#but if you look up her name you can literally see a fan wiki acting like shes their fan character sooooooooo

[starryeyedstray]

my thoughts on dbh as someone entering the fandom in 2024

so just got into the dbh fandom like in aug 2024. i have watched too much gameplay, read the wiki extensively, read an obscene amount of fanfics on ao3, and am in the process of writing my own. here are some of my thoughts (that no one has asked for):

every fanfic writer who started in 2018 and is still updating their works in 2024 are literal saints and some of the best damn writers i ever did saw and the dedication is fucking unreal. one fic had almost 2 million words??????? like BRUH. some are still ongoing and updated this year?? the dbh fandom in ao3 is not thriving as much as it was in 2018 (i say this purely as someone who's looking at the hits/kudos/comment ratios on older v. new works) but they are still alive!!!!

i am puzzled with the obsession with gavin reed. there are like a million fics that feature him and rk900. i am confused bc he did not seem like a redeeming character at all in my opinion and idk, i think he's just an asshole. i like the redemption arcs some ppl write for him but i just can't with him. i mean you ship who you wanna ship but i am not a reed fan and i am confused how he became so popular when all he did was bully our poor boi connor.

i personally don't ship hank x connor bc they give strong father-son vibes in the canon. however, i am obsessed with how jolli_bean writes the pairing on ao3 since its usually a canon divergence or an AU so the pair meet later in life. there are some fics that follow the canon and do a pretty good job with the pairing, but i just tend to keep it familial between them in my head. (but like i said, ship who you want to ship)

i am glad there's a vague consensus that we all wished alice stayed a human bc i feel like that lends itself to a more interesting narrative post-game. tho i guess her being an android is fine bc now kara, luthor, and alice can live as one happy family in canada forvever lol

i am literally obsessed with bryan dechart's acting as connor. like if you haven't seen him play connor in real life for the interactive #detroit2038 premiere event, then you gotta watch some of the live stream. like he doesn't break character the whole time and his physicality just screams connor and i just really appreciate how much effort he put in as an actor to really embody the character. just so impressive and i wish there was more bts of him acting as connor bc its just so nuanced and ugh *chef's kiss* if they ever made a live action dbh it would be impossible for anyone else to play connor

i love the 28 stab wounds meme. when i watched that scene for the first time it was so jarring lmao

i also love how everyone is like yes, we all know connor likes dogs but he also likes fish bc of that one fish you can save in the very first minute of gameplay hahahah. (his name is dewey and it is vitally important you save him). i also appreciate how the "i like dogs" line will undoubtedly find it's way into every fic possible lol

i think the love for simon is very good and well and amazing but i think josh deserves more love in fics too

it bothers me that when north tells markus "i love you" at the church, MARKUS DOESN'T SAY IT BACK??? LIKE BITCH SAY YOU LOVE HER BACK DAMMIT DON'T JUST WALK AWAY

i love how the fandom just latched onto rk900 and rk800-60 and fleshed out their personalities and i love reading ppl's interpretation of these characters and how they incorporate them into their stories. it's funny they only show up like one time and ppl just ran with it and it's so fun and creative and i love it.

i love the hc that chloe deviated when connor chose not to shoot her. that's the best hc. like it's canon in my heart idc

bless all the fic writers who have mastered the art of explaining how androids mind and bodies work bc there are so many gaps and possibilities left open in the lore and it's incredible to see what ppl come up with or interpret based off the canon. (i still feel 50/50 about when they make deviants feel pain cause like androids not feeling pain is such a big part of the canon and yeah i'll give it a pass if the fic does it for the whumps and the angst but i prefer when a fic finds a canon-compliant reason for deviants to feel pain, even if its just like they got a chip or software installed that makes them feel pain or something)

every pairing that i find in this fandom, i tend to be like... "yeah i can see that." (with the exception of hank x connor for reasons i stated in #3). i'm still like ehhh on reed900 or even gavin x connor bc i just don't think it makes sense in the canon but if it's written well i just shrug and say yeah i guess i could see that. some rarepairs i ended up absolutely adoring were chloe x north and rk900 x north (i realize they're both north but she has such good potential for character dynamics)

idk if it's just me bc i specifically look for fics centered around connor, but i feel like there's not a lot of love for kara at least fic-wise. ig it's cause she kinda just leaves so it's easy to not include her. tbh, i am quite well-versed in markus' and connor's stories but i haven't really explored a lot of kara's. i plan on playing dbh with my partner when i see them again in a couple months and i wanted us to take turn playing different characters and i wanted to play kara's storyline so i've been avoiding it for the most part so i can be surprised with my options. plus, in my wip fic, kara is in canada so she's not really relevant to my story which is why i have in depth knowledge about markus and connor and less on kara.

the music in this game fucking SLAPS. 10/10 kara's theme makes me wanna cry.

okay, there is a common trope in the dbh fanfics where connor loses his memory and that shit gets me everytime. i'm always bawling and anxiously waiting for him to fucking REMEMBER and i hate and love it and eat it up every. single. time. usually, the memory loss happens early in the fic and it's pretty expected but sometimes i get blindsided and i'm like FUCK not this shit again but i can't stop reading it and the angst is so palpable.

i think it's so interesting how ra9 is just like this mystery in the lore that never gets entirely explained in the game. it's like something you can totally kinda ignore but it does have interesting lore implications if you decide to really think about it.

i adore all the characters in dbh equally except for connor who is the certified best boi and my absolute favorite (no one is shocked by this declaration). and the characters on my shit list are zlatko, todd, and sometimes reed.

this is an obnoxiously long post and i apologies. i haven't been on tumblr in years and i just had so many thoughts about dbh and i have no friends to talk to so i decided to dump it all here. i still have more thoughts but those are the ones that come to the forefront of my mind.

tldr: i love dbh and its fandom and i have many specific thoughts about it and you should just really read my post if you care about any of it

[xerith-42]

I decided to watch Void Paradox

I'm about five minutes into the first episode and I'm still not entirely sure if this is a good idea or not, but Laurance has already spoken like three lines of dialogue and I felt my heart wrench at just one of them, so clearly I'm in too deep now.

This post serves as my live tweeting/mental break down that I am currently having as we speak. It is very incomprehensible because it is literally just my thoughts as they happen, and given how much I have to say, I'll probably make proper posts out of a lot of these points once I finish the series.

This mess is just giving you a taste of the madness I truly posses.

I am only three minutes in before I have to pause and feel the urge to scream about how bad the dialogue in Aphmau series can be. Like this series is fairly okay, especially based on the standard set by her other shows but man... something is just not working here. The whole thing feels very clunky and while I can get the gist of what Jess is going for, the execution of said gist is leaving a lot to be desired.

[Laurance shows up]

nevermind Laurance is on screen and fully voice acted everything is better

Literally nobody talk to me I need to scream about Laurance Zvahl because he is EVERYTHING in this series. The way he very softly says Aph's name when he sees her, the immediate instinct to hug her because he's so relieved to see her, the fact that you can hear the smile in his voice the minute he registers that she's there and alive!! AUGH I LOVE HIM SO MUCH!!

And I literally screamed when he revealed that he was transported to this AU right at the end of season 1. Oh my Irene, I screamed. I collapsed. I was truly defeated by a single line of dialogue. I don't know where this series is going to go but I am here for it. And the fact that he knows Garroth did it and hid it from her???

I can't overstate how genuinely healing it is to hear Laurance fully voice acted. I know Sebastian Todd is retired from voice acting, but when he retired, he took down all his posts, including what I considered to be a comfort video. That video of him reading iconic Laurance lines from before he was in mcd/lines he just didn't act? That video was my everything when I was trying to hold onto this version of the character I knew I loved who was different to what Jess made him. When that video got taken down it was a major cowabummer bc there's so little properly voice acted Laurance content that isn't mcd Season 3 or My Street stuff (and I can't stand My Street like 80% of the time)

Hearing his voice, hearing him get to be properly expressive, it's just doing things to me man. I missed this character a lot. I've mostly been enjoying him through fan content or my own work. It's nice to say I enjoy a piece of canon content involving him, at least so far.

Still not sure how I feel about literally anything else. The whole relationship between Aph and Tommy feels very... weird. She describes herself as "basically his mother" after she's left with him, and treats him like it in the opening scene. But then when he's mocking her for being attracted to Laurance (so relatable), it seems really weird for a [checks wiki] 14 year old kid to be calling out his mom for finding someone hot. Feels a lot more like sibling dialogue to me? Which I guess they could be seen as siblings, but the series explicitly stated that she views it like motherhood??? But I don't think Jess is even thinking that deeply about it, I just over analyze her work for fun at this point.

Okay what the actual fuck is going on with the inside of this house???

Why is the color scheme purple and yellow? And not in any kind of flattering way which is possible with opposite colors, it just has both of them. The wallpaper changes when you get into the living room except not entirely on the windows, and in an earlier scene it looked like it wasn't even put onto all of the walls. And the wood that she used as supports just does not compliment either of these colors as they are. Just make it all purple, you know you want to Jess.

Also is the texture on the table and the glass the same??? I don't know a damn thing about modding or making texture/data packs for minecraft but that just seems. odd.

Laurance: mentions the nether Me: [screams just a little]

Tommy: shows up and gives a random ass lore dump Aph: Kay thanks go back to your room

"I don't know what I can do to help."

"Just be there for me. I just need someone to ground me right now."

I literally want to shake Laurance around like a rag doll and give him a stupid kiss on his stupid fucking face UGH why can't I be normal about this block man and his stupid feelings?!?! The way his voice breaks as despair sets in?? The fact that he's no doubt pieced together that Garroth probably stole the amulet and plans to use it to hurt Aph and he can't do anything about it?? I'm literally losing it.

How did I not watch this series before.

Literally about to cry over him just calling Aph "M'lady" out of pure instinct. He didn't consciously do that. He just misses her that much.

oh no spooky evil alternate Laurance or whatever--

MAN I'm so happy I decided to watch this series. This was probably a mistake though :)

[estrel]

How Did The Car Get Here?

or: why the impala being in dean's heaven means it isn't really heaven

[content warnings: mention of the finale (15x20), though no screenshots are included because i can’t force myself to rewatch it]

okay so i'm finally cracking my knuckles and getting into a meta post after the finale, and it started because marlo and i watched scoobynatural the other month and of course that means some new revelations about the finale came to light, right? right (this is the grain of salt i'm throwing at you <3 it's gonna read like the fan fiction meta. that’s a warning)

you might be thinking, "ely, what the hell does scoobynatural have anything to do with the finale." and to that i say, surprisingly quite a lot

the basic premise of this episode is that sam, dean and cas are whisked away to a tv world (scooby doo) and have to save the people (characters—HEROES, hint hint) in it from a real-world ghost. it's revealed later that the ghost has been tied to a pocket knife that a real estate developer has been putting everywhere in order to scare shop owners into giving their stores to him. (wiki description that might’ve put it better than i could)

when sam and dean first arrive, almost immediately sam says, "how did the car get here?" but more importantly i’d like to ask: why is the car here?

so, let’s get into it.

[ID: A screenshot from “Scoobynatural” of the Impala at night. Sam and Dean stand to the left of the frame. It is captioned with Sam saying “How did the car get here?” / End ID.] 

it feels like many of us, including dean himself in the finale, were surprised (read: offended) to see the Impala in heaven. what's the purpose? it's obviously inanimate, and though dean gives her a gender and a name, it doesn't make her "real," nor does it give her a soul, which seems like a heavenly prerequisite. so how—or why is the car there at all? 

in scoobynatural, Baby is used simply as a means to get from one place to another (as vehicles do) UNTIL it becomes apparent that the ghost they're hunting is actually a ghost. then, the real purpose baby serves is to provide weapons and hunting materials in order to take down the big bad.

[ID: Two screenshots from “Scoobynatural.” In the first one, Velma is speaking and fixing her glasses, surrounded by the Scooby Gang. Scooby and Shaggy are on the left side of the frame, and Daphne and Fred are on the right. It’s night time. The caption reads, “We don’t have the proper tools or weapons.” The second screenshot depicts a cartoon version of Sam, with the caption, “That’s okay. We do.” / End ID.]

mind you, sam and (especially) dean weren't aware of why they'd been whisked into the tv in the first place, or that there was any "real" danger at all. dean was actually enjoying it a LOT, stuffing his face with much-too-tall sandwiches, hitting on daphne, and gaping at the mystery machine in awe. the Impala being there with them seemed insignificant (dean even says so)... until it isn’t, and her true purpose is revealed—

[ID: Two screenshots from “Scoobynatural.” The first one shows a shot from the perspective of inside the Impala’s trunk. Sam and Dean are surrounded by the Scooby Gang on either side of them, with Scooby, Shaggy, and Cas on the right side of the frame, and Velma, Daphne and Fred on the left. The caption describes the trunk unlocking. The second screenshot is of the contents in the trunk: several weapons like a wooden stake, various guns, an axe, a knife, and an arrow. / End ID.]

so, with the Impala appearing in the Scooby universe with all the equipment they could ever want...or need or...dream, doesn’t that remind you of what bobby says in 15x20? let’s see...

[ID: A screenshot of the 15x20 transcript. It’s a snippet from Bobby’s line, which reads, “You got everything you could ever want...or need or...dream. So, I guess the question is...what are you gonna do now, Dean?” / End ID.]

best of all, right after Bobby says this, Dean spots the Impala and decides to go for a drive:

[ID: A screenshot of the 15x20 transcript. It reads, “(Dean looks away from Bobby and sees the Impala, with the original KAZ 2Y5 license plate, parked on the road).” / End ID.]

let me rewind a bit to something i said earlier. “sam and (especially) dean weren't aware of why they'd been whisked into the tv in the first place, or that there was any "real" danger at all.” in my theory for 15x20, I think it’s actually quite a similar situation, in that they are fooled into thinking there is no real danger and that heaven is just...heaven. bobby is there, along with some (crappy) beer and dean’s parents are there, and— wait, doesn’t bobby hate john? and hang on...you’re telling me the beer in heaven is crappy? and hey, wasn’t jack acting a bit strange after becoming god? what was up with that?

a lot of things about the finale just...don’t add up. and the impala is there, even though Baby doesn’t have a soul and therefore could not be/manifest itself in heaven (just as she couldn’t actually be in scoobynatural because she wasn’t there when sam and dean got sucked into the tv). so we’re back to asking: why is the car here? 

i’m going to just take a shot in the dark here and say that maybe it’s for the same reason that she was there in scoobynatural. to serve a purpose when they realize that there’s actually a big bad to be fought—that things aren’t exactly as they seem. 

as to who the big bad is, take your pick!! it could be chuck!jack, or the Empty (it is still loud in there after all), it could even be a djinn dream. but throwing Baby into heaven for seemingly no reason other than to have dean drive her for like fifty years just seems ridiculous to me. she’s got weapons in her trunk, weapons that the heroes (good place to remind you that there is LITERALLY a s15 ep called The Heroes’ Journey) can use to their advantage. 

there’s a lot that points to something being off about the finale. but personally, i think Baby might be our biggest clue. 

kirk out.

[faunusrights]

what is going on with all the bias on robyn hill’s wiki page, anyway? - an aside

As someone who uses the RWBY wiki with some degree of frequency - often because I’m looking for art references, or Semblance and weapon names - I’m used to... some amount of bias in the articles for different characters? Like, let’s be real, it’s not a perfect wiki! Community-maintained stuff isn’t easy to all keep on the same track! But, generally, it gives the facts well enough and doesn’t do too bad a job keeping all the balls in the air when it comes to new information from all four corners of this franchise.

Well, until you open the article for Robyn Hill, and realise it’s an absolute disaster. Like, really; the impartial voice just plain doesn’t exist for her, and almost all of her wiki is written in such a way that she reads as being an absolutely insufferable, hostile, hard-to-like character. Even if you aren’t a fan of Robyn personally, you have to admit that if you hadn’t seen the show yourself, you might very well come away from her article presuming she’s a major antagonist of Volumes 7 and 8.

Like, for instance, let’s take a look at the first paragraph of her Personality section:

Robyn has a direct and confident personality, having no trouble being confrontational with Atlas personnel, including the Ace Operatives. Robyn also seems to suffer from overconfidence and arrogance, shown in her encounters with Ruby and celebrating her election victory before it was verified. She is aggressive and hostile in nature, quickly jumping to conflict without thinking through consequences. However, she is also shown to be reasonable when the situation calls for it.

And, for good measure, here’s another paragraph from the same section:

In "With Friends Like These" Robyn displayed a rather impulsive side of her personality, when upon hearing that James Ironwood's plan to abandon Mantle and arrest those against him, she started a fight between herself, Clover Ebi, and Qrow Branwen onboard a Manta with Tyrian Callows in custody. Despite the fact, there was no order or her arrest. Her brashness led to Tyrian breaking free and crashing the Manta as well as her becoming unconscious.

(Taken from Robyn’s RWBY Wiki page. Bolding is mine.)

In every instance here, all of the “negative” aspects of her personality take centre stage; she’s confrontational. She suffers from arrogance. She is aggressive and hostile. She started the fight. Her brashness led to the crash. All of this is only compounded when her positive traits trail behind as an afterthought; she’s direct and confrontational, overconfident and arrogant, aggressive and hostile, impulsive and jumps to conclusions... but hey! As least she’s reasonable when the situation calls for it. 

The way that this information is presented to the reader is quite literally on par with how the wiki presents the personalities of the actual literal villains who appear throughout the show. Let’s take, for instance, the Personality section of Cinder Fall:

Cinder is ruthless and sadistic, as demonstrated when she delivers a killing blow to a clearly defeated Pyrrha Nikos in "End of the Beginning" and when she throws a spear at a defenseless Weiss Schnee in "The More the Merrier." She is relentlessly driven to gain power and determined to cross any line to obtain it. Cinder demonstrates a cunning that shows in her successful manipulation of events and people throughout the first three volumes. Cinder is also arrogant and egomaniacal, and as such, relishes in dominance and gloating, displaying shameless pleasure in the misery she has caused others.

Or, the Personality section of Raven Branwen:

Raven is cynical, patronizing, selfish and stubborn. She believed her act of "kindness" of saving Yang's life from Neopolitan was sufficient despite having left Yang at a very young age and refused to protect her daughter when in need after that.

Raven is also very prideful and hypocritical, refusing to acknowledge her faults and always trying to justify her actions both to others and to herself, often putting the blame on others for them even if she feels real guilt about them.

It makes sense that for an antagonist, the primary faults and flaws of their personalities will come first, as to better represent them as the villains to clarify to the reader who they are and why they act as they do in their storylines. However, the fact that Robyn arguably has an even more caustic write-up then Raven, despite not being an antagonist, goes to show the lengths this writer has gone to present her in a significantly more negative light than she ever appears in the show.

