#but it totally made sense

[lovesitcomsandgaystuffs]

Demon Mika

[chloesimaginationthings]

Yall ever think about how Nightmare bb is canon in FNAF

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[abstractfrog]

SILVER BLAZE PART THREE - happy jonkday everyone. one of these days i'll draw a scene that doesn't take place at night

[keferon]

“Mistakes on mistakes until” ch 69 spoilers below!

Ahahahahahahah here I go again

Mistakes on mistakes until until I can draw Jazz with my eyes closed

I woke up, checked my phone, woke up for real and decided that whatever plans I had for this day yeah no they can wait a little bit kfkgnfk

Also. Consider listening this while reading. Or don't who am I to tell you what to do~

[quantummindclassicalheart]

I think Brennan did something interesting with the Porter and Gorgug scene in the last episode. Porter is by all appearances a competent Barbarian teacher. He understands the role of Rage and its mechanical combat benefits, and he even recognizes how Gorgug uses Rage to protect those he cares about. But he doesn't understand how multiclassing into a caster fits into that framework.

And it's true! In 5e you can't cast or concentrate on spells in a Rage. But-- Artificers work a little different than other casters! Alchemist Elixirs and Arcane Cannons aren't technically spells. Arcane Armor just works. And so does the Steel Defender.

Of any caster I think the Artificer is probably the best-suited to multiclass Barbarian because their key subclass features are largely not spells. But it also runs into the problem of requiring multiple high stats. Barbarians already want high STR and CON, and Artificers need INT for their spells and spell saves.

And so there's this narrative tension here. Brennan the DM obviously wants to let his player have fun with the character build-- embracing the creative artificer side of himself is a great character moment for Gorgug, bearer of the tin flower. Someone who has always channeled Rage to protect those he cares about but who has also been called to create and preserve beauty.

And yet mechanically, it's a difficult build. We didn't see Gorgug cast anything in the Night Yorb battle, as far as I recall? And in-universe, classes are a formally recognized thing that require approval. But Gorgug can't be the kind of Barbarian that Porter wants him to be. So he has to show that he can be a different kind of Barbarian-- one whose magic integrates and synergizes with his Rage rather than opposing it.

We see Gorgug still insecure about his homunculus and about the solar lasso, even though these are objectively impressive feats. So it's not a skill issue but an internal conflict-- it's only once Gorgug reconciles and synthesizes his magic with his Barbarian side that the in-world powers that be will recognize him for all of who he is.

[sereniv]

Can someone who is NOT a zionist tell me why Jewish people have so much conspiracy and hate? when did it start and why? how and why did it spread?

Preferably someone who is jewish or really knows what theyre talking about answer

[gettheorion]

"Geordie La Force Beam"

[sylenth-l]

No. No, you aren't.

[graydagay]

Barty "love sick" Crouch Jr

I think Barty (before rosekiller) would have been the biggest fucking flirt with everyone but when it came to flirting with Evan he couldn't do it, Barty would get so flustered and he wouldn't be able to say anything in fear of ruining his friendship but Evan was just as love sick over Barty. This is how I imagine it went down.

Barty:"Hey Ev" (has this flirty smile on his face)

Evan: (he would have a flower crown on his head that panda made for him) "Hey Bee whats up mate" (he would have a sweet smile on his face)

Barty: (flustered would zone out just admiring Evans features) "I um do you wanna I mean oh fuck"

Barty runs off down the hall embarassed and would hide in the dorms the rest of the day.

[chirpsythismorning]

Thinking about the what if El was never interested in Mike romantically, she just assumed she was discourse on the tag today and how it's very possible what could make El fully realize this, is when in s5 she see's Will's love for Mike in real time, for the first time, and she's just like damn! That is not me!

[genericpuff]

my unabridged thoughts on 278-279:

[pharawee]

"You don't have to forgive me or love me back. But if you only have a few days left here, and we really must separate, I want to spend that time with you."

