#but i realized they have a lot more in common

[cool-island-songs]

Analysis of ALNST Character Relationship Metrics

My art book won't be here for a minute, but I ran some screenshots I saw on twt through an image translator and have a lot of thoughts:

TILL: Despite claiming to hate everyone in the world, Till ranks Ivan at 70% intimacy even as he identifies perturbing behaviors of Ivan's going back years and refers to him as "a bother". He also ranks Sua at 10% in spite of having little to say about her and finding it uncomfortable to be around her.

Though he postures at being misanthropic and has all the manners you'd expect of a boy who was half off at the human child pound, he's actually quite gentle and sensitive. This is reflected in one of the graduation messages he's left by a classmate as well:

The person he feels closest to is an unattainable crush, and someone who doesn't feel that close with him in return, likely because he's too shy to really approach her or carry on a conversation.

MIZI: That's Mizi, of course, who's rather childlike and naive initially. She likes everyone, but since Till chokes when he tries to speak to her and often keeps his distance, she wonders if he's avoiding her because he dislikes her.

Mizi gravitates towards people who she sees as "perfect", which is how she describes Ivan and Sua in her graduation message to Ivan:

She doesn't see the darker side of Ivan's personality (which has been described on several occasions, even by himself, as "twisted") because he's attractive, successful, and helpful to her.

Though she likes everyone, Sua is her "God", and the only thing that can keep them apart is the tragedy of their situation, which forces Mizi to grow up in a brutally painful way.

SUA: Sua is far less idealistic and naive than Mizi, and has clearly thought about sacrificing herself to save Mizi, since Ivan picks on her for thinking of doing so in an official comic. Accordingly, her feelings about Mizi are far more tinged by the knowledge that they will one day be torn apart by external circumstances. She laments that reciprocating her feelings will one day cause Mizi great pain.

She's always been more somber, and despite her surface similarities to Ivan (which he notes in a follow-up comic wherein he realizes he was wrong about Sua's feelings for Mizi being unrequited), she's quite different on the inside. Sua's more sensitive and thus her colder exterior serves to protect her, whereas Ivan's outward persona creates an illusion of normalcy that doesn't reflect his reality.

Sua views Ivan and Till as a threat and a nuisance, respectively. Like Till, she senses something strange about Ivan, and when it comes to Till, it's just one person too many around for her. This is fascinating to me, because I thought she might pity Till! Her feelings about Ivan were already pretty clear from this panel of the 'piggyback' comic, and she seems deeply hurt in the first comic linked by his prodding.

IVAN: For his part, Ivan is fascinated by Till even though he's content to sit back and observe, pestering him to get a reaction or his attention for a brief time. He doesn't expect anything in return but wants more than anything to be on Till's mind (hence behaviors like stealing Till's belongings and returning them to him, pretending he had found them).

He prefers Sua to Mizi despite his awareness that Sua doesn't particularly like him, seeing her as a sister and even telling her she's "twisted" like he is. He likes Mizi well enough, especially her sincerity, but seems to find her optimism a bit much at times.

The fact that Mizi and the others would likely consider Ivan and Mizi quite close while Ivan does not reflects how much he postures even in his closest relationships. He struggles to connect with those he's most compelled by and it's not clear if he really wants to.

Some Ivantill thoughts before I go:

There seems to be a common sentiment that it's tragic Till was unable to see how much Ivan loved him, and I think we'll likely get more of Till's perspective on Ivan and their relationship in round 7. But it may not be the case that Ivan even wanted his true feelings to be seen, or would have known what to do if Till had reciprocated them.

There's something almost voyeuristic and self-negating in his feelings for Till (see: "I can’t reach you, so I imagine alone/You who shines, I stand next to you" from 'Black Sorrow'). He has far more self-awareness and willingness to accept things as they are than Till, who doesn't see that Mizi only has eyes for Sua and who would likely struggle to accept that reality.

Ivan, on the other hand, is well aware that his feelings for Till are "shallow", a bright fantasy to get him through his dark reality, and he seems to sincerely believe that his death won't scar Till because he's never really broken through to him. He's a schemer, and comments he makes in his graduation message to Till and the interview he gives in advance of round 6 suggest that he may have been planning to sacrifice himself for some time.

Part of me wonders if he hoped it would leave a mark on Till. Choking, kissing, and violently sacrificing oneself are all aggressive, forward acts, especially from someone who used to toy with people to get his kicks but was otherwise quite passive and unfeeling.

