#but its not quite right for that i dont think

[bridgyrose]

Weiss assumes everyone has ridden a horse/pony before... only to find that the only person who doesn't fall off in the first five minutes is Jaune.

“Oh come on, it’ll be fun,” Weiss said as she walked her friends over to the corral with a smile on her face. “This is going to be a nice and relaxing day to take our minds off finals.” 

“And how, exactly, is horseback riding relaxing?” Yang asked. 

Weiss stopped at the gate and looked back at her friends. “Why wouldnt it be relaxing?” 

“Because its an animal that can potentially break our necks?” Jaune asked more than he said. “I dont know if this is a good idea.” 

“You have nothing to worry about.” Weiss opened the gate and took the reins of one of the horses. “Its easy enough to ride them and these horses have been trained to let people on them. Plus, there’s ranch hands at the ready in case anything spooks the horses. Everything about this today is going to be safe.” 

Nora walked over to one of the horses. “If Weiss says its easy, how hard could it be?” 

Weiss nodded and watched as Nora got up onto the horse… and then slipped off when she couldnt get her footing in the stirrups. With a heavy sigh, she walked over and helped Nora get steady before taking a few steps to let Nora try to get the horse moving. Then, she watched as the others tried their hands. Blake seemed to get up the easiest, but couldnt seem to stay steady once the horse started moving. Ren and Pyrrha struggled with getting up onto it, Pyrrha worried about hurting it and Ren unable to keep his balance. Even Ruby and Yang, the two she would’ve expected to ride a horse easily, struggled to get onto their horses correctly or even to stay on while the horses were moving. 

She pinched the bridge of her nose. “Okay, this is going to be harder than I thought…” 

“Not our faults that we’ve never ridden a horse before,” Ruby said as she held her horse by the neck to keep stable. “Some of us have only watched it in shows or movies.” 

“It shouldnt be *that* hard to ride a horse.” 

“Its not, but sometimes it takes a bit for people to really learn how to do it,” Jaune said. 

Weiss looked over at him, expecting for him to be falling off, only to be surprised to see that he seemed to be the only one of her friends that was capable of riding a horse. Even as he brought the horse to a quick trot, he seemed to hold on fine and almost professionally as he kept himself up right and gentle with the horse. “Where… where did you learn to ride like that?” 

Jaune brought the horse to a stop next to Pyrrha and got off to help her up. “My parents had a friend who owned horses and would ask us to help take care of them. Riding lessons were put up as payment, so my sisters and I all learned how to ride a horse.” 

“I guess that makes sense.” Weiss watched her team continue to struggle with their own horses and started to make her way towards them. “You want to help your team while I help mine?” 

Jaune nodded. “Sure thing.” 

Weiss paused for a moment as she watched Jaune make his horse trot over to Nora. It was almost too easy to envision him as a knight from the romance novels she read, a blush crossing her cheeks when she thought about it. If he were to bulk up and get a set of armor that fit him-

“W-Weiss!” Ruby called out from hanging under her horse. “A-a little help?” 

Weiss shook her head as she was pulled out of her own thoughts and started to make her way over. “How did you do that?” 

“I tried to get on and I dont think I set the saddle on quite right.” 

“Its not that hard. Just drop to the ground and we’ll set it right.” 

“I dont think I-” Ruby winced as she dropped on the ground. “Nevermind!” 

Weiss pinched the bridge of her and took a deep breath. “This will be a relaxing day… as soon as I teach them how to stay on their horses correctly.”

[amarayys]

DRDT episode 13 theory. So.

so i was meant to be making a general episode 13 analysis video. but um. i dont have the energy for that. so what am i gonna do instead? TALK ABOUT TERUKO try find out wtf david is doing in this scene

SO. time to find out what possibly the FRUITIEST look ever from david means!!! disclaimer:

I suck at theories. And formatting. Yipee.

I'm painfully unfunny so excuse any dumbass jokes i make.

I'm going to find any and all excuses to rant abt teruko. be prepared...............

4. I may repeat myself a lot. Forgive me if it sounds really repetative... :( 5. Any points surrounded by - these things - are just things that are unlikely, but I think should still be adressed.

