#but sometimes something is just a good story with good characters. the story is done there aren't really any loose threads

[bookuce]

Fools Rush In

SUMMARY: Nessa wasn’t looking for love, neither was Joe, but when you know, you know.

*DISCLAIMER: This is a multi-part series. I do not own any of the characters in the writing except for the OCs. The book uses actual names of wrestlers. Josh is Jey, Jon is Jimmy, Trinity is Naomi, Joe is Roman. The book is not realistic and does not take place during real events, but some actual events (matches, storylines) could pop up in the story eventually. I DO NOT GIVE ANYONE PERMISSION TO TRANSLATE OR REPOST MY WRITINGS ANYWHERE. THAAAAAANKS. *

PAIRING: Roman Reigns x Black OC

TROPE: Love At First Sight

WARNINGS: Language

WORD COUNT: 2.3K

CHAPTER 4

CHAPTER FIVE

Nessa felt like shit, figuratively and literally. She blocked his number once she got home from Joe's hotel. Vanessa didn't want to see any texts or get any phone calls from him. She felt guilty enough for ghosting the man. Seeing or hearing anything from him would only make things worse. 

She sat on the shower floor, letting the water pour over her head. She tightly wrapped her arms around her legs, her eyes shut while she focused on breathing. The warm steam from the water comforted and relaxed her while she attempted to take her mind off what she had done. Unfortunately for her, she was failing miserably. Though her night was drunken, she could remember every bit of that evening. 

She could feel his hands on her body--all over her body, memorizing every dip and curve she had. Despite being pounded by the water from the shower, her skin still tingled in places he touched. Images of his face contorted in bliss, flushed pink cheeks, and sex-clouded eyes filled her mind. Oh, those eyes. Those eyes, hands, and perfectly pink and swollen lips kept reeling her in each time she thought she finished. How many times did he make her come last night? She lost count after the third time.

His voice echoed in her mind. Just like that, he praises. How do you want me, he asks. You feel so good, he tells her. The huskiness of his voice would send shivers down her spine. He somehow managed to make his already deep voice sound even more resounding. The way he spoke sometimes sounded animalistic. There was a growl with certain words, especially when he would say her name. 

Vanessa brings her right hand up to her ear. She swore she could feel his ragged breath on her skin just then. The tremble in his voice and the moans he let out were things she never heard before with a man--at least not with any man she's ever been with. Joe was vocal, but this wasn't a bad thing. She enjoyed that he talked her through the things they did. He made her feel in control at times, powerful even. She learned something new about herself, a new kink unveiled. 

Joe Anoa'i left quite the impression on this woman. Well, he did promise to make the evening unforgettable for her. Now look at her, dickmatized on the bathroom floor. Maybe she was overreacting about sleeping with the man. She needed this. She needed to be unwound and loosened up. She hadn't had sex in a year! She would never mention that out loud, though. It was bad enough that Isabel looked at her as if she grew three heads every time she remembered that her best friend was practicing celibacy. 

Everyone needs to have sex! She'd exclaim. There are health benefits to it! She'd add. She would ramble on about it being a natural stress and pain reliever. Did you know sex can cure a migraine? Te lo digo, Nessa, es bueno para la mente, el cuerpo y el espíritu--Yes, yes, she knows.

Despite her newfound guilt, she felt refreshed when she woke up this morning. Her body wasn't sore. It didn't hurt when she walked. She felt pretty light on her feet. It could have something to do with the fact that Joe stretched her--Alright, that's enough. Vanessa reaches to turn off the shower. The warm water ceased, and cold air rushed to sheathe her body in goosebumps. 

She pushes herself off the floor, a small sigh leaving her body as her joints pop with the movement. She steps out of the shower, snatching the towel that hung just above her head on the shower curtain rod. She wraps it around her body, exiting the bathroom. Instead of drying herself off, she drops onto the bed. Her eyes would meet the ceiling as she sucked in a tired breath. Vanessa brings her hand to her face, allowing her palm to drag down it. Her arm would then fly out to rest against the bed, hitting her cell phone. She turns her head towards the direction of the phone, flipping her hand over to grab it. 

The light turns on on the screen, displaying the time to her. It was now ten o'clock exactly. She watched her phone screen as if she was expecting a notification to appear. One would never come, though. Unblock Joe's number, commands a voice in her head. Unblock his number and text him. This voice wasn't thinking about her at all; at that moment, it was thinking about what Joe could do for her--what Joe could do to her. Look at her, acting like a touch-starved woman--Well, she was, but she refused to give in to those temptations again. Nessa did it once--er, twice...three times last night, but never again. She had a moment of weakness. Yeah, that's what she was going to go with. 

Texting that man after sneaking out while he slept and blocking his number would be foolish. He'd probably call her every name under the sun if he had the chance. Vanessa couldn't say she doesn't deserve it. She was a jerk and entirely too old to be doing this. She drops the phone back onto the bed, her eyes falling shut as she does so. "Stupid, stupid, stupid." She mutters to herself. Vanessa rolls onto her stomach, burying her face deep in the comforter she laid upon. She draws in a deep breath before letting out a muffled scream against her bedding. 

Why was she even this torn up over ditching a guy? People did it all the time. They hook up, and they go their separate ways! It's not like she was ever going to see the guy again. Joe lived in Pensacola, nearly a ten-hour drive from Miami. The chances of them ever running into each other again were slim. There was no need to feel embarrassed or upset, but for some reason, she was. These can't be her feelings; maybe they were his. Soul ties are a thing, or at least that's what she read somewhere once before.  

She lifts her head from the mattress, her eyes searching for her phone again. Once she locates it, she snatches it from its spot on the bed and opens her browser. How to get rid of soul-ties, she types into the search bar. Several links would appear on the screen before her, her eyes quickly skimming over article previews. "Addiction?" She whispers to herself, her brows furrowed. "The fuck..?" She turns off the screen of her phone once more. Perhaps she's being dramatic.

These feelings she felt are temporary and eventually will be a thing of the past. Hopefully, in about a week or two--or four, things will be alright again. Joe Anoa'i is a complete and total stranger to her, someone she met less than twenty-four hours ago. There was still plenty she didn't know about him despite getting to know the man last night. She learned normal, surface-level things about him; fun facts, if you will. It wasn't enough to pine away over. He was still a stranger to her. 