There are a lot of parallels in the one-sided loves, like Till acting out of his usual character for Mizi, and Ivan doing the same because of Till, putting all hopes of being saved in something just out of reach, staying in chains for that one special person. But Ivan's psychology is quite different from Till's, and in fact closest to Luka's re: low or no empathy. Both Ivan and Till are significantly traumatized by their upbringings but Ivan's difficult early life in the slums and his experience being dangled off that rooftop seem to have damaged his ability to connect to others or feel much of anything.

Till is the first person for whom he feels anything while for Till, Mizi is an early crush he puts on a pedestal in a much more commonplace way. I think the shared trauma of competing on that stage makes it much more difficult for either of them to imagine moving on, but Ivan is not wrong in identifying that he won't find that feeling again.

The thing that intrigues me most about this series is the way the contestants' differences play out, particularly with regard to how they view love and how they respond to their individual and shared challenges. I'd love to get into it further another time but this is quite long already so thanks for sticking with it if any have (haha)

[animentality]

special announcement time

alright everyone.

at long last, i have finished polishing my latest writing project, a horror romcom fantasy novel (94k words), and am looking for beta readers to tell me what they think of it.

but not only that...

i am also interested in beta swapping.

sooooooooo.

if you got an ongoing fanfic, if you've got a novel of your own...or any other kind of big writing project, or web comic even, that you want eyes on...dm me or send me an ask (or reply to this post, I'll reach out).

i have turned on dms and replies for this purpose.

it can be pretty much any length and any genre, about anything. i don't mind any experience level either, whether you've never written anything at all, or have been doing it for years. i can help aspiring authors (trad or indie), fanfic authors who want to participate in fan events/post to AO3, people who don't want to share their work with the public...

i'll read sci fi, fantasy, horror, historical, contemporary, romance. porn. any genre, with any audience (YA, MG, adult, whatever).

but also, you know. we don't have to swap. if you just wanna read it, that's perfectly alright too. summary here, so you can see if you'd be interested.

Warnings: Graphic violence, child death (death of an infant), self-harm (because their powers are blood-based, and they need to self harm in order to use them), implied sexual assault/incest (not graphic), animal death (a lot of it), and oh yeah, sex scenes. this is an adult romantasy. adult.

anyway.

here:

In a world ravaged by war between the old gods and the new, demigods sow chaos and discord wherever they go, destined to be either legendary heroes or fearsome villains. But Marrow is not like other demigods. They are the child of the god of blood and slaughter, born with only one purpose: to kill in their savage father’s name, and bleed the entire world dry. The one problem? 

The only living creature they want to kill is their father.

But Marrow has been imprisoned within their temple for their entire life, unable to realize that dream…until now. A deal with a devil allows them to escape, making their way into a hostile world they know little about- and matters are not helped by the fact that their father can use their eyes to see what they're seeing at any time. To keep him from seeing their location, Marrow must remained blindfolded. But Marrow, an eternal optimist, won’t let their lack of vision stop them from fulfilling their lifelong dream. 

The demigod hunter might, however. Arlo Ren is a member of the Razor Watch, a religious order dedicated to the goddess of the hunt. He is clever, but impulsive, eager to prove himself to his goddess by capturing powerful prey. Soon after meeting Marrow by chance, and discovering what they are, he sees his opportunity and refuses to let it go. Literally. The demigod hunter handcuffs the demigod to his side, and swears to sacrifice them in his god’s name. Luckily for him, Marrow is an inexperienced, blind pacifist, who needs him to guide them through a dangerous, unknown world. They fully intend to escape him eventually. But perhaps a demigod and a demigod hunter have more in common than they might think. Perhaps they might even need each other...but they will, at the very least, need to learn how to live, work, and fight together as they are relentlessly chased by Marrow’s powerful demigod siblings, all hoping to kill their youngest sibling and please the god they abandoned. 

So yeaaaah. DM or replied or whatever if interested. We can chat some more in discord or on Tumblr (but I'm faster on discord).

[aria-greenhoodie]

Hey guys did you know I have a gravity falls oc. They’re definitely not wish fulfillment self insert material don’t worry about it. Don’t even worry about it, man.

Click for Quality! Silly backstory stuff below the cut ↓

- They’re a little cartoon creature from a pocket universe! They’re an immortal creature like Bill, but way less powerful.

- They actually used to work at the theraprism, but went crazy and had a mid-immortality crisis leading to a manic crime-spree. During this turbulent time, they also developed their love for “projects.”

- A “project” to them is basically becoming obsessed with a person they find interesting and getting closer to them by any means necessary in order to study them like a bug. This isn’t romantic, and it isn’t even friendship, but instead a secret third evil thing.

