#but i am thoroughly a main character enjoyer more often than not and i feel a little let down that hiro is just 'ok' to me

[syrasenturi]

hiro and taiki, the people pleasers to a fault protagonists

[galactickohipot]

I'm done with Dawntrail's msq! Here are some of my thoughts! The new zones are really cool and varied! It's a pleasure to explore. There are little settlements and villages scattered all around the maps and I LOVE IT! It feels so lived in and credible. It's really nice seeing npcs go about their little lives there. The graphical update really helped in seeing this vision realized and it's so nice to see. I've come to notice more details in previous zones too! Overall the battle content is real nice this expac, mechanics are more engaging than in EW. As a casual sch main (rip smn), I'm happily peeling dps off the ground in expr dungeons. I also liked the vibes and the job quests in Tural; it reminds me of early AST questline, which was a pleasure to go through. As for the rest, unfortunately msq is absolute trash tier. Some people are comparing it to ARR, but that's honestly underselling 2.0 in a lot of ways. Spoilers ahead!

First, I must confess, I am an ARR enjoyer. I love its world building, its slow pace, how lived in and carefully crafted everything is, how rewarding it is to pay attention to lore details, how incredible it is at hinting at something bigger. My favorite expac is HW, and while I haven't found anything quite like it since, I still find the rest of the story at least entertaining. Now, with that said, I didn't set my expectation especially high with this new expansion. It was supposed to be the start of a new saga and so I imagined it would start slow, with what I assumed would be a lot of settup. I was sorely disappointed. Honestly, I don't even mind Wuk Lamat, but the fact she is so present in the adventure makes it hard to ignore how poorly written she ended up being. Her character flaws never have actual consequences, every problem is resolved within one or two cutscenes and none of her victories feel earned. Several times they could have meaningfully challenged her character, but they never went past surface level banalities like "friendship is magic". As a result, she feels like a broken record half of the time. A shame!

What gave me a good laugh was how Krile kept hitting us on the head with her whole "OMG Zoraal Ja is Evil!" everytime she sees this character. It would've been nice yknow... to let us wonder about who he really was, his family ties , and what his intensions truly were. but no, they told us everything from the get go.

The characters say what they mean and mean what they say. The heroes are never wrong, never mislead, always have the purest of intentions. Their beliefs are never challenged. There's no subtext, no wonder, no mystery. So why care at all? All of it is a big fat missed opportunity. DT's characters deserved better.

In recent expacs, I've been annoyed with their tendency to solve issues like unemployment or poverty in a few lines of dialogue. For example, in ARR and HW, you would deal with the symtoms of an issue, like refugees being preyed upon, or people in need being taken advantage of. When done well, you would be given a good overview of the situation, several angles and hopefully, a bit of nuance. In later expacs, you get 16yo Alphinaud telling you if you are poor you should find work lol. The npc's agency is often cast aside so your character can look good, so you can come up with every solutions, so you can be the hero. They don't feel like a people you're trying to help, they are plot devices to facilitate your power fantasy. Writers find ways around complex situations, to reassure the player that no no their way is the best, there was no other choices. It thoroughly reduces the impact of the story imo. I really believe some issues need to stay unsolvable in a story. Not everything can be resolved by killing gods, and that's fine. It's mature, it's humbling.

In Dawntrail however, this has been taken to the extreme! A lot of these problems end up feeling very one note, and the solutions, condescending. One scene and it's dealt with! Concepts, questions or consequences don't really have time to stay with the characters or the player. It feels like characters are written in little boxes, rarely interracting with a rich world and its history, and are conveniently pushed along by little plot devices. As a result, the over-arcing narrative isn't cohesive at all. The only part that worked on me was Cahciua's questline, because we are left somewhat wondering about her or Erenville's feelings for a little while. Otherwise, nothing lingers between questlines, and things really feel badly pieced together. Now, I was really looking forward to the world building in DT! I know past expacs also had cultures based on rl ones, but the focus of the story wasn't tourism then. By drawing attention to it, it becomes apparent that every zone is rushed, reducing the tribes there to one or two easily digestible trait for Wuk Lamat to understand. She'll either solve their problems with a grand monologue about peace and love or pretend she grew from the 2 hours tutorial on "trading for dummies". It's so frustrating! Either they don't trust in their own writing ability or they don't respect the player's intelligence.

Dawntrail is shiny, pretty and colorful, but the moment you scratch the surface, it crumbles down. The plot falls apart if you think about it for more than two seconds. The elements are all there but this feels like a first draft. It's just so inoffensive and bland!!! It is ironic that the dawn of a new saga, the golden legacy of FFXIV, completely forgot how ARR came to be. How painstakingly and carefully the new game was crafted when 1.0 crashed and burned. It's a game about heritage, and yet it didn't take time to properly consider its past strengths. idk man... Time to go back to the drawing boad!

[feuqueerfire]

2023 Series Overview + Stats

2022 OVERVIEW (SHOWS, SHIPS) + STATS

It's the end of January 2024 but I realized I didn't end up doing a 2023 Series Overview and Summary, so I thought I'd do one now. Unlike the 2022 series overview where I was more prepared, had watched a lot more, and had even rewatched the favourites and almost-favourites of the year, I'm very unprepared this time.

So, it's gonna be shows & movies I watched in 2023 and my ratings for them until today (240128) without really having rewatched anything (except Beyond Evil).

I wonder if I'll rewatch some of these at the end of 2024 (along with the 2024 rewatches) and whether that'll change the rankings or my feelings at all.

I think I've decided that these yearly overviews will not change/be edited regardless of whether I come to really like a show afterward or change the ratings or whatever - a snapshot in time.

Favourite Shows

The shows released before 2023 will have (release year) beside them.

Top 3 Shows Watched in 2023:

Beyond Evil

My School President

Strangers From Hell (2019)

Beyond Evil: The only show that I watched in 2023 that I have since properly rewatched (I literally watched all 16 episodes this January 2024 without really skimming or speeding it up despite having watched the whole thing already. The characters, especially the mains Juwon and Dongshik gave me so many brainworms, the acting was great, the relationships among the characters was great, the mystery and suspense succeeded for me. Great show all around, actually it's making me wonder why it's a 8/10 and not at a 8.5.

My School President: This was so fun and introduced me to Gemini and Fourth, which was another delight. The OST and singing aspect of this was so good, for which I am eternally thankful. I think I liked the first half of the show better than the second half, which I thought for long-winded; otherwise, it might've also earned an 8 from me. Haven't rewatched the show properly but have watched some reactions to the earlier episodes and also listened to people's podcast episodes, as expected.

Strangers From Hell (2019): Out of these 3, this is the one I've thought the least about since watching and also haven't rewatched, so I remember the least about. So who knows, maybe I'll rewatch and be bored or something but it was so good while I watched it, the vibes so unsettling and strange and weird. Great acting, great story, should rewatch. It's also the first non-BL kdrama that I watched in a long time and was the reason I started watching more of them again, especially the thrillers/mysteries with no romance but homoerotic undertones lol

Next 4 - Liked A Lot:

Not quite the top 3 but I thoroughly enjoyed these. Unordered because they're all 7/10.

Moonlight Chicken

Derry Girls S1 (2018)

Alice in Borderland S1 (2020)

The Devil Judge (2021)

Only 1 BL, one non-BL with homoerotic undertones, 1 English-speaking comedy, and a death game thriller. Also from different countries: Thailand, Ireland, Japan, South Korea.

Ranges from fun/funny, thrilling, exciting, and heartfelt. They definitely all made an impression on me and have good acting/production value/story/etc, but maybe a thing or two disappointed me, or I just haven't connected with it enough to think about it too often. Still overall good shows that I liked a lot.

These were generally good, but just something was missing - either there was a production/story/acting issue that was bothering me a lot, or the production was very good, but it failed to take up any brain space after I finished watching. 6.5/10 in my rating.

Never Let Me Go

Midnight Motel

Choco Milk Shake (2022)

Happiness (2021)

Derry Girls S2 (2019)

Derry Girls S3 (2022)

A Shoulder To Cry On

So Long, See You Tomorrow (2021)

The Merciless (2017)

Bed Friend

Alice in Borderland S2 (2022)

Bloodhounds

The Eighth Sense

Enigma

Stay With Me

Our Dating Sim

High enjoyment or fondness, lacked in either production/acting/writing: Never Let Me Go, A Shoulder To Cry On (except the last ep rip), Stay With Me (it actually didn't lack in production and stuff either and is better than medium levels),

High production/acting, but lacked in making me care or be as invested as I should’ve been: Happiness, Alice in Borderland S2, Bloodhounds (okay idk where to put this because first 6 eps were so good - ep 6 itself is fucking wild but the ending sucked rip), The Eighth Sense, Our Dating Sim

These had medium levels of both production and fondness but not enough to think about often or be great: Midnight Motel, Choco Milk Shake, Derry Girls S2/S3, So Long, See You Tomorrow (can't remember a single thing about this but I must've liked it from my review of it lol), The Merciless, Bed Friend, Enigma,

I think these should be lower actually maybe, like a 6/10 not 6.5 but I haven't rewatched them and don't remember a lot, so who knows: The Merciless, Bloodhounds, Midnight Motel, Choco Milk Shake, Bed Friend

Could Climb Higher - could be bumped up to a 7/10 if I love it upon rewatch and end up thinking about the characters more: Stay With Me, Eigth Sense, Our Dating Sim

Special Mentions: The rest of the shows I watched were rated lower than 6.5/10, though there were still a few that I have some fondness for because I like the concept/the acting pair/it just gave me something I wanted. This includes Island (literally only Cha Eunwoo's cool young priest character), Our Skyy 2 (some eps), I Go To School Not By Bus (2015) (idk that specific running away to bathroom scene and making out is so good), We Are Gamily (2017), ummmm I skimmed through eps 10-15 of Addicted Heroin (2016) (didn't watch anything before that) but there are certain very specific parts that I liked and get why it gave everybody brainworms.

Favourite Pairs (characters):

Lee Dongshik/Han Juwon (Beyond Evil): They are not a real couple in the show and yet... have read so much fic about them and in my head, they are indeed in love after all this mess. I don't have much to say, I just love their antagonistic relationship turning into something so tender (though still jagged) and it turning into something more after the ending

Tinn/Gun (My School President): cuties, my cuties. Adorable.

Don't have a third one, I don't think? so strange

Special Mentions: 

Palm and Nueng (Never Let Me Go)

Heart and Li Ming (Moonlight Chicken)

in my head, Ajin and Fa (Enigma) -not canon

Favourite Pairs (actors):

Fourth and Gemini, I think they're the only pair that I became interested in 2023 and like followed fanaccounts and stuff. I'm so looking forward to them in future projects (My Love Mix-Up was at Q10 very recently, I'm waitingggg). Incredibly talented young people, both in terms of acting but also the performances they did at the concert like oh nice

Favourite Side Pairs

Can't remember a single one except Heart and Li Ming (Moonlight Chicken)

Biggest Disappointments

To be a disappointment, I had to have at least semi-high hopes

Be My Favorite: This one was a real disappointment because I've been looking forward to it for so long. In fact, I'd been looking forward to it since I saw the original trailer with Mike and people were still insisting they wouldn't watch it and were booing Krist because I thought the synopsis was intriguing and liked the chemistry of the ship. I was so happy when everybody seemed to love the show and it's such a shame that in the end, I'm the one who ended up bored and feeling nothing for this show...

Happiness: Not a super big disappointment because it was still a good show and it wasn't super hyped but I thought I'd like it more because I've only heard good things about it. Also thought I'd like it more when I first started because I liked the beginning few eps quite a bit before it fell into a lull in the middle.

General Stats

Total Watched: 44 entries in my spreadsheet, less than half of the 104 completed in 2022 - makes sense because I watched very little in the latter 6 months of 2023. Without the following below, 39 newly completed series/movies/shorts in 2023.

1 DNF (The New Employee)

2 Rewatches (Midnight 2021, Kiss Me Again Pete/Kao cut)

1 Survival Show (Boys Planet)

1 extreme skimming (Addicted Heroin 2016)

Release date 2023 vs earlier: 23 vs 21

Almost half and half, interestingly. My to-watch list now has fewer BL/GL from earlier than 2023 but more het/non-romance kdramas from earlier since I've watched a lot of the earlier BLs that I'm interested in but have barely dipped into kdramas.

Queer vs non-queer: 23 vs 20

The non-queer shows may still have some queerness (Claire is a lesbian in Derry Girls, trans girl in Alice in Borderland, etc.) but it's not the main character or the main plot and not a significant enough side plot

lol didn't count Boys Planet in this but it feels queer fr

Also 50-50 surprisingly. Some non-queer shows like Derry Girls, Alice in Borderland, and Island have 2-3 seasons, so that bulks it up just a bit

BL vs GL in Queer shows: 21.5 vs 1.5

0.5 to each for We Are Gamily

rip my fawking GLs for reallll but hopefully I'll have a more fruitful lesbian-watching year because there are like 5 that I have on MDL that seem promising (and have also watched Bottoms this January)

Romance-Centric vs Non-Romantic in Non-Queer Shows: 3 vs 17

in the Non-Romantic shows, this many shows have very homoerotic undertones (regardless of whether I ship): ~6 (Bloodhounds, Midnight Museum, Beyond Evil, Devil Judge, Strangers From Hell, The Merciless)

Some of these also had het undertones/side couples: 5 (Tomorrow, Island S1/S2, Enigma, Midnight Motel)

Number of shows per month: 6, 4, 10, 4, 5, 7, 7 (July to November), 0

Please this funny spread, I really just fell off on watching shows in the last half of the month because I was preoccupied with ZB1

Didn't count Boys Planet (August)

Average rating: 6.3 (higher than last year, so that's nice)

[talesofafangirlwithadvr]

October/November Picks

Long time no see! So...it’s been a little bit since I’ve posted a wrap up. I had all intentions of posting one after October, but then you know life gets ahead of you and before you know it it’s Thanksgiving. Not much has changed in my viewing habits for these past two months, so I thought I’d group them together for a mega wrap up. Hope you enjoy :)

Without further ado here come some spoilers.....

…..

….

