There are four main types of Batfam fans in regard to how people interpret Bruce Wayne as a dad (/Joking. This is mostly satire and should not be taken seriously):
Fans that think Bruce is emotionally constipated and isn't the best at being a parent but still tries (Differs per person). Don't necessarily think he's absuive but thinks he can be toxic or have unhealthy expectations for the Robins. Can smell the Oldest Daughter Syndrome coming from Dick and have Family Line (By Conan Gray) as their top song on their Dick inspired playlist and Daddy Issues (By The Neighbourhood) for Jason.
Fans that choose to believe Bruce goes to therapy in their own canon. Love B:WFA. Thinks the comic can be cheesy at times and so find a balance between B:WFA Bruce and Please Go To Therapy BruceTM as their middle ground. He struggles. They advocate that Bruce is not a bad parent, he just has bad writers that seem to forget Bruce wouldn't hurt kids, especially not his own. Love the humane moments and scenes he has in BTAS and the early JL cartoons. He may not be perfect but he's not literally abusive. Whores for Bruce being able to admit when he is wrong and for Jason and Bruce reconciling. I recommend Grow As We Go by Ben Platt for this one.
A mix between the first two. Was fine-ish when Dick was younger. Didn't help him in the healthiest way but eh. Still emotionally constipated but that happened more so after Dick left and Jason died. Started getting better when Tim came back but was still closed off. Should probably go to therapy with the kids so they can drag his ass about all the things he's done that have actually affected them negatively. Understands his mistakes and is also able to admit when he's wrong, eventually. It's not easy but he starts to do better and learns to be more emotionally available. Still has to get chewed out by Alfred sometimes but definitely better than he used to be and it shows. Reconciliation is slow and gradual but progress is made for everyone involved.
The one's I personally avoid for my own sanity and wellbeing:
Think Bruce is a complete bastard and abuser. Want him to choke. Hate any and all interpretations of him. Some of which will refuse to understand how anyone could have a different interpretation. Will point out comics where, in all fairness, he is a dick but forget that characterisation can significantly differ from one series to the next, as comic characters are constantly passed around to different writers and have been for decades. Not to mention movies, shows, etc.
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Remember this joke?
Well, I am going to do something similar only with photography. This is a photo someone took for an Amazon review of their Clinique products.
Honestly, it is not a terrible photo. They did some staging. They have an interesting background. All of the labels are legible. It is properly exposed. This would be a perfectly acceptable product photo for an Etsy page.
I've been taking these advanced photography courses in preparation for whenever I am able to create a new studio in the house. And my teacher is a photography badass. I just watched a 6 hour class on how to recreate a professional Clinique ad. And at first glance it looks deceptively simple. It's just some skin care products being splashed with a little water.
Which is why I wanted you to see an average person for reference.
This is what Karl Taylor came up with.
And I don't think I've learned so much about photography in one tutorial before.
Product photography is just loads and loads of problem solving. You have to light the chrome caps with a gradient. Which requires giant diffusion scrims.
Those big white panels are literally only there for the two chrome caps.
You need a pure white background, but you can't let light spill all over the studio, so you put up giant black light blockers.
And you have to add another light just for the orange bottle on the right.
Oh, and if you want the bottles to glow, well, you have to hide a silver reflector behind them.
But you still want the edges of the bottles to be darker so they have some contrast. So you add some black tape to the sides.
And in order for the reflective labels to have bold black lettering, you have to reflect black cards into them.
Ack! Karl's beautiful bald head is showing up in the chrome caps! He must put on the naughty blanket.
And once you get every aspect of every bottle perfectly lit, you finally get to yeet some water at it all.
I don't love product photography because I have a weird obsession to help greedy corporations make their wares look more beautiful. I love it because it is a complicated and challenging new puzzle every time. Every product is a different shape and requires a different technique to make it look its best.
I don't know if I will be able to live up to Karl's standards.
This is about the level I was at in 2017 before I quit photography.
I have so much more knowledge in my brain now. I'm really hoping I can surpass that.
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one of the best decisions i've ever made was to stop arguing.
i'd always been an arguer. i was defensive about everything and mindlessly contrary. it wasn't all my fault; i was (and still am) talked down to and patronized a lot, and when you live your life that way, you become kind of a raw nerve and dedicate a lot of energy to trying to prove yourself. someone even told me once, "it's just fun messing with you. you get so upset."
at 23, i was working in an environment where about a half dozen middle aged conservative men were always telling me what to do and explaining things to me. i either argued with them when they said heinous things or stewed about it for hours or even days. and so my new year's resolution one year was simply: no arguing.
it felt a little like defeat at first, like i was no longer standing up for what i believed in, even though no matter how right i was or how much proof i had for my claims, no one had ever been swayed by anything i told them. part of that was because they had no respect for me and didn't take me seriously; the other part was the simple truth that arguments are almost never productive. when someone says something and you immediately reply with, "you're wrong and here's why," a wall goes up and nothing can go over it.
