCARED ME HALF TO DEATH, YOU BASTARD!!!"

Geralt is a bit confused about how Jaskier being mad and his fainting spell are connected.

Two things are revealed:

1) Jaskier is part fae.

2) Some fae become toxic to touch when they are angry or upset. It is a magical trait, so it fades when the anger does. However, it can still be deadly.

This puts some things into perspective. Like how Jaskier, who seems to feel entitled to his emotions/reactions no matter how inappropriate they may be, is very skilled at cooling his temper. Or how, when he does become angry, he chooses verbal slander over physical violence. Or how when there IS a physical fight Jaskier wraps his hands in cloth and tries to use blunt instruments.

Bonus: Geralt tells all of the witchers not to touch Jaskier when he's mad, and Lambert takes that as a challenge.

I LOVE THIS!!!!!! OH MY GOODDDDDD!!! You take the things we spoke about and add onto it like putting glitter on a macaroni art craft, it's beautiful, It's so beautiful, oh my god! Poor Geralt thought his bard was leaving and poor Jaskier has to watch his stupid idiot Witcher touch him, gAH I love it! I want to read a 5k oneshot about it

[literary-motif]

Yo are so good at writing wowow!

Also I’m sorry to other again but suggestion!

May I ask that you write something where Love is doubting Xanthus’ love for them? He’s trying his best but they don’t believe him?

<33

Whatever Souls Are Made Of

Xanthus Claiborne x Reader

“Xanthus, do you love me?” you asked suddenly, needing to find answers to the uncertainty swirling in your mind. 

He chuckled, missing the heavy seriousness of your question. “I call you ‘my love’ for a reason, don’t I?”

He felt you tense, the peaceful moment spent cuddling on Dontis’ couch — a respite as you basked in the eye of the storm before everything would come to a head a few days from now — shattered as you broke the illusion. 

You sat up, disentangling yourself from his arms. “Yes, but do you love me?” you asked, looking at him with a mixture of weariness and fear. 

There was uncertainty in your gaze, he understood, along with longing and heartbreaking doubt.

“What is this line of question, my love?”

You averted your gaze, knowing it did nothing to hide the turmoil in your chest. You did not know what to believe. “I mean, this is predestined, isn’t it? How— how can you be sure that what you’re feeling is love? How— what if we weren’t bonded? Would you love me the same?”

Your whirlwind of emotions seeped into the bond. Xanthus had felt the creeping bleakness, the crawling uncertainty, approaching like a thunderstorm. He had felt the static in the air around him — thick with unbroken tension. 

This should not have come as a surprise. He should have known better that the human mind always longed to understand. He should have known that the all-encompassing feeling of absolute devotion — the love he had for you, and you in turn for him — was not a gift either of you could accept without question. He had tried to distract himself from the nagging voice in his head sowing doubts, but his research into the bond had been cut short due to obvious present circumstances. 

Fated love or not, he did not want to lose you — could not dare to, if he wanted to keep his sanity. The inquiry about the nature of his feelings needed to wait until the threat on your lives was terminated. 

“Would you?” you pressed, looking at him with pleading eyes. 

He sighed. What was he supposed to say?

“No.”

Your expression dropped. He thought he could pinpoint the very instance in which your heart cracked. 

“Wait, let me finish. I could not love you the same way. The love we have — this feeling shared between us — is something much deeper than common, maddening romantic love. It feels like our very souls are entwined — if something like souls actually exist. It feels like you are a part of me in the rawest sense, as if our connection transgresses the laws of space and time. I cannot breathe without you, and I feel you. When I close my eyes, I can sense you. I see all of you. A feeling so complete is more than love.”

You nodded, a twinge of hurt still nestled in your heart. “I know the feeling,” you said, taking in Xanthus’ soothing smile. 

His hand reached out to brush through your hair. You leaned away, making him freeze.

“But do you love me?”

Xanthus dropped his hand. He looked deep in thought, like one of the countless philosophers he no doubt met, pondering the virtue of morality and the meaning of life. He opened his mouth to reply, hesitating. “I don’t know.”

At least he was honest. 

“Thank you,” you said. “I— I know that we didn’t choose this. We didn’t fall in love, it was just there suddenly. How real can it all be if it is all evoked by some blood magic?”

“It’s not ‘blood magic.’”

“But still! The sentiment remains, and I— I feel the same way about you. I have this urge to be near you at all times. I am scared when you’re not there. I can’t think straight when there is a surge of emotion in me that is not my own. It feels like a part of you is also a part of me — or maybe we’re two parts of a whole — but what autonomy does this give us? Do you think we could fall out of love?”

“We’re not in love. How could we fall out of it?”

His answer made you pause. He was right, on a technicality. It was the sort of detail that turned the argument, and you could not even scoff because he was right, and the philosophical streak in your discussion had made it transgress from a mere exchange of feelings and love-assurances — or lack thereof — to a much broader, more fundamental one. 

“True,” you conceded, leaning against the couch. Xanthus raised his arm in silent invitation for you to cuddle against his side. You accepted, leaning your head against his shoulder and feeling the immediate relief rushing through you at his warm embrace. “My argument for autonomy still stands. How can we trust this feeling between us? Not this love, because it is not it—”

“It’s more.”

“No, it’s different.”

He chuckled, and you felt the sound of it deep in his chest. “How very romantic of you to think of love as the ultimate good. The feeling between us surpasses love. It is more than every other emotion put together and amplified by a thousand — it is different. It is different  because it is more.”

“You mean it is more than an emotion?”

“Yes, I suppose. I think of it as an eternal tie, binding us together like the strings of fate.”

“You don’t believe this thing — the bond — between us can subside? You don’t think, with time, the intensity will diminish?”

“No, I don’t believe it will.”

“Do you think our meeting was fate?”

He paused, giving you a sly smile. The socratic method you applied to the discussion — probing him with questions and analyzing his answers — made him feel as if he was back in the drawing room of Schopenhauer, listening to his long-winded speeches while glancing at the skyline of Frankfurt. 

“Are we branching into Metaphysics, love? It’s going to be a long night,” he said, squeezing you tighter. “No matter what I believe, I know how I feel about you. Where it comes from and why these feelings curse through me is secondary. I love you, for lack of a better term — but when I tell you, know I mean that the same overwhelming feelings you have are reciprocated until the end of time.”

[queen-of-the-avengers]

Dangerous Liaisons

Pairing: Loki Laufeyson x Female!Reader

Word Count: ~2.5k

Warnings: angst, prison!loki

Summary: You do your best to make sure the prisoners of the prison you work at get the utmost care that you can give them. The prison gets a new inmate, one that you see yourself connecting with.

Squares Filled: prison au (2021) for @lokibingo

Author’s Note: any and all comments are greatly appreciated <3

x

You leave the prisoner’s cell with a heavy sigh. Most of the time, you like your job because that means you’re healing people but not when they try and kill you, too. This American prison is one of the worst in the country because it houses the worst of the worst, the most dangerous individuals known to man. Your brother often tells you that you should quit and work in the hospital he works at, but you actually like it here as weird as it sounds.

Some of the prisoners are a menace that makes you want to quit your job, but there are other prisoners who think of prison as a rehab and try to get better. They’re still the most dangerous men due to the nature of their crimes, but at least they’re trying to become better.

You’re here to nurse anyone back to health because believe it or not, there are a lot of stabbings that happen here. You do your best to take care of the inmates as much as you can without letting the job affect you that much. Mental health is just as important.

You walk back to your station in the middle of the prison where the other nurses are gossiping. You try not to participate in the gossip especially when it comes to the other inmates, but it’s hard not to when you work so closely with one another.

“What are you two whispering about?” you ask.

“Did you hear? We’re getting another inmate.”

“Really? Aren't we at capacity?”

“I’m not sure.”

“Who is it?” you ask.

