#but don't tell my friends this or they might kill me

[thatonebirdwrites]

Cheating Death Part 2

Part 1 here.

Only seconds after Lena vanished in the portal, the Kryptonite cage melted into the floor. A yellow light pulsed so brightly, Kara had to close her eyes. Light infused her cells and pushed the pain of the Kryptonite away.

Lena's words echoed in Kara's head. How she'd stomped and shouted, the tears on her face, the desperation in her voice. How heartbroken she'd been when she'd said, "No, no you don't get to tell me who I am anymore."

She didn't know what to do. Lena had been hurting and grieving this entire time, and what had she and her friends done? Celebrated her brother's death, ignored Lena's increasingly isolating behaviors, and pretended everything was fine.

It wasn't fine.

Yet, the yellow light. Why had that activated? Was it Lena or the Fortress?

Kara ran through the Fortress to the control panel. She dug into the log and swiftly found Lena's code. It had been programmed to create the cage if Kara asked about Myriad, but then the yellow light was also programmed to heal Kara after Lena escaped. A note was annotated on that section of the code, and Kara's breath caught in her throat.

"I wish I could stop loving you. This hurts worse than death."

Tears dampened her cheeks and she wiped them away. What would she tell Alex? How can she explain any of this?

She didn't want her friends to turn on Lena, and Alex definitely would go after Lena if she knew about the cage. It'd been temporary, and Lena had programed a healing sun-bed equivalent burst for after. That alone gave her hope that she could still reach Lena.

Because even in her heartbreak, Lena did not want Kara dead.

She grabbed the weapon she needed, the same one Lena had used to stop Leviathan from killing Kara, and re-calibrated security. Her tears froze on her cheeks by the time she finished.

Kara flew out of the Fortress and high into the stratosphere. She listened for Lena's heartbeat, but heard nothing at first. Fear clenched her heart. Either Lena hid behind lead, or something terrible had gone wrong since she'd left. She hoped it was the former.

With a heavy heart, she flew to the DEO. Alex waited on a balcony.

"Kara?" Alex said, alarmed. "What the hell happened? Where's Lena?"

Kara held out the weapon. "It works as hoped. Sustained blast will keep Rama Khan down, and then attach the power dampeners."

Alex took the weapon with a frown. "Kara, what happened to Lena? Where is she?"

Kara shook her head. She couldn't voice it. She refused to believe Lena was lost to them. There had to be a way to save her, to bring her back, to repair what Kara had fucked up.

She pressed her hands against her face and flinched when Alex tried to touch her shoulder. "I got to find her," she whispered. "I got to make things right. I got to."

"Kara, I can't help if you don't tell me." Alex's voice held kindness, but Kara knew how quickly Alex could turn to anger. When it came to Kara's safety, Alex might cross a line she'd regret. Kara had done it for Alex a few times.

But with Lena? Kara had no boundaries. Lena held her heart in a way no one else did. She'd talked herself into settling for Mon-el, but it'd never been who she needed.

She needed Lena.

"Kara?" Alex tried again. "Kara, talk to me."

"She's the one who shot Lex." The words felt unreal.

Alex's brow wrinkled. "I thought he died when he fell."

Kara shook her head. "We never found a body or even parts from his suit, remember? If he had a portal watch, he could have gone anywhere."

Alex sucked in a breath. "And Lena was waiting for him?"

Kara nodded. "She shot him to protect us. She's been grieving and hurting all this time, and what have we done? Ignored her grief! Where were we for her pain?" She paced the balcony as fury at herself and everyone around her built up in her sternum. "I hurt her! I hurt her with my lies, and I have to fix this."

"Kara," Alex hefted the weapon. "Maybe let Lena have her space. We still have to deal with--"

"Alex, you didn't hear her!" Her pacing quickened and a groove appeared in the concrete from her superspeed.

Kara should tell Alex, and yet she couldn't. She needed to save Lena from Myriad herself, but to do that, she needed to find Lena. And she still couldn't hear her heartbeat.

She let out a shout of rage, her fist colliding with the wall and shattering the concrete. "I hurt the person I love! I have to fix this. I have to bring her back."

Her rage petered into sobs, and she fell to her knees.

Her, the strongest and fastest on the planet, brought to her knees by a Luthor.

She thinks of all the times she could have told Lena, and how she'd chickened out, afraid of losing her. Afraid of living a life without Lena's presence. Now a Lena-shaped hole had been carved in her chest, and she hurt.

It felt like Kryptonite all over again.

Was this how Lena had felt the past few months? This agony?

And yet, Lena had still helped. She'd still saved Kara's life. Still built devices that helped others. Why Myriad? Why use that monstrous device? Kara couldn't make sense of it. The months of pretending to be Kara's friend.

She should be angry at Lena. Furious at the betrayal, but she felt only grief. She'd started this with her lies, with leaving Lena in the dark. Lena could have helped so much more if she'd been in on it from the start. Then this never would have happened.

Kara sat there, silent, head-bowed long enough for Alex to leave and return with a cup of herbal tea. Rooibos since most other teas were too intense thanks to Kara's supertaste. Her fingers curled around the warm cup.

"I tasked Brainy and J'onn with the weapons. We'll deal with Leviathan." Alex smiled and squeezed Kara's shoulder. "You do what you need to do, Kara. I'm with you, okay?"

Kara nodded numbly. She sipped the tea and slowly became aware of a high-pitched beeping. "Wait, that's the signal watch," she murmured. She put down the cup and listened. It came from downtown. "Lena," she whispered.

Before Alex could respond, Kara blasted into the sky and broke the sound barrier. The crack whipped across the city and shook windows. She landed on Lena's balcony at L-Corp, ripped open the door, and dashed into a dark room. The beeping came from the stairwell.

Horror twisted her gut. She supersped down the stairs, all forty-three flights, until she reached the stairs just below ground level near the door to security.

She threw open the door and the thick scent of iron assaulted her nose.

Eve lay in a pool of blood, no heartbeat. Someone dressed in black lay crumbled near Eve, again no heartbeat. Blood coated the stairs from where Lena must have crawled.

Lena, her Lena, lay motionless, one hand on the top step. For a horrifyingly long second, Kara couldn't hear a heartbeat. She dropped next to Lena and pressed her fingers against Lena's pulse point.

No, there it was.

A faint badum-badum, the most precious sound in the universe.

She could do nothing for the others, but she still had a chance to save Lena. A scan of her body revealed the bullet in her side, how it pierced a lung.

Kara gathered Lena into her arms, and ran through the security sector, hitting each door with her shoulder to wrench it open, until she finally made her way outside.

Lena's blood soaked into her suit, her head rolling in Kara's arms. She held her close and flew as fast as she dared toward the DEO. "Lena, please," she whispered, "please hold on. Don't you dare die on me. Not now. Not like this."

