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#but the plot is basically the same
anghraine · 2 years
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My best friend and I were talking about our favorite moments in the SW prequels even though we both have issues with them, and there was one that we solidly (but kind of unexpectedly) agreed on.
It's actually in Attack of the Clones and from Hayden Christensen as teenage Anakin, in a moment where we really thought he shone—the return to Tatooine.
In particular, we both loved how he questions Watto, his former owner, who talks as if their history would be nostalgic for Anakin somehow and as a Jedi, Anakin might do him favors now. Watto admits he sold Anakin's mother to some guy who freed and married her, but is purposefully vague on the details, and Anakin just quietly says something along the lines of "I'd like to know."
This could be kind of empty or OTT hostile, and in our opinion, it's really neither! There's a certain, hmm, lingering politeness, but there is also an underlying menace that we thought perfectly fit the circumstances and his character.
(We also thought and liked that he seemed weirded out by the Lars situation. I mean, when you think about "this guy bought my mother in order to marry her, but also legally freed her" from Anakin's POV, it is an extremely strange situation to be in.)
#it's interesting bc we both love ot anakin but tend to see him a bit differently bc of our respective issues with our fathers (lol)#whereas we were solidly on the same page with the prequels#and sometimes amuse ourselves by spinning this whole alternate version with obi-wan as tragic hero#but the plot is basically the same#anghraine babbles#star wars#anakin skywalker#pt critical#by implication though this isn't about that!#fandom has a very ... hmm. soft and romantic take on the skywalker-lars tie#but sometimes i wonder not only about anakin being kind of '......' about the whole thing (justifiably tyvm)#but about luke growing up with that mind-boggling family history#and how it affected his sense of himself as a skywalker (bc this /is/ clearly his sense of himself in the films)#but also his genuine affection for his uncle and aunt#like... i saw a post the other day about how tatooine is the equivalent of the modern rural usa#but i mean ... luke might /feel/ like a us small town kid who wants out in a recognizable way#but tatooine is legitimately an arid hellscape controlled by gangsters#who keep people as slaves including luke's father and grandmother#his father was freed and made a career for himself as far as luke knows (but died young anyway)#his grandmother was freed and found a family (but was tortured to death anyway)#he might well walk past her grave every day until owen and beru are also killed#i feel like his emotions about all this might possibly be more complex than 'ungrateful whiny kid in space usa'#long post#in the tags :P
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anonymoosen · 15 days
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AIDEN’S SO SILLY WHAT
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space-manatees · 11 months
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am I painfully aware that the book I’m reading is the same story different font? yes absolutely
am I still loving every second of it and eating it up in under a day? yes absolutely
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cogdominium · 2 months
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saw a post in the corporate clash tag that caused me to black out and make this
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blackhholes · 2 months
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teen wolf meme: [3/5] motifs -> resurrection
It's different now. I think dying did something to him. It did something to me, too. But none of it was good.
#teen wolf#lydia martin#kate argent#tracy stewart#scott mccall#peter hale#jackson whittemore#derek hale#hayden romero#twedit#twgifs#mine#my gifs#twmeme#yes i'm aware that it can definitely be argued whether resurrection is a motif in teen wolf or just a recurring plot device#and while it's certainly not a symbolic motif like fire and water was previously#the way it's utilized within the show does make me read it moreso as a motif than just plot#like water it's used to communicate an internal change but the ways it differs from water is that it usually occurs at the end of a#narrative arc whereas water typically appears at the beginnings#water is used to signify a character's beginning descent into something new and the resurrection is once that change is completed#jackson's arc in season two is started with his submersion in water and it's ended with his resurrection#and lydia's arc in eichen house in 5b is much the same with her in the river in her mind at the beginning and then her dying and coming bac#at the animal clinic#even lydia's arc in season two can be read within these parameters#it begins with her in the hospital shower as she digs hair out of the water and ends when she resurrects peter#so while yes there is a reversal there and lydia isn't the subject of the resurrection she is the agent of it#which honestly the same can be said for theo in 5a#basically what i'm getting at here is that my reading of the resurrections in teen wolf as a motif is very valid and you should all agree#also i completely forgot about jackson's resurrection until i was literally writing these tags so i had to go back and make a gif for that
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better-call-mau1 · 1 year
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Tell me I’m not onto something here…
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titfairy · 1 month
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Now that TSOU is over, perhaps Lingorm can have different project where their characters have different flavor than before
Need Orm to play a dangerous secret daughter of an organized crime big boss vs Ling playing private investigaytor trying to solve a murder case - where these two play dumb while flirting with each other, playing a cat and mouse game, trying to make each other crack first
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lazuliquetzal · 9 months
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I keep on telling people you're the only one who knows how to plot. Can you teach all of us how to plot, please? I love you.
I AM SUMMONED? PLOT BRAIN SUMMONED?
I love plotting. It's my favorite part of the writing process. Plot is "things that happen" and the best part of writing is imagining things that happen. I'm going to assume that whoever may be reading this knows how to imagine The Happenings, so I'm gonna be talking more about structure, but in like, a kinda abstract sense.
A good plot is a little bit more than a string of events. Plot is like music: there's variation in rhythm and sound and melody, but ultimately there's cohesion, because it's all one song. You can have a bunch of wild things happening, but no matter how strange, there should be something that links them all together, because you're telling one story.
Plot structures are patterns in stories. I'm pretty sure most of them were developed as analysis tools (as in, story already exists > look! it follows this pattern) rather than as writing tools, but people use them as writing tools because it's a neat little way to organize the chaos that is "shit happens." Stories follow patterns for the same reasons music follows patterns: we enjoy the certainty of hitting certain beats. But we also like being surprised. A good pop song doesn't sound like a random collection of sounds, but it also doesn't sound like the middle slider of other songs.
There is this shared concept in both music and writing: the idea of tension and release. Basically, you're playing with reader expectation: there's an imbalance in the experience (tension), and we want to see that imbalance resolved (release). All the common plot structures deal with this basic pattern:
You set an expectation
There are complications to the expectation
You meet the expectation
And this rhythm is happening on multiple levels in writing. Scenes follow this structure (we're gonna get past that door, we're gonna find the murder weapon, we're gonna collaborate and come up with a plan) and all those scenes feed into the overarching expectation (we're gonna solve this murder!). I usually think of chapters as their own mini-story, part of the larger whole. And I think of scenes as their own mini-story, part of the larger chapter. I have engineer brain. I see the gears spinning in the clock. That's why all my chapters have at least One Important Thing happening, because that's that particular chapter's Step #3.