Neither women know the answer to that. All they know is that he is probably the worst of the worst, and that’s saying something. It doesn’t take long for the new inmate to get here, and you’re looking out the window for him. A herd of guards walks down the hallway with the new inmate stuck in between them. You gasp when you see the prisoner. You know who that is. You’ve seen him destroy New York while you were safe in your house in another state.

Loki’s chains connect his ankle handcuffs and wrist handcuffs, only allowing him enough room to take a small step forward. He has a metal muzzle on his face, covering just his mouth. He can use magic so they thought putting a muzzle on him was best to keep him from using it. He doesn’t look bothered about being here but maybe he’s really good at hiding his true emotions.

Loki looks at the nurse’s station and locks eyes with you. Even though there is a muzzle over his mouth, you can see the smirk on his face. His eyes are a powerful blue that gives his expressions away. A shiver rolls down your spine from how intense his gaze is. You’ve met and been with men who knew how to take your breath away, but never has someone been able to do that just by looking at you.

Plus, it doesn’t help that he’s extremely good-looking.

From what you can see, he has cuts and bruises on his face from what, you’re not sure. The guards take Loki to the most secure prison cell in the place. The place had been under construction for a while, probably getting Loki’s cell ready. The warden walks into the nurse’s station and approaches you.

“Consider him your new patient.”

“What?”

“I don’t want anyone else but you with him. You’re the best nurse I’ve got on staff, but don’t tell the others,” he jokes.

“Oh...kay,” you say slowly.

“Don’t worry about him hurting you. We have taken extra precautions to ensure everyone’s safety. There are guards in place if the chains fail, but they won’t. Tony Stark made them.”

“Do you need me to do it now?”

Preferably within the hour. We don’t want to give him an excuse to be let out.”

You go as soon as you can just so you can get this out of the way. You don’t know Loki, only what he’s done, but you know more than most that your actions don’t define who you are. Look at some of the prisoners here. They know what they did was wrong and are trying to better themselves for it even though they may never be released from prison.

You gasp when you see Loki chained up like some animal. The muzzle is still on his face and a chain is hooked to the chain connecting his arms and legs. That chain is connected to a hook on the floor so he can’t escape. Loki is a magical being that is over a thousand years old (yes, you did research on him). If he wants out of the chains, he’s getting out. Why isn’t he? Why did they let him take him? The other inmates have free roam in their cells but Loki is chained to the ground.

How is that fair?

You walk up to Loki and look into his blazing blue eyes. They’re like oceans. He looks like he’d be the quiet one even without the muzzle on.

“Hi, my name is Y/N. I’ll be your nurse. I’m here to clean you up and make sure those cuts aren’t going to get infected.” He doesn’t say anything, obviously. “I’ll be by every day to make sure your wounds aren’t infected and to check your vitals to make sure you’re not sick.”

You roll over a table and put your first aid kit on it, pulling out the things you need. You use a cotton swab to clean up the blood around the edges of the wounds before dabbing a paper towel on the wounds gently. He doesn’t seem to be in pain and if he is, he doesn't show it.

“Let me tell you a little bit about me so you’re not uncomfortable with me. I started working here about six years ago. It’s not always the best but I love what I do. My brother who is a doctor wants me to work in his hospital but I don’t think I’d ever leave here. When I’m not working here, I like to do ceramics. I have a kiln at home where I make my own bowls and other little sculptures. I don’t need the money but I like to sell them. People seem to like it.”

Loki has a twinkle in his eyes as he listens to you ramble. You do that when you’re nervous, and he really makes you nervous. You continue to ramble as you clean his wounds, finishing in just over an hour later. You leave his cell and return to the nurse’s station in thought. You did minor research on Loki when he attacked New York, and you set a reminder to do some more when you go home tonight. It doesn’t matter what anyone at this prison has done. No one should be locked up like an animal. Your coworkers don’t share the same views as you, but everyone is entitled to their opinion.

When you return to work the next day, the first prisoner you see is Loki. There are guards located outside of his cell twenty-four-seven but you don’t think Loki will escape… maybe. You walk to his cell but the guards don’t move from their spot. Each prisoner gets an hour of your time each day with the more severe cases getting an extra one. They like Loki to be last so that you can focus on everyone else and not give him special privileges, but there is no way you’re putting his health risks below others.

“Excuse me.”

“We can’t let you enter.”

“What did you just say?”

“The warden said--”

“I don’t care what the warden says. My job is to take care of prisoners with wounds, and Loki has several cuts not only to his face but upper chest. Cuts that if left untreated will get infected causing him to be sick and possibly die. Even if he didn’t have anything physically wrong with him, you have him locked up like some animal so he isn’t getting exercise. His muscles will start to atrophy. Now, do you want me to report that to the warden or do you want to step aside and let me do my damn job?”

Both guards look at each other before stepping away from the door. You lift your nose up and yank the door open before walking inside. Loki looks up when he sees you and almost smiles at the determination on your face. You roll the same first aid cart over to Loki and remove the bandages to check on his wounds.

“Oh, don’t look at me like that. What was I supposed to say to them? It’s not right how they’re treating you.” You grab more cotton swabs and wipe away the leakage that’s expected to come from the wounds. “Anyhow, aren’t Gods supposed to self-heal?” You pause. “That’s what I hear you are. You and Thor. Gods. Norse Gods, actually. Sorry, I ramble when I’m nervous. You make me nervous.”

You grab the stitches to stitch two wounds together since they are deep enough to leave a scar if not properly healed.

“I read about you when I got home last night like some stalker fangirl.” Your eyes widen. “Which I’m not, by the way. I just… I saw what you did to New York on TV. I know what you did in Germany.” His eyes grow sad. “Don’t worry, I don’t think you’re as bad as they say you are. We all make mistakes, right?”

Of course, he doesn’t answer. You take your time in stitching up the two wounds before cleaning the rest of them and putting bandages back on them. Next, you check to make sure the restraints aren’t on too tight because you’d hate if you were the one being restrained and it was uncomfortable.

“Are you uncomfortable?” you ask. He shakes his head in response. “Have they brought you any food?” Another shake. “Are you hungry?” This time, he nods. “Okay, I’ll be right back with something to eat. Any preferences?”

Your joke makes the edges of his eyes crinkle. He’s smiling underneath his muzzle. That’s a good sign, you think. You leave and head to the cafeteria to get a tray of food for him. You sneak in one or two extra items just because you’re feeling generous. The door to the kitchen slams open and the warden walks in with fire in his eyes.

“What do you think you’re doing?”

“No, what do you think you’re doing? Are you keeping food from Loki? He deserves to eat.”

“A monster like him doesn’t deserve that. Plus, he’s not even human.”

“If he doesn’t eat, he’ll die,” you glare.

The warden shrugs as if that doesn’t bother him. He looks at the tray in your hands before leaving. You roll your eyes and continue filing the tray until you have more than enough for him. The guards don’t give you any trouble when you return back to Loki’s cell. He looks up and sees the food. He has to admit, he is hungry but he doesn’t think he’d accept any food if it didn’t come from you. You two have only known each other for less than two days but he feels a sort of connection with you that he has never made with a human.

You roll the first aid cart over to you and clear off the top before putting the tray there. With both hands free, you reach up and touch the clasp of the muzzle.

“I’m going to take this off now. I don’t think it’s right that they have this on you like some kind of animal.”

You remove the muzzle but Loki still doesn’t say anything. Since his hands are chained, you have to feed him but he doesn’t seem to mind. You take your time and ramble on about the different sculptures you’ve made, momentarily forgetting where you are.

“I’m not gonna put this back on,” you say about the muzzle once Loki has finished everything you brought to him. “Like I said. I don’t think it’s right.” With the muzzle off, you can see the hint of a smile on his face. Loki shifts and you look at the restraints on him. “Don’t tell anyone, but I’m going to loosen your restraints just a little. They look tight.” You use the master key and loosen his restraints, allowing him some more room to stand properly and move about. “Is that better?” He nods. “I’ll be back later with more food and to check to see how you’re doing.”