[triglycercule]

nightmare viewing the murder time three as little toys but more in like a little spoiled kid kinda way. because it would be funny and if you take into the account that he was like 6 before getting corrupted and do some mental loopholes it would be even funnier. like these are his dolls (killer dust and horror) and this is their barbie dreamhouse (his castle). they all have to stay in one room because nightmare needs to keep his toys in a toy box. the toys only ever come out when he wants to play but oh damn it they keep on breaking out!! silly toys,,, and then he locks them into the room again.

nightmare serves them food with plastic tea cups and plastic plates and there is no food. there is no tea. they have to imagine the food because dolls can't literally eat. there are food containers and stuff in the house but its all just a bunch of empty boxes. horror starts tweaking out after he scavenges the kitchen and finds a cereal box and milk carton that have NOTHING in it (why keep empty boxes?????)

they have to go where he wants them to go. nightmare gets to dress them up in whatever he wants because theyre his dolls they can wear anything he wants. it gets incredibly embarrassing when the trio is forced to wear pink pretty dresses and fight like that. or they have to go around the castle doing stupid fucking roleplays and it gets weird because theyre being forced to reenact a bullying scene and nightmare's giving them the death stare if they don't get it right (is this projection. this must be some form of coping mechanism dust theorizes)

and then you know nightmare's not exactly the best toy owner so he loses a few of his dolls here and there. maybe they get destroyed when he was playing a bit too rough with them! (killer dies in battle for like the 29th time) but its okay because he can just go back on down to the store (something new) and buy. wait no. steal another doll and then put it back in his dreamhouse and BOOM he has a full set again!! so sweet so cute. his dolls don't have consciousness what are you talking about theyre begging to be let go?? that's all just your imagination. what do you mean you're asking about the several slowly dying bodies with removed arms or legs in his dungeon. oh that's just where the broken but not yet destroyed toys go dw theyre fine its humane

[petorahs]

shuake works because it feels like akechi's the only one who listens to akira and prompts the otherwise quiet leader to talk.

in a game about defiant teens making their voice heard, goro akechi listens to akira's voice from the get-go. out of detective-sleuthing/work duties, sure, but over time it's clear that akechi genuinely finds akira interesting.

in fact, akechi's confidant route regardless of which game is being played starts with him deeming akira the antithesis to his thesis, a "worthwhile debate partner". akechi values joker's opinions.

its always nice to see people point out that in that one 3rd sem phone call with akechi, its the most involved akira's been in a conversation in-game. i myself remember inserting a lot more input during that story-sequence which usually i can put on autoplay otherwise. akechi, in a whole different reality, still seeks out joker's opinions on it. it's like he trusts no one but him.

and imo this gives a lot of character to akira. he talks the most with akechi. the quietest people have the most on their minds, and it shows with akira. but akira never gets a say in anything, and who would listen? he's less than a nobody in reality since society dictated that. so he pointedly made himself silent, hiding his thoughts beneath an impenetrable mask. during important story moments, akira favors doing more than saying. his teammates and confidants are all directly inspired by his actions over the course of the game.

but with akechi, it's different. actions seem to take a backseat as they continue with their verbal back-and-forth. in rank 7 of royal, they play pool while talking, but it's clear to the outsider that the focus is in the layered conversation they're having. they primarily talk everytime akechi's in the coffee shop, because they dont usually see eachother in their busy schedules. it's not just "hi, hello, how are you?" with them but "i find you and everything you stand for interesting. let's talk more."

there's something to be said about how two people with vastly different and opposing views seek eachother out to further discuss things instead of antagonizing eachother. its why maruki said "despite being enemies, your relationship was never based on hatred or ill will".

their relationship was never a one-sided thing. akechi helps joker as much as joker helps him... arguably more. he eggs joker on, shows him that he can do better. otherwise, the leader would remain stagnant and unchallenged. there is no progress where there is no thesis and-- you can finish the rest.

[nocofamilyau]

Has Dave met any other weird kids besides Leonard and Shawn? Maybe a singing princess or a beatboxer with a big afro (would his name still be Beardo?)

god, his class is full of weirdos...

there are kids who think they're fictional characters who AREN'T REAL...

then there's Binky, (nobody knows what his real name is, kids just call him that cuz he still uses a soother despite being 4 years old) who won't shut up with stupid sound effects...

other kids are loud and boisterous...

or just plain off-putting...

the only kids Dave believe are normal are all girls... he has no idea how to talk to girls (living in a literally all-male household doesn't help much)

...yea that's why he kinda just sticks with Shawn of all kids...