And One Last Important Thing:
In music, a delayed resolution is almost always more interesting than the standard resolution. In writing, that means you wanna drag out Step #2 for as long as you can. That's where the bulk of the story is happening, that's how you build tension, that's how you get people to turn the page.
So when you write a fake dating fic, those bitches better not get together until the very end. I came here for fake dating, not for real dating, damn it. If you resolve that expectation early on, you better replace it with a different expectation that's just as engaging.
But also don't drag it out for too long. Sorry. The hard part of writing is learning the difference between too short and too long. Writing is unfortunately a nuanced skill which is why my advice is like "do this but not too much teehee." But tension and resolution is just rhythm, you can build a sense for it if you engage with enough stories.
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ghosttotheparty · 2 years
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come crawling faster
read on AO3
Eddie’s rings are clean of blood when he wakes up.
It doesn’t occur to him until later, as he’s laying in bed trying to sleep, that someone must have cleaned the for him, and the thought twirls the air around him like a tornado. He inspects them in the moonlight, and there isn’t a speck of blood or dirt even in the deepest crevices of them. He smiles at the ceiling in the dark.
Everyone is happy that he’s okay. They all hug him gently, careful and mindful of the stitches holding him together, of the IV in his arm, of the way his head aches like he’s hungover. All their voices are low and their hands gentle, and Robin and Nancy bring clothes for him to wear that aren’t cold hospital gowns. Dustin cries, and Eddie thinks that for a few minutes while Eddie holds him, he’s turned back into the little boy he was before he was shoved into the whole mess of the Upside Down.
They all update him on everything that’s happened since he’s been out. Max is okay, with healing arms and glasses almost thicker than the bottoms of Coke bottles. Erica and Lucas are okay. Dustin’s leg is healing, but he’ll have to use a cane. Mike is back from Lenora, with a girl named Eleven and Will and Jonathan, and some guy named Argyle.
He sees all their smiles.
Except Steve.
Steve doesn’t smile. Not once.
He stands in the corner and watches everyone talking, his arms crossed over his chest as he leans against the wall like a broody movie villain, and a few times when Eddie looks in his direction, he’s already looking back. Frowning. Or he’s looking at the ground like he’s bored, like he doesn’t want to be here at all.
And every time it makes Eddie’s chest tighten, so he squares his shoulders and widens his smile and looks away, back to whoever is talking. He’s actually struggling to follow along as their voices overlap, and he thinks maybe he’s just tired, because when Robin speaks, he looks toward Eleven for a moment, and he accidentally calls Dustin Lucas’s name.
They all say goodbye when they leave. The kids all hug him gently again, along with Robin and Nancy. Argyle and Jonathan smile.
Steve doesn’t say goodbye.
Eddie tries not to let it get under his skin, but it gnaws away at him like teeth as he stares up at the ceiling. How easily Steve left, like he doesn’t even know Eddie. How he was almost glaring at Eddie the whole time. How he didn’t even seem slightly happy that Eddie was alive.
He only sees Steve a few times while he’s in the hospital, because Steve drives the kids to visit. If it were up to Steve, Eddie doesn’t think he’d even show up. It’s still under Eddie’s skin.
Days go by.
The government pulls some strings. Eddie’s murder charges are dropped. He’s released from the hospital but only with a security guard that’s armed with a gun just in case. Eddie goes home to Wayne.
Home is different now. An apartment in town, small and a little run-down, but it has two bedrooms and more hot water than the trailer. And there aren’t any bloodstains on the ceiling.
Eddie helps Wayne put up his mugs around the kitchen, and his hats in the living room. Wayne chides him gently. You’re gonna pull your stitches, Eds, I got it. But Eddie’s tired of doing nothing, of laying in bed and staring at the ceiling, trying to think up new campaign ideas only to be distracted wondering what’s going on with Steve. So he keeps helping. And he cleans, and decorates his own room with posters and photos and banners that someone packed while he was in his coma.
He has to go back to the hospital several times, accompanied by Wayne. To remove the stitches on his cheek, then the stitches on his arms and legs, then the stitches on his sides and chest. Eddie hates getting stitches removed.
He’s covered in scars, all pink and disfigured, tender and sensitive. The scars on his sides are almost indented, his skin no longer smooth and soft. The one on his cheek is jagged. He avoids looking in mirrors. He wears long sleeve shirts, even though the weather is getting warmer.
He doesn’t go back to school even though he has the option to. He doesn’t want to be looked at. And he doesn’t really care anymore. There are bigger things to worry about than fucking Ms O’Donnell’s class. (Like what’s going on with Steve.)
Wayne goes back to work. The kids go back to school. The town seems to get used to Eddie. He still gets glares from people, and he looks back. He doesn’t hide the scar on his face or the one around his neck. They leave him alone.
The living room of the apartment becomes their new D&D place. Steve drives the kids over and picks them up. He doesn’t come upstairs. None of the kids say anything about. And this thing between Steve and Eddie becomes a quiet, unspoken thing that no one even glances at. It’s not the unspoken thing Eddie had hoped for when he opened his eyes in the hospital, blinded by the sun on the white walls and another chance at life. It’s the opposite of what he’d hoped for.
A month goes by.
Mike and Eleven break up, and that weird tension that was always present around them disappears. (Eddie always thought Mike talked about Will more than he talked about El at school anyway.) Nancy and Jonathan break up too. The day after, they both look happier than Eddie’s seen them before.
Eddie has some parts of his life back. He goes over to Gareth’s for band practice, and he decides he prefers how his guitar looks in this dimension, how it shines in the sun. He also decides that life is better when he’s not in high school. He’s going to try to get a job this summer, at a car shop or something. Wherever will hire him.
It’s been three weeks since he and Steve have seen each other. Or, he supposes, since he’s seen Steve. Steve didn’t look at him. It was like Eddie wasn’t there. It made him feel gross in a way he’s never felt, like his skin didn’t fit right, like it was bunched up and twisted, and he wanted to rip it off and set it on fire. And scream. Because he was mad.
Because even if Steve doesn’t feel the same way about him, Eddie thought they were friends. Or at least friendly. Eddie almost died, and Steve hasn’t said a single word to him.
So yeah. Eddie is mad.
But he’s pissed when he sees Steve at the grocery store, and their eyes meet across the stand of fruit they’re both at, and Steve just… looks down. Picks up an apple. Squeezes it.
And walks away.
Eddie is pissed.
More pissed than he’s ever been in his life. His blood feels like it’s boiling in his veins, like he’s being burned alive, and he can’t breathe, and he puts his basket down and leaves the store. (Usually he’d take the time to pay, or put the few items in the basket back. But he thinks that if he tries to do either, he’ll lose his mind.)