- When they have a project going on, they’ll devote most of their time and energy to the person(s) involved, and they typically seem very content while doing so. Once a project stops interesting them, or if a project is cut short by outside forces (death if the person, sudden change of heart from the person, being caught and dragged to the theraprism, etc) they become restless, easily irritated, and sometimes mildly violent. Their little projects are basically the only thing that keeps them sane.

- Doesn’t really do “friends.” Used to, but it always ended poorly. Prefers their projects; if they loose interest, they can just leave!

- Had a mentor-apprentice type relationship with the Axolotl before their mental decline. Is now VERY conflicted about him; doesn’t like the disappointment in his eyes when he looks at them.

- Was Bill’s Roommate for a time. Was absolutely FASCINATED by Bill’s fucked up mentality. Instantly became one of their favorite projects.

- Bill HATED them like crazy. They would not stop talking to them and had an uncanny ability to make him open up about things he did NOT want to open up about.

- Lost access to Bill after the TBOB incident, since he was moved to solitary confinement.

- Did not take the sudden cancellation of their project well. Ended up breaking out of the Theraprism shortly after.

- Ended up in Gravity Falls by sheer coincidence. Immediately took a liking to the place for its weirdness (felt at home).

- Met the Pines family and became ENRAPTURED with Stanley. Started off just seeing him as a project, but eventually came to view him as something closer to a friend (or perhaps more :3).

- Mabel and them are BESTIES. Mabel loves to treat them like a little dress up doll and they love to model all of Mabel’s mini fashion creations. They also respect her chaos.

- Has a huge respect for Dipper’s curiosity. Has gladly acted as a test subject for him so he can be like Ford and research weird creatures.

- Ford does NOT trust their ass. They eventually form an (somewhat uneasy but otherwise amicable) alliance as time goes on, but Ford never fully bonds with them. He’s been burned by a chaotic multi-dimensional immortal criminal before, he doesn’t want to do that again. Curly gets it. They heard how Bill treated him from Bill’s own mouth (eye?) and have no plans to play copy-cat.

- Stan didn’t like them at first. They reminded him too much of Bill, and acted far too chummy with him specifically far too fast.

- Eventually the two grew closer, realized they had a lot in common (both criminals familiar with the grift, both have a tiny bit of a flair for showmanship, both have similar senses of humor, etc.) and became friendlier.

- The Axolotl knows where they are and is monitoring them closely. They don’t know he’s doing this. He plans to keep it that way.

[genderqueerdykes]

Thank you so much for talking about it/it's pronouns. I feel seen and I have also come to realize that it/it's pronouns are more common than I thought!

I'm happy to have helped, thank you for the feedback! I've gotten a lot of messages like this and all it does is prove to me that this is not a small or isolated incident: MANY people use these pronouns and it isn't as big of a problem as people make it out to be. they're a set of pronouns just like any other. people can have trauma with any set of pronouns that's weaponized against them. it/its pronouns are no different.

all the feedback has helped me realize how common it is, too! it's way more common than certain people want you to believe :) thanks for the feedback! i hope you have a great week!

[latteunwoo]

meet-cute!vernon

to be fair, the two of you did share a lot in common

one of those things being that the two of you shared the same braincell (this was endorsed by wonwoo who watched yours and vernon's first meeting unfold)

you finally had a free day from both school and work and decided to take a little walk around the city and check out the music store across the street from the coffee shop you always get your morning coffee from

the store wasn't very big nor did it seem very popular as it was one of those hole in the wall places that you could only notice if you looked hard enough

that being said, there was probably like four other people besides yourself in the store

"welcome!" the store owner said as she welcomed you as you entered the store

you simply gave her a soft smile as you made your way through the crates filled of vinyl records towards the back of the store

as you reached out to grab a boys like girls vinyl that you had caught in the corner of your eye, another hand reached for it from the otherside as well making you jump not realizing someone else had been in the vinyl section as well

of course the boy jumped as well when you had jumped, causing the vinyl that was in both of your hands and your phone to fall onto the ground

"i'm so sorry, i didnt mean to scare you" he said as he reached down to help you pick the vinyl and your phone from the ground but instead ended up headbutting you as you both stood up again at the same time 😭

wonwoo couldnt help but laugh from the other side of the room

"and so it begins" wonwoo said to himself as he watched the interaction between the two of you

"oh my god, I am so sorry. are you okay?" vernon asked as you rubbed your forehead after the impact.