i couldn't just let these men talk at me though, so i started asking questions. not leading questions, not with an intention to prove a point or walk them into a corner. i genuinely wanted to understand how they came to shape the opinions they held. i realized that understanding and agreeing are two different things, and just because i seek to understand doesn't mean i condone.
a truly fascinating thing happened: these men walked into corners all by themselves. it turns out nobody had ever actually tasked them with speaking their opinions aloud to a neutral audience. no one had ever been sincerely curious about them and their views. sure, their loved ones probably asked, "how are you doing?" all the time as a show of affection, but that's much different than, "what do you think?"
knowing what i know now, i think that's true of everyone. how many people ask you for your opinion and listen to what you have to say without speaking their opinion back to you? without judging you? how many people actively and intentionally try to understand you?
it's been over ten years since my resolution and i think i can count the arguments i've gotten into on one hand. one finger, even. it's amazing what happens when someone tries to rile you up, pick a fight with you, and your only response is, "can you elaborate on that?"
you can work someone into a very open and vulnerable state when you ask questions. they eventually run out of their usual talking points and move into the personal. when i do this, it's not like therapy; i'm not trying to help anyone. and it's not like teaching; i'm not trying to educate anyone. i just want to understand how people reach the conclusions they've come to. even after all these years of asking questions and not arguing, it still amazes me how few people in this world feel understood, and how easy it is to get them to open up when you say, "i want to know what you think."
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A Workshop for Creating Magical/ Fictional Crystals: A Guide from a Geologist
Hi folks, its me, here to talk about fictional writing again! Today I'm just tackling the idea of magical stones/mana stones by looking at existing minerals today and some neat properties that they have, and how you can apply these things to a fictional world. The goal is mainly to help you if you are stuck trying to come up with a unique magic system, or a unique identification/characteristic of your mineral.
First Things First: Mineral Shapes
I am exhausted, petered out, down-right fatigued by seeing every mineral depicted with having the crystal structure of calcite and quartz. There are soooooo many cooler, more interesting crystal structures, don't you think you would stop and take a look at a perfect cube in nature? It is completely unsettling.
Second: Color
Color within minerals can either be really important, or not important at all! It is your choice to decide if color is going to be something that means something to your mineral. But what are some times when the color is important? Well.... there are some elements that are called chromophores, this classification just indicates that these elements, when present, will determine the color of whatever they are in. So, if you wanted to treat mana like a chromophore, you could say, "Oh everything that contains mana turns green!" This could mean that regardless of the mineral, if that mineral is a specific color, it means it contains mana. This concept is exciting because you can just stop here and use minerals that already exist! You can also use it as an indicator for a magical ore! Chromophores are typically metals, so if you are making a new metal weapon, making the ore of that metal a unique color would make a lot of sense!
However, your mineral can also just be every color of the rainbow like quartz and perhaps that's what makes identifying your mana stones elusive and create an illusion of scarcity that your character can solve.
There are other things that can change the colors of minerals, like radiation damage, and electron exchange, but I think that is beyond what would be helpful! So lets talk about some unique color properties that happen in nature that seem magical in the first place! Maybe you don't need to design a mana stone, but you want a unique gemstone that only the royal family passes down or something (IDK).
The first one is the alexandrite effect! This is where a mineral can change color in natural light vs. incandescent light. (the mineral itself is not changing, but the lights contain different amounts of different colors that then get absorbed by the stone). Even if you don't use electricity in your fictional world, you could have the colors change in the presence of light magic. This could create fun misunderstandings about what the mineral is reacting to!
Pleochroism
Pleochroism is something that most minerals have, it is frequently used to help identify minerals in thin sections, however minerals are usually not pleochroic enough for it to be visible to the naked eye! Pleochroism is just a fancy name to describe the change in how light is absorbed based on the angle of the mineral! So if you scroll up to the first image where I showed a lot of crystal shapes, most of them have angles where they are longer and shorter! This will effect the way light travels in the crystal. Tanzanite is a popular mineral that does this.
Photochromism
This is when a mineral will change color (in a reversible way) when exposed to UV light (or sunlight), I am not going to go too into the details of why this is happening because it would require me to read some research papers and I just don't feel like it. The mineral that is best known for this is Hackmanite!
Alright! These are all the really cool color effects that might inspire you or maybe not, but now I am going to talk about how you might find your minerals within a rock!
When I see a lot of magical caves/mines, typically I see them with some variation of a geode honestly, but most minerals are not found like that! Now I am sure most of you guys have seen a geode, so I will not really talk about those, but I will talk briefly about porphyroblasts which is when the mineral grows larger than the minerals around it, this happens in metamorphic minerals!
sorry random stranger, but this is an image of garnets inside a finer-grained rock at gore mountain in New York!
Another way you might find minerals is in a pegmatite! This is when all minerals are really large! This is a formed from really slow crystalizing magma!