So, the context of these images is Teruko revealing "her secret"; You're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them.

(pls excuse the shitty quality.) She has to be either lying or MAYBE unsure about her secret. Here's why: 1. She had a conversation with Whit (and technically charles, but he was just listening in) about her family. She reveals that she's never known her parents and grew up in an orphanage. She did grow up with her biological brother, but he was adopted by another family when Teruko was five, and she says she doesn't remember him much.

2. The wording of the secret is quite specific - You're constantly blaming yourself for the death of your parents and siblings. Like I've mentioned, she's never known her parents. Even if she *somehow* knew they were dead, why would she blame herself for it? I could see it maybe working in some way, but the next bit disproves it - SIBLINGS. Teruko has only mentioned having one sibling, and this wording is plural. This secret cannot be hers, she only has one brother. - To add on to this

2.5. Maybe one could argue that siblings and parents could be her friends/people she considered family in the orphanage she grew up in. However, the specific wording of parents and siblings, instead of just using the word "family", makes me think otherwise. - Okay, so let's dissect what this means. - I think if maybe she was unaware/TRULY thought that this was her secret, the only point that would support it is 2.5. Maybe she considered people she grew up with in the orphanage her "parents" or siblings", but its just not very likely. While I wouldn't be surprised if Teruko blew up an orphanage or something (/hj) , I think it's a stretch to say this secret is referring to that. - With that out the way, we come to one conclusion - Teruko is lying about secret. "Amari, we know that already, can we move on??????????" yeah yeah whatever i may have just wanted to rant about teruko. MOVING ON. So, what is Teruko's secret? It's pretty wildly agreed upon that Teruko's secret is the one regarding the killing game, which David recieved - "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault."

We think that this is Teruko's secret because: 1. She's the only one that fits it smh. /hj 2. The guy at the start of the prologue (who is probably xander but that is a WHOLE other theory you can find here ) mentions having to kill Teruko Tawaki (how DARE they) after talking about ending the killing game.

My interpretation of this is that Teruko is the reason the killing game is actually happening, though I doubt she's aware of this/the mastermind (or she could be, idk??). A really good theory that I feel explains what I mean by Teruko causing the KG but not being the mastermind is the time loop theory which is linked here. (accirax i love you for this theory /p) Obviously, this lines up with "The killing game is your fault." 3. David gives her THE LOOK right after she "admits" her secret, which sort of maybe kind of implies that he knows she's lying, which he does, since he has the secret. - As for the remaining secret: Xander's secret (which we assume min recieved) is the one Teruko claimed to have:

"You're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them." Why do I think this? 1. In Xander's bonus video, it is VERY heavily implied that he has survivor's guilt as well as outright confirmed his family is dead. Go check it out for the full context.

2. Xander's secret message on the DRDT tumblr is the definition of survivors guilt. Really self explanatory, huh?

3. XANDER ACTUALLY HAS MORE THAN 1 FUCKING SIBLING. anyway. okay, this is getting a little confusing to remember, so here: Killing game: Teruko's secret, recieved by David. Survivor's guilt: Xander's secret, recieved by Min. (all remaining secrets remain the same.) MOTIVE

So, why would Teruko lie about her secret? I mean, shouldn't she just point it out? And why didn't David point it out? - 1. Teruko is aware that her secret is the killing game one and is lying because she's the mastermind or something. We see her thoughts, so I really doubt it. To further disprove this theory: Teruko has stated like 15 times (/ex) that she doesn't know which secret is hers, due to her having too many secrets. So, yeah, pretty unlikely she knows which secret's hers. Discard this theory. -

2. a) Teruko doesn't know her secret, but knows it's probably bad, and therefore doesn't want to share it, so she lied. Pretty straightforward, really. Now, for the theory that I think is most likely: 3. Teruko doesn't know which secret is hers, but she knows neither of her secrets are the ones left unrevealed. She knows somebody is lying about a secret - but she's come to the conclusion that secrets are irrelevant to the trial and murder, so she's lying about her secret to avoid everyone getting off track once again.

We know that's she's accidentally led the trial in the wrong direction twice now (motive secrets, time of murder) Also, this is the most in character.