You take the empty tray and leave his cell. You spend more time checking on the other prisoners than you’d like only because two of them got into a stabbing match in the courtyard. After you get done with them, you go back to the nurse’s station to grab some snacks from your lunch box. It’s better than eating that slop in the cafeteria.

You’re the last one left in the nurse’s station since all the others have gone home for the day. You have more patients than the others because most of them request you to fix them. It doesn’t matter what someone did, you’ll treat them the same way you treat everyone else. It’s better for your conscious.

All of a sudden, the lights go out in the station only for bright red lights to replace them. Alarms echo down the hallway, and most of the prisoners become erratic from the sound. Someone has escaped. They only put those alarms out when someone has escaped from their cell. It better not be Jacobson. He has a habit of finding new ways to piss off the warden.

You continue putting food on the tray when you feel a breeze a your back. The door is open. You look up and see a figure standing behind you through the reflection on the window. That’s not Jacobson. For one, he’s a very lanky short man. The man behind you is tall… very tall. You’re frozen in fear because you have no idea who is behind you. If he wanted to, he could kill you without a second thought.

“Hello, darling.” The man steps underneath the red light and you see those piercing blue eyes. You turn to face Loki as he walks closer to you. His voice is much deeper than you thought it’d be… much more raspy. You must have loosened the restraints too much. He reaches out to you and tucks your hair behind your ear. “Don’t be scared. I won’t hurt you.”

“I’m not scared,” you say truthfully.

“Good girl,” he grins. “I wish I could stay but I have somewhere I need to be. Believe me when I say I’ll be back.”

He leans in and presses a gentle kiss to your cheek. Just like that, he’s gone. You believe him when he says he’ll be back. Funny thing is, you’re kind of looking forward to it.

x

Want to be tagged? Follow my library blog @aqueenslibrary​​​​​​ where I reblog all my stories, so you can put notifications on there without the extra stuff :)

[danny-doodles]

Steve’s Hobby

This is a short 2k blurb about one of my Steve hcs, I am only really good at critical analysis writing so I’m sorry if this is bad!! Creative writing isn’t my strong suit but I felt like I couldn’t really explain this hc in a drawing as well as writing it could.

Growing up Steve was often taught the importance of words from his father, thinking it would be useful for his son’s future in the business. Steve was never the best reader, letters jumping around the page made it too difficult, so instead he listened to everyone around him. Teachers, his parent’s coworkers, older kids, all of them taught him the importance of the meaning of words.

How certain words would make someone a town pariah yet others a god among men. Steve was a more quiet kid but as he grew up he also grew confident in his words. He could tear someone down with one sentence, ensuring they knew he was not to be messed with. That’s why he was so confused when he struggled in his english class, he knew the power of words and the many meanings, but his teacher never understood. Sure he made grammar errors, how no one else struggled with the dancing letters he didn’t get, but how could the teachers not understand his connections? Steve shouldn’t have to explain why the red of the handmaid’s cloaks represented the ripping of humanity from the women, it was so clear to him. Obviously the boar head could be comparable to the church, how could his teachers not make the connection?

Even Nancy didn’t understand, someone he considered smarter than him. He knew she was trying to be nice when she critiqued his college paper but it still left him in the fog. Basketball was war to him, a fight that was pointless with one but possible with many. A challenge that called for leadership and a strict order. Everyone had the roles, knew where and when to shoot, needed the ability to think quickly on their feet and not struggle under the pressure. Uniforms to not only separate from the enemy but to show they are a unit reaching for a common goal. It was so clear leaving no need to explain, especially to Nancy.

But she didn’t get it, no one got it.

Maybe he wasn’t as good with words as he thought.

Steve from then on fumbled his words when he got nervous, scared he would say something that made him sound dumb and point out his weakness with words. The concussions didn’t help either, making him take longer to grasp concepts. Reading felt nearly impossible, the headaches were unbearable. Not to mention the kids' comments, judgmental and brutal as if Steve didn’t have a reason to struggle in the first place.

Everyone around him loved to put him in a sudden spotlight and when he didn’t say the right line he was booed off stage and dealt with the looks of disappointment from his co stars for messing up. So Steve stuck to what he knew, his quick remarks. Were they bitchy? Yes, but not coated in malice like they used to be. Piggybacking off others points with sarcastic comments so the other person kept talking, anything to get the attention of him.

But Steve had a secret hobby that he shared with no one, not even with his platonic soulmate with a capital P Robin.

Steve wrote poetry.

Years of horrors that by law he couldn’t share that caused vicious nightmares and a clammy grasp on reality at times tended to keep Steve up. Another gift bestowed by his father though was a feeling of shame when sharing his emotions. Didn’t help that those emotions were typically down played or outright ignored by others. Therefore a bottle filled with his emotions rested in Steve’s chest, which after Vecna he really realized probably wasn’t the smartest thing to do. So Steve took to writing them down, but he did it for himself.

No need to explain everything, he knew what he meant, he knew every context of every word. He wrote on his experiences, his emotions. He wrote when he was happy, he wrote when he was sad. Steve wrote and wrote and found his love for words again. And god did it feel good, it felt like taking back his voice from a world that underappreciated it. In a weird way it felt like revisiting a relative he had last seen as a child, that sense of freedom and the loss of expectation because in their eyes he was still that little kid. All they wanted was to see someone they loved and to Steve the words welcomed him back with a hug that rivaled his Nonna Maria’s.

Steve would ponder over lines at random intervals of the day, biting his pencil between his teeth during the quiet hours at work or simply jotting down a line right before picking the kids up. Steve wrote so often he kept his small little notebook on him at all times, usually accompanied by a pencil bound to it with a rubber band. (Turns out having hearing aids and glasses made it really difficult to put pencils behind one's ears). At this point everyone had seen his notebook, pale blue with some star stickers because he never had a shortage of them. Everyone assumed it was for something different. Some thought it was grocery lists, to-do lists, something productive. Others thought it was like a pocket calendar with all his plans listed so he didn’t forget. Dustin insisted it was meant to hold the definitions of anything D&D related so Steve never forgot, meanwhile Robin argued it was to hold all the wonderfully obscure movie recommendations she loved to give. All of them were wrong though and Steve kind of adored it that way. He didn’t have to explain himself that way, he could continue to hide under the blankets. Steve no longer held his tongue out of fear of others but because he had an outlet he much rather prefer.

Listening now felt less like a pop quiz, waiting for him to mess up his response, it felt like an actual conversation. Steve may not speak up as much as he would have before the Upside Down but he fell back in love with his own voice and maybe one day he would feel confident enough to share it with the Party, but for now it was all his.

No matter how much they wanted to prove who was right, the kids and older teenagers never touched the book when it was rarely separated from Steve. Well...after someone tried to grab it and they learned they really shouldn’t touch it.

While at the Harrington house the Party were preparing for a campaign session when the argument about the pale binded pages was brought up again. Steve had left it on the kitchen counter while he went to the bathroom, and Mike decided he was done with the bickering. He shot up and went to retrieve and open the book but before he could grab it the book flew through the air.

All the heads turned and landed on El holding it in her hand, “We are not Steve, this is his. It is rude to invade his privacy, would you like me to watch you without telling you,” everyone quietly shook their heads, “Then we do not watch Steve without him knowing.”

That’s exactly when Steve walked back in, it takes one look across the room at all the embarrassed faces and El holding his book with frustration painting her eyes to know what had occurred while he was gone. He walks up, kisses El on her head and softly thanks her while taking back his little literature.