"i'm fine," you said as you looked up at him to see he had a red mark on his forehead, which made you start laughing.

vernon raised an eyebrow at you at first before you pointed to his forehead

"are you okay?" you asked as he rubbed his forehead a little then nodded

"yeah, I'm fine. does it look bad?"

you let out a small laugh, "kind of."

vernon unknowingly let out a small chuckle as he couldn't help but notice how cute your laugh was

once he had caught himself he quickly cleared his throat before looking back at the vinyl in your hand

you noticed his gaze and looked back at him

"um... are you going to get that?' he asked as you just nodded, "oh"

there was a small awkward silence betwen the two of you as you thought about what to say because it looked like he really wanted the vinyl too and there was only one left, however you've also been looking for this for a while

eventually a thought came to you, "it looks like you also want this vinyl and i don't think they'll have more stock of it until a few months from now so if you want i'd be willing to let you borrow it sometime. if that's okay with you?"

there was another silence between you two as he looked at you then the vinyl and back to you

"that's fine with him," wonwoo said from behind vernon as vernon quickly turned to his hyung with a look of 'what are you doing?!'

wonwoo just smiled at vernon and gave him a look of 'i'm trying to help you' before he went back to looking at the other vinyls

"um... so...." you said as even though wonwoo said it already you still wanted confirmation from vernon

"y-yeah sure that's fine with me." he said quickly as you nodded and took out your phone and gave it to him to put his number in

"i'll send you a text so you can save my number too and you can just message me whenever you want to borrow it um.... vernon," you said as you looked at the contact name he put on your phone and smiled up at him.

"yeah, for sure" vernon said, still trying to process just exactly what was currently happening.

"alright, well, i'll see you around," you said as you gave him a soft smile before walking back to the front of the store to purchase the vinyl.

as you walked away, vernon stood there still trying to process what had just happened.

"hyung, what just happened?" he asked as wonwoo laughed and patted vernon's shoulder

"you might have just gotten yourself a possible date"

vernon quickly turned around as wonwoo noticed his ears started to turn red, "what do you mean?!"

"what do i mean?", wonwoo asked as he let out a smal laugh, "i saw how you looked at her. it seems like you're interested in her so you're welcome."

"i didn't- that's not- ah, whatever," vernon said as he quickly walked away and wonwoo just laughed

that night, you had texted vernon to make sure that he also got your number and since that day you two began texing each other more often and finding out that you actually had a lot in common

seventeen m.list || main m.list

[virtuouswhitehatorganization]

Stolas And Miss Heed: Characters In Love With The Concept Of Love As A Form Of Validation

I said time before Stolas and Miss Heed really have a lot in common with one another. They are rich assholes who use the people around them like toys while claiming they love them. I think these two screenshots really sum up their characters that they are people chasing the shadow of those they are obsessed with because inside they really can't love themselves. However, with Miss Heed the show rightfully calls out how she still is a horrible person who hurts people to feel good about herself and that she was always a toxic person to Flug.

Stolas on the other hand is babied and treated like a saint who is valid for feeling the way he feels even though he ignores his daughter to pursue his selfish demands. There is also the fact that even though Heed has tragic elements that doesn't mean that excuses her behavior which is a major criticism of Stolas is that the narrative does that to the point people have grown to despite him. Meanwhile, Miss Heed has a strong fanbase because it understands she's toxic while also realizing she can still be a tragic character.

Another thing what makes Heed better written is that the narrative doesn't gaslight into thinking she did nothing wrong to Flug and Flug isn't right to keep a distance from her. It's not only because she's a hero and he's a villain, but she has used him time and before in the past. If someone continues to hurt you to use you then you have every right to cut them out, especially when they obviously haven't learned their lesson and still want you to help them without remorse. The same can't be said for Stolas which the narrative tries to say he hasn't done anything wrong while putting the blame on everyone else for why he's treated Blitzo like crap. And the fact that Blitzo dared call him out is portrayed as him going too far, instead of a wake up call that needed to be stated loud and clear. If someone is toxic no matter how much you have personal issues they still can rightfully cut you or call you out.

As said before, Stolas has hurt people in his pursuit of Blitzo. Despite the demonization of Stella, the show doesn't recognize how much he's hurt his daughter in pursuit of romantic love. He puts so much on finding his happy fantasy that he forgot the reality of having a strong relationship with his daughter whose stable life was ruined the moment he decided his happiness was more important than her having a good home life. Again this contrasts with Heed who like Stolas put someone she cared about in the past too the side to pursue her obsession. In this case, after she stole Flug's thesis she decided to become a hero to pursue Goldheart. She didn't care about how this would affect him and only wanted to pursue her want for a super awesome popular boyfriend with Goldheart.

Even though Villainous hasn't had any episodes in three years, I do love they did this archetype much better than Stolas who in my opinion has gotten more and more insufferable. If Stolas was written the way that Miss Heed was portrayed then I wouldn't have a problem with the show focusing on him instead of him always being babied and protected from his horrible decisions.