If this doesn’t seem convincing, let’s look at a more direct comparison; what does the wiki say about Ironwood? He’s present in the same seasons, and has now become more of an antagonist in the latter episodes; is the wiki quite as blunt about his flaws?

Ironwood is courteous to his allies, as shown by his first onscreen interaction with Ozpin and Glynda Goodwitch. He is also far-thinking and tactical, wondering about the future, as seen when he speaks to Ozpin about Qrow Branwen's message. He also has a jovial, friendly, humorous and proud public persona, which he uses as a spokesman for the weapon manufacturers of Atlas.

However, as courteous Ironwood may appear, he can also be incredibly blunt, often preferring the direct approach. When he feels necessary, Ironwood is not afraid to bring the full might of his military command to bear, which sparked disagreements with both Glynda and Ozpin. Nevertheless, Ironwood is extremely loyal to his comrades, and however questionable his methods may be, he seems to have genuinely good intentions behind them.

Uh, no.

Instead, when his flaws are mentioned (for example, being blunt), it’s written in a significantly less... abrasive manner. It’s referred to as the direct approach, versus Robyn who is described as confrontational. Even then, his flaws are folded in to his (alleged) positive traits; he is not afraid, extremely loyal, and has genuinely good intentions, despite the fact that the show has now proven that Ironwood’s flaws greatly outweigh these. It reveals how thoroughly all of Robyn’s actions are presented as the work of an arrogant troublemaker, whilst Ironwood’s actions are presented as the efforts of a man working towards some greater good. 

Also, I’ll add that in both examples, I used the first two paragraphs of their Personality sections. These are both the first two things you read about these characters, yet look at how differently they’re summarised.

What is interesting, however, is that despite this bias being extremely self-evident, the comments on her page generally chime agreement, referring to her as “overconfident, arrogant, impulsive and hotheaded to the point of being unlikable”, and claiming that she’s “literally the worse character in the show next to cinder, blake and yang”[1]. Someone mentions that Robyn has earned quite the hatedom... but why?

Broadly, my experiences of Robyn Hill’s writing in the fandom has been through a queer lens, and the vast majority of writers who’ve covered her and the Happy Huntresses have been women, or queer, or trans, or all the above... basically, the people who are usually responsible for a vast majority of fanfiction, let’s be real. These writers love Robyn, and have explored and extrapolated on her character to marvellous degree. Yet, at no singular point have any of these flaws ever been written quite as strongly as the wiki implies they are, nor have I seen much evidence of them myself in the show. For instance, let’s take one of the more serious points in her Personality section; she started a fight between herself, Clover Ebi, and Qrow Branwen [...] her brashness led to Tyrian breaking free and crashing the Manta as well as her becoming unconscious.

When we watch this scene again, Robyn did initiate the fight... because she was rightfully aware that Clover would obey his orders, even if they were wrong. Despite everything that happened prior in the entirety of Volume 7, when given orders to bring Qrow in alongside RWBY, it was clear that Clover fully intended to follow it through, which Robyn knows from prior experience with the AceOps:

[image ID: two images of Clover, Robyn and Qrow in the dark-grey interior of the Manta ship. Robyn has her weapon aimed at Clover as he stands in front of Qrow. Clover is saying “Only Qrow is under arrest [...] please don’t make me arrest you too.”]

Her knowledge of the AceOps means that she reacted accordingly; trying to stop him from taking Qrow in and obeying Ironwood’s plan the only way she knows the AceOps respond to. Her reaction isn’t unwarranted. However, my point isn’t to argue that Robyn was right or wrong, but rather that regardless of who started the fight, the way the wiki explains this specific incident is that it’s solely Robyn’s fault that Tyrian escaped and crashed the Manta, but we know this isn’t the case. Robyn and Qrow both fought Clover, and it was Clover’s good luck (or Qrow’s bad luck, depending on how you view it) that allowed for Kingfisher to break Tyrian’s bonds. Her brashness is blamed for the outcome, but in reality, this outcome could have been avoided together if Clover had not chosen to follow his orders and bring in an innocent man. Also, she didn’t crash the Manta! That was all Tyrian! The intentional tying together of these two events as her fault, however, are a neat package of blame.

In these instances on the wiki, Robyn’s personality appears amplified, focusing specifically on her flaws and exaggerating them to the extremes that, as noted earlier, matches the language used to define the very villains of the series. Yet, the people who enjoy her and the Happy Huntresses often perceive those same flaws to a significantly lesser extent, or even see those flaws as actually being boons of her character; for instance, reading her alleged arrogance as passion. So, why such division?

Before, I mentioned her “negative” traits, and I put this into quote marks because traits don’t always align nicely into good and bad. All aspects of a person can vary on how positive they are based on context - even the show proves this, with protectiveness becoming paranoia (Ironwood) or loyalty becoming subservience (Winter). Even a character that is broadly composed of more unfavourable traits can have this contextual shift; Cinder’s stubbornness to her goals makes her a fast learner and a tenacious opponent.

Yet, why did the writer (or writers) choose to highlight almost every aspect of Robyn’s character as a bad thing? Why did they frame her decisions as such? I have a suspicion it’s to do with her character at large; she’s a bold socialist politician who believes in equality and fairness for all, who refuses to stand for incompetence and obedience towards evil causes. She’s outspoken in her views, and reacts strongly to those who threaten to overturn her work. Also, she’s a woman, in charge of a group of other women, at least one of whom is canonically trans. To those who agree with her in real life, Robyn appears as a great character! We admire her work ethic and we support her ends. To those who may not... well, it’s not hard to see how they might perceive her as more of a cocky, authority-defying upstart. Of course, the core text of RWBY doesn’t quite believe the latter; RWBY has always placed Robyn as the direct counter to authoritarianism, whether it be Jacques, Clover, or Ironwood, and even the article admits that she is a potent voice for the people of Mantle. Still, it’s clear that there’s plenty of people in a vocal minority who are deeply dissatisfied by Robyn, and aren’t afraid to make their stance on the matter exceedingly clear.

So, what does this all mean? Well, here’s what we can say for sure; Robyn’s article is, and has always been, stringently biased against her character, and often misconstrues her motives and decisions. This is maybe the more obvious part, but how should her article be worded to make this less so? Likely, I’d rephrase a lot of it to be less damaging to her character; she isn’t hostile, she holds people accountable. She isn’t quick to jump to conflict, she is familiar with how Atlas responds to anti-authority with violence. She isn’t arrogant, she believes in the power of the people as being the right thing to fight for. Even this makes it clearer that her character is about resisting the oppression inherent in Atlas, and is a much clearer outline of her personality as a whole. People may disagree with this phrasing and summary also, but given her character is based on Robin Hood, it’s also not far from the mark in terms of what she should represent.

TL;DR: Robyn’s wiki page is written with a deep bias against her character and what she represents, acts upon, and chooses to do in the show; I have no doubt that in canon, this sort of language would probably be used by Jacques himself as a smear campaign, haha. Whilst I can’t speak for the author and their motives, I have a distinct feeling that this article was written, or edited, by someone who is either:

not a fan of Robyn

not a fan of a new female character

not a fan of a new female character in a position of power

not a fan of a character with socialist/communist/antifa ideals

all of the above and then some???

Even though I’m not going to edit her wiki page (I’m very shy and I’ve never done it before), I think it’s worth analysing this if only as a reminder of the inherent biases of an author even when people are trying to present a character’s information impartially. This isn’t the first wiki I’ve seen misconstrue - or even make incorrect assumptions on - facts about a character, and it won’t be the last. In the meantime, though, I leave you with this fact:

Robyn Hill slaps huge nuts and I love her.

[1] I’m not naming the users who posted these things here, because it’s unnecessary. You can find them for yourself at the bottom of Robyn’s wiki, but there’s no need to respond; some people just don’t like Robyn, and that’s fine - I’m just explaining how bias leaks into wikis like water into a sponge. It happens!

[dailylogyn]

Logyn Meta: Loki & Sigyn’s relationship in the Marvel Comics

Photo Source (by Sexy-Salmon): https://lokisergi.tumblr.com/post/70164902295/siege-loki-problems-it-almost-looks-innocent

Other Logyn Meta’s: https://dailylogyn.tumblr.com/tagged/logyn-meta

Did you know Sigyn was in the Marvel Comics long ago? Did you know Loki had a wife? 

Oh...that’s probably because Marvel wanted you to forget their terrible writing mistakes concerning this great Norse Couple. 

Let’s dive into this exploration of history where the Marvel writers realized they fucked up on telling a perfectly good couples story, and in the process, setting off a spark of rebellion that caused some retconning and a group of fans to demand justice for both Loki & Sigyn -- not just as a couple, but as their own individual beings. 

#JusticeforSigyn #JusticeforLoki #JusticeforLogyn

Where it First Began (Meeting & Marriage of Lies):

In September of 1978, Thor #275 came out featuring the first appearance of Sigyn, Loki’s wife from Norse Mythology. She was introduced as a beautiful Asgardian Loki had randomly come across while looking into a crystal ball inside his castle, wanting to find some companionship to fill his loneliness. 

However, when Loki came with riches and jewels to offer her in exchange for her hand in marriage, Sigyn outright rejected him, stating she would never take someone as vile as him, even stating she was already engaged to an Asgardian Warrior part of Odin’s guard -- Theoric. 

Unable to accept this, Loki came up with a plan to have her fiancee killed during a mission, resulting in the Trickster taking on the disguise of Theoric in order to take Sigyn for his own. Despite having slightly suspicions of her lover being more romantic than before, Sigyn didn't notice that her lover wasn’t exactly who she thought he was.

Now comes the day of the wedding as Odin marries the happy couple. This was when Loki finally revealed his true self and what he had done. Odin tried to null the marriage, but it was against Asgardian law for even the High Father to do such a thing. Hence, Sigyn accepted her fate as Loki’s wife. This caused Odin to name her the Goddess of Fidelity. 

Where it’s Heading (Cargo of Incantation-Fetter’s Arms):

Loki being Loki, he did some shit that ended up with him being imprisoned in a tree by Odin, something that infuriated Sigyn, resulting in her trying to take control over Donald Blake to use over the All-Father as a way to free her husband from his punishment. However, it didn’t work out, resulting in a bunch of other crazy shit happening and putting Thor on their trail.

After Balder was killed, Loki was put on trials for his crimes and received yet another punishment that Sigyn had to protect him from -- having burden over the fact she was “the evil’s wife.” Just like the classic Norse tale, she holds a bowl over his head, shielding him from snake venom and leaving to empty it momentarily when it became full, resulting in Loki cursing her. 

Also, Loki and Sigyn had a child -- Narvi, but they died young, being used as the binding to imprison Loki (following the Norse myth too.) 

Some more crazy shit happens and now Odin has shackled Loki to Sigyn so he doesn’t cause anymore trouble. Loki of course is not pleased about this one bit. Having had enough of this, he went to Odin demanding to be released, only resulting in him being banished to an outpost. 

There Just Might be Hope????:

Some more shit happens again, resulting in Loki being stuck in an astral form and bound to a suit of armor so he could reside in Asgard thanks to Sigyn. A fight happens with Thor, Loki and Mephisto, putting Sigyn in danger. This is when for the first time ever, Loki ends up having a tender confession of love over Sigyn, asking Thor to save her since he could not.

It’s unknown if this is just Loki putting on an act or being real, but you know how the Trickster God can be. 

After the battle, while Loki had released Sigyn from her marital vows, his wife swore to always be there for him when he needed her.

And that’s the last we see of Sigyn’s regular appearance in the comics in 1996. She makes a cameo in Avengers: Unleashed #1 in 2019, but it’s nothing more than a flashback to her time of helping Loki. 

A Hypothesis & Notes on their relationship in comics:

The whole entire plotline consisting of Theoric and Loki killing him in order to obtain Sigyn is just something most of the fandom doesn’t like. Not only does it objectify Sigyn, but it makes Theoric a Pointless character to introduce anyway, only used as a tool for means in which Loki can get Sigyn, when honestly, he could have done so in a different way.

I like that they stick with Sigyn being the faithful wife of Loki (that’s who she is), but they honestly don’t give her any agency in this besides that trait alone. The writers don’t even let Sigyn be her own damn person! She is SO MUCH MORE than Loki’s loyal wife. SHE IS A FREAKIN GODDESS! I know there is more we can do with her.

Instead of pulling the ‘woe is me, my husband is evil and I’ll just go along with it’ card, something else could have been done. LIKE LITERALLY, ANYTHING ELSE! We know Loki can be a troublemaker, but Sigyn knows how to deal with his shit. She isn’t some damsel in distress here! It’s another reason Loki likes her.

Couples can bicker in times, it’s normal in marriages and relationships, but to have Loki whining about how much of a burden Sigyn is is just....WHY? I mean, you went after the woman and killed another guy for her. This is what you wanted! *shakes head at writers*

I will give them kudos though for some of the stuff near the end when Loki actually starts displaying his true feelings of love towards Sigyn. And sadly we only got a little taste of that...and we aren’t even sure if it was an act or Loki being real.

THE FACT THAT SIGYN ISN’T EVEN IN THE COMICS ANYMORE SINCE 1996. She’s only mentioned, but it’s just as a tale, not as an actual person who USED to be his wife. They literally killed her off. EXCUSE ME! #JusticeforSigyn (We’re still waiting for her in the MCU...)

NORSE MYTHOLOGY TIE-INS:

There were some moments in the comics between them that they writers took from Norse Mythology with them. Thought It’d be important to list.

Loki’s Punishment of snake venom dripping onto him while Sigyn holds a bowl to collect it and shield him.

Narvi being Loki & Sigyn’s son who was killed and his insides used to bind Loki for his punishment.

Sigyn being Loki’s wife. 

DIFFERENT WRITERS, DIFFERENT CHARACTERIZATION:

As is the case with everything out there, if you have different writers working on the same project, there is bound to be a difference of characterization and interpretation, resulting in OOC moments or just something completely different altogether. After researching and pondering on this subject, I FULLY believe this is what has happened with Loki & Sigyn’s relationship in the comics. Let’s take a look at the evidence I’ve found:

For the comics Sigyn’s creators were Roy Thomas, John Buscema and Tom Palmer. 

Loki’s creators for the comics were Stan Lee, Larry Lieber, Jack Kirby, Violet Barclay, and honestly, many others.  

My favorite quotes on them from the comics:

Wait? Despite the crappy writing, I actually have quotes I like from the comics? GASP! I call these the only positives from the comics of their relationship. 

“My Sigyn-- the love of my immortal life...” — Loki, Thor Annual Vol 1 #19

“Aye-- For only Sigyn, of all in the realm eternal, feels love for Loki. And among all Asgardians, only for Sigyn does Loki feel...” — Loki, Thor Annual #19

“Sigyn loves me-- just as she is the only thing in the nine worlds that I truly love.”— Loki, Thor #483

Photo Source: https://www.zerochan.net/1262293#full

Fandoms Wish for MCU & Future Appearance Justice:

Fans would like to see Sigyn make an appearance, not only in the MCU (Marvel Cinematic Universe), but also the Marvel Comics once again. They would like to see Loki & Sigyn’s characters done justice with proper writing, especially regarding their relationship with each other. 

This is why there is plenty of fans out there writing Fanfiction, making Fanart, Roleplaying and even Cosplaying them, giving their interpretation’s of what their relationship would be like. This is THE VERY REASON this blog and @sigynappreciation​ was created to help spread awareness and unite fans who feel the same way. 

These characters are very near and dear to our hearts. Some of us even worship them in our religions. We would like to see their relationship grow and portrayed in a way that helps fill the pieces of the missing puzzle to how they came to be in Norse Mythology. 

CONCLUSION:

Although their relationship in the comics usually leaves fans grimacing, at least we got to have it explored. Who knows if Marvel will ever touch anything with them ever again, but at least it’s brought together a small community that continues to go strong -- and honestly, that kind of unity is what Loki & Sigyn would want. 

So imagine to your hearts content! Draw that fanart! Write those fanfictions! Dress up in that cosplay! Be those characters! But just remember, you have a family here to love and support you. 

SOURCES:

Sigyn’s info on Marvel Database: https://marvel.fandom.com/wiki/Sigyn_(Earth-616)

Loki’s info on Marvel Database: https://marvel.fandom.com/wiki/Loki_Laufeyson_(Earth-616)

Sigyn on Marvel Universe: http://www.marvunapp.com/Appendix/sigynthor.htm

Logyn on the Shipping Wiki: https://shipping.fandom.com/wiki/Logyn

Loki & Sigyn’s relationship through Media: https://www.alehorn.com/blogs/blog/norse-mythology-loki-and-sigyn

[ihassheepquake]

DC's Batwoman 3.02 "Loose Tooth" has aired on the CW, and I'm here to talk about it

Killer Croc, Killer Croc, Killer Croc!

How much do you think they had to pay to use Levitating?

Wait wait wait wait wait, so Aquaman is canon now? Like that's a thing now?? Has that been a thing in the Arrowverse or is this new?? Because I don't remember an Aquaman being canon before.

I really can't get over how much I love this new logo. It looks so much better and I think literally all they did was add some red. Crazy how easy that was.

Okay, so we know that Renee knows that Ryan is Batwoman (and apparently also these two random guards from Arkham that escorted Alice, so thanks for that Renee), but, how are they gonna explain why mass murder Alice is with random ex-con Ryan Wilder? Like, that won't stay secret forever.

I'm guessing this is one of the themes of this season, that all of the villains are new people taking old names (we're probably also only to get Batman's B & C listers other than Ivy. There's no way we're getting a Two-Face, Penguin, or Harley Quinn on this show). Is the Ivy we know is one of the big bads going to actually be Pamela Isley or a new character? The season 3 wiki says it's Pamela, but we'll see.

I love you Ryan but I feel like Luke should've been made the acting CEO. I think he probably actually knows what to do in such a role, vs Ryan who herself has already admitted she thought she'd just be a name on a paper. Wasn't Luke the acting CEO before Kate took over? Why not give him it back? Cause I feel like having Ryan as the CEO is just for this plot moment of the reveal that her mum is Jada Jet.

I am a fan of the dynamic Alice has with the Bat team. What can I say, I love a good villain joins the hero story. And I just like Alice, she's one of the more fun long term, recurring villains.

Fuck yeah Ryan, fuck Jada. You don't need to give a shit about her just because she popped outta her.

WHO TOLD LUKE HE COULD HOT?!

Could you imagine if somebody weaponized the Croc tooth? That was why Black Mask and Kate stole all the stuff last season, in a general sense. Imagine if he was able to make an army of these new Crocs and control them using the mind control tech in the Hatter's hat? And who fucking knows what he could've done with something like a vine from Poison Ivy, or fear or Joker gas. Maybe that should be the season's plot, somebody using all these things to take over Gotham. Or even more, there is a Justice League. The individual rogues couldn't kill the whole League, but an army of them? With multiple of each??