He goes to the parking lot. Sits in the driver seat of his van for a few minutes, staring at the gray sky as his hands shake and his knee bounces against the steering wheel, trying to figure out what exactly was in Steve’s eyes when he looked at him. They were awfully blank, but he looked… anxious. His eyes were a little too wide, his jaw a little too firm.
The sky darkens as Eddie stares at it.
He’s still pissed. He’s still shaking.
His keys rattle as he turns the van on, and his breath trembles as he drives, the windshield wipers on as it starts to rain. And then he’s at the Harrington mansion, and he wants to drive off a cliff, because what the fuck is he doing here?
He turns off the van and stares at the house. At all the windows. The downstairs lights are on. Eddie wonders if Steve is scared of the dark too.
It’s almost pouring when Eddie gets to the front doorstep and rings the doorbell before he knocks five times, hard. The door swings open a few moments later, and Steve is beautiful even Eddie’s angry at him.
His brows are furrowed in confusion, but his face relaxes back into that horrible blankness when he realises it’s Eddie.
Eddie stares at him. Steve stares back.
For a while. In silence, except the pouring rain. Eddie’s eyes look back and forth between Steve’s, who holds the door so tightly Eddie thinks he’s going to slam it shut.
And Eddie wants to hear him talk.
And Eddie is stubborn. He’s had great practice being stubborn. So he doesn’t speak, or move, or even breathe too hard even though his hands are still trembling, until Steve finally exhales and steps back.
“Get out of the rain.”
“Oh, he speaks!” Eddie exclaims, and he knows he’s being bitchy, but he doesn’t care. He kicks his shoes off, nudging them into a corner as Steve shuts the door heavily and steps into the kitchen that’s bigger than Eddie’s living room.
“What the fuck?” Eddie bursts as he follows him, watching him lean casually against a counter and cross his arms over his chest. He’s wearing a red sweater that looks criminally good on him, but Eddie doesn’t let it distract him.
“What the fuck,” Steve repeats dryly.
“You wanna fuckin’ tell me why you’ve barely fucking looked at me in the past goddamn month?”
Eddie has a swearing problem. It was the cause of a lot of his detention visits in high school, because he can’t help it. When he gets frustrated or annoyed or angry, his language gets colourful. Usually he regrets the words as he’s saying them, sometimes because he knows he’s gonna wind up in Peterson’s room after the bell rings with a pink slip in hand, and sometimes because the person he’s talking to doesn’t really deserve to be talked to like that. Because he’s not mad or frustrated with them, they just happen to be in the line of fire.
But not Steve.
Steve is the fucking target.
Eddie is already breathing hard as Steve looks away, his tongue sliding over his teeth in his closed mouth, seething.
“Harrington.”
Steve’s eyes snap up him, dark and gleaming like a predator’s. His voice is rough when he speaks.
“Because I’m pissed at you.”
“Well, Christ,” Eddie says loudly. “What a development.” His stomach aches, like he’s sick at the thought of Steve being mad at him. “You wanna tell me why?”
Steve is quiet for a moment before he stands up straight off the counter, uncrossing his arms, staring so hard at Eddie that his nose might start bleeding.
“I told you,” he says evenly, pointing at Eddie with two loose fingers, “not to be a hero.”
“Harrington—“
“And you nodded,” Steve interrupts, his pointing fingers stabbing the air between them. “You agreed, and I believed you.” His voice is loud, but shaking, Eddie wants to cry. He wants to burn his skin. “So I left you with my kid and I came back to find you fucking bleeding out in his arms.”
“What, so you’re mad that I almost died?”
“I’m mad that you went back!” And Eddie wants to die, because Steve is yelling now, but it’s still better than the silence he’s gotten. “I’m mad that you didn’t fucking run!”
Eddie’s eyes are burning, and his lips are pursed in a frown, and Steve’s hand falls.
“Why didn’t you run?” he asks brokenly, and Eddie realises the predatory gleam in his eyes is just tears.
“I ran from Chrissy,” Eddie says as strong to as he can. “I wasn’t gonna run again.”
“Anybody would have run from that, Eddie,” Steve yells. He leans forward in emphasis, and he looks like he’s going to cry. “You weren’t a coward, you were human. You didn’t have to fucking— make up for it.”
Eddie stares, blinking tears back, pursing his lips when his chin quivers.
“I’m pissed at you,” Steve says, leaning against the counter again. He’s breathing hard. His hands are shaking too. “Because you lied to me.”
He takes a deep, unsteady breath.
“And because—“ He chokes, swallowing. “Because you didn’t think that obviously Dustin was gonna follow you back. And I don’t— Jesus, Eddie, I don’t care if you don’t give a shit about your life, it’s not— not fucking fair.” His voice breaks on the last word, and Eddie’s chest feels like it’s been ripped open.
“The fuck’s that mean,” he says quietly. His whole body hurts. He thinks maybe Steve’s hands could make it feel better, but what are the chances Steve is going to touch him gently right now?
“I know you knew what was gonna happen, Eddie,” Steve says, his voice even, lethal.
Eddie’s stomach twists, and his breath catches in his throat, because he didn’t think he’d have to talk about this. He didn’t think anyone knew.
Steve stares at him, his eyes fucking piercing into Eddie, like he’s trying to see his bones.
“And I don’t care if you didn’t care,” Steve says firmly, his eyes shining brightly, his lip quivering. “It’s not— It’s not fair.”
The air feels tight, almost smoke-filled, like there’s a fire they’re both ignoring.
“Your life,” Steve says slowly, loudly, his eyes trained on Eddie like he’s worried he’s going to run, “is not yours to just throw away.”
“So, what, it’s yours?” Eddie snaps like he’s offended.
“Yes,” Steve yells roughly.
And the smoke clears.
Eddie’s eyes are wide, and his hands are shaking, and Steve’s eyes are wide, and his hands are shaking too. He’s breathing hard, his brows furrowed, and his lip quivers as he stammers silently.
“It’s mine,” he says finally, his voice breaking. “And Dustin’s. And Lucas’s, and Mike’s and Wayne’s, and everyone else on this goddamn planet that cares about you.”
And Eddie’s chest feels like it’s hallowing out. Like Steve is carving his flesh and bone away with a knife. His eyes watch a tear fall from Steve’s eye to the floor, landing on the tile.
“What about you?” Eddie asks, still angry.
“The fuck are you talking about?” Steve snaps, his face hard as he almost glares at Eddie, his eyes still glistening. Eddie glares back, his brows furrowed, and he inhales slowly. The room is silent except the rain pounding on the roof, on the glass windows, except his and Steve’s stuttered breathing.
“You’re a fucking hypocrite, Steve,” Eddie says coldly.
