#but he's not perfect either

[ultimatepeter-man]

Yo, I just saw your other post about if another synthezoid came to the academy and I was curious of how scarlet would react to meeting another synthezoid like him?

I think Scarlet would have a lot of...mixed feelings.

When he found the Spider Slayers, it was like finding long lost family. He was meant to be a team with the Spider Slayers. He was meant to lead them. He is made out of the same synthetic material as them. He is one of them.

It was like he felt some kind of responsibility for them. To get them off Hydra Island and somewhere better. (To me, I think that's why he went back to the Academy so soon). He was out doing his own thing, but now he's got these other synthetically, created, cloned beings who are in the same boat as him, but way out of their depth. Who knows how long they've been down in Hydra Island just...waiting.

So he takes them to the Academy and he's getting their little charging pods set up, and its like he's found this new purpose to drive him now that he knows who he is and how he came to be in the possession of Otto and Hydra.

But then, just when he found this group of people that is not only his new driving force, but an opportunity to learn and come into acceptance to who and what he is, all of the sudden they're snatched away again. Whether they were taken by force or they'd willingly gone with Kane, he lost them.

So I think finding another one, he would take them under his wing under a sense of kinship. I think he would likely be the first to show them trust, even though he has some of the worst trust issues in the Academy. But i think he would also stay guarded. Ben doesn't like vulnerability, and opening up with him is like pulling teeth, but SOMEONE has to show this synthezoid hybrid some kindness, and who better than him?

[umblrspectrum]

being grounded from devices means nothing when you have a robot boyfriend

[beaulesbian]

more one piece (mostly zolu) + text posts [2/?]

[nellasbookplanet]

I've been thinking about Mollymauk, as I'm periodically wont to do, and the fandom discussion about him as a moral compass. Because the interesting thing here is, Molly wasn’t a very moral character. He was an unrepentant scammer. He had no respect for interpersonal boundaries and would deliberately push and break them. Generally, he was an asshole. As far as actually having a strong moral stance I would say Fjord was the standout of early m9, and to some extent Beau.

But here’s the thing: almost all of early m9 thought of themselves as horrible people. Fjord had been bullied so bad growing up that he still dealt with self-hate from it, and now suffered from survivor's guilt to boot. Caleb had killed his own parents. Beau, while she hated her dad, also had internalized self-hate and on some level thought she’d been such a shitty daughter she deserved his treatment. Nott was stuck in a body she considered monstrous. Yasha had survivor's guilt and knew she’d done bad things in her blank spots. Even when they did good, they didn’t think of themselves as good. Most of them were suspicious and asocial and faced the world with the same kind of distrust they expected to be (and were experienced in being) met with. (Jester was an exception, an agent of neither good nor bad but of amoral chaos)

But Molly was different. He was outspoken about loving life and people. He wanted to spread joy, even to people he didnt know or had even met: he slipped coin into people's pockets, hid a silver in a tree just so some stranger would one day be happy to find it. He openly cared for the party early on; was one of the first to step in and help Caleb when he went catatonic in battle. Above all, Molly had rules: where everyone else would agonize over what was the right or wrong or smart thing to do, Molly loudly proclaimed we don't leave people behind, and we leave every place better than we found it.

But the thing about Molly’s rules was, they were largely a cover. While the rest of the m9 thought they were bad even as they did good, Molly thought of himself as good even as he did bad. He scammed people, but made it a good and memorable experience, therefore thinking he gave more than he took. He charmed Nott and Fjord without consent, and when confronted would claim it was to help them. Out of the group, Beau saw through this, not because she was a better person but because she was a cynic. She saw that he caused harm, just as she did, and was personally affronted that he still thought of himself as good and tried to leave people happy, whereas she deliberately left every place worse than she found it.

I see Molly as a moral compass of the group not because he was actually any more moral than them, but because they made him their template. He was joy and brightness and he died trying to save them because it was the right thing to do, and they all chose to honor him by emulating his rules more than Molly himself ever did, because to them it was more than just a cover, backed up by genuine moral thought and discussion rather than small gestures. He taught them that it was possible to be kind of a shit person and still be good, to still love yourself and others. The idealized Molly they created never existed, and finally died for good when they resurrected him in the end and were met with a stranger, who they welcomed with the same love and care they would've expected Molly to show them.