SECRET SOCIETY OF SECOND BORN ROYALS

This Disney + original movie was one of my highly anticipated watches for the fall. I am disappointed to share that it was a let down. The concept was such a cool and creative one. Having the second born in a royal family not simply be the “spare” but be the protector...with superpowers! (In a very YA way, getting their powers at a specific age.) They just should have gone about the story in a better way. I wanted more time with them learning about the powers and to make the villain stronger. Overall the acting wasn’t bad (which is good for a Disney + original), but it was just lacking. The movie was LONG and yet much did not feel like it happened. It was cool seeing Casa Loma (the castle they filmed at) as I was just there two summers ago. Sadly, I will not be watching this movie again.  

VIOLETTA SEASON 3

We all already know how pumped I was when season 3 of Violetta was released on Disney Plus in September. I couldn’t believe it after waiting so long for the second season. I really enjoyed the beginning of this season and knew we would be headed down a road where I would grow tired of the storylines. 

We have hit that point. 

Quick Violetta rant. Things I am done with:

Roxy and Fausta plot

Fran and Diego being a secret

Herman and Priscilla

Pablo not at the studio

Milton being evil

Ludmilla lying

Recently, my sister is catching up to where I am in the season, so this has pushed me to watch more. I am on episode 43 and some of the above venting has been solved, so that is super exciting. I am finding myself wanting to watch it more now, so fingers crossed it continues to get better. 

JULIE AND THE PHANTOMS

Kenny Ortega has done it again! When I first heard the premise for this show and watched the trailer on Netflix I wasn’t too sure. Then both of my sisters watched it and they wouldn’t stop talking about it, so that was a sign that I needed to watch it. Since then, I have watched the show twice and can’t stop listening to the music. THIS. SHOW. :) I get the hype. It’s just so wholesome and feel good. The characters are well crafted and the episodes go way too fast. They are the kind of characters (and cast) that make you wish you were a part of the show. I can’t wait for the next season (because there better be one). Definitely add this one to your list if it’s not on their already. 

THE OUTPOST

The Summer CW shows were pushed to the fall line up due to delays in filming of the originally planned shows. I hope this means that they’re getting a little more love this year. The Outpost deserves it, as it is currently in its third season. (I think it might have gotten a little more now that the 100 is over and the commercial aired during the 100′s last season. Maybe people heard Black-blood and decided to give it a go.) This season has seen a new threat and during the first eight episodes there’s been MANY twists and turns, making it hard for me to remember how this season started. There’s been a lot of unrest in the Outpost and changes in who is in charge. While there are some unnecessary plot-lines (like that Tobin had to be married), I’m really enjoying others. Like how important Janzo is, his relationship with Ren, more Munt and that TALON AND GARRETT FINALLY GOT TOGETHER!!! It makes me so happy and is what we deserve after these three seasons. I love how strong both of their characters are and how they are both Warriors. I hope the season ends strong. 

PANDORA

Just like The Outpost, Pandora was originally a Summer CW show that is now airing its second season. I really enjoyed the first season (like more than I was expecting), so I went in with higher hopes for this new season. Unfortunately, I have been let down so far. With the first season, there were parts that left me confused and my biggest review of this show has always been how there were gaps or moments where I didn’t know how much time had gone by. Those kind of things I could overlook, but this season the overall plot just seems weaker. I think this in part because of so many new characters. I know a lot of the season 1 cast ended their characters’ plots away from the Academy, but I wasn’t expecting them not to be a part of this season’s story. That has been a difficult adjustment. I also feel like I only understand Jax’s story and not so much about the other government/rebellion points. It’s getting a little better, but I hope it gets to be more enjoyable. 

THE SPANISH PRINCESS--SEASON 2

When I originally was creating this list I had just started this season, and felt completely different than I do right now. I just finished this season last week. Much like my above review on Pandora, The Spanish Princess wasn’t sucking me in. I had a few episodes gather on the DVR. Then once we hit episode 3 or 4 and more drama was starting/Henry was starting to show glimpses of the Henry VIII we all know, I was growing more interested. In season 2 of the Spanish Princess, we do not see a loving Catherine and Henry for long. Problems Catherine have in conceiving a boy (male heir) are one of the main focal points, as is Woolsey’s growing influence on the king. With several sub-plots this season, I specifically enjoyed learning more about Meg in Scotland (as a big Mary Queen of Scots/Reign fan, I liked seeing a portrayal of her grandmother) as well as Princess Mary Tudor (who I was unfamiliar with. I loved her and Charlie Brandon’s relationship and wish we could have gotten more.) Each week I watched this show, I found myself Googling a lot. That is always one of my favorite parts of watching a historical drama based on true events. I know right now it looks like the producers aren’t continuing with the Tudor line and might have a different part of history as their next show, but I wish they would. I’m feeling the call to watch the Tudors as it’s on Netflix and I haven’t seen it before. I want to learn more about his wives. 

BLOWN AWAY

In a complete shift from a period piece, here is another Netflix show I thoroughly enjoyed watching last month. Do you find the act of glass blowing to be extremely interesting, but you would never dream of trying yourself? Or do you like competition game shows that are not like anything else you’ve watched before? Then Blown Away might be for you! It’s a very fast watch with only a handful of episodes that are about a half hour a piece. (I honestly wished they were a bit longer because it was SO GOOD!) Each contestant is a glass blower and they get to show off their skills by competing in a specific challenge. Each episode you see someone get eliminated until the final where the winner gets a residency at Corning Museum of Glass in upstate New York. This show came out in 2019 and I am hoping a second season comes out.   

LIFE IN PIECES

This CBS comedy was one that I remember loving when it first came out. But I only remember watching the first season because then I couldn’t remember which day it was on. (It’s going to sound weird, but because I don’t watch a lot on this network I often forget it exists. We also only had a one room DVR at the time, so we couldn’t tape more than 2 things. Oh, the joys of multi-room DVR). After I finished my re-watch of Derry Girls in September, I was looking for another sitcom to re-watch. This was when I stumbled on the full series of Life in Pieces on Amazon video. (It’s free to watch with Prime.) I was so surprised to see there were 4 seasons! Since then I have been watching a good amount of episodes when I sit down to watch it. Now I’m about mid way in the second season. I highly recommend this show if you haven’t seen it before. It gives vibes of Modern Family. Very short episodes that include four storylines. The format is one that I haven’t seen done before in a sitcom.

SUPERMARKET SWEEP

The revival of the beloved game show from the early 90s is now hosted by Leslie Johns and is the best thing you should be watching on Sunday nights. If you know your grocery shopping list like the back of your hand then you are all set for this show. Leslie Johns is hilarious as are the cast of characters that are regulars in her supermarket. I think it would be a great TV show to be on and I’m not just saying that because I want one of the sweatshirts (although that would be great). If you want (another) feel-good watch, look no further! You catch up on demand. 

RE-WATCHING

ANNE WITH AN E

It’s hard to believe that we only got the third season of Anne with an E at the beginning of this year (as this year feels like its been going on forever and when I watched the third season I was in a much less stressed place). Currently, I am teaching a class involving Little Women and Anne of Green Gables. The main focus is on how these stories get adapted in recent times and include such modern plots (and sub-plots). Naturally Anne with an E is perfect for this topic (and after watching season 3 at the start of the year) was one of my major reasons for choosing this topic. (The other being Greta Gerwig’s latest Little Women.) As I’ve been planning my schedule, I’ve re-watched this show. There is something so great about watching it from season 1 all the way through to season 3. You get to watch them grow up and it’s crazy to see how young they first were. Comparing it more to the novel has been a fun time, but also analyzing it more has been great and made me appreciate it even more. With all the stress of our current situation watching this show has made me escape and feel good. (Yes, I know I’ve used that word a lot in this wrap up, but it’s true.)

***

******

Hopefully my next wrap up isn’t as delayed. Wishing everyone a happy holiday season! 

[hecallsmehischild]

Recent Media Consumed

Books

Half-Bad by Sally Green. Man, this is grim. It’s good fantasy, and the writers breaks certain writing conventions to convey the story better, which is fascinating. But it’s so grim. There’s two more books in the series and I want to get ahold of those before I say more.

Zoo City by Lauren Beukes. Did I say Half-Bad was grim? This is grim. Grimdark to the max. But also a fascinating premise, that the crime of murder and its accompanying guilt manifests an animal companion that marks you for the rest of your (shortened) life? If you can stomach some of the imagery and if you do well with being plunged into unknown terminology and figuring it out on the go from context, this is a good read.

Dropped titles: Pursuing God’s Will Together by Ruth Haley Barton and How Should We Then Live by Francis Shaeffer. One was a recommendation, one was semi-assigned reading because I’m a non-voting member of a ministry board. In both cases I got about halfway through. I have the gist of both books and I’m enjoying neither. At all. I started to avoid Audible altogether. The moment I gave myself permission to stop listening to them and pick up the next Thomas Sowell book on my list, I was right back on reading, because I’m actually interested in what Sowell has to say. Note to self: it’s ok to drop books that you find uninteresting. (this preceded a Sowell binge reading session)

Dismantling America (and other controversial essays) by Thomas Sowell. I was surprised at how much more of an edge Sowell has in this book, but the appearance of the edge here makes a certain amount of sense. This is the first collection of newspaper columns I’ve read by him, and he has way less time to make his point in a column than he has in a book. With that in mind, his points have much less groundwork than I’m used to reading from him when he spends a whole book on a topic (though I’d guess that each point he makes probably has a crapton of citations in the printed book, like the rest of his work. He’s quite thorough about his research). This is probably not the best title of his to pick as a first read, but it’s good and interesting. My main take-away point from this book is that politicians look out for politicians, and expecting them to do anything else is naive. And, in fact, many things attributed to a politician’s “stupidity” is far from stupid, in fact they are brilliant within their set of incentives and constraints. It just rarely aligns with the general public’s best interest. Thinking about it again, it MIGHT be a good first book. It sums up a lot of his views into bite-sized digests. It just doesn’t substantiate each and every claim as thoroughly as some of his other books do. That’s my grain of salt.

Compassion Versus Guilt by Thomas Sowell. More of the same, a collection of essays by Sowell. Different ones, on a different theme. A couple that sound like they could have been written by the authors of Politically Correct Bedtime Stories, his satire is on point.

Ethnic America by Thomas Sowell. This was a fascinating read for me. This book traces 8 groups of ethnic migrations to America. I descend from Scottish, Irish, and Russian Jewish immigrants, and seeing what the different groups had to content with over the years was very enlightening. A few things that stood out to me were; each immigrant group seems to have very different cultural strengths and foibles, inter-group violence is not new (but not always in the directions modern people would think), almost every group has its own upper class that disdains and reviles its lower class, and each ethnic group is far more variable and differentiated than the general category (“the Irish” or “the blacks” or “the Jews”) makes them out to be. More and more I’m coming to mistrust the general racial category as referenced by either political party because it seems to be a linguistic expediency that sacrifices the truth of a situation for a fast rallying point.

Civil Rights: Rhetoric or Reality? by Thomas Sowell. I’m not even sure what to say about this book. It’s short and punchy and gives me a lot to think about. Sowell definitely has zero sacred cows. Toward the end of this book he addresses some of his critics who piled onto Ethnic America, which was interesting. Also, while reading this, I have begun to realize how much of a disadvantage I am at in analyzing arguments because I’m unable to understand how people slice numbers into statistics to make their point. I’m at the mercy of the conclusion they draw at the end of the statistics because, until they summarize their findings, I really don’t understand what the raw numbers are saying. I’ve had this feeling for a while, but in this book, Sowell dissects some of the foundational studies and statistics that buttressed later civil rights cases, and I realized that if I just read the statistics and data from those cases and the statistical rebuttals that Sowell has side by side, I would not understand what was being argued at all. I can only rely on the end conclusions put into words at this point, but the written conclusion is not the proof, the numbers are. This gap in my understanding is disheartening, but I hope to continue sponging up knowledge in the hopes that I will be able to think more critically in future years.

Maverick, a Biography of Thomas Sowell by Jason L. Riley. My parents pre-ordered this for my birthday a few months ago and it arrived a few days ago. I have torn through it. I think I got a more cohesive overview of Sowell’s progression through his body of work and added several titles to my wishlist. The biography is fairly minimalist on Sowell’s personal life and focuses more on his ideological clashes with… well, everyone, left and right, people he disdained and people he admired. Maverick, alright. Also Riley takes a look at how each of Sowell’s books (or grouping of books) came about, for what reasons, and what was going on at the time.

People of the Book edited by Rachel Swirsky and Sean Wallace. This is a compilation of Jewish sci-fi and fantasy short stories and can probably be summed up best by this paragraph in the introduction: “These stories allow us to identify with, although briefly, so many different characters and places, they entertain us and they give us comfort. And yet, the tales in this anthology often have a melancholic tinge, similar in tone to the minor keys of our musical liturgy. We don’t want to be too comfortable, too happy. Because that might bring some bad luck onto us, might tempt the evil eye.” I also sensed a whole lot of anger in the undercurrent of these stories, and that saddened me.

On deck/currently reading: The Brothers Karamazov, The Rational Bible: Genesis, re-read of Basic Economics, and War Nerd.

Shows

Dropped series: Hilda. The first season was lovely on so many counts. The second season’s antagonist… bothers me. So does Hilda’s behavior. And given how much time I spent on Star and its accompanying disappointment, I’m not really interested in continuing Hilda any further. I’m shelving it at this point. There are other things I’d like to watch.

Infinity Train Season 4: Now retitled “The Wormhole Judgment Line” I believe, lol. It’s hard to top season 3, but it was a solid story. Good. Interesting. The resolution with the villains int he last episode felt kind of out of nowhere and I’m really not okay with Morgan’s behavior even if the plot wants me to feel sorry for her, but those things aside, it was enjoyable. I hope Infinity Train is picked up again, I’d love to see more.

On Deck: The Mandalorian or Wandavision

Movies

Jiang Ziya. Okay whatever this studio produces in this line of movies, I will be watching it. I definitely don’t understand all the significance of what I’m seeing but it’s creative along COMPLETELY DIFFERENT lines than US animation and it’s an absolute joy to behold.

Raya and the Last Dragon. Suffice it to say, it would take an intensive blog post (or a movie review of the style I used to do as one half of The Storytrollers) to cover all the things that bothered me about this movie. I will take the thing that bothered me the most and be brief: I find the moral to be terrible. I take major issue with the idea that repeated blind trust in the face of repeated betrayal will reshape the world, given that I extended blind trust to people who never changed for many years. I take issue with the worldbuilding, I take issue with some of the designs, and I take issue with the moral. I was exceedingly disappointed in this movie.