Alice now is not the time to trauma dump on this child. For once in your life, can you just not be a bitch?

I'm into this design for Croc. Personally, I'm a fan of when he's a giant hulking monster such as in the Arkham games, but this one works. I like the way his jaw unhinges, it's very gross and creepy.

Guess that Alice team-up was short-lived, huh? Obviously, she'll be back, but yeah.

The writing team keeps giving Sophie all these emotional speeches. And I'm not mad about it, because her actress does a pretty good at delivering them.

Renee, I love you, but that was potentially a really, really fucking stupid idea. If that gamble was wrong, you would've been fucked.

Ryan, please follow this by reading this bitch to hell.

Next week's episode is entitled Freeze, followed by Antifreeze, which implies it's gonna be a two-parter. Probably a new Mr Freeze villain, but I think it would be more interesting to go in another direction and use one of the other iterations of Killer Frost now that the one on the Flash is just Frost. I would say Louise Lincoln, who has ties to Gotham and Mr Freeze in the comics. But it's probably just going to be a new Mr Freeze, which won't be as fun. We'll find out next week with DC's Batwoman 3.03 "Freeze"

[irkenheretic]

A Found Family AU With The Control Brains Could Actually Work, And Here’s Why

This all started as a spite-born joke, but honestly the more that I thought about it, the better it sounded to me. 

First off, this meta is gonna be going purely off canon materials. I will interpret certain lines to mean certain things, but there’ll be an alternate explanation if you don’t agree with that interpretation. 

Second, this meta is going to assume that the Control Brains are three- or more- separate entities. Which is actually supported because of this line:

Singular pronoun! 

Now that that’s out of the way, I’m gonna be judging this by a three-part metric, and going into what we actually know (and don’t know) about the Control Brains. (Spoilers: We don’t know much, and the most popular idea of their role in the Empire is pure fanon.)

Metric one is Do these characters like each other? (And if not, could these characters realistically like each other in the future?)

And judging by The Trial, I’d say... yes, actually! They seem to get along just fine. First off, they’re able to cooperate enough to conduct trial without fighting. Second, they don’t seem to be putting up with each other and act on amicable terms.

YMMV, but I see these lines as them quipping with each other. It’s kinda subtle, and lost in the fact that they both speak in monotone, but they seem kinda snarky in the same way Zim’s computer is. 

(And if they were annoyed by each other, we’d know- the Brains are capable of expressing emotions like annoyance, we see them get ticked off at Zim multiple times.)

And even if they didn’t like each other, or are only presenting as friendly to keep public image up, they could still feasibly like each other. The main appeal of ZADR/ZADF is that both Zim and Dib dislike each other but are in similar societal positions, with unique experiences that only the other can relate to. Therefore they could learn to connect using that shared experience. And whatever experience the Control Brains have being Control Brains, the only other beings that share that experience are other Brains. They’d end up getting along out of sheer desperation, at some point. You can’t spend eternity with someone and not like them at least a little eventually.

Which brings us to metric two: Do these characters deserve a family at all?

Again, I actually would argue yes. Hear me out.

So, it’s a popular (albeit unspoken) opinion in fandom that “good” characters deserve nice things like a family, and “bad” characters don’t. If you’re a fan of redemption arcs, the scope of what is a “good” character broadens, but there are still some characters even the most open-hearted of redemption-lovers won’t touch. The Control Brains, across the board, seem to fall into the latter category every single time. 

But what have they actually done wrong? Like, canonically.

In The Trial, they conduct Zim’s Existence Evaluation. This is their job and we can infer they’ve done it before.

In The Frycook What Came From All That Space, we see one of them re-encode Zim from Invader to Frycook. 

In Tak: The Hideous New Girl, one of them doesn’t let Tak retake her test.

And that’s it.

“But they rule the entire Empire-” Nope, that’s just fanon!

“But the Zim Wiki says-” In the words of Eric Trueheart, "The Invader ZIM fandom wiki is a wonderful labor of love by some very dedicated people, but it's wrong at least 25% of the time."

But fine. Let’s look at exactly what the Zim Wiki says. From the page of the Control Brains themselves, it says that the “Control Brains run the empire and their conclusions even have to be accepted by the Tallest, which means that the Tallest have no real authority over the people of Irk, and are simply figureheads (not unlike a constitutional monarchy).”

But when do we see this? Well, during the end of The Trial, the Tallest have no power to overturn their ruling. 

But do you know what that sounds like?

A FUCKING JUDGE.

If the President goes on trial, he still has to defer to the judge. That doesn’t mean that the judge is secretly in control of America and that the President is just a puppet on strings. It just means that the judge is doing his job and the President isn’t running around completely unchecked. (Please refrain from making the obvious President jokes on this post. I get it, I hate him too, but... please lemme have this post.)

There is no real evidence in the show proper to suggest that the Control Brains are all-powerful tyrants and that the Tallest are at their mercy.

And, really, would you talk like that to someone that held your life in their cold, unfeeling robot arms?

So, bottom line is, the Control Brains in the show act like judge, jury, and executioner in trials. That’s it, that’s all they do. Just because they’re called the Control Brains doesn’t mean they control everything. They could just control the trials. “Controller” could be the Irken word for “Judge,” and that’s where the name was derived from. Mechanical judges. 

“But they’re still defending awful things!” Okay, I see your point there, random person I made up to argue with on my meta post.

Which begs the question: Why? Why are the Brains acting like that? 

Well, they’re computers, right? Computers built to serve a purpose, and their purpose is this. That’s it, right? But they’re sentient. If they didn’t like it, they could protest! The fact that they don’t protest makes them complicit, and Bad Characters, right?

Guys... they’re computers.

What do you do to a computer that stops working the way you want it to?

We don’t know what the Brains think about their job. They could love it, they could hate it, they could see it as a necessary evil, they could be completely apathetic after centuries of doing it (if they’re even that old, which again, is not confirmed.)

But IF they didn’t like it... the hell are they supposed to do about it? They’re important pieces of machinery, possibly swarmed by techs ready to correct any sign of them not working right. They could have some sort of programmed-in limitation to keep them obedient. They could’ve tried, with disastrous results. They’re not like Zim. They can’t just quit. They’re computers rooted in place, closely watched for defects, and they have nowhere to go.

(And even if they did leave, who would take them in? Where could they go? Even if they downloaded themselves into PAKs or into robot bodies, the adjustment period from being a giant invulnerable heavily guarded computer to something that needs to actually fend for itself would be maddening and possibly dangerous.)

And honestly? I love Zim to bits, but he did wreck the planet and he did deserve exile. They’re just carrying out the sentence. He did cause many many disasters in Irk’s history. Plus, the Tallest were the ones that trialed him in the first place, but they have fans!

The worst thing they’ve done, unprovoked, is not let Tak retake her test. Or, more specifically, they made her wait to retake the test. We don’t even know why! Did they go “You couldn’t even get out of a room so we don’t want to send you to an enemy planet?” Did they go “You have to wait because half of Devastis is down and we’re working on half-power and half the space?” We don’t know! We literally do not know! (Plus that was only one of them.)

And I’m gonna say it: if Zib “I’m going to strand and brainwash Zims in order to commit multidimensional genocide” Membrane deserves a family, then so do the Control Brains because at least they didn’t do THAT in ACTUAL CANON.

There’s no good transition to metric three, so I’m just gonna say it: Do these characters want a family?

This part is short: We don’t know. 

They could think the idea of a family is stupid and antiquated. They could not know what a family is at all. They could want a family. They could see the entire Empire as their family. They could already see each other as a family. 

We don’t know! The concept of a family never comes up during their appearances, so we have no way to know their thoughts on the subject.

Good thing fandom is transformative and we can make headcanons n’junk! (And really, who doesn’t love a good old-fashioned “character/characters don’t want a family and are gruff and standoffish but over time warm up to the others and they end up super close” found family story?)

Anyway, that’s all I have to say about that. Also that the Control Brains are pretty funny characters in The Trial. 

I just like these guys a lot and I wish other people explored them more outside of the “these are the token evil badguys” role they fill every. Single. TIME.

Thanks for coming to my TED talk. 

[americanegg]

egg’s digestible guide for attainable rides: cyberpunk 2077

(cheap to mad expensive) post then later a (free quest cars) post

Car Model >  €$ (Fixer). All details about each are my own experience. Location of vehicle by district and waypoint.

(Reminder that if you’re short on eddies you can do Gigs, Sidequests, and “Assault in Progress” mini quests to get rich and level up.)

1. Thorton Galena G240 > €$ 13,000 (Regina)

Rusty hunk of junk but functional, especially after your car gets bodied in the beginning of Act 2. Located in the garage of your apartment building.

2. Makigai MaiMai P126 >  €$ 14,000 (Wakako)

Small. Super fucking small but decent and could turn into a red bullet on the highway at the cost of absolutely no control on your turns. Located in the southern part of Charter Hill, Westbrook sitting neatly in a small parking lot.

3. Mahir Supron FS3 >  €$ 16,000 (Reyes)

Sort of van type situation but compact. Cheap and definitely made of plastic. Like it says that in the lore. Located East from Hargreaves St waypoint in Arroyo.

4. Chevillon Thrax 388 Jefferson >  €$ 17,000 (Padre)

It’s a smooth ride, I’ll give Padre that. Long in length and takes years to turn with but it’s not made for street racing so it’s still decent for traffic and looking like a corpo. Located directly South of the Pumping Station waypoint in Wellsprings.

5. Villefort Columbus V340-F Freight >  €$ 19,000 (Dino)

Another van-type situation with plenty of seating. Could drive your kids to soccer with this one and get there in one piece. Average vehicle overall but can go 210mph if needed. Located SouthWest of the Downtown Central waypoint and sitting in a parking lot.

6. Thorton Galena “Gecko” >  €$ 21,000 (Dakota)

Found in the Badlands this is a great choice for rocky roads at 100mph. Go crazy and go stupid outside the city with this bad boy. Shred rubber and whatnot. Be wary of turns and speed in rocky areas as you can make as much airtime as a dirtbike on a ramp! Located SouthWest of the Old Turbines waypoint in the Eastern Badlands.

This is where Street Cred Level will come into play along with your pocket full of eddies:

(cred = streetcred level)

7. Kaiba Kusanagi CT-3X >  €$ 22,000 > 12 cred (Wakako)

Right after Jackie’s Arch, this is my favorite ride in the game. She’s sleek, perfect for bypassing traffic, and very well-designed. Located in an abandoned parking lot in Japantown, Westbrook directly NorthEast of the Skyline and Salinas waypoint.

8. Archer Quartz EC-L R275 > €$ 29,000 > 12 cred (Regina)

Another great set of wheels for burning rubber and kicking up sand in the Badlands, if you have the eddies for it. Located South of the Offshore St waypoint in Northside and immediately next to a Neutralize the Perps mini quest.

9. Chevillon Emperor 620 Ragnar >  €$ 32,000 > 12 cred (Dino)

First of the heavy duty SUV you acquire at 30k eddies. Didn’t drive this one very much since I’m a small and sleek kinda dude but if you need to ram a taxi or show off to your video game girlfriend your chunky ride, here is the car for you. Located in Corpo Plaza SouthWest of Arasaka Tower waypoint or NorthWest of Reconciliation Park waypoint.

10. Villefort Cortes V5000 Valor >  €$ 37,000 > 12 cred (Padre)

If you want to look like an asshole you can check this one out. Pretty much a bougie limosine type situation. Long car so long turns my guy. Located in Wellsprings, Heywood sitting in a parking lot West of Berkeley & Bay waypoint. 11. Thorton Colby C240T (aka Thorton Colby C125) >  €$ 39,000 > 20 cred (Regina)

Vehicles to pick up your gf/bf and go to a drive-in theater with? This one. Smooth ride with plenty of seating to do you know what at said drive-in theater definitely not watching Bushido 3. Located Northside, Westbrook South of the Docks waypoint in a small parking lot in front of the Ded Zed clothing store.

12. Thorton Colby CX410 Butte (Green) >  €$ 43,000 > 12 cred (Reyes)

Imma be honest... I’m a slut for Thorton car models. This one is straight up satisfying to my ears and eyes. Located in the parking lot of PieZ waypoint in Rancho Coronado, Santo Domingo.

13. Thorton Colby “Little Mule” >  €$ 49,000 > 12 cred (Dakota)

Truckin and fuckin around the Badlands? This is definitely the car for you!  Located near the Sunset Motel parking lot in the Eastern Badlands.

14. Quadra Type-66 Avenger >  €$ 55,000 > 20 cred (Dino)

Remember those Need for Speed games? No? Well imagine it for a second and look at this preem ride. Got that image in your mind? Now look at your wallet. Located West of Metro: Republic Way waypoint tucked under the Empathy club building.

15. Quadra Type-66 “Jen Rowley” (aka Quadra Type-66 640 TS)  >  €$ 58,000 > 20 cred (Reyes)

If you haven’t noticed, Quadra Type-66 are very good at designing cars that make you look like you shred these streets since you were a babe. Like, Baby from Baby Driver would fuck this ride up, you know it choom. Located West of Kendal Park waypoint in Rancho Coronado, no more than 2-minute walk away.

16. Villefort Alvarado V4F 570 Delegate >  €$ 62,000 > 20 cred (Padre)

Another Limo! I’ll be honest, six wheels on a car this low is crazy but Villefort always finds a way. This is the ride you’d drive to your corpo apartment to go pick up your corpo wife so you can take your corpo ride to a nearby corpo restaurant and only drink Spunky Monkey in a wine bottle. Located directly West of the Palms View Way waypoint in The Glen.

17. Herrera Outlaw GTS >  €$ 62,000 > 30 cred (Dino)

Limousine type body but god damn if it ain’t gorgeous to look at. A real sexy piece of wheels, this one. Located in Corpo Plaza, North of Ring Road waypoint. 

18. Quadra Type-66 “Javelina” >  €$ 73,000 > 30 cred (Dakota)

God am I a fan of rides that pick up hefts of sand and dirt? Yeah, I am. Do I love how this car looks? Absolutely. As a Nomad V, is this one of the sexiest rides you can get? ABSO-FUCKING-LUTELY. Located in Southern Badlands near the Protein Farm waypoint.

19. Mizutani Shion MZ2 >  €$ 75,000 > 30 cred (Regina)

Not gonna lie, this is the car that occupies my headspace every time I boot up Cyberpunk. Maybe it’s the name, maybe it’s the design, maybe it’s the car I would take to my honeymoon, idk. Located in the same garage as the Thorton Galena in Little China, Watson.

20. Quadra Type-66 “Cthulhu” >  €$ 76,000 > No cred requirement (Regina or Sampson)

Condition to receive for free: Sparing Samson in “The Beast In Me” side quest

Okay other than Beast which is a chonky beast this one is a very speedy beast with classic racecar features but bulky armor. The wiki literally says this ride has 666 horsepower so you KNOW this shit is gonna slap as soon as you get in and hear that engine, dawg.  Can be found in Little China, Watson in Megabuilding H10.

21. Brennan Apollo >  €$ 94,000 > 30 cred (Padre)

If you thought Jackie’s ARCH and the Yaiba Kusanagi was sexy boy you will not be disappointed. Smaller and more compact but a speedy on the highways and countryside. Side Effect is you’ll look like the coolest pizza delivery driver in Night City. Located in Vista Del Ray, Heywood a short walk away East of Delamain HQ waypoint. 22. Mizutani Shion “Coyote” >  €$ 115,000 > 20 cred (Dakota)

... Look at her. Just... just look at her. Look at those wheels, that build, the spoiler, look at her! I would own so many Hot Wheels and have her in a display case alright. Like, you know what you’re signing up for at 100k eddies for Dakota. Like this car that was originally used for scooting around the city was LITERALLY modded for the Badlands. As a Nomad this is a must-have. Located in the Eastern Badlands, North of the Sunshine Motel waypoint.

23. Thorton Mackinaw MTL1 >  €$ 128,000 > 30 cred (Reyes)

The most SUV that ever SUV’ed in Night City. Reyes calls you for this one and shit, it’s new, it’s spotless, it’s a shiny new car, and trouncing down Badlands, the streets of Kabuki, Pacifica, name it. This beaut does go maximum of around 150mph but with how big this bad boy is, it can charge through the highways but be wary of how you turn corners! Located around the block from the Red Dirt Bar waypoint to the East in Arroyo, Santo Domingo.

24. Quadra Turbo-R 740 >  €$ 129,000 > 30 cred (Wakako)

TURBO-TASTIC ride. Again, of racecar design, you can almost smell the 1980s nostalgia from the picture alone. Located in the Dynalar building/waypoint in Charter Hill, Westbrook.

25. ARCH Nazaré >  €$ 138,000 > 40 cred (Wakako)

Writing this guide up to this point I have discovered that Old Lady Wakako knows what “fucking nova” means because all the cars she offers are fucking bangers so of COURSE she would offer an ARCH bike like this bumblebee badboy. You can see all the fun bits in and around the bike to know what you’re getting into so expect some hella smooth sailing. Located on the way TO the Drive-In Theatre in the lot of the Gig: A Shrine Defiled. South of Drive-in Theatre, North Oak, Westbrook.

26. Rayfield Caliburn (White) >  €$ 157,000 > 40 cred (Dino)

Dino actually coming in clutch with this last call for vehicles he offers. Like, I had to look up what “hypercar” meant to logistically know how hype this car makes me every time I hit the gas. At high speeds the engines purr like a cat, which is a whole other satisfying experience after driving hunks of junk. Located West of the Corporation St. waypoint in Downtown, City Center.

27. Rayfield Aerondight S9 “Guinevere” >  €$ 225,000 > 50 cred (Wakako)

Um... so... this is- this is the last car from Wakako. I haven’t even gotten to the point of being able to afford this... this... work of art. I can only imagine, with the Rayfield brand, that it’s better than the Caliburn. Which I don’t even think that’s possible but once I buy it I’ll let you know. Located North of the Columbariam or directly West of the North Oak Sign waypoints in North Oak, Westbrook.

Yo, if this guide helps you or makes your day or think it’s absolutely genius or dogshit don’t forget to like/reblog! Share with your friends!

Free Vehicle Post coming soon!

Images from gamesatlas.com, cyberpunk.fandom.com, & game-maps.com

[thewhitefluffyhat]

Bernkastel

What is this guide?

<< Previous (Witches and Fragments in Umineko)

Reading List: Highlights

Umineko Episode 2/Turn “??? Tea Party” [ Video / Text ]

Bernkastel explains some of her origins. And does Rika’s “nipah~”

”The Witches' Tanabata Isn’t Sweet”  [ Video / Text ]

Lambda cajoles Bern into granting a wish, which Bern does in her own way. (A good introduction to Bern’s personality.)

Umineko Episode 6/Dawn "Logic Error Backstory" scene

Video [Scene starts roughly 16:04, stop before 28:07]

Text [Skip the first two scenes by searching on “Erika, who wanted to savor the memory of her perfect victory”. Scene continues to end of the page.]