[astroavez]

as the (self-proclaimed) biggest fischer frey apologist in the world, here’s how i would handle his (potential) arc this season.

assuming that fischer isn’t once again a one-off character thrown in for no reason & given screen time only to be forgotten about in the very next chapter with no explanation whatsoever, i think now would be the best time to really push his relationship with mc & get some much needed character development in there.

fischer frey has … a lot of catching up up to do in terms of redemption. as far as fleshed out characters go — he’s just not there yet, no matter how many scenarios i like to create in my head. he’s the oldest twin, but other than the fact that he’s mean, we don’t really know a whole lot about him.

i really think this season would be a great opportunity to do a deep dive into his character. he was obviously trying to impress his peers with his troll story in the first chapter — understandable. he’s a fourteen year old boy, he wants people to think he’s cool (as most kids do). the twins are not popular. on the social totem pole, they struggle to keep a standing, if at all. they don’t get invited to things, cassandra has friends other than them — they don’t have friends. they have each other.

i truly believe that deep in his heart, fischer knows that colby could make friends - easily. i think that fischer struggles socially. his personality, he’s found, turns people away; so, fischer keeps colby on a short leash. colby isn’t allowed friends due to the simple fact that fischer doesn’t want to be alone. he knows he doesn’t have friends, but he does have a brother that he can pull down with him so that he doesn’t look like a complete loser. fischer realizes he doesn’t really need anyone, just as long as he’s one step ahead of colby.

that being said, no matter how bad you want to seem cool — nobody is going to risk their life to go into the forbidden forest to do it. why does it matter so much to him? that should be focused on, i think. mc has a habit of putting other people’s needs before their own, and fischer needs someone other than cassandra, (whom uses the twins as guard dogs more or less) and colby, (whom wants to do his own thing.) fischer needs someone that genuinely wants to be his friend. someone that is able to slowly wean him off of colby and make him realize that he’ll be okay without his brother.

making fischer a core character, whether it be in this season or a future one is so important to the twins’ storylines as a whole. i really hope that the game takes a similar route, because when the twins inevitably have a falling out, there needs to be a common ground between the two — someone that goes out of their way to bring them together again, and i don’t mean cassandra. in order to do that, mc has to make some sort of connection to fischer, as that bond with colby has already been formed.

in a perfect world, they’ll survive near death experiences together & next time fischer decides to impress his whole class with a story, it won’t be a lie.

[potterandpromises]

It is very funny to me that my two biggest OTPs of all time are both ships where:

They started out as antagonists to each other due to circumstance.

One accidentally killed/erased the other's loved one.

One kidnapped the other in the first season.

Then in the second season they proceeded to bond over being the only people who could possibly understand what the other was going through.

(And they're both so domestic about it!)

They each had a moment of waking up in the other's room/apartment without entirely remembering how they got there. Both in the 2x07 of their respective shows.

And after they woke up their partners made them coffee.

[formereldestdaughter]

ok wait i need to hear more of your thoughts on peeta owning a bakery....

This is one of those rare times where I’m pretty sure this anon isn’t someone I know personally bc I’ve subjected anyone who will listen to my rant about the Peeta Bakery Headcanon. Anyway, you’re gonna regret asking this anon bc there are fucking Layers here.

I know this is probably a controversial take based on the number of fics where I’ve seen it, but I simply do not think that Peeta would open a commercial bakery after Mockingjay!! Like on a metatextual level, I don’t think it really fits with the point of the ending of the series. It actually sort of fascinates me that it’s just such a common headcanon because the ending of Mockingjay is exceedingly vague. I think that vagueness invites us, as readers, to imagine a better world post-revolution. A world where Katniss would feel confident that her children would be safe from injustice, where she’d feel confident that her children would never know want the way she did as a child. A just world. A kinder world. Can a capitalist society ever be just? Is a capitalist society where a disabled teenager has no other means to subsist himself (or feels like there’s no other way he can be a contributing member of his community) really the post-revolution world we dream of? Is that really the best we can imagine?

(This got so insanely long I’m adding a read more lmao)

I get that showing a better world is not always the point of post-mockingjay headcanons/fics. Like there are plenty of really great post-mockingjay fics I’ve seen where, yeah, part of the fic is that society like ISN’T all that different or all that much better. I’ve seen that really well done! Hell, I’ve written them myself! It’s easy to imagine how a lot of aspects of society would not get an overhaul, a lot of the same structural inequalities would continue to exist. One headcanon that really stuck with me (I can’t remember which fic it was from) was that Peeta sells basically mail order baked goods to people on the Capitol, sending them iced cakes and pastries by train, because there are still people who were “fans” of theirs during the Games. And idk this doesn’t actually have much to do with my point lol but I liked it because it’s kind of fucked up and like! Yeah! It makes sense! If he needed money that would be a good way to make it! War often makes people rich, often for horrible reasons, and often it’s people who already have capital in the first place.

