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#but the ideas that i do have im struggling to draw a lot
fandomfuntimem · 2 days
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Sketch i might not finish cuz its off center and im bothered by that
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ALSO, CHRIS REDFIELD IS FUCKING HARD TO DRAW! I DRAW SOFT BOYS NOT HARD BOULDER BUILT ASS MEN!!!! Alex came out really cool tho, so did Leon.
Now, how i think the crossover would play out:
I dunno. I have a lot of varrying ideas. The main one I've been messing with is Leon and Chris show up after hearing reports of possible umbrella activity in this contained county.
Because im a cringe ass nay nay baby I lowkey imagine Leon and Alex are related, cousins or something, so Leon is just like "i know a place we can stay" and now it's Alex's struggle to hide rhe demon hiding in their house. Also probably hiding the fact ther are being veldigunized.
There are plenty of other possibilities. Same set up as before, but Leon gets there post police Raid and senses something is off. He breaks into Alex's now police watched house, finds the tapes, watches them, and decides to do something about the foundation.
Another (that i think would work as an actual game) is Leon and Chris are actively working with the Lankmann foundation. They get seperated and Leon manages to catch Clyde, before he could do anything Alex steps in. Now, whether Alex knows them or not doesn't matter. Alex convinces him to hold off in exchange for proof that he is on the wrong side. It's realised the Lankmann foundation is working with Umbrella and Leon is NOT happy they were using him. So now he is working to help Alex and Clyde free Winfrey and kill Lankmann. Unfortunately Chris isn't as easily convinced.
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umblrspectrum · 1 year
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tired of old stupid lame boring J? well i’ve got good news f- whats that? What. What do you mean shes b-
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welcometogrouchland · 2 years
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[ID: four page comic of the owl house. Page 1: Eda walks past Luz, Gus and Willow, who're sat on the floor of the owl house around a box labeled "Eda's Music". Eda notices them and peeks around the corner asking "uh, hey kid- whatcha doin?". Luz says "oh hey Eda!".
Page 2: Luz says "we were just going through all your old human music!" While holding a CD case. She continues "I've been getting nostalgic listening to some old latin pop CDs, like what my mom used to play around the house! (You have a surprising amount of merengue music btw)". Gus sheds a single tear and says "I've sampled human music before but, wow, just, wow! The technique...the inspiration...Carly Rae Jepsen is a genius". Willow looks to the side and says "and I've been listening to your old breakup mixtapes!".
Page 3: Eda looks at her blankly before saying "my what?". Willow says- "your breakup music! There's a whole box of it. I'm pretty over it now but back in the day...when Amity stopped hanging out with me...it hit me hard. I kinda had a phase of only listening to angsty breakup songs for like...a month. Maybe more. It's kinda sad in retrospect".
In the background we can see a flashback of young willow sobbing in bed while summoning vines to cover photos of her and Amity on her wall. Willow continues "things are a lot better now don't get me wrong...but I still listen to that playlist every once in a while when I need a release". Eda contemplates, then grimaces, remembering breakup with Raine (who's pictured saying "it's over, eda").
Page 4: Eda looks at Willow. She eventually says "wanna trade?" And Willow looks up. Final panel shows Luz standing in the doorway concerned as she looks at Willow and Eda. willow is kneeling in front of a casette player and headphones with a shadowy expression and Eda is in the family guy death post with a phone and headphone wire next to her. Both have annotations- Willow's says "got One of Us by ABBA" and Eda's is "got Nightshift by Lucy Dacus". Luz says "you guys good?". End ID]
*slides my Eda and Willow trade angsty breakup songs on s2A hc across the table*
#the owl house#willow park#eda clawthorne#luz noceda#gus porter#(i know he's essentially a cameo in this but he has a speaking role at least i feel justified tagging him)#raeda#not really intended as amillow? more abt the experience of taking a friendship breakup hard but lacking the language to describe it#but can be interpreted as amillow if you want#anyway. every stage of this comic kicked my ass and tbh it's not my favorite but it got me drawing again and that's good#i still think the idea is funny part of me is just like. actually we can do better lets take it from the top#which is deranged bc I've already spent like 2-ish weeks on this i am not looking at this for another second#do i think enjoying angsty breakup music is wholly in character for willow? im not sure. she doesn't like dwelling on the negative#BUT like. i think you can make the argument she'd enjoy it in private. she represses a lot of feelings she needs some kind of outlet#and this is s2A in my mind (post eclipse lake where willow and Gus want to check out more human music)#so i feel like I can justify her talking about her angsty guilty pleasure to eda#also like. bby willow is DEVASTATED in the understanding willow flashbacks. maybe older willow tries to ignore things#but for at least a few months it was probably a big struggle for her coming to terms w/ why amity stopped hanging out w/ her#anyway i don't want to look at this anymore. have at thee!#i have 2 (two) more comics thumbnailed and one of them is shorter/funnier but the other one is a hc I really like#so currently a toss up between which one gets done next#it's half past midnight and i don't wanna stay awake until 2 am again so I'll probably just leave this lurk for a bit and then sleep#i hate the way this is formatted (the images are SO SMALL ON MOBILE) but i don't want this post to be more vertical than it is
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lustrecannon · 10 months
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drawing the pickman n marn formal thing made me feel very happy and gay and i am glad it seems to be doing the same for you guys
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pumaskulls · 1 year
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Yoinked @neo-wolfe 's gal for a little bit of pixel animation practice!! :>
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arolesbianism · 5 months
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Thinking abt my bndori ocs again... I need to draw them more I love them all sm
#rat rambles#oc posting#band posting#momoko especially drawing her earlier made me remember just how much I adore her#but Im also thinking oh so hard abt kou I need to rework their design for the 50th time at some point#momoko has such a perfect design tho she's like high key one of my favorite designs Ive ever made#I just think her shapes and colors are neat#I should totally make them all furry designs even if I dont rly have any ideas for them#I do generally make momoko a frog in au stuff tho so she can be a frog ig#yuriko is technically sorta a bat in the random card au but thats mostly just a nodd at rokka backstory#the other two do not as of now have any connections to any animals so I fully have nothing for them#I could see yori being some sort of hog or smth and kou could be a mongoose or smth idk#that also reminds me Ive been meaning to make olivia and jackie furry designs for funsies#I mean I already moddled their designs off of animals so it wouldnt be hard#Ive just been struggling to draw thats all#hopefully Ill keep building momentum into getting back into drawing more#although today was kind of rough I am starting to get off my ass a lil#mostly cause I finally found smth that I want to do in the future even if its just seeing my friends#I wanna meet them in person and the fact that thats smth I have to look forward to is making me feel much better#even if it wont happen soon just the fact that Ive added that to the 'thing I will do someday' list helps a lot with my mood#cause its just smth of a future I can get into my head yknow?#smth I can think of thats not just today and tomorrow
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Mr Gatto, do you like doing your job? Is it something you enjoy doing?
(Also take care of yourself Mun! :D)
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Even after everything... I don't think I will be changing my job anytime soon.