Nessa pushes herself off the bed, now walking to her closet for undergarments and clothes. She couldn't sit around the house, no, not in this state. Vanessa needed to get active and move around. Sitting at home would do nothing but make her mind drift off to the events of last night, and the last thing she needed was to think herself into a horny slump. Maybe a jog will fix this. Yeah, she'll go for a jog. 

Joe turns onto his side, his arm stretching out to drape over something that wasn't there. His dark brows knit together in confusion as he allowed his hand to glide over the empty spot next to him. The sheets were cool to the touch, meaning his bed was empty. He forces his eyes open, his semi-unconscious suspicions confirmed almost immediately. Nessa was not next to him. He lifts his head from his pillow, glancing around the room in a half-sleep daze. "Nessa?" He calls out groggily. 

He'd get no response back. Joe becomes still, his breathing quieting as he listens for movement. The suite was silent. He moves onto his back, his eyes finding the high ceilings cast in a dim white glow from the light outside. Alone was not how he imagined his morning would begin, but that seemed to be his reality.

BUZZ! BUZZ! BUZZ!

Joe sighs at the sound of his phone ringing from the nightstand. The timing for a phone call couldn't be more perfect. He lifts his head, reaching out to snatch the phone from its spot. Without checking the Caller ID, he swipes to answer the call. "Hello?" He says. 

"I thought your ass was never going to answer," Josh says from the other side of the phone. "Ay, you good?" Joe scoffs slightly at the question. He was something. He hadn't determined how he was feeling just yet.

"Yeah, I'm good." He lies.

"You sure?" Jon chimes in, now leaning into Josh's phone. "Because the damn plane was supposed to leave thirty minutes ago, and your ass ain't here."

Joe's brows furrow slightly at Jon's words. "What're you talking about?" He asks. Slowly, he pushes himself up in bed, allowing his hand to prop him up. His hair would fall around his face, dry curls caressing his cheeks. 

"You late, fool!" Jon exclaimed.

"Ay, Paul over here tweaking, Uce. You in trouble." Josh sings.

"Yeah, I ain't ever seen him this red before. Boy, that man is hot." Jon sings. Joe throws back the covers from his body, standing from the bed. His joints would pop as he stretched, a sigh leaving his lips as he did so. 

"Is that, Joe?" Paul says in the background. "Let me talk to him." Joe rolls his eyes, his head moving in a circular motion as he does so. He didn't have time for this.

"Nah, it's our dad, Wiseman." Josh lies. "Bruh, bring your ass on." He says lowly to Joe through clenched teeth. The call will end, sending Joe back into silence again. He tosses his phone on the bed, his eyes taking in the room around him.

"Ness?" He calls out again. No answer. The bathroom door was open; the small room shrouded in darkness. He'd grab a handful of sheets, pulling it from the bed to wrap around his waist.

Thin, white cotton sheets skimmed delicately against the marble floor as Joe approached the staircase. He stops at the top and peers over, hoping to see the beautiful woman from last night down below, but she is nowhere to be seen. He spots his clothes draped along the back of the couch, but hers, which once laid alongside his, is now gone. Joe's head turns slightly, his eyes finding the morning sky outside his windows. Vanessa had snuck out before he woke up. Has he ever had this happen before? No, no, Joe couldn't recall. Maybe while he was in college, but after? No, he couldn't say he has. 

Like he said earlier in the night, he wasn't interested in hooking up with her, and what happened between them was not planned. He just wanted to spend his last night in Miami with her. One thing led to another, and they ended up in bed together. Getting her there was not his intention at all. Hopefully, she doesn't assume that was what he had planned with inviting her here. His mouth would twitch to the left as he sniffled. Now that he thinks about it, maybe that's why she snuck off.  

Again, that wasn't his intention, and he thought he did a good job assuring her he wasn't one of those guys. Did he slip up at some point last night and say or do something that might've thrown her off? He recalls the night just as he remembered it best. They talked, swam a little, and lastly, came back here. Nothing happened between the roof and the bedroom, he thinks. The wine they had wasn't too strong--at least not strong enough to hinder his ability to remain courteous. 

Joe's gaze lowered to the floor, his shoulders rising with the breath he was taking in. He was feeling plenty of things right now: embarrassment, disappointment, confusion, and maybe a little anger. The anger is what confused him, though. Vanessa was essentially a stranger--why is he upset that she left? 

Try to call her, a voice says to him. No, shoot her a text instead, it backpedals. He shakes his head at the thoughts. No, both options were heavily confrontational. He didn't want to come off weird to her, but then again, it was probably too late. Joe lifts his hand to his forehead, pushing his hair back against his forehead. He shuts his eyes only briefly. "She's just a girl." He mutters, lifting his head. For some reason, those words sounded untrue--coming from his mouth. Was it a false statement? 

It doesn't matter--he'll get over it eventually.

Joe slowly turns, now sauntering towards the bathroom. He needed a shower. Vanessa's actions had left him questioning himself again. Was it the sex? His brows would knit together at the thought. It couldn't have been. One thing he knew for sure was that he was damned good at that. His mind would drift off to last night again. 

Joe thought they had spectacular bedroom chemistry. He and Nessa left not a single part of that bed untouched. How they managed to stop themselves from going longer than they already did was beyond him. 

His hand skims the wall, flicking on the lights within the bathroom. He'd come face to face with his reflection in the mirror, finally seeing his disheveled appearance. His hair stood wildly on his head, his curls defined in some spots and tangled in others. He looked well-rested despite getting hardly any sleep at all. The flight to Texas would be irritating with how the twins said Paul was acting. With how Joe felt, Paul might get some of that attitude back. 

He should've left yesterday when he said he would.