When her feet touched down, she heard Alex's voice shouting about a Rama Khan sighting. Agents poured into vehicles, and the team prepared to leave.

Kara ignored them. She walked through the bustle, and people parted for her.

Alex turned from where she studied Brainy's screens. Her eyes widened. "What the hell...?"

"Please. Help her." Tears clouded her vision.

"Medical now. Brainy J'onn's in charge." Alex grasped Kara's arm and maneuvered her through the mess of the control center. Technicians worked on last minute fine-tuning of weapons, and others manned screens plotting possible vectors. Activity that meant nothing to Kara, not if Lena died.

Not if she couldn't speak her last truth to Lena.

She laid Lena on the medical bed, and Alex ordered her nurses to get an IV in immediately. Kara began to pace, the blood drying on her suit. Alex cut away Lena's shirt and examined the wound.

"She needs surgery now."

"What do I do?" she asked Alex, anguished. "What do I do?"

Alex shook her head. "You can't help with this. Go help J'onn, and wear Lena's anti-kryptonite suit. I'm not sure how long I'll be in surgery."

"Can you save her?"

"I will try my best," Alex said. She refused to look at Kara, and that told her far too much.

Alex didn't think Lena would make it.

"Promise?" the words came out small, plaintive.

"Promise. Now get out of my way." Alex hooked the IV bag to the pole on one end of the bed, and rolled it toward an interior suite. Two nurses followed along with a second doctor.

Kara closed her eyes and listened to the most beautiful heartbeat in the universe -- it faintly hung on, slower and slower with each passing minute.

She couldn't stay and watch the medical team open up Lena. She couldn't.

Instead, she grabbed the anti-kryptonite suit. As it flowed over her, she almost wept again. It felt like Lena hugged her, the suit entirely her design and her nanites.

She flew outside and listened for J'onn. The fight was to the southeast by the docks.

Hadn't Leviathan been targeting Lena? She'd saved her once from them already. Maybe twice if she counted the break-in that had knocked Lena unconscious.

Now Lena was dying, and Kara didn't just want justice for Lena.

She wanted to tear apart whoever ordered that assassin.

The windows shook at the sonic boom, and the ground cratered when she landed.

Rama Khan and another Leviathan member battled J'onn and Dreamer, who had the weapon from the Fortress. Agents, with adjusted weaponry to match the power-disrupting frequency, scattered around the docks.

Kara didn't care about the risk. She didn't care about the Kryptonite weapons the assholes carried.

She crashed into Rama Khan and threw him into a dock building. The wall crumpled. "Did you hire Lena Luthor's killer?" she growled.

Rama Khan laughed and stood with hardly a mark on him and his ridiculous earth-toned suit. "Those who cross Leviathan do not live to tell the tale. Let you now join her, Supergirl." He extended his hand and the ground shook violently.

A blast from Dreamer's gun sent Rama Khan sprawling. Kara sped over and grabbed him by the throat. Her feet she stomped on his arms. "No one hurts Lena and survives," she growled. Her eyes glowed, and she let out a scream of grief and fury.

She blasted him and punched him again and again. Blood gushed from his face, but then he melted into the earth and stumbled into being a few feet away.

Only for Dreamer to blast him again. Kara pummeled him with the rage of a thousand suns. Her vision red, and the land ripped and shredded in their fight. Part of the pier demolished when Kara threw Rama Khan's accomplice into it. Another building fell when Rama blasted Kara into its walls.

Rama Khan slowed, each blast from the gun scrambled his powers long enough for Kara to rip into him until he bled from multiple places. She lost track of the others, so intent on eliminating the one who ordered Lena's hit.

"Kara!" J'onn clamped the power dampeners on the alien. "Kara, we got him."

Kara clenched Rama's neck and looked down to see the cuffs clasped to his wrists.

How much loss could a heart handle? Why did the universe seek to torture her so? Her entire planet, nearly all her friends, and now the woman she loves most -- loss melted through her crevices, filled her with a blinding fury.

She'd fought to keep everyone alive. It's why she needed to be in control, but that obsession of controlling everything, to make sure she never lost, had poisoned her. She couldn't control everything.

She couldn't even save Lena. The thought of Lena dying in surgery, of never hearing her voice again -- even Lena shouting in anger?

Her fingers crunched bone. Rama Khan tumbled from her grasp and hit the ground with a thump, motionless.

Dreamer and J'onn looked at her, but she didn't respond to their words or looks. Agents swarmed around them to secure the site, while Brainy set up the containment unit for Rama Khan and his accomplices. The ruckus roared like the sea in her ears.

She turned without a word and shot into the sky. She flew as high as she could, to where little to no oxygen existed. The fury burned in her, and she wanted to rip herself apart. She deactivated her helmet, turned off its life support systems, and let the lack of air suffocate her and her emotions.

She'd live. She'd always live, wouldn't she? While all she loved died.

She closed her eyes and let herself fall. Air whooshed around her body, screamed in her ears as she hit terminal velocity. For those brief moments, she heard nothing but the shrill wind, the rest of the Earth drowned out in her fall. A moment of release from the endless soundscape.

Halfway to the ground, she righted herself and flew to the edge of Earth's atmosphere. Again she let herself fall. For a third time, she soared high and fell.

Each time she let herself get closer and closer to hitting the ocean. No matter how hard she tried, she couldn't outpace her fury at her own actions. At her failure.

This time she hit the water. She sunk into its depths.

Sea life swam around her, the distant calls of whales rippled through the water. What should delight her brought her sorrow.

No, she couldn't die. Her wretched powers, her curse, kept her alive. Kept her isolated from those she loved. Her careful, practiced control meant even in moments of extreme emotion, she still had to make sure not to hug too tightly. And kissing? How many noses had she broken?

All she wanted was Lena. Even if she could never be with Lena, she needed Lena to be alive. To be healthy and happy. Kara could live with just being on the sidelines, right? As long as Lena was alive.

She burst out of the ocean in a shower of sea water. She hung in the air and watched the waves below her. Her ears tuned to her favorite heartbeat, and there it was, faint, far too faint, but still pulsing.

A slither of hope wove into Kara's wretched spirit. She flew back to the DEO, the wind drying the moisture from the sea.

When she landed, Nia met her at the balcony's doors. "Kara," she breathed out as if she'd been running. "Been looking everywhere."

Kara crossed her arms over her chest. "What do you want?"

"It's Lena. Alex said to let you know the surgery is ongoing and Lena's handling it like a pro." Nia met her gaze, but worry painted across her face. "Don't lose hope yet. She may still live."

Kara said nothing. She heard the rebuke in Nia's words, but she didn't regret her actions. For Lena, there was no boundaries. She'd destroy a thousand Rama Khans if it meant saving Lena.