#identity v#aesop carl#identity v embalmer#identity v ask blog#identity v the embalmer#gatto event#hi anon thanks for the concern XD#im doing alright i just have this insane depressive block that has been impeding y creative processes#so ive been trying a lot of things to get out of it#one option is to wait it out but im miserable doing nothing. so i will force it out and feel slightly better that at least i did something#i probably should have spaced oout my posts i clear the inbox really really quickly#ill try to get some stuff out while i can. since im free for the month before work resumes n i disappear again#seriously though its frustrating sitting down staring at a blank canvas for 10 mins with 0 ideas and low energy#and then resigning myself to going back to lying down and mindlessly scrolling twitter or whatever#every single time i try to do something i end up back on my bed. for days on end. it makes me want to throw myself down a flight of stairs#at least with asks i have something to work towards and thats so much better even if i do end up back on the bed afterwards#this sounds like a very pathetic show of begging for asks. which i guess it is???#its just that. i used to have so many ideas. i used to draw so many comics. i want to cry every time i compare that with myself now#has work killed off so much of my creativity? probably. but i just really want it back. so im trying my best#i didnt mean to get this emotional in the tags but this is really something ive been struggling with a lot right now#so if u have the time to spare. just drop something dumb in my inbox. it helps a great deal. much greater than i can express#but anyway if ur reading this im still very grateful for the support u have shown to the blog in one way or another.#so thank you very much n i hope the day will treat you kindly#less than three
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justablah56 · 10 months
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can someone please explain why every time I try to draw the library he ends up looking more like a slightly more fucked up version of henry
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lunarflare64 · 1 year
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My feelings about my art right now are so wild, I've long since stopped hating my creative.....spawn(?) just for coming from a human being, where perfection is impossible, but that didn't necessarily mean I was that big on the things I made. I appreciated the little successes when I noticed them, but lately those successes are getting kinda super common actually, I have more to be proud of now, and I've improved a lot, which means.......I'm good at art now. I mean obviously I could have been considered good before this point, but now I'm good at it. Objectively. Impostor syndrome can get fucked I have too much evidence against it now.
Its so weird to think of myself as a good artist, it really doesn't feel like that long ago that I was scribbling MLP characters on notebook paper with no idea how to draw them in any perspective other than from the side, I was like, 15, and now I'm turning 23 in a month and I can do things like good hair and fabric folds (my mind is still boggled by the latter, what kind of black magic ritual sacrifice bullshit is this)
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qlossytbh · 2 months
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𝐜𝐨𝐦𝐩𝐥𝐢𝐦𝐞𝐧𝐭𝐚𝐫𝐲 - 𝐬𝐩𝐞𝐧𝐜𝐞𝐫 𝐫𝐞𝐢𝐝 𝐱 𝐛𝐚𝐮!𝐫𝐞𝐚𝐝𝐞𝐫
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𝐬𝐲𝐧𝐨𝐩𝐬𝐢𝐬 you and spencer seem to have a lot more in common than you let yourself on to. (based on 1x22)
𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬 brief spoilers for 1x22, strauma dumping between reader and Spencer, the two of them have fucked up childhoods, sexual tension (?), fem!reader, mentions of schizophrenia, mentions of depression and attempted suicide, reader has a fucked up dark humor (don’t we all!)
𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭 3.3k
𝐚𝐮𝐭𝐡𝐨𝐫𝐬 𝐧𝐨𝐭𝐞 this was honestly just an idea that came to me while watching season one finale, he’s just so *chefs kiss* and I wanna give him a hug. BY THE WAY IM ONLY ON SEASON TWO SO DONT SPOIL. i feel like it’d be super funny for season 1/2 Spencer to be with someone with a super sarcastic and twisted humor
𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭ੈ✩‧₊˚
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It was an uncomfortable silence if you were being quite honest.
You acknowledged how the events of that day personally affected Spencer— you really did.
It felt as if the air was thick and both of you wanted to speak but none of you considered doing so. You glanced over at Spencer from your spot next to one of the file drawers, letting your mind wonder on how he was holding up.
You saw him shift in his seat on the couch while his eyes scanned through a few of the files that sat comfortably in his lap.
It had never even occurred to you— what Spencer's mother had been through. Earlier, while she was helping out with the case, things seemed normal. Sure, she was a little reserved and seemed constantly on edge, but you thought that was just another one of her odd traits.
However, when you and Morgan were covering for Reid earlier today, he practically jumped head first into a room with a bombed UnSub that was keeping Rebecca Bryant hostage.
You thought you misheard, but Spencer briefly started mentioning his mother and then stated very explicitly that she was borderline schizophrenic. You looked over at Morgan in shock.
Spencer was one of those people who had always been a closed book when it came to himself, because god knows he loved to talk about other things. It was like a type of distraction, the consistent talking.
Since you and Spencer had become friends he never really talked much about himself. He always preferred hearing you ramble on about whatever it was getting you worked up or irritable. He found it massively endearing when you'd arrive at work and immediately start venting rapidly and furiously about something as stupid as your abhorrence towards slow drivers.
Spencer could be a little more uptight and calculated, struggling to let loose while you however, usually took most things with humor. You joked around— sarcasm being your main powerhouse of humor, which unsurprisingly was very hard for Spencer to catch onto. You found yourself regularly explaining to Spencer that you were only joking. Never had it annoyed you, you only felt able to find it cute.
But that's exactly why you and Spencer worked so well. Spencer's grounded way of thinking encouraged you to see things in a different light and he brought the best out of your critical thinking. He worked as a real life anchor and you helped Spencer get out of his overthinking, grounding him and helping him see things with a little less, eloquently.
What you lacked he recompensted, and what he lacked you recompensated. The two of you filled the gaps the other was missing. And it’s why the two of you understood each other so much.
But in situations like the one you were currently in, you truly wondered how much he could be potentially hiding about himself. You felt like you knew him so well but at the same time, you knew absolutely nothing.
You began wondering if that’s what drawed you in so badly. Spencer appeared to have so much he was hiding and all you wanted to do was insert yourself into his head and dissect every and any thought possible. You truly wanted to understand his way of thinking— those things that, essentially, made him, him.
You shifted on your heels, sneaking glances at him and trying to figure out the best way to go about was. Because by the way his knee bounced nervously and the familiar furrow in his brow, you knew his head was racing uncontrollably.
You needed the silence broken so without another thought, you set the file down, using a bit more force than preferred and made your way to the couch he was sitting on. He sat on the left side, allowing his elbow to rest on the arm rest while he continued scanning his eyes through the papers that sat in his lap.
Without a single word, you sat on the farther right side of the cushion and faced him. Your eyes bored into the side of his face and after a few seconds, he turned to you, feeling your piercing gaze on him.
You narrowed your eyes. "What's going on in that pretty big brain of yours?"
He fumbled with the papers in his lap, growing nervous. He opened his mouth to answer but clamped it shut.
He started, gesturing to the papers “Uh, I'm reading through the various files about the case and how we—"
"No— I mean, how are you?"
He looked at you, severely muddled. A smile ignited onto his face, tugging at the corner of his mouth like your sudden antics humored him. "I'm....good?"
"Good..!" You continued, suddenly feeling your cheeks grow hot. This was severely embarrassing "Great, yeah. That's— uhm, great."
There was a silence, again. You were beginning to hate silence. You looked down at your hands and nervously played with the rings that sat comfortably on your fingers. This was harder than you thought it was going to be.
"You're blushing," He stated bluntly, scanning your face. Your eyes suddenly blew wide and you felt yourself choke on your own air. "Which either means you're feeling embarrassed, or nervous, or—"
"What? No!—" You grumbled and pointed a warning finger at him. "Don't go all profiler on me. We’re not talking about me—“
"But didn't I specify that I was doing good...?" He asked, sounding genuinely perplexed. You deadpanned at your best friend and he suddenly grew small under your gaze. You dragged a hand across your face with a groan.