__________________________________________________________________________________________

A/N: I heard a lot of y'all was judging Nessa for sneaking out the crib before Joe woke up lol

What's that all about? Y'all wouldn't do the same thing after a one night stand? 😂😭

🏷️ list: @thesamoanqueen @whatdoeseverybodywant @headoftheetable @mzv11 @southerngirl41 @yana3sworld @wanderingreigns @wrestlingprincess80 @siriuslycee @vebner37 @astridxxxxxx @alichesmi @tshepisho @scarlettnoir01 @brokenglassslippers @reignsboy19 @sayyestoheav3nn @cyberdejos2 @empressdede @sisinever @truefant4sy @paigereeder @tbmotw @fearlesschimera @venusesworld @usoholic @sageispunk @bebesobrielo @jstarr86 @vibessonvibes @issahyland @queeny23 @pytbgeezy @sabrina-carpenter-stan-account

[youcouldmakealife]

Do you ever mix up names? I love your stories, but I am shit at names and as your pantheon/league grows I find myself increasingly turned around by all the north american dude names (first, last, AND hockey nicknames!!!). I can usually keep track of the on-going series names and names that are less common in North America (Kiro, Sven), but if I'm reading, say, an ask or rereading I usually have remind myself who is who first.

I don't mix them up between themselves and other characters in either a similar name way (James vs Jake, say) or roles (mixing up say, Wheels and Craney and Matty).

(This got so long and off topic, why does this always happen)

What I do mix up is sort of more of a...muscle memory thing, maybe? I'm writing the word, say, gorgeous, and I have to delete georgieous first, because my fingers apparently have become a phone's autocorrect function. I actually did write James as Jake a few times when I was deep deep in editing BTT, but again, it was just sort of like...an autofill error between my brain and my fingers.

The names themselves I'm pretty good with, though I do worry about whether I'll continue to be as a) the pantheon continues to expand (I love this by the way, and now I'm probably going to spend the rest of my evening mentally assigning characters places in the pantheon) and b) I get older. And both things seem pretty inevitable to me.

Unfortunately, the two things I appear to have in common with Leo Tolstoy are brevity and 'these people have three names, and I'm going to use them all interchangeably'. (ie Vinny is Thomas to himself, but Vinny to literally everybody else including me. And sometimes Tommy but only to Anton and his parents and only sometimes. Anton's alternately Anton, Petrov, Tony to Vinny and teammates, or Antosha to his family.)

I'd honestly apologise for it but it's one of those things that's really inextricable from the sort of...falling into a perspective way that I write, the same way I write in American English for American characters and Canadian English for Canadians, or use Christian (and specifically Catholic) references in Robbie or Georgie's POVs but never, say, Mike's or David's, unless we count Mike's very liberal usage of the word goddamn (and it's lowercase with him, but it'd be Goddamn to Robbie.)

And the different vocabularies extends to names. Like William Dineen is William to Robbie, he specifically asked to be called that when he was a teenager who wanted to feel more adult, and Robbie respected that then and continues to now. Georgie respected it in another way -- he was Willy to him, and now he uses Will, which William is fine with, but only with immediate family.

But in the text itself Georgie would never use William, because it'd feel distant to him, and Robbie would never use Will because he'd consider that disrespectful after William specifically requested to be called that, and me choosing one or the other wouldn't be in character, so he's Will and he's William, but never Willy (that's Tate Williams).

I make this all sound like a much more conscious process than it is. A lot of this stuff I've only figured out via metacognition of my writing process, which is, by necessity, done in hindsight.

My original answer to questions like 'why did you do _____ that way?' is invariably '*shrug* felt right', and people tend to find that...unsatisfying, so I often investigate further, and the answer becomes 'felt right because of <this reason I was in no way consciously aware of during the writing process>'. As I've said to my poor beleaguered editor, a lot of my writing process is 'just vibes'. I follow good vibes. Bad vibes tell me something's not working, and I adjust accordingly. I think a lot (I cannot tell you how many times I've been accused of overthinking things), but when it comes to writing, most of it's happening beyond my own perception, so instead it feels more like gut instinct. (which is, indeed, what gut instinct often boils down to: pattern recognition going on beneath one's conscious awareness)

[animentality]

I know everyone wants stories with happy endings, and they all hate when the main characters die, and insist well what's the point of the story then, it didn't matter at all! they died!

but.

I don't know. do the stories of those who die at the end not matter at all?

because if that's the case, I have news about the stories told by everyone who has ever lived in this world.

we all die at the end. we are all doomed by the narrative.

but our stories still matter.

[anyoldfandom]

I am actually. I am so emotional over the Salazar parents and I need to share this to tumblr too.

A lot of stories where the MC is adopted I feel. Either dismiss the biological parents and the impact they have on the kid's life, or makes them evil and abusive, framing the loss of the bio parents as a good thing, or at least something we shouldn't think about just look at this new family.

But Genrex doesn't do that. From the start, Rex wanted to find out more about his parents - it's one of his primary character motivations, next to helping people. He loves them, even though he doesn't know them.

And the more he finds out about them, the more he realizes they loved him. Rylander is consumed by guilt but as Rex's first connection to his pre-Event life, the first thing he does is hug him. And when he tells Rex about his parents, the two things Rex knows is that 1) they were scientists, and 2) that when he was in danger, they were desperate enough to use their secret, experimental technology to save him. Technology built from their desire to help the world, to save countless lives and end countless suffering.

And then. When he finds out that they were dead, he doesn't stop caring. It'd be so easy, too, to tie it up there - his parents were good people, he got his answer about them, the end. But they don't. He doesn't. Because the show is saying once again that they are his parents. He still calls them mom and dad, even as the show makes it clear Holiday and Six adopted Rex as their son. Even as the show even parallels Six and One with Rex and Six (and I will talk about that more later if I don't forget, trust me), to really drive home how much they're family. Rex even says he considers the two of them family, and later that he considers Noah, Claire and Annie family.

He has new family, the show tells us, but his old family still matters to him. He's upset that he never has the chance to meet his parents, that everything he hears about them, about his time with them, is secondhand knowledge. It tells us clearly that not only does Rex still love them, but that he still wants to know them. And everything we find out about them reinforces the love that they had for each other.

We see Abuela and the family in Mexico, who connect him to his birth family and tell him that he was so loved back then, and still is now. We see their office in Abysus through Rex's eyes. The picture of him and his dad on his desk. The drawing Rex drew, proudly pinned to the wall.