She followed Nia down the hall, through two intersections, and into the medical bay. Most of the beds were occupied by injured agents from the Leviathan battle. It was the surgery room that occupied all of Kara's attention.

Lena's heart beat still in those glass walls.

Kara walked up to them and pressed a hand against the cool glass. Lena looked so pale. So fragile.

The tears returned. Her chest constricted with a Lena-shaped hole that ached with each beat of her heart.

She didn't move from that spot for the rest of the surgery. Kara held vigil in silence, unmoving. She'd given Lena revenge on those who tried to kill her, and now Kara waited.

Waited for hope to dawn once more.

/end part 2

[mirai-e-jump]

Animage October 2024 Issue Kamen Rider Gavv ft. Chinen Hidekazu & Sugihara Teruaki (translations below)

Publication: September 10, 2024

The Strange Sweets Kamen Rider

The 6th Reiwa Kamen Rider is the first ever to use a sweets motif! The cast and staff talk about the behind the scenes of the birth of the new hero who fascinates us with a gap between poppin visuals and its heavy filling!!

Having passed out due to hunger, Shouma, who comes from another world, was saved by a human boy named Hiroi Hajime. Shouma was in a difficult situation when he confronts the Granute, a monster who wants to kill Hajime, but when he "sets & eats" the familiar like creatures called Gochizo in the mouth on his stomach, he transforms into Kamen Rider Gavv and crushes the Granute. This was the beginning of Shouma's battle to protect humans.

The latest entry in the Kamen Rider series, "Kamen Rider Gavv" only just started in September. Despite the poppin imagery and visuals of sweets as its motif, this is a hard and serious drama that depicts the lonely battle of a young man named Shouma, who hides a grand past and mystery behind him.

This production features Takebe Naomi-san as the Producer, Sugihara-san as the pilot Director who determines the direction of the work, Komura Junko-san as Screenwriter, and Fujita Satoshi-san as Action Director, all of whom have worked on the Kamen Rider and Super Sentai series. In particular, Sugihara-san and Komura-san are the pair that gained attention for their work in "Kaitou Sentai Lupinranger VS Keisatsu Sentai Patranger" and the fans are expressing their expectations.

The story of a fierce battle between the sweets Kamen Rider and the Granute monsters has only just begun, so don't miss a moment of the birth of a new Kamen Rider legend! _

Chinen Hidekazu (Shouma)

The first transformation born from an extreme situation

-Supported by dependable friends and the Director-

"Please tell us your impression of the Kamen Rider series."

Chinen: For me, I've admired Kamen Riders since I was a child, and I love them so much that they're the first thing that comes to mind when people ask, "Who's your hero?" I've lived my whole life dreaming of becoming a Kamen Rider, so I was really happy when I was chosen to be Shouma.

"Are there any works that you find particularly memorable?"

Chinen: It's hard to pick a single work from my generation since I'm so attached to all of them, but……I think "Kamen Rider OOO" might be the one I was particularly enthusiastic about when watching. The dialogue between Hino Eiji and Ankh was interesting, and even as a child the ending made me think, so including its theme song, it's my favorite work. Lately however, I've been super into "Kamen Rider Den-O" (laughs). I'm watching it from the perspective of learning why it became so popular, but I also like Den-O because of Satoh Takeru's (who plays Nogami Ryotaro) amazing performance in which he plays multiple different personalities.

"What kind of person do you feel Shouma is?"

Chinen: I read the script so much that it felt like I was watching myself, as I thought that Shouma was so similar to me. We're very similar in the way that we're abit out of the loop, but also curious and get into the things that interest us. I was glued to the TV when I was a child, and I'd become so engrossed when watching it, that I couldn't even listen to what my mother was saying. However, I feel like I'm far removed from him in terms of his guts and inner strength, his desire to save people even at the risk of his own life, and his ability to fight the enemy. Playing the role of Shouma gives me energy and makes me aspire to be like him.

"We think another feature of this production is that right now, Shouma doesn't have a fixed place to stay, and that he comes into contact with a variety of people wherever he goes."

Chinen: I think alot of people are curious to see what happens next, as so far in Gavv, the story continues to be dominated by Shouma's easygoingness and the fact that we don't know what he's thinking. He seems to have a connection with Sachika-san, who he met in episode 2, so what happens to them in the future is a big point to watch out for!

"Please tell us your impressions of Sachika and the person who plays her, Miyabe Nozomi-san."

Chinen: Miyabe-san is a very refined person, so when we first met at script reading, I was shocked and said, "This person's gonna be a gyaru?!" (laughs). One of the things I like about Miyabe-san is that her mannerisms show the quality of her upbringing, but the more we talked, she really started to look like a gyaru, and I felt that performing together with her was amazing. Sachika-san leaves a strong impression of being a gyaru, but on the inside, she's a stable girl who's able to understand the feelings of others. Seeing her say with a refreshing smile, "I think it's good for everyone to be happy," Shouma respects her and thinks, "She's such a wonderful person" and "I want to be like her," almost like she's the embodiment of peace. When I read the script, I always feel supported and say, "Sachika-san, thank you."

"Shouma's brother sister like relationship with her is also very interesting."

Chinen: Director Sugihara Teruaki said to me, "It's like a dog and his owner" (laughs). Still, I think that Sachika-san's all encompassing kindness, and Shouma's simple mindedness are a great combination, and we're also playing the roles with confidence.

"He's yet to interact with Shouma, but we think the role Hanto plays will also be another highlight to look forward to."

Chinen: In some ways, Hanto is also easygoing, but he's the compassionate, hot blooded type, and he too lives by carrying something on his back. I hope you'll look forward to seeing how Shouma and Hanto, who are completely different types of people, interact with each other and what they'll think of each other in their first meeting. Hino Yusuke-kun, who plays Hanto, is the mood maker who makes the set feel relaxed, which is a gap between him and Hanto, but I feel that we're similar in our passion for the production and performance, and the way we put our all into something. To me, Hino-kun is a rival but also like a reliable big brother, and we often consult with each other and visit each other's houses (laughs).

"What were your impressions of Director Sugihara, who also directed the first two episodes as the pilot Director?"

Chinen: As I had no experience in acting, Director Sugihara is a respected teacher who taught me how to perform from the ground up, including how to read the script, and he's like a father figure from Tokyo. He understands each actor's personality and gives them advice accordingly, and he's an amazing person who draws out our potential, so every time I'm on set, I feel happy to film under Director Sugihara. He's a Director I really love.

"Before filming, it seems that you and the Director practiced vocalization together."

Chinen: Yes, even before I could act, my voice wouldn't come out (laughs). I'm really grateful that he took time out of his busy schedule to watch me one on one, and it was an important turning point that led to something changing in me. I want to grow so that people will feel that I'll have changed over the coming year, and one of my goals is to give an inspiring performance that'll be recognized by Director Sugihara with, "You gave it your all."