"Spence, thats not what I meant—“ You looked him in the eye and took a breath. "Are you ok?"
Spencer definitely took his time answering. You sat there, probably looking somewhat stupid waiting for his answer as all he did was scan your eyes, looking for— you didn’t really know what he was looking for.
Spencer was confused. He tried rolling back on something he had told you that’d cause your brows to furrow as deeply as they did. Realizing he wasn't catching on, you continued.
"You know for someone as smart as you, you sure are slow," You shoved his foot with your own and smiled at him. "I didn't know about your mother."
"Oh.." He then slumped with realization as a weak smile reached his face. He looked down at his files and fumbled with the corner of one of them, folding and unfolding it gently.
"Yeah, 'oh'," You teased. "Do you want to talk about it?"
Spencer trusted you more than life itself, he knew he could tell you but right now he felt this distinctive piercing anxiety that was causing him to shift nervously around you. Vocally admitting something that he may have some underlying issues with, letting you know that, terrified him.
It was hard for you as well. You cared about him and if you were to guess with what you know about Spencer, you'd take a wild one that opening up isn't his favorite thing to do. Thinking he could be potentially going through things without anyone to talk to you made you sick to your stomach.
You couldn't blame him though, you had the same problem. He looked up at you and just watching you, waiting for him patiently to tell you anything was enough to make him crack.
"Schizophrenia is a life long illness," He said. "Her meds keep her stable but she still has bad days at the sanitarium."
You nodded your head softly as all your attention was suddenly directed to him and only him. "I don't remember much about when she was first admitted but I do remember that she used to always read me these poems."
You smiled warmly, and he followed suit. When his gaze switched from you to the wall in front of him, you opened your mouth to speak. "How come we never realized you ever leaving to go see her or visit her?"
"Because I didn't," He admits. His brows furrowed faintly. You sat in silence, pushing for him to continue speaking. "I don't."
"How come?" You asked. He shook his head and pulled his lips into a straight line. He didn't really have an answer to what you had just asked, even though you’d hope he would.
His shoulders shrugged slightly as he seemed at a loss of words. "I think it's because in some weird, meticulous, twisted way I see myself when I see her."
"I write her letters everyday, just so I don't feel— you know, guilty, but knowing that schizophrenia is genetically passed on—" He shook his head, not even wanting to finish that thought.
"Spence," You said, shaking your head with furrowed brows. "I didn't know."
He looked at you and got deeply intimidated with the concern in your eyes so he attempted to brush you off. "You— You had no way of doing so,"
"I mean yeah, I guess.."
Yet another silence dwelled upon the room and you found your head racing at a thousand miles per hour. Thinking back and forth as to how you could have possible missed it.
Spencer looked over at you, alarmed by your sudden silence. He saw your gaze glued onto the ground and knew instantly that something was up. He noted how the corner of your lips were tugged tightly to the side and the soft familiar crinkle in your brow— how could he not tell that you were overthinking this? It was as clear as day, at least to him.
"What's going on in that pretty brain of yours?" He quipped, nudging your foot and causing you to snap out of your trance.
You felt the urge to laugh. Your favorite thing was when Spencer teased because it was so out of character of him. It was one of his scarcest traits, but it did exist in him when he wanted it to.
Not entirely ready to talk about what had awoken in your head, you decided to joke around. "How come you get ‘pretty big brain’ but I only get ‘pretty brain’?”
You could physically see it in his eyes— how he rescanned and revisited your conversation, immediately growing nervous at the possibility that he had offended you in any way. "You calling me stupid, Dr. Reid?"
"What? No! I meant—" He shook his hands franticly, turning his body to face you, face growing red. "That you can uhm, also have—"
You let out a soft laugh and he stopped, clamping his mouth shut. "You’re joking,”
The collar of his shirt acutely grew tight. When the sound of your laughter filled the room he could feel everything stop. He could feel every inch of his skin melt off and into a pile of putty on the ground. His cheeks grew hot and were practically burning to the touch.
You leaned forward, giving the end of his tie a soft pull. "Now look who's blushing."
You let him go with a laugh, and fell back shaking your head while Spencer's breaths grew even shallower, growing more nervous by the second.
You crossed your arms over your chest and looked at the floor, smile fading slightly.
"I get it," Your words had taken Spencer off guard. He looked over at you but your gaze remained on the floor.
"What—" His voice came out all wobbly so he quickly cleared it out as embarrassment seeped in. "What do you mean?"
"You're not alone with all the— fucked up family melodrama crap," You shrugged and spared him a glance, one of true empathy and not some made up bullshit. "I get it."
Spencer watched you closely and realized, due to your body language, basically just by knowing you, that something was up. He waited intently, expecting you to go on further— knowing you would.
You brought one of your knees to your chest while the other hung off the couch. "I remember when my sister was admitted to a psych ward, I had this huge inner turmoil, kind of similar to what you telling me about now with your mom."
You’d never shown any signs of having this going on in your personal life that he almost felt stupid for not seeing it, but you knew how to hide things pretty damn well. You'd always been so put together, and the brightest light in every room.
It was crazy how someone could be going through the worse and can hide it so well.
"She was severely depressed, she tried to end her life like, four times?" You rested your chin on your knee and laughed to yourself. "Lost count after a while."
Your face fell in realization "That's not funny—"
It wasn't a topic or time to joke around. He smiled to himself, finding your dark twisted humor somewhat concerning, but also endearing.
"Anyways, the first few times didn't really take a toll on me, and I'm not sure I can say why," You paused. "Maybe I just didn't allow myself to feel because I knew that if I did, I'd fall apart and I couldn't let that happen,”
You picked at a small fuzz on the end of your pants “I didn't want anyone to know what had happened and maybe if I avoided doing so, I could also pretend like it never happened but the time she ended up in the hospital was scary, to say the least."
"I had called 911 and she couldn't be alone before the ambulance arrived. When I tried to stop her from leaving the house, she attacked me," You took a deep breath and smiled. "Couldn't even do anything about it,"
"She got taken to the hospital and I never spoke to her again," You shrugged, pulling your lips into a straight line. "Things just fell apart after that but, I don't feel guilty about not seeing her... I think."
"I offered her help and comfort, time and time again, after every attempt, I'd always tell her that I was right here if she needed me." You shrugged. "I wasn't going to let her treat me like that after I had offered to help so many times, theres a certain point where you just can't help anymore, it’s hard to when they don’t want to be helped. I had to accept it wasn't something I could fix, as much as I wanted to."
Something about seeing and listening to someone's vulnerabilities and deciding to stay around was so sacred to you. Being the comedic relief for others was your way of avoiding letting anyone know and see your darkest sides, but somehow Spencer gave you enough security to let that go and be fragile with him— you felt protected.
"Look at us," You gestured. "Bonding over deep rooted family trauma's."
He shook his head and let out a laugh that was music to your ears.
"You know," He quipped, finding your eyes again. "It’s crazy how most people don't know what's going on with someone else until they directly tell them, no matter how close they are,"
"Here, people usually tell me their secrets all the time, so I know a lot about others" He shrugged with a smile, diverting his eyes from you once again and right into his lap. "I think it's cause they know I don't have anyone to betray them too."