Profile. Now THIS was a good movie. I would not be averse to seeing more movies shot like this, using the computer desktop as both film set and character. In addition this was an interesting topic, though I was tense for the whole movie, afraid the main character was going to slip up. Very good, very tense movie to sit through.

Mighty Ira. So, this is a documentary about one of the great leaders of the ACLU. It was interesting to see this, especially since it shed more light on the whole Skokie situation than I’d heard of before. Good watch. Informative.

[carynsilver]

Favorite Fics: Drarry Edition

Like I mentioned last time, reading has been a big comfort to me with all this craziness and sheltering at home, so I want to pay it forward and send love to some of the writers whose work has been brightening my quarantine. Thanks, guys!

For this list, we’re leaving the MCU for a while and heading over to the Wizarding World. I liked Harry Potter when it came out, but I never really read much fanfic until I realized a couple of years ago how much a redeemed Draco fit into the redemption trope that I loved in Harringrove, LoVe, SnowBaz, and other fandoms and ships. Once I started perusing the fics out there, I realized that one of the strengths of this fandom is the length and quality of the stories. I love stories that are a meal, and Drarry provides so many!

As I’ve gotten into the ship (so many years late, lol), these are my top 10 favorites.

dirtynumbangelboy by @magpiefngrl

This is probably the Drarry fic that I most enjoy. I come back to it fairly often when I need just a good read in the HP world. Fake dating is one of my absolute favorite tropes, which made this one an automatic win for me, but it’s written with such heart. I really, really love Draco in this fic. His uni studies and his flat being so different from the diffident image he projects. This is also probably the best Astoria I’ve ever read. Also--Jam Today! Read it now!

Do It All Over Again by DracoWillHearAboutThis

I only discovered this series earlier this year, and I’ve already read it at least three times from beginning to end. It’s a re-telling of the original series starting from Book 1. Draco sends himself a letter from the future basically saying that his dad is wrong, and he needs to give up his pure blood ideals and befriend Harry, then--boom--the Golden Trio’s adventures all happen with Draco in tow (and eventual romance, of course). The plot is fairly similar to the actual series, but I am there for the angst and the character growth. Narcissa kicks ass in this ‘verse, and Draco/Hermionie as besties is a treat! Book 4 and Book 6 are both amazing. And her titles are hilarious. This is the only series on my list that is still a WIP, but there’s plenty to read. Books 1 - 6 are complete, and a new chapter for 7 comes out every two weeks. It’s a safe bet so far, and it’s so good--why wait?

A Secondary Education by Thunderbird587

In this fic, Draco takes a job as Potions Professor at Hogwarts after getting divorced under horrible circumstances and renews his acquaintance with Harry, who is the DADA Professor. It’s got a bisexual awakening, and manages to combine friends with benefits with some supreme pining. Like a whole pine forest. Thunderbird587′s Draco POV is so fleshed out, and yet it also lets us see how Harry is pining, even when Draco himself doesn’t. Plus, at over 200K, it is long enough to get lost in for ages, which is perfect right about now. And when you finish the main fic, there are three other ancillary fics, two in Harry’s POV that take place during the main one. The cufflinks one is my favorite, but the writing is so good that I even thoroughly enjoyed the third sub-fic that fleshed out an OC. So, so worth the read--all of it!

The Foundations!verse by Saras_Girl

All of the fics by Saras_Girl are great. You can’t go wrong with any of them. But Reparations, Foundations, and all the little one-shots after are my favorite. It honestly surprised me at first, because alcoholism is a trigger for me, but this fic actually helped me realize that it’s the addiction part, the fall to rock bottom that triggers me. Recovery stories are different. And, I guess, this one is a bit different in that, though it has plenty of characters recovering, Draco himself is actually in a healthy place and facilitating recovery without relapsing. Harry is a Healer in this one, which is not the usual, and I quite enjoy his other relationships in this ‘verse, as well. He, Ron, and Hermione’s friendship is great in this one (their pub nights crack me up), but I also really like Harry’s friends at St. Mungo’s. My second favorite Terry Boot ever, and two awesome OC chicks. And the process of Drarry going from can’t stand each other to in love is slow and prickly and yet really believable. Oh, and Harry and Narcissa’s relationship in this one is just fabulous.

Golden Age by zeitgeistic (faire_weather)

The Hufflepuff in me was bound to fall in love with this fic. I really enjoy Eighth Year fics, especially the ones that embrace inter-house unity (shouldn’t have taken them a war to see the need for that!). This one takes it to a new level when everyone in... I think it was 6th - 8th years were resorted at the welcome feast, and the whole 8th year dynamic is shaken up. Harry, Draco and Neville become Hufflepuffs; Hermione and Pansy become Ravenclaws; Ginny becomes a Slytherin; and somehow Ron and Blaise are the ones who stay in their houses because the hat thinks they are basically the uber Gryffindor and Slytherin. But with the rest of them, we get to see them embrace other facets of their personalities, which is super interesting. And then, after the resorting, we find out that Hufflepuffs have a whole different world going on that basically no one outside their house knows about, and that world is brilliant. Even Hufflepuff food in the Great Hall is different! Everyone would enjoy this story, I think, but if you are a ‘Puff, you really, truly should not miss it. And if you like this one, check out some of zeitgeistic’s other works. Her world building is fabulous.

Life skills outside the curriculum by Endrina

In this fic, Harry gets fed up with the Dursleys before his 11th birthday and runs away before he gets his Hogwarts letter. He ends up on the streets and somehow embraces this kind of instinctual magic that is really fascinating. A few years later, Draco runs away rather than get involved more closely with the Dark Lord, and of course they meet up. This whole fic is super compelling. Harry’s world view and the way people gravitate toward him even without chosen one status. Also, this fic has one of my favorite versions of Remus and Sirius ever. I really wish there was a part two that went in depth on everything that happened after the end of this one, but even on its own it is so worth the read. And everything is wrapped up. I’m just greedy and would’ve loved more. :-)

A Convenient Impracticality by @firethesound

This fic combines friends with benefits and fake dating into a really enjoyable story. Harry is so oblivious, but it all works out in the end. And Draco is a secret mastermind, but in a good way. So is Hermione. Unlike some of the other, angstier stories on my list, this one is so fun, and I love it. And if you like it, check out more of firethesound’s work, as well. It’s worth it!

you’ve got the antidote for me by kandakicksass

And then, back on the angst train, lol. Soulmates, red string of fate, rejected bond = terminal disease. Whew! There’s a lot to unpack in this one, but after I read it, I never forgot it. I read a lot of fic in a lot of fandoms, and I always know a story is going to become a favorite if it stands out so much that I remember it later and think about it. That surely happened here.

(We’ll Call This Fixer-Upper) Home by phdmama

This is one of the first fics I read on my first Drarry binge, and I’ve always remembered it. Just like I love Eighth Year and Hogwarts professor fics, I also love fics where they have really unexpected jobs--pretty much anything other than Aurors. In this one, Harry is an artist/photographer and Draco is an up-and-coming rock star. The music and art, the creativity is important in this fic, but it also really looks at Draco’s recovery after the war in ways I haven’t read since, and I’m also a sucker for our favorite characters actually addressing and recovering from their trauma. 

Boom Clap (The Sound of My Heart) by @femmequixotic and noeon (noe)

This fic takes the Eighth Year trope to the next level. Draco, Harry, Hermione, and some other faves are teaching fellows at Hogwarts. Junior professors, kind of. It read like if the HP crew went to college. And, of course, Draco and Harry fall in love along the way, but not without much angst and obliviousness. I really enjoy the Draco POV in this. His worries and anxieties feel so real for that stage in his life, but amped up because of the past. This was one I read, never forgot, and then had to go back and find so i could read it again.

So, those are my top 10, but there is lots of other good Drarry out there--both from these authors and all the others in the ship and the fandom. Thanks for all the writing you guys do.

Oh, and tagging @virtual-insomnia, but only because she said she might want to make some quarantine fic lists of her own. :-)

[chaoticriderlessb]

Jurassic World: Camp Cretaceous

Review time! I actually meant to write this up, yesterday...but then, I forgot, and by the time I remembered, again, I had already closed down the laptop for the night ^^;. So now, here I am xD.

 Anyway, so yesterday, I finally sat down and watched “Jurassic World: Camp Cretaceous”, for the first time. I never bothered to watch it, before, because it just looked so incredibly cheesy, kiddie, and cringey (honestly, I think a lot of people thought this, at first). But, after the pilot episode, I was surprised at how good it was! In my opinion, it was well-written, the voice-acting was really good (then again, maybe it’s just me, but I don’t recall disliking any voice-acting in all my years of watching anime and cartoons and playing video-games), and I even liked the animation. The animation for the dinosaurs looked really well done! I loved that Steven Spielburg is involved as one of the producers, and that the same sound fx’s for the dinosaurs in the movies was also used in this show!

 Yeah, I had very low expectations with this show before actually sitting down and watching it ^^;.

 As I watched more of the season, I found myself getting totally hooked! The suspense was real, and I liked that the show went into a more realistic route like the movies did. I mean, it’s “Jurassic Park/World”, what do you expect xD? I read, somewhere, that I guess Steven Spielburg was trying to persuade the creators to go down the intense and horror road with this show. I think it kinda worked! I mean, I grew up with the “Jurassic Park” movies, and enjoyed the “Jurassic World” movies, so some things were a little predictable to me (there are just some rules you gotta follow when it comes to dinosaurs, ok? xD). But even with these little predictions, the show always managed to catch me by surprise.

SPOILER ALERT!!! I really loved that the show took place during the first Jurassic World movie. It was funny because when I first saw the I-Rex, I was like “I thought that thing was dead, man!” lol! So I was surprised to see him, again (or her, I don’t remember which), and to realize that the show does take place during the first “Jurassic World” movie. Even the Raptor Squad showed up! Once.... But they still showed up xD! 

 In case you haven’t noticed, already, I’m a giant nerd.

 I also loved how many times the show seemed to throw back to the previous movies. I mean, SPOILER ALERT!!! I never expected to see that velociraptor resonating chamber, at all! I mean, it only showed up, once, but it was still very cool to see! The show had some elements of other movies done by Spielburg, as well. I only recognized a few of them...I never saw a lot of Spielburg’s stuff partly because of disinterest. Some of them were just a definite “no” in my book. 

 Anyway.... I’m usually one to enjoy music (OSTs) from movies, tv shows, and video-games. I’m gonna be honest, though. For “Camp Cretaceous”, I did not really pay attention to the music. I was focused more on the dialogue and what was happening with the characters. Even when I watched the show a 2nd time (yes, I went back and rewatched it because it was that enjoyable), I still didn’t pay attention to the music. Probably because it’s the kind of music that just doesn’t snatch my attention like a lot of other OSTs do. Oh well. 

 I liked that the main antagonist was the Carnotaurus! I was expecting Rexy, or yes, even a Spinosaurus, or even a Baryonyx to show up, but neither of them ever did. And the Carno being the main antagonist reminded me of Disney’s “Dinosaur”...I liked that movie, growing up! So the Carno was a nice change. Gives the raptors and the t-rex a break xD. I guess the I-Rex was a main antagonist, as well, but I feel the Carno showed up more often than he did.

 Overall, I thoroughly enjoyed this first season, and I cannot wait for season 2...which is happening a lot sooner than I expected, which makes me slightly skeptical because a date for a second season, that soon, makes me feel like the show is being rushed. And when a show or movie is rushed, things tend to not run so smoothly and brings more disappointment to viewers than enjoyment. But, we’ll see! Hopefully, the 2nd season will be just as good as the 1st! I...would not really say this is entirely a kids show...I’m only saying that because, considering it’s “Jurassic Park/World”, things happen that I personally don’t feel like a child should be seeing. At least, not alone. Then again, I feel like “family-friendly” isn’t exactly the right word to describe “Camp Cretaceous”...and honestly, I’m too dumb to think of a right word for it. I don’t know, I suck at describing anything. For all I know, maybe it is family-friendly, and I just don’t feel like it is. Whatevs.

 As to who my favorite characters are...I mean, I like all of them! I feel like I relate just a little bit more to Yasmina, though. Like her, I have trust issues, and quite enjoy being in my shell...but I also enjoy hanging out with my friends, so I’ve got that going for me xD. And like her, I draw stuff. Maybe not as often, and I’m nowhere near as talented, but every once in a while, I will pick up a pencil and start drawing. 

 I relate a little bit to Darius because like him, I am a bit of a nerd when it comes to dinosaurs. I’m not as nerdy as he is...I mean, there’s only a certain amount of dinosaurs that I can remember the names of and what they look like. Maybe if I had dedicated my whole childhood to dinosaurs, I might be exactly as dino-nerdy as Darius is, lol! I think my love for dinosaurs started with the first movie (I can thank my dad for this one!), and the t-rex immediately became my favorite. Mainly because it just looks and sounds cool, and is terrifying. The velociraptor became my 2nd favorite (although, over the past few years, the two have switched ranks in my book). 

 So, basically, both Yasmina and Darius are my favorite characters. 

 Also, I just want to say before I end this review: I don’t really ship anybody with anybody in this show. I never saw it (and don’t want to), but the whole romance thing is like the anime, “Attack on Titan”. There is just no time for romance when you are just trying to survive on an island full of dinosaurs...a lot of them being carnivores. And, these are just kids that we are talking about, here. Well, they’re really teenagers, but still slightly young enough to be considered as kids. Another problem I have with shipping these characters is that...if they do get rescued and get off the island alive and in one piece...what are the chances that they’ll ever see each other, again? That’s one of the things they even pointed out in the show.

 That’s another thing I like about “Camp Cretaceous”. The kids bring up a ton of good points that I feel like a lot of characters in shows or movies don’t think about when it comes to survival and things like that.

 I mean, if you guys want to ship the characters with each other, that’s fine. It’s just me, personally, that I feel like the CC characters shouldn’t be shipped with each other. I also will just never understand why literally everything fictional has to have romance in it in some way. I’m gonna be completely honest with you, I feel like romance has become just a little bit overdone. But only because I see it in every show or movie that I watch. Maybe that’s just also me not being into the whole romance genre.

 Anyway, if I were to give “Camp Cretaceous” a rating, I’d give it a fair 9/10. I’m really glad I decided to just sit down and watch this show. It really just blew my mind! I’m curious to see what season 2 will bring.