-Aiming to be as cool as Nawata-san-

"Kamen Rider Gavv, who Shouma transforms into, has a motif based on gummies and other sweets."

Chinen: When I saw the illustration depicted in the proposal, I thought it was incredibly simple, however, my opinion changed when I saw it in person. The armor on the chest and shoulders have a gradient so that it shines beautifully when light hits it, and there's a playful gimmick where a squishy dent will form when it's pressed, so a bunch of detail has been carefully put into it. I'm now so attached to it, that I can't think of anyone else but Gavv. Personally, what I want you to pay attention to the most are the feet. The feet are actually clawed, and this slightly animal like aspect is an important element of the show, so I'd be happy if you make sure to pay attention to the feet as well.

"What's your impression of Nawata Yuya-san, Gavv's Suit Actor?"

Chinen: Nawata-san is an actor who I shape Shouma together with, and he's an indispensable person to me, as I'm able to talk to him about problems that I can't talk about with the other cast members or the Director. He also taught me about acting, like how to create the mood and how to read the script. I'm grateful to Nawata-san's action, as I think Gavv's appeal has tripled, and I feel like the show itself has also become more brilliant.

"Does that also get you enthusiastic about the post transformation dub recording?"

Chinen: That's right. The recording process is more difficult than normal acting because you have to use only your voice to express your emotions and fight scenes in accordance with the footage. In episodes 1 and 2, I had to rerecord so many times that I lost the strength in my voice, and it took twice as long as the planned time (bitter smile). As well as the performances of my seniors in the Kamen Rider series, I also studied the game "Street Fighter" based on the advice of Director Sugihara, and now I feel like I'm getting by. I'll work more diligently to make Nawata-san's performance 120% more appealing with my voice performance, and to become a Shouma who's just as cool after his transformation into Gavv.

"One of the real thrills of the Kamen Rider series are the transformation scenes, but how did you create the pose?"

Chinen: The transformation pose was decided through a discussion between myself, Action Director Fujita Satoshi, Director Sugihara, and Nawata-san. It's a movement that involves rotating your arm, but the final version, which we created after discussing the angles and timing with everyone to make sure it looked cool and appealing, is the transformation pose used in episode 2. Depending on the story, he could transform quickly, so I hope people watch the way he changes based on the situation.

"In the episodes up to this point, the action leading up to the first transformation in the first episode is a scene that can't be ignored when talking about Shouma. There was some action involving wires, and we were also impressed by his performance as he was gradually being cornered by the Granute."

Chinen: That scene was prepared weeks before the shoot, as Director Sugihara and Action Director Fujita came up with a really cool direction. The scene where Shouma is beaten was especially important to give depth to the reason for his transformation, as it took two days to film. In the end, it was in the most extreme situation I had ever experienced in my life, my performance came out unconsciously, and I was complemented with, "Your facial expressions were very good." I could've never done it on my own, the scene was made possible by the advice of Director Sugihara and Nawata-san, who worked beside me, and by all the staff members who created an environment that allowed me to concentrate on my performance.

"It makes us want to go back and pay attention to the expressions on your face. Finally, please tell us your goals throughout filming of Kamen Rider Gavv."

Chinen: I'd like to learn alot about action from Action Director Fujita, Nawata-san and everyone else on the Action Team, and I'd like to improve my acting skills. I've never been in an environment where I could spend an entire year with people who are so good at captivating others, and I don't think it'll ever happen again in the future. I hope to make full use of this experience so that in the next year, I can be an actor who can do it all, from acting to action and recording, so I'll do my best to do what's in front me!

Director Sugihara Teruaki

The vibrant world Shouma comes across

-A dark story with colorful visuals-

"When did you first hear that you'd be the pilot Director?"

Sugihara: I'm pretty sure it was around last Fall, when I was working on the drama, "Tokyo MPD: From Zero to Hero," I received a phone call from Producer Takebe Naomi-san who said, "I'd like to meet and talk with you at once." I heard from a separate matter that Takebe-san would be in charge of the next Kamen Rider, and at the time, I thought I was going to be the second Director, but when I met her, she said, "You're the pilot Director." (laughs).

"At the stage when Director Sugihara joined, how much of the content in the show was decided on?"

Sugihara: Aside from the sweets and monsters motif, we'd yet to decide on the content of the story and the personalities and relationships of the characters. In the beginning, we were a small group consisting of the Producer team's Takebe-san and Takishima Minami-san, Screenwriter Komura Junko-san, and myself. Our three parties worked out the content by sharing ideas from our respective perspectives.

"What specific ideas did Director Sugihara have in mind? Personally, we felt that the visuals of the characters, including their costumes, incorporated the Director's ideas."

Sugihara: You can assume that I'm basically in charge of visual aspects like the impression and fashion. For Shouma's fashion in particular, during the rather early stages, I'd draw an illustration and say, "How about something like this?," and I'd have them look at it while I created his character.

"Not just Shouma's clothes, but also the interior of Hapipare is rich in color, so much so that it's unusual for the Kamen Rider series."

Sugihara: I told artist Fukuzawa Katsuhiro that I wanted to make the visuals as bright and pop as much as possible. Kamen Rider Gavv itself isn't meant to be a continuation of the "ism" seen in the first generation of Kamen Rider, but it includes themes like family conflict and Shouma's sad separation from his mother, so the content is heavy. Because of this, we made the impression of the colors vivid, and were careful to not make them too dark. Moreover, being in the human world for the first time, Shouma's a kid who's impressed by everything he sees, so I was conscious of the world captured from Shouma's point of view and to use rather flashy colors. Conversely, the Granute World and Stomach Family use muted colors, or to just say it outright, they have dirty colors.

"What do you value in your expression of Shouma, the main character?"

Sugihara: I wanted to depict Shouma as a pure kid, someone who suddenly comes to the human world and finds everything he sees as fresh. On the inside, he's not much different from Hajime, who he first meets in the human world, in fact, he's much more of a child than that kid. So he ponders over what he's been told, hurt by the casual mention of "monster" and afraid of hurting others, he's unable to be together with someone else, so he leaves Hajime and Sachika and goes elsewhere. However, I didn't want to make it too dark, so it was hard to depict (laughs). While he carries a dark side, I want him to be a kid who's always smiling when he's with someone, even if he has to force himself to smile.

"This Shouma is beautifully embodied by Chinen Hidekazu-san."