You frowned. Is that really what he thought? That he had no one to go to? He shot you a grin from the side. "Except my mother, I tell her pretty much everything."
"I knew you were a Momma's boy," You accused, letting the playful glint in your eyes reach his. He rolled his eyes.
“I hope you told her about me,” You joked. “I’d be severely devastated if you haven’t.”
It was initially meant to land as small banter but Spencer’s eyes discernibly softened, looking down at his hands as if somewhat reminiscent of a fond memory. “I did actually,"
Your laugh faded but your smile still remained— Affectionate and soft, and directed only towards him. He looked up at you, attempting to scan every depth beneath your eyes bit by bit.
As the pulse in your throat throbbed against your neck, you scooted forward on the couch, allowing yourself to be closer to him. He swallowed thickly, before you took his hand into your own.
"I think with what you said before," You started, looking at his hand in your own while your fingers carressed his knuckles delicately. "People go to you because they know they can trust you— and not for the reasons you think they do,"
"I haven't told anyone about my sister, and I didn't tell you with the security that you wouldn't tell anyone because you don't have anyone to tell," You looked at him. "I told you with the security of the very own trust that I have in you, because you’re— well, you,”
Never before had Spencer proved to you that you weren’t someone he could confide in, and how stupid did you believe it to be that he thought he was only there to be a secret inbox.
He was so much more than what he thought of himself.
Just like you had stated before, you and Spencer brought the best out of each other, even if that meant talking about the worst.
You then signaled him to open his arm, enough to give you some proper space. "Scooch."
You fumbled around before letting yourself fall into his side, cuddling into him as much as you could and letting his arm drape around your shoulder. You grabbed his free hand and interwinded it with yours, smiling at how irrevocably perfect his hand felt in yours.
Your face flushed at the newfound proximity, but it felt too good and too natural that you didn't have it in you to overthink. Spencer somehow just complied to your wishes, immediately allowing his body to relax into yours.
After a while of the two of you basking in each other's touch and comfort, you pulled away momentarily. "Also, if you ever scare me again the way you did today—“
Spencer knew you were talking about dropping his gun and jumping head first into danger, but he listened tentatively at your warning nonetheless.
“I will make it my personal job to make your life a living hell."
He rolled his eyes laughing, and pulled you closer into his side."Yes ma'am"
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1eoness · 1 year
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professor!re4r leon fucking u.. i think (or at least wanting to fuck u)
cw content : leon size kink kennedy (jk) | sub-afab-fem-reader and dom!leon kennedy | age gap(ur 22 he's 27), leon masturbating, penetration, slightly weird ooc leon ♡
[to clarify, i am 18. anyone <18 and anyone >18 uncomfortable with interacting pls dni]
authors note bc i love rambling; btw i'm writing this in public at some boba cafe can u believe that lol im literally supposed to be studying but hwatever fuck it leon make me go blaahhhhhh. btw what do i call this? a fic?blurb?drabble? idklmfao by the way i have NO idea on how to write professor x reader shit so im sorrhy if this sucks ass.
synopsis : conflicted and flustered professor!leon kennedy of your local college struggles to improve his class' average because students like you—incompetent, airheaded, spoiled and klutzy— make it difficult for him :(
‿︵‿︵୨˚̣̣̣͙୧ - - ୨˚̣̣̣͙୧‿︵‿︵
you heard the rustling of laptop bags and stationery as leon's students left for that morning lecture. though, they moved slow and drowsy; for leon is sure nowadays this generation can't afford to wake up at 6:00 in the morning to prepare for a 7 a.m. lecture on "deviance and crime control."
especially you.
kennedy is a sharp man. he harps on students even if they get a B on any assignment, but he swears it's on his tough love (to which a lot of students aren't really aware of, just that they know this stoic pretty-face of a man has high standards.)
he is also keen on attendance. something girls like you seem to take lightly. it was absurd, really. most professors don't give a shit, do they?
it would've been fine with leon if you missed lectures even twice a week as long as you emphasized your understanding of his lessons through putting stellar effort on your schoolwork. but the best you've gotten on his class was a B- drawing close to a C+.
so, he needs to have a chat with you. urgently.
"l/n, i need to speak with you." leon spoke, confrontative as his black jeans peered from your right peripheral vision. he stood tall beside the edge of the table where you sat. jesus, was he trying to give you a heart attack? (he always had this habit, he'd just pop out of nowhere. he has silent feet.)
yes, you may have missed his lectures from monday to thursday to go to macedonia with your family: but if leon were given the opportunity for a vacation he would snag it too, right?
you looked up at the young professor, wide-eyed and a bit intimidated. what the hell did you do this time? you closed your laptop, gave leon your full attention. leon has also noticed this about you; you're quick to pay attention but you have the memory span of a dumb rabbit. maybe even the IQ of one too, if leon was rude enough.
so you sat there, hands on your lap as you fiddled with the pleats of your blue plaid skirt. the color makes his heart beat a little—he loves the color blue. and the way it looked on you... wait, no. what the hell was he thinking?
"you couldn't even spare the few minutes to e-mail me that you'd be missing four- four, of my classes in one week." he emphasized with a slate tone, and the way his eyes peered down at you added that he needed your reasoning of the situation. he'd love to hear what you had to say for yourself. "i had to talk to your friend, ashley, for some clarification. even the president's daughter has the dignity to show up to my class with a verbal apology." leon scolded as his fingertips met the pages of your notebook. did you even care about his classes? :(
much to your chagrin, your lips were pressed in sheepish silence. hopeless, even. you didn't even have anything to say for yourself? how pitiable.
you simply can't miss class, that wasn't right! just because you thought you could hide in the shadows amidst leon's collective of 73 students (yes he counts), you aren't out of his eyes. in fact, you stood out to him even if you were just an incompetent scholar.
he sighed at your silence. "fair enough, an apology can't compensate for your lack of presence or decorum." he then placed your paper on the desk, you had gotten a D. you were never a bad student but this was your first D ever! your eyes widened and he caught on even though he could only see the crown of your hair. "surprised? because i'm not." leon uttered flatly while his pale fingers flipped through the papers right in front of you. you even spotted a few contractions— when did you even pass this?!
but you weren't a bad girl to him, no. you were capable of shame and guilt. you looked sideways, unable to meet his eyes and training your vision to the floor. you felt low, disappointing a professor that gave you numerous chances to break out of your awkward shell.
"you're a smart girl, you know that?" he finally sighed softly. he wanted you to look at him, make him another promise that you'll start putting effort in his class. he needed to maintain his class's average or else he'd prove he was an inept professor, and he can't do that when he lets 'students like you' get away with shabby attendance and subpar schoolwork. "i don't just give students chances. but that doesn't make you special." and it was true—he's voluntarily failed 6 of his students before. "you'll do something about this, right?"
"yes, professor kennedy.." you muttered modestly.
"hmm?" he hummed inquisitively as he took your paper back. he was willing to give you a chance. "listen to me. i'll give you the chance to redo your paper. i know when students rush their work and if i see even a hint of redundancy in it—i will take all my chances back. and you are never taking absences from my class. i don't want you entering even a minute late, or leaving a second early. i hope we're clear, l/n."
naturally, you were scared. so you nodded up at him after countless confirmations that you will do you work and that you'll show up to class no matter what. he has to use your word against you, he's sorry but it's for your own good.
once he was satisfied, he gave you a nod and turned his side, dismissing you. after all, leon was a busy man. you're not his only student.
it was when you walked out the building and then 20 minutes away from it that you felt like crying. you hated being scolded by him :( but just when you were about to go through your bag for your handkerchief, you were stuck with an inconvenient realization. you forgot your handkerchief.