 And that is my review on “Camp Cretaceous”! I hope you all have a nice day, and have a Merry Christmas/Happy Holidays or whatever you celebrate! 

 Later!

[theres-a-goldensky]

BL Show Review Series - Until We Meet Again

The next show I am going to review is (spoilers) my favorite BL to date. It’s called Until We Meet Again, and it is fantastic.

Disclaimer that these are my own opinions, and I don’t know where the BL community as a whole stands on these shows. If I disliked a show you loved or visa versa, no disrespect is intended!

MASTERLIST OF BL SHOW REVIEWS

Mild Spoiler Warning and TW: brief mentions of suicide and homophobia

Until We Meet Again Rating: 9 / 10

I’ve put off writing about this show, because I’m finding it hard to articulate all of the reasons why the whole thing works so well. First of all, it needs to be said that whoever did the casting should get whatever the Thai version of an Emmy is, because every person involved in this show is so, so good. The standout, however, is Fluke as the main character, Pharm. 

Fluke is, in my humble opinion, unequivocally the best actor in the Thai BL world. So much of the emotional work is done by him, in a show that is very, very emotional, and he carries the weight of the narrative really well. This man can cry on cue, and I swear he can make himself blush on cue too. You believe every second of his performance, and he makes Pharm very likable, relatable, and sympathetic without tipping over into helpless damsel territory.

Part of what makes the character so good is the quiet but firm way that he sticks up for himself. When Alex, the popular drama club president, starts to flirt with him, instead of running to Dean or meekly tolerating it, Pharm smiles politely and rejects him in a way that leaves no room for confusion. And when Dean does something that Pharm is uncomfortable with, Pharm forgives him with the gentle caveat that he never do it again. It’s said kindly, but you understand that Pharm means it, and Dean understands that too. 

Anyway, that’s a hundred words just about how much I love Pharm, and we haven’t even talked about the main relationship. See, this is why I haven’t written about this show yet. 

A quick overview of the show is that back in the late 80s, two university-aged men named Korn and In fell in love. However, their fathers disapproved, and Korn’s father was a mob boss who had tight control over his son. In despair, Korn kills himself and In, sick with grief, follows. 

(left: Korn, right: In)

Then, cut to modern times, we meet Pharm and Dean, who we quickly understand are the reincarnations of In and Korn, respectively. It’s Pharm’s first day at university, and while he’s there doing all the introduction stuff, he meets his future best friends, Team and Manaow, and locks eyes with Dean. 

Dean and Pharm both feel this connection, and their relationship is the sweetest, softest, kindest thing you will ever encounter in one of these series. Dean is a taciturn third year who is the president of the swimming club. He has plenty of female admirers, but he’s been looking for someone all his life. When he finds Pharm, he knows that his search is over. He is so gentle with Pharm, who is dealing with PTSD from In’s memories. At the same time, Dean doesn��t play any games. He makes it clear that he likes Pharm and wants Pharm to like him back. He never tries to hide his feelings with Pharm or anyone else. 

(left: Dean, right: Pharm)

Ohm, who plays Dean, has less to do than Fluke, because Dean is not the primary POV character of the show, and he’s much quieter overall. But what he does well is watching Pharm and touching him like he is the most important thing in the world. He’s open with his affection and never gets hostile or aggressive the way characters often do in these stories. He’s a big guy, but he’s very kind.

Korn and In’s story is told through flashbacks that are mainly meant to mirror Dean and Pharm in the present. It’s hard to watch their happiness when we know how it’s going to end up. Earth plays In, who patiently and insistently chases after Korn. His smile is like sunlight. Seriously, he is a gift, which makes it all the harder to watch him go through so much pain. Korn is much more stoic. I think of all of the characters, he’s the one I had the hardest time connecting with. He keeps a very stern face most of the time, but by the end, it still hurts seeing him suffer.

One of the key things that makes this drama different than other BLs is that it has a genuinely compelling plot. We get to watch as Dean and Pharm navigate their new relationship while trying to piece together what is happening inside their heads. They also need to figure out how much of what they feel for each other is them and how much of it is because of Korn and In’s memories. The story went places I truly wasn’t expecting at times and kept me interested the whole way through.

The supporting characters on this show are also great. The secondary couple is Pharm’s friend Team and Dean’s friend Win. Win is the vice president of the swimming club, and Team is a junior member of the club. They immediately have that playful, fighting vibe between them that is really fun to watch. 

(left: Team, right: Win)

Win’s character has lots of tattoos and piercings. He looks like a bad boy, but just like Dean, he’s actually very nice. He’s more mischievous and outgoing than Dean though. This makes him a better match for Team, who isn’t afraid to match Win’s attitude and return his teasing back at him. 

Oftentimes, the secondary pairings bore me a bit, but I loved, loved, LOVED Win and Team. They are getting their own series next year, and I cannot wait for it. 

Something else I want to point out about this story is that there are no Evil Female Characters. No clingy ex-girlfriends or scheming, jealous love rivals anywhere to be seen. But there ARE female characters, and they’re all great. Manaow, Pharm’s other best friend, is the main one. She’s played by Thai BL mainstay Sammy. Manaow is loud and friendly and supportive. She also gets her own boyfriend, though I wish we saw more of that relationship (give it to us in the sequel, pleassssse). Dean’s sister Del quickly joins their group of friends as well. Then there’s the less prominent members of Pharm’s cooking club. Female family members who also play big roles in the narrative. 

The show isn’t without its faults. The one BLARING example that comes to mind is product placement. Until We Meet Again has the most blatant and annoying product placement I have ever seen. It almost feels like the show is stopping and having the characters give full commercials mid-episode. I refuse to mention the names of the products, but they are highlighted in a ham-handed way that is even more crass when you contrast it with the quality of the rest of the show. The worst one, by far, is at least relegated to a sort of mini-story after the episode. It involves one character encouraging another to go to the sponsored clinic and get cosmetic work done. The whole thing is not just gross but also out of character for both of them. I’ve pretty much erased it from my mind. Capitalism can burn.

The other thing is that occasionally the pacing drags a bit. I enjoyed it, but the director lingers 5-10 seconds too long on some shots, especially those involving eye contact. This is normal for BLs, but not to this extent. There’s an almost-kiss scene that drags on for nearly a FULL MINUTE in an early episode. At this point, I’ve rewatched the show so many times that I know when to hit the skip 10 secs button to move things along at a faster clip. But the first time I watched, I was like, “OK, I get it. They’re looking at each other and remembering events from their past lives. You have thoroughly conveyed this.”

But those are comparatively minor gripes and didn’t detract too much from my enjoyment. Watch this show. Have tissues ready.

And if you’re interested in fanfic, I put together rec lists for multiple BL shows including this one that can be found here and here. 

MASTERLIST OF BL SHOW REVIEWS

(Send me an ask if you have a show you’d like me to review - with the understanding that I will be completely honest - or if there’s anything you think I forgot or got wrong in this review.) 

[yurimother]

LGBTQ Visual Novel Review – The Expression Amrilato

I adore any work that tries to do something different with yuri, and visual novels are perhaps the medium pushing boundaries most when it comes to traditional yuri storytelling. I recently played such a visual novel, Mangagamer’s English adaptation of SukeraSparo’s The Expression Amrilato. The Expression Amrilato is an educational yuri game, focusing on teaching the player the international language of Esperanto, or Juliamo as it is known in the game’s world. The game was developed in collaboration with The Japanese Esperanto Institute and I was thoroughly excited to not only experience a cute yuri adventure but to learn something new!

The story begins when the protagonist, Rin, is transported to a mysterious parallel world. It is almost identical to her own with the only obvious differences being the language spoken and the eternally pink sky. Lost and scared, Rin frantically tries to figure out what is going on to no avail. Fortunately, she is saved by a younger girl, Ruka, who speaks a smattering of the Japanese familiar to Rin.

Soon Rin is registered as a vizitanto (the Esperanto term for visitor), a person who traveled to the world from another. Ruka, who again, is three years her junior, is established as her guardian, a dynamic Rin is somewhat embarrassed by. The two girls begin living together in Ruka’s apartment as Rin learns the basics of Juliamo. She is assisted in this endeavor by Ruka and the helpful, if somewhat mischievous, librarian, Rei.

These three women, Rin, Ruka, and Rei, are the main cast of the visual novel. By focusing on such a small cast SukeraSparo was able to give each of them a distinct personality, complexity, and intricate relationships with each other. As previously mentioned, Rei is mischievous and often pokes fun at Rin and Ruka. However, she is incredibly protective of both of them, giving advice and acting as a sort of parent to the two younger girls. This dichotomy of character works surprisingly well, especially later in the game as she reveals more about the world and her past.

Rei is excellent but the highlight of the game is Ruka and Rin. Rin is a superb protagonist. She often thinks and narrates inwardly, giving us insight into her feelings. She describes herself as pretty unremarkable but is determined to be good at one thing, learning Juliamo. She also constantly ponders and overthinks her relationship with Ruka, an incredibly complicated topic. Ruka, however, is much more quietly confident and reserve (as well as adorable). Although the younger girl is prone to pouting and frustration at Rin’s occasional stupidity. But, their relationship is the real highlight of the game. 

Rin is “freeloading” off Ruka, and as Ruka is her guardian and teacher she is subservient. However, these tables are turned at times as Rin helps to teach Ruka more Japanese. Rin is also attracted to Ruka but she often blunders attempts to navigate or explain her feelings. The main boundary here is their language difference, which compels both Rin and the player to do their best learning Juliamo.

Rei acts as Rin’s primary resource for learning about the world she has wandered into. There is a surprising amount and world-building in The Expression Amrilato, particularly around the mechanics of how vizitanto come to the world and how governments support them. The established systems for how these vizitanto exist and assimilate, or not, into the world are fascinating and incredibly well thought out. This detailed setting creates an excellent framework for both the game’s education aspects and the core romance.

Overall, the romantic plot between Rin and Ruka is nothing new, it is the same “girl meets girl, girls likes girl, they get together” plot that has been told and retold countless times in the genre. This is not to say the romance is not enjoyable. Rin’s embarrassment and fumbling attempts to control her feelings for Ruka are simultaneously adorable and hilarious. The game has some fun with cliche moments like Rin falling into Ruka and them ending in a compromised position but also has some excellent human moments between the two, such as Ruka sleeping next to Rin to comfort her. The visual novel is decently tame with a little bit of suggestive description and one non-nude bathing scene early on. The lack of service feels appropriate and the characters are still able to hold their own romantic and sexual identities, a welcome accomplishment in the yuri genre which often spends too much time focusing on girls freaking out that they like other girls.

Choices exist in the game, primarily around using the Juliamo language. However, the romance and Rin’s fate ends in one of three ways, good, neutral, or bad, according to late game choices. I strongly disliked the choices as, for the most part, they have no clear indicator of where they are going, turning the story into guesswork, which was indeed my process to find all three endings, replaying the last section over and over again. Furthermore, on some routes, the choices that most players will want to make can lock them out of the best ending. I also was baffled by the choice to not have the player’s aptitude with Juliamo factor into the ending, as you can fail every quiz and get every dialogue option wrong and this will not affect the endings at all. Fortunately, the choices that do affect the ending are late in the game, so backtracking to find your desired outcome is possible. 

The character designs and artwork are by Naruse Chisato, and she does a fantastic job. Each of the major characters looks are distinctive, with differing heights, body types, fashion sense, and proportions. I particularly enjoyed the varying outfits on Ruka and her facial expressions (especially when pouting). However, the characters often have a stiff cardboard feel to them, as they have very few poses and clash somewhat against the depth of the backgrounds. Additionally, some of the expressions, particularly on Rei, appear warped and unnatural.

The backgrounds and CG artwork, the latter of which are plentiful, are wonderful. They have a soft pastel look without ever being washed out, and the characters here appear much more at home in their environments and more animated, with cutouts frequently appearing in CGs to show action. Different art assets used in the educational scenes such as flashcards or writing on a chalkboard are excellent editions. Unfortunately, as the story takes place primarily in Ruka’s apartment and the library, the player will quickly become bored by these backgrounds and long for a change of scenery.

The voice talent matches the artwork in its high quality. This is particularly important in this game, as listening to language pronunciation is vital. The actresses easily switch between Esperanto and Japanese in a natural-sounding way. Great praise must be given to voice actresses for Rin and Ruka, Nagatsuma Juri and Uchida Shuu respectively, who convincingly stuttering and struggling over the languages their characters are learning while still being comprehensible.

Sadly, I found the soundtrack to be severely lacking. The game opens with an intro song, accompanied by animation, which was nice for a listen or two but I quickly grew tired of it. This is the most praise I have to offer the music. Most of the tracks are boring at best and at worst grate on the ears with discordant and irritating sounds. If I had not been playing the game to review it I would have disabled music after the first hour.

Finally, I cannot conclude my review of The Expression Amrilato without talking about the educational aspects and value of the game. For those of you who may not have known or have forgotten, when I am not writting about gay anime I am a teacher and spend a great deal of time studying pedagogy. Educational software can be an amazing tool for teaching, as it offers three key benefits, feedback, increased engagement, and interactivity. Using these criteria and just some of the knowledge I have gained from spending my entire life in school, although not always as a student, I examined how The Expression Amrilato teaches Esperanto.

The language is primarily taught through quiz-based learning. There are seven lessons which build on each other and the player then answers questions on. I was surprised by the variety in these quizzes, as they are not always just spouting the vocabulary word to name an object but can involve sentence and grammatical construction as well. Some of them are quite creative, such as when learning the parts of the body the player clicks on Ruka to identify the word she gives. These quizzes can be accessed independently after playing through them via the main menu and there is a Juliamo dictionary, although this is unlocked much later in the game than I would have liked.

Outside of the quizzes, new vocabulary and grammatical rules are often given and old ones reviewed, which appear as little pop-in at the side of the screen that gives pronunciation and spelling. Some gameplay sections of the visual novel have Rin complete actions that review previous lessons, such as going out shopping and needing to name the foods she buys. I enjoyed these sections in particular, as they felt more compelling to me than the quizzes ever did.

Given the criteria for education software, The Expression Amrilato does an okay but not amazing job. It does offer instant feedback, telling the player if they got a question wrong and giving them the correct answer, and has limited interactivity. However, on this front, I cannot help but wonder if the medium is holding the game back. The player never has many complicated choices or questions, and cannot write in answers or construct sentences. Instead, the quizzes and story sections are limited almost exclusively to multiple-choice selection. Engagement is probably where the game shines most, as it has a deep story and amazing art to compliment the learning.