As for David: A. David knows her secret, but keeps it hidden in order to cause distrust and just generally fuck Teruko over. He plans to reveal it either post trial or in a future daily life. B. David knows her secret, but earlier, he and Teruko made a pact to keep it hidden. However, since he's a little bitch boy (/j), he's going to reveal it anyway, either post trial or in a future daily life. - Just to add on to this point ^ - I know Teruko's protag and we see her thoughts and all, but Kaede happened, so I don't think this is out of the question. - I think the most likely combination is point 3. and point A. : Teruko's lying about her secret to avoid the trial heading off topic. David isn't calling her out because he wants to use it in the future to throw suspicion onto Teruko and cause havoc.

SO. Let's recap! Secrets: Teruko: "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." Received by David. Xander: "You're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them." Received by Min. Rest remain the same as canon. Why can't Teruko's secret be about her family? 1. Teruko never knew her parents, and never mentions them being dead. 2. Teruko hasn't seen her brother since she was 5, and she never mentions him being dead, just adopted. 3. The wording of the secret refers to siblingS, which is plural. Teruko has only one sibling. 4. The secret fits Xander much better - His secret quote is the defintion of survivors guilt, and his bonus episode heavily implies he has survivors guilt, and it is confirmed his family died in the same bonus episode. Why is Teruko's secret about the killing game?

• The guy at the start of the prologue mentions having to kill Teruko Tawaki after talking about ending the killing game. This implies Teruko is the cause of the killing game, whether on purpose or not. Motive for lying: Teruko doesn't know which secret is hers, but she knows neither of her secrets are the ones left unrevealed. She knows somebody is lying about a secret - but she's come to the conclusion that secrets are irrelevant to the trial and murder, so she's lying about her secret to avoid everyone getting off track once again. David knows her secret, but keeps it hidden in order to use it in the future to turn everyone against Teruko and just generally cause distrust in the group. He plans to reveal it either post trial or in a future daily life. **btw, just a fun afterthought - i think either whit or charles will eventually point out the conversation regarding teruko's unbringing and how it contradicts her secret - and david will use that opportunity to reveal teruko's secret. ANDDDD that's it! feel free to correct/add on any points you'd like. this took AGES but i had so much fun!!! i love you drdt. (ESPECIALLY TERUKO.)

[red-dyed-sarumane]

kyuuyakus so good not only bc its like the only song heavy enough i can tolerate at loud volumes that can Almost drown out my coworker who never shuts up but ALSO for the points ive said 74times & will continue to,

aru sekai shoushitsu set us up for something super sci-fi, which. yes. the series very much is. but it was so technical and almost coldly indifferent. and then we're given the whole "old testament" in the title & the whole intro reading that isnt far from dantes inferno type content as my good friend emimin pointed out. we've got this new aspect added in and at the same time the lyrics let you know this character's still dealing with the complex technical stuff, from the terms down to the second kanji in ashita being incomplete as though because of a program error or interruption or some other similar reason.

and it feels even more different because theres just so much emotion in this one compared to shoushitsu. all the "bye-bye"s written in ways that express deep pain, the fact that the "see you tomorrow"s are cut off in the way they are the first time, and so drawn out the second time. the genre's not the spacey, distant trance type that shoushitsu is; its heavy, its intense, its got as much to it musically as there are details in the story. it's not just to sound cool, it's getting her state of mind across just as much as the spoken words. the world's being destroyed physically & metaphorically, everyone's suffered this over and over, they've parted ways so many times and its just never something they can get used to, especially not if they want to keep trying to end this whole loop, she's stressed past imagination trying to keep everything in check when its just not possible, & the intensity of the music just emphasizes all of that. there's less intense parts too, sort of like a forced focus on what she's doing that all too quickly builds to a panic. or the in the second part where everything gets so dire, the bell's tolling and she's running out of time, the piano over top of it giving such an uneasy feeling, and then right back to that heavy panic. theres so much emotional charge in it you know the long notes aren't just magu having fun with it; you just know they're meant as screams. i dont even think i can say screams for help, i think she knows shes past the point of help or at least that she's supposed to be everyone else's source of help that it's just stressed lamentation. she's doing everything she possibly can and its not working so all thats left is to cry out about it.