Anyway, more about the hypothetical bakery because alright. I bring up the fact that “yeah society not being all that different post-revolution and still being an unjust capitalist hellscape” could be a reason why Peeta re-opens a bakery because that’s actually never the types of fics where I see the bakery headcanon. Fics where Peeta opens a bakery are usually trying to make the exact opposite point. Like. Things are getting better, now he can open a bakery! Look at how much better the world is now, plus he’s got a bakery! Peeta is healing, that’s why he can open a bakery now! And I am so, so sorry to inform everyone who’s never had the grave misfortune of owning a family business, but there is truly nothing further from the truth lmao. Like just putting aside the immense amount of emotional baggage that Peeta has about his family, running a small business is an insane amount of work in any context and being a baker especially is physically grueling and involves early hours (and long hours) that aren’t really the best fit with the multiple ways that Peeta is disabled now. (I could go into this more because I have a lot of thoughts. But I will spare you.). I also think it’s seen throughout the books that Peeta is someone who needs time to pursue creative outlets to process his feelings and someone who values leisure and values quality time with his loved ones. And having grown up in his family’s bakery, I think he’d understand the reality that running a bakery wouldn’t leave much space of those pursuits and wouldn’t leave much space for him to have the things that keep him healthy and stable. I think he’d know that the way he is now— after two Games and the war and unspeakable torture at the hands of a dictator—isn’t compatible with the lifestyle necessary for running a commercial bakery.

And tbh with that in mind, I don’t think he’d push himself to re-open a business (one that would be a constant reminder of his dead family and his complicated relationships with them that got no closure) that would require him to sacrifice his physical and emotional well-being. Like I think he might look into the possibility, I think he might even start trying to open a bakery out of a sense of obligation/duty, maybe harboring some idea that this is who he was supposed to be, who he would've been without the Games, or that it’s this last piece of his family that can live on, or that it’s this last connection to his family so he can’t let it die too. But ultimately, I think any attempt to open a bakery wouldn’t get very far. Maybe he'd start wading into the logistical nightmare that is small business ownership and realize it's not for him (because it's probably also true that as much as him and his brothers were involved in the business, there's almost certainly parts they weren't involved with and didn't see, i.e., filing taxes). Or maybe looking into opening a bakery— how triggering it is, the stress of it— causes a downward spiral. Maybe he hates how much he's worrying everyone by unraveling. Maybe having a breakdown from the stress of just trying to open a bakery makes him realize, yeah, maybe in another life he would have ran his family’s bakery but the way he is now just doesn’t work with running a bakery, not without great sacrifices he's not willing to make. I just can’t see a bakery coming to fruition.

I know a lot of fics include Peeta deciding to reopen a bakery as a big step in his healing or include him rebuilding a bakery as part of his healing process but honestly, I think the opposite would be more true: I think Peeta either trying/failing to open a bakery or ultimately deciding not to open a bakery would be hugely healing for him. I think it would be a huge part of him accepting the way he is now as a person, his new limitations but also his strengths. I think it would be a huge part of him accepting the way his life his now and accepting that he likes his life the way it is, that he’s satisfied with his life without needing to own a bakery. I think it would be an important part of him coming to terms with the loss of his family. I think he knows he can never have things back as they were and I don’t think he would try to recreate them, especially because his family’s legacy isn’t a business. I think he’s emotionally intelligent enough and self reflective enough to realize that what mattered to him about the bakery— taking care of others by feeding them, being integrated into his community and being actively involved in it, brightening people’s days with delightful things whether that’s beautiful cakes or hearty food or delicious treats— and the things he learned from his family through the bakery, are things that he can carry on in other meaningful ways.

(Do you regret sending this ask yet, anon? Because if not, you will soon. I’m not done yet. There’s more.)

I wasn’t really sure where to put this next part in what is rapidly becoming an essay because it sort of combines the points about like “what do we imagine a post-mockingjay society to look like” with the practical difficulties of starting this bakery but here’s another thing: do people really think that the Mellarks owned the land the bakery was on?? Like, sure, the merchants are the petit bourgeois of Twelve but I still don’t imagine they really own anything. In a society where houses are assigned to people upon marriage, where property ownership and capital are so closely interconnected with citizenship (as shown by the Plinths who, by having immense capital, are able to leave their District and become citizens of the Capitol) do people really think the Mellarks would be allowed to own the land their bakery is on?? I always imagined it sort of like a tenant farming situation: the Capitol gives them the raw materials for the bakery and in return the bakery give them some absurdly high portion of their profits, or the Capitol sells them a year’s supply of raw materials at a premium on credit and at the end of the year the Mellarks have to use the money they made with those materials to pay it back, except it’s never enough to turn a profit so they always have to buy next year’s materials on credit and the cycle continues.