Lambda explains her and Bern’s origins to Erika. (This one scene contains the majority of information we have on all three witches’ connections to Higurashi.)

Umineko Episode 8/Twilight “Tea Party”  [ Video / Text ]

[Spoilers for several characters' fates at the end of Umineko, though not the solution to the core mystery.] Bern and Lambda in the aftermath of a hard-fought game. (A look at what the witches are like when not actively playing a role in a game.)

Reading List: I want it all

”Whose Tea Party?” [ Video / Text ]

Bern gets invited to a tea party. (A simple and silly scenario, but also a window into the differences in how Featherine and Lambda think of Bern.)

”Bernkastel’s Letter” [ Video / Text ]

Bernkastel writes a letter to (maybe) Featherine, explaining what she’s discovered about the rules to Beatrice’s game. (This is a bit of a strange one - to me it feels like some details of Bern’s relationships in this early work were retconned by the time of Umineko Episodes 6-8.)

Brief appearances/mentions in “Memoirs of the ΛΔ”, “The First and Last Gift”,  and “Jessica and the Killer Electric Fan”

All of Umineko, but particularly Umineko Chiru.

07th Theater and the Last Note of the Golden Witch from Umineko Saku.

Like Higurashi, Umineko has a questionably-canon fighting game (Golden Fantasia). Bern has playable routes and dialogue there.

If you really want to be thorough, and consider Higurashi’s Rika to be the same character as Bernkastel in Umineko, congratulations! All of both Higurashi and Umineko are now on your reading list. You should probably toss Ciconia on the pile just in case too. Good luck~!

(Also, I know there’s a Rika/Bern lookalike in pretty much every Ryukishi07 work, but unless someone tells me otherwise, then for the sake of everyone’s time I’m going to assume lookalikes are different characters.)

Wiki Links

https://07th-expansion.fandom.com/wiki/Bernkastel [Not recommended: major Umineko spoilers!]

Quick Facts

-The Bernkastel of Umineko is heavily implied to be the same character as the “Frederica Bernkastel” in Higurashi. You can theoretically construct a reading where she isn’t but… now you have two Bernkastels in the same Sea of Fragments.

Here’s Ryukishi07’s comment on the matter:

Q: What is the relationship between Rika and Frederica Bernkastel? A: Bernkastel is composed of all the negative emotions and memories from the Rika that endured 100 years of torment in Higurashi. On a side note, he mentioned that Rika was BT’s favorite character, so he greatly enjoyed making Rika evil to see BT’s reaction.

(Source: ACen 2015 07th Expansion Panels) [Warning: major Umineko spoilers!]

-In Umineko, the character always goes by her last name or a shortening thereof; the "Frederica" part is only ever referred to indirectly in some PS3 art and as the author of a poem in “Bernkastel’s Letter.” (This was actually true in Saikoroshi as well.)

-Physically, she has same eye/hair color as Rika, though her eyes lack highlights and she seems slightly older.

(Bern and her piece Erika share several physical similarities, and in Umineko Episode 5, Erika is described as a high schooler who looks more like a middle schooler. So that description may be true for Bern’s “age” as well.)

Personality

-Bern has completely dispensed with the cutesy Rika act - she’s all dark Rika, all the time. At her best, Bern is as cold and cynical as Rika after she's given up on a timeline.  At her worst, she's  a vicious and abusive bully, arguably even more sadistic than Takano.

There are some interpretations you can take that soften her behavior, but she is not, under any stretch of the imagination, a good person.

(When people say "maybe Gou is a Bernkastel origin story!" this abrupt change to her character  may also be what they're referring to - not just the story behind where Bern came from, but potentially the story behind "when and why did Rika turn evil?")

-In the present of Umineko, Lambda is repeatedly noted to be Bern’s only friend. (More on their relationship in Lambda’s section.) Part of that is, well, the above bullet points, but the second part is that she just tends to avoid other people. She’s mostly retreated back to being an observer, not an active participant on the stage. (Another difference from Rika.)

-Bern’s relationship with Featherine is less affectionate than that of Rika and Hanyuu. Bern is much harsher and more disrespectful towards Featherine, but on the other hand, Featherine isn’t bothered by it and instead appears amused by her antics.

-Despite all these differences, Bern does keep some of Rika’s minor quirks -  her love of extreme foods, her narration’s fondness for odd and/or longwinded metaphors, and of course her trademark emo poetry.

-Still, Given Gou Episode 19, it’s worth mentioning that there’s a bit of a gap between Rika’s tastes and Bern’s.  Bern acts more reserved/refined, she’s more often seen drinking tea than wine, and her “home” (in as much as she has one) is in a giant library.

I’d previously chalked these differences up to merely the change in aesthetics between Higurashi and  Umineko (all witches love their fancy tea parties), but now...

That being said, in Umineko, Bern’s just as scornful of high society markers as she is everything else. Champagne tower bowling, anyone?

Abilities

-Bern’s title is the “Witch of Miracles,” and she has the power to “cause success without fail, 'as long as the odds are not zero'.”

-What exactly that means in practice is hard to define. Could Bern use miracles to cause someone to, say, die of a lightning strike? Probably. But what she’s actually doing is sifting through millions of Fragments until she finds a world that matches what she wants. It’s a power that functions at the meta level.

(So your guess is as good as mine as to whether she could pull off Rika’s “I literally caught a bullet barehanded while inside a Fragment” miracle at will.)

-Bernkastel and Rika are both associated with black cats. Unlike Rika, Bern can and does literally shapeshift into one. She and Featherine also use black cats as messengers.

-In magical battles, Bern usually fights with a black scythe and summons hordes of aforementioned black cats. She also really loves her teleports and that “dodge via interposing magical duplicate” trick.

-When acting as Featherine’s miko, Bern is able to grant “Theatergoing authority” (basically the ability to compel and watch other characters’ significant flashbacks) to pieces on a game board.

-Bern can kludge multiple worlds together into one Franken-Fragment, a perhaps less elegant version of what Hanyuu does to create the Matsuribayashi Fragment.

-In the silly 07th Theater crossover stories, Bern is also shown to use the “power of voyage” to pluck pieces from one game and place them in others. (If you thought Featherine was unlikely in Gou, note that technically, even Beatrice has been to Hinamizawa!)

Next (Bernkastel’s Umineko Origins) >>

[rachelkaser]

Stay Golden Sunday: Nice and Easy

Blanche’s niece visits and is a little too much of a chip off the old block. Rose and Dorothy try to figure out what to do about a mouse.

Picture It...

Blanche is preparing for the arrival of her niece, Lucy, who’s in town to interview for a college transfer. Dorothy comes running in from the kitchen, afraid of a mouse that has invaded the home, and Rose’s defense of the mouse fails to sway anyone. Lucy arrives and almost immediately leaves to go on a date with a doctor she met on the plane. Blanche, who can relate to wanting to nab a hot guy, approves of her going.

ROSE: If it weren’t for a mouse, just like that little one in the kitchen, I wouldn’t be sitting here today, telling you this story. *beat* SOPHIA & DOROTHY: Call the exterminator.

The next morning, the mouse is still in the house. Blanche is upset because Lucy never came home, though she does almost immediately as Blanche says that. She spent the whole night with her doctor and now has to prep for her interview. The girls discuss this, with Rose disapproving of Lucy’s sleeping with a man she’s only known a few hours. Dorothy doesn’t want to pass judgement, and Blanche makes a comment that this isn’t in character for Lucy (oh boy, is Blanche out of touch).

Later that day, Lucy returns home from the college interview and tells Dorothy how well it went -- and that she won’t be home that night. She’s going on a date with the man who interviewed her. When she sees Blanche, she asks for permission to go away to the Bahamas, leaving out that it’s with a new man, and Blanche approves. Dorothy tells Blanche the truth and does a 180 on her previous refusal to pass judgement, telling Blanche that Lucy may be going just a bit too overboard with men -- or, as Sophia says, “Girl’s a slut.” Blanche is now more concerned about her niece, and Dorothy recommends that Blanche talk to Lucy when she gets home.

DOROTHY: *after a long story about a promiscuous woman who slept with every man in Sophia’s “godforsaken village”* Ma, what does this have to do with Lucy? SOPHIA: Not a thing. It’s the only slut story I know. *quadruple jumps over Dorothy’s checkers*

A few nights later, Blanche wakes up to see Lucy coming home with a third man, a policeman named Ed, who arrested her interviewer paramour for marijuana smuggling. Now Lucy wants to go home with Ed. Blanche finally sees that Lucy may have a bit of a problem, and puts her foot down -- or tries to, anyway. Lucy refuses to listen when Blanche tells her not to go, saying she’s an adult and can do what she wants, and storms out of the house with Ed close behind.

Blanche recounts the story to the other Girls, unsure what to do. The other Girls point out that Lucy’s at the exact age for a college rebellion. Rose relates what she did during her rebellious phase, with her example being stealing her dad’s truck to meet a boy at a bar as a high school student. Blanche’s stories are a little more sordid, and include multiple instances of running away from home -- though she says her big sister Charmaine always brought her back. Dorothy convinces her to play that role for Lucy, and they all decide to go find Lucy at Ed’s apartment, with the mouse giving them a good jump scare on the way out.

DOROTHY: Maybe Lucy could use a big sister herself right now. ROSE: If she doesn’t already have one, I don’t think it’s humanly possible.

At Ed’s apartment, it turns out his white suit wasn’t just a bad costuming choice -- he’s actually a huge fan of Miami Vice, which Lucy’s never seen. Blanche, Dorothy, and Rose arrive, and Blanche takes Lucy into another room to talk to her. Rose makes a comment about Miami Vice, and Ed goes full fanboy on her, quizzing her on the minutiae of the show and being impressed when she knows all the answers.

Blanche talks to Lucy about how the way she’s behaving around men probably isn’t getting her the kind of attention she wants, and Lucy calls her out on the hypocrisy of her saying that. Blanche points out that she dates men for her own enjoyment, not to boost her self-esteem. Lucy tells Blanche that, after being an ugly duckling in her youth, she enjoys being noticed, but Blanche says the problem is that she’s still the ugly duckling in her head, not loving and respecting herself, and no amount of male attention will fix that. They leave the apartment, with Ed asking if he can call her sometime -- Lucy is flattered, but that question was actually directed at Rose.

ED: Rose, you’re just incredible at Miami Vice trivia. I’ve never met anyone so smart! DOROTHY: Ed, for a policeman, you’ve led a very sheltered life.

Later, Dorothy corners the mouse in the kitchen with a broom in hand, prepared to kill it. However, staring it down, she can’t bring herself to hurt it, and proceeds to talk to it, not noticing Rose walk into the room. She finally tries asking the mouse to leave the way it came, and it does, shockingly. Rose is now convinced Dorothy has the power to talk to animals, much to Dorothy’s bemusement.

Lucy leaves, saying goodbye to everyone. The other Girls ask what Blanche told Lucy to help her change her attitude, and Blanche says she told Lucy that she (Lucy) doesn’t need to rely on sex to be liked. Blanche also adds that she implied that she’s not as promiscuous as she likes to claim in order to deter Lucy, but plays coy on whether or not that’s actually true.

“Rose, are you telling a story or performing Our Town?”

This episode manages to pull off a difficult task, I think, by telling a story about sexual promiscuity that is both sex-positive (in a time before that would have really been a thing), and gently remonstrative. I realize that, given we currently live in the age of Tinder and hook-up culture in general, this episode can come off as a little preachy, but I think the general message, about how no amount of shallow attention will take the place of self-love, is still relevant.

DOROTHY: *to Lucy* We enjoyed having you. SOPHIA: So did half of Miami.

There’s a delicate balance to be found in an episode like this, because it’d be very easy to slip into a Madonna/Whore dichotomy, where a woman seeking pleasure for herself is “bad,” but this is The Golden Girls. One of the main characters of the show is an older woman who talks about sex with the same self-indulgent gusto with which most of us would describe a junk food dinner. Fittingly, Blanche does go out of her way to tell Lucy that there’s not a goddamn thing wrong with enjoying the company of men.

But the thing is, as Blanche points out, Lucy’s not doing this for pleasure or to make a connection with anyone -- she’s doing it because she needs the validation. It’s an old stereotype, but I feel like we’ve all met at least one person who measures their worth by how much attention of their desired sex they receive. And Lucy’s not just acting how she thinks popular girls act -- she’s acting how she thinks Blanche acts, and it’s fitting that it’s Blanche who helps Lucy see that this isn’t what she really wants out of her relationships.

It’s very telling that, when Lucy interrogates Blanche about what she (Lucy) looked like as a child, Blanche says that Lucy was beautiful. Lucy protests, as she didn’t see herself that way, but you never get the impression Blanche is insincere. As she points out, it doesn’t matter what anyone else thinks, even the people who think well of you: the important part is loving yourself.

BLANCHE: Let me get a look at you, girl. Mm! Terrific little figure, gorgeous hair, perfect skin. Just like looking in a mirror. SOPHIA: Get some Windex!

It’s a nice sentiment, but the show does kneecap it a little in the final scene when Blanche tells the other Girls that she told Lucy she embellishes the amount of men with whom she’s slept. This bothers me for two reasons: One, we saw the whole conversation between Lucy and Blanche, and Blanche didn’t say that. Two, Blanche just had a scene where she said there’s no shame in having sex with men -- it seems neither in character nor in keeping with the episode’s message for her to get all demure now. I choose to believe she’s just teasing the other Girls and not being strictly serious.

Getting back to Lucy, though, I do have a question: How exactly is she related to Blanche? It’s not uncommon for relatives of the Girls to randomly appear out of nowhere and never be mentioned again after their spotlight episodes -- ironic in this case considering Blanche wants her to transfer to Miami specifically so she can see her more often. You could make a damned riddle out of reconstructing the Golden Girls’ family trees.

For example, we know Lucy is Blanche’s 20-year-old niece, but we don’t know how she’s related to Blanche. Is she Virginia’s daughter? Charmaine’s? Clayton’s? At least when grandson David visited, we knew he was the offspring of Janet. Blanche mentions not wanting to talk to Lucy’s mother about Lucy’s promiscuity because she doesn’t want to breach Lucy’s trust, but the suggestion that that’s who she should go to first suggests to me one of Blanche’s sisters is her parent -- if Blanche’s brother were her father, I think Dorothy would be more likely to say, “You should talk to her father.” Beyond that, though, I have no idea.

ROSE: It wasn’t a rat! it was a cute little mouse. DOROTHY: Rose, it doesn’t wear white gloves and work at Disneyland.

By the way, I don’t mean to be petty, but I have a nit to pick with the Golden Girls Fandom Wiki: It just straight makes up shit about the Girls and presents it as fact. One of the things it makes up is the names and relationships we don’t see in the show. It gives Lucy’s name as “Lucy Warren,” and lists her as the daughter of Virginia and Tom for literally no reason other than “because we said so.” Shape up, guys! I don’t need your headcanons in my tv show encyclopedia!

Though, speaking of encyclopedias, a little trivia for you: The allusions to Miami Vice in this episode aren’t just NBC promoting their other hit show at the time. Miami Vice inadvertently inspired the Golden Girls, as an NBC promo sketch from 1984 had Selma Diamond and Doris Roberts (of NBC shows Night Court and Remington Steele, respectively) ogling Don Johnson, and saying something about a show called “Miami Nice,” about retirees in Florida. I don’t know if any footage of that clip exists -- I sure couldn’t find it -- but Roberts and Diamond’s snappy dialogue and repartee convinced several people within NBC to develop this joke show into the real thing. Several iterations of the idea later, and we got the Golden Girls.

I also enjoy that NBC wasn’t above poking a little fun at itself and the other show. Ed’s apartment is decorated in an unbearably kitsch style, including a life-size fake sheep that Rose spends the entire scene petting. His clothes and self-conscious attempts to look “cool” are lampooned by the Girls, and even Ed admits, in a moment that feels like one set of NBC writers tweaking the collective nose of another, that the salary of an actual Miami police officer isn’t anywhere near enough to fuel the opulent Crockett and Tubbs lifestyle.

ED: Are you a fan of [Miami Vice]? ROSE: I adore it. ED: Me too! Miami Vice has been the biggest influence on my life. That’s why I joined the police force. That’s why I drive a fancy car. That’s why I wear expensive Italian suits. That’s why I’m up to my neck in hock. You can’t afford all that stuff on a vice cop’s salary... Who knew, huh?

Oh, and speaking of Ed, I think he may be one of the earliest and best depictions of a Capital-F Fanboy. He cosplays as Crockett, he attempts to emulate the Miami Vice lifestyle -- hell, it’s influenced his whole career. It’s funny, because his affectations are (rightfully) portrayed as kind of lame and silly, but nowadays I feel like he’d have a six-digit Instagram following and a successful YouTube channel.

Regarding the B-plot of the episode, there’s not much to say, except perhaps it’s the first instance of Rose’s St. Olafian quirks being the main source of conflict  -- in this case, her being convinced that she can talk the mouse into leaving rather than being killed. That’s funny because usually, when Rose’s good-natured idiocy causes a problem, the other Girls more-or-less walk around it, but this is resolved by Dorothy basically doing the exact thing she chides Rose for thinking she can do: Talk the mouse into leaving.

Also, this is going to sound silly, but whoever edited the kitchen scene is a champ. You have Bea Arthur acting at nothing, and B-roll footage of a real mouse on a kitchen set somewhere with an animal handler. Whoever edited it managed to match the perfect little mouse flinches with Bea’s dialogue, so that it really looks like it’s responding to what she’s saying. The best part is when she calls it a rat, and it looks straight at the camera as if to say “Excuse me?” I never thought I’d be praising the acting of a mouse on Golden Girls, but here we are.

Episode rating: 🍰🍰🍰 (three cheesecake slices out of five)

Favorite part of the episode:

ED: *to Rose* Tuesday night, I’m getting together with a couple of buddies. We’re going through Don Johnson’s trash! DOROTHY: Good night, Ed. We’re going to go home now, and I want you to know we’ll all sleep a lot better knowing you’re . . . off-duty tonight.

[stop-breaking-my-heart-telltale]

An Explanation of Why Louis and Violet are Both Terrific Love Interests [2/5]

+Why both romantic routes are not only amazing but better than other games I’ve personally played in the past.

+Why some people are idiots and get off on picking stupid fights.

Part 1 | Part 2 | Part 3 | Part 4 | Part 5

Romantic Option #2: Warren Graham

Uhm.... Warren’s a person in this story, too.

He, uh, he’s really nerdy. He does some science shit. He has a huge crush on Max which is made very obvious by the everything about him. Uh..... he took a fist to the face and got a black eye because he was helping Max, uhm.... he took a picture that was pretty important to the plot... um....

I literally can’t remember anything else about him.