Sugihara: The best thing about Chinen-kun is that he looks great on camera. That's the kind of talent an actor has. Also, the expressions on his face when he eats are really good. Even though he's eating food he usually sees all the time, he eats it like it's a delicacy, looking as if he's eating something he's never seen before and is impressed. In that sense, I think he was the right choice to play Shouma. Still, since this is roughly his first performance, he had to start from a place where he couldn't express his emotions properly, and to begin with, he couldn't even vocalize. I had Chinen-kun stand on one end of Toei's rooftop, and I stood on the opposite end and had him deliver his lines. I gave him relentless acting instruction from the very beginning (laughs). Filming started earlier than usual, so we've already shot several episodes, and I feel that he can now stand proudly in front of the camera as Shouma. With each episode his performance and facial expressions are getting better and better. I have high expectations for his growth over the next year.

-Dedicated action that make the most of the motif-

"We felt that the vibes of Gavv's everyday scenes were different from that of previous Kamen Rider series, but was there anything you were conscious of in your direction?"

Sugihara: In my mind, I had a bright, pop like feeling, but during filming, Chinen-kun……it was important to me how to capture Shouma and the human world from his point of view. I may have only been thinking, "How can I get a good shot of him?"

"In that sense, it's interesting to think that the entire production is being pulled along by Shouma and Chinen-san."

Sugihara: That's right. This is especially true for the first episode, as the story unfolds from Shouma's point of view, so I was conscious of the fact that I wanted to bring the viewers perspective as close as possible to Shouma's.

"Despite the battle scenes also having a fancy sweets motif, from the very first episode, we were taken back by the intense physical battle depicted between Gavv and the Granute."

Sugihara: I'm pretty sure it was Action Director Fujita Satoshi who put out the idea of a serious fistfight at a container warehouse, and with sword fighting in a narrow space. We specified the colors and placement of the containers, and asked the people on location to arrange them accordingly. From there, Fujita and I talked in detail about the composition of the action, and we put it together by discussing the angles while adding in our own ideas as we filmed on site.

"We heard that you and Fujita-san worked closely together to create this."

Sugihara: I also like action quite abit, so I tell Fujita various things like, "Do this sort of thing." Naturally, Fujita has alot of things he wants to do as well, so the two of us are working together to come up with ideas for action sequences and angles.

"Including Gavv's own actions, the way he fights while "eating" the Gochizo is unique."

Sugihara: It was decided in advance that the transformation items Gochizo would appear alot like that of "Pikmin" and "Minions," so I thought it'd be better to use alot of them. Because of that, when Gavv takes damage, his armor breaks and he'll eat the Gochizo one after another……we're calling it "follow up sweets," and I think it'd be interesting to keep changing sweets and repair them as he fights.

"The standard Poppingummy Form has flexible armor, while Zakuzakuchips Form's sword weapon can easily break depending on how it's used, and the use of sweets as a motif was also visually enjoyable."

Sugihara: Inspiration for the action comes from discussions that are almost like casual conversations. I thought about how things like thin baked snacks such as potato chips might be weak to side attacks (laughs). Also, unlike other Kamen Riders, we don't use bullet impacts on Gavv when we depict him being hit (mechanism that detonates gunpowder that's attached to the performer). In his setup, the armor is derived from sweets generated by his own body, so we tried to create the effect of small bead like things flying around him. During filming, we've been throwing beads into the air from the side of the camera. In that sense, it may have a new visual feel.

"What scenes from episodes 1 and 2 were particularly powerful?"

Sugihara: In terms of taking the most time, I'd say it was before the transformation in the first episode. When I was thinking about Shouma's human image, Takebe-san said, "I don't want him to be a hero who fights just because he has powers." You don't fight just because you have the power to become a Kamen Rider, there's a will to fight, and that's where the power comes in. I wanted to create an image of a hero who's able to transform into Gavv because it's Shouma. Since the time of the script meeting, we had talked about how we wanted to portray a different kind of strength from that of the everyday Shouma, who keeps going despite being beaten up by someone he can't even stand up to. On set, Chinen-kun and I worked together to find out why Shouma was feeling that way, and we worked on his facial expressions and gestures one by one, and I was quite persistent throughout filming. We were supposed to film the transformation scene in one day, but we took too long and didn't get to the transformation, so I had to apologize to the staff (laughs).

"Finally, please tell us your enthusiasm for the future."

Sugihara: Honestly, I have no idea how Kamen Rider Gavv will conclude a year from now, but I want to make a show that'll make people who watched it think, "Gavv was interesting." For this reason, I'd also like to delve deeper into Shouma and Hanto, and Sachika and the others characters, and to make each of them appealing. I'm sure that Komura-san will come up with some great developments (laughs), and for my part, I hope that I can take advantage of that, and as the pilot Director for the first time in a long time, to create images that people watching in their living rooms have never seen before.

[kalkori]

ok regretevator fandom i know its "canon" that fleshcousins are only sentient and not sapient but when you look at the dialogue of fleshcousins it seems to say the opposite.

fleshcousins can and will react to being referred to negatively

not only in this instance with gnarpy does fleshcousin argue with gnarpy, it also emphasizes words like how someone irritated would. like hello?

chat fleshcousin literally tells lampert to kill himself after being insulted. there is no conversation elsewhere where fleshcousin gets told to kill itself to learn this. also before the threat it tries to insult lampert. thats not a parrot thats a very insulted and very salty creature.

in the first interaction with spud, the fleshcousin seems to be talking to itself and then appears to get irritated when spud is like "wow i could have ended up like you guys"

in the second interaction with spud, it seems to actually correct him and then, to me, appears to do its equivalent of an irritated grunt when spud is like "you're just like a personal diary!!"

the above is more tangentially related but fleshcousin seems to not only be genuinely irritated by unpleasant's existence, but then proceeds to also use language of others that it has learned. i find it interesting that specifically gnarpy and infected are used here, as gnarpy is the one who has the most irritated dialogue to learn from, and infected is the most related to unpleasant

2. it knows how to communicate discomfort/pain

ok i know this sounds weird but trust me. in most animals that can be trained to use words to communicate, it often takes A WHILE for them to accurately use language to mention pain. normally they learn stuff for things like food first.

for this one, the second and third line are my focus. the first one is pretty clear in the distaste for the snowball. however, the third line reveals not only a negative reaction, but trying to joke about it. "kb what is the joke" well you see my non-fleshcousin-brained friend, the joke is [as best translated as possible] "is it already winter?"

the flash beacon is what we're really here for though. not only can it associate bright, painful light to something it already knows, it A: communicates that it hurts and B: is able to recognize that you control it and asks you to stop hurting it

the reason why that is Huge is that most animals don't as for you to stop. they either run away or fight. when they ask for things to stop, most commonly its with another animal in the same species with their (body) language.

fleshcousin asks for you to stop in YOUR language!! thats huge!!!!!!!!!!!!!!!!!!!