After that incident no one dared touch the book or face the wrath of their favorite mage. They would find out when Steve was ready for them to.

~~~~~~~~~~~~~~~~~~~~~~~

That damn little book haunted Eddie’s thoughts. He knew Steve was not what he assumed him to be so anything was on the table, he had been wrong about the guy before who's to say he won’t be this time?

Of course Eddie wanted to respect Steve’s privacy because Eddie personally would be mortified if Steve had seen any of his notebooks, mainly because of the pages of lyrics that not so subtly hinted at an itsy bitsy affection for the badass babysitter. If that didn’t give Eddie away the random ‘Eddie Harrington’ and ‘Steve Munson’ with hearts all over would finish the job. So yeah, Eddie was not crazy to offer up any of his notebooks to venture into Steve’s book. He just had no idea the universe would present him with a much more favorable offer.

Steve and Eddie started hanging out a lot more after Vecna, no shocker considering they shared a hospital room, and soon the bat buddies would spend their time together outside of the hospital. That’s why it wasn’t surprising for Steve to let Eddie venture into Steve’s room while he went to pick up their lunch.

Eddie was somewhat of a curious cat, so when he spotted the notebook and some papers scattered on Steve’s desk he was like a moth to a flame. He softly glided his fingers over the blue cover and exhaled some breath in a soft laugh over the star stickers Steve oh so loved. It was the paper though that caught his eye when he finished observing the book. It looked like lyrics at first but then he realized some of the lines were too short to be lines, if anything they looked more like stanzas from a poem. Steve had poetry on his desk, did Steve read poetry? Thee Steve Harrignton likes poetry? God his whole doctrine was garbage huh. Eddie moved the paper towards him and started to read.

Watchful gaze

Setules on the glass.

Wishful gaze

Silent pleas of escaping rolling in the mouth

Fingertips slipping through the veil,

Grasping for warm hands,

Receiving lukewarm.

Hesitant to grab.

Dependency clasping the palms

Such a feverish feeling

Poking at the appendages,

A coldness that numbs.

Gently gripping for the heat,

The balmy yields.

Smoke and simmers,

Arms rushing to sides

Frozen.

Yearning for ardor,

Turn not yet given,

Waiting for the impossible,

Waiting for the unobtainable,

So understanding.

So relieving.

So desperate.

So alone.

Standing for the calling.

So patient.

So pathetic.

Empty Hands by Steve H.

Eddie was staring at the very last line on the paper, utterly flabbergasted. Steve wrote this? Steve writes poetry?! Is that what resides in the little book? Before Eddie could even find the power to turn to the book to look, Steve walked into his room. Again a quick look is all Steve needed to take before he knew what happened in his absence.

“Oh! Uh..I’m guessing you read it.”

Eddie slowly looked back up while caressing the paper, “Yeah, you..um..you really wrote this? Is that…uh..what’s in your notebook? Cause I will admit I never would have guessed that.”

Steve started scratching his neck, “I don’t blame you,” he huffs, “But yeah I write poetry, helps to let some of the thoughts out considering our lives y'know?”

“I totally get it dude! Lord knows my lyrics are infected with the whole spring break bullhonkey. So..totally cool if you don’t want to tell me but, why is this one out of the book? Were you gonna write it into the book?” Eddie picked up the paper to place it next to the notebook and turned to face Steve.

“Actually I copied it from the notebook, I’m gonna, okay wait, you can’t tell anyone this-”

“Even Robin?” Eddie exaggerated his smile to look wild.

“Even Robin.” Steve nodded with his eyes shut.

Eddie put his hands together and swayed while standing, “Wowww look at me, lil old Eddie Munson getting to learn the secrets of the mysterious writer Steve Harrignton.”

“Eddie, you want to know or not?” Steve sighed as he put his hands on his hips.

“Yes. Yes please,” Eddie eagerly replied, barely letting Steve finish his sentence.

“The last time I went to Indy with Robin to go shopping at their mall we went to a cafe. The bulletin board had a flier for a poetry night and I got curious I guess.”

“You gonna perform the poem there?”

“That’s the plan.”

Eddie could understand wanting a fresh slate when it came to having a reputation. “Craving anonymity? Must be tough considering you are Hawkin’s golden boy.”

Steve smiles brightly and Eddie sees his shoulders lose tension, tension Eddie didn’t even notice because he was so distracted by the fact that holy shit Steve is a poet. “Exactly.”

Honestly Eddie would give anything to hear more of Steve's hidden works, he grabs some of his hair and brings it to cover his mouth, “I know you don’t intend to tell the rest of the bunch, but uh..would you allow a humble bard to observe your lyrical performance?”

Eddie looks at Steve’s face for any hint of annoyance and finds none, instead he finds a look that he could hope to be correct in his guess is excitement.

“Really? You’d want to hear more, it's not confusing or stupid to you?” Steve softly smiled at Eddie, making him swoon inside.

“It's art! It doesn’t need to make sense, it just needs to make you feel good, who cares if others are confused. And for what its worth even if I’m not right on the money that poem made me feel Steve, I mean as the expert in self-expression it felt real and vulnerable, y’know.” Eddie had to shut himself up before he himself waxed poetry about just how much he is dying to hear more from Steve to learn more about him.

“Thanks Eddie.” Steve gazed at Eddie as if no one had ever told him that before. Which now that hes thinking about it that’s probably the truth. Guess Eddie needed to constantly remind him then.

Eddie smiled, mirroring Steves while bending at his waist, “Oh but of course my liege.”

“Oh my god okay Eddie cmon the food’s gonna get cold.”

Steve started to leave his room and Eddie rushed to follow him, “Now that I know what the book is filled with may I pretty please read it?” Rapidly blinking his eyelashes in an attempt to look innocent and pure but instead looking like a piece of dust got in his eyes.

“Nope.”

“Ugghhh c'mon Steve! Just imagine the look on the little hellions when they see me opening the book! God the jealousy! The feeling of betrayal when they see me reading Steve Harrigntons’s treasure trove of text and they are none the wiser to what is inside. And the best part, I have permission! The power I would hold Steve! The possibility, I could use them like little puppets to do my bidding while they crave information I alone hold!”

“Eddie that sounds like a headache for me waiting to happen, they’re just gonna badger me to tell them because they would claim it’s unfair you know and they don’t.”

“Eh, their egos could take a little hit don’t you think?” Eddie was now resting his head on Steve’s shoulder as the younger started to bring the food out of the carry out bag.

“Can I read your lyric notebook?”

Eddie’s eyes went wide as his brain proceeded to remind him of every lyric he had written around his devotion to Steve. Red in the face Eddie responded quickly, “Nope! Mmm you smell that Stevie I’m so hungry, aren’t you?”

“Subtle Munson.”

“Tis my middle name.”

Steve fondly rolled his eyes, “Sure.”

As they settled down on the couch Eddie tracked Steve grabbing the remote, “So I can really watch you?”

Steve turned and looked at Eddie with a calmness on his face. “Yeah Eddie.”

Eddie grabbed his hair as Steve stared at him, “Cool, cool, it’s a date.” Eddie froze about to panic silently as he tried to fix his slip up.

“Yeah, it's a date.” The two looked at each other, neither wanting to look away. After a minute or so Steve turned on the TV and if the two fell asleep together it was their business.

[0omillo0]

Model! Han Jisung x Interviewer! Reader

Love at first sight

Han is called by Balmain to attend his fashion show, but he doesn't know that that night his eyes will meet the ones of his soulmate

( 🫧 ) fluff!!

masterlist

The air buzzed with excitement in the heart of Paris as fashion enthusiasts and celebrities gathered outside the grand Palais des Congrès. Laughter and chatter filled the space, and the scent of fresh croissants wafted through the air, mingling with the high-end perfumes of the crowd. The sun cast a warm glow over the gathered throng, illuminating the diverse styles decked out for the Balmain fashion show.

Among the crowd, Han Jisung adjusted his tailored Balmain blazer, its sharp lines accentuating his slender frame. He smiled at the cameras flashing around him, but his thoughts drifted beyond the lenses. He was here for more than just the fashion; he craved something real, something he hadn’t found in the industry yet.

As the show began, the atmosphere shifted. Models glided down the runway, showcasing bold silhouettes and vibrant colors. Amidst the dazzle, a voice broke through the sounds of gasps and applause.

“Han Jisung! Over here!”

He turned to see a woman waving a microphone, her eyes sparkling with enthusiasm. She was a reporter, her name tag identifying her as Y/N. Jisung felt a magnetic pull towards her, a warmth that filled the air between them.

“Can we grab a quick interview?” she asked, her voice confident yet friendly.