[suja-janee]

Bireena request: 2/5 (request from anonymous)

Uhh slight boobie warning under the cut vvv

The titan versions get along a little TOO well hehehehehehehhehehe

[carnivalcarriondiscarded]

weeee more fantasy au doodles

[starlesscitiess]

heyyyyy sooooo i just watched nimona and of course being me i have to get aro about it and i am Still Thinking about the moment where ballister says “she’s my friend” and ambrosius replies “aren’t i more than that” and the thing that’s great about it is that he’s in the wrong. yes the two do get back together romantically at the end but this line, its reception in context, and the subsequent emotional core of the movie reject a hierarchy with romance at the top. like. this is a line in a scene where ambrosius is explicitly antagonising our main character, being manipulated by the main villain, and himself using the relationship between himself and ballister in an emotionally manipulative way, whether deliberate or not. in this context, the romance is not the highest or purest form of love, it is not above criticism, and it is certainly not ranked above the friendship. the relationship at the centre of the film is that of ballister and nimona, the one that bal prioritises — both in this moment and throughout the film — is nimona. they are Friends and Family (and of course evil coworkers) and that is the most important thing in the whole entire world. i love to see it <3

[thankstothe]

[soup-child]

You know what I really hope Hero DOESNT show up in the final battle she deserves to just be at her nasa internship I want her to show up at the epilogue and just be like see you could do it you don't need me

[varpusvaras]

Alderaan, 4.25 p.m, sometime after the war has ended

Breha: Oh, Fox is back from his trip to Kamino, let's go meet up with him at the docks!

Bail: Welcome back home, love, how was the-

Fox: Yes?

Bail & Breha:

The extremely adorable baby clone Fox is holding:

Fox: Oh, yeah. I forgot to tell you beforehand, I am so sorry. It all happened so suddenly

Breha: Oh, we don't mind, we just didn't know that they were releasing any of the cadets from Kamino yet

Fox: They aren't

Bail: ...did you ask if you could take him?

Fox: No, because they would've said no. No one will know, though, because what are they going to do? A DNA-test? I'm his dad, of course he has the same DNA as I do.

Bail:

Breha:

Baby: Bwah

Breha: What am I the Queen for if not for forging papers

[whereismyhat5678]

Me? Obsessed?? Nah man- you got the wrong guy 🙌 I ain’t obsessed with anything- PFF- yeah right-

……..

Okay maybe a bit-

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[finleycannotdraw]

Goldenheart question. Who do you think proposes? Ballister or Ambrosius?

Bonus on how they would do it? ✌️🌈

OKAY SO. I thought about this for like five minutes. decided something. and then I changed my mind like five times. and then I was like “hmm. fic time”

I know you just asked for my thoughts but I hope you enjoy this!!

Ballister had a plan.

He loved Ambrosius. Of course he did. He’d loved him when they were classmates at the Institute, loved him when they snuck onto the roof at night to talk, loved him when they became knights, and loved him when the wall came down. He’d loved him for as long as he could remember, so of course he loved him when he looked up from his crossword puzzle and saw Ambrosius dancing in the kitchen, wearing a pair of Ballister’s pajama pants, holding a pancake batter-covered spatula and looking more carefree than he’d looked in months.

He’d marry Ambrosius in a heartbeat. He’d get on a train right then and elope with him if he asked, but he thought his partner deserved something bigger, something romantic, something grand and joyful after all of the stress and responsibility he’d been shouldering since the Director’s demise.

Hence, The Plan.

Nimona had been… mostly helpful. Ballister approached her one afternoon, after Ambrosius had left for work, and sat down across from her. Since the three of them had moved into an apartment together, Nimona had gotten much more comfortable relaxing, which warmed Ballister’s heart.

“What’s up, boss?”

“I want to ask Ambrosius—” he began, and Nimona sat up straight, immediately invested.

“To marry you?” she exclaimed. “Yes. Do it. Why haven’t you done it already.”

Ballister blinked. “I thought you’d be more hesitant about this,” he said slowly. “You used to hate him.”

Nimona waved her hand dismissively. “Ehhh. The past is the past, and all that jazz. Speaking of jazz—”

“No.”

“Ugh, whatever. You don’t even know what I was going to say.”