The Expression Amrilato is a unique and enjoyable experience. The story has surprising depth, although it did little to break out of genre tropes. The game’s artwork is stupendous, giving both quality designs and backgrounds and a plethora of great CGs. The yuri romance is reliably cute and serves as a fun framework for learning Esperanto. While not pedagogically perfect, you will get out of the game what you put into it and, with a bit of work, you should walk away with some basics of the language and a big smile from those animated lesbians. 

Ratings: Story – 7 Characters – 8 Art – 9 Voice – 7 Music – 2 Education – 5 LGBTQ – 5 Lewdness – 2 Final – 7

Review copy provided by MangaGamer

You can purchase The Expression Amrilato from Steam, Mangagamer’s website, and other digital storefronts.

Mangagamer is offering free review copies to any and all educational institutes that endorse Esperanto learning.

[x0401x]

Hoshiai no Sora: Cast Comments

Q & A with the voice actors of the main cast. Translated from the official Twitter. Feel free to point out any corrections, and please check out some of the creators’ accounts:

Akane Kazuki (director)

Itsuka (character designer)

Takeshi (animator)

Kyuujou Kiyo (illustrator)

Takahashi Yuuichi (animator)

MLANG (animator)

Hanae Natsuki-san (voice of Katsuragi Maki)

Q1. Please tells us your impression about the character you play.

At first, I guessed he was a cool and behaved kid, but this changed into the impression that he was a child with no two-facedness to him and a feel-good personality, who firmly conveys his own opinions without being swayed by the people around him. Also, he laughs and makes merry in accordance to his age too, so it is fun to play him.

Q2. Please tell us a memory of club activities from your middle school days.

I was part of the soft tennis club, so I am extremely happy to get to perform in this production. Through this series, many things had me thinking, “This happens, this happens” and it makes me reminisce to my school days. I was the vice-president, but our tennis club was not that earnest about competing, so we did not go as far as Shijou Minami Junior High, but I believe the club activities had a similar air to them.

Q3. Leave a message for the people watching the series.

This is a work that touches the rare subject of soft tennis, while the number of schools that only have regular tennis gradually increases as one goes from middle to high school. It is a given for people who take part in soft tennis, but the delicate feelings of middle schoolers are also being depicted here through getting quite deep into their core, so I believe this is a series that makes the ones watching feel and think all sorts of things. Please watch over it until the very end.

Hatanaka Tasuku-san (voice of Shinjou Touma)

Q1. Please tells us your impression about the character you play.

Shinjou Touma is a child with an extremely strong sense of responsibility. The environment he grew up in has an influence on this, but he ends up exploding due to shouldering too many things and not knowing how to let it out when it became hard for him... The more I get to know him, the more I feel like giving him a hug. That’s the kind of person he is.

Q2. Please tell us a memory of club activities from your middle school days.

I was part of the basket club during my six years from middle to high school and on the bench. That’s why I would let my voice out higher than anyone, and since I could not manage to do anything whenever I entered the court, I would just run, anyhow. The nickname I earned from this was “Runner”. I was neither “center” nor “forward”, just “Runner”.

Q3. Leave a message for the people watching the series.

Honestly, I have absolutely no idea of how this work will be receptioned. But I thought, “I want to respond to the things that the director wants to write about and to his passion, from the bottom of my heart”. That’s why I had strong thoughts about getting close to the individuals that appear in this story, being hurt and moving forward together with them, and taking part in this series. I am truly glad to have become involved with it. Please do have expectations for it.

Matsuoka Yoshitsugu-san (voice of Ameno Itsuki)

Q1. Please tells us your impression about the character you play.

He is a boy with a deep darkness to him, except this darkness has a proper reason to be, so I look forward to when people get shocked upon finding that out. He is also a cute boy, so I hope people will enjoy the many emotions, expressions and lines from him.

Q2. Please tell us a memory of club activities from your middle school days.

I was in the wind instruments club, but I was always thinking about skipping. There were few guys in it, so whenever classes ended, a senior would often come to pick me up! Like, “Matsuoka! I’ll go with you!!” I really gave him a lot of trouble.

Q3. Leave a message for the people watching the series.

It is turning into a story that will not go through conventional methods. Many individuals of all kinds appear in it, but this is a series that depicts each human being very rawly, so I hope people will enjoy this rich story until the end. We also want to perform “Hoshiai no Sora” to our utmost, so we will be in your care from now on too!

Satou Gen-san (voice of Futsu Rintarou)

Q1. Please tells us your impression about the character you play.

Rintarou is a very serious and kindhearted person who can observe his surroundings better than anyone. On one side, he is extremely sensible, overthinks, does not manage to give his opinions and ends up hiding his true thoughts, so when I perform him, I make sure to do it while deciding in my mind, “Don’t leave Rintarou on his own no matter what” and, “Stay close to him until the end”.

Q2. Please tell us a memory of club activities from your middle school days.

I used to belong to the kendou club, but the club activities were aimed to win the nationals, so practice was extremely severe. During practice match expeditions, we would ride in the late-night bus and keep practicing from morning to evening non-stop just like that, and to make our bodies grow bigger, we would eat a mountain of curry, fist-sized minced meat fried cakes and gigantic hot dogs in one go until we got upset stomatches, so I have the strong impression that it was strict and terrible if nothing else.

Q3. Leave a message for the people watching the series.

I think its contents resonate with the hearts of both people who are currently students and people who are working as members of society. If they could love the characters of Hoshiai no Sora, who are somewhat heartrending but try to live day by day with utmost effort, I would be really happy.

Toyonaga Toshiyuki-san (voice of Soga Tsubasa)

Q1. Please tells us your impression about the character you play.

I have the impression that he is a child right in the middle of puberty, who ends up saying what he thinks aloud. It feels like he takes a while to find the will to do things, so I think he is simply carefree.

Q2. Please tell us a memory of club activities from your middle school days.

I was a ghost member of the basket club. I joined because a girl I liked back then was a member of the female basket club. My motive was impure, huh (laughs).

Q3. Leave a message for the people watching the series.

I think it will be pretty impactful for those who watch it thinking that it is an uplifting youth-and-sports thing. It depicts all sorts of problems that actually happen in reality. Please do watch these strong messages with your families; I would be happy if they become a trigger for people to reflect on things.

Satou Keisuke-san (voice of Takenouchi Shingo)

Q1. Please tells us your impression about the character you play.

I thought Shingo was an upfront kid in a very good sense. Also, I felt that, in contrast with his strong-look appearance, he is very considerate of his friends, has a side to him that’s got guts, and is adorable too. I am really looking forward to how he will progress from now on.

Q2. Please tell us a memory of club activities from your middle school days.

I was in the basket club, but all I did was slack off. There were only four members and the club activities only included running, and after that, we would do nothing but chat. Then we would run off so that the teacher of that period would not find us out (laughs). I would think, “One way or another, these are also memories of my youth”.

Q3. Leave a message for the people watching the series.

Developments that people cannot predict at all are waiting, and they make you extremely anxious. It is fully loaded with obsession for even minute details, so you will be unable to take your eyes off it from the beginning to the end! I hope to enjoy these moments together with everyone. “Hoshiai no Sora” is in your care!

Koyabashi Yuusuke-san (voice of Tsukinose Nao)

Q1. Please tells us your impression about the character you play.

Nao is a child whose appearance and mind are flighty, and also a mysterious kid who speaks of dellusions as if they were actually reality. But during club activities, he makes efforts in his own way so that he will not drag everyone down, so the gap between this and his fickle personality left an impression on me.

Q2. Please tell us a memory of club activities from your middle school days.

I was in the wind instruments club. I wanted to play the trumpet, but the pretty senior who was teaching us during the trial enrollment played the horn, so I was swayed by her sweet talk, and before I realized it, I was playing the horn myself (laughs). I should beware of sweet temptations, is what I thought during my middle school years.

Q3. Leave a message for the people watching the series.

People might get tripped up if they are watching it thinking that it is an anime where children are enjoyably playing soft tennis to their utmost. It is precisely because those kids are at that age that I would like people to observe thoroughly the depiction of the mindsets they embrace.

Amasaki Kouhei-san (voice of Ishigami Taiyou)

Q1. Please tells us your impression about the character you play.

I think Taiyou-kun is a gentle child. He cannot decide things on his own, always taking action by matching up with other’s opinions. I felt that the way his Kansai dialect sometimes has a common language ring to it was realistic.

Q2. Please tell us a memory of club activities from your middle school days.

I was in the swim club. During summer, we would swim over 10km from morning to evening. We would run the competitive club relays in the PE festival wearing one layer of swimsuit. I think it was an experience I can no longer manage.

Q3. Leave a message for the people watching the series.

“Hoshiai no Sora” is a work made extremely carefully, and even during the post-recording, the love I can feel from the creators is huge, so I think it is a very good series. There is not much I can say, so I hope you all can see for your own eyes when you watch it on-air! We will be in your care!

Mineda Mayu-san (voice of Mitsue Kanako)

Q1. Please tells us your impression about the character you play.

When I first saw her, I thought, “I guess she’s a shy and quiet girl?”, but that was splendidly betrayed. Kanako is the type to straightforwardly say what she thinks to the other party, and I think this aspect of hers, in a good sense, reeks of humanity quite a bit.

Q2. Please tell us a memory of club activities from your middle school days.

I was the president of the art club, but I would walk around campus after school and observe the activities of other clubs. That includes the soft tennis club and the like. To all the art club members of back then, I’m sorry for being such an undisciplined club president...

Q3. Leave a message for the people watching the series.

This story intersects with the many emotions of middle schoolers living in the current era, who might actually exist somewhere within Japan. Also, the sounds of batted balls and squealing of sneakers are very real and have intensity, so I would like people to pay attention to them as well.

Yamaya Yoshitaka-san (voice of Asuka Yuuta)

Q1. Please tells us your impression about the character you play.

He is androgynous and has a soft demeanor, and I think he is truly a boy of kindhearted disposition. He somewhat lacks confidence, so he steps back and has a bird’s-eye view of things, but there is a reason for it. I would like people to pay attention to him along with the other characters’ worries.

Q2. Please tell us a memory of club activities from your middle school days.

I was in the soccer club. I had many experiences, like how plain fun it was kicking the ball, having awkward relationships, and learning the joy of getting sweaty doing practice and winning.

Q3. Leave a message for the people watching the series.

This is not just a multi-protagonist story about the youth of bright and uplifting boys. Troubles and issues that surely exist somewhere out there, though people usually do not try to look at them, are depicted realistically in it, and there were times it made my chest hurt. I want everyone to watch how each of them will face the things they are shouldering until the very end.

[taronunwin]

Can you rate everything that Taron has been in from your most fave to least fave? And giving your reasonings why for each eating. I know this might be hard to do since all of his work has been exceptional. I’m asking just because I need more Taron content to watch!

OH GOODNESS. Anon, this is a bit cruel, like making me pick my favourite children. Except I have no children. And I do not like children. I digress. I’ll do my best.

I haven’t seen most of the voice projects Taron’s done so I’ll just list what I have seen and I’ll rank it by things I love/need to watch vs. things I’m okay with watching less often, sort of thing. This is mostly spoiler free but there are a few things that dance on the line. I’m sorry, but it’s really hard not to explain what I love without getting into that territory.

Deep breath. Here goes.

1: Rocketman

When I watched Rocketman for the first time, it was one of the last of Taron’s films I had yet to see because I was the least interested in it. I wasn’t an Elton fan, I don’t care for musicals usually, and I’m not really keen on movies set in the 60′s. So there were three strikes against it and I honestly expected just to start it, click through, and move on because Taron didn’t look hot (I thought then). But by the time he got to the ‘My name is Elton Hercules John’, I was invested. Wholeheartedly. Even when Taron wasn’t on screen, I cared deeply for the young Elton. I was rooting for him, grieving with him, and feeling his pain and triumphs. That movie is an experience unlike any other and by far the best movie I have ever seen in my life. The pure joy that radiates from it… it’s hard to explain.

2: Kingsman: The Secret Service

I’m not a Bond fan myself, I’m not really an action spy genre fan, so, again, I didn’t really think I was going to love this movie. But when Lee Unwin jumped on that grenade, I sat up in my seat a bit. That wasn’t the beginning I expected. And then when his son showed up later, stuck in a life that was so miserable and far from what he wanted, my heart broke. Eggsy had so much depth and went so far beyond just a ‘kid from the wrong side of the tracks’ kind of backstory. The details about him being in gymnastics and giving it up because his mum had married a good-for-nothing creep who influenced him more than he wanted to admit, being borderline brilliant and doing so well in school, only to give that up, too, because what was the freaking point in even trying when he was stuck in a world he wanted desperately out of. And then, when that opportunity presented itself and he was able to join the Marines, the first time in his life he really felt like he had some control and could follow in his dad’s footsteps, his mum wouldn’t allow it because she couldn’t bear the thought of losing him. So Eggsy was utterly stuck. Until…

3: Robin Hood

Oh, Robin. I think we all have a very special soft spot for the first character we fell for in an actor’s filmography and Robin is it for me. I had seen Testament of Youth in early 2019 with my teary eye on Kit Harington but I loved Edward. However I had no idea that Robin was Edward when I started watching, I just like historical movies and thought Robin Hood looked interesting. When I started, I was pretty smitten by Rob right away but as the movie progressed and the story got more convoluted, I became less interested and actually turned it off. But I couldn’t stop thinking about Robin. So I started watching it again and boy did I fall hard. The movie itself? A stupid, fun, absolutely enjoyable ride. Robin? Well, that beautiful boy is the love of my life.

4: Billionaire Boys Club

I’ve seen a lot of negative things about this film, not just in regards to a certain cast members, but in general and frankly? I don’t get it. I know I’m probably watching it through rose-coloured glasses but honestly, I really, genuinely love this movie. I love Dean’s charisma and charm, how much he loved Joe and wanted the best for him—for both of them. I love Dean’s darkness and how his character gradually yet drastically changed over the course of the film; how he started as just a passionate, excited, enthusiastic young man and ended in such a different place, even willing to give up something and someone that meant so much to him because desperation drove him to do something he would have never imagined himself doing in the beginning. I loved watching the relationships fray and bonds dissolve and I especially loved watching Taron play Dean’s darkness so realistically, paying special attention to how he portrayed Dean’s growing drug addiction. Also? Dean is really hot. There’s no way of sugarcoating that.