I couldn’t even remember his last name. I had to look up his wiki to remember anything about him.

That’s how forgettable he is.

Hell, fans of the game took his character and made him more interesting in fanart and fanfics than he ever was in the game! I remember more about THAT version of him than I do about the him in the canon of the game!

I gave you that whole bit about Chloe from memory. That’s how much more fleshed out and important she is within the game than Warren is. Everything I’m about to talk about here if from reading his wiki and remembering things that way.

We meet Warren and find out that he’s into nerdy shit like Max. He’s also obviously into her and does a shit job at hiding that fact, but then Nathan comes over and beats the shit out of him because plot.

When I first played, it was pretty obvious that Warren would be romanceable, and truth be told, I liked Warren. He was fine! He’s dorky and weird, but I thought he and Max could potentially be a cute couple, and so does the rest of the school since you can’t talk to any of the girls without them implying that Warren likes Max.

I kept waiting for Warren to be important, but it never really came! I mean, you could talk to him and help him with a science experiment [in which he fucking blows up] and you text him a lot. Oh, and you can go to a Planet of the Apes marathon with him which you never actually get to go to, but the game constantly reminds you that you’re going because Warren won’t shut up about it.

Let’s see, he also sends you instructions on how to build a bomb so that you can break into the principal’s office, and then he beats Nathan up, and then he shows up and takes a picture of him and Max that ends up being important in the final episode and then.... he doesn’t do much else.

Well, okay, he does talk about Max’s powers a little bit in ep5 and you can give him a smooch or hug him or disregard him completely.

And that’s about it.

........Wait a minute.

A boy with boyband hair who has extensive chemistry knowledge, knows how to make bombs, uses said bombs for pranks, gets fucked up by one of the antagonists AND was a throwaway character that the writers threw in there to further the plot along but doesn’t really do much so the fandom took him and made him better than the game ever gave him credit for...?

.....Welp, that’s a whole thing that I’m not gonna get into. One post at a time, folks.

ANYWAY

Back on topic, Warren’s a romanceable character, apparently. You can agree to go on a date with him and smooch him. You can tell people you think he’s cute. It’s fine.  

With all that about these two choices in mind, compare Warren to Chloe.

There is no comparison because Warren’s “romance route” is... is nothing! It’s a whole lot of little things that don’t amount to much! With Chloe, Max has all this chemistry and you spend 90% of the game with her! You forget that Warren exists until you get another text from him or another character brings him up!

You know what Warren feels like? He feels like a character that the writers threw in because they were worried that players wouldn’t want a tragic wlw love story between two best friends, who reconnect and fall in love over the course of five episodes.

Which, fair, because people are idiots.

Could they have made Warren more important? Sure, but like with Skybound and Telltale, they didn’t have an unlimited budget to pack everything they wanted into the game to make it better, and that’s not just limited to the relationships, that’s clear in the endings we got. And I’m sure that some Warren stans will read this and retaliate and tell me that he’s just as important than Chloe, I just don’t understand because I’m a shithead.

And maybe that’s true, but look me in the eye and tell me that if you took Warren out of the game, it would have drastically changed the story beyond repair.

Now, what does all this mean?

Compare Chloe and Warren to Louis and Violet as far as love interests go and how they were handled.

In TWDG, Louis and Violet are fairly even.

In LIS, Chloe and Warren aren’t even in the same universe. It doesn’t matter if you like Warren more, or if you like Chloe more, Chloe got more time and effort put into her story and romance than Warren did.

Think of it like this: Chloe is at a 90% and Warren 10%.  Louis is at 48% and Violet’s at 52%, and that’s depending on how you look at it.

If TWDG did the routes like this, then Violet would’ve been way more important, would’ve have ten times as many scenes with Clementine, and if you took her out of the story, the whole thing falls apart because she’d be 90% of the plot, while Louis over here would’ve been used as background noise and plot convenience once or twice. Sure, we would’ve gotten to know him a little bit, but not nearly anything substantial and not nearly as much in comparison.

That’s what we could’ve had, okay? The writers could’ve given us a single love interest and said: “We want you to pick this person... but we’ll also throw in this other person just in case y’all are homophobic/racist/fucking stupid/whatever.”

In conclusion: We were blessed with Louis and Violet who each got an arc and love story, both of which are fairly even. 

Have I made my point yet? No? You need more examples? Fine. I’ll give you another alternative to what we could’ve had, or rather, what we could’ve missed out on.

[Note: I want to add that I haven’t played Life is Strange 2, but I know that its playable character is also bisexual and can choose between a boy and a girl to romance, but I can’t comment on how well it did because I’ve yet to play it.]

[persona 4 and the relationships you can’t have]

This one time I tried to romance my partner but he was too busy trying to convince everyone that he’s straight to even notice.

Persona 4 is a game that came out in 2008, then re-released with new content in 2012 under the name Persona 4: Golden. The game follows your nameable protagonist who has just moved in with their uncle and cousin. During his year-long stay, he becomes involved in investigating mysterious murders while harnessing the power of summoning Persona. 

Great game, one that took over my life for about a year. Great characters, great voice acting, great story, great antagonists, and great romance and romanceable characters. 

While the romance is more of a side thing depending on if you decide to take that route with one of your social links, it’s still nice to have special moments with them to break away from all the TV murder and whatnot. 

And you have several great options to choose from! You’ve got Chie, Yukiko, Rise, Naoto, and then you’ve got several other girls around the school that you can start a thing with, but they’re not as important as those core four. 

Each of the girls has an incredibly well-written story and share a deep bond with you, the protagonist. So, the reason I’m putting this example here is that the choice between all these great girls is super hard, right? 

Wrong. 

Because when I played the damn game, I didn’t romance any of them. Not because I didn’t like them or because I didn’t want my character to have a romance, but because the asshole I WANTED to romance wasn’t an option. 

Because I’m not allowed to romance the dudes. 

And that includes this dude. 

Yosuke Hanamura

Remember that pin I mentioned about how great it is that Clementine’s bi because not only does it give us well-deserved representation but also allows the player to romance both girls and boys? 

The Protagonist of Persona 4 is not bisexual. 

I can only romance the girls because he is straight. 

But not really, because MY Protagonist pursued and sought after Yosuke despite the fact that the game would not let me romance him. Which is bullshit, because he clearly feels the same way, and no, that’s not my crazy brain making shit up. 

My entire playthrough was pretty much 

I won’t get into it because Persona is a long game and a complicated one to even try and explain to someone who hasn’t played it so that’s another rant for another day, but know this: 

Yosuke was the perfect opportunity to tell the story of a boy dealing with internal homophobia, falling in love with his best friend [PARTNER] after the girl he cared about died horrifically and faced his shadow learned to accept himself and his insecurities. The potential here was wasted. 

There are a shit ton more layers to that, but on the barest of bare-bones, that’s what I wanted. 

Hell, according to a bunch of people, Yosuke was going to be a romantic option, but they scrapped it! Insult to injury, I’ll say!

Comparing this to TWDG, you could argue that Clementine only gets to romance Louis and Violet, but some wanted to romance Mitch, Aasim, Brody, ect. 

Fair enough, but what I’m saying is this:

It sucked that I couldn’t romance the person I wanted to when I played Persona, and it still sucks every time I play a game and my person of desire is unattainable. This isn’t just Persona, that’s just the first game that comes to mind when I think about characters I always wanted a romance, but that includes all the other missed opportunities from other games, as well.

The Final Season is different. 

The writers of TFS could’ve said, “Oh you want to romance Louis/Violet? Oh no, sorry, we were gonna do it but we changed our minds! But, don’t worry, we’ll leave hint after hint that they have feelings for you but you can’t actively pursue them. Allow us to tease you with the wonderful romance that could’ve been! Midnight piano lessons! Conversations under the stars! Lots of smooches! You’ll never see it in canon!”

Or, they could’ve only given us one of them, but that’s the topic of the next game. 

In conclusion: They didn’t have to give us Louis and Violet or make them romanceable. If you want Clementine to have a relationship with them, you have the option to do that, which is something you can’t say with other games.

Continued in Part 3

[couldnt-think-of-a-better-name]

Mujika is demon!Jesus & other possible Bible references in TPN

It’s time people to get ready to have your minds blown again, my newest crazy theory post is here!

Disclaimer: This post contains manga spoilers up to and including chapter 127. Also, I don’t mean to offend anyone’s religion, I’m just making comparisons out of interest, and I am getting most of my info from wikipedia. Chapter 127 full fan translation dropped, and not just for me, but for others as well it has instantly stuck out like a sore thumb how much Mujika’s story parallelled Jesus from the New Testament

The facts: 1) Musica’s very existence is an unexplained miracle, as she is able to do things no other demons can (keep her form without eating humans), and none knows where she came from (she is most likely of common birth).

2) She can and have been performing straight up miracles of “curing” demons of their hunger, and saving them from devolving into unintelligence.

3) What’s more, she has been passing her power to her followers and supporters, who can spread her “cure”, and teachings of the need to not eat humans in order to save even more demons from starvation and devolving.

4) Her blood taking away the demons’ hunger is basically a literal take on these Bible verses with illustration added as well:

5) She was persecuted and ordered to be killed by the rulers out of no fault of her own.

6) If you are still not convinced, she was LITERALLY called the demon MESSIAH by Norman, and I honestly don’t know if I could make it clearer...

It may seem a bit random at first, but I have already mentioned Bible references in TPN in my Mujika is Medusa theory post, so this isn’t really out of the blue. As a bit of a reminder, or if you haven’t seen that post here are the possible references:

1) Minerva’s mythology book has a snake and apple just like the story in Genesis.

2) Mujika herself is later associated with an apple on a cover.

3) The Promised Neverland may be a reference to the Promised Land from Exodus, as well as to Neverland from Peter Pan. This isn’t just a similarity in name, since their demon god is responsible for the PROMISE that we know ensures the NEVERLAND where no human child gets to grow up (since they get eaten). Right, that’s it, TPN is a mashup of Peter Pan and the Bible.

There we go, I have made my crazy and outlandish claim just like before, but can I give any even remotely believeable evidence for it?

Well, for the Peter Pan part, I have already made a huge post on the list of possible references, so please head to my Theory Directory where you can find a link. If that doesn’t work for you, I will also reblog this post with a link.

As for the Bible part, well, is there any evidence beyond Mujika? Ok, how about we play a small game. Try pronouncing Son-ju and then St. John. Hear any similarity? Am I messing with you? Well, yes and no. How about you take a look at the wiki info on St John, Jesus’ apostole (not to be confused with John the baptist).

Sooo, wasn’t Son-ju the only follower of Mujika left alive? What a strange coincidence... Then didn’t Son-ju also wear a fish shaped cloak pin? I thought it signified that they were underwater, but St. John was a fisherman... 

Oh yeah, and isn’t it funny how we have James, Peter and Andrew all feature in St. John’s description? Weren’t there some characters in TPN also called these names...?

What’s even more interesting is John and James having been brothers, but John surviving James for a long time. I find that interesting because I recently discussed a theory by @fyria-hans  that Sonju may have been the one wearing the Minerva cape and sending that morse coded message to the kids to stay put where they were.

Since it was morse code, they didn’t hear a voice, and in those panels the wide shouldered frame and those shoes really looked like Sonju’s. We know he had justification for wanting the cattle children to survive “in the wild”, and he also most likely had the skill to create fake tracks to throw off Andrew. So it is a possibility that he had been James’ supporter... The other interesting fact was that both St. James and James Ratri died first out of the cast. Btw, fun fact about St. Peter: he holds the keys to heaven. Isn’t that a bit like how Peter Ratri has control over the access to the human world, which would be pretty much heaven to the cattlechildren?

Oh btw, did you know that there were two apostoles called James? So the other one was known as the Lesser James? Hm, isn’t Norman kind of a smaller, younger version of James Ratri right now? Oh yeah, and did you know that St. Andrew was the brother of St. Peter? And he is also a patron of fishermen, farmers, miners and butchers?

Hmmm, sooo we he a small number of coincidences, surely there won’t be more! Right...? RIGHT?!

Well, you might know that St. Matthew is associated with an angel

Hmm, but where did we see angels in TPN?

Ah riiight, in Minerva’s famous mythology book! And isn’t it funny how there is a CUP next to that angel... Didn’t we just have MUJIKA associated with a CUP (of blood she offered) this chapter?!

Hmm, and wasn’t there a character who had a strange connection to Mujika we didn’t understand? That she showed up in his “DYING” MEMORIES? Here is another fun fact.

LEUVIS?! But didn’t I say in my Peter Pan theory that Leuvis was associated with the Lost Boy Curly? Am I contradicting myself? Well, lucky for me, we also have this:

So the authors have confirmed that their characters can hold multiple references, and my guess is that I may have just managed to find 2 out of 3 for Leuvis ;D (It’s funny how Shirai-san wanted to be so secretive about the references, right?) Similarly, I don’t think there is any problem going through the other characters and finding references to them. So let’s dive in further!

So there is another Apostole who is called JUDE (Thaddeus). That name bears perhaps a passing resemblance to LUCE, or not? How about the things associated with this apostole?

Wasn’t Luce a bit of a LOST CAUSE? And didn’t his servants weild CLUBS? Also, what about the time Emma threw an AXE at him? Hah, these coincidences sure are getting trippy, right?

While we are on the topic of Luce, I would like to point out that before he died he made this little comment:

Huuh, so his dad is some important mofo? But we sure haven’t seen or heard anything of him ever since... right? Well, how about you compare these panels for me?

This dude who murdered Mujika’s followers suuuure bears a passing resemblance to Luce, except he looks much more buff and badass... and older...

But lets not get sidetracked! We were looking at apostles, so how about I bring up the wiki info on another one?

Funny, didn’t I associate NOUMA (isn’t that slightly close to THOMA?) and NOUS with the Twins in my Peter Pan analysis? Btw, do you know that St. Thomas died by the spear, so he is associated with it? I Thought Nouma and Nous had spears... But there is a Thoma among the kids as well! Huh, but isn’t he always with Lani? Acting as if they were something like twins... huh... Weird, but let’s look at another apostole!

So Bartholomew doesn’t sound much like Bayon, except they both start with “Ba”, but did you know that St. Bartholomew, among other things is a patron of butchers and TRAPPERS. Huh, didn’t Bayon kinda enable the trapping and hunting of cattlechildren like wild animals at Goldy Pond...?

Also, yeah, we have a Nat among the kids again, and we also have a Phil... Did you know that we have a Mark as well? While Mark wasn’t an apostole, he has some written passages in the Bible...

But lets not get hung up on a couple of names that are similar sounding! Although I can’t help but wonder what could be the name of the demon king who ordered the death of Mujika... and if it sounds anything like PONTIUS PILATE who ordered the death of Jesus? It’s a shame we don’t have his name :(

But do you know a funny fact about Pilate? He was a ROMAN prefect. Huh, didn’t we have a handful of roman references in TPN? Like mirrored LATIN, or MINERVA, a ROMAN GODDESS?!

Hmm, you know what is a funny thought though? If Mujika is demon!Jesus, and we know that we have a demon!God (the one with the demon gylph written name, called just HIM in the anime), then I wonder if the analogy extends further. You know, God has sent Jesus to the human world to be the saviour of humankind, but then the humans in charge chose to persecute and kill him... although Jesus didn’t die permanently. So I can’t help but wonder if it wasn’t demon!God who sent Mujika as demon!Jesus to be the saviour of demonkind, only to find that the demons in charge had the bright idea of persecuting and trying to kill her... but luckily she isn’t dead even though everyone thought she died! Well, if that’s the case, I bet demon!God is facepalming right now. And if that analogy holds, it may also stand that the demons are an analogy for the jews (who had their PROMISED LAND from God, while demons have their PROMISED NEVERLAND from demon!God (which also fits with my idea that demon!God used their powers to literally create the demon world below the deep sea... you can read more on this in another post of mine)) whereas the cattlechildren are an analogy for the gentiles (non-jew). If you think I’m done and ready to finish this post on that crazy thought, then you are WRONG. Some of you may have read my post on my thoughts that Mujika may be a Medusa reference. If you haven’t, just look it up either in my Theory Directory, or in the links I will put in a reblog to this post. I was anxiously awaiting this chapters to see if it would disprove that theory or confirm it. And I will be honest, I was at first disappointed with this chapter, ‘cause like a damned fool, I was expecting to see snakes, or something about petrifying gaze, BUT then I looked further into the Medusa lore, and felt like an idiot and slapping myself. Why?

Medusa had 2 sisters in the myths, together they were known as the Gorgon sisters. But Medusa was different to the other two, and her name meant ruler/queen. Hmmm, doesn’t this panel look kiiinda like 3 sisters?

Also, just in case you missed it, I have circled a jar there that looks eerily similar to the golden water jar that the kids have. Tsk, all these coincidences that I keep spotting!

So the other thing about Medusa is that in all of the myths the goddess MINERVA wants to kill her out of no fault of Medusa. Didn’t we kinda have someone in TPN right now with a MINERVA alias say something similar?

Oh hello there Norman. Funny that you would say that... In the myth Minerva doesn’t kill Medusa herself, but aids the hero Perseus who cuts off Medusa’s head, which ends up on Minerva’s famous shield the Aegis. In many sources it is said that the shield is used to petrify Minerva’s enemies. But Medusa had one more funny quality about her that had the interest of Minerva in the mythology:

“ The character of Medusa can also be seen to come along with some qualities that emerge after her tale of origin. For example, one half of Medusa’s BLOOD is HEALING – and so, along with her petrifying ability, she could also heal. Blood taken from the veins on her LEFT was POISONOUS, while blood taken from her RIGHT could RESTORE THE DEAD TO LIFE.”

Huh, didn’t we just learn that Mujika’s blood is SPECIAL? That it can “CURE” the demons from their hunger of humans, but it is also DANGEROUS for  the demons in charge and for the humans in case the “cured” demons decided to still eat humans? Btw, isn’t it funny how Mujika draws blood from her right in this panel when healing those villagers?

Maybe I didn’t need to be so worried about my Mujika Medusa theory after all...

[shielddrake]

Final Fantasy XII: A Retrospective Review

So, I received Final Fantasy XII: The Zodiac Age for Christmas last year.

Anyone who knows me knows that I am a huge fan of the Final Fantasy franchise.  I have played almost every game with that title that has been released…at least the ones released in America, since I sadly do not speak Japanese. So it’s not unreasonable to assume I would want a remake of one of its games.  I have quite a few, in fact, including V and VI on my iPhone, III and IV on my DS, and I and II on my PSP.  Final Fantasy IX was the first game I put on my PS4 when I got it (yeah, I admit I put a PS1 game on my PS4 before anything else) and I thoroughly enjoyed replaying VIII when its remaster came out last September.

 Final Fantasy XII, however, is a bit of an exception because, my Internet friends, I have a confession to make: Final Fantasy XII is my least favorite in the franchise.