3. fleshcousins can recollect people and inform others about them‚ and can potentially observe other peoples relationships

first off, fleshcousin tells mark that wallter misses him. [also, it appears it finds it funny that mark censors itself but that might just be me]

in this one, fleshcousin tells wallter that mark misses him and just how much he does, as well!!!! like hello thats crazy!!

this one has fleshcousin describe its own relationship with bive and scary mike, which honestly makes me want to bawl my eyes out. like it calls her and mike friends. i literally will cry forever about this

but the most interesting thing fleshcousin mentions multiple times...

IS HOW OFTEN IT MENTIONS FOLLY, AND SOMETIMES MIMICS HER?!

the last one under petal cone references folly's laugh

this one might be a stretch but i think this idle is referencing folly's forest, the "barn" being the forest and "the wrongs" referencing how closely related folly's deal is to malice

when you look at its folly interactions it seems VERY interested in folly

we're mentioning the farm again

we're just straight up describing folly here. hello!!

now listen any other time i'd call it a stretch but its talking to wallter, who it knows the relationships of. folly is heavily associated with that gigantic tree. pillows are associated with sleep. this has to be at least a red herring. like. chat.

theres more but this is already getting too long. chat fleshcousins are sapient if you look at the actual writing, whether intended or not!!

[fanfic-writer-and-rambler]

Jason: Kill him. Batman: No. Jason: Kill him. Batman: No. Jason: Kill him! Batman: No! Joker: Can I kill myself to escape this nightmare of awkward father son tension? Jason and Batman: Shut up! Jason: Ignore me, like you did when I died, what about the countless lives he’s taken, what about Barb, what about the shit he’s put all of us through for some sick joke? And if you didn’t want to do it because of those reasons, what about me? I wanted to ignore this but he took me away from you! Why not vindicate me? I thought I was your son! Joker: Guess you weren’t that close. Jason snacks Joker with the crowbar a fifth time. Jason: Shut. The. Fuck. Up! Back to you, when I saw the bomb tick down, I accepted it. I accepted my death... I thought when I died, you'd kill him. Then I wake up and he's still alive. Why? Batman: I’ve contemplated torturing Joker in a private area. Make him feel pain from every nerve in his body, make it so that when I finally killed him I savor the light leaving his… eyes. But I don’t want to go to that dark place because that won’t fix crime. Jason: Stop joking. Batman: I'm not. Jason: You have to be. Batman: When have I ever joked with you in this suit?

Jason: It's not too late, because you can't be serious. It literally would fix one thing.. Him! Joker: Can you tell me what type of torture methods you’d perform on me? I might need to use those later. Jason points to Joker with his gun. Batman: If I kill I would never go back. I would kill the next one like him. Jason: Then fucking do that! You can't be arrested. You are friends with commissioner Gordon, who by the way, Joker shot his fucking daughter. You shot his daughter right? Joker: Yeah. Jason: Okay, so should I shoot him or do you want to? Batman: Joker would have to do something insanely unforgivable to make me kill him. Jason: ...He tricked my mom into handing me over and killed me. Horribly tortured me. Just want you to know I was legally dead for a time. Batman: That's different. Jason: Different how? Batman: You're here now.

Jason looks around. Jason: Am I on a hidden camera show? Because you did not say that as a defense. You can't be serious! Batman: It’s not right! Jason: Why? Go ahead tell me, why is it wrong to kill him and for me to kill irredeemable criminals. I'll wait, I have the detonator. Batman: Because when my parents died, I learned all life is valuable. Jason: Joseph Stalin. Batman: Okay, I - Jason: Charles Manson. Batman: Hold on, now he was- Jason: Jim Jones. Batman: Well they volunteered. Jason: Adolf Hitler, the Nazi soldiers who knowingly participated in the extermination of Jews and the ones who escaped to Brazil. Joker: I know I'm the one possibly dying, but he brought up a couple good examples. Batman: No, wait, because that's not the same. Joker is not the same as them. Jason: Okay, I will cancel out the world dictators and Manson. I'll do that... Jeffrey Dahmer, Ted Bundy, John Wayne Gacy, Wade Wilson! Batman: ... Jason: And again him torturing and killing your son isn't the line?

Batman: I told you not to fall for your mother's tricks. Jason: Are you resorting to gas lighting? While I have a bomb? We're doing that?! Batman: All I'm saying is when you got brought back you killed left and right. Jason: Yes, rapists and murderers. I don't kill shoplifters. Batman: Hypocrite. Jason: A shoplifter has a reason and doesn't go about killing someone. What rapists have you met that had a reason? Because rapists aren't redeemable, they're free game. Batman: Okay, last I checked murder is wrong! Jason: Yeah, it is! Jason points his gun Joker. Batman: ...A criminal is a criminal. I treat them all the same. Jason: Let's talk about Selina Kyle. Batman: Let's not do this. Jason: She gets a pass when she's attacked people to escape. If a criminal is a criminal then why isn't she in prison? Because she meows at you? Because you unironically like when she hits you with a whip? Because she talks in a fake sultry voice? I want to know why does she get a pass? Why Black Mask walks? Joker walks? Mr. Freeze walks? Tick tock detective. Batman: ... Jason: It bothers you, doesn't it? That I'm doing a better job at you? That I'm taking on businesses of the crime ridden area because I can admit that crime will never stop? That I kill murderers and rapists? Batman: It doesn't bother me... I just don't want you to do this. Jason: I'm not asking you to kill Selina or Riddler or Mr. Freeze. I want you to kill him. I'm not even mad at you for not stopping my death, I forgive you on that, but for the love of God, kill him! Please. I am begging you! Do you see this? I am begging you! Batman: I can't. I'm sorry. Jason: Okay you have two options. I kill Joker or... You kill me. Jason tosses Batman a gun that the man catches with ease. Batman: I regret the day I let you into my life... Not because of your fault, but my own. I gave you a good life with the life of a hero. So I won't kill him. I'm sorry. Jason: Hm... I guess you'll watch me kill him. This is great, I always wanted this moment with us. Jason grabs Joker and aims the gun at the cackling psychos head. Jason: I’m going to enjoy this! Batman: Dodge! Jason: What? Batman tosses a batarang at Jason’s neck, impaling it in the man's neck. Jason drops the gun and Joker in shock and pain as blood splurts out of his neck wound. Jason: You threw a batarang… at ME?! Batman: Oh shit, shit, shit! You were supposed to dodge! Jason: You pulled a Piccolo on me!? Batman: I thought you would dodge. I shouted dodge! Jason: You thought I would read your damn mind, toss Joker aside, dodge and then not shoot him. Batman stays silent. Jason and Joker: Oh my God you did. GREAT, NOW I'M AGREEING WITH HIM! Jason yanks the Batarang out of his neck. He looks at the Batarang, silent and shaking. Jason: You know... maybe in a few years we can laugh about this, but for...I'm sorry too. Jason presses the detonator managing to escape along with Batman. Joker is crushed by the debris of the buildings, but alive.