and then u have the rute furute wo a motif in here that's added in under the "fractal wa/kurikaeshita" parts that really hits harder now with kannagi for extra context. knowing that this is in the past & can't be changed and everyone else is using this as a point of reference. then u of course have the nami no ne wo motif, & the longest & clearest instance of it aside from maybe oumen mokushiroku so u know she's herself & gets to live, gets to keep doing this & watching other people die. (although i have absolutely no frame of reference for how long she lives given this is a past event & she doesn't seem to be present in the more current time songs. we dont really have that context yet) & then we're back to the rute motif on top of what still sounds like a jumble of nothing. but i also thought the rute line was nothing and here its a big deal so i cant wait to realize what this other jumble is, considering its also under the last ima kizanda parts.

theres just so so much to it, so many little intricacies that build such a full picture from whats otherwise one of the more simple series songs & i cant love it more.

[hinamie]

spiraling

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[dandelion-roots]

No matter what you do, you just can't shake him off, can you, Chūya?

[lyrics: Florence + the Machine | id in alt]

EDIT: I made a whole ass janky animatic to this song, enjoy!

[nydescynt]

Thematic Analysis of Hades II: Why You Can Never Go Home

(At some point I might make a video on this, but for now sharing my thoughts via textpost. Spoilers ahead!)

So the text of the story of Hades and Hades 2 are Zagreus breaking out of the House, and Melinoë breaking in.

But the wild thing (and the reason Hades 2 is much more interesting to me) is that both games actually have almost inverted themes from that text. Zagreus is intent on uniting a household; Melinoë is discovering the home she's fought to return to is rotten to the core.

Zagreus, despite his entire textual goal being to leave his home and family, is narratively & thematically working to bring the family and household together. His mother comes back and is reunited not just with him but her husband, mother, and entire extended family. Achilles and Patrocles, Orpheus and Eurydice, Asterion and Theseus: Hades is a story of people metaphorically coming home and making peace with where they are (Sisyphus, Thanatos, Orpheus). Everyone basically gets a happy ending, credits roll, problems all resolved or en route to be solved. Everyone is home.

(Important to note: we never see a human in the first game. We see shades, and gods, and monsters, and the closest you get to a mortal living thing is the satyrs. This is a story concerned with the realm of the gods.)

In contrast, Melinoë has no home - besides being estranged from her childhood home, she literally lives in a tent. In case the theme was too subtle, presumably.

Now, she has been fighting her entire life to become powerful enough to return home and reclaim her family - that seems Zagreus-adjacent on its face. However, there isn't a home to return to- Hades is in shackles, the rest of her family trapped in time. At this point in Early Access, on both a metatextual & diegetic level she quite literally can neither make it to Mt Olympus or into Zagreus' room - she cannot go home, she cannot meet her family.

Consider the others: Odysseus' presence seems to tie into the idea of a long journey home, but this is an Odysseus who lived and died and now has other (inhuman) priorities. He loves them, but has no interest in reuniting with Penelope and Telemachus at this point. Nemesis dislikes her siblings, and is more concerned with the equal application of "justice" than whether it has any reforming effect. Narcissus and Echo eventually talk and part more amicably, but that's the best that can be said about their relationship.

Hecate refuses to be called Melinoë's mother: she will not distract from the "true" family that Melinoë has no memory of ever meeting.

Instead of Ares and Dionysus (enjoyers of chaos and least affected by the toxicity of the family in Hades 1) we have Hestia and Hephaestaus- a goddess who helped murder her father and a god constantly belittled by his own family. Their tense and frequently bitter interactions with the other Olympians are evocative of the central theme being explored: what if there isn't a home to go back to? What if your family is unforgivable? (What if you want to forgive them anyways? What if you need to?)

This theme is why Arachne is in the game, and Athena is not: likeable, first-helper-of-Zagreus Athena turned Arachne into a spider out of petty anger. How do you reconcile that?