‿︵‿︵୨˚̣̣̣͙୧ -♡- ୨˚̣̣̣͙୧‿︵‿︵
leon just stared at the table where you sat from just now, backpack strap over his shoulders since he was just about to leave. he gripped onto either of them slowly as he stared down at your handkerchief in contemplation.
a twofold baby-blue hankie embedded with a subtle floral print. tentatively, he picks it up with his hand and examines it. for a minute his mind went blank, conflicting between chasing you and just returning it to you or to leave it by the lecture podium for her to retrieve tomorrow (when you hopefully attend his lesson again.)
..but blue was his favorite color.
"damn it." leon, with a barely audible mutter, shoved the handkerchief in his jacket pocket. he felt like the most guilty man in the world, poor boy.
...
leon sighed.
he wasn't celibate.
his hormones were in shambles once he got to his place. perhaps part of it was because he knew he hasn't graded the recent tests yet.
manspreading, tie loose, shirt stuffy and jeans undone while his hair wisped in slightly disheveled directions. cold breaths followed out his pretty mouth.
"nnn..fuck.. uhh-" leon whimpered into the baby blue cloth, laced with your perfume. he felt so guilty, so perverted. he shuddered every time he could see over the edges of the cloth, seeing his cream-leaking tip from previous orgasms spurt teasingly. "ahh- fuuuck, p-please-"
his grunts were high. he was close to crying, staining your pretty handkerchief with guilty-pleasure-ridden tears. spilled milk, it trailed down his pretty shaft as he pumped it over and over. his motive was you— you were just so fucking stupid and had so much naivete, it absolutely vexed him knowing how endearing you were.
until a slip of leon's mouth surprised him, earning a small squeak from him as he accidentally muffled your name in your cloth. "fuck, y/n- a-ahh.. u-uhh..hmfff.." he was frustrated; whining and cumming while his mind stirred with the thought of you and your pretty eyes and the photographic memory of your dumbstricken face.
he gave out a tired whine into the cloth, so, so close to crying his frustrations out. he just wanted to eat you. christ, and he was so hard for you it made his head ache..
he could only watch his girth that pulsed with white. he pried the sweet handkerchief off his lips, breathing roughly and wiping his tears. he felt so, so sorry for you. the color of the cloth looked exactly like the skirt you wore yesterday. and yet to top it off, he (ashamedly) wiped his cum off with your dainty cloth. oh, he's so sorry..
‿︵‿︵୨˚̣̣̣͙୧ -♡- ୨˚̣̣̣͙୧‿︵‿︵
he didn't want to come to this point. or maybe he did and god was force-feeding him with culpability (he's atheist). he offered once to tutor you personally. one-on-one, no distractions. and so suddenly, someone's skirt was on his clean carpet floor..
your blouse draped over your shoulder and was pulled above your bra carelessly. he handled you with so much ease, squishing you into position while he tried to slowly push his thick length into your syrupy hole. you bit the knuckle of your thumb, and whimpered timidly that he was too big. but look where you were now.
"fuck- you're so- you feel so good.. shut up and take it all, yeah?.. hmmff-" there leon goes, harping you again. you were so loud but it wasn't even your fault, not when he was pistoning his cock into you and paying no hesitation to his pace. you were simply too sweet for him not to please. "sweetheart, hold onto me.." he mutters.
he was pushing every squeak and cute little wail out of his pathetic student, rutting his tip into that spot. "n-nnghh- aah!~" you were running low on words.
"yeah?- mhmm...ffuck, right here? huh?" the feeling of him thrusting against that spongy part more and more sent your mind further into autopilot. you were past squirming around and pushing him away, you just had to take it.. and take it.. and you were doing so good ♡.
"l-leoonn.. m-mm!- fffeels t-too good-" you babbled, mind stuffy with the pleasurably-shameful feeling of being gorged with your professor's thick girth. he shuddered at the way you uttered his name so adoringly. to leon you were so dirty but so, so cute. he had you puddled into tears beneath him while he fucked into your cute little hole with fervor. he just wanted to stuff you full, make you his, adore you forever.
he whined softly into your shoulder. you kept clenching down on him and it made him impossible to think. his phone was ringing on his bedside but he doesn't even give a shit—if anything he tried to drown it out by thrusting into you faster, to which made him lament into your skin. he even adjusted your hips up impossibly further.
"l-leeonn, n-no..— n-no more, please!!-" you blabbered adorably, voice mumbly and whiny as you clawed at his shoulders or back— you didn't know anymore.
"shhh shh.." he cooed over your cries with a quiet and honeyed voice, planting a soft kiss to where he could reach on your face or head. "i know, i know, it feels so good, hm?.. just let it feel good, baby—ahh, fuck-.. uhh..." he moaned lowly into your shoulder, unable to stop the way he rutted his cock into your creamed-up cunt. you seemed to be enjoying it, so why were you complaining? leon thinks to himself smugly but he knows he can't act on his pride. after all you made him like this—submitting to his carnal urges...
you didn't wanna cum a third time, huh? silly little girl.
leon growled quietly into the crook where your neck and shoulder met. you've never heard that sound from him. he held you down, constraining you, and squished you further into his mattress. a helpless and surprised yelp lolled out your tongue as he went impossibly quicker while he cursed like he was about to break down in tears. leon was mercilessly grinding his cock into all your sensitive spots, not letting your pleas of retort contest him. "fuckfuck- u-uhhh, take it, baby, c'mon... do it f'me, it's gonna feel so good-.. ahh!-"
he couldn't even finish his sentence—just piping his cum in you roughly as if he were proving a point, growling whinily along the way. he even kept fucking you shallowly while you were a dumb, sniffling mess with no sense of self-assertion as you creamed all over his shaft uncontrollably a third time. consecutive and quiet whimpers could be heard from you while you soaked in your overstimulation, needing him desperately to reassure you again through the overbearing pleasure of being pushed past what your cunny can handle.
"poor baby." he muttered to himself breathily as he gave the last of his tired, frustrated thrusts and pulled out of you; giving you the time to breathe while he pats your hair down comfortingly. his fluttering eyes finally closed as his head found refuge in your neck, slightly limp with exhaustion as he huffed cold breaths on the wet patches of your skin.
he pulled his head away after a minute of regaining what's left of his strength. leon looked down at you with subtle puppylike eyes, like he was sorry for ever being so harsh on you; even before he fucked the shit out of you. you quietly took your handkerchief to wipe some sweat off his neck— and his cheeks went a little rosy, remembering what he did to it that day you "lost" it ♡.
seems detergent can't wash something like lust away!
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time-woods · 7 months
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Do you use pose references or do you just… /know/ how to draw it? (Or, you’ve drawn people so often that you just have it down?)
Your poses are always so dynamic!!!
i do occasionally use reference if im struggling with a certain pose/ want inspiration for a pose ! especially if im working in a more realistic style- sometimes ill even use pics of myself if i cant find exactly what i need,
i do have a folder where i save poses i find interesting/ useful for practice- lots of interaction and sitting poses
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enden-agolor · 14 days
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i fucking LOVE the way you draw/write jesse, as someone with a chubby/buff build i kind of struggle with insecurities about my size but the way you draw him makes me feel very good. idk im describing it badly but i wanted to ask if your design for him is more chubby or muscly?