 Now I wouldn’t say that FFXII is a bad game.  Far from it. It’s a very good game.  For the most part, I completely understand why so many people love it.  I just don’t feel the same way.

 When I first played the game when it was released, I was not too thrilled with a lot of the gameplay decisions and where it ended up going story-wise.  At the time, I concluded that while it was a good game, it was a poor Final Fantasy title.  And this is taking into account the fact that I had played and beaten both Final Fantasy Tactics and Tactics Advance several times before playing FFXII.  Both of these games are quite different from the main FF series, but are great in their own right. I basically consider the Ivalice Alliance as a separate spin-off series, sort of like the Crystal Chronicles games or the Dissidia series.  

 But FFXII was not that great, in my opinion.  I didn’t feel invested in the characters, I was not a fan of the combat or license board system at all, and I felt the story was incomplete at best and annoyingly vague at worst.  There were a lot of missed opportunities for the use of the characters.  I was neutral about the graphics, which, although beautiful, I felt did not really improve on what was presented in Final Fantasy X, and I didn’t like that a lot of the regular trends known in the previous installments (the summons being the main example that comes to mind) were thrown out for something completely disconnected.  I finished the game just feeling a mix of boredom and irritation, to be perfectly honest.  The only thing I can recall even remotely liking was the music, despite it not being composed by Nobuo Uematsu, my favorite composer of all time even to this day.

 Needless to say, playing The Zodiac Age was not on my list of priorities, and I’m not sure I ever would have played it had it not been gifted to me.

 All that said, I received the game and felt that, well, maybe since I have it anyway I would give it another shot.  Let’s see if FFXII is as bad as I remember. Maybe a retrospective review would be a good thing to post on the twelfth anniversary of the game’s original release, so why not?

 * Looks at the dates and realizes Final Fantasy XII was originally released 14 years ago, not 12. *

 Uh, never mind. Clearly I’m way too late for that party.

 Anyway, as I started playing, I decided that there were two big questions that I wanted to answer with this retrospective review:

 1.) Is Final Fantasy XII as bad of a game as I remember it being when it was first released?

 2.) Would I change my claim about Final Fantasy XII being my least favorite game in the franchise?

 Obviously the game has been out for a long time, remake or not, but I want to warn against spoilers here just in case. I don’t want to ruin anyone’s experience after all.  With that, let’s get started.

Statistics

 I just wanted to start this review with a few facts about my playthroughs (yes, the plural is intentional).

 I played through The Zodiac Age twice, once for about 42 hours in length and the second for about 47. I used each of the jobs in the zodiac job system in each playthrough, but in different combinations and on different characters.  Of course, I couldn’t account for every possible combination.  That would take a very long time…

 The party was at level 46 on my shorter playthrough and 51 on my longer one.  I did not complete all of the hunts, although I fought more of them the second time through. I did not try to get any of the special gear like the Zodiac Spear, mostly because I don’t know how.  I also did not get all of the espers, because other than the required time you have to summon Belias to get into Giruvegan, I never used summoning.

 I avoided any guides or other playthroughs for the game, relying on the game’s directions and my memory from my previous plays…fourteen years ago…to guide me through the main part of the story. Yeah, I haven��t played FFXII since it was released in 2006, maybe 2007, give or take a few months. So, if I got confused or lost during the course of the game, it was because I either missed directions or the game was not clear on where I needed to go.

 At the time of this review, I have not experimented at all with Trial Mode or played through New Game Plus.

 Graphics

 This section will be short, since I don’t have a lot to say about it.

 The graphics are very good. As I stated above, in the original I did not feel the graphics were all that different than Final Fantasy X released four years prior, and my opinion of The Zodiac Age hasn’t really changed.  According to the Final Fantasy Wiki, the game was given “high resolution upgrades to backgrounds, character models, 2d parts, and movie scenes.”  To be honest, I didn’t notice much of a difference, although that might be because I didn’t play the game often enough to have the original graphics etched in my memory.

 However, that does not mean the game looks bad. On the contrary, it is still a beautiful game, despite a few small glitches such as Balthier’s dialogue not syncing up to his lip movements or Basch’s hair not moving, Those are minor nitpicks. The game is still lovely to look at.

 Sound and Music

 Again, the music for this game is excellent. As I mentioned before, the music was probably the one thing I would praise about the game when it was originally released.  The Zodiac Age somehow manages to make it better by providing a rerecorded soundtrack that makes a lot of the notes sound less harsh. There is the option of switching it back to the original version, but I preferred the new one. Basically they took the one thing I liked about the original game and made it better.

 The voice acting I am pretty neutral about. For the most part, I don’t think anyone’s voice work was either bad or good.  Other than the overuse of sighs, of which I get most annoyed by Ashe’s because she sighs all the time, I don’t mind the voice acting very much.

 The only one I have a problem with, and this was also the case when I first played FFXII, is with Fran’s voice.  I always feel bad criticizing a voice actor because they put a lot of training and passion into their work, but I just can’t help but be really annoyed at the choices SquareEnix made when casting Fran. She sounds so different in the English version compared to the Japanese one, and I don’t think it fits the character at all.  Viera, all viera, are supposed to be these rather ethereal beings akin to the elves in The Lord of the Rings.  So why, then, would the translation team have Fran be given a voice that makes her sound like a nasally four-year-old?  According to the Wiki, the translators wanted to “sell the new take on the viera,” but it just falls flat.

 Miscellaneous Gameplay

 Okay, I only made this section so I can briefly go over some of the extra gameplay components the game has, both old and new.  First, the good.  

 The high-speed mode is great. I always thought the characters moved so annoyingly slow! This fixes that problem and honestly saves a lot of time.  I feel like it sheared off a couple of hours off the game that are just empty time needed simply to move from place to place. I used this in the FFVIII remaster as well for the same reason.  I basically never turned it off.  It didn’t affect cutscenes, so that wasn’t a problem. Also, the sound effect of four people running in high-speed mode is strangely hilarious to me.

 There is a transparent overlay map now available.  I find this to be much more useful than the minimap alone, which was constantly moving and incapable of helping me orient myself. Previously, I was frequently frustrated and getting lost in pretty much every area, dungeon and town when I played the original version.  The overlay map was especially useful in places where direction was important, like the part in the Tomb of Raithwall where you need to turn the statues to face the blade. I could never tell which way to turn them and needed to bring up the main map over and over and over again. The overlay map resolves makes this and general navigation much easier.  

 My only complaint is that, although it is transparent, it does take up a lot of the center of the screen, but that is a small price to pay for the relief of so much frustration. There are times when the overlay map isn’t useable, namely in parts of Giruvegan and the Bahamut, and then the frustration rises again, which only emphasizes how nice the overlap map is the other times.

 Autosave feature.  Need I say more? Thank you, SquareEnix, for an autosave feature! Especially during some of the hunts.

 And now the bad, which can be lumped into one thing: minigames.  Or I guess they’re minigames.  They’re small quests that are required to further the story that are not combat based. The yell at the guards to make them move game while stealing the Dusk Shard, AKA the dumbest guards ever.  The have Vaan declare he’s Basch in front of people in Bhujerba to get the Resistance’s attention, which unless you had already played the game you don’t know to do in front of the guides, leading you to just listening to Vaan spout annoying nonsense while literally nobody listens.  The exchanging information quest in Archadia to get chops to be allowed to ride a flying taxi, which is only slightly less annoying this time around because they reduced the number of exchanges you need to do from nine to three.  I guess they realized how tedious it was.  I disliked all of these when I first played the game and they were superfluous and dumb and add nothing to the experience this time around too.

 Character Progression and Combat

 Now we get to the parts where I feel I can really say something constructive. I was initially going to have these be separate sections, but they are so closely related to one another that it seemed silly to split them.

 There is something I want to make perfectly clear, that I must admit came very much to my surprise: The combat in The Zodiac Age is nowhere near as bad as I felt it was when I played the vanilla game.  Before it felt like a boring slog just to get from one quest to another, but I found that not to be the case this time around. I think the changes to the license board helps with the combat be more dynamic and require a bit more strategy since not every character ends up being the same.  I’ll get to the license board in a moment.

 With the job system in place, you have to think more about how you’re going to approach an enemy rather than having everyone just attack the whole time.  I mean, you can still do that, but your white mage is not going to be as strong as your knight, so having the white mage do only physical attacks doesn’t work quite as well.  And with the option of giving everyone different abilities, it means that every character has a different role to play in battle.  

 The ability to add a second job later in the game adds to the diversity you can bring, since you can make any number of combinations of jobs and really none of them are bad.  You’re also not limited by which characters can have which job.  Once you pick a job for a character you are stuck with it (at least on the PS4 version) but that does not lock the job away from other characters.  You can have two white mages, two knights, five red battlemages, or make every character a bushi if you so desire.  You can have someone balanced, someone focused on only offensive spells, someone focused on healing, someone just for physical attacks, a tank…the possibilities are huge!  

 The gambit system is still in place, and I still am not a huge fan.  If I have to micromanage a character’s actions, I’d rather have a system that allows me to input commands individually like in previous Final Fantasy games rather than allowing an AI to do it.  However, I understand that the combat in FFXII is fast-paced enough that it makes that sort of system more difficult, and I managed to deal with it fine. I wish I didn’t have to buy gambits for every single miniscule action though.

 On the other hand, I did find having multiple gambits useful for the various abilities each character has, especially since the job system allows for more individualized characters. This time, I felt like having several gambit slots was actually worthwhile because I had the characters able to do more things under specific circumstances, especially for spellcasters. This made it seem like it was worth the license points to spend on gambit slots from the license board.  So while I still am not fond of the gambit system, I found it overall less annoying than before.

 Obviously the license board is the biggest change to The Zodiac Age.  The job system is excellent this time around, compared to the complete lack of a job system in the original version. Normally a blank slate for character progression isn’t a bad thing.  VI, VII and VIII all had no job system as well, but you could still customize the characters to fit with a play style that you liked.  Vanilla FFXII didn’t allow that.  It was far too easy to make every character identical, so it ultimately didn’t matter which character you had in your party.  This time, the available variety made it much more enjoyable to play and experiment.

 The board was also improved on in that it was much more logical within each job.  Before, the board was literally just a board, with every license just kind of lumped together. The license for a helmet was next to a license for the fire spell.  It never made much sense and it seemed hard to predict what adjacent licenses you were unlocking. This time, armor licenses are together, sword licenses are together, magic licenses are together, and so forth.  Some licenses in the same category are spread apart, such as the technicks, but for the most part there is at least some sort of logic to it all, making it much easier to plan character growth instead of it feeling random.

 Later on, it is possible to make the characters very similar to one another, so that everyone can cast white magic, use the same technicks, wear the same gear, etc. This is especially easy if you pick secondary jobs that are opposite the first job (for stance, adding a foebreaker job to a white mage).  This doesn’t happen until late in the game though, so it doesn’t feel nearly as cheap.  FFX did the same with the sphere grid, but you had to be pretty far in the game before that was possible.  Same thing here.

 I feel I should mention the quickenings and summons, even though I never used the latter in battle. The mist abilities now have their own gauge rather than using MP, which is a nice throwback to the limit break bars of some of the previous games.  I definitely prefer it that way.  I found myself using quickenings less frequently than during my first playthrough, but that might be because the game was made to be overall a little easier.

 Story and Characters

 While the job system was the big change for The Zodiac Age, and certainly for the better, I feel I still need to talk about the story and the characters even though nothing about these parts of the game have changed.  The big reason for this is because the story was where I had the biggest problem with the original version of FFXII, and therefore will probably have the biggest impact on answering my two burning questions at the beginning of this review.

 That being said, if I were to go into all the details about the story and characters and what I think of it, this review would probably be three times as long as it already is.  To add to that, since the game has already been out for twelve fourteen years I’m not sure there’s a whole lot I could add to the conversation that hasn’t already been said, other than to point out how I would change the story to make it what would be, in my opinion, better.

 Perhaps if people are really interested in my in-depth analysis of the story I can do that in another post, but for the purposes of this review, I’m just going to give summarized version here.

 1.) Reks should have lived, or been replaced by Vaan, or have both in the party.

 2.) Vaan is not as annoying as I previously thought, but he needed to have a more concrete connection to the plot.

 3.) Same for Penelo. Still kind of preachy, but seemed more like a Jiminy Cricket character this time around.

 4.) The Strahl needed to be stolen somehow, both to give Balthier a better reason to go with the group and to give a better excuse to not just fly somewhere.

 5.) That said, knowing the whole plot of the game makes Balthier’s behavior throughout the story make more sense. Better foreshadowing, in a way.

 6.) Fran’s storyline needed to have a more satisfactory conclusion.  It just sort of ended.

 7.) Basch and Gabranth needed to have more personal interactions throughout the story to make their final moments more satisfying.

 8.) For that matter, have more personal interactions between the party and both Dr. Cid and Vayne. We meet both of them a total of two times…over the course of a 40-hour game. Too disconnected from the party’s actions to give much motivation for us to defeat them.

 8.) Why did they not use Vossler’s actions as a bigger plot point, with Basch trying to stop Vossler from doing what Basch was accused of? It’s sort of there, but it ends far too quickly.  Big missed opportunity.

 9.) More judge fights! We fight a total of three, Ghis, Bergan and Gabranth. I wanted more judge bosses!

 10.) To add to that, have more context for some of the bosses.  It kind of felt like so many of the bosses were there just for the sake of being bosses, and there’s only so many times I can say to myself, “It’s probably a guardian of whatever place.”

 11.) I still don’t get the love people have for Ashe.  I just don’t get it.

 12.) And finally, Larsa should have been the main character.  End of story.

 …Yeah, that’s the summarized version.

 Conclusion

 All things considered, I definitely had a different experience playing through The Zodiac Age compared to when I first played FFXII twelve fourteen years ago.  And ultimately this is why I decided on playing this game again.  I wanted to see if my opinion had changed, if I could look at it from another perspective rather than just negative memory. And although some of my feelings haven’t changed, it’s good to look back on something and see that maybe it isn’t exactly as I recall it.

 Let’s go back to the big questions I proposed at the beginning of this review.

 First, is Final Fantasy XII as bad of a game as I remember it being when it was first released?  No, it’s certainly not.  I think the changes made to the license board made the combat more enjoyable for me, and by extension it seemed less of a hassle and more of an actual game. I enjoyed running around and exploring more, and the bosses and hunts were more entertaining as well.  While I’m still not fond of the gambit system, I wasn’t as irritated by it and actually found myself experimenting more with it.

 Second, would I change my claim about Final Fantasy XII being my least favorite game in the franchise? Eh, probably not.  Again, even with the alterations made to the game, there are still a lot of things that I personally was not a fan of, especially involving the story.  I’m one of those people who love the story of a game more than anything else (which is clearly why I prefer RPGs to any other game genre). Since the story is still the weakest aspect of FFXII, in my opinion, especially compared to other Final Fantasy games, the game overall doesn’t grab me as much as some of the earlier ones.  It’s still a good game, but not great.  To be fair, short of completely overhauling the storyline and characters, it would the difficult change those aspects for the better in just a remaster.  This makes me wonder how the FFVII remake is going to go, but the jury’s still out on that one.

 With all the various opinions and thoughts about what makes a video game good, it’s hard for developers to create what might be considered a perfect game for everyone, and the Final Fantasy franchise is no exception.  That doesn’t mean a game cannot be corrected to make it better than the original.  That’s what is good about patches and remasters.  It gives the developers another opportunity to improve on what was criticized.  Final Fantasy XII: The Zodiac Age definitely succeeds in this, even if there are still parts that are not quite as good.

 Now, if you’ll excuse me, I have a Kingdom Hearts DLC to play and then proceed to tear apart.

[kob131]

https://sokumotanaka.tumblr.com/post/187434182297/whats-the-rvvby-discourse-this-week-im-out-of

“Oh wow so we’re back to “it’s canon until it isn’t” that the manga was experiencing, except the comics literally struck out in their first issue? Isn’t that amazing?

Hey RoosterTeeth do y’all actually care about consistency in your show or can I just take my own liberties whenever I want too?”

Did Rooster Teeth have ANY say what happened with the comics?

Do ANY of you have any proof that this was suppose to be canon? Because considering the fact that I can’t find Miles or Kerry’s names on this project anywhere, only coming across Matt announcing it which contrasts the After The Fall book which was openly stated to be worked with by Miles and Kerry: I’m gonna make a bet that this is an ‘artist’s interpretation’ thing and that Miles and Kerry weren’t involved with this at all. So I have no reason to believe this is canon.

“The problem isn’t even fully the comics fault, Miles and Kerry don’t bother committing their lore to memory.”

Of course not! Why would it be the comic’s fault despite the creator of the comic apparently never hearing about RWBY beforehand when you can jack off the ol’ MK hateboner?

“This is considering alot of lore from the WOR is constantly called into question by both the fans and reviewers/critics etc.”

By this same logic, if a bunch of SU crits all repeat some misinformed and mistaken info then that means the show failed, because it has been ‘constantly called into question.’

“ Iila pulls her unpassword protected phone out in the middle of a fight for no reason.”

Not only does this NOT have anything to do with lore but Illa ALREADY HAD THE PHONE OUT. I will admit that in the scene it does disappear from the previous episode and reappear...but you never point that out do you?

“In vol 5 yang has a talk about blake with yang and tells weiss how no one ever blamed her for anything. Miss “the innocent never run yang.” Schnee. (Btw she still never apologized to blake.)”

Disingenuious considering that they were referring to the events at the Fall Of Beacon and Weiss openly showed concern and a disinterest in Blake’s past when they found her, indicating taht she was trying to bury the hatchet.

“ Hazel’s whole motivation is that he’s mad that ozpin let his sister become a hunter and she got killed by grimm…sooooo he works for the creator of grimm.”

A bad guy having a shit reason for fighting against the good guys, probably indicative of Hazel running from his problems considering he looks and acts more and more unhinged alongside his Semblance being about BLOCKING PAIN? Wow, how unheard of!

“Salem’s dumb backstory is that she challenged the gods cause she couldn’t accept people die.”

You mean that recurring theme in mythologies or that basic human response to the cruelty of death?

“ In that same backstory she falls in a Grimm poop and it’s established that she turned “evil” yet until ozpin finds here has spent eons living in a hut not bothering anyone.”

Where was it said again that Salem never hurt anyone? Because if my memory, or you know THE RWBY WIKI ( Jinn: During his years of travel, he heard the same frightened whispers that spoke of a terrifying sorceress who commanded dark powers in the wilds among the beasts and monsters. Ozma was convinced that this witch was Salem, and decided he needed to see what she had become.) serves me correctly: Salem is never stated one way or another.

“ Regardless of all that and the fact that RT miles and kerry were asked by arksys games if they could put rwby characters in and when they asked for info they stated “read the manga”? “

Citation needed: liars don’t get the benefit of the doubt.