Steve looks like Eddie’s slapped him.
“The kids told me about how you threw yourself at a raging psychopath,” Eddie says.
“That was—“
“And how in the same night you threw yourself in front of a pack of demodogs with nothing but a baseball bat.”
“That—“
“Nancy and Jonathan told me about how Nancy forced you leave at gunpoint,” Eddie says, his voice louder, moving closer without even noticing. His voice is shaking. “And you still went back.”
Steve stares. His eyes are wide, and he looks angrier than Eddie’s ever seen him, and even though there’s a pit of fear in Eddie’s stomach, he persists.
“And we all know about how you stayed behind to be interrogated, and tortured and damn near killed by those Russians.” Eddie’s almost yelling now, tears sparking his own eye as he gestures to Steve in anger, in outrage, in pain and love and everything else that’s swirling in his carved out chest like a hurricane.
“Fuck you, Eddie.”
“Fuck you,” Eddie screams, finally breaking. His throat hurts. “You think those people don’t care about you?” he yells, gesturing aimlessly toward the door. “You think we don’t love you?”
He’s panting, almost numb with adrenaline and rage. His vision is blurry, but he doesn’t know if it’s because of the anger or if he’s crying. He ignores it.
“You have no right to lecture me on this when you and I both know you would have done the same thing in a heartbeat.”
And then Steve’s hand is grasping the front of Eddie’s shirt, and the breath is knocked from Eddie’s lungs as his back slams into the wall so hard he thinks it might be dented. He gasps for breath, and Steve’s face is too close to his, and this close he can see specks of green in his eyes, and he can see every tear that’s clinging to his eyelashes. And even when he’s radiating anger, he’s the most beautiful man Eddie’s ever seen.
“You gonna hit me, Stevie?” Eddie says even though he still can’t really breathe. Steve doesn’t say anything. His fist is gripping Eddie’s shirt so tightly it might rip, his knuckles pressing into Eddie’s chest so hard it hurts.
Eddie’s never been good at knowing when to keep his mouth shut.
“You don’t get to be angry at me,” he says quietly, almost breathing the words. “Not when we’re exactly the same.”
Steve’s knuckles press even harder.
His lip is trembling, and Eddie’s eyes flick across his face, at his glassy eyes, and flushed cheeks, and the moles spotting his skin like stars, and he kisses him.
He pulls away just as quickly as he leaned in, his body flooding with heat as he realises what he’s just done, but Steve’s face doesn’t change. Still angry, seething, and the world is on fire, crushed under tidal waves and hurricanes and God’s wrath, and it’s Eddie’s fault. His eyes sting like there are chemicals in them, and he breathes out a soft shit before he tries to shove past Steve to escape before he can die.
Of course he’d survive this long, survive being beaten by a drunk before his bones were done growing, survive being the target of a witch hunt by townspeople with guns, survive being eaten alive by demonic bats, only to die untouched. Because he kissed a boy without thinking.
But Steve’s hand tightens on Eddie’s shirt, and he pushes Eddie back against the wall roughly. Eddie whimpers, squeezing his eyes shut, flinching, and a few seconds pass before something presses to his forehead. He opens his eyes hesitantly.
Steve’s eyes are closed, his forehead on Eddie’s, and his hand releases the fabric of his shirt, his palm pressing, fingers spreading over Eddie’s chest.
Eddie’s eyes burn, and he inhales sharply, trying desperately not to cry. His hands are hanging by his sides, trembling.
Steve pulls away after a moment, and all the anger is gone from his face. His eyes are almost closed, still glassy, and he looks exhausted, like he’s going to fall apart. But his hand is still steady on Eddie, pressed firmly.
“Don’t think I’m not still mad at you,” Steve says so quietly the words almost get lost in the sound of the rain.
“Steve,” Eddie breathes.
Steve leans in and kisses him.
Softly, chastely, just barely catching his lower lip. Eddie can’t tell if his heart is even beating anymore, and his hands raise hesitantly as Steve does it again, slowly slowly slowly moving to touch Steve’s waist. His sweater is soft.
Steve’s other hand lifts and holds Eddie’s cheek so gently he can barely feel it on the mangled, sensitive skin of the ragged scar. And then their breaths are mixing as Steve presses his open mouth Eddie’s, and his tongue is slipping across Eddie’s lip and into his mouth. Eddie leans against the wall, his hands tightening on Steve’s waist, as his knees weaken.
The kiss doesn’t last long, because Steve is crying. Gasping for breath, holding Eddie tighter. Squeezing his eyes shut. Falling against Eddie.
Eddie slides his hands to Steve’s back, holding him close. His throat tightens, and he closes his eyes, suppressing a sob as he feels Steve’s shoulders shake.
“Don’t be mad,” Eddie says weakly, his voice wobbling, too high, too thin. Steve lifts his head, looking at him desperately.
“I can’t not be mad at you, Eddie,” he says. His voice is the same as Eddie’s. There are tears on his cheeks. Eddie wipes them away. “You lied to me,” he chokes. “You lied to me.” His hand curls into a fist that hits Eddie’s chest.
“I’m sorry,” Eddie says softly, moving a hand to hold Steve’s fist against himself. Steve falls against him, his face in Eddie’s neck, and Eddie wraps his arms around his neck. “I’m sorry. I’m sorry.”
Steve’s arms wrap around Eddie’s waist, pulling him away from the wall, so tight that Eddie gasps, and he sobs loudly, trembling.
Eddie squeezes his eyes shut, crying, and he slides down the wall, holding Steve to himself tightly, and Steve is wailing into Eddie’s neck, sobbing and shaking and gripping Eddie so hard he’ll probably bruise. Eddie’s back is to the wall, his arms around Steve’s neck, his face buried in his hair. He’s getting it wet with his tears, but it doesn’t really matter. His own hair is still wet from the rain.
Eddie is still apologising. He doesn’t even think Steve can understand him, because his own voice is so broken and tear soaked, and because Steve is sobbing like a child.
I lost you.
“No, you didn’t,” Eddie manages to say, shifting so his mouth is by Steve’s ear. “I’m right here, I’m okay.”
Steve cries into Eddie’s neck. Eddie’s skin is wet with his tears. The collar of his shirt is probably soaked. But he doesn’t care.
Steve’s sobbing turns into that awful hiccuping gasping sort of crying, and Eddie pulls away enough to kiss his forehead and hold his face.
“‘M right here,” he murmurs. There are tears in his own face that ignores.
Steve is leaning against him, his legs sprawled on the kitchen floor, and Eddie tugs him closer, wiping away his tears.