Dude thank you 🥺🩵 You described it very well.
It really depends on which time frame I'm drawing Jesse in actually.
In the beginning, I imagine Jesse is quite scrawny. I mean did you see his work out routine in the beginning? He was was doing sit ups and punching flowers. He was definitely lacking muscle (but had enough to be able to lift Reuben up and down that ladder) and as the first couple episodes progress, he stays scrawny but progressively becomes more scarred up until the Portal Hallway episodes.
The Portal Hallway episodes, it takes place many months after the events of the Witherstorm. Jesse and his friends are going on many more adventures, really honing their skills that they acquired over the past few months. Jesse is much more built now. He's buff and tough with the true heart of a hero. Although, once he and his friends get stuck in the Portal Hall, that's when things take a really devastating turn for him. Feeling hopeless and lost for weeks on end, he begins to feel withdrawn from the positivity he was feeling before he ended up stuck here. Traumatic events keep occuring, and with these events, Jesse is of course drawn to remember and replay the events of Reuben's death in his head. He keeps the most of these feelings to himself because his group is already feeling so disheartened about their current situation that the last thing he'd want for them is to know that he's breaking emotionally, so he ends up taking less care of himself. He starts eating with the idea that he has to stay strong for his friends, but even those moments are rare. Food is scarce depending on what portal they are in, so when he finds food, he'll take anything that will keep his energy and strengths up.
By the end of it all, he's actually put on a significant amount of muscle. But it's kind of like a 'at what cost?' scenario.
Things get a bit better for him between then and Season 2 where he's eating better again and keeping all that muscle, but once Season 2 comes and goes, and with everything that happens in the Sunshine Institute and the Underneath, he loses a lot of weight.
It's only after Season 2, where he stays in BeaconTown and eventually finds a love life with Lukas when he really begins putting on weight once again. He's done with hero work. He's done with going on crazy life threatening adventures. Now he just wants to live life for himself rather than putting others first. Lukas helps him a lot through this, with body positivity and lots of love and affectionate touch, it's all the reassurance Jesse has ever needed to feel okay with being himself again. So he ends up putting on that happy weight that couples typically adopt over time when they're in a healthy relationship. Lukas treats him so, so unbelievably well. Finally Jesse gets to eat food for himself without the idea of needing to keep himself strong and powerful once he's finally retired. He indulges himself in his sweet tooth and loves to eat cookies, cakes, and other baked goods that Lukas will bake or bring home. He also really enjoys the fact that he doesn't have to eat alone anymore. He loves sitting at the table and enjoying a meal with his hubby. And the best part, which is something Jesse was horribly self conscious about, is that Lukas loves and adores his pudge. He is so supportive of Jesse's eating habits, but he doesn't hesitate to sneak veggies and fruits into Jesse's lunch box for work.
So yeah uh Jesse is chubby, buff and loved at the end of it all 😍
Here's some lil doodles of him I have lying around. The first one is pretty old and could probably use a touch up since now I don't see much of a difference, but you get the point ☠️
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luveline · 2 years
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Hi! I seriously love the way you write parental relationships with kids. Not really sure if you’d be interested in this idea but would the reader ever need to pick up Roan from daycare when Eddie has to stay late at work?
hi! im so happy you do baby, thanks so much for your request! this was a great idea, you're a wonder ;) this one got really long by accident it's not my fault ♡ girl dad eddie x fem!reader
It's a desperate phone call. You just got home from work and you can hear the landline ringing as you open the door.
"Hello?" you ask, hooking the red plastic receiver between your cheek and your shoulder.
"Hey, it's Eddie!"
You could tell from the grinding sounds in the background. "Hey. Working hard or hardly working?"
Usually Eddie would laugh at your bad jokes. He might look all frosty and cool on the outside but he's not so tough on the inside, a veritable goodball through and through. It's easy to think of him blowing raspberries on Roan's tummy, their matching happy smiles.
"Did you hear me?" he asks.
"What?"
"I asked if you'd do me a favour."
"Sure thing," you say immediately. You ease your shoes back on. "What do you need?"
"Could you pick Roan up from daycare?"
You drop the phone and scramble to pick it up where it's swaying left to right. "Is everything okay?" you ask worriedly.
"Everything is fine! Well, everything sucks, but it's fine. They need my hands for something, 'n usually I'd ask Wayne to grab her for me but he's tied up." You blink. "It's okay if you can't," he adds. You think he might be saying, It's okay if you don't want to.
You grin. "I can get her no problem. Will they let me? Do I need to be on, like, a list?"
"I can call them first. You're sure you don't mind? You can bring her here-"
"Where? To the garage? Can't she just come watch movies with me?"
He clears his throat. "You want to?"
There's lots of things you could say here. Eddie, I adore her. Of course I want to. Or even, Eddie, I'm pretty sure I adore you, so I'd do it even if I didn't love her to pieces.
"I'd love to! We can have a princess party, and-"
"That sounds great, baby. Thank you." His tone is a tad strained.
"Oh, right. Finish your thing! I'll get in the car as soon as you go," you assure him.
"Thank you," he says again, and hangs up.
You let yourself in through the first door and approach the desk.
You drive down to the daycare and can't help thinking about how excited you are to see Roan. You hope she'll be excited in turn, and then you tell yourself off for entertaining the idea. You're not her mom, you're not her anything. You're barely Eddie's anything.
You're really hoping you will be.
"Hi, I'm here to pick up Roan Munson," you say, nervous to talk to this lady you've never met before.
She squints up at you assessingly from behind a pair of bifocals.
"Eddie said he was gonna call."
"Nobody's called me," she says, monotone. "What's your name?"
You tell her your name. She says, "Uh-huh," like she couldn't believe you less and then clicks through a struggling computer, green light illuminating her face.
You twiddle your thumbs. You can hear the sound of kids playing behind the door but don't want to try peeking in case the lady thinks you're a freak.
Maybe Eddie's gonna call any second now and save you the awkwardness.
You open your mouth to reiterate when she hums. "Alright. I'll buzz you in."
She buzzes you in.
You're on the list. Eddie put you on the list.
You walk through the second door and spot Roan instantly, already dressed in her shoes, a chunky pair of black mary janes, and a sparkly red nylon jacket. Her curls are in frizzy braids, one hanging dangerously close to what looks like a pot of dirtied paint water.
The toes of your shoes hit the baby gate. The sound draws lots of attention, a bundle of kids all excited to see their parents and go home. Among them is Roan. Her eyes get wide and she smiles her lovely baby smile, hands paused where she'd been drawing a picture.
"Hey, princess," you say, not too loud as to disturb the workers but more than enough for her to hear you clearly. "You coming home with me?"
Rhetorical, obviously, but amazing to get to hear her say, "Yes! Yes, I'm come with you."
She strides to the babygate and lifts her arms. It's familiar now; while you haven't gotten any better at picking her up, you do it without thinking. You've barely wrapped your arms around Roan when a young man is passing you her backpack.
"Thank you," you say emphatically, not sure what to do with it. In the end you shrug it over your own shoulder.
Roan gives you a hug right there and then. She's all short limbs and extreme enthusiasm as she does, the paper in her hand smashed to your neck and the flyaways from her braids tickling your nose.