We see it in the familiarity of the drawing. That that robot, that build, was what Rex created when he was lost and scared and alone - that it was made to keep him safe. That it first appeared in his mind in a place he felt safe.

The show says, tenderly and softly, that the love is still there. That the fact these people died was nothing but a tragedy, that their love is a big part of what made Rex who he is today - that every molecule in his body is filled with their final gift to him. That every time he cures someone, every time he uses a build, every time he makes a machine - we see the love that they had for him.

And the way he quietly absorbs his father's face. The way he freezes and whispers "Mamá?" when he finds out Zag-Rs has their mother's voice. The fact that she even has her voice as a testament to Caesar's love, too - that it was meant to bring comfort and safety. The way Rex yells at Caesar when he finds out they have a family property, a connection to their past, the way he fights to protect it.

And, none of this takes away still from Six and Holiday being Rex's family too. None of this removes the work either set of parents did for him, the love either set has - the show says that it was unfair that the Salazar parents were lost. That Six and Holiday are not replacements, that they still love him as parents but play different roles in his life. They can not, and have no desire to, replace the Salazars. But Rex needs parents, he needs protectors, and so they will do what they can for him - at first out of necessity, to keep this kid they barely know safe, but then out of love. They aren't replacing what was lost, but are doing their best to do what Rex's bio parents would do. And they do mess up in it - they mess up in ways Rex's bio parents might not have. Six is clearly bad with showing affection, affection we saw the Salazars give Rex so easily, and Holiday is overworked and stressed constantly, sometimes breaking under the pressure and snapping at Rex and Six, things we never saw the Salazars do.

It's just. It's about how sometimes things will not be the same. They will be different. That doesn't mean the people you lost aren't still with you.

[toasteaa]

I don't know what's been going on with me recently but like...there's this tiny shred of guilt that I'm not doing anything really engaging on here anymore? Like, my creative block is fading out (finally), but I haven't drawn or written anything substantial recently and I feel really weird about that. Not just for you all looking at my blog, but also just in a creative bust kind of way.

There are ideas and themes and such that I would love to play with or dabble in, but I keep stopping them because they're either too self indulgent or there's no visual work to go with it. I don't really know how to describe it? Like I feel like I've been lazy creatively speaking recently when I COULD be getting more ideas out, but it's about the same ship all the time and idk, I also feel like I've gotten to the point where I'm talking too much again? Not that anyone here has made me feel like that and I have asks that I need to answer so I KNOW I'm not talking too much but I'm!!!! Being splashed with the self conscious and self critical and imposter syndrome buckets and I need them to stop!!!!

[icewindandboringhorror]

finally finished all of one character's entire quests/optional dialogue/questions/etc.... 100,000 words... .... aughhh

[riiviir]

i wanna know more about kyer and alisia, their designs are super cool and the stuff u said about them in tags sounds super interesting!!

AA PEOPLE BEING INTERESTED IN MY OCS

so. they're both major characters in this RPG I would really like to make someday called The Mission Of Imperium.

Basically everyone is aware of the 4th wall, Players are seen as an entity that must be summoned when the world is faced with a dilemma that ordinary heroes cannot solve.

however, Players need a vessel.

in this particular story, Kyer is The Intended Vessel. they were chosen for this role because they tend to be a pushover and thus would be easy for the Player to control.

Alisia has been Kyer's best friend since childhood, and planned to go with them and basically be the Game's deuteragonist while Kyer would be the protagonist. she doesn't trust the Player, nor does she particularly like the idea of Kyer being possessed, but she is willing to let this happen and support their decision to act as a vessel.

however, when the player tries to inhabit Kyer's body, it is revealed that they are actually unable to act as a vessel. having the Player inhabiting them causes a lot of pain and could lead to death (that the Player would not be able to respawn them from) within less than an hour if the Player is not removed from their body.

Because of this, the Player ends up switching vessels last minute, causing Alisia to become the Player's vessel. she hates this, but for the fate of the world and the fact that she seems to be doing just fine as a vessel, she ends up becoming the Game's protagonist.

aside from the main conflict of "go defeat evil and save the world", this story centers a lot around the Player being able to make whatever choices they want regardless of what Alisia and Kyer want. and boy do I have plans regarding that

[angiestown]

idk if people on the engaging with fandom spaces website can relate to this but do you ever watch or play something so good by yourself and then you're like. shit I have to deal with having watched/played that by myself. I have nobody to share this with who would appreciate it

[end-orfino]

ahhhhhh i remember why i dont read comics & books and watch movies as much as I should. Because they make me lose it

[cerealmonster15]

i finally made a folder of my google docs re: twst fics/plannings and looking at the names are so fun bc a lot of them i didnt use the final fic name [if it got published] so sometimes it's just a placeholder [especially if it's just notes/ideas and not a fic] and some dont have a title at all and just auto used the first few words of the doc so i have like

i think only like 5ish of these have their ao3 titles on them / on two separate occasions i named an apple juice fic prompt doc the same thing except for literally just one has an extra ! and they were like 2 months apart......... i even checked bc i thought for some reason the doc duplicated themselves but no, those are just two completely different fics, they just both happened to be Apple Juice Kiss Prompts jvdjfdsljg i didnt do that w/any of the other kiss prompt docs but. whatever i guess!!

it's a fun guessing game on looking at the titles and trying to remember which ones they are. they date back to like 2021 when i moved from word docs to google so i could more easily share them with my friend since i wasnt really publishing anything at first lol.

[harrykim]

i must say people acting like voy was bad until seven showed up have terrible taste, like i like seven, i love her, but she also took over arcs and screen time that should've been given to other characters sorry!

[tvrningout-a]

i really gotta get some linguistics studying done, so i'll be doing that for now but!! ko bio soon...

[gg-selvish]

.

[kamiraaah]

TWST PARENTS! Trappola, Hunt and Ashengrotto!!

⚠️⚠️First of all, I must warn you that these designs may change in the future, either because the game presented us with the official designs, or just because I really wanted to change... Or I could reuse these designs for these characters!⚠️⚠️ Given that warning...