“They don’t give the people directions, if you listened to one panel you’d know this, they just say “go for it.” And let the manga go where it lands.”

Bitch, I have hundreds of examples of you either screwing up basic info on RWBy, being intellectually dishonest about RWBY or straight up LYING about RWBY.

You do not get to say anything without at least one source.

“ Cause they don’t care, I see people continually doing this and it’s gotta stop. Rwby was never consistent and it obviously shows, and instead of blaming properties that had to make due- why not blame the people who never bother writing anything down or expanding on lore? Rooster teeth.”

A. How many SU crits have said that EXACT same thing about Rebecca Sugar? Better start harassing her then.

B. You’re own argument has shown an inconsistency itself as you conflate ‘Miles and Kerry” with “Rooster Teeth”.

And C. You’re a known liar. You aren’t reliable in the slightest.

“ This us why so many videos like these exist fellas.”

A. That video is 70% bullshit

And B. You misspelled ‘is’. According to you, that means your arguments are invalid.

“Again you all should listen to writers commentary on the recent DVD vol, they barely remember a thing and are so dishonest to their fans for no reason. “

AKA I’m going to be as vague and inconvenient as possible so when my bullshit rebounds on me, I can dodge like Neo.

“ I’ll never understand why they choose to sabotage themselves”

Hold on, you misspelled somethings:

“ I’ll never understand why I choose to sabotage myself.”

[butterflyinthewell]

Here is a giant post of the vocabulary I use when narrating from Godzilla’s perspective.  (Pardon my autistic infodumping...)

[Human perspective shot of Godzilla looming next to a building. We’re looking upward, so all you see is his huge chest, his chin, his stomach, his hips and his hands. He is looking straight ahead, so he would have to look down to see the viewer.]

--- * A lot of what’s written in this is based on my personal headcanons / speculations for / about Godzilla and his godzillasaur species, gleaned from 20+ years of being a Godzilla fan and a few things I read on the Godzilla wiki. *

Godzilla 2014 and KOTM are bringing in brand new Godzilla fans who may want to write fanfiction, so I wrote this out to give other / newer fanfic authors ideas for how to make up vocabulary for narrating Godzilla’s POV. I personally apply this to Heisei era Godzilla, but you can pick and choose things to apply to other versions as well. This is not a how-to, it’s more of a guide map. 

Godzilla can’t exactly narrate in words, so I use specific vocabulary for his narration to “paint” his perspective into a form readers can understand while still keeping it a little bit animalistic or alien. Terms that are capitalized are capitalized for 2 reasons: It’s something he “named” with a descriptor, or it’s knowledge about the world imparted on him by his Father when he was a baby. Things he doesn’t capitalize are casual terms, like we would say “my wife” or “that’s the sun up there in the sky.”

I treat Godzilla as sapient, self-aware and driven by thoughts and emotions as much as instinct. He has a distinct, individual personality. He harbors a deep connection to the Earth since he himself is a force of nature created in unnatural circumstances. At a glance he sees the world more primitively than we do because he has no understanding or need for modern human trappings like cell phones or cities, but dig deeper and his feelings about life are as complex as ours.

He gets a very interesting new perspective of the modern human world because of a nasty man named Goro Kurojima. Let’s just say “pieces of Mecha-King Ghidorah, SHRINK RAY, Godzilla becoming the size of an action figure” and leave it at that. The experience lets Godzilla realize humans put the same emphasis on family / connections that godzillasaurs do, but we kinda suck at showing it. ;)

A small note about the timeline goofiness thanks to Godzilla vs King Ghidorah: I spin it that trying to teleport the godzillasaur into the Bering Sea let him turn into a bigger, angrier Godzilla because of nuclear material that detonated when he ‘landed’ on it, so messing with time changed nothing in history other than his size. The 1984 attack and his battle with Biollante still happened. All Shindo’s submarine did was feed him and kill the anti-nuclear-energy-bacteria he got infected with in Godzilla vs Biollante. 

Another note: I will use godzillasaur to refer to Godzilla’s species in general. In his mind and heart he is still a dinosaur who has lived for a very, very, very long time and his father lived even longer still. He is ancient.

---

--- Stuff related to himself, his family or Shezilla ---

The Old Days = the time of the dinosaurs, which he greatly misses. He knows he can’t return to those days because his appearance will make normal godzillasaurs run away in fear.

The New World = modern times, a place where he feels forever foreign.

The Flash = the bright detonation of the underwater nuclear energy that mutated him.

The Change = the painful process of mutating. It was an extremely traumatic experience, so he gets really pissed off if something flashes bright white light straight in his eyes. Any other color, he doesn’t care, but white is awful and reminds him of the painful Change that came after the Flash. ----Side note: Right after the Change, he swam around the ocean feeding off of natural uranium deposits until they no longer sustained him, which led to him going ashore in ‘84. The rest is history.

The Fireball = the asteroid that led to the extinction of most dinosaurs. 

The Big Boom = the sound the asteroid made.

Long Sleep = hibernation

His Fire = the radioactivity that keeps him alive. When he is tiny and learns the ‘heat’ of his Fire can make humans sick, he tries to minimize his radioactive output when near people he likes. There is no way to make it safer when he is full size, but he will still try.

Feeding his Fire = when he’s absorbing radiation.

His Fire burning low / Fire Hunger = his body’s “low radiation warning” that signals he needs to go absorb more to maintain his internal fission. It feels like a mix of hunger and nausea and he feels his body getting weaker / stiffer when he needs to feed.

His Flame = his radioactive breath beam.

The Surge = his nuclear pulse. It’s a painful move for him, so he doesn’t like to do it very often.

The Scent = he has nerve fibers in the roof of his mouth that behave like a biological Geiger counter. To him it’s a scent that tingles, and the stronger the tingle the stronger the radioactivity. It’s directional, he will catch a whiff of Sustenance and track it by pointing his nose at the source. A studious observer will see him open his mouth slightly like cats do when he’s trying to pin down the exact location of a radioactive snack. It also helps him keep track of how Shezilla is doing. ----Side note: Godzilla has a very acute sense of smell, and when he’s tiny he uses smell along with sight and hearing to tell individual humans apart. He gets concerned when the lady humans he’s in contact with smell like blood because the concept of a period is beyond him, so he thinks they’re injured. It’s...kinda cute.

Sustenance = Radioactive anything he can absorb radiation from. Sometimes he swallows radioactive materials and sometimes he only needs to touch or be near them. He discovers he loves the taste of iodine-131 while he’s tiny and will slurp that up from a eye dropper like it’s candy.

Invisible light / Invisible colors = light from the ultraviolet spectrum, he’s a tetrachromat. He sees 'down’ into all the colors we can and ‘up’ into the ultraviolet spectrum. So he will see a rainbow the same way we do, but with more colors past violet. If you point a black light at him, the pits and grooves in his hide will fluoresce blue and purple. He sees these without the help of a black light. These colors are more concentrated on his hands, face, neck, chest, the edges of where his muscles bulge and the base of his dorsal spines to draw attention to these areas. Shezilla’s are in the same spots and glow pink and green. It’s these invisible colors that make them so attractive to each other, because it’s pretty.

Dark Light = x-rays and gamma rays, he perceives their effects on the environment (a blurry glow around the source) the way humans perceive certain colors as glowing under a black light.

Shining his Light = the act of lighting up his dorsal plates to impress Shezilla or alert her of his position in pitch darkness. If Shezilla does it, she’s showing him her Light.

His Thunder = the whoosh of his holosystolic heart murmur, which is due to a ventricular-septal defect. He can always hear this although it’s louder to him in quiet places or while he’s underwater.

His Lightning = the internal kick he feels from his biological nuclear reactor shocking his heart whenever its rhythm goes awry.

His Palsy / the Palsy = the spasms, limited range of motion and difficulty moving he experiences due to brain damage caused by his heart defect. His Palsy is being difficult when it hurts to move, when controlling a movement is hard or he uses a lot of effort to initiate movements, and it’s the reason he has a slow, lumbering gait. Its visible effects get more pronounced when he’s starving for radiation.

The Pangs = the chest pains he gets when his heart races towards fibrillation. This happens because the mutation caused his heart’s conduction system to form too many nerve branches around the hole between his ventricles. Sometimes they misfire, throwing chaos into his normally nice, rhythmic heartbeat. It tends to happen more when his heart beats fast. Fast for him is 50bpm or more. His resting heart rate is around 13 - 16bpm when he’s awake, drops to 10bpm when he’s in deep delta wave sleep and can go as low as 5bpm when he’s in deep hibernation. He gets up to 85bpm when the v-tach kicks in and that causes the Pangs. ----Side note: This is the sticking point of why the shrink ray is actually hurting Godzilla. When he’s tiny, his resting heart rate is close to 50bpm and jumps to 80 - 90bpm when he gets stressed, and can hit 120bpm when the v-tach kicks in and leads to fibrillation. It’s literally killing him because being smaller means his body isn’t at the critical mass it needs to be at to sustain his biological nuclear fission, which allows him to heal ridiculously fast and stay so unbelievably physically strong. His internal reactor isn’t a bottomless pit of energy, it can’t continue to zap him indefinitely.

Deep Sleep = the occasions when his heart fibrillates long enough that he loses consciousness. This was induced by the cadmium in 1984, which also stopped the internal shocks from happening, and he might have stayed down for good if that nuke didn’t go off in the sky and re-energize him.

Long Memory = his hyperthymestic memory, which is unusual even for his species; he is always journeying into his Long Memory and comparing today to The Old Days. 

His mate / beloved mate / Gift from the Wishing Star = Shezilla, who appeared to him one day out of seemingly nowhere. She is the most beautiful godzillasaur he has ever seen.

Wasting Sickness = cancer / tumors, called such because the sick person gets very thin and weak. He can smell the disease.

Mother = his saurian mother. She was blind and died of the Wasting Sickness when he was still a hatchling. In human terms, she had a brain tumor that caused terrible pain, caused her to have seizures and was in the process of destroying her optic nerves when she succumbed. It was his first exposure to death, but he was too Young to be traumatized by it like Father was.

Father = the first Godzilla who appeared in 1954 and was killed by the Oxygen Destroyer. He was at sea when the nuke mutated him, which woke him up into a state of disorientation and panic. He wandered across Odo island and Japan because he was in pain, scared and desperately looking for his son. Sadly, the little humans didn’t understand him when he popped his head over a hill and asked them if they saw his son. Instead, they ran away. He got angry and smashed through their strange forest in attempt to make them listen, and in response they killed him.  ----Side note: This Godzilla was the father of the ‘current’ Godzilla. His rampage across Japan is a direct result of the Futurians’ meddling because they caused him to search for his missing son instead of finding him where Shindo left him.

Metal One = MechaGodzilla

Little One = Baby Godzilla / Little Godzilla / Godzilla Jr. ----Side note: This godzillasaur is not Godzilla’s biological offspring, his real parents are long gone.

Pod = family

Marking = he has scent glands in the folds between his fingers that leave his scent behind when he scrapes his claws on something to mark an area as his. Part of why he destroys some of the same landmarks is they rebuild, which removes the scent, so he puts his scent back. ----Side note: A kaijuologist figured this out and notes that Godzilla is less likely to veer off his path and totally destroy a building that’s been sprayed with his scent after reconstruction, but it’s expensive to replicate the scent and most builders don’t apply it after rebuilding.

Patrolling = traveling old migration routes, which he uses the sun, stars and Earth’s magnetic fields to navigate through. Sometimes this takes him through cities, but most of the time he traverses rural areas or areas without any human population.

--- Beliefs ---

Spirit = soul / life force.

The Stars = the afterlife, eternity, Heaven, etc. He believes the stars in the sky are his ancestors’ Spirits, and the Milky Way is a giant forest everyone journeys to after they die.

The Wishing Star / Morning Star / Evening Star = Venus, whenever it’s up before dawn or after sunset. He reveres it the way people of faith revere their deity. He looked at it with longing any time he saw it in the sky, and believes doing so convinced it to give him Shezilla as a gift. Hence her being a Gift from the Wishing Star.

Evil Moon = a red, fully eclipsed moon. It is the antithesis of the Wishing Star. His Mother died during a lunar eclipse and the Fireball happened the day after one, so he associates lunar eclipses with bad things happening.

--- Nature stuff ---

Fire Mountain = volcano

Fire Mountain Smoke = ash or pyroclastic flow

Land Blood = magma and lava

Land Scab = lava that has cooled enough to stop glowing.

Land Heart = magma chambers deep under Earth’s crust

Land Song = the ultra low frequency vibrations of moving tectonic plates. He can hear ultra low and ultra high frequencies even beyond typical animals, so he hears distant earthquakes as music! (But they aren’t so nice when they happen underneath him, then it’s just shaking and noise.) He hears lava moving and knows a volcano is going to erupt long before it actually does. His hearing is magnified further underwater. He hears all the whale songs and dolphin clicks and any other noise that happens underwater, so when he dives he thinks the whole world sings to his heartbeat.

Land Scream = the ultra high and low frequency squeals that precede earthquakes under his current location. This hurts his ears, and instinct prompts him to try to leave the immediate area before the shaking starts.

Water Wind = tsunami, as experienced while underwater when it goes by. A big one can sweep him off course if he’s trying to swim through it. 

Flood Surge = tsunami, as experienced while on land or in shallow water. He can wade through it without a problem if the water is shallow enough to walk in. This can also refer to storm surge in the event of a hurricane making landfall.

Ancient Caves = prehistoric caves that are miles under the Earth’s crust. They are the closest thing he has to the world he remembers. Human eyes have never and will never see these enormous caverns. Sometimes he goes there and scrapes up precious stones (diamonds, rubies, emeralds, sapphires, quartz, etc.) to give to Shezilla as gifts because she likes the pretty colors.

Rain Smell / Thunder Smell = the scent in the air when conditions are favorable for rainy / stormy weather. In other words, petrichor.

Big Rains = monsoons

Sea Storms = hurricanes

Mating of Sea and Sky / Mating of Land and Sky = waterspouts / tornadoes, described as such because their formation looks similar to the mating process between godzillasaurs.

Crackle = the tingly feeling from his body emitting a streamer during a thunderstorm. If it finds a step leader, he gets struck by lightning. Lightning strikes are hot and noisy, but don’t cause anything more than some burns. A strike to the face can give him flashbacks of the Flash and anger him into destroying whatever is in his path at that very moment. 

Falling Cold = snow

Cold Land = polar ice caps and glaciers

Slippery Cold Land = ice

Warm Season / Hot Season / Cool Season / Cold Season = Spring, summer, fall, winter.

Long Cold Season = ice age

Draw = magnetic fields, which he is sensitive to and uses to navigate in conjunction with the position of the sun or stars. As you can imagine, anything that emits magnetic pulses or unnatural magnetic fields will disorient him and he’ll go find out what’s ‘wrong’. This, along with bird call recordings, was used to lure him up Mt. Mihara in ‘84.

Draw Up = north

Draw Down = south

Horizons = east if he’s not following the sun, west if he is following the sun.

--- Human stuff ---

Bugs, zappers and stingers = the aircraft, land vehicles and watercraft that shoot at him. Solid projectiles are stingers. The maser tanks are the zappers.

Silver forests / strange forests / glowing forests = cities, they’re called glowing at night because of the lights.

Shiny trees / strange trees / glowing trees = skyscrapers, they’re called glowing at night because of the lights.

Boxes = buildings that are squarer in shape or not tall like skyscrapers.

Tiny boxes = buildings that aren’t tall, like you see in suburban areas.

Caves / Caverns = the insides of human dwellings.

Weird rocks = furniture

Shiny rocks = tiles

Scented sand = cat litter, he doesn’t mind the strange smell. He “goes” in it when he’s tiny and buries the results like cats do because he still has the instinct to not alert predators. The cat litter is the clumping sort that blocks some of the radiation and makes it safer to clean up after him. ----------Side note: Anything from inside Godzilla’s body is dangerously radioactive when he’s full size, but less so when he’s small. You’ll get radiation sickness if you try to pet full size Godzilla while wearing anything less than a HAZMAT suit, but he can be picked up and handled safely in someone’s bare when he’s tiny. Still, people wear gloves to handle him as a precaution.

Not-dirty dirt = carpets / rugs

Mud that isn’t sticky / weird mud = bedspreads

Artificial suns = lights

Colorful Light Box / Image Box = TV sets and computer monitors.

Talking box / howling box = phones

Transparent box = the aquarium he’s kept in while tiny.

Colored vines = cords, wires, cables or ropes.

Metal vines = chains, both for jewelry and holding stuff.

Artificial claws = eating utensils, like silverware and chopsticks.

Their kill = the food humans eat. Most of it looks and smells totally unappetizing, but he expects at least a bite if they’re having meat or fish. He finds it confusing that humans can walk around a corner and reappear with food without any signs of a hunt.

Weird worms = noodles

Hot mud = coffee, it smells and tastes nasty to him. He will literally gag from the smell if it’s really strong.

Outer skins / outer shells = clothes / HAZMAT suits

Molting = changing clothes, he thinks humans molt way too often.

Eye covers = goggles

Eye frames = glasses, both Kenpachiro and Goro wear them although their choice of frames are different. (Goro’s are plastic fully rimmed black rectangular frames, Kenpachiro’s are thin titanium semi-rimmed wayfarer frames.) 

Marking sticks = pens or pencils

Marking shapes = written words (in Japanese), he recognizes they have significance to the humans by how they create and react to them, but doesn’t understand the connection between writing and language.

--- Communication ---

Old Tongue = in essence, godzillasaur “language”. He uses purposeful vocalizations, facial expressions and body movements to “talk” to the humans when he’s tiny because he sees the Kenpachiro’s group as his Pod. A whole ‘sentence’ may be expressed simultaneously. If I were to translate Godzilla’s ‘language’ in a movie, it would be as subtitles. Much of his behavior is communication. ----Side note: Humans unknowingly speak Old Tongue a lot via their body language, facial expressions and tones of voice, but he gets lost with speech and the fact that humans react to each others’ vocalizations more than their gestures. That said, he uses pattern recognition to grasp the meaning of a few individual words, like responding to the specific syllables humans attribute to him and looking at who says his name, and the word stop. He picks up on the hand gestures used to train him in the lab, too. ----Extra note: A quick and dirty bit of Old Tongue-- if Godzilla tilts his snout down and looks upward at you, he’s signaling that he doesn’t trust you by getting his snout out of his visual field to watch you more closely. If he throws his head back when he roars, he’s angry! 

Mind Song = telepathic communication. Godzilla communicates with Miki Saegusa through memories, emotions and sensory information because he knows when she’s touching his mind. He's able to decide whether to welcome her in or kick her out and block her off, but 99% of the time he welcomes her in.

Mouth sounds / jabbering noises / chattering = human speech... he knows it is a form of elaborate vocal communication. He finds it annoying, overly complex and confusing.