Moros (lovely, kind Moros, who gushes at Odysseus like a fanboy) and his sisters the Fates did horrible things to mortals out of boredom. The same mortals whose bodies you can see stacked up like cordwood in Ephyra, who you repeatedly claim you are fighting to protect from Chronos. Moros can neither confirm nor deny that the current events could have been set in motion by the Fates. How do you reconcile that?

Polyphemus raises sheep. He genuinely loves and cares for them, is protective of them. He also eats them, and is confused when Melinoë implies a contradiction.

How can you love someone and be willing to kill them? For survival? For fleeting satisfaction? For vengeance?

Is Chronos' willingness to eat his children so morally heinous that it makes him worse than every cruelty the gods have wrought? Worse for who?

[carnivalcarriondiscarded]

the artblock be hitteth Harder than normal, for tis not normal artblock. woe. Wally be upon ye

[crustyfloor]

Luka is very good at keeping himself composed on stage, mostly with the help of maintaining track of his heart rate, but during Mizi's attack in ROMH he seemed to slip up, not only was the red background a tell-tale sign of Mizi's violent intentions but it was a more symbolic way of showing Luka in quite visceral fear. Even if for only a second.

I'm not convinced Luka will be as continuously calculated as he normally comes off, it all seems too fake to me. Because it is. It’s a similar case to Ivan who can't feel, isn't normal, isn't human enough so he makes a persona to blend in. So Luka, whoever he is, makes this version of himself to cope with what he has to live through, pretending like he's on top of it all to survive in this world.

So in round 7, I think something drastic will happen to make him 'snap' in a way.

It's safe to say that we don't know Luka. We don't know who he really is. We don't know his real desires. But we do know one thing--he is scared. he is afraid of the aliens. That's why he appeases them--being their trophy. He's only kept around for his purpose as an entertainer and nothing else and he's very aware of that. He knows very well that a dented trophy will be discarded; with that mindset, he's been able to get so far, and he's scared of losing. That's why he holds any little thing he can get his hands on close. And an important extension of that fear is his fear of losing power.

Till should be the more likely in this position, given he's such a rebel. But isn't that just too predictable? Keep in mind, that Till is a strong person. Even after all he's been through, even after he's been beaten into something more manageable for the aliens--He still hasn't lost his spark. Till is a raging storm. subdued but nonetheless a force to be reckoned with.

Round 6's effect on Till is greatly ambiguous for now but at this point when the time for round 7 comes, Till has been put through so much hell. Whatever Luka does to provoke him probably won't work, he and Luka are equally talented individuals and will make for an intense battle, and at the end of the day, the numbers won't lie. Exactly that is what Luka is ready for but scared of--a worthy opponent for the throne. Someone capable of stripping him of his power. (Is fear what makes Luka so dismissive?)

It would be so aggravating that this 'pest'. who is so indignant, so rebellious (in a way Luka envies.), could so easily destroy everything Luka has worked for, disregard every pain Luka has been through to get to this point, and Till doesn't value this throne as much as Luka does, and Luka doesn't want to feel the pain of death anymore. If his facade is as destructible as I think it is, that will be what ultimately brings out Luka.

This idea may be flawed. Luka is so perfect, too perfect and confident and experienced for something as little as that to break him, just think of all the training Luka went through to get to this point. I'm positive he's very aware of what playing unfairly will lead to. But isn't there always room for a wild card?

Just remember what happened to Hyun-woo.

What happened here isn't fully explained (and probably will be in round 7) but imagine Luka: "Trophy child, goody two shoes" Luka possibly killing another human. Whether by accident or not, what happened?--what and how did Luka feel in the moment for the repercussions of whatever happened to be that bad?

A Luka that is secretly greatly insecure, pliable, and defensive enough that in a spur of emotions, he can’t help but lose his cool in a way he hasn’t in a while because he’s afraid—just to try and prove he is still valuable. That is the type of character I theorize we'll come to see in round 7.

[flufallo]

Edwin, looking at the bracelet: what the bloody hell is that?