But something else to think about is that your mineral might just be massive, it doesn't have to have distinct crystals, it may be similar to jadeite where small grains grow together which leaves it looking smooth and seamless! A note about all of these is that you would have to mine into the rock to find these, there would not be any natural caves in these rocks! Caves are only ever really formed in limestones and maybe marbles (rocks that react with acid).
How can your characters identify these minerals?
Typically when you are out in the field you will look to see what type of rocks the minerals are found in (The overall texture of the rock will tell you how it formed). If you know how the rock formed, it will narrow down the amount of minerals you need to think about by quite a bit! Next, you are going to look closely at it and observe its crystal structure, does it have an obvious crystal? if so what is the general shape? If it is broken, how did it break? Did it fracture like glass or did it break along uniform planes. Some minerals have a thing called cleavage (breaks along planes of weakness). If a mineral exhibits this habit, it will again help narrow this down. Next we can look at color. Color can be misleading, because minerals like quartz can be any color imaginable, but minerals like olivine will always be green! The next thing your character can do is test for hardness, minerals all have a specific hardness that can help identify it as well.
After you go through all of this, your mineral might have some special property! This could be magnetism, fluorescence, reactions to acid, or any of the color changing effects I mentioned above! Other than that, your character can take it back to a lab and do a number of things to identify it, but the most typical thing would be for them to make a thin section (very thin piece of the rock) and observe it under a cross polarized microscope!
On that note folks! I hope this helped in some way in thinking of new magic mineral properties! I have other guides that explore some different fictional worldbuilding issues you might run into, but if you have any topics you would like me to cover please that I haven't mentioned already, let me know!
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Existential despair is so common in a person's twenties, I think, because up until that point, we've had a pretty clear road map for what's expected of us and we haven't had much reason to question that map. There are still a few milestones outlined for us (start a career, get married, make babies) but more and more young people are entering the post-school world and realizing:
A) that career thing just isn't happening like they said it would
B) I'm not ready to get married/I don't want to get married/marriage isn't the sort of life-altering event that it used to be
C) I'm not ready to make babies/I don't want a baby/I can't afford to raise children right now (see point A)
And in the absence of these milestones to shoot for (which one could argue weren't the promise of fulfillment they claimed to be in the first place), what we're left with is this aimless abyss of "the rest of our lives" sprawling out ahead of us with no indication of how it will go or what we should be doing to shape it. Young people start their first jobs, find they hate them, and think to themselves, "Is this it? Am I just supposed to do this job until I'm too old to do it or die first?"
Which is, yeah, really fucking depressing!! So here's my best attempt at an alternate roadmap for young people that don't vibe with the old model. Please feel free to add in your own suggestions!
Learn how you work and what you want out of a job. Unless you've been in a job-specific training program that gives you hands-on experience, your first jobs should be experiments. Learn how a full-time job feels for you, what elements are more or less difficult. Different workplaces have different cultures and expectations - what do you need out of a job environment? Do you need to find fulfillment in your job or is it enough for it to pay the bills and leave you time to find outside fulfillment? Do you want to climb a corporate ladder or are you content to hunker down as long as your bills get paid? This period of experimentation is exhausting and may feel like it's consuming your whole life.
Learn how to make time for things outside of work. Adapting to a full-time work environment often leaves you feeling so drained that you can't do anything but go home and collapse on the couch every day. That's fine - for a little while. But it can also become a habit. You need to learn how to do things after work or you'll go crazy. Go to a trivia night. Start an exercise schedule. Take a class in your community. Find volunteer work. Join a band. You will find that putting more things into your day makes you feel like you have more time, not less.
Find a community. Making friends as an adult can feel impossible. Where do you find these mysterious friends everyone seems to have?? This goes along with #2, though. As you start regularly attending the same activities, you will find that repeat interactions with the same people turn into friendships or at least friendly acquaintances. Say yes to invitations. Get involved in your local community. Strive to be connected enough to bump into people at the grocery store.
Unlearn bad lessons. We all internalize some messed up things when we're growing up. As you start off your adult life, that's the time to actively work at unpacking the things you've brought with you from childhood and deciding which things are helping you and which things are harming you. This might mean therapy or joining a spiritual group or reading new things or just making special time to be in your own head.
Learn the lessons you missed. In this, I mostly mean practical things. "Adulting." Areas of your day-to-day practical life that are causing you extreme stress are probably related to a knowledge or experience gap. Do you hate cooking and cleaning or were you not taught how to do it properly? Are you afraid of making medical appointments or is it just something new you're not used to? Does money make you queasy or do you need to learn how to make a budget?
Find something fulfilling. This can be your job. It can be volunteer work. It can be faith. It can be a hobby. It can be creating things. It can be challenging yourself physically. It can be activism. It can be going for walks in nature. Everyone finds fulfillment in different places. If you're not finding it where you are, look somewhere else.
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