[gassadamante]

Okay, I'm gonna rant a bit again about love, queerness and *drum roll* kinks.

Just a little heads up: I'm bisexual and to the surprise of literally no one kinky. I'm also demiromantic/lovepunk and I've struggled my entire life (and I'm still struggling) with romantic connections, relationships, dating and also friendship.

I've only dated one (1) guy, he was pretty kinky too and with him I've experienced various sub drops. With him I was a sub, a little bit bratty sometimes but since I was completely inexperienced it was more natural to just be a sub. Point is, I've never received aftercare. Like, ever.

And sex is one of my special interests since when I was maybe 14 (we're talking about 2013 guys, eleven years ago), so I know damn well what aftercare is, how important it is and how hard a drop can hit you and how damaging it can be. And yet I've never asked for it. I've never said "hey, maybe hug me a bit after you slapped me?" Maybe because I have a pretty bad rejection sensitivity dysphoria, maybe because I didn't know how to, maybe because he was just a dickhead and not exactly a Dom.

Anyway, the sub drops hit me like a fucking train and I'm still facing the consequences a year later.

Now, about the queerness part.

I've experienced some kind of drop with platonic friends too, but almost never with queer friends. Don't know why, don't know if I'm just a lucky bastard, but my queer best friends always make sure I'm comfortable, whatever we are doing. From choosing a place to eat, to the time we're leaving, to my social battery, to literally everything.

They give me time and space to choose and when I'm too overwhelmed they choose for me and still make sure I'm okay with their choice.

I'm not really sure where I'm going with this post, I probably just wanted to say be kinky, be queer, be free and loving but also check on the people you love, they need it even if they don't say so. And don't be fucking afraid to hug each others, friends or partners or whatever, hug the people you love for fuck's sake!!

(only exception: if they ask you to not hug them, but in a rant about kinks and queerness I think I'm gonna assume all parts involved are consenting)

((consent needs a rant on its own but I'm too tired to not write a mess))

[thedreadvampy]

sometimes I forget that my experience has been. um. not 'your experiences are not universal' vibes but more like 'your experiences are EXTREMELY atypical'

[lorephobic]

idk how to even like. put this pain into words and i would normally vent about this shit on twitter, but the person its about follows me on there so like. anybody have skills for coping with the crushing realization that the person u love most in this world and have built ur life around sees ur current situation together as a temporary hurdle that's preventing them from their truest and happiest self which. is separate from u entirely? anyone know how to deal with this?

[barkingangelbaby]

venting so much i ran out of tags lmao

[dewitty1]

Saturday Six (Stuff)

Cats woke me up too dang early. It was mostly Reggie, of course, so I chucked him out (don't @ me about it - he's and indoor/outdoor Boi) because that's what he wanted anyway. I didn't realize it was that cold until later, when I actually got up, thanks to Leeloo. So, I went out and called Reggie several times, with no luck. He decided to wait to come back after three + hours of being outside (not too unusual, but random enough) and I give him the Molly Weasley "Where *HAVE* you been?!" he just looks at me and gives a "maow" like "Whassup mom? Wassall the hubbub?" Crazy damn cat. Gotta love em. (^・ω・^ )

I'm really getting upset about the business situation. Idk what to do. It's bad, bad. And I've looked at jobs. Nothing much but nursing really. Ugh.(;*´Д`)ﾉ

I find it funny that I identify as aromantic, but I love reading romance novels (not as much as I used to, but I have some old faves), Drarry fic of course, and I love RomComs, and shows like Love is Blind and Indian Matchmaking lolololololol. I guess I just don't feel it for myself. Idk, it's weird, to me anyway.（*´▽｀*）

I really hate asking people for help. It really feels like failing to me. I guess I have my parents to thank for that one. But I've been asking people to share my business posts. Mostly on Fb because that's where the old people with money are. I don't love it, but this is the world we live in.(o;TωT)o

As if things weren't bad enough, I also got a jury duty summons in the mail for my birth month. But at least it wasn't for my actual birthday.

Anyway, I'm just trying breathe. And I keep hoping that something will come through. I'm still swimming, even though life is trying to drown me. p(*＾-＾*)q

BONUS - Mom tested positive for covid! So life keeps giving! (•̀o•́)ง

[2024skin]

literally when I see women being frustrated with other women for staying with abusive men I feel like I'm watching the ouroboros. Like I get it, it happens to everyone, I've been there, but it's so self sabatoging.

[unproduciblesmackdown]

nonzero people podcasting about goosebumps the musical & it’s never enough. neither extensive enough nor enthusiastic enough & that’s coming from me which is the entire explanation for the assessment. 

on the same topic but a completely different point, i was just appreciating how extra fun i always find understudy buddy to be. and obviously i would like to think that maybe tina & the unit that is brooke & zeke are like, more neutral to amicable after the show lol. tina is a lot of fun as is, like, automatic shoutout to any character just being like, getting in the way being offputting / a pain and all powered by one’s own intensity, that’s fun & funny & who among us? and like yeah she’s also definitely doing the mean girl thing like, in the song as mentioned lmao like please, rein it in. and maybe she will, but then when other suspects are being kind of crossed off the list just before thee play she manages to just be regular supportive towards brooke, so that’s promising lol. and also just shoutout to the Fun of a lively antagonistic role, great stuff, delightful number for her there, and sure helping ramp things up. and zeke and brooke not just showing up for this one horror musical (also i would love to shoutout zeke’s plight there lmfao like, the experience of original readers of poto where the twist is “nah it’s not a phantom it’s just some wet pathetic guy” like he’s so hyped to be The Ghost Lead and then he’s like oh god i’m a romantic lead in a hole & i’m five & it’s embarrassing & i even know my counterpart irl (the bestie) like i guess technically the role’s a ghost by the end & good for the mystery mask wearing element being exciting still) but that they were unnamed ensemble members in guys & dolls & saw that through, they’re bringing support & appreciation for the theatre, & on the flipside tina might just enjoy the theatricality & attention from it but she was having a great time informing everyone that on top of their haunted school it’s a specifically haunted (cursed) play, so maybe she can also relate to zeke and brooke’s horror genre appreciation. and she might warm up at all to zeke when he’s cleared about the fact he wasn’t trying to prank their efforts into oblivion, at least to the same degree she can manage to provide regular supportiveness to brooke when it comes to it. and on the one hand, despite brooke and zeke sure seeming like that hell of an established unit like probably just have their [socializing at school] foundation covered by hanging out w/each other, they could let brian in on that easily enough for something of a triumvirate, but now not only are they bffs since 5ever who love a genre together, they sure had an Adventure in emile messing up by [you never try to scooby doo villain your way through it] but also doing it all wrong where they think You’re the danger here & that you’re going to murder them, plus it’s scary for real exploring the darkness elevator underground tunnels anytime, but also now they have this off the shits experience with that new guy friend who was a ghost for real. kind of its own bonding element & maybe you wouldn’t exactly let anyone else in on it, much less like, tina lmao. she might be interested in The Legend but she was also super interested in telling everyone all about it, and idk, difficult and weird to explain, thing it’d all be quite the stuff to process for one lol like sure we love drama and ghosts and attention too but it’s A Lot. ghosts are real and i online dated one except across time rather than space and he was just some guy hanging out and i also hung out with him sometimes but then in the end it got weird b/c he was the suspicious understudy all along and this role is really not coming through....but also hey, could talk about it all eventually, and tina’s got plenty of context already. next year’s cast n crew party for the last show, be like hey guess what, b/c we’re solidly amicable now also