We (understandably) get a really skewed view of the merchant class through Katniss’s perspective so I can see why people come to the conclusion that his family owned the property and, as the last surviving member, he would’ve inherited it. I’ve seen the inheritance thing in fics a lot or a hand wavey “well Twelve was decimated to no one owns anything anymore so it can be his” or even like an almost sort of reparations type situation where he’s entitled to the land as a surviving refugee of Twelve. But I don’t know. I guess I don’t think it fits with everything else we know about Panem that the Mellarks would’ve owned that land and I think the question of whether the government would’ve let him take ownership of the land post-revolution brings up a lot of issues about the structure of society post-Mockingjay that I find more interesting to explore in other ways, especially when, from an emotional perspective, 1) I find the idea of Peeta not opening a bakery more compelling and 2) I don’t think it really fits his character arc by the end of Mockingjay to reopen a bakery, as I went on about at length above lol.

On the flip side: literally who cares!! Do whatever you want!! Headcanon whatever you want!! I get why people go for the bakery!! It’s fun, it’s wholesome, it’s a built in bakery AU that isn’t even an AU. It doesn’t matter if it’s practical or realistic!! It doesn’t need to be practical or realistic!! It’s fanfic of a dystopian YA series!! My unfortunate affliction is that I grew up in a family that owned a restaurant and that I have multiple degrees in the social sciences so I can’t see the bakery without being like “What about the overheard? What about the start up costs? Who’s spending long nights balancing the books? Is Peeta covering shifts when an employee calls in sick? Is Peeta the sole person working there until the bakery is open long enough (often a year or more) to start turning a profit? How does that sleep schedule work with his nightmares? How does that work with Katniss’s nightmares? What happens when he has an episode and suddenly needs to take the day off before he has any employees? Does the bakery just remain closed for the day? Can the profit margins withstand regular unexpected closures? Can the supplies withstand regular unexpected closures?” And if the answer is “Elliott none of those things matter he’s not doing the bakery because he needs the money but because he wants to”, then my question is why does he want to? Does he not get the same sort of satisfaction out of feeding his loved ones? Doesn’t Peeta seem like someone who would rather give away baked goods than sell them?? Doesn’t Peeta seem like someone who would prefer to make cakes for people’s special occasions upon and then when they insist on paying him for it, he only lets them “pay for the ingredients” which actually cost significantly more than he says they did??

So yeah my point is that it’s a matter of personal taste! It doesn’t fit the way I see the series but that doesn’t mean it’s like wrong, I’m not an authority on Peeta lmao.

It’s also a matter of personal taste in the sense that I find the themes that most resonate with me at the end of Mockingjay (and the end of Peeta’s arc specifically) more interesting to explore in other ways. Grief, living with loss, relearning yourself, finding hope, figuring out your place in a dramatically different world when you don’t even know who you are anymore, healing, building a new life after such complete and total destruction of your old life— those are all things I find compelling about the end of Mockingjay but for me the bakery isn’t the most compelling way to explore them.

Not to say I find the concept of the bakery totally uninteresting. I have this fic about Johanna that I’ll probably never finish where the point sort of is that, yeah, her life really isn’t all that much better after the war. It’s been years at this point and she’s still miserable and she doesn’t know how to be a person but by the end she’s trying to figure it out. And towards the end, Peeta tells her that he’s spent years sort of passively, half-heartedly trying to figure out how to inherit the land his family’s bakery was on, only to find out it was never theirs in the first place. They’d been renting it the whole time and he’d never even known as a kid. So he sort of passively, half-heartedly went on another wild goose chase to find the owner and now, finally, after years of writing to various government agencies and being sent in circles and things being barely functional, he’s managed to track down the owner. Now it’s owned by the daughter of the man who owned it when he was a kid because the original owner (who was likely up to some sketchy war crime shit) died during the war and she inherited it (the irony…). He got in contact with her and asked how much it would take for her to sell it and she told him she’s not interested in selling but in light of the situation, in light of the fact that he’d have to build a new building in order to operate a bakery, that she’d cut him a deal— she’d only require 50% of the bakery’s profits as rent instead of the 80% his family used to pay. And of course Johanna is outraged, that’s not right, the owner shouldn’t be allowed to do that, they should do something about it, they should fight back. And Peeta is like. Not interested. He was actually sort of relieved that opening wasn’t very feasible. Getting the answer was a lightbulb moment where he saw that over the years of trying to look into this, he’s built a life that he likes— one where he’s stable, where his loved ones are stable, where he’s cared for and can care for others— and he doesn’t really want to change it drastically by opening a bakery anyway. He just needed an answer, one way or another, before he could get some closure and move on. (And the point of the conversation is Johanna is having her own lightbulb moment that it’s okay to move on, it’s okay to change, it’s not a betrayal of the people and things she’s lost but that’s not my point here!!).