“I didn’t need to.”

“You’re horrible. Anyway, I hated him when all I knew about him was that he cut off your arm. That was before I’d lived with you guys for a year. And it would be pretty hypocritical of me not to be open to changing my opinions about somebody. He makes you happy. You should totally marry him.”

Ballister smiled. “Thank you, Nimona.”

She scoffed affectionately. “Sure, boss.”

And a plan—namely, The Plan, which was the whole point—formed.

Nimona and Ballister flew all over the city looking for parks and possible activities, such as restaurants or shows. Most people had gotten fairly used to the pair of them flying around, Nimona sprouting wings and carrying Ballister above the streets, so they didn’t worry about staying out of sight.

If Ambrosius noticed or thought it was suspicious that Nimona and Ballister constantly went out together and didn’t talk to him about any of it, he didn’t comment. The three of them still had their movie nights and game nights, and Nimona and Ambrosius still had their terrifyingly intense card games (War, Go Fish, Crazy Eights, and several games Ballister had never heard of) that Ballister was forbidden from joining, so altogether not much had changed.

One thing that did change, though, was how often he paused, watched Ambrosius do something completely ordinary, and thought ���I want to marry this man.’ It happened more and more with each passing day, until Ballister very nearly proposed to him when he walked into the apartment and found Ambrosius standing with his feet on two separate chairs, about three feet apart, holding a collection of colorful paper streamers above his head while Nimona, in the form of a small monkey, perched on the top of his head and put them in place on the wall.

Ballister stared at them for a long moment before he said, very confusedly: “There wasn’t a more efficient way to do this?”

Ambrosius and Nimona turned at the same time, both looking quite delighted despite their precarious position atop the chairs.

“We’re just mixing it up!” they both replied. Ballister looked around. The living room was covered in party decorations and newspaper, and Ballister thought he’d never seen more glitter in his life. He pictured Ambrosius buying a basket full of glitter for whatever party Nimona was planning on throwing, and wouldn’t have been surprised if his heart actually melted.

“What’s the occasion?” he asked.

“I asked Nimona when her birthday was,” Ambrosius explained. “She said she didn’t have one.”

“And if I do, I don’t remember when it is,” Nimona added. Ambrosius threw his hands out to the sides in an emphasizing gesture.

“Which means she’s never had a birthday party,” he continued. “So we decided that today’s her birthday and we’re having a party.”

“Which is just going to be like a normal night except with decorations,” Nimona said. “The glitter was Goldilocks’ idea.”

Ballister raised his eyebrows, and Ambrosius shrugged unabashedly, then turned back to finish putting up the streamers.

Marry me, Ballister thought.

Within the next week, he had everything figured out. He’d looked at the weather for the next few days, planned where they’d go and when, and had even bought a ring, which he’d hidden in his extra pair of running shoes and shoved under the bed. If Ambrosius noticed that Ballister seemed extra nervous or more likely to become agitated if he spent too long in the bedroom by himself, he didn’t comment.

So yes. Ballister had a plan, and it was much more concrete than ‘something something something, we win’. He didn’t have a script, but he had just about everything else. Nothing could possibly get in his way now.

Or so he thought.

One night—there was nothing particularly special about it; they’d had dinner with Nimona, danced and laughed while cleaning the kitchen, and kissed while getting ready for bed—Ballister and Ambrosius were snuggled up together under their blankets. Ballister’s prosthetic arm was hanging from its charger on the wall, so he couldn’t hold Ambrosius as close as he would’ve liked, but the blond knight was lying with his head on Ballister’s shoulder, which gave him room to wrap his left arm around his partner’s back.

Ambrosius moved to tangle his legs with Ballister’s and gave his middle a squeeze, causing Ballister to smile up at the dark ceiling. If he paid attention, he could hear quiet music through the walls from Nimona’s room, and the moon was shining brightly through the window. Ballister carded his fingers through Ambrosius’ hair and breathed deeply.

Ambrosius, after several minutes, pushed himself up onto his elbow so that he could see Ballister’s face. Ballister’s arm slid naturally to rest around his waist, and he wished he had his prosthetic so that he could tap Ambrosius on the nose. Whenever he did so, Ambrosius’ face would scrunch up in the most adorable way possible, and Ballister had no choice but to kiss him.