5: Kingsman: The Golden Circle

I love Eggsy Unwin. I mean I love him. Like I-would-take-a-bullet-for-him kind of love. And though the charm of the first movie being his transformation from street kid to Kingsman isn’t really in this film, it’s still such a fun ride. My favourite parts are mostly the quieter moments, the little scenes where we see Eggsy, less as a Kingsman and more as himself. His struggles, his doubts, the times where he’s shaken and isn’t really sure of anything anymore. But what I love about Eggsy is how fiercely he gets back up every time. Doesn’t matter what is thrown at him, he will take it all and become stronger.

Also… “Let’s make this fair,” Eggsy says, tucking his right arm behind his back and effectively evening the playing field with his one-armed opponent before he engages in a to-the-death brawl with the man he trained with until snapping his neck with one. hand. still. tucked. behind. his. back.

6: Testament of Youth

I hate this movie so much. But I also love this movie so much. Edward is one of the sweetest angels there ever was and I adore him with every fiber of my body. And watching his story… well… it makes me more unhappy than I’ve ever been. Does that stop me from watching it? No. But it does limit the number of rewatches. It’s one of those movies that’s so perfect for a sad mood. Like when I need a good cry, oh my goodness, I need look no further. But looking beyond just the emotional nature of the movie, Taron’s performance is so so beautiful. Watching Edward’s boyish innocence peeling away to show the more hardened, deeply hurt and disillusioned young man as the war’s grip on him tightens? Honestly, it’s stunning.

7: The Last of the Haussmans

A play? Really? What’s that doing on this list? Well, let me tell you. Taron’s character, Daniel, affected me very deeply and I’m not even being silly. This list is already too long so I’ll spare the details but Daniel… he got me. He’s such a sweetheart, so genuine and pure and good and earnest and wonderful and the kiss scene, well, I don’t even know how many times I’ve watched it. The tenderness he displays, the sweet uncertainty and awkwardness yet visibly bolstering himself so he can do what he’s so unsure about… oh, Daniel. For it being one of his first public roles, I am consistently amazed by how good Taron is. Daniel’s awkwardness does not feel like Taron’s discomfort. Daniel is entirely his own person with his own story and struggles and watching his story unfold is a really lovely thing.

8: Eddie the Eagle

This sweet, fun, encouraging, uplifting, charming movie, oh, how I love it. Though I have to be honest, it isn’t one of those movies I just need to watch like every month or two. I love enjoying it with other people and seeing their reactions but it’s not one that I crave at any given time. Even still, Eddie is a pure sweetheart and I love him and his heart-filled, passion-fueled, wonderful story.

9: The Smoke

I’m actually kinda surprised where this landed on the list, but let me explain. Dennis Severs is so much like Eggsy in terms of being a very layered, three-dimensional, incredibly deep and fascinating character. I love him. Nay, I adore him. I loved watching his ups and downs, his gut-wrenching revelations and triumphant success as he strove hard to free himself of the bondage of his past. But the show itself? It’s, same as Eddie, not something I feel drawn to watch at any given time. It’s intense, very intense, and asides from Dennis’ story, I didn’t really connect with any character, other than Kev. So in terms of watchability and enjoyment of the project overall, this ranks lower, but in terms of Dennis and his importance to me? Well, he ranks much higher ❤

10: Legend

So the first time I checked out this movie, I skipped through, searching for Taron. Next time, I skipped through again. Then I bought the movie and actually watched it, and I was surprised by how much I enjoyed it. Ignoring the obviously impressive feat that was Tom Hardy playing both main characters, I loved the relationship between Reggie and Frances and found myself caring quite a lot for them. I don’t know that I’ll ever watch it in full again but I do skip through every so often for Teddy and thoroughly that little psycho.

11: Sing

I’ve mentioned that I don’t really watch much of Taron’s voice work because I find it annoying to hear him but not be able to see him. That’s my ultimate problem with Sing. While a very enjoyable movie and one I’ve watched a few times all the way through, I don’t necessary care enough about the other characters to want to watch it from start to finish. I’m happy just skipping through for Johnny’s story, but there’s always that nagging feeling of knowing Taron is back there somewhere, looking breathtaking, and I can’t see him. And for that, I must place this sweet movie at the bottom of this list.

This honestly took hours for me to write and perfect but I think I’m good with it now. Phew!

I’m so sorry, anon, I’m absolutely certain you were looking for like two sentences to explain what I liked or didn’t like about each of these but instead you got a mini review. Whoops.

[retphienix]

What a stupid game. I’m glad to be done with it.

It’s amazing to me that more came after THIS.

THIS, the game that is 99% a tech demo for the fuckin’ ps3.

THIS, the game that steals everything from previous games and has atrocious boss fights in a series renown for interesting boss fights.

THIS, the game that’s more cutscene than game and has extremely BAD cutscenes in a series known for great ones.

THIS, the game that repeats story beats from MGS1 but worse and in ways that devalue the amazing impact they had in the first one (YEAH I’M STILL MAD ABOUT NAOMI BECOMING A SNIPER WOLF 2.0 WITH NONE OF THE IMPACT AND ALL PRETENTIOUS BS).

THIS, a game with more meaningless empty pretentious lines of dialogue than any that actually mean anything.

THIS. A BAD GAME.

Incredible.

Fuck Metal Gear Solid 4. It’s everything people who haven’t played, but think the worst of, think Metal Gear to be. Pretentious bull shit. Desperate-to-be-a-movie scene after scene all of which wouldn’t be caught dead in a real movie because they are of such poor quality. A total lack of original ideas, instead resorting to stealing from past concepts with no care or integrity so it all feels cheap and dumb. Characters that earn NOTHING in the entire game but constantly get scenes meant to be payoff for something.

And to round it all out I think I actually PLAYED like 30 minutes of a video game here despite the hours this leeched from my life.

Holy Shit.

Like I’ve played bad games, that’s a given. I rarely see fit to BEAT bad games unless there’s either a sufficient amount of spite, obligation, or interest in it.

This barely met any of the critieria for me to care, but I kept thinking “HOW is it this bad? Surely it’s not. And if it is HOW?!” So I guess you could say it was interesting? Or chock it up to obligation since I played the other 4 numbered titles and enjoy me some MGS?

I’d say it was interesting, but not for any good reason, not for anything IN the game, it was interesting to see a game so thoroughly bankrupt for meaningful content somehow holding so many hours to slog through and holding the metal gear tagline. How did this happen, aside from the obvious of “Kojima was asked to make a tech demo”.

Fuck this game.

What a bizarre game that the best parts are when it’s celebrating MGS as a whole, and the absolute worst are when it’s trying to do what MGS has done before ‘better’ but instead just taints and ruins it.

Liquid Ocelot old man fight nearly made me care about Liquid Ocelot- a character comprised of two vastly better characters in a fascinating fusion that destroys everything good about both. And how did they do it? By making it a montage of each fight in the past games and implying you fight both Liquid, and Ocelot, Separately, despite them being one now. AND THAT WORKED. That was alright.

At least Otacon got some words after they tried to make me care about Raiden by saying “Rose lied to you about a miscarriage because the Patriots ain’t that cool”. What a weird way to close out the timeline for the main 5 games. By devaluing just about everything.

About the only line that sticks out was “Snake had a hard life” etc, but that could have ended at any game and been pretty impactful in a way.

Fucking hilarious that Big Boss just shows up and is like “This is the gun Boss used against me ain’t it cool.” His entire scene is desperate to tie every loose end possible to squeeze a happy ending for Snake. Not complaining much, the ending in general from wedding to Raiden to Snake stretched for some joy in it all and it’s hard to not get wrapped up slightly after all this dreadful nonsense.

And seeing Big Boss salute as he’s dying is a bittersweet moment for the series, but that’s the only good the game seems to drag up- by virtue of being MGS it can make MGS things happen which are impactful or meaningful or strong in the moment. Too bad it’s just these small moments in this darn thing.

What a game. Whoopty fuckin’ doo.

Even emotional scenes like the final end before credit roll make me feel wrong. Tears for this are for the overarching story- hell, the exact end is more MGS3 extension than anything.

I’m done complaining. The credits finally officially roll. I cry for some of the story Big Boss was able to squeeze from this stone and some of the memories it digs at from 1-3, and I move on because 4 brought nothing to the table. On to other stories. On to other experiences I can find in gaming. I feel in my heart that I’ll revisit most if not all of the mainline MGS games for one reason or another, but this one? I really don’t think I could. It’s so... nothing.

5 has little story to offer but it has gameplay.

1 has story.

2 has some interesting conspiracy level stuff as it pushes the patriots.

3 has story.

5 has gameplay and a couple really impactful scenes.

4 has callbacks, both impactful and insulting. I wish they were all impactful, then I could say it’s a game wrapping things up, but so many of them are insulting, only a couple are impactful and those are at the very very very end and relate most heavily to 3 and solid’s future. Nothing that happened in the game really. Just those two things.

Here’s a big sigh for this whole mess. I was certain it’d be a better time with more to offer than a single speech from Big Boss. I heard nothing about this one for years other than jokes about cutscene length. That wast it!

I had my initial reaction and those jokes to go off of and my initial reaction was from release, it was from like midnight to 8 am, and my take away was “It’s pretty.” and that was about it.

I came at this with NOTHING and left with damn near what I came in with. A single big boss speech, is that what this long investment of hours was for?

I honest to god think I could have watched the final cutscene and gotten arguably more from this compared to playing it since playing it meant enduring a lot of nothing and that damned Sniper Wolf replacement scene.

Another sigh. I’m whining again. I’m done here. Metal Gear is a good series that, while not my number 1 or the series I dwell on pretty much ever, it’s one that hits hard more often than not and I appreciate a series that makes you feel. This was a low point. I hope I’m able to trim most of this from my consciousness and find more enjoyment dwelling on the little, tiny bits of good. That’d be more pleasant. Have a good one.

[kaye-scheidsblogs]

Ascendance of a Bookworm Review

  Ascendance of a Bookworm is an isekai light novel written by Miya Kazuki and illustrated by Yu Shiina. It follows Urano Motosu, or rather Myne as she is known in her new world, as she pursues her one true passion: books. In her past life, Myne had just graduated college and was set to start her dream job as a librarian until an earthquake hit while she was in her book-filled bedroom and she was crushed to death by her massive book collection. As her consciousness fades, she wakes up as the 5 year old sickly Myne in a world where paper is made of parchment too expensive for anyone but nobles to buy and use.

  It's anime adaptation has two 14 episode seasons. The first season aired in Fall of 2019 with the second closely following up in Spring of this year. Both the anime and light novels are incredibly enjoyable, but I will actually be focusing this review on the light novel series as I found that I prefer it over the anime. That's not to say that the anime is bad. The light novels simply offer a lot more detail and depth to the already detailed world building that appears in the anime.

    As you can see, the anime adaptation’s animation and art style is not much to look at. It certainly is not a sakuga filled series, but it does have its charm. Personally, it reminds me a lot of late 2000s series and fills me with a sense of nostalgia whenever I watch it. The art style is quite cute and simple. The light novel’s illustrations are similar, but have a bit more detail and shine to them. As is also true for the characters, world-building, and writing in general. 

    Given how detailed and intricate everything about Bookworm’s writing is, you may be surprised to know that the series is heavily character-driven rather than plot-driven. With a world as detailed as this, one might expect it to be filled with political intrigue and plot-driven drama. However, our main character, Myne, is so incredibly defined by her straightforward desire to have and read as many books as possible that there’s simply no time for the writing to expand on plot-driven story beats. As proven by when some volumes add more plot-driven story beats and end up being longer than usual.

    With all that said, Ascendance of a Bookworm is very slow paced. In a series about making books, the anime doesn’t even give Myne paper until episode seven and proper books aren’t produced until later in the second season! That may make some people turn away. If you like your fantasies to be action packed, then Bookworm may not be for you. Even so, I implore all of you to give this series a shot. The slow-pacing does have its pros for readers looking for that sweet sweet cathartic feeling. Miya Kazuki has a talent for knowing the exact time and place for when certain things about her world should be revealed. And as such, she has developed a writing technique that reaps all the benefits of an isekai story while also not making it jarring for the reader.

    By that, I am referring to exposition. Isekai stories have protagonists that know nothing about the fantasy worlds they live in, but with all the knowledge of their previous world. This gives authors the excuse to have the main character ask questions that the world’s inhabitants know as common sense, but still have things explained to the audience. If authors aren’t careful, these exposition dumps can be boring at best and immersion-breaking at worse. But Miya Kazuki has created characters and a world that creates perfect circumstances for seamless exposition.

    First, we have Myne or Urano Motosu. A bookworm among bookworms. With a one-track and somewhat forgetful mind, all she knows and loves is books. She is an absolute delight of a character and while her development is just as slow as the story’s pacing, it is a wonderful experience to read it all unfold. Her desire for books leaves her selfish and uninterested in everything else, which does her no favors. Myne is a low-class peasant. Born the daughter of a soldier and seamstress, she already shouldn’t know much about the world outside her lot in life. But to make things worse, Myne’s body is very sickly. Racked by a mysterious fever that has forced her to practically spend all her time inside and thus, doesn’t even have the knowledge of most kids in the same class. 

    Her first real source of knowledge about the world she’s been reborn into is Lutz. A neighbor and youngest son of four, whose perpetual hunger and desire to eat the tasty food that Myne makes leads to him becoming close friends with Myne. Lutz is with Myne throughout her entire journey and learns just as much as she does about the world they live in. Afterall, Lutz is also just the kid of a low-income family. The life Myne was born into not only serves as a fantastic way to immerse the reader into world-building, but also ends being a great vehicle for exploring the issues of a heavily class-based society. Even in this world completely separate from our own, somehow Miya Kazuki manages to make some pretty bold commentary on class-based society as a whole.

    Most light novels use fairly simple language, but even knowing that I think Miya Kazuki's writing style is even on the simple side of that. I don't blame her for that though, since her world and characters are so incredibly detailed that if she used flowery prose, her series would probably be the biggest and longest light novel series ever made. Some may not like how her style leans more toward "tell don't show" but it is still an incredibly well-written story with very compelling characters. Not to mention that this simpler writing style lends itself to some really great comedy.