--- The naughty stuff ---

Kiss = the act of touching or nuzzling noses. A nose to nose touch is like a little peck, while rubbing their noses together is more intimate.

Impressing = the mating display behavior. He circles her, shows off his sharp teeth, shows off his dorsal spines and flexes a bit to show off his big, strong muscles. Then he brings her Sustenance or food. It’s very much the godzillasaur equivalent of a pick up line followed by a romantic dinner. If she rejects his offerings, she’s rejecting him. But if she flicks her tail to the side and rubs her head against his neck after he does all that? Ooh, baby, he’s gonna get lucky!

In Season = fertility, they both emit pheromones that stink like garbage to humans, but it’s perfume to them! Shezilla goes into season 4 times a year and it lasts a week. Godzilla goes into season once a year for a day without Shezilla present, but her going into season triggers his hormones to shift too and he’ll stay in season until she goes out of it. They get really freakin’ horny and twitchy when in each others’ presence. When apart, Godzilla tends to be a bit more aggressive because sexual frustration is a thing, and Shezilla hunts and eats more traditional fare (sharks / whales) to store extra nutrients in case she conceives and lays an egg. Also, you can’t tell by looking at Shezilla when she’s in season, but Godzilla’s dorsal spines get a little bit longer and his muscles bulk up. ----Side note: The reason Godzilla changes outwardly and Shezilla doesn’t is it’s the guy’s job to impress the girl. Their chances of actually conceiving are small because of the radiation in their cells and mutated DNA. Godzilla’s sperm cells are so hyperactive and fast-moving that kaijuologists can’t get an accurate count, and the state of Shezilla’s egg cells are unknown. The only reason kaijuologists got a sperm sample at all is because gravity is a thing and the excess dripped out as soon as Shezilla stood up again after Godzilla toppled her onto a building to do the deed for the first time. (They’re animals, they will do it anywhere if the mood strikes!)

Being One / Making Life = mating. They mate via cloacal kiss, but they do it in something similar to the human missionary position because that’s the best way to line their vents up. Shezilla’s dorsal spines are smaller because she is the one who lays on her back and helps her big, klutzy boyfriend get into position on top of her using her teeth and claws. It doesn’t hurt him at all, nature made the exact spots she bites and grips into erogenous zones that encourage him to keep going. His feet go under her thighs and flank her tail, which are erogenous zones for her. He lines his vent up with hers by feel, everts the muscular inner walls of his cloaca into her vent and her muscles grab on to achieve a proper seal. Mating for them isn’t a ’touch cloacas and done’ deal, they stay in position for several minutes. There’s no humping action either, it’s all driven by internal muscle contractions. ----Side note: In my headcanon Godzilla fucks without a dick, get over it.

Touching Spirits / Union = the sensation humans know as an orgasm. Their bodies relax instead of tense up when they feel it happen because the endorphin flood puts them into an altered state of consciousness, and it keeps them from popping apart prematurely. The most movement they’ll do is a lot of tail twitching. For Godzilla, the sensation triggers the muscle contractions for release, and for Shezilla it creates suction that moves the sperm where it’s supposed to go to fertilize an egg cell. They thrash around or groom each other afterward because they feel a tiny bit high as their endorphin rush comes to an end. -----Side note: She comes when he does because his triggers hers, so they always experience it together.

One = the godzillasaur equivalent to marriage, which is consummated the first time a pair mates.

Vent = the cloaca. It closes tight and can’t be seen when not in use for mating or expelling waste. It’s located right in front of where their tails join their body. Godzillasaurs stand upright, so that is why they mate facing each other.

Life Material = the goo inside unhatched eggs, though it can also refer to semen.

--- Specific people ---

(Canon characters)

The Deserter = Yasukai Shindo, who saluted him on Lagos Island and left him while he was wounded. He sees Shindo as the one who abandoned him to the pain of the mutation process and it’s why he looked into Shindo’s eyes through the window before he killed him with the same bright light that made him hurt. He wanted Shindo to know that he remembered and hated him. ----Side note: Shindo never realized what Godzilla was thinking when they looked at each other through the high rise window. He accepted his fate as divine retribution because he felt responsible for 'creating’ a bigger, meaner Godzilla.

The Mind Singer = Miki Saegusa, the psychic woman who confuses and intrigues him greatly. He remembers seeing her as an adult before he got mutated, but later he saw her as a child inside the train car he picked up and threw aside in ‘84. He knows humans grow bigger and their hair turns white or falls out when they get old, but from his perspective Miki is aging out of order. Time travel is a concept beyond him, so he will never understand that she traveled to the past with the Futurians.  -------Side note: Miki doesn’t harbor ill will towards Godzilla even though her entire family was with her and died when he dropped the train car. She sensed no malice or cruelty in him, he was an animal doing what animals do, and holding a grudge would be like being angry with an earthquake or a tornado. As time goes on and she comes in contact with Godzilla more often, she comes to realize he is intelligent in his own way and experiences a broad range of emotions just like humans. This gives her a deep compassion towards him; he is lonely in his difference, same as her.

(OCs)

The Odd One = Kenpachiro Satsuma, an (adult diagnosed!) autistic kaijuologist who is lanky, geeky and tends to look a bit disheveled most of the time. He is a widow who deeply misses Momoko, his deceased wife. This is the guy who studies Godzilla very closely (special interest) because he truly wants to understand how he lives, communicates and experiences the world. He believes Godzilla is capable of more emotion than just anger and that humans can learn to coexist peacefully with him. Kenpachiro is the man who cloned Shezilla, so he understands the grief Godzilla is suffering through after her death and he regrets causing him that pain.  ----Side note: Kenpachiro has a teenage son named Akira. He tries to be a good father to the kid, but doesn’t know how to connect with him. As a result, Akira is sometimes belligerent and misbehaves in attempt to get his father’s attention. Godzilla sees the rift between them and will try to bridge it because he misses his own father.

The Cruel One = Goro Kurojima. A buff, broad-shouldered, intimidating guy with salt-and-pepper hair and a bushy mustache. This guy is Kenpachiro’s rival. He is an abusive sadist who wants to make Godzilla suffer until he dies as payback for the loss of his family in 1954. He doesn’t differentiate the ‘current’ Godzilla from the 1954 monster even though they aren’t the same creature. He attributes only malice to Godzilla’s behavior and does not believe Godzilla is capable of anything but hatred. He has untreated PTSD. Godzilla can sense the hatred this man has for him and he doesn’t like it. -----Side note: Having PTSD is not what makes Goro an abusive, sadistic villain. His choices to hurt those around him for his own personal gain are what make him a villain. He was just a kid coming home from school when the first Godzilla reduced his house and mother to ash right in front of him and stepped on the fiery rubble. He saw his mother’s skin melt. It haunts him. The PTSD actually humanizes him and explains where his pain comes from without excusing his behavior. 

The Gentle One / Mama = Reiko Fukamori, a veterinarian / kaijuologist who has feelings for Kenpachiro. She is a very plain, unassuming woman who doesn’t realize the full extent of Goro’s nastiness until he gets Godzilla into his clutches, so she is the one who sets things in motion by sneaking Godzilla away from the lab and into Kenpachiro’s hands. Her gentleness reminds Godzilla of his saurian mother. She talks to him a lot, and he is able to tell by her tone that she means him no harm.   ------Side note: Reiko’s veterinary experience lets her figure out Godzilla’s high muscle tone is neurological and that his heart defect is a dangerous problem for him while he’s tiny. She knocks Kenpachiro’s socks off with her suggested solution to keep him alive until the shrink ray begins to wear off. She is the one who introduces Godzilla to iodine-131, which she gives via an eye dropper while training him to follow simple voice commands / gestures so he’s easier to work with. She is the only person Godzilla chirps at. Their relationship becomes very similar to Baby and Asuza from Godzilla vs MechaGodzilla II.

--- Example narration ---

--- Akira’s lava lamp causes tiny!Godzilla to have a flashback of his youth. Kenpachiro has a tooth from the original ‘54 Godzilla that he uses as a shelf. It’s mentioned, so I figured I should give context. ---

Reflections of the magical red globules flickered across Godzilla's eyes. It took him far back to The Old Days before the Fireball. A time when the sky was red and trees touched the clouds. Godzilla was very young and tiny with ribs that stood out on his flanks.

A Big Tooth with its short arms and bad breath lunged at him. He stared at its slavering teeth, unafraid. Suddenly, a nearly black shape streaked into view. Father caught him by the scruff of his neck and sprinted away from the danger. Young Godzilla relaxed against the reassuring touch. Father's hot breath tickled the back of his neck as he ran. Oblivious to the Big Tooth snapping at Father's heels, young Godzilla shrieked in delight. Father ran so fast! He watched the brown and green streaks of trees fly by. 

Then Father ducked into the underbrush. It was muddy and cold, but Father swam through it like water. The Big Tooth would not walk out on this mud. Defeated, it crashed back into the jungle to find more suitable prey. Father slowly wriggled free on the other side of the mud. Young Godzilla thought the squishing sound it made was funny, but Father put him down and beckoned for him to follow. So young Godzilla stumbled behind his father, nipping at his ankles. He followed him up a grassy hill overlooking mountains. He was so tired when he got to the top that he collapsed, panting. 

The smell in this area was horrible and glowing red rivers boiled in the valley below. Father told him the glowing red stuff was Land Blood that came from the Land Hearts inside Fire Mountains.

Father bent to lap the mud off his hands and arms. Young Godzilla purred and squirmed as the big sandpaper tongue scraped the mud off his hide. Then Father beckoned him away, for it was time to hunt.

Father took him back to the Fire Mountain at night. They stood together and watched the giant sprays of glowing Land Blood shoot towards the stars. It was nothing more than glowing red rain! He ran forward and tried to catch some on his tongue. Father roared at him to come back. Land Blood was dangerous and not a toy! It had the power to both create and destroy.

Many seasons later, when Godzilla met his Gift from the Wishing Star, he laid over her to Make Life, and at the moment of Union his body erupted like a Fire Mountain. Afterward, the fierceness in her eyes and the gentleness of her Kiss made him forget The New World he found so unfamiliar. They were One, now and forever.

Reality crystallized. He blinked and refocused his eyes. That was not Land Blood shooting up; that was red slime inside a human contraption. The tooth beside him was not the strong jaws of Father carrying him to safety. He took a step back and saw his own reflection staring at him instead of his mate’s beautiful face. 

He was little again...but he would never be like he was before the Flash. 

The humans who lived in this giant cave were the closest thing he had to a Pod. And by the look of it the Odd One did not pay close attention to his young. He was ignorant to the younger one’s needs for attention. This ignorance would soon drive them apart.

Godzilla howled past the bitterness in his throat. He turned away from his reflection. Brokenness happened everywhere he went, and it would never stop.

--- One last note ---

Godzilla makes eye contact and reads emotions through eyes much like neurotypical humans do. Eye contact won’t provoke him like it does most animals unless a hostile move follows. He can read the emotions in a human’s eyes if he gets close enough to see them, and humans who survive eye contact with him swear he stared into their soul. Because he does.

[Yasukai Shindo looks out the window of his high rise office at Godzilla, who is right outside looking in. They are looking into each others’ eyes, though Godzilla’s are in shadow. Godzilla looks into Shindo’s eyes as he kills him with his radioactive breath. Shindo opens his arms and accepts his fate.]

[nanigma]

Leon Fanbook Translation: Profile

Link to the Takumi Fanbook

Introduction

Look who actually kept her promise! This still took me forever and a half, but I am very happy I got it pushed out within the time frame I imagined. Things are off to a good start, I think.

Before we continue, here is the same note as before: As I am currently without a real income, I would very much appreciate it if you could throw me a couple bucks via my ko-fi account. It doesn’t have to be a lot, just what you think my translations are worth really.

My comments in italics

I will be using the Japanese names

My comments in italics

I will be using the Japanese names

Page 8-9

Profile

Prince Leon's Profile

His personal data, history, as well as dialogue and all sorts of information will be shown here. Before we can really know, and therefore talk about the younger Nohrian Prince Leon, we need to some basic information on him.

Just what kind of person is Leon, the younger Prince of Nohr? If we start with data such as age, height and weight of the person in question and analyse everything until we arrive at topics such as his mother and his family, the information we can gain on him is not inconsiderable. Trying to pinpoint more through his in-game profile description “likes tomatoes the most out of everyone in the army”, one can glean his favourite food. Once he gets started, the praise he heaps upon tomatoes can become quite disconcerting. It seems that even with the 40 to 47 pages of published material, questionnaire results and submitted art,

Leon’s image is forever associated with tomatoes. But, that’s not all. To be worthy of being called a Leon fan, it is necessary to know and understand him by collecting all the surrounding information on him, and thereby truly ascertain his character. Definitely things like him pretending to be cold in order to push others away, or how much he prides himself in being a strategist. Perhaps he also uses the strong impression left by something like his obsession with tomatoes to conceal the things about his character that he doesn’t want others to know.

Personal Data

Prince Leon's personal data

Name: Leon [Leo] Gender: Male

Class: Dark Knight Weapon: The Sacred Treasure “Brunhilde”

Physique: tall and slender, with no excess fat attached Birthday: June 30th Country of Origin: Nohr Residence: Royal Castle of Darkness

Hair Colour: Gold-shaded flax colour Eye Colour:  A blood-like shade of crimson Skin Colour: A little sickly seeming First Person Pronoun: Boku* Second Person Pronouns: Kisama, Anata, Omae* Likes: Reading, Tomatoes

Family: King Garon (Father), One of Garon's Concubines (Mother)

            Marx (Older Brother), Camilla (Older Sister), Elise (Younger Sister)             As well as a large number of other siblings             Aqua, Kamui             Foleo (Future Son) Retainers: Zero, Odin

Voice Actor: Mamoru Miyano

Page 9

History Data

Early Years

He was born as the child of King Garon of Nohr. In those days, Garon would keep a number of concubines, from whom he also received a lot of children, beside his legal wife Ekaterina. The woman who became Leon's mother was one of them. Their royal children's claim to the throne, as well as their constant aim to become worthy in the eyes of their “spouse”*, meant that the rivalry between the concubines grew ever more tense, and they soon became wrapped up in intrigues that were literally dripping with blood. Because of Leon's mother, who stood in opposition to the main faction belonging to Ekaterina, he did not have any contact with his older siblings, Marx and Camilla, during his early years.

Childhood Years

His handsome features inherited from his mother, and moreover his possessing an overwhelming number of outstanding qualities, made Garon take notice of Leon even among his many siblings. Leon's mother would use this fact as a trump card against Ekaterina's faction, as well as the mothers of the other children, in order to assert her own superiority. Compared to her stated motive of looking out for her son's interests, her desire to turn the King's love and attention towards her was clearly more important. According to Leon's own recollections, she never displayed much of what could be called „a mother's love“ towards her son. When Leon seemed to turn his talents towards the magic arts, his exceptional qualities became yet more polished as they bloomed. Once he reached the position of one of the most preeminent magic users in the kingdom, Leon was given a place at Garon's side next to Marx and Camilla. At the same time, Garon's many illegitimate children, as things were progressing towards the conclusion of their violent struggle over the selection process, finally acknowledged each other's existence.

As for Leon, together with his older siblings, Marx, Camilla, Kamui, as well as his younger sister, Elise, he formed a unit that would later come to be referred to as the „The Nohrian siblings“. For someone like him, who grew up without receiving any parental love, there can be no doubt that the warmth reflected in the eyes of his siblings was a great source of happiness for him.

Once the war breaks out

And so, Leon, who had attained an untouchable position among the Nohrian royalty, continued expanding his magical abilities to become a Dark Knight of the highest order within the army. When he entered, it was with the Divine Weapon Brunhilde in his hands. Thanks to his tremendous powers, he was granted the title of „Gravity Master“. Due to not having had many allies because of the circumstances of his birth, he has a hard time trusting others, as well as a deep hatred for cowardly deeds and acts of betrayal. To tell the truth, his Nohrian brethren have in the past been on the receiving end of Leon's mercilessly executed punishments. This is why he is called cold-blooded, but instead it would be more apt to say that he is shaking with anger and unease on the inside. On the surface he appears to have a cool-head, and because of that seeing his true self sometimes shine through the cracks of the mask is all the more meaningful – For those who are familiar enough with him, this too is just another big part of „Prince Leon's“ appeal.    

Resolution, as well as the future

As these events become history, it says that as the Nohrian and Hoshidan royalty joined hands and fought their mutual enemy together, the two younger princes, who grew up in similar circumstaces, seemingly displayed a mutual affinity for each other. It is further says that during battle Leon would rely on only his older brother, Marx, as well as his retainers, Odin and Zero, but after these events it would seem there is documented proof that the name of the younger Hoshidan Prince, Takumi, was added to the list as well. Leon's signature divine weapon „Brunhilde“ would later be inherited by his son, Foleo.  

Performance Data

Just his starting stats and skills. You can also find them on the wiki

Monologue

Prince Leon's monologue

Level Up (Worst): Maybe my bearing wasn't befitting of royalty... Level Up (Low): Well, as expected. Level Up (Good): I'm glad this didn't end in embarrassment. Level Up (Best): It scares even me to see how strong I've become. Level Up (Max): I am already strong, so don't you think this is enough? Class Change: Hm, I trust that my clothes didn't turn inside out?

Buying: Be sure to pick something out that looks good on me, alright? Buying (salesperson): Only you would ever buy things for the person running the store. Selling: I would prefer if you didn't just go around selling my belongings... Selling (salesperson): Having my own belongings sold to me... it's painful. Forging: I'll show you I can handle any kind of weapon. Forging (salesperson): I dislike physical labour... I wonder if I can't just use magic?

Defeat (Classic Mode): No way... To think someone like me could be defeated... Although, I should accept death with dignity, I simply can't do that to my siblings... Allow me to retreat here... Defeat (Casual Mode): How dare you... To think of all people, I'd be forced to retreat... This is humiliating...  

------------------------

1. Boku: The more non-threatening yet still distinctly male form of I. 2. Kisama: Used to be formal, but is now an incredibly rude way to say you (though also a bit antiquated). I think Leon mostly uses this with Ganz, Zola and Macbeth, as well as Corrin for part of Birthright. 3. Anata: Standard, “polite” way to say you.(although it has to be said that in common Japanese pronouns are not often used, and even anata can seem rude or weird when used in excess) 4. Omae: Literally “you in front of me”. Not the most polite, but can be used in casual situations. I think Leon mostly uses it with Elise. 5. The kanji used here was  夫 or literally husband. The concubines apparently considered Garon this, even if they weren’t on Ekaterina’s level, but I thought this would sound confusing, so I am clearing it up here.　

Overally, I am enjoying the Leon book so far, although I would have liked if they had included more info about the conclusion of the concubine war and what exactly happened to Leon’s mom (or at least give her name!!).