Guys, gals, and non-binary pals. I present to you, the Trappola, Hunt, and Ashengrotto families!

The Trappolas it's a very common family, compared to others. Of course, Ace Trappola and his brother get into a lot of trouble and face their mother's anger very often... But hey! It's good that they have their father to calm things down when things escalate, right? It may not seem like it, but Mrs. Trappola in her youth was just like Ace, always getting into trouble and facing authorities without thinking twice… Which led to many fights with Ace's grandmother. Mr. Trappola, on the other hand, rarely started fights, at least physical ones. Since he has a sharp tongue, always with some offense or something to irritate the other person. Both Ace and his brother inherited these traits from their parents… Although the older one is a little more responsible and is sometimes the one who talks sense into Ace's head. Ace and his brother have always been close, even though they fight or torment each other, they both have great respect for each other, even now that they don't see each other as much…

The Hunt family is a mystery to many.

The members of this family are… Lively, for lack of a better description, and Rook is the best known among them, and yet he is a guy who hides many secrets.

Although they are unknown, they are apparently a family with a certain wealth, many stories surround their members about how the Hunts managed to get so much money and influence in Twisted Wonderland...

But of course none that came close to the truth.I still wonder what kind of people they are.

Mama, Papa and Grandma Ashengrotto! A very loving family that loves young Azul more than he can imagine. Miss Ashengrotto goes to great lengths to demonstrate her love for her son, even though she is a busy woman, always does everything possible and impossible to be present in her son's life. She is a great friend of the Leech family, and always gets in touch to talk or update each other on how the children are doing. Mr. Ashengrotto, Azul's stepfather, is a kind man who has great respect for his wife. At the beginning of his relationship with his current wife, he was afraid that it would end up affecting the relationship between mother and son… The last thing he wanted was to make the young man hate him, but time passed and Azul and him ended up getting very close ( and catching his stepfather off guard when he called him "papa"… who ended up crying with happiness). Unfortunately, he carries the guilt of not having noticed the bullying that Azul went through in his childhood, and whenever he can (or when Azul allows him) he helps him with whatever he can… Always trying to talk and advise the youngest. Grandmother Ashengrotto, like her daughter, is a kind but strict woman. Always wanting the best for her grandson and being one of his biggest supporters in any projects her grandson starts. Always demands that he visits her more often... And preferably with friends! She wants to make sure her precious grandson is being well taken care of!!

AND MORE FAMILIES DONE!! And I'm still going to draw pictures of other members of the TWST families, so please bear with me a little… I'm going as fast as I can!🫠

I'm not 100% satisfied with their designs... They have a big chance of being changed, but I hope you like them! 😚

[packsvlog]

𓈒ㅤׂㅤ ✎ ° 𝐖𝐇𝐄𝐍 𝐈 𝐊𝐈𝐒𝐒𝐄𝐃 𝐓𝐇𝐄 𝐓𝐄𝐀𝐂𝐇𝐄𝐑 ! ࣪₊ 𐙚

✶ 𝐬𝐮𝐦𝐦𝐚𝐫𝐲: being a kindergarten teacher is something you excel at, you even have two students you treat as if they were your own. not that they mind your endless devotion, much less do their dad, 𝐧𝐚𝐧𝐚𝐦𝐢 𝐤𝐞𝐧𝐭𝐨, if you could spare some attention to him as well.

✶ 𝐚. 𝐧𝐨𝐭𝐞: papamin!!!!!!! honestly i love papamin so much, i wish i could make that man a daddy. while on the topic, nanami is girl dad code, but for the plot he is sukuna’s and yuuji’s dad. also i loved writing sukuna as a baby, he is such a menace, he definitely was that kid who bite everyone. just posting this because i can’t wait till i post the series i’m making, i had to do something before. divider by: @cafekitsune

✶ 𝐬𝐲𝐥𝐥𝐚𝐛𝐮𝐬: pure fluff / ooc!sukuna / reader has no gender / no curse!au / modern!au / mention of death and grief (minor character)

✶ 𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 3.7k

Yuuji thinks you are his princess, and you let him play with the wood horses and gallops around your desk, sometimes you even play pretend with him, accepting the roses he plucks from the school’s garden and sharing your sandwiches with him. He loves you very dearly, it’s not a secret he keeps that you are his favorite teacher, but it is yours that he is one of your favorites as well.

Now Sukuna, his twin brother, is a whole story. The two and a half years old siblings can be perceived as the perfect opposites, because Yuuji is adorable and expressive in good ways, and Sukuna tries to bite your ankles whenever you move near him sitting on the floor. His sharp teeth are always on showcase by his little smirk, he is a menace.

You know Sukuna might sometimes dislike you, not because you have done him terrible wrong, au contrarie, you have been a good teacher, a good human! He tries to grab your hair with his tiny fists and you put him in your lap quickly, staring at him with a cute smile, he thinks you are encouraging him to leave you bald but he ends up not caring anymore, and decides to snuggle against you and sleep. Only to wake up later with a bite on your wrist.

It’s love for your profession and for the children that you don’t report any of this to the superiors or his parent, you think hopefully that you can change his ways, make him better. It does work, credits be given, he used to be worse! He used to bite the other students, now his teeth are all over your and, unfortunately, his twin.

It’s something you try your best to control, gods be good, Yuuji only whines before slapping his brother’s head, and then Sukuna cries and comes to you. You open your arms and again, he is biting you.

“Ow, Kuna!” You move his head away from your skin. “What do you eat to have such sharp teeth, hm?”

He doesn’t answer you, his big eyes are filled with tears and he is wiggling towards any skin of yours to sink his canines.

“C’mere.” You grab him and adjust the baby in your hips, before moving towards the box filled with toys and grabbing a plastic one, you take it to the class bathroom and wash it, while Sukuna sits on the balcony, staring at you with his sad puppy eyes. “You are so cute, y’know that, right?” He nods, which takes you by surprise. “You can not keep biting me anymore, Sukuna, you get this?”

As expected, Sukuna doesn’t answer this time. He only gets what he wants.

“But let’s make a deal, you don’t bite me or Yuuji, you bite this whenever you feel like it, hm?”