She so heavy. You can never get used to how heavy she is. You give her a great back-rubbing squeeze and then set her down. She isn't happy, but she doesn't get too mad, only pouts.
"You look like daddy when you do that."
"Where is daddy?" she asks.
You smooth down the lapels of her jacket. "He's at work with Uncle Wayne. But he sent me to come and get you. Does that sound okay?"
She shrugs. You shrug back at her because she's funny, and it makes you laugh.
"Yeah? I figured we'd go buy some candy and have a princess party." You whisper the last bit and watch awe slacken her face.
It quickly tightens. She screams and jumps at you, almost knocking you over in her rush to hug you.
It's a great feeling. You can tell why Eddie loves this part as much as he does.
You don't have a car seat for her so you decide you can walk the half an hour to your place. It feels long. You take pity on her little legs dragging halfway in and politely ask if you can carry her. She rests on the moving bump of your hip and answers questions about her day as best as she can, her drawing now safely tucked away in her mini backpack.
You stop at the small corner store on the way and let her fill a basket with drinks and chips and candy. All pink or purple, of course. Your princess party needs appropriate catering. There's a cheap tiara and wand set hanging on a rotating rack in the back and you add it as inconspicuously as you can to a growing heap of things so as not to spoil the surprise.
Carrying her and a grocery bag full of things is hard work but you don't mind, not when she's having such a great time. All she's done is chatter about princesses and her dad and you in varying arrangements and with varying passion.
"This is my house," you announce outside.
You let yourselves in, help her out of her shoes, and hold her hand as you climb the stairs together. Roan takes them one at a time. You don't suppose the trailer has as many.
"Good job, baby," you praise.
She gives you one of her more shy smiles and gets noticeably closer to your leg, almost clinging to you as you show her where the bathroom is and then your bedroom.
You don't quite have a princess bed, but you do have a lot of soft looking pillows. She squeals.
"You want to lie down?" you ask her knowingly.
Roan nods. You smirk and pick her up, rocking her back and forth as you count, "1, 2, 3," and toss her into your sheets. She lands with a roaring bubble of giggles and a poof of silken sheets.
You throw yourself down beside her.
She lolls her head to look at you. You share a private smile.
When Eddie finds you, it's in the living room. He'd knocked a couple of time and got no answer, had almost turned around to leave when he heard the TV playing a familiar princess song.
"Girls?" he asks, shocked at your sleeping figures.
Roan wears a cheaply made plastic tiara. Her shoes and socks are gone, her small legs and feet pushed out straight in front of her on the couch cushion. You have your legs kicked up on the coffee table and are surrounded by snacks, a plastic wind in one hand and Roan's hand in the other.
He weaves around discarded shoes and things and perches carefully on the coffee table next to your legs, freshly scrubbed hand reaching out to clasp your calf, rubbing up and down the length of it until you rouse from your dozing. Your hand tightens around his daughters. She's the first thing you check when you wake up.
His heart aches in the best way.
"Hey," he says, still rubbing your leg slowly.
"Hi, Eddie." You rub your face and sit up with a sigh, flopping over until your back is hunched.
Eddie chuckles under his breath and applies a little more pressure to his massage.
"That feels nice," you say through a yawn.
"I bet it does. Did you walk all the way here?"
You wipe your eyes with one hand and look at him through parted fingers for a moment. "Yeah," you confess sheepishly, dropping your hand. "I don't have a car seat."
His turn to be sheepish. "I'm sorry."
"No! Don't be, we," — you hold her hand like a trophy; his heart aches worse — "had a really good walk. Great arm workout. That's my exercise for the year."
He holds his hand out for your empty one. You pass it to him. "Mm," he hums skeptically.
You blink owlishly. "It's okay."
"Seriously, I had a great time. Um, Roan might be out of commission for a bit though. She did some intense jumping on the bed earlier. Oh, and I'm totally forgetting the best part, she..." You fade off as Eddie brings your hand to his mouth and kisses the back of it.
"I'm sorry you had to walk. I didn't think."
Eddie kisses the same spot and then let's it fall, rubbing the invisible mark with purpose. "Poor girls. I'll make it upto you," he promises.
"That's okay." You mean it. "I had a great time. She's- she's really awesome."
"Gets that from me."
"Sure does. Same as her bottomless pit of a stomach, and her moods, and her-"
"Okay, that's enough."
"-lovely good looks," you finish, eyebrows raising at the starts innocently. "What did you think I was gonna say?"
His laughter finally wakes Roan. She stretches out and mumbles dispassionately, grumpy to be pulled from sleep.
"Hey, princess," he says gently.
Though he feels bad for stealing your nickname, he can't not call her that when she's soft with sleep and wearing her cute crown. The fake pink gems shaped like hearts set in silver painted plastic adorning her inky curls may as well be real jewellery for how pretty she looks.
"Daddy," she cheers weakly, fatigue scratching her throat.
"Poor baby needs a drink," you say.
You're on your feet before Eddie can stop you. He watches you go. Roan climbs into his lap with a self-satsified noise, digging her face into his chest. He looks down at her and drops a handful of dainty kisses against her head.
"Did you have a good day?" he murmurs into her hair.
"Good day, daddy," she says agreeably, already falling back into sleep.
"Best day ever!" you say from the kitchen.
He tries not to feel too jealous and fails.
-
more of eddie and roan
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mishacakes · 7 months
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how do you connect to your character? like how do get to know them so well? how do you pick out their likes, dislikes, habits and those itty bitty bits about them? I've been struggling to do that for sooo many of my ocs, and i'm also at a lost of how to design them. like i once had a clear idea of what kind of character they are, but i wanted to change them a bit, make them a little better, and i feel like I've lost that character and that character i'm working on doesn't exists, no matter how much i loved them and enjoyed writing an drawing them. this has happened with every single character i made and it just makes me think that i may not be cut out for drawing or writing characters. i look up to you so i thought of asking you for help
sry for the long rant idk wat im doing
HELLO HELLO THANK YOU FOR ASKING!! So basically I took this question and turned it into a 1.6k word essay on writing characters and how I like to do it, so, uh, hope you enjoy!! and hope it helps!
OK!! character writing. How do you do it? or, well, how do I do it. I’ve got a few methods that help me out the most and are the most fun for me to think about. Here’s my big secret, if it’s not fun I don’t do it. I’m not here to do homework I’m waaayyyy out of school. I’m a legal adult. I pay my taxes. I’m not gonna do something that doesn’t give my brain the good fun juice. Anyways. My methods are: symbols, archetypes, and character inspiration. I use all these to figure out the CORE of a character, their very beating heart, and most importantly, what haunts them. Everything about a character, in my opinion, comes from this core and their ghost. Their habits, their fears, their joys, their coping mechanisms. So long as you have a clear grasp on their heart, you won’t go astray. Let’s dive into it! The characters I’m going to be using to describe how I use these methods are Alice and others characters from my webcomic—namely Edith, Hatter, and Rougina—and Tomiko (you know her you love her, catgirl supreme).