But Steve doesn’t ignore Eddie’s tears. He messily wipes them away before he clutches to Eddie’s face, his other hand grasping Eddie’s forearm tightly. His chest is rising and falling with every quick, gasping breath, and Eddie swallows his own tears as he looks at him, at his rosy, tear-streaked cheeks and running nose and chapped lips, and he wonders how long Steve’s been holding this all back.
“I’m here, Stevie.”
Steve looks at him. His eyes are glassy and exhausted again. Eddie wants him to go to sleep. Preferably in Eddie’s arms.
“Thirteen days, Eddie,” Steve says weakly. His voice rasps, dry and overused, and it sends a knife through Eddie’s heart.
“I know,” he breathes. “‘M sorry, Stevie.”
Steve squeezes his eyes shut as his breathing finally slows, reaching to find Eddie’s wrist, and Eddie feels lightheaded when Steve’s fingers press into his pulse.
It’s not until Steve’s breathing is slow that Eddie finally detaches them, helps Steve up, and gets him a glass of water. After Steve gulps it all down, Eddie stretches the sleeve of his shirt over his fingers and steps closer to Steve, touching chin and using his sleeve to wipe his skin, under his nose and eyes and over his cheeks.
Steve’s eyes close, and he sways with the movements until Eddie’s hand pulls at his shoulder, and he falls against Eddie, exhaling heavily.
“‘M sorry,” Steve says softly after a few moments. His hands slide over Eddie’s waist.
“You don’t have to apologise,” Eddie murmurs, because the last thing he wants is Steve feeling like he can’t cry in front of Eddie.
“No, I was mean,” Steve says, almost whining, looking into Eddie’s eyes. He looks like he might start crying again. Eddie touches his cheek. “I was angry, I should have— I should have talked to you, you didn’t deserve that.”
“It’s okay,” Eddie breathes, his voice accompanied by the quiet rumble of thunder outside.
“No, it’s not,” Steve says weakly, his hands gripping Eddie’s shirt. “‘S not okay, Eddie.”
“Okay, fine,” Eddie says, sighing and brushing his thumb over Steve’s cheek softly. “You were an asshole. I forgive you.”
Steve’s eyes close and he falls forward, his forehead pressing to the side of Eddie’s neck, and Eddie threads his fingers through Steve’s hair gently.
“God, I missed you,” he says softly. “How’d I miss you so much?”
Steve’s arms wrap around Eddie’s waist tightly. Eddie brushes through his hair.
“Stay,” Steve says softly, his breath warm in Eddie’s neck. “Don’t want you to go.”
Eddie squeezes his eyes shut. His body aches.
“I won’t go, Stevie.”
Carefully, hesitantly, he shifts and reaches down to Steve’s legs, tugging at his thighs until Steve exhales and nods, moving his arms to wrap around his neck. Eddie picks him up easily, smiling when Steve’s legs wrap around his hips, and Steve clings to him desperately as Eddie moves out of the kitchen, following the hallway until he finds the unreasonably large living room. He slowly lowers Steve to the sofa and then he lowers himself on top of Steve when Steve’s grip on him doesn’t relax.
“I’m sorry,” Steve breathes after a few moments. Eddie shifts to press a kiss to his neck.
“I know. Me too.” He pauses for a moment, then moves so his cheek rests on Steve’s chest. “I meant it, you know.”
“Meant what?”
Eddie hesitates, moving a hand to press to Steve’s chest in front of his face, feeling the soft knit of his sweater.
“We love you.”
Steve’s arms tighten, and Eddie feels his chest rise and fall as he takes a deep breath.
“You know we love you too, right?” Steve says softly. Lightning flashes outside, far away and soft. Eddie closed his eyes, pressing his hand to his chest.
“Kinda unbelievable,” he says quietly. Thunder rumbles.
“‘S true,” Steve says. “Even if you don’t believe it.”
Eddie presses his face into his chest, inhaling. He smells like laundry detergent and cologne, and like something that oddly familiar. Nostalgic. Eddie inhales again.
“Did you visit while I was under?” he asks quietly. Steve sighs.
“Could barely keep me away,” he say softly. “Worst thirteen days of my fucking life.” He takes a breath, sliding a hand to press over Eddie’s on his chest. He’s so warm. “Just held your hand ‘nd waited.”
Eddie laces their fingers, squeezing.
“Left to the bathroom in the hospital to clean your rings,” Steve says, his voice thin. Eddie opens his eyes. “The lights kept flickering, and I didn’t even care, I just… needed to clean them.”
Eddie lifts his head and looks down at him, his throat tight.
“That was you?”
Steve nods, his eyes shining as he looks up at him. His hair has fallen around his head like a halo. His cheeks are still rose, his eyelashes dark with tears like he’s wearing makeup.
“Couldn’t stand the thought of you… waking up with blood on your rings,” he says softly, one of his hands combing through Eddie’s curls that have fallen like curtains. “I don’t know. ‘S kinda dumb in the grand scheme of things.”
Eddie shakes his head, sniffling as his eyes burn.
“It’s not dumb, Stevie,” he says shakily. Steve’s fingers press to his cheek. “Thank you.”
Steve smiles softly, weakly, touching Eddie’s hair, and a tear falls from Eddie’s eye to Steve’s cheek, near his mouth. A soft laugh escapes Steve, and Eddie apologises, smiling, watching Steve blur. He starts to shift to wipe the tear away from Steve’s skin, but Steve beats him to it, wiping the tear with the tip of his middle finger before he brings the finger to his own lips, licking the tear off. Eddie scoffs.
“And they call me the freak.”
Steve smiles. His eyes are shining too.
“Kiss me,” he breathes.
Eddie leans down and kisses him. He can taste the salt of his own tear in his mouth, and he tilts his head to kiss him deeper, groaning softly. Steve’s hands spread over his back, holding him so their bodies press together completely, before they slide to hold his head, his fingers curling into his hair.
The sound of rain outside fades like it’s being muffled as Eddie kisses him, as he listens to the quiet, weak noises escaping Steve’s throat, to the slick slide of their tongues, to their heavy breathing. He presses his fingers into Steve’s neck, feeling his blood rushing, his heart beating beneath his skin. Steve whimpers, and Eddie pulls away to look at him, at his screwed-shut eyes, his furrowed brows.
“Okay?” Eddie whispers.
Steve sniffs, opening his glistening eyes, and he pulls Eddie into a hug desperately, his face in Eddie’s neck as Eddie pushes a hand into his hair, closing his eyes.
“I was so scared,” Steve chokes, holding him tightly. “I thought you were gone.”
“No, I’m right here,” Eddie whispers, tugging his hair, kissing his jaw. “‘M not going anywhere, sweetheart.”