Sukuna is not supposed to be with pacifiers anymore, something requested by his parent and passed to you through your boss. So it’s a little secret to let him have the blue whale in his mouth, he bites the thing so deeply that by the end of the week, you have to change it for a red rubber duck.

It’s keeps going like this for a couple more days until you notice the progress being made, Sukuna always has the toy by his gripping hands or in his pockets, and whenever he falls to the ground or gets pushed by a classmate, his little eyebrows crunch into an angry face. You think he is going to jump the kid or run at you and be a little vampire, but instead he grabs his toy and starts to violently munch on it.

It’s adorable, it makes you want to eat him.

But you noticed, obviously you did, how Sukuna has anger issues, and being a baby he has no idea how to control the anger but to externalize it with violence, and you gave him a escape plan. Now, he isn’t so angry anymore, sometimes he just squeezes the little toy, he also doesn’t spend his time with only you or his brother, he makes some new friends such as little Uraume, who follows Sukuna around and both keep sharing their lunches.

You do find one more problem arising, anytime Ijichi, who you learn is their butler, comes to pick the boys, Sukuna cries desperate for having to return his toy. You tried to let him have but the man refuses and your superior reprimanded you once, after catching you trying to give it. The next day, you notice quickly that Yuuji and Sukuna both have little red teeth marks on their arms.

You sigh desperate.

After class is over, few days later, Ijichi is late for the pickup, so you sat both Sukuna (sucking his little toy) and Yuuji (talking your ear off) down. They stop what both were doing and stare at you, one with pure sparkling eyes and the other with a raising eyebrow. You laugh at that.

“My darling cherubs, we need to talk.” You sit on the floor. “Kuna, you are not allowed to keep biting your brother, you know that. And you can’t bite him as well, Yuuji. You have to go to your papa, okay?”

The little one nods at you.

“Sukuna, honey, you can’t bring the duck home, we tried. But you can find another one to bite, hm?” He doesn’t answer, of course, he is two years he is not going on a quest for a rubber toy. “I’ll talk to Ijichi-san, for you, okay buddy?”

It takes you by surprise when Sukuna gets up and moves to sit on your lap, snuggling his face to your chest. When your arms go to close, Yuuji follows his twin and sits on you as well.

“Thank you, sensei.” Kuna’s little voice melts your heart even more, you hug them back instantly.

“I’ll do anything for the both of you.”

You don’t notice the presence behind you, or the fact that it’s been there since you sat down, and payed attention to everything you said, but mostly by how Sukuna went for you instantly and thanked you. The little bundle of angriness has his eyes closed, but his brother stares behind your shoulder and gasp, wiggling out of your touch and running towards the door.

“PAPA!” Yuuji screams making your heart jump. You turn back, staring at the scene. A tall blonde man, with formal clothes, kneels to the floor before opening his arms and grabbing Yuuji on his arms, kissing the pink hair of his baby.

You have heard the gossips towards the twins’s father, how exceptionally good looking he is, most charming and polite man anyone has ever seen or meet. And that he is single.

Of course, because of Ijichi being the one to bring and get the boys and the first teacher-parents’s meeting of the year being in just a few weeks, you haven’t met the man yet, but he here is, Nanami Kento, in all his glory.

You get up with Sukuna at the same time Nanami get up with Yuuji, and you notice right away that in his other hand he holds a bouquet of purple tulips.

“Look, Kuna, your papa is here.” You bounce the sleepy head on your lap, he opens his eyes before smiling a bit, and closing it again. “I think he got pretty tired after the playground today.” You laugh quietly before staring at the man, his eyes on his baby, a small smile on his face as well.

“Pleasure to meet you, Y/n-sensei.” It’s the first thing he says to you, his voice shaking your smile for a bit. “I’m sorry about being so late, the driver got busy with some stuff, so I had to come. I got you this, for the inconvenience.” He presents you the flowers, in your mind, he was going on a date, never in millions thoughts you would expect this.

“Oh, oh! Thank you, they are beautiful.” With your spare hand, you grab the flowers and smell them, smiling sweetly.

“I told papa you like those, sensei.” Yuuji says, with his eyes closed and large smile.

“Thank you, Yuuji, my charming knight.” You put the flowers on your desk before giving a pat to his head. “And thank you again, Mr. Nanami.”

“Again, I’m very sorry. But now, I think it’s time we go, right boys? Your sensei deserves to rest after the two of you.” Nanami grabs Sukuna from your arms, the boy open his eyes again for a second before falling into slumber. You help the male grabbing the twins backpacks and both of you move towards the parking lot.

When Nanami puts the babies in their seats, he turns to you grabbing the bags.

“Thank you for being their teacher, is not an easy job, but they both really like you.”

“It’s my pleasure, really. Sukuna and Yuuji make this job really worth it.” You answer sincerely, the door to the car is closed and the boys can’t hear you.

“I heard what you said to them, about the bites. I’ll get the toys for Sukuna, thank you for caring for him.“ Before Nanami gets into his car, he stops and turns back at you. “Would you need a ride? After all we did kept you here for longer than anticipated.”

You stare at the sky, dark clouds already reaching the sunset orange and pink, even the moon hangs more brightly than ever. You are inclined to accept, but you hold yourself.

“I would, any other day, but there is so much I have to do in the classroom and to grade the kid’s exercises, but thank you for the offer, Mr. Nanami.” You both exchange a smile before you wave at the awake Yuuji, staring at you by the window.

The next day and the others after, surprising everyone, Nanami is the one picking his sons up. His back is always tainted with the sunset from the corridor’s widows whenever he stays at the door, and a dozens of mothers and staff keep staring at him, searching for any opening to create a conversation. You are putting Yuuji’s bear beanie on, when you hear your boss asking Nanami for coffee with the excuse of talking about the boys, you laugh silently before grabbing the twins’s hands and moving towards their dad, giving an scape for him to move away from the woman.

“No need for the coffee ‘date’, the parents reunion with the teachers is this saturday, we all can talk there.” You say a bit loud, enough to send the message across, and all those people ready to jump at the blonde male move away.

“Thank you.” He whispers before grabbing the boys in his arms. “No ride today?”