“Sure!” he replied, taking a step closer. The noise of the crowd faded as their eyes locked. “What do you want to know?”

“First, what’s it like walking the Balmain show?” Y/N asked, her curiosity genuine.

“It’s exhilarating,” he replied, a grin forming. “The energy of the crowd, the designs... it’s all so inspiring. I feel like I’m part of something bigger.”

Y/N noted his passion, her heart fluttering. “What do you think sets Balmain apart from other brands?”

“Balmain is about boldness,” he said, his expression earnest. “Every piece tells a story, and I love being part of that narrative.”

Her pen scribbled notes furiously, but her attention remained on him. “And what story do you want to tell today?”

He paused, considering his words. “Today, I want to show that fashion can be both art and a reflection of self. It’s important to stay true to who you are. Also I’m glad Oliver himself gave me this opportunity.”

“Beautifully said,” Y/N smiled, captivated. “What’s next for you?”

“I’m working on some personal projects,” Jisung replied, his gaze unwavering. “I want to explore music more deeply, and maybe, a collaboration with some artists. Fashion is just one part of my expression.”

Their conversation flowed effortlessly, the buzz of the fashion show becoming a distant hum. Jisung leaned closer, as if sharing a secret. “And what about you? What brought you to Paris?”

Y/N hesitated, then chuckled softly. “I’ve always dreamed of being in the fashion capital, interviewing the most talented people. I guess you could say I’m living my dream, but it’s hard to keep up with all the glamour.”

“Don’t sell yourself short,” he countered, his voice low and sincere. “You’re doing amazing work. And you definitely have a way of making an interview feel... special.”

As the show concluded, the crowd erupted in applause. Jisung glanced at Y/N, who was still watching him, her eyes filled with admiration. “I really appreciate this time, Y/N. It’s not often I feel this connection during interviews.”

“Likewise,” she replied, a blush creeping up her cheeks.

“I just realized,” he said, his expression shifting slightly. “I forgot my phone at the hotel. Could I borrow yours to call someone?”

“Of course!” Y/N responded, handing him her phone, a flutter of excitement swirling in her stomach.

He took the device, his fingers brushing against hers as he dialed a number. But he didn’t call anyone, instead he gave her her phone back. Confused, she looks at her phone reading in the notes his number and ‘Call me when you want :)’

“Wait, you’re giving me your number?” she asked, surprised.

“Yeah, I mean, why not? We had a great conversation,” he replied with a playful smile. “And who knows, maybe I could use your help navigating the Parisian scene.”

Her heart raced as she took the slip of paper he handed her. “I’ll definitely keep this,” she said, tucking it away. “I’d love to help.”

“Great! Maybe we can grab coffee or something?” Jisung suggested, his eyes hopeful.

“Absolutely,” she said, feeling a surge of excitement. “I’d love that.”

As the crowd began to disperse, Y/N felt an urge to seize the moment. “Why don’t you come to my apartment after the show? It’s not far from here. We could talk more, maybe about that collaboration you mentioned. I don’t want to sound to.. hasty tho!! Feel free to refuse!”

“Really?” His face lit up, and a grin spread across his lips. “I’d love to. Just give me a second to change out of this suit.”

“Take your time. I’ll be waiting,” she replied, her heart pounding.

A short while later, they met outside, Jisung now in a casual yet stylish outfit. He walked beside her through the charming Parisian streets, the sun setting and casting a golden glow on everything.

“This city is incredible,” he said, glancing around. “I can see why people fall in love with it.”

“It’s even better when you’re exploring it with someone,” Y/N said, glancing sideways at him, the connection between them palpable.

They arrived at her apartment, a cozy place filled with eclectic decor and soft lighting. Y/N gestured for him to sit as she poured two glasses of wine.

“Cheers to new friendships,” she said, raising her glass.

“Cheers,” he echoed, clinking his glass against hers, their fingers brushing again.

As they sipped their wine, the conversation flowed easily, laughter punctuating the air. Jisung leaned in closer, his voice a soft murmur. “You know, I’ve never felt this way about someone I just met.”

“Me neither,” Y/N confessed, her heart fluttering as she met his gaze. “It’s like... there’s something special here.”

He sighed, a content smile on his lips. “We should enjoy this moment, whatever it is.”

Y/N watched him, captivated by the way his eyes sparkled. “Agreed. But I can’t help but wonder what happens next.”

“Let’s not think about the ‘next’ just yet,” he said, moving a little closer. “Let’s just enjoy what we have right now.”

With the atmosphere thickening, Y/N felt a rush of courage. “Jisung,” she murmured, “would it be too forward if I said I really want to kiss you?”

His breath caught, his eyes widening slightly before a soft chuckle escaped his lips. “I was hoping you’d say that.”

And just like that, the space between them shrank, the world outside fading away. Jisung cupped her face gently, leaning in until their lips met. It was a sweet, tentative kiss that quickly deepened, filled with the promise of something beautiful.

When they finally pulled away, both breathless, Y/N smiled shyly. “Wow. I didn’t expect that.”

“Neither did I,” Jisung admitted, his forehead resting against hers. “But I’m glad it happened.”

Y/N gazed into his eyes, feeling a warmth spread through her. “So, what do we do now?”

“Let’s keep this between us for now,” he suggested, a mischievous glint in his eyes. “I think we have something worth exploring.”

“I like the sound of that,” she said, her heart soaring. “A secret romance in the city of love.”

“Exactly,” he replied, a smile playing on his lips. “Just you, me, and Paris.”

As the sun dipped below the horizon, the city lights began to twinkle, reflecting the magic of their newfound connection—a love that blossomed amidst the glamour and chaos, hidden yet vibrant, waiting to unfold.

As days turned into weeks, their secret meetings became the highlight of both their lives. They strolled through cobblestone streets, shared quiet dinners in tucked-away bistros, and found solace in each other’s laughter.

One evening, as they sat on a balcony overlooking the Seine, Y/N turned to Jisung, her heart full. “What if we told the world?”

He paused, his gaze thoughtful. “I want to, but I’m afraid of how it might change things. The industry can be harsh.”

She nodded, understanding the weight of his words. “But we can’t keep hiding forever. I want to be proud of what we have.”

“Me too,” he admitted, taking her hand. “Let’s give it time. We can enjoy this moment without the pressure of the world watching.”

Y/N smiled, feeling reassured. “Okay. We’ll take it slow.”

Their connection deepened, the love that had sparked in Paris growing into something beautiful and real. They learned to navigate the complexities of their lives, balancing their careers with their devotion to each other, always cherishing the moments stolen beneath the Parisian sky.

And as they embraced the uncertainty of their future, one thing remained clear—their love was worth every risk, every whispered secret, and every stolen kiss. In the city of love, they had found each other, and that was more than enough.

[luna-lovegreat]

Hi! I just wanted to drop by and say how much I love and appreciate your analyses. Even though you may call them ramblings, your excitement shines through every word and they always bring a smile to my face. I very much look forward to them 😊

I consider myself a visual person but there’s still a lot I miss, even on a second or third read (My Zelda knowledge isn’t that deep but I’m learning!) So your connections about the little details help me to enjoy the comic even more!

In the comic itself, which character relationships are you hoping will get explored more in the current arc (especially since we know they’ll be splitting up soon)?

— Alexanna

Hi! Thank you! Yes I do get very happy making them it brings me joy :)) I'm so glad that you enjoy my posts- my goal is always to make others happy so thank you for telling me :D

YEAH

TIME AND FOUR

Time and four time and four time and four-

I reallyyyyyy want Time and Four to go together in the dungeon even though the chances are iffy. Maybe if I want it hard enough it'll happen XP

Even if they don't go together, I really want Time and Four's relationship to develop more in the comic. Here's why-

First of all, Time and Four fight really well together. Time is also just really good at fighting with the shoter ones overall

THEN THERE'S this part in Doodles part 3 that has me convinced Time knows Four's secret with the Four sword

I'm pretty sure it's Time's voice saying 'you never cease to impress me little one', and Jojo (I think? need to check) said all these older sketches are considered canon so yeah. I'm impatient because I want clarification and to know if Time knows about the four sword or not

Four is also insanely emotionally mature and intuitive, and at this point I think he is the best person to be there for Time when he's so upset after Twilight's injury. Time has never underestimated Four so they make a great team