It slips out, but Eddie doesn’t try to take it back. He doesn’t regret it. Especially not when Steve takes a shuddering breath and turns his head enough to kiss Eddie’s temple.
Eddie falls asleep with his face in Steve’s neck, breathing on his skin as he lays in top of him, their legs tangled together. Steve’s hand is holding Eddie’s throat in a way that makes his knees feel weak, his fingertips pressed into his pulse, and Eddie is holding his sweater in loose fists.
“Oh, fucking finally.”
They startle awake simultaneously, gasping and trying to sit up, and Steve fingers tighten around Eddie’s throat before he quickly lets go. Eddie shifts, trying untangle from him, squinting in the bright morning sunlight, his body aching.
“Fucking Christ, Robin, why?” Steve exclaims, his voice rough with sleep, rubbing his face as Eddie leans back, groaning loudly.
“We all thought we’d have to live in your silent treatment for the rest of our lives,” she says dramatically, and Eddie watches her, still squinting, as she moves around the sofa to collapse onto his and Steve’s legs. “So you guys talked?”
“More like screamed and cried,” Steve says, shifting, pulling his legs away to lean against the armrest of the sofa. She sits cross-legged, looking at them. “But yeah.”
Eddie shifts to lean against him, closing his eyes against the light. He’s never been a morning person, and still isn’t today. Especially when he was sleeping so peacefully, on Steve’s warm body. Eddie probably has the knit of his sweater pressed into his cheek like a print.
“Sounds like quite a night.”
Steve’s hand presses into Eddie’s hair as he hums softly, and Eddie exhales, relaxing against him. He could fall asleep again.
“You had quite a night too, didn’t you?” Steve asks, his voice almost suspicious, and Eddie smiles against him, moving closer. He loves how Steve as Robin can read each other’s minds like this. How they can take one glance at each other and just know whatever there is to know. Steve pulls at Eddie’s legs so he’s sitting across his lap, and Eddie tucks his face back into his neck.
“Uh. I mean—”
“Oh, shit,” Steve says. Eddie can hear his smile in his voice. “V?”
“Uhm.”
Eddie lifts his head, brows furrowed in confusion, but Nancy appears in the doorway, carrying a tote bag like a baby. Her eyes find Eddie and Steve cuddled up on the sofa, and she exhales roughly.
“Oh, fucking finally.”
Steve looks sharply at Robin, eyes wide, and her face flushes with colour.
Oh.
“Finally what, Wheeler?” Eddie asks, rests his head on Steve’s shoulder, ignoring Robin and Steve.
“You guys were becoming insufferable. You talked?”
“Yeah.”
“Thank God.” She steps up behind the sofa to look at Robin, whose gaze softens when it lands on her. “You gonna help?”
“Help with what?” Steve questions.
“My mom’s using the kitchen, so we’re making cookies here.”
Steve makes a face.
“Why do you always use my kitchen?”
“Because it’s nice,” Nancy says. “Duh. Robbie, come in.”
“Robbie?” Steve whispers as Nancy leaves, and Robin shoots him a look, scrambling to follow Nancy to the kitchen.
“So,” Steve says when she’s gone. Eddie presses his face into his neck.
“‘S too fuckin’ early.”
Steve laughs softly, running a hand down Eddie’s leg, squeezing his thigh gently. Eddie kisses his neck softly. There’s a clatter in the kitchen, and Robin laughs.
“Hey,” Steve says after a moment, rubbing his leg.
“Mm.” He lifts his head when Steve doesn’t say anything, and he shifts to look at him. “What?” he asks softly.
Steve gazes at him for a moment, holding his leg with one hand as the other touches his cheek and then tucks his hair behind his ear. Eddie moves to straddle his hips, holding his shoulders and looking at him.
“I’m sorry I yelled at you yesterday,” Steve says quietly.
“I yelled at you too.”
Steve scoffs, playing with the ends of Eddie’s hair.
“I yelled at you first.”
Eddie pauses.
“Not… really.”
Steve just laughs lightly, closing his eyes and falling forward so his forehead presses to Eddie’s chest, just under his collarbone.
“Can you let me apologise, please?”
“Ugh, fine.”
Steve lifts his head and presses a chaste kiss to Eddie’s chin. No one’s ever kissed Eddie there.
“I’m sorry I yelled at you yesterday,” Steve says softly. “And I’m sorry for being mean.”
Eddie touches his cheek, almost petting it.
“I won’t yell at you again,” Steve says softly, firmly. “Ever.”
“Ever?”
“Mm.”
“What if I’m being an asshole?”
“Then I will very calmly tell you that you’re being an asshole.”
Eddie giggles softly, hiding his face in Steve’s neck, and Steve wraps his arms around him tightly. Eddie sighs, settling into his arms.
“I’m sorry I yelled at you.”
“You don’t have to apologise.”
“Will you— Steve.” Steve laughs softly, tightening his arms. “Come on, man.”
“Sorry, go ahead.”
“I’m sorry I yelled at you. Like… as soon as I walked into your house. That wasn’t fair.”
He lifts his head and touches their foreheads together, holding Steve’s face in his hands.
“I won’t yell at you ever again.”
“Not even when I’m being an asshole?”
“No,” Eddie says, laughing softly. “I’ll very calmly tell you you’re being an asshole.”
“Okay,” Steve whispers.
Steve tugs at Eddie’s waist, lifting his chin up wordlessly, and Eddie smiles at him before he presses a soft kiss to his lips.
“Think I’m falling in love with you,” Steve murmurs when they part, his lips brushing Eddie’s.
“Yeah?” Eddie asks, holding his cheeks so they squish a little bit. “King Steve falling for the freak. What would your loyal subjects think?”
“Who gives a shit?” Steve breathes, and something shifts inside Eddie.
“Fuck, I think I’m falling in love with you too.”
Steve smiles brightly, his eyes squeezing shut, and Eddie is free-falling off a cliff. He leans in and kisses him.
“How do you take coffee?” Steve asks quietly when they part, breathless.
Eddie kisses him again, sucking on his lower lip, smiling.
“Milk and sugar,” he murmurs against his mouth before kissing him again, holding his cheeks. Steve smiles against his mouth, his hands spreading across his waist before he slides one to the small of his back.
“Let me make you coffee,” Steve says.
Eddie groans softly, pressing his face into Steve’s neck again. He likes it here.
“Wanna go to bed.”
“Come on,” Steve says, laughing quietly, squeezing Eddie’s waist. “The girls are making cookies, maybe we can steal some dough.”
“Isn’t that unhealthy?” Eddie asks dryly.
“Kids eat cookie dough.”