Every once in a while, after the first time meeting Nanami, he has been asking you if you need a ride, and with a strength you don’t know where came from, you refuse nicely. It’s not that you don’t want, would be stupid to, it’s more for the fact that he is dreamily, you wouldn’t be any better than those who salivate at the sight of him. You could be worse.

“Not today, Mr. Nanami, these two made a mess in the bathroom, although I think Sukuna has a talent for arts, he painted the walls really well.”

“God, you’re joking.” You sign no with your head and the man sighs. “I’ll ask for the price of repair, please don’t worry about it, it’s my kids, I’ll fix it.”

“No need! Seriously, I believe just water and soap and it’ll be fine.” You grab Sukuna’s cheeks and he hides his face in his dad’s chest. “But if not, it’ll be a cute memory in the future, when they move classes or school.”

“I’m not going anywhere.” Yuuji squirms. “We’re staying with you forever, right Papa?”

Oh.

“C’mon, buddy, time to go home.” Nanami laughs his answer, and you move with them, holding their backpacks. It’s a little ritual now, you could say.

You wave them goodbye and return home that day with a slight tremble in your fingers, after this year most likely you wouldn’t see them ever again, and that fact made you terribly sad. You would miss pealing the fruits for Yuuji and being gifted half of it, would miss even the mark bites of Sukuna little mouth, even though he hadn’t been a menace in a long time now.

Admitting, you would miss Nanami and his lovely smile, the way he would ask you for a ride anytime. You should accept it, you know, but could you move on from this little crush you’ve been harboring, if you are meant to never see him again? Doubt it, no one can get over the Nanami Kento.

You sleep with those thoughts, these little moments you had with him and the sweet and gentle and chaotic memories you had with the twins. It’s a bittersweet feeling teachers have, you should be used to it by now, dealing with the fact that the babies don’t stay babies forever, only in your heart and memories. But there is something in that little family that shakes your core, that moves your mind and warms your heart, something that scares you.

Saturday comes but your anxiety stays. You decorate your classroom with a large table filled with charcuterie boards and juices, there is also paintings of the kids hanging by the walls, presents to give to their parents. All of them are on the corridor, you call for one couple after the other, for the intimacy of talking about their children.

You notice how each kid can resemble their parents in a comical and adorable way. Megumi, for example, who has his mom messy hair but his dad scowl, Nobara is energetic like her mom, and sensitive like her daddy who cries when gifted her painting.

You also see how they can be with their babies. Toge’s parents who are elated with your hand signs, and how you explain that you learned it in two months for the boy and has been using and teaching it in your class, for the other students to communicate with the him. Maki’s and Mai’s parents are stiff and bored, and you take notice of that to pay more attention to the girls, help if needed anything.

You do your job perfectly, but your eyes always go searching for a blonde man whenever you go call the next parents. He is not there yet, and you wonder if he won’t come. Maybe job related, maybe he forgot, you try to not be sad.

When you are taking Nanako’s and Mimiko’s fathers to the door, waving them goodbye, you catch sight of a man with beige suit and blue shirt, in his hands another bouquet of purple tulips.

“I told you we should have given something.” Mr. Geto whispers while staring at Nanami.

“Love, that’s not a ‘Thank you for being my kid’s teacher’ bouquet.” Mr. Satoru answers with a smirk your way.

“I miss when you would give me flowers.” Geto answers, his voice low because they are already by the end of the corridor.

“Huh? I gave your flowers last week?!”

Nanami and you are staring at the couple, until their figures disappear and both of you stare at each-other, smiling fondly at first and then laughing a second later.

“I’m guessing these are for me?” You ask when you move inside the classroom, Nanami following behind. You turn to him, and he nods, giving you the bouquet, perfumed perfectly. “Thank you.”

“I’m sorry I was late, the boys wanted to come as well but I had to keep them occupied and tired.” You nod laughing, before pointing at the table in front of your desk, putting your flowers there, he sits and you move towards the wall, grabbing two drawings.

“These are for you.” You sit by his side instead of in front of the man and give him the papers, he has a sweet smile while admiring the drawings. “I asked the class to draw their family, hasn’t had the time to check yet, but I hope it’s better than the one I saw earlier: the girl draw only her sister and their cats.”

“It’s perfect, don’t worry.” Nanami has his eyes on both drawings, side by side. You can tell which is which by the colors and traces, but none other, the art is basically the same. “This is Ijichi in the car, how cute.” Nanami points at the figure in a black suit driving a car besides the house in both paintings. You stares confused at the fifth stick person, besides Nanami and the twins. “Is that…?”

“I think so…” Your hands move to your mouth, hiding your growing smile when you notice characteristics in it that resembles you, specially a rubber duck in your hands, in Sukuna’s drawing. “I’m flattered they consider me family.”

“They are not wrong.” Nanami stares at you now. “That day we meet, you were helping them with one thing I had no idea how.” He moves the drawing to your desk. “I’m not their biological father, don’t know if you know that.” You don’t, so you keep yourself quiet and let him speak. “I was their godfather, been friends with their dad ever since we were little. Itadori Jin, great guy, that’s where they inherited that beautiful pink hair.” Nanami has a sad smile in his lips that break your heart. “He and his wife died in a car crash, first date since the birth of the babies, just two months old. Their grandfather was adamant on keeping them, but he realized he needed my help, so he let me adopt them officially.”

He sighs before grabbing his thighs.

“Recently I told them about their parents, that’s why Sukuna started the biting, his sorrow is physically showing. I tried to help but didn’t knew how, but you did, you handled it better than I could.”

“You are still a great father, they might not have come from you, but they are yours. And you did helped them, Sukuna might have received some slaps from Yuuji, but Yuu always hugged him whenever it became too much, and he listened to me instead of throwing a tantrum.” You hold his arm for a second before removing your hand. “You are raising them very well, Mr. Nanami, it’s not easy to be a parent, but you are doing fine.”

“Thank you, and please call me Kento.” It’s not professional, but you nod.

“Okay… Kento.” You whisper his name like a secret, and you wonder if you feel right, but it tastes like honey in your tongue. It’s just a second of both of you staring at each-other for his eyes to move to your lips. You should move back, but you don’t, nor you can. Instead, your eyes go to his pink lips as well. “We should wrap this up, it’s late, right?”