plus being extracurricular buddies like, ms. walker head in hands dealing with these three menaces lmao....although zeke wasn’t Really up to that much, tina’s sure committed to the show, etc. and it’s like, being a student or teacher or anyone else at a middle school is just always gonna be like that. could really be worse, she can handle it. and maybe she can know of the lore also, she’s out here engaging in irl drama and lore about like avenging her grandmother’s theatrical aspirations, or none of this would be going on lol. get used to these three and actually they’re reliable really, maybe tina will have learned to better accept not getting the dream role, which will be an easier time for everyone. but it’s just always gonna be a handful lol but all these kids were also all about putting on the play too, actually, yes maybe some problems arose from messing around with the platform but they could’ve been worse problems (queues of ghosts in line for their turn at finally achieving one last goal of performing their part in this one damn play lol) and does seem like it’s engineering issues inherently rather than Just messing around backstage unsupervised which isn’t often otherwise going to be fatally risky, and maybe just give people a rundown about the riskiness of things that Isn’t emile’s botched effort where he mostly just made children afraid of Him. like idk, i did shop class throughout middle school, we avoided injury w/successful cautionary rundowns. brian’s one other last goal could’ve been about safety measures, but whaddaya gonna do. anyways point is, hanging out after school for theatre purposes and having an understanding and bonus patience affordance with the teacher in charge of this and maybe everyone gets to know the Real Ghost Story or maybe it’s zeke & brooke’s personal inside secret, it was already a shared adventure for all involved even if they didn’t get the Full story the way those two did, all of them are up for Drama and for Horror, they’re good to go. and good for them

[whereisthedamndaddymanual]

They can clearly see my straw man corporation is not for profit.

All my funds go toward buying my children shit they don't necessarily need, but I try to do better for them then I was done for.

[fanfic-writer-and-rambler]

This is a headcanon, most of this is my fanfiction headcanon. Gotham Academy kind of just stopped from what I remember and it didn't feel like it had a final conclusion so this is my crossover if Olive Silverlock ever met back up with Batman and his second son. Might convert into a fanfic chapter if you guys like it, but be warned this is canon divergence mostly.

Olive Silverlock , holding a giant dagger, walks over to Batman who is with Red Hood and Damian Wayne (dressed Robin). Batman steps behind Red Hood.

Olive: Batman- Could you move please, taller man?

Red Hood: Oh sure.

Batman: You're not even going to restrain her?

Red Hood: Nah she looks like she's on a mission and I respect it.

Olive: Bat- Thank you- Now Batman, there's nothing to fear. Yes, for some time, I wanted to ruin your life. Not kill you, oh no, I wanted your life to be filled with pain and devastation, a metaphorical inferno. My years in hiding, accepting my role as Calamity has been... Eventful, but my mind always remembered you.

Batman: Olive, you're not in the right state of mind, but I can help you.

Olive (cackling): I love this new life, embraced the curse. The fire that leads me through life is the only light I see. I'm not going to hurt you though, I hate your guts, that's all. This dagger is just what I carry to look intimidating.

Red Hood: It works for you. I like the rainbow color.

Olive: Thank you. I have pyrokinesis powers so yeah this is just to look cool. I wanted to burn your house down as well, Mr. Wayne.

Batman: What?

Olive: Oh honey, it was not difficult to figure out who you are. Bruce Wayne, billionaire, too much time on your hands, wears a bat suit.

Hood: Accurate.

Batman: Red Hood, shut up.

Red Hood: Nah, continue Olive.

Olive (moving her knife to an unconerned Damian): Damian Wayne, stands to your right. Manipulated Maps to his side. This guy though... I don't know you. I'm Olive.

Olive holds out her hand in front of Red Hood. He shakes her hand back.

Red Hood: I'm the second Robin or was the second Robin, but then I got murdered by the Joker and he didn't kill the Joker, stayed dead for like 2 years got brought back to life through very convoluted means... they make sense in context, but still crazy when you hear them and now I'm Red Hood, nice to meet you.

Olive (snide): Of course, Mr. Justice couldn't even kill this guy's murderer, bravo Batman.

Damian: That's his son by the way.

Batman: Why would you tell her that?

Olive (glaring at Batman): Hood man, need me to give him a quick poke for you?

Red Hood (shakes his head chuckling): No, I'm over it. Are you okay?

Olive (shrugging): I'm adjusting, but it can be tough at times. Finding a place to live is especially difficult.

Red Hood: I get that. B said he could help you, but I feel like I might be a better aid for you. It will not be an easy journey, but you seem like you need better adjustment to life.

Batman: I -

Olive: Oddly enough, I trust your vibes. I'll take your offer, but what's your actual name?

Jason removes his helmet so that Olive can see his face.

Red Hood: Call me Jason.

Olive: Oh, cool we both have white hair.

Jason: Works out doesn't it? Come on, I'll get you something to eat.

Olive (flipping her dagger and catching it with ease): Works for me.

Olive walks off with Jason as Damian and Batman watch them leave.

Batman: What actually just occured here?

Damian: I think he made friends with an insane teenager. Good for him that might be his adopted daughter now. I'm not going to lie.

Batman: Why is this normal to me?

[torahtot]

trying to drum up enthusiasm for college again and i just feel horrible and want to cry :(

[birbtails]

.

[white-nolse]

Which character was it? You don't have to say who if you don't want to!

Hello there! Don't worry, it's not like the person who made me start disliking them is going to see this akksksksk. I might be bad at interacting with my mutuals, but I don't follow people unless I like them.

Honestly it happened with Bru//no Bu//cciarati first (don't want this on the main tags). But he went from a favorite to a meh character. I have mutuals that like him so that kind of keeps him on a good place.

But now it happened with Aba//cchio too, but he surpassed the "meh" levels and now I just- don't like him anymore?

I think now I like La Squ//adra a lot more because of my friends too.