I'm not sure if you wanted on full on analysis response, but there you are. I really want Time and Four's relationship to get explored more because it matters to me hehe

Art is by Jojo @/linkeduniverse au :D

:)

[paperclip-skz]

First Play

fem*Reader x Bang Chan

*WARNING*

contains: kissing, secondhand embarrassment, "first time" in a sense, fingering, oral (fem receiving), not proofread; I'm sure I missed something; let me know in the comments.

WC: 1.8k

*****

You sit patiently in the waiting room. Your nails dig into your thighs as anxiety spikes through your spine. 

“ Ms. L/N, the doctor will see you now,” the pretty secretary sparkles at you. 

This is it—your first-ever scene. Your friend signed you up for this because she knows you’ve been wanting to do this forever. She’s listened to you rant about this for years! Finally, she put in a good word for you with the intimacy company she works with. 

You knew what she did for a living, and it never bothered you. Actually, you thought she was cooler because of it. She helped people achieve their utmost hidden desires safely, securely, and thoroughly. 

The blinding bright walls illuminate your way to the farthest door to the right. “Right through there, and the doctor will be with you shortly.” The lady opens the door for you. You walk in, but not before turning back and seeing the lady give you a wink before closing the door. You could hear the subtle click of her heels walking away from the door. 

Your throat closes in both fear and excitement. You take in your surroundings, noticing the “set” replicates a stereotypical doctor's room. It has a big foamy bed right in the middle, a counter with small gadgets and gloves organized right next to the sink, and a bright light right above the bed. The two things that stand out to you are the bright meddle poles with places for feet connected to the sides of the bed and the giant mirror plastered on the wall right in front of the bed. 

No one is in the room, so you assume the “doctor” is on his way. You told your friend you didn’t want to know who your instructor was; the last thing you wanted was someone you knew to see your most intimate sides of you. You slowly make your way to the bed, sitting down and crinkling the foam. You awkwardly fiddle with your hands as you wait patiently; you stare at yourself in the mirror, fiddling with your hair and how the top you chose to wear rests on your body. 

“Okay, so Ms. L/N, it says here. " Your head whips around to meet the eyes of your “doctor,” but you're surprised to find coffee-stained eyes parried with steel-rimmed glasses. His dimpled smile reaches his eyes, and his big hands grasp the clipboard. 

You feel a sudden drop in your heart as you see him. He's incredibly handsome, and his size is impressive. His broad shoulders and imposing frame make you feel tiny in comparison. Suddenly, you feel intimidated and nervous; the tingles of anxiety claw at your skin.

Chan’s eyes widen, seeing your discomfort. He’s quick to close the door behind him and turn his body to you. “Are you okay?” his voice is even sexier than he is. His intoxicatingly thick Australian accent captivates you as the dark strands of hair effortlessly fall against his handsome face.

You almost forget to answer him until he reaches out to touch your arm. “Yes…yes... yes, I’m okay. I'm just nervous,” you say weakly, still shaky with nerves. 

“There's nothing to be nervous about. You can stop this whenever you like, and you control how fast I go and every other aspect of this. All you need to do is trust me.” for whatever reason, you do. You do trust him; you trust him and his deep eyes that you could get lost in. 

You nod your head, not forgetting to answer him with a quiet “okay.” You read in the contract that verbal confirmation from both parties was a must. And with that, Chan snaps back into character. 

“Alright then, Ms. L/N. You're here because you had some complications with your canal?” Chan stretches the room around to reach a rolling stool. He grabs it to his at the end of the bed, right in front of you. 

“Y-yes. I tried masturbating, and I noticed the stretch stung,” you answer with as much confidence as you can. 

He nods his head in acknowledgment. “Well, my name is Doctor Chan, or you can call me Chris. Whichever you like works for me.” He flashes that wide smile at you one more time. “Shall we begin?” he asks, quirking his eyebrow. 

“Of course, doctor,” you whisper. You begin to lift your legs as Chan fixes the medal bars. 

“Oh, Ms. L/N., you’ll need to remove your pants.” Chan is trying to hold back his smirk, but you can still see his lips twitch. 

“Oh, right!” you giggle to yourself. You unbutton your jeans and start to shimmy your way out until two large hands stop you from lifting your hips. 

“May I help?” 

You swallow and slowly lay your back down. Chan makes a dramatic show of feeling out the fabric of your jeans, raking his hands up and down the sides of your thighs. Finally, he reaches the button and zipper of your jeans, irritatingly slow. His hands cascade the fabric down your legs, with the help of you lifting your hips, leaving you in just your innocent white panties. 

Chan bites his lower lip, seeing the little wet spot on your panties. His body rumbles with the idea that he created that little spot, that he’s the reason you're so wet right now. “I’m going to have to remove these as well.” You crane your head up, watching him stare at your covered sex. 

“Please do, doctor.” You rest your head back on the comforts of the bed. You can feel his fingers dance on the edge of the thin fabric. Eventually, Chan hooks his finger to pull your panties down your legs, leaving you bare for him. 

“You are stunning,” he says in a breath. It makes your skin heat and your core thump with need. 

“Doctor, I think we’ve gotten to a point where you can just call me Y/N.” 

“Very well. Y/N, will you kindly place your legs here?” Chan directs your attention to the perfectly placed feet rests on either side of your feet. You do as you are told, creating a perfect, open view for Chan. 

Chan sucks in a break at seeing your already-soaked cunt, perfectly on display for him. He can feel his cock twitch in his boxers. Every sheer nerve inside him wills not to lose control in front of you right now; he wills himself not to devour your leaking arousal or to take you here and now, raw and with no end in sight. 

“Chan?” 

Your soft voice shakes him out of his head, and back to the scene in front of him, with your lust-filled eyes and your dripping pussy staring at him. Chan clears his throat and easily slips on his “mask.” 

“I’ll start by warming you up and seeing if anything makes you uncomfortable. You will tell me if anything makes you uncomfortable.” He says this like a demand rather than a question, and the mix of authority and admiration in his tone fills your body with an unfamiliar feeling… a good feeling. 

You can feel his fingers explore the outskirts of your folds, teasing you before actually touching you. It makes you squirm slightly.  

"From your consultation, you've said that you notice your canal being too tight for masturbation, right?" he asked, sitting on the stool between your legs. You nodded, "Yes, I tried inserting two fingers like I normally do, but the stretch stung,"

“Alright… tell me if this is too much.” he rubs his fingers across your slik folds, coating his digits. Slowly he inserts his two fingers into your warm cunt. He can feel you clench at the stretch, which makes his jaw clench. 

“Does this hurt?” Chan looks up from between your legs only for his breath to get caught in his throat; your eyes are closed, and your lip is biting into your lip; your face is the definition of pleasure, and he’s not sure how long he can hold back.  

“No,” you respond with a whimper. 

“Okay then, I’ll begin to move.” with that, his finger starts to slide in and out of your walls. Your pussy is gushing with your arousal. As you breathe, your chest rises and falls in sync with Chan's fingers.

Your body squirms for more, and Chan is quick to pick up exactly what you want. He curls his finger every so slightly to reach that gummy spot inside you. Once he hears the low moan, you admit he continues to rub against that particular spot. 

Your moans blend with your whimpers and they become the only sound in the room. Chan’s fingers have picked up a slight rhythm, enough to make your arousal drip over his fingers and down the curve of your ass. Your body searches for more friction; your orgasm is so close you can feel it on the tips of your fingers. 

Chan can’t take it anymore, with how much you are gushing around his, how your moans sing around the room, and how much your body is craving to be touched. He shouldn’t; he knows he shouldn’t. You're here to get fucked into oblivion. You are not here for his pleasure…..but he needs to taste you. 

Your orgasm is hanging on the cliff, and your repeated “yes’s” are a sign of it until his fingers are gone. Your whine is cut off by an unfamiliar wet muscles pressing onto your clit. Your head snaps to look at the man eating you out like you are his last meal between your thighs. Your hand reaches out to tangle into his hair, and your hips lose all control, grinding against his tongue. 

Your moans are louder than you care to admit, but you couldn’t keep them quiet even if you wanted to, not with how Chan’s lips suck around your clit and how his tongue darts out to enter your wet walls. It's not long until you're screaming his name and coating his chin with your juices. 