Symbols! I love using symbols, they’re something that can describe a character through metaphor, even without going into detail about their whole backstory and habits. Tomiko’s symbols are lanterns (specifically light), cats, ghosts/yokai, shapeshifting, and gold. They all work to further her character as a rough around the edges monster cat with a heart of gold, who uses shapeshifting as a method (both literally and metaphorically) to mold herself into what others need her to be. Alice’s symbols are hearts, eyes, and flesh in general. Try picking one general symbol (the ocean, the forest, the city), and see how specific you can get from there. Or pick a god or goddess that resonates with your character and see what symbols are used for them. Rougina (the antagonist in my webcomic) is a war goddess fallen from grace, and is symbolized with land and volcanoes, so I’ve used volcanic plants to evoke her. Personally I also love going through the tarot for symbols, assigning a tarot card to characters (of the major arcana) is a fun exercise. Which leads us nicely into our next method:
Archetypes! The tarot deck’s Major Arcana is pretty much only archetypes. The Empress as the Mother. The Magician as the Wise Mentor. The Tower as The Worst Thing That Could Possibly Happen Oh Jesus Shit. These can help a lot with who your character is. I’m extremely storytelling oriented, so it helps me knowing What Role a character serves in the story they inhabit. Another thing I love in archetypes in the Zodiac. Yes, I am an astrology bitch. The whole reason I love talking about my methods is my Sag rising, I love giving my wisdoms. But astrology can be used for writing, and not just for excusing and not reflecting on shit behavior (can’t help being a gemini!). The zodiac is FILLED WITH ARCHETYPES!!! From elements to how they function! The four elements (you A:TLA bitches know this), and three modalities. If you’re interested please watch Eugene’s Rank King video, it’s very informative on the signs. Also many symbols! For example, Alice is a Taurus—May 4, Alice Liddell’s birthday—so she’s pretty stubborn while also loving creature comforts. Tomiko’s birthday is August 23, making her a Virgo, so she likes being precise in her work. More archetypes you can look for are DnD classes! I love using that to design costumes. One of Edith’s recent costumes is very wizard inspired, since that’s the class I see her having as she’s very studious and driven. Heck, all of Alice and the Nightmare is derived from the character archetypes of the Alice in Wonderland characters! Rougina is specifically the Red Queen, NOT the Queen of Hearts!! The confusion started with the 1951 Disney animated movie when the two characters were merged!! Lewis Carroll himself said the two were different! The Queen of Hearts is an “embodiment of ungovernable passion” and the Red Queen is “the concentrated essence of all governesses”!! GOD!!! Tim Burton meet me in the fucking pit you’ll pay for your alice crimes. anyways.
Archetypes help a lot in costumes too, figuring out what kind of fashion they’d like to wear. You can start broad and get more specific with it (like going from a wizard type character to a wizard character with steampunk themes). Fashion is just an extent of character. What are they comfy in? Are they confident in their body? What colors do they like? Bright high fashion or simple dark sweaters? Ryoko Kui is a master of character design I HIGHLY HIGHLY recommend checking out her work.
Another method I like using, specifically for Alice and the Nightmare characters, is what I call the “three trait method”. When I was in middle school we did a production of Alice in Wonderland (I was the White Knight), and too many girls auditioned for Alice. So the director’s solution was to split the character into three parts, and assigning each part to an actor. Her temper, her intelligence, and her innocence, all used in different scenes. Now I use that to think about my own Alice character, except with “polite, temper, and curious”. Edith’s keywords are “nervous, tactical, and intelligent”. Hatter’s are “kind, enthusiastic, and intuitive”. Using keywords can help figure out how they’d react in a situation, what side of them would shine the brightest. Hatter’s want to help everyone is his kindness, but overstepping his bounds can be attributed to his enthusiasm. Edith can know what path to take in a pinch, but her nervousness can freeze her in place. Reading the source material helps a lot with Alice characters too, which brings us to our final point:
Character inspiration!! The art of taking things you like and shoving them into your own characters and stories. DISCLAIMER THO!!! If you take things without really EXAMINING what about them you like, WHY you like them, and how you’d like to evoke that same love in the things you make, the interpretations can come off as shallow. (for more on this subject, watch HBomberguy’s RWBY video essay, specifically the section on “anime homework”)
Tomiko’s biggest inspirations are Izutsumi from Dungeon Meshi, April Ludgate from Parks and Rec, Power and from Chainsawman, San from Princess Mononoke, and Mei from LMK. It’s a good cocktail of aloof, biting, vicious, weird, fierce, loving, and bright. Figuring out what I love about the characters and what I want to write in a character like that helps a lot in writing Tomiko. It’s also really fun in a sense for screenshot redraws and memes.
Music is also a HUUUUUUGE source of inspiration for me, I love making playlists. And even as playlists can change as characters grow and change, having a couple of core songs still helps me ground to that character’s center. For Tomiko it’s “Make Them Gold” by CHVRCHES, and “Nice Girl” by Ashnikko. Alice’s is “Headlock” by Imogen Heap and “Demons” by Hayley Kiyoko, Edith’s is “Warrior” by Kimbra, and Hatter’s is “Dementia” by Owl City.
Ok, we’ve gotten though symbols, archetypes, and made a couple of banger playlists. Next is something that can help write your character, the Big Lie. The thing that keeps them up at night. Their biggest fear, their ghost, what haunts them. What’s holding them back from their goals? What do they need to overcome? That can be as central to their theme as any symbolism. For Tomiko it’s the lie that her emotions don’t matter, only what she can do to be of service to her mother. Her arc is about overcoming her dismissing her own emotions and learning to not run away from the people who she truly cares for. Alice dismisses the literal ghost that is haunting her believing that that will let her have a normal life. Edith pushes down abilities that come naturally to her for fear that she’ll be exiled, not just from society, but the world. Rougina believes she must burden the world’s problems on her own shoulders with no one’s help. The outer character and the inner ghost can reflect, mirror, and inform each other.
Now, listen, sometimes characters are hard to get to know! Tomiko was lol. Quinn was for a looong time. And in times like this, I just, let them be. I listen to some music to get inspired, and let them tell me about themselves when they feel like it. And they will, it just take a little while. And a few dozen quick exploration drawings. But they come through. Also, try not to get bogged down with habits and little details of their character, keep their core in mind, what their heart is. Start broad and get specific. That way, if you feel like you’ve lost your way or the character feels different to you, recenter yourself at their heart and go from there. Or, if you find that their center no longer fits, don’t be afraid to change it! Characters are meant to be fun! First and foremost!! I make characters cause I like writing and storytelling, and drawing little comic for fun and me time. Sometimes characters stick around, sometimes they fall by the wayside. You really have to find what sparks joy, and chase your bliss!
So as long as you have your character’s essence in your hands, and you WANT to keep working on them and drawing them, there’s really no wrong way to go. This whole essay I’ve given is just a set of tools that works for ME, and I HIGHLY encourage you to find stuff that works for you! I really really hope that all this has made sense and isn’t just the ramblings of a madman. Good luck and happy charactering!!
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elyninem · 5 months
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I love your drawings ❤
Can I ask how do you made the background so simple but also complicated?
It's look so good, and I'm still struggling with background
Any tips?
Anyway have a nice day ♡
And sorry if I bother you
HI EEHHEHE sorry im new to tumblr. actually when I do backgrounds I take a reference and just simplify it. usually the main goal i keep in mind is that backgrounds are there to set the mood it can be simple but still get the idea. my tips is to play with colors a lot, use shadows and lighting (it adds spice💥💥and make sure your background doesn't overpower your subject or like main thing💕💕💕 HOPE THIS HELPS HEHEHE
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