That being said, Miya Kazuki’s writing often does that weird thing that happens in anime where something happens on screen and then the characters say out loud what just happened, except in written form. Which sounds terrible, but actually works a lot better in practice. It allows character interactions to flow a lot more freely and the simplistic writing allows for a lot more detail to be added. And due to Miya Kazuki writing the characters the way she does, there’s no boring or immersion-breaking exposition. 

    This writing style is not a product of the translation either. I have had the absolute pleasure of picking up (searching up) the web novel and experiencing Bookworm in Japanese as well. And as a side note; if any of you are upper-intermediate Japanese learners and are looking for Japanese reading material that’s simple enough for you to understand most of it (not mention fun to read), but also offers a bit of a challenge then check out Ascendance of a Bookworm’s web novel here: https://ncode.syosetu.com/n4830bu/. Bonus tip: Download the yomichan and/or rikaikun extensions on your browser for optimal reading time. Anyway, I can assure you that the translator behind Ascendance of a Bookworm is not muddling the writing style or the reading experience in the slightest. Miya Kazuki’s story and writing style comes through very nicely in the official releases.

    Ascendance of a Bookworm is one of the most thoroughly realized stories I have had the pleasure of reading and watching. The anime is, of course, quite good, but I also highly recommend the light novel series even if you’ve seen the anime three times over. Miya Kazuki is an amazing writer and the official translations are quite good. If you’re like me though and like to binge series as quickly as possible, you might find yourself waiting aimlessly for more when you finish the anime and current English light novels. If you’re of intermediate or higher Japanese level, you can always read ahead in the Japanese web novels. Or you could seek out similar series. I recommend everything written by Nahoko Uehashi. Her novels are similarly well-realized fantasy stories with anime adaptations. Or, more obscurely, check out the fantasy series, Saiunkoku Monogatari. Its animation and art style gives me a similar sense of nostalgia and also has a great story with compelling characters. Anyway, I hope this review helped to convince you to give Ascendance of a Bookworm a shot, whether that be the anime or light novels. 

[westendwithsteph]

Curtains: A Musical Comedy Review

Curtains is a murder mystery musical comedy, based on the book by Rupert Holmes, which I saw in The Wyndham’’s Theatre, London. It tells the story of a murder investigation that takes place backstage at a theatre. Faded film star, Jessica Cranshaw (played by ensemble member Nia Jermin), collapses dead after the final bows of the production of Robbin’ Hood, a western version of the classic ‘Robin Hood’, where she is playing the lead. The rest of the show depicts Lieutenant Frank Cioffi (played by Jason Mansford) trying to solve the murder. There is of course more to it than that, so more of the plot will be revealed throughout my review, but I of course will not reveal the killer.

I will start off by saying that I did not particularly enjoy this show, but still have a lot of good to say about it. The cast were all fabulous, and the costuming (by Danielle Gallagher) was excellent and very appropriate for the plot and setting. My main issues were the plot, and the songs (by John Kander and Fred Ebb).

Kander and Ebb are also the writers of Cabaret and Chicago, which were huge hits, so I find it such a shame that the songs in Curtains were so lacking. One of the main issues is that most of the songs add absolutely nothing to the plot. The show is a musical (Robbin’ Hood) within a musical (Curtains), so it makes sense for a few of the songs to be songs from Robbin’ Hood, but there were just too many, and they were often way too long. There are twenty-two songs in the whole musical, and ten of them are from Robbin’ Hood, so they often don’t do anything for story. The very first song, ‘Wide Open Spaces’, is one of those songs. It is 3 minutes long, so not massively too long for a normal song in a musical, but for a song that does not add anything to the real plot of the show, it is too long in my opinion. It does introduce that the lead actress, Jessica Cranshaw, isn’t very good, but she is then murdered at the end of it, so really, it could have been said in a more concise way since we hardly needed to get to know the character. I feel the show should have opened with the last thirty or so seconds of ‘Wide Open Spaces’ followed by Jessica dying, that way the point is gotten across without the audience having to sit through a very repetitive song.

(Photo: Richard Davenport https://www.theotherrichard.com/)

None of the other songs in act one were especially memorable, so I will skip to the end. The final song is the exceptionally long: ‘Thataway!’. This song is seven minutes long and is worthless to the plot. The cast are rehearsing the number with the new leading lady, Georgia Henricks (played by the exceptionally talented Carley Stenson), and that is it, that is the whole reason for having the song. 5% of the entire show is dedicated to pointing out that the new actress needs to rehearse before going on stage for an audience, which seems obvious to me and probably everyone else. The act ends with another murder to leave the audience wanting to come back, but after being beaten down by the inconsequential, seven-minute number just before, I almost left during the interval, which I have never done before.

After weighing up the options, I did not leave during the interval since I did not want to waste the money I had paid for my seat! Thankfully, the second act was a bit better. During the second act we got to see what I think was the best song in the show, ‘It’s a Business’, sung by the character Carmen Bernstein (played by Rebecca Lock), who is a co-producer of Robbin’ Hood. Rebecca Lock is phenomenal in this role, and she shows off the power of her voice in this song. She sings about why she backed the show and reveals that she is in it entirely for the money; Lock plays the crooked producer excellently.

(Photo: Richard Davenport https://www.theotherrichard.com/)

Another ‘perk’ of act two is that we get to here the only song that is actually about who the cast thinks committed the murder: ‘He Did It.’ For a show with a double page spread in the programme titled ‘Whodunit?’, I would have expected more than one song on that subject. I do tell a small lie, there is a reprise of the song, called ‘She Did It’, but I really don’t think that a reprise should count as a second song due to it being so similar to the first version. This is my second big issue with the show: there just is not enough about the murder! In a show that’s meant to be a murder mystery, the majority of it should be just that, but instead it’s filled with numbers from the show within a show, which feel like filler, and songs about a couple of different love interests, past and present, and that is about it. There is not even a song when the murder is solved and the killer is revealed, which seems like a massive flaw to me.

The final major issue I have with Curtains is that so many of the songs are reprises. Some of the reprises make sense, for example ‘In the Same Boat’ is reprised a few times, but that’s to show the writing process and how the writers are trying to find the perfect version to complete Robbin’ Hood, so it is more acceptable. There are three different versions throughout Curtains, each with different lyrics, tune and actors singing them, but the same orchestra part, then one final version where they put all three together. They are also all very short, apart from the final version, so I cannot complain about them, they were all enjoyable. Most of the other reprises, however, do not have the same necessity or add the same interest. They are almost identical to the originals, so it just feels like lazy writing. Act two consists of twelve songs altogether and, including the ‘In the Same Boat’ rewrites, seven of those twelve are reprises, which just leaves the show feeling samey, since very little new music is being heard. The last three songs of the show, which take place after the killer has been named and caught, are all reprises, so there is no exciting ending to the show where we get to hear a celebratory new number, which is a big let down after sitting through two hours of wondering who the murderer is. Overall, I just found the songs lacking, and in a musical that really cannot be the case! I will admit that I am only twenty, so my dislike of the style of songs could be put down to that, but that still does not excuse the volume of reprises and repeats.

(Photo: Richard Davenport https://www.theotherrichard.com/)

On a much more positive note, the cast were excellent, with Rebecca Lock standing out to me especially. Jason Mansford played the lead well and, unsurprisingly, his comedy timing was spot on. The dancing was well choreographed and well performed, as well as fitting the time period. The ensemble was full of highly trained dancers and were thoroughly entertaining to watch, the dance breaks/numbers were some of my favourite parts of the show!

As I said at the beginning, the costume design was wonderful. There were many costumes, since each song that was ‘rehearsed’ had its own set of costumes, as well as the clothes the cast were wearing when they were not ‘performing’ or ‘rehearsing’. All of them were beautiful and worked amazingly together. The set also worked very well done. I especially enjoyed how it was used at the beginning. They have to quickly switch between ‘performing’ view, and ‘backstage’ view, after Jessica Cranshaw collapses, so they simply turn the set pieces round and put up an image of an audience on the back wall, it was very effective. With both the costumes and the set, there was always a distinct difference between the sets for just Curtains, and the sets for Robbin’ Hood, which I think is important. The sets for Robbin’ Hood always had a much fancier, slightly tackier, look to them, as with the costumes. They were also western styled, which was obviously a big part in them looking different to the non-Robbin’ Hood sets as well.

(Photo: Richard Davenport https://www.theotherrichard.com/)

I can’t forget to compliment the band, who played without a hitch, and the backstage crew who kept the set pieces moving as they should be, the sound and mics working perfectly and the shots being called on time! The lighting was stunning as well, it really added to the atmosphere of every scene.

If you are wondering whether to see this show or not, I would recommend listening to some of the music first, since that really is what ruined it for me. If you enjoy the music, then you will most likely enjoy the whole show, but if you do not enjoy the music, chances are it will ruin the whole performance for you. It was not this particular production that had any issues for me, it was just how the show was written that I did not like. So, I can safely say that I will not be seeing any other productions of Curtains, no matter how amazing the cast list seems!

(Photo: Richard Davenport https://www.theotherrichard.com/)

[avoutput]

Final Fantasy VII Legacy || Remake Review

This is the 2nd out of 3 articles. Find the first here.

Enough with the flowery language. No more ancient memories of times passed. No more wasted passages on the origin of Final Fantasy VII. I am not some little kid sitting crossed-legged in front of a 13-inch tube TV, but a man sitting in a lightly used office chair he found by the apartment dumpster several years ago. I have grown. The gaming world has grown. And Final Fantasy has grown. But is it the kind of growth you imagined? Does this game shed the dead weight of its numbered younger siblings? Does it recreate an experience from your childhood? Is it an innovative gaming experience that redefines the RPG like its genesis? Is breathing life into one of the most provocative modern gaming death’s worth the exhumation? These are the questions swimming in my head while I waited for the release of Final Fantasy 7 Remake, a deeply marked touchstone in my life. And after having completed my run through the game, I had some thoughts I needed to organize and share. I need to decide: Is this a proper run, a proper update, a proper remake? Or is it just a repurposed chair found by the dumpster?

Let me clarify a few things. First, this is going to be a straight review of the game with little-to-no spoilers. Second, this is the 2nd in a series of 3 articles I decided to write, with the final article being a no-holds-barred, spoiler frenzy discussing the outcomes of this game and many other Final Fantasy’s. In this article, we are going to be looking at what the game did well, what it was mediocre at, and lastly, what was downright disappointing. Each section will bleed into each other a bit because the games components bleed into each other a bit, which feels a little odd for a JRPG, but this isn’t ye-old JRPG. Let’s get right to it.

RE-KWARK!-ABLE! I MEAN REMARKABLE.

Before we tear this game down, let’s spend some time building it up. The standout component of this game was very clearly the battle system. The transition is seamless and the frenzy begins almost immediately. What surprised me right off the bat is how easy it was to not only switch between characters, but how simply it was to tell them what to do. I thought slowing down the battle to issue commands was going to be a nuisance, but it really helped balance out the pace of the battle. You can assign 4 hotkeys that let you keep the battle going without slowing down to strike at an enemies weakness. I did find that it felt a little useless to assign anything other than your weapon skills, because spells take a little time to cast and most of the time you are going to want to pick a specific spell based on the enemies weakness, but that is totally up to your playstyle. 

In the vein of the battle system, boss fights were engrossing and detailed. It felt like they spent a lot of time thinking about which moments in the Midgar timeline would make the best boss battles and how exactly they would design the bosses moveset and structure based not only on what the boss was, but where the boss was. In one chapter, you fight a boss that is nearby some train tracks. At a certain point in the battle, it will electrify the track, and if you are standing on it, you get major damage. Enemy types also had a pretty consistent set of weaknesses, so you didn’t have to go into the bestiary menu to determine what spell would most likely take it down. But on the other hand, the Assess ability is crucial in understanding some of the more minute methods to hitting the enemy weakness. It was actually a delight to try and fight both with and without it. Like everything else in the battle, the menu comes up with a single button press and no load time. It gives you time to read and strategize your attacks.

In some other reviews I had been reading, people had complained about a feature I loved. Using spells and abilities requires you to have your ATB gauge filled, which will fill with time, but fills much faster if you are attacking. The complaint was that the AI isn’t particularly good at attacking when you aren’t using them, and not only that, they don’t receive the ATB fill bonus from attacking, it simply takes them time. However, because transition between characters is instantaneous, I believe that the designers did this as an incentive to use each character as often as possible. This isn’t the only incentive for this either. Every weapon for each character has a single skill that can be learned from it. To learn it, you have to use a skill. Again, to use the skill the ATB gauge has to be filled. Most battles in the game go by quickly, especially once you know the enemies weakness, so you need to build ATB fast and activate the skill. Without telling you, the game basically created an environment where it's not only necessary to switch between characters and learn their playstyles, but almost necessary. What’s more, every character is somewhat unique, especially Barret and Aerith, and certain types of enemies (flying or distance based, ect) are much easier to handle with the right character. All around, the battle system is an absolute standout and easily the best part of the game.

Without giving anything away, another strong part of the game is the scenario design. I was driven to hear more, see more, and do more in this game. The characters a crisp and vibrant, even when they lack depth. They are undeniably “cool” or “cute” or whatever their main adjective should be for the given scenario. The voice acting in both the Japanese and English versions are great, though the Japanese version from time to time has a different take on some of the characters than the English, it's still a blast. Every moment that leads into a battle with a signature villain is thoroughly enjoyable. I don’t think you absolutely need to have played the original to enjoy these moments, but more on that later. What it really comes down to is this game has some pretty great pacing because even when it fumbles, it doesn’t stop you from wanting to play more. The battle system element just propels you forward and hearing what crazy thing is going to happen next is more than enough to make up for follies.

This is sad to say, but there really is only one more exceptional item to mention. The return of Nobuo Uematsu. The soundtrack of this game was already pretty well designed in the original. Coming back to it was more than just a nostalgic walk down memory lane. It was like coming home and realizing your parent’s upgraded your house to a mansion with room service, a full staff, and a kitchen that's open 24 hours a day stocked with everything you desire. And it isn’t just that the music was remastered, it flows in and out of the game with masterful timing. Multiple versions of each song were recorded so that movements in the song crescendo at the exact moment your Cloud lands a hit or Reno and Rude jump from a helicopter. It made every moment of the game feel like so much more than just an average confrontation. There are a few moments that even made me laugh. There is a hip-hop inspired Chocobo theme that made me smile both for how odd it was and how awful it should have been received, but somehow it just slaps. If you pay attention you might notice some of the music is more reminiscent of other entries in the series with two standouts in particular, one sounding like Final Fantasy XII and another like Final Fantasy XIII, two very different scores. But it felt right at home in this modernized version of Final Fantasy VII. There is also a music collection sidequest that is mostly made up of jazzy remakes of classic Final Fantasy VII songs. These are less remarkable, but still good for the most part. Part of the issue with these songs is it is played through some kind of fuzzy record player speaker overlay, which I found annoying and distorting.