“Hey,” Ambrosius whispered, as though Ballister hadn’t already been giving him his full attention.

“Hi,” he said in the same quiet tone, and matched Ambrosius’ answering smile. They bumped their noses together and giggled, and Ambrosius flopped to the side, landing on his own pillow. Ballister freed his arm and laced their fingers together, and Ambrosius brought their joined hands to his lips, then rested them on his chest and stroked Ballister’s hand with his thumb.

“Bal?” he said, tilting his head to the side to look into Ballister’s eyes, which he was quite honestly struggling to keep open.

“Hm?”

“Will you marry me?” Ambrosius asked softly, simply, his gaze full of love, exactly the way Ballister had been fighting the urge to ask him for weeks.

“Oh, come on!” he exclaimed, and got out of bed to grab the ring box from his shoe, forgetting that Ambrosius had no idea what he was doing until he sat up, looking worried.

“Bal?” he said again, this time much more guarded. “I’m sorry, what—”

“I was going to propose to you!” Ballister interrupted, opened the box, and shoved it towards his gobsmacked partner, who stared at it in utter shock before looking back to Ballister’s eyes. “I had a plan! And it wasn’t ‘something something something, we win’!”

Ambrosius’ eyes were shiny. “Was it more like, ‘something something something, marry me?’”

Ballister laughed surprisedly and leaned over to plant a kiss on Ambrosius’ lips. “Yes,” he said. “Well, no. I didn’t have a speech.”

“Hence the something-something-something,” Ambrosius teased. “You know, you never answered my—”

“Yes, good Gloreth, yes, I’ll marry you,” Ballister interrupted again. “Though I think you could’ve inferred that from learning that I was going to ask you the same question.”

Ambrosius laughed tearfully, and Ballister kissed him again.

“I’m not taking your last name, though,” he added moments later. “As funny as it is.”

“Nimona would kill you,” Ambrosius agreed. “So would I, probably. I don’t want to keep my last name either. It made for some good jokes, but other than that—”

“Well, Boldheart is nice, but it wasn’t my birth name. You know the Queen gave it to me at the ceremony because somebody—probably the Director—said that Blackheart sounded too dark for a knight?”

“Right,” Ambrosius mused. “What should we do, then?”

“We could combine our last names,” Ballister suggested. “We could be Ambrosius and Ballister—”

“Goldenheart,” Ambrosius finished, and wrapped his arms around Ballister, shaking with laughter, tears, and joy. “I love it.”

“I love you,” Ballister told him, and there was very little talking for the rest of the night.

When morning came, they headed into the kitchen in their pajamas and found Nimona already up, sitting at the table with her headphones on. She appeared to be drawing—likely another action scene with herself as a large animal with Ballister and/or Ambrosius as her murderous accomplice—and didn’t look up as they entered.

“Morning, Nim,” Ambrosius said as he made his way to the coffee machine.

“Goldilocks.” She acknowledged him with a nod, then raised her eyebrows. “Sleep well?”

Ballister held his crossword puzzle up and hid his face behind it while Ambrosius nearly dropped the coffee pot. They both knew that Nimona was over a thousand years old and there was probably very little she hadn’t seen, and even less she wasn’t aware of, but she was so good at acting like a teenager that it was quite easy to forget. She watched their awkward reactions and snickered, but her eyes widened as her attention zeroed in on something on or beside Ambrosius’ hand.

“So, who snapped first?” she asked pleasantly, a wide grin forming on her face.

“Me,” Ambrosius admitted without turning around. “Wait. Who snapped first? You knew he was planning—”

“You knew he was—” Ballister began too, and they both stopped and stared at each other.

Nimona just burst out laughing.

[nattikay]

friendly reminder that Neteyam is a well-adjusted kid who has a good relationship with his parents, that he tries his darnedest to be a good warrior because he genuinely looks up to his dad and wants to be like him, and that the idea that Jake and Neytiri are "forcing" him to be perfect, that they "stole his childhood" or that he's "not allowed" to be a kid, etc. are all pure fanfiction with little to no evidence in canon thanks bye

[weirdozjunkary]

What do I do when I have two things I like co-existing at the same time? Merge them of course!

[sysig]

So much experimenting to be done, where to even start (Patreon)