“You’re saying I’m a kid?”
“‘M saying neither of us got to be kids for very long,” Steve says softly, and oh. Eddie kisses his forehead because he can’t kiss his mind. “Let’s go steal some cookie dough.”
“Okay,” Eddie breathes, but he doesn’t move, instead leaning down to kiss him softly, tenderly.
There’s a dash of flour on the top of Robin’s nose when they finally go into the kitchen. She and Steve exchange a look as Steve heads over to find the coffee.
“Why are you making cookies?” Eddie asks, hopping up onto the kitchen island to watch as Robin cracks an egg into the bowl Nancy’s mixing. “Is there a special occasion?”
“The Party’s coming over tonight for a movie night,” Nancy says. Steve turns around.
“What? Why?”
“Because your living room’s huge.”
“You guys keep making plans in my house without even telling me,” Steve mumbles, but Nancy points the whisk at him.
“Our house.”
He makes a face at her.
“Steve, is it cool if I smoke weed in our kitchen?” Eddie asks, and Steve rolls his eyes, but he smiles softly.
“Only if you share.”
“Cool.”
He comes back with two joints and sticks one in Robin’s mouth as she’s cracking another egg, both of them holding still as he lights it for her.
“Thanks, Edster.”
“Ew.”
He sits on the island again, taking a slow drag as he watches Steve make the coffee, find the milk in the fridge and the sugar in a cabinet, watching the way he steps over the tile like he’s about to fall into a dance. He brings a mug over to Eddie when it’s finished and sets it down next to him.
“‘S hot.”
“You know what else is hot?” Eddie says without thinking, and Steve snorts, moving to stand between Eddie’s legs so the insides of his thighs press to his waist.
“What?” Steve asks, looking up at him, smiling easily, sliding his hands over Eddie’s thighs, and Eddie’s cheeks flush even though he’s the one technically flirting.
“…Nothing.”
“Mhmm.” Steve’s eyes are shining gleefully, like he knows exactly how he’s affecting Eddie. He jerks his chin up at the joint. “Gimme a hit.” But he doesn’t move his hands to take it.
So Eddie takes a long drag, taking Steve’s chin in his fingers, and then he leans down, brushing Steve’s lip with his thumb so Steve opens his mouth. His eyes flutter shut as Eddie blows the smoke into his mouth, and Eddie smiles.
He hears Robin giggle as he’s gazing at Steve, watching the smoke drift out of his mouth slowly, and he looks past Steve to find her and Nancy standing together, trying to muffle their laughter in each other’s shoulders.
“Are you guys watching us?” Eddie asks, and Steve blinks his eyes open. Eddie runs a hand through his hair mindlessly.
“We can’t not,” Nancy says as Robin giggles again, taking a drag. “You just… command the space.”
Eddie sticks his tongue out at her. She sticks her tongue out at him. Steve pulls Eddie into a kiss. Robin squeals. Steve flips her off without looking.
Nancy lets them have some cookie dough, but only after Robin rants to them about the dangers of salmonella poisoning. Steve leans against the counter between Eddie legs and holds up the spoon for him while Eddie holds the joint down for him.
Nancy procures a polaroid camera as if by magic. She probably just had it in the tote bag. Eddie is paying a ton of attention to her at the moment. He into notices the camera when there’s a flash of light, and she lowers it to reveal a grin. The photo goes on the fridge.
The weed smell is gone by the time the kids there in the evening, all piled into Argyle’s van, very unsafely but they’re all grinning and giggling when they stumble out. They all let out similar groans when they see Eddie‘s arm around Steve.
Thank God.
Jesus, finally.
Did you finally talk?
Are you guys friends now?
That’s Eleven. Eddie likes Eleven.
“Something like that,” he says to her, and her face lights up.
“Alright, everyone go inside,” Steve says, ignoring them all. His cheeks are pink. “It’s gonna rain again.”
As they’re headed inside, Eddie comes up behind Erica and scoops her up, holding her upside down over his back as she screams and laughs, hitting him.
When Eddie turn around, swinging her, Steve is watching with a smile that’s different than any smile he’s ever seen on him. Happy, but something more than that.
Content.
The kids all pile up on the sofa before the movie starts, bickering and arguing about who gets to sit where, who gets which blanket. Erica tells Dustin to move his legs because he’s touching her, and he throws his legs across her lap to be obnoxious. Lucas ends up between Max and Eleven, his arms around both of them. Will sets a leg over Mike’s leg. Nancy and Robin take residence on the smaller sofa, sitting close together despite the space on it, and Jonathan and Argyle sit on the floor against the sofa. Robin plays with Argyle’s hair.
Eddie waits until Steve is done attending to everyone, passing out soda cans and napkins and cookies and chips, rustling their hair and bopping their faces affectionately just to be annoying. And then he corners him in the kitchen, quiet as the movie starts in the other room.
He pushes Steve against a counter, and they’re kissing before he can even say anything, his hands on Steve’s waist, Steve’s hands on his face, over the scar on his cheek. Eddie tilts his head, letting his lips part, squeezing his waist, the softness above his waistband. Steve exhales sharply when they part, smiling.
“Alright?” Eddie asks softly. Steve nods. There’s something lingering on his face, in his eyes. “What is it?”
Steve hesitates, tucking Eddie’s hair behind his ears.
“I don’t…” He stops, biting his lip as he gazes at Eddie. The room is dim, softly lit up by the light from the hallway. “It feels like… like something’s missing.”
“What’s missing?” Eddie asks, tilting his head, his thumbs running back and forth.
“I don’t know,” Steve whispers, his eyes trained on Eddie’s mouth almost absently, like he’s zoning out. “But it’s… it’s good that it’s gone. Like it was never supposed to be there, and then it was, and now it’s gone, and I…” He takes a slow breath, his chest rising and falling. “Feel like I can finally breathe.”
“Are you happy?” Eddie whispers.
“Yeah.” Steve says it like he’s just realising it, blinking and looking into Eddie’s eyes. “I’m really happy.”
Eddie smiles, reaching up to touch his face.
“Are you?” Steve asks softly.
Eddie blinks, his smile falling. And he thinks.
Feels Steve’s warm hands on his face, their legs twined. Listens to the muffled movie in the living room, the rain outside. Knows that almost everyone he loves is under the same roof. Safe.
“Yeah.” He looks at Steve. “I’m happy.”
Steve’s finger presses under his chin.
“We’re the same,” he breathes.
“Yeah,” Eddie says again, smiling. “We are.”
Steve closes the distance between them to kiss him again, his teeth catching his lip carefully, his hands spreading over Eddie’s neck and cheek, covering his scars like he’s keeping them safe.