MISSED THE KWARK! I MEAN MARK.

I would say that almost everything else in this game missed the mark in some way or another. Some are just shy of a home run, others are baseline grounders, and some are just straight fouls. Either way, they could have used more attention or a different direction in my opinion. And I want to start with something I almost never complain about in video games: the graphics. Talking about graphics is usually pointless. People who are after ridiculous levels of fidelity always seem to believe this either makes or breaks the game. In Remake, that might actually be true for once. I am not a graphics designer, but one thing I noticed and couldn’t stop noticing is that there were so many different levels of graphical fidelity all smashed into one place. In some scenes, there were gorgeous details, like the entirety of Aerith’s house area, but then you get to the flowers, it's like 1997 again. In other moments, like when looking down at the Midgar Slums from the upper plate, it is clearly a very flat and stretched image meant to look three-dimensional like the other things around you, but the image was just off. Doors on buildings would look like garbage compared to the floor or walls in the room. It was just very clear that a once over on all the different assets would have helped out quite a bit. The problem wasn’t that the graphics were good or bad, but that they were inconsistent. It was like looking at photo-realistic drawing with some Picasso in the middle. The character models were so well done, when the interacted with this space, it was just jarring. Again, not awful, just missed the mark.

With such a well maintained battle system, you would think the menu system would be equally flawless, but it wasn’t. The main UI where you would outfit your party was a bit of a mess. For one, there was no way to go from upgrading your weapon to equipping it or vice-versa. They had completely separate menus for both that didn’t lead to each other. Then there is the upgrade menu itself, wherein you select upgrades in a similar way to FFXIII crystal upgrade menu. When you choose the weapon, it takes you to a completely different screen and makes this loud noise and transition effect. It's annoying to read and to navigate. You can bypass this by having the computer choose your upgrades for you, but that really felt like I was missing out. It would have been a huge improvement just to list the abilities and have me choose from the same menu I chose everything else. It was unnecessarily fancy and kind of an eyesore. Equipping materia got a small upgrade from the original game, wherein you can press a button to see and switch out materia with everyone, but this should have just been THE menu, not an extra button press. They also should have categorized the materia, letting you choose which type you wanted to look at instead of having to scroll through line after line. The menu also doesn’t give you simple information in places where you could use it, like what chapter you are in. To know, you have to go to the save menu. It could have simply been listed next to the playtime in the bottom corner.

There are even certain materia that are hard to understand, specifically the Enemy Skill materia. In the old game it would list which skills you had obtained. This one didn’t give you any idea what you had obtained and what exactly was obtainable. After a while I figured out that in the bestiary, although it would tell you which monster had a skill you could get, it wouldn’t exactly say if you had it. Turns out that if the skill was highlighted green on the enemy skills screen (another button press away), you didn’t have it, if it was blue, you did. Then, to see which skills you had in total, you had to go to the party screen and it would be listed under your abilities if they were wearing the materia. Not only that, the skill would have a different name than the skill the enemy used, the naming convention wasn’t 1-to-1. Add to this, materia sometimes have very obscure instructions or descriptions. The battles can go by so fast, it's hard to even notice the effect of them if something isn’t exploding or outwardly obvious. In fact, many of the instructions are weird in the game. If you die in a series of fights where they are linked, it will ask if you want to go back to the first fight or the last fight. Choosing the first actually sends you back to before you started the series and you can adjust your equipment, which is fine, but in a normal fight, if you die, you can only go back to the fight and it doesn’t let you modify your equipment. It's a simple inconsistency but the text and cursor placement also make it hard to understand exactly what is going to happen.

Finally, all the smaller issues. There are too many places where the game has you “walk” for no particular reason. You just slow down. I thought it might be due to loading, but it happens in places where no story or anything appears to be happening next. Summon materia is already maxed and it doesn’t feel like it helps all that much, even when the enemy is weak to them. The game design is set up so that whichever character you are currently playing as the only thing enemies are interested in attacking, especially if someone isn’t using provoke. So, your summon simply attacks, and to do it's better attacks, you have to sacrifice ATB. Mostly this is fine, it creates balance, but i’d prefer they came and left like in the original. In fact, I have hated all summon mechanics since FFX. They need to come, do damage, and be gone. But I have to admit, this is the best marriage of the two versions. Next, the choices you make that alter certain outcomes in the game are so far away from the thing you are altering, and at times not clear. This could have been more fun had they given you a bit more of control or some kind of gauge to show you what was going on, but in a way, it was true to its roots, which isn’t necessarily a good thing. Lastly, having to aim the camera to interact with items that are just outside of its view is just annoying. That coupled with the random moments you have to hold “triangle” for a series of switches always rubbed me the wrong way.

DOWNRIGHT DISAPPOINTING… uh.. kwark.

Final Fantasy VII Remake obviously has a great foundation and pretty great framework. The music is great, it's a blast to play, and the characters really resonate. But there are still some aspects of this game that make it feel a little less than game of the year. These complaints might be less of an issue than I am making it. The game is what it is, and I am easily going to clock in at about 90 hours for both regular and hard modes. Still. STILL. There are just a few things that were completely disappointing, and not just from an old fan, but as a current gen gamer.

My biggest complaint is married together and baked into the design of the game, namely Midgar and Chapters. Final Fantasy has always felt like it was about exploring not just a story, but the world it exists in. In the first 9 entries to the series, this was done by giving the player a chance to get lost on its world map, looking for towns, roaming through forests. You had to use your imagination to fill the gaps, but that wasn’t a bad thing. As the entries iterated, the worlds got bigger, and so did their stories. They had lore and depth. With the release of 10, this all changed. In the 10th game, the story was suddenly on rails, the only direction you could move in was forward. It took all of the exploration away in favor of level design and pacing. I remember thinking that this was the beginning of the end for a series I loved. With the release of 12, it felt a little better, but mostly it was just an offline version of the massively popular MMORPG formula. It felt more rote and less like exploration. With the 13th entry, it was back to the rails. It began to feel like the creators sought only to make an experience where the characters and story where the vehicle, and the world was just the background. In 15, this would change somewhat, but it was also an experiment for them that ended in failure. They tried to give us an open world governed by a chapter system. But, despite their best efforts, they couldn’t breathe life into the world of 15. They tried to spread the world and its characters across too many dimensions. There was an anime series, a full length movie prequel, missing chapters introduced as DLC, and even a mobile game. A broken chimera. I think the success of 10 and their failure to create a modern, open world game is what ended up making 7 Remake what it is. A game on rails.

Before the games release, the game designers touted that Midgar was now a place that could be fully experienced. For me, this couldn’t have been further from the truth. It was just a series of narrow hallways masquerading as a city. The people in the background make noise and act like they live there, but they don’t move, goto work on a schedule, ride the trains, or even run stores. You can’t interact with them. They are just mouthpieces. Because the game runs by chapters, you have almost no ability to explore anything that doesn’t have to do with the immediate story. The characters will chide you for going the “wrong direction” and the game will outright stop you from wandering too far. “No no, you fool, the GAME is over HERE”. In the original game, Midgar is partially just an introduction to the world, characters, and battle system. But really, it was the beating heart of the entire game world and story just as much as the characters that live in it and run Shinra. The remake seems to have forsaken that in favor of story beats. Outside of a few distinct places, most of Midgar just feels like window dressing. Wall Market is obviously a delight, but the entirety of Midgar should have been like Wall Market. You should be able to get lost in the back streets or take the wrong train. Shinra headquarters gives you little glimpse into the way people on the upper plates live and work, but yet again they are just mannequins. 

Games today give you vibrant open worlds to explore. You can jump on rooftops and glide over large swaths of land. The way in which Midgar was designed leaves little to the imaginationa as compared to the original. The graphics are crisp and every pipe and air conditioner feels like they might actually do something, but you can’t follow that pipe anywhere or walk down alleyways and talk to vagrants. Old games got a pass on size and depth because their limitations were obvious, often baked into whatever the genre was. If it was a brawler, you walk down streets beating people up. In racer, you play the track. But RPG’s were one of the few where you would be expected to explore the edges of its world. With new generation games, the choice to stop exploration in a RPG feel less like a limitation of raw power and more like a  design decision. I would have preferred a game in which Midgar was a place to see and explore and interact with. Where I could haggle with one vendor over something found in another. Where I could watch the day cycle send people back and forth work. But Midgar wasn’t their focus. Telling you a story was. And as fun as that was, it was so disappointing to find that the original game gave you more by letting your mind wander past its graphical limitations than the remake did do by making the decision to limit your ability to physically explore visible areas. Instead of letting a visible wall stop you from going somewhere, an invisible force just puts a stop to your antics and tells you to get back to work. Maybe it's just psychological, but it is maddening. The physical world of 7 was just as important as its story and characters, but the story got to lead the show, and to me this feels off balance and off brand.

THE TAKEAWAY

This is a good game. A well made game for the most part. It's rough in places, but not so rough that it really hurts the end result. Final Fantasy 7 Remake is actually a showcase of talent that comes out of Square-Enix and despite the fact that I feel like they either bite off more than they can chew or completely misunderstand their core fanbase, they are still great artists. I often question whether game designers at big companies are customer service machines that should give us the product we demand or artists that deserve to create in a space that we support. Remake reminds me why I am both supportive but vocal. They may never hear me, but I want to know I said something. Still, it ends up being more than the sum of its parts. The game hums along like a well made machine. It takes time to remind fans of key moments, interjects tons of surprises that don’t entirely offend its base, and ultimately is never boring. What more could you ask from a game? Well, as it turns out, a lot. And I have so much more to say about the actual story content of this game and of Final Fantasy as a whole. If I didn’t mention some aspect here, it's probably because I want to discuss it in a way that may ruin the story, so look for the 3rd and final entry next week.

[imtoobiforyou]

Any thoughts on Deceit? Feel free to ignore this I just saw you wanted asks k bye

There’s a lil bit of deceit discourse and general critical opinions in this post, you have been warned!

Okay I sat on this ask (and two others about more or less the same thing) for quite a while because I wanted to answer it well. I think it’s been several months lol sorry

I think I did not have “Deceit positive” in my description when this ask came in, but as you can see now, I like Deceit very much. He’s in my top two, maybe top one favorite sides.

I like Deceit not just because he’s a good villain. I believe he isn’t even necessarily the villain in the grand scheme of things, but that’s Thomas and co’s decision to make. My interpretation of him is more of a morally grey force that (usually) opposes the main sides, thus sparking juicy conflict. I don’t consider his way of thinking as inherently foul. However, because this is Thomas we’re talking about, his beliefs are often framed as something to overcome. And because everyone works differently, I’m willing to accept that.

For you to understand my fondness of Deceit and what I think of the canon and fanon portrayal of him, I need to explain something.

I usually don’t empathize deeply with fictional characters (or even real people for that matter). I am not much of an emotional person to begin with. I don’t project myself onto characters, I don’t get emotionally invested in characters, I don’t “hate” or “love” certain characters more than others. I get moved, and I cry, sure, but that is more because of the satisfaction of witnessing a good story arc than any significant emotional connection I have to the characters.

My enjoyment of a book, movie, show etc stems mainly from intellectual fulfillment. I like well written, plot-heavy stories. I LOVE complex, three-dimensional characters that I can thoroughly explore. Which is one of the reasons I adore Selfishness vs Selflessness, and by extension Deceit.

I also enjoy realism and moral ambiguity very much. As much as I like unadulterated fluff and cinnamon-roll characters, it is usually stories and characters that I can imagine happening in grimmer realities that catch my attention. I like to give characters flaws, and watch them struggle to overcome them.

It is my belief that the sides are immensely flawed. All of them. And I’m not only talking about flaws like “low self-worth” or “bottling up emotions”. I’m talking about selfishness, rashness, righteousness, shortsightedness, and so on. This is to be expected because all of them are fractions of a whole person with very clear functions they must carry out. And I love them for that.

The crucial difference between Deceit and the others is that Deceit knows he’s flawed and does not care. He in fact relishes in it. The other sides actively strive to be nice people, probably because of Thomas’ influence and the time they spent with one another, and to do that they hide their agendas and moral shortcomings. Not Deceit, though. He comes bursting through with his taunts and his villainy ways to call Thomas and the sides out on their bullshit. And you know what? I freaking love that.

I like Deceit because, in my opinion, he is the most comfortable with himself and his job. Because he has nothing to hide, he can actively stir up conflict and directly question the others on important matters. When he appears, the plot thickens. I love his charisma, his lack of giving a shit, and his intelligence.

This is already very long so I’ll talk only briefly about Deceit in the fandom. I know he’s a hot potato, and I can see why. On one hand there are people who see him as a no-good manipulator, an abuser, a full-out villain. On the other hand, there are people who see him as a misunderstood softie who’s just doing what he thinks is best. Depending on the interpretation, fanworks vary from villain!Deceit, abusive Deceit to Deceit Hurt/Comfort and DLAMP fluff. Personally, I don’t agree with either of these characterizations. I care very much about characters being in character when I encounter fanwork. Even in fanwork, I want the characters to not stray far from their in-canon selves. This is why I myself will personally never write certain tropes, and why I’m a bit picky about fanfic. Although eveyone will interpret canon differently, I myself don’t read Deceit as either. I have not written fic or created AUs with Deceit yet, but it’s coming very soon, and you’ll see how I view him once that is out for you to enjoy.

One final thing: Of course these are all just my own, personal, biased opinions. I think people are perfectly valid to see their abusers in Deceit and be triggered by him. And because of that I will always tag Deceit content. People have the right to interpret any character, including Deceit, however they want to, and create fanworks however they want to as well. I just wanted to get this out there, both to express my thoughts of (and love for) Deceit, and to suggest that hey guys, maybe all interpretations are valid and we should just enjoy the things we enjoy, while being careful to make the fandom a safe place for everyone.