Cat king: it's an enchanted bracelet. It only comes off once you do something for me. Take a guess at that it is

Edwin: you know what? Fuck you

Cat king: correct

Edwin: wait what

[vigilskeep]

lots of people reacting with surprise to the “zevran is 25” post. to be clear iirc this is world of thedas canon so a) i would not expect it to be obvious to anyone who hasnt read WOT vol2 or obsessively googled things and b) i still consider WOT kind of wishy washy canon where like it’s basically fine if you made a different assumption and prefer that. that being said i think being 25 only adds to zevran’s character and that people would write more accurate zevrans if they kept that number in mind

[applepixls]

please can we have more jimmy and impulse.

collabs, streams, heck even a life series team

i just really really want to call them jimpulse

[atthebell-moved]

hi, i completely agree that the fandom has a problem with misogyny and often fails at self-introspection. my question is, do you have any resources/tips/thoughts on how to be better about it? even, how to recognize it in yourself the first place? "ok i'll stop being a misogynist now" is a lot easier said than done, especially for people who might not be that educated on the subject, and majority of the people in this fandom are quite young as well.

this is long as fuck and possibly somewhat incoherent bc it took so long to write but i did my best

my biggest tip for people who don't know much about misogyny is to look at your own behavior and learn how to clock what you're doing as sexist.

are you criticizing a female creator? think about why you're doing it, what the actual beef you have with them is. if it seems to be just a sense of discomfort or thinking they're annoying or overly loud or pushy, think about male ccs who act the same way and why you dont consider them annoying. are you annoyed with them for being on a male cc's stream? why? does it feel like theyre taking up too much attention? do you get annoyed with them for talking too much or flirting with guys? for gaming especially-- do you get annoyed with them for not knowing something or being "bad" at a game? think about why that is and why its just funny when a male cc is bad at games or doesnt know something.

a HUGE problem i see in this fandom is the Madonna-whore complex, repackaged as the little sister-racist dichotomy (kudos to @yourlittlemenace for that phrasing).

if a female cc is deemed to be "playing nice" (doesnt talk too much, is "nice", streams with male ccs but doesnt flirt with them, isn't "overtly sexual"), she's the little sister of the group. all the male ccs "protect" her, she literally folds their laundry, she doesnt call out how people treat her, and the fandom pretends that this is a normal and cool way to treat women who are public figures. this also goes for mom/big sister/etc. if you think you haven't done this, think about all the aus where you've forced puffy into some kind of maternal or sisterly role when it made no sense. then think about how pissed people got when she decided not to be the server therapist and was "mean" to Tommy (in lore, with permission. that she didnt even need to get. see that clip i rbed earlier from her podcast.)

if the fandom decides she doesnt play nice, if she flirts with male ccs too much or stands up for herself or points out how unfair it is that she's being treated this way, she gets demeaned, harassed, and shunned by the fandom. consider, again, puffy. consider how niki flirted with wilbur and talked about misogyny and got called a racist for *checks notes* "speaking to schlatt and fundy" and "not being a native english speaker". she got called a slut and a queerbaiter for kissing another woman despite being bisexual.

consider how hard people went down on hannah for having said the r slur several years back versus how hard they went on dream for the same thing. and how people dug it up as a direct response to her being on stream with dream. consider how every time hannah talks about how unfair it is that the mcc subreddit treats her like trash, she has to delete all her tweets bc they harass her to hell and back and act like she's an asshole for pointing out their hypocrisy.

the fandom doesnt do this across the board; i shouldnt have to say this, but its not an everyone versus no one issue. some people do this outright and loud, some dont seem to realize theyre doing it, and a few people dont do it at all (incredibly rare, i can count on one hand the number of people who genuinely seem to try to avoid these issues, which is why im complaining).

in terms of lore, have you ever once done analysis on a female character? why do you think you haven't? the bechdel-wallace test is an (imperfect) way of gauging how a piece of media ignores women and prioritizes men. think about the fact that there are FOUR female ccs on the DSMP and they are continually ignored in favor of male characters. consider that puffy and aimsey both talked about trying to do genuine lore and getting shafted, either because no one was online and wouldn't put in the effort to stream with them or because they received insane amounts of criticism for breaking anything on the server, despite the clear lack of "no griefing" rules and the precedent that you can blow other people's shit up (tommy leveling one of puffy's builds, amongst many other examples).