“Yeah, we should.” But none of you move, eyes moving to eyes and lips, over and over, you wet your lips, he groans and lunges at you. You accept him easily, moving your hands to circle his broad shoulders and touch his neck, while his large hands take your waist.

You shouldn’t be doing this, but it feels wrong to not be doing it. So you allow yourself to be kissed hungrily by Kento.

There is three knocks on the door before you both jump apart, your boss, the principal, makes her way in, eyes shinning at seeing Nanami.

“Mr. Nanami, so good to see you here! Would you like to come and have that coffee we were taking about some days ago?”

Kento looks at you, his hair is a little messy and his mouth is red, he looks even more ravishing than before. You cough awkward, grabbing your flowers, bag and the twins’s drawing before moving to his side.

“I’m so sorry, Principal, but Mr. Nanami is giving me a ride home.” The man has his hands on your back in an instant, moving both of you out of the class. “I see you monday.”

The two of you leave the baffled woman behind, Nanami has an eternal perfect smile charming his face, making you want to kiss him even more. Which you do, when he closes the door he opened for you, and enters the car you kiss him, when you both stop at a red light you kiss him. And when he let you at your house, his hands again in your back, he kisses you.

You are too tempted to bring him inside, even more to have your way with him, but he beats you to it, asking you to go out with him the next day.

It’s just the beginning of your blooming relationship, flowers every week, restaurant dates, kisses at every opportunity. You both keep yourselves occupied and yet reserved. He gives you rides home after most staff and students are gone, the boys happily talking with you all the way to your house, and he leaves you at your door with a peck the babies don’t see.

It’s at your last day of the year, all your students glued to you, crying red faces you promise them to always be there when needed, giving the parents your personal number, they happily accept it. Yuuji and Sukuna are the most devasted, their little hands keep you from moving far away from them, and when Nanami comes to pick them up, Sukuna cries together with his brother, taking you by surprise.

You tell them bye and run to your apartment, where you prepare a whole meal and dress nicely, soon you hear the door knocking. When you open, it takes three stunned seconds before two little babies are running to your arms, screaming happily to see you.

“Now it’s a good time to say, Y/n is staying in our lives.” Nanami says while hugging you, both boys in your arms holding you as well.

“Forever?” Sukuna asks, Yuuji stares at you waiting for the answer.

“Yes, my cherubs, forever.”

[dduane]

Do you have any recommendations on what to do when you can’t write?

I’ve been struggling to write for years, but telling stories is all I want to do. I have ideas and plots and characters all figured out! But actually getting the words onto paper? I just can’t do it. There’s a mental block or something getting in the way.

I want to write, I so badly do. I want to tell my stories! But no matter how hard I try, no matter how much I love the story, the words never work properly. I can day dream scenes up perfectly, but as soon as I’m near paper the words all vanish.

I guess what I’m actually asking is: how did you defeat the blank page?

Well, first of all, I can confidently tell you that your storytelling per se is working just fine. You just told me a perfectly cogent story right there, in writing. So that's good to know.

Now let me put your mind a little at rest by telling you something reassuring about the Writer's Brain:

It's not the sharpest knife in the block, if you take my meaning. It can be tricked. It can be fooled. It can be bamboozled into working when it doesn't want to... sometimes with embarrassing ease. (And this approach is, by and large, far preferable to sitting around over-analyzing one's interior life to figure out what went wrong with your developmental process somewhere in the dim lost past. Just hornswoggle the silly thing into working and then do the analysis later, if you can be bothered.)

Sometimes just changing something basic in the process the Writer's Brain is expecting is enough to make it lose the plot (so to speak...) and let you get on with work. And in your case I'd say, more or less immediately: Have you tried telling the story to yourself out loud, recording it, and then transcribing the recording?

Because this problem is a commonplace among storytellers. Sit them down in the pub and give them tea or a drink and start them going, and you'll get half an effortless hour of hilarious prose about What The Cat Did In The Middle Of The Night or When The Neighbors Were Fighting In The Street Again Yesterday. But show them blank paper, or an empty screen, and (now that the pressure to perform is suddenly in place) they freeze.

So try doing an end run around your writing brain. Borrow or otherwise procure a little recorder of some kind. (Or if you've got a smartphone, add a voice recording app to it.) Go get comfortable somewhere and get yourself into that daydream state, and then—making sure the recorder's on—start talking.

It doesn't have to be perfect unblemished prose. The pursuit of that comes later, after draft zero-minus-one. Just tell the story... or some of it. Or a fragment of it. Even a few paragraphs is a triumph, in a situation like this. You may, during the recording, have to talk yourself into the story stage by starting out talking about something else first. Let that happen.

Then when you're done recording, listen to it and transcribe it (typed or handwritten, as you please).

And maybe a day later, do this again. And a day or two later, once more. And so forth.

You're going to have to keep at this, because your Writer's Brain may start suspecting what you're up to, and try throwing spanners into the works. (Its favorite being "Oh, this isn't working, I may as well give up..." Pay no attention to that nagging little voice behind the curtain. Just keep doing what you're doing. Persistence is a superpower.)

The thing to keep reminding yourself, as you settle into this process, is that sooner or later the WB's resistance is going to flag, because you really do want to tell stories. It does too. What you have to teach it is that—to coin a phrase—resistance is useless. :)

Anyway: give this a try. You'll need to be doing this daily for at least a couple of months to find out whether it works or not. So let me know how it goes.

(BTW: once you've broken through the barrier, you may well find that dictation is a good routine way for you to generate your first draft. At that point—should you feel inclined to go a little higher-tech than recording and hand transcription—let me recommend Dragon Anywhere. This is a month-to-month subscription version of Dragon's flagship text to speech program—the one @petermorwood and I got Terry Pratchett to use when he started having difficulty typing. I use Anywhere a lot, on days when it's easier to write stretched out or lying down than it is sitting up. It transcribes what you say, and then you can just email it to yourself and cut-and-paste it into your writing document. Very handy.)

Hope this helps!