Chan looks up at you, leaving gentle kisses along your thighs and gently on your folds. He can see your pussy clench at the overstimulation and his cock throbs in his pants. He has to hold himself back. He can’t overstimulate with his tongue….not yet, at least.

Looked fucked out already, your head leaned back on the chair, your bare chest heaving with every breath you take, your thighs slightly shaking. “Did that hurt at all?” 

You look down at Chan. His shining eyes sparkle with a newfound hunger. Slowly, you shake your head, unable to gather your scattered thoughts fully. Your met with a wide evil grin, “good,” he took a moment to step away from your thighs, only to tower over your small frame. “Then I guess we can continue”....

a/n: I have a long one ready to post next week; I just need to touch it up a little. The thing is, it's also Bang Chan. I'm debating whether to wait to post it since I'm posting this one or if I should just post it anyway. Please, please, please let me know in the comments if you all care if I post two Chan fics in a row or not. Love y'all.

[best-iwtv-scene]

ROUND 1B, MATCH 5

Descriptions/Propaganda under the cut:

Pre-abduction drinks (2x06)

An unspecified amount of time after Madeleine becomes a vampire, she and Claudia return to Paris to meet with Louis and Armand at a cafe. The pair seem content with each other, Madeleine clearly at peace with her vampire nature, and Claudia happier than ever with her companion. Louis, still uneasy after Claudia leaving, is protective of the younger vampire, questioning Madeleine to make sure she is prioritising Claudia like he never quite could. Madeleine can feel Louis's love for both Claudia and Armand through her connection to him, telling both vampires this, which Louis laughs off. He clearly wishes to be happy that Claudia is finally content, but is still in an unsettled place, following Madeleine's turning. Finally, Armand leaves the group to "take a stretch", standing outside as Santiago and several other members of the coven stride into the cafe to abduct Louis, Claudia and Madeleine, restraining them and pushing them into large bags. This scene is a rare moment of joy in the show, bittersweet for viewers due to the dramatic irony of knowing Claudia's fate is looming. "We're going to wander." "Wander? This one? She of the straight line to the next 'X' on the map?" "This is the 'X', Louis."

Propaganda:

No propaganda was submitted for this scene.

"Can I cry and say that I’m sorry, too?" (2x07)

Enraged by Lestat's apology to Louis for dropping him from the sky, Claudia stumbles onto her feet, despite the deep cuts into her ankles. She shouts at Lestat, the coven and the audience at the injustice of this 'trial', condemning Louis and her for killing a man who is so clearly still alive. After her anger dissipates, she is left with an emptiness, understanding and finally articulating the pain that she has felt throughout her vampiric life: she has never been prioritised by either Louis or Lestat, and the trial certainly isn't going to change that. This scene also highlights the grace given to Lestat, a white man, both in the show and in the fandom, compared to Claudia, a black woman, as Lestat is so often forgiven easily while Claudia is either made to 'earn' this forgiveness or never given it in the first place. She can cry and apologise all she wants but she is not viewed in the same lenient way as Lestat is. The scene is scored by an unreleased track which incorporates elements of Claudia's theme, most intense when she looks back at Louis, highlighting the pair's uneven relationship. "Don't know why I bother. You didn't come here for me. One more round in the stormy romance of you two! Never been about me. I was just a roof shingle that flew off of your house."

Propaganda:

No propaganda was submitted for this scene.

[maryfailstowrite]

!! DRDT CH2 EP14 SPOILERS !!

Okay so, I think there are two possible routes the storyline could take regarding Teruko, and as much as I wish one of them was true, I have a bad feeling it’s going to be the other.

1. Eden is actually the culprit and Teruko shatters. We know Teruko actually cared (even if just a bit) about Eden even before the trial, so if she’s actually the culprit, it wouldn’t just be a “oh fuck I was wrong, I shouldn’t have repaid the favor” moment, it’s going to be a “oh fuck, one of the few people I decided to take a bet on backstabbed me AGAIN” moment. Not only her, but Eden killing Arei would mean Eden never intended to be friends with her, so that’s another trust betrayal for Teruko to overthink. Plus, if Eden is the culprit, it means all her tears and her sweet persona were fake, at the very least in the trial, if not for the whole killing game. The realization of that would devastate Teruko, and she’d regress to distrusting everyone even harder. We’d have to go through this whole process of learning how to trust people again, in an environment that is going to become more hostile, because Eden being the culprit would be a slap in the face to everyone, I feel. She’s the beacon of optimism in the group, and the one actively trying to keep people together and entertained, and knowing how much everyone else hates each other, it would be rough to get along with anyone like that. Disaster, basically. A heartbreaking disaster.

Oh, and also, David would be getting what he wants, which is to debilitate Teruko. A lose-lose situation no matter how you see it.

2. Someone else is the culprit and Teruko comes out of this stronger. She realizes that trusting people can actually lead her the right way, and so Teruko finishes her process of learning how to trust people again. She not only acknowledges that she can’t isolate herself from everyone without consequences, she learns that trusting people can lead to good things too, and that not everyone around her is out to get her. Also, Eden is still alive, so not only can her bond with Teruko grow stronger, but she’s still there to keep the group from pouncing at each other at any given time. Of course, there’d still be conflicts and shit (more murders need to happen, after all), but for a while, we could get a more trusting Teruko and a group (or at least a few people) that support her through dealing with everything that’s on her way.

And David wouldn’t get what he wants, which would just be really satisfying (can you tell I don’t like David from this post? Can you?)

Problem here is, as we all know, Teruko’s luck is shit. The world might as well be out to get her. I’m not sure if I would like to go through another chapter of Teruko not interacting with anyone (since she’s our POV, we wouldn’t get much insight on how Eden’s loss breaks the overall group), but the story could be leading to that. The parallels between Min and Eden are paralleling too strong on this one fam. She’s the one that has some connection with Arei and the case, and Ace really doesn’t have much to do with anything. He was bleeding out, and even if we assume he took the tape like that, was he really in a good enough condition to do all that took to kill Arei not so long after he got his throat slit? He’s powered by pure spite and we know it, sure, but I think it’s a bit too far of a stretch.

And the chapter’s theme “not all that glitters” would fit Eden being the culprit, whereas I don’t really think that’d be the case with Ace. Of course, one could argue that the theme was already there with J, Arei and David, so it’s not like you’d need the culprit to fit it too, but it would make the chapter more cohesive, I think. Setting up such a strong chapter theme, using various character’s arcs for it, and then have the culprit not be related to that theme in any way shape or form would be a bit weird, or at least that’s how I see it.

The culprit could be someone else, of course, and that said person could fit the theme… but it’s already episode fourteen. Are we really going back to “everyone could be a suspect” at this point of the trial? It feels like it’s too advanced to put in another plot twist that leaves us at square one again. These two might actually be the only two suspects, and I’m not having any fun with it 😭.

We might get a “Eden was not as sweet and nice as we thought” moment and I’m not here for it. If that’s actually what happens, tears are going to be shred. With all due respect to Ace fans, let him be the culprit PLEAAAAASE (he probably won’t be. I’m just in denial. Let me grieve).

[creatingblackcharacters]

hi!! sorry if this is a rude comment, and i know this isn’t exactly relevant to your blog, but i noticed at one point when you were talking about the black/Black thing (i read up on it because of this blog, and found it very interesting) you mentioned something about people with disabilities.

in the post, you mentioned a friend with a disability who prefers that label, and the way you phrased it makes it sound like it’s the label all people in the disabled community prefer, which isn’t quite true.

i’m not sure how much you know about the subject, but there are 2 main ways to refer to disability: person-first language (pfl) and identity-first language (ifl)

i could give you my messy little explanation, but emily ladau’s book ‘demystifying disability’ —incredible book btw, highly recommend— says it better than i could.