a quick thing about ships: have you ever wondered why m/m ships are so popular? the general consensus amongst people who care about feminism and are into fandom studies is that for a long period of time, m/m was hugely popular because women are so rarely written as full and complete characters in any media. so people took to engaging with m/m ships and writing about them because they were the most fulfilling relationships, and because misogyny led them to be predisposed to be uninterested in female characters.

say an m/m ship is incredibly popular, something like, i dunno, john watson and sherlock holmes from bbc sherlock. lets also say the canonical media presents one or both of the characters with a female love interest. how do you think a fandom that prioritizes m/m ships and is primed to be disinterested in women as characters (either because of our society's role in teaching people that women do not matter or because of fandom's history in assuming female characters are not fleshed out) is going to react? if you said theyre going to send undue amounts of criticism her way and act like its an act of homophobia to give a canonically straight character a female love interest, congrats, you've figured out a huge component in fandom misogyny. take this, amplify it over several decades, and add the psychic damage that supernatural gave society. queerbaiting is bad but mistreating female characters in service of nonexistent queer relationships is also bad.

this is relevant in general but i also believe its relevant for the dsmp because of the complete lack of m/f ships. aside from phil and kristin, who are literally married irl and kristin isn't even on the server, there are no m/f ships that involve female creators. this is not, despite what you may think, due to the inherently yaoi nature of minecraft roleplay. this is because the creators, including the male ones, are afraid of the blowback of m/f flirting and how fucking awful people are to female ccs anytime it happens. once again look at niki. as another example, consider how notfounders harassed the living daylights out of mxmtoon for flirting with gnf on twitter. if i was a cc i would avoid it like the plague too considering how happy people are to dig shit up about them or accuse them of being a slut or an attention whore/"pick me girl" for speaking to a man.

one last thing, this is more about fanart than anything else but stop drawing women to look like teenage boys. the amount of fanart i see where i literally cannot tell if someone has drawn niki or tommy is fucking insane. niki has curves. draw her with them. if you cannot draw women or people outside a very specific body type you cannot draw. fatphobia and misogyny have a clear overlap.

i cant think of anything else and ive already spent forever on this. look into feminist media analysis. think twice about how you react to female ccs & female characters. consider not just what characters have interesting stories but who is allowed to have interesting stories. you might be neglecting someone who has a lot going on because you're dismissing a female character as inherently less likely to be interesting. you might not even know someone has an interesting story because the fandom neglects it so completely.

as a final little note: like i said earlier, if you're not familiar with gender & sexuality studies, you may not know this, but homophobia and transphobia are rooted in misogyny. the idea that gender is immutable and rigid is because of the patriarchy. this is why gendered slurs are used against queer people and why queer men in particular get accused of and demeaned for being feminine. your understanding of queerphobia is incomplete without considering how sexism plays a role.

also go read everything rayne fisher-quann has ever written but especially this piece on getting woman'd and listen to you're wrong about

[shesmore-shoebill]

well. surprised and pleased(?) to report we've got some 2.6k words of fic written about the apple watch amangela thing hanging out in my notes (and then moved to gdoc bc i hit character count limit).

will be published once i figure out some more of the scene transitions and how to like. end it. (and have edited it at least once.) so. 👀

[c-kiddo]

adrianne lenker cover that just made me cryyyyyyyy 😿😿😿

[liquidstar]

another request from cohost! my friend asked for traditional inuk hairstyle like qilliqti, which is what i ended up going with! looking up the hairstyles sent me on a sidequest of looking at a bunch of fashion designers with modern takes on traditional clothes, so i also used some of those! so credits for that under the cut vv

jacket- https://www.instagram.com/p/C3QiKIdO0Jp/?img_index=5 jacket 2 (full fashion show with more angles, and a lot of super cool designs, also really cool music)- https://www.youtube.com/watch?v=yp_eAzDu8xU patch- https://www.bradorfabrics.com/products/inukchic-iron-on-patches-celestial-narwhal hair originally from the film atanarjuat the fast runner, but the specific screenshot is here https://www.pinterest.com/pin/53480314313400875/