But anyway. That’s obviously not about running the bakery— it’s about the choice to not run one.

Anyway!! Anyway… are you satisfied anon? Is this what you wanted?

Lastly, here is my most important qualm with the bakery headcanon: must Peeta be gainfully employed? Is it not enough for him to be Katniss’s boytoy? Can’t he just paint and garden and bake and hang out with his girlfriend all day? Is that really too much to ask?

[bonefall]

...Something's kinda hitting me, guys. I think something just clicked.

So we all know that BB!DOTC is the arc I'm not staying faithful to, right? A lot of characters are getting total overhauls? I'd actually been dancing pretty heavily around the pro-colonialism themes in the original text, simply because I don't really feel comfortable handling them (same with certain sexual themes, it's not great for my mental health to force myself to engage with certain elements that are triggering)

So I'd made it so there was Park Cats (Wind Coalition and River Kingdom) who arrived relatively recently, and Tribe Cats (Sky's Clan, Shadow's Clan) who nestle into an unclaimed spot in the forest. All groups roughly equal in power until Thunder's Clan which was existing in defiance.

But Clanmew isn't JUST comprised of Parkmew and Tribemew-- there's a third contributor. Old Townmew, which mixes with Parkmew and forms Middle Townmew, mixing again with Clanmew to create Modern Townmew.

Since I'm now really thinking about the colonialism themes, especially in my re-read where it starts reaching its narrative conclusion in Books 5 and 6... I think I need to add that 3rd cultural group. I need to make them a player. I think I'm doing a serious disservice by only having the Park Cats, Tribe Cats, and then saying all others mostly lived in the town.

I'm gonna do a BB!Brokenstar with Slash. Previously I'd just cut him completely-- but I think I should, instead, walk him back from being "Pure Evil" like he is in-canon and make him into a real character.

One Eye's a god drawn to the festering stink and rot of the First Battle; Slash is a mortal, leading a group like any other in the Forest Territories.

I think I'm also going to significantly bump up the time the Park Cats have been in this territory. Slash and his cats have been fighting them for years, and until the Mountain Cat influx, were basically spread through most of the Forest.

[hychlorions]

klavier and ema??? Which way im geniuenly curious

i think klavier used to have a huge crush on ema when they were younger and i think ema hated his guts bc phoenix wright. disbarment. rfta. you get the gist. and i think beyond that ema would never be attracted to him because while i am undecided on hcs for her sexuality her preference in men (if she were attracted to them) is obviously more like edgeworth and i doubt klavier would be the tastebreaker for that

[fablexdreams]

Do yall think that John was hurt and jealous when he found out that Dutch and Hosea went fishing with Arthur at the start of chapter 3 but didn't bring him? Idk, the mission just felt...wrong without him, y'know? Maybe I'm projecting, but I'd feel so left out and alone if I was John lmao. Everyone always thinks and says that John is Dutch's favorite, that he's the 'golden boy', but he is left out of things and pushed aside an awful lot for being so golden. Even with the random stories we get about the 'old days' from the gang sometimes, it hardly ever feels like John has any of them. John has always given me lonely vibes, and i know a lot of people argue that its just his lone wolf personality, but I can't help but wonder if it's by choice or not. If that's how John wanted it to be, or if it was just what he had always known. I just wish we could have gotten more moments of Dutch, Hosea, Arthur, and John all together. It all started, and ended, with them after all.

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[starlooove]

No one is asking you to like cops IRL, not even the show. If you look at Arcane and what you see is copaganda, if you look at Cait and only see PoLiCe OfFiCeR and not the character, the problem is YOU.

1. I never said anyone asked me to like cops irl

2. I know that’s what I said.

[alastair-1205]

Zane and Sora are an underrated duo. They should talk about technology and missing people who hurt them badly and not being able to physically feel things because of having metal limbs when they used to be able to and feeling like they're responsible for hurting people when it was out of their control. They should bond over the similar Horrors they've endured. They should be sarcastic little shits together.

[megumi-fm]

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