Person-first language (PFL) does just what it says: it puts the word “person” first, before any reference to disability is made. This type of language is all about acknowledging that human beings who have disabilities are, in fact, people first, and they’re seen not just for their disability. So when using PFL, you might say “person with a disability” or “person who has Down syndrome” or “people who use wheelchairs.” The logic here is that disability is something a person has, rather than who they are, so by separating any mention of disability from the person and putting it second, you’re showing that you respect the personhood of someone with a disability.

Identity-first language (IFL) is all about acknowledging disability as part of what makes a person who they are. So when using IFL you might say “disabled person” or “blind person” or “Autistic people.” In this case, disability isn’t just a description or diagnosis; it’s an identity that connects people to a community, a culture, and a history.

she uses ifl for herself, and expands on the reason a bit more in her book —which is still very good lmao— but this ask is already longer than i intended it to be, and still painfully off-topic (i wasn’t going to say anything but i kept thinking about it sorryyyyyy) so i’ll shut up now, sorry about that!

Hi, I must admit, I don't know what post you're specifically speaking about so that I can understand what you're talking about and apply this knowledge. Can you link me the post?

[hardpuzzles]

Drawing myself as a strange animal 

[leciraofthewilderness]

So, despite some faults, I really enjoyed totk, and on its anniversary I want to say something about it. Other people have said similar things before but it’s really important to me and actually a big part of why the story of totk was meaningful to me, so I want to also say it:

Zelda needed to come back from draconification. The story needed that. It wasn’t lazy and just ignoring “consequences” because (imo) that was the *point*

The point is to feel like there are going to be terrible consequences and then say actually, no. You can come back from this, with the help of other people.

To me at least, that was the theme of the whole story.

If botw was about how the world goes on past loss and grief and starts to heal (how flowers grow in the ruins and the world can be beautiful again, be worth saving, even if it has changed)…then totk was about a more personal kind of healing.

The weight of the world should not be on your shoulders alone…you, alone, should not have to fix everything…you should not have to sacrifice yourself, but when you do, someone will be there to save you from it.

This turned into a really long ramble so:

You (Link) gained so much and now it’s gone. It feels like you’re back to where you started and yet you know you have to do it all again…you were weak and you failed and you’re weaker now…but

You go down to the surface. Monsters swarm across it once again. Other people are fighting them too though. You help, but it’s not just you…

You go to the Rito, the Gorons, the Zora, the Gerudo…just like with the divine beasts, there are friends who help you save each region. But this time, part of them comes along with you when you leave. It’s nice, you realize, the first time one of them protects you from a monster you weren’t prepared for. You’re still weaker than you were before, but someone has your back…

When you go up to the sky you see a strange new dragon there. There’s something about them that feels familiar. You try not to think about it.

You go down to the depths too. It’s terrifying at first. You hate it. You only want to get what you came for and get out of the dark….but slowly, the light grows. You get stronger. The dark feels like a challenge you can face (and someone has your back).

There are spirits down there. You don’t know when they’re from, but some part of you wonders…are these all the people you let die in the Calamity? (You help them find rest from their wandering. The weight on your shoulders feels a little less heavy).

There’s so much gloom. The first few times the sky turns red and hands chase you (a reminder of what you’ve lost, how you failed) you just run. Eventually though, you have to fight. It feels like the (second) worst day of your life again. But you manage to get free of the grasping gloom and stand and fight, as wild and desperate as it is. Beneath the manifestation of your worst fears, there’s another thing to fight, but this time it has a face (a voice in the back of your head says…you know this isn’t all on you and your failure…it’s really Ganon’s fault right?). You get through it.

At every turn in your travels, it seems like something reminds you of Zelda. Her passion, her curiosity, her kindness. You miss her.

At first, the tears you find reassure you. She may be in the past, but she’s safe. She’ll come back somehow…but then you hear the word draconification for the first time. You want to believe she wouldn’t do it but you know her and the fear sits cold inside you. (Zelda is a lot of things. She’s been allowed to be more of them, since she was freed from her hundred year battle, without her father holding her back. But deep down inside her, there’s a vein of self-sacrifice that still runs strong. It’s what saved the world before, after all).

She did it. She really did it. She’s gone from you (from Hyrule) forever, and it’s all your fault. If only you hadn’t failed so utterly in the battle (you can hardly even call it that) under the castle. If only you’d caught her. If only you hadn’t let the sword break. You should have protected her you should have been better it’s all your fault and now she has to live with the consequences, forever. Everything really is on you, you should have been better.

(Zelda POV: you couldn’t call upon Hylia’s power in time, you were too content to let it wither and fade away from you, ready to be free of it. You shouldn’t have. He got hurt, the sword got hurt, it’s your fault…Sonia and Rauru help you channel it again, Sonia helps you learn how to turn back time…but you don’t save her. She dies because you couldn’t save her. Rauru dies not long after. There is no one left to guide you, once again. You could spend years trying to figure it out on your own. But you did that last time. It didn’t work. Self-sacrifice, stepping in front of someone you love, that worked. (You do what you can, to call upon the sages, to help Link in the future, first). And then you swallow the stone. You’ve come a long way, in the past five years, allowing yourself to exist. But in the end, self-sacrifice worked last time. It’ll work this time too.)

You (Link) go down beneath the castle. You were supposed to bring the sages but you didn’t. It’s nice, for someone to have your back. But no one else should get hurt to fix your mistakes.

They follow you anyway. They fight with you, against the hordes, against the greatest enemies you defeated together, along the way. They’ll have your back, even if you don’t think you deserve it.

You fight Ganondorf, and then the demon king, in the hardest battle of your life. You think it’s over and then the demon king decides it’s better to lose himself completely than let you win. You’re exhausted and afraid of yet another battle, but up there in the sky, when you’re falling, the Light Dragon catches you (you wonder why she changed her path to catch you, you wonder if there’s still something of Zelda left in there to save). With her help, you win.

And then you’re in some other realm. The spirits of Sonia and Rauru are there. You remember how the two of them and Zelda channeled such incredible power together. You think about Recall. Turning something back to the memory of what it was before, like Sonia said. You stand with them and you allow yourself to hope. Maybe the Light Dragon can remember the form she took so long ago, the person that she was.

And then you’re falling, and Zelda is falling, but this time you catch her. You catch her. She’s back home with you, finally, finally.

And maybe, one mistake doesn’t have to be the end of the world. You don’t have to be perfect. Sometimes, someone else can stand with you, and it’ll all turn out alright. (You can put the weight of the world on your shoulders, you can sacrifice yourself, but someone will be there to catch you, someone will be there to pull you back to yourself, when all is said and done).

[crazysnakey]

Something something about the Third Doctor and the fate of Tantalus. You're trapped in one place. Everything you want, that you once took for granted is right there in front of you, you can see it you can reach for it but you can never have it. You will never attain it on your own. Your fate is dependent on the mercy or cruelty of others and you hate it and you rage against it but you can’t do anything, your defiance is treated like nothing but a childish tantrum but you refuse to beg, you won’t get that desperate no matter how long you’re trapped here, no matter how low you’re brought down. You stand among humans and you look human but you’re not, you’re an animal in a cage with them and you’re the only one who can see the bars. Gnawing and hacking at them to no avail. And yet all you can do is wait and hope and try and fail in an endless loop until an outside force interferes to free you from your prison. The carrot and the stick. How does it feel to be on the receiving end?