When they pull away, Eddie tugs him into a hug.
They squeeze onto the sofa next to Robin and Nancy afterwards, and Steve is smiling the whole time, squished between Eddie and Robin. Robin sets a leg over his, and Eddie sees him reach down to squeeze her tight gently before he elbows her against Nancy. After a minute, Steve pulls at Eddie’s hand, and Eddie looks away from the television to look at him, about to ask if he’s okay.
But Steve wordlessly pulls at Eddie’s arm so he’s lifting it over his head, and Eddie sets his arm over his shoulders, pulling him close. Steve leans against Eddie’s chest, a hand set on his leg. He squeezes when Eddie starts to play with his hair, and Eddie feels him fall asleep after a minute, heavy against him, his shoulders rising and falling steadily with every breath.
He sighs, dragging his fingers through Steve’s hair as gently as he can, tilting his head to look at him, but he can’t see his face. So he just sighs again and presses a lingering kiss to the top of his head.
He looks up across the room, scanning over all the kids. Eleven is asleep against Lucas, an arm over his stomach, and Max is holding Lucas’s hand that’s by her shoulder, squeezing his fingers. Erica’s brows are furrowed in concentration as she watches the movie.
Will is looking back at him.
Or rather, Eddie realises after a moment when the television screen changes, brightening, he’s looking at Steve. At Steve sleeping against Eddie’s chest, holding his thigh, at Eddie’s fingers in his hair. Will is smiling, looking almost curiously, and his smile grows when his eyes meet Eddie’s.
Eddie jerks his chin up at him, gesturing vaguely, silently at Mike next to him, and Will looks away, at Mike. He seems to hesitate, looking back at the television, biting his lip, and then he finally lets his head fall to Mike’s shoulder. Mike smiles at the tv, and after a moment his head falls to rest on Will’s. Will’s eyes close.
Eddie sighs, shifting to settle into the sofa. Steve nuzzles into his chest, a soft noise escaping him, and Eddie runs his hand through his hair again, closing his eyes and listening to the rain.
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swanqueensalad · 1 year
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cringefail-clown · 6 months
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found more ttglstuck stuff in my files
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imavikingo · 1 day
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karvviie · 18 days
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i need to start making more chapters of my webcomic. specifically because rvb characters show up in it
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loki-ioki · 8 months
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The Encasement of the Wicked Liar
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Robstar Week Day 4: Culture Clash (Prompt: Downtime)
This is another fic where I used an idea originally based on one of last year's prompts, specifically day 5's "Movie Night." Because movie nights are a pretty great way to use your downtime, right? For this one, I decided to do a little flipping of the script, as it were, in terms of Robin being the one to get lost in understanding pop culture from Starfire's home planet. I thought it would be a fun idea for the Titans to watch a movie from Tamaran, and it also gave me an excuse to indulge my headcanon of Cyborg and Starfire working together on cross-planetary (usually food-based, but nobody said it all had to be cuisine) projects.
Culture Clash
Starfire could barely keep herself still as Cyborg made one last check of Titan’s Tower’s main viewing screen. The two of them had been working on this project for months now, and Robin could feel the energy buzzing between them.
“Alllll righty, then, we should be good to go,” Cyborg said, backing up and wiping his hands more as a gesture of completion than any real need.
“Are y’all ready to witness the historic occasion that is Earth’s first interstellar movie night?”
Beast Boy raised his hand. “Question: Are we sure this is the first one on Earth? Because there’s kind of a lotta aliens in the Justice League and –”
“First. Ever,” Cyborg insisted. “Even if those guys have any, the Watchtower is in orbit above Earth so it doesn’t count.”
“Cool then! Heck yeah I’m ready!” Beast Boy replied enthusiastically. Raven simply nodded, Robin grinned and shot Cyborg a thumbs up, and nobody even had to ask Starfire with the way she was practically vibrating out of her seat.
“Oh, it has been so long since I last watched Lover’s Grove properly! It was one of my favorites growing up,” she gushed.
Beast Boy sprang up in his seat. “Wait, that title translates to ‘Lover’s Grove?!’ That sounds like a total chick flick!”
Starfire gave him an even look. “If you are using the term ‘chick’ in regards to a female individual, then wouldn’t any movie I enjoy constitute a ‘chick flick?’”
Beast Boy opened his mouth again to retort, but paused. Robin could practically see his brain trying to parse whether she was joking or not.
Cyborg chuckled. “Easy, B. I had to watch it a bunch to put the subtitles together and I still didn’t get tired of it. Star has a good taste in Tamaranean movies if this one is any clue.”
Starfire blushed and giggled at the praise, and Robin smiled at her and loosely swung an arm around her shoulder. Beast Boy, still a little put off, rolled his eyes and gagged teasingly at the show of affection.
*******
By the time they were about an hour into the movie, Beast Boy had changed his tune. He and Cyborg both laughed raucously as one of the characters on the screen made a comment about gloorgs and some place called the Deksa Mountains. Starfire was grinning and giggling along, leaned forward in her seat with her chin propped in her hands.
Robin didn’t get it.
When the laughter died down, he leaned over to Cyborg and spoke in a voice that he hoped was low enough that Starfire wouldn’t catch it. “Okay, I know gloorgs are those big guard dog-things,  but what do they have to do with anything?”
Cyborg sniffed and wiped a mirthful tear from his human eye. “I have no idea,” he muttered back, “but I bet the Deksa people wish they didn’t either!”
He chuckled again at his own joke, but Robin only frowned. This wasn’t the first cultural reference that had been lost to him – it felt like every other joke, and several of the more dramatic moments, had some distinctly Tamaranean element that he didn’t quite understand. Cyborg and Beast Boy seemed to be following along all right, but Raven was watching the movie with a bemused little frown on her face that said she was as lost in the references as Robin. At least that meant he wasn’t just clueless.
Starfire suddenly placed a hand on his arm and leaned over toward him. “Do you need help understanding the plot?” she whispered.
Robin jolted a little and winced, ashamed that his confusion was so obvious to her. He didn’t want her to think he couldn’t appreciate her favorite movie.
“Not… really,” he hedged. At her patient stare, though, he gave up and let his shoulders slump.
“I guess I just keep getting lost in all the Tamaranean cultural stuff,” he confessed. “I’m following along with the main story about the two families all right, but some of the details are… confusing.”
To his surprise, Starfire smiled and nodded in understanding. “I know that feeling very well. You doubtless recall how often I was confused by your Earth ways when I first moved here.”
Robin frowned. “Yeah, but you always seemed to just, I dunno, roll with it. I keep getting distracted and completely missing the punchlines.”
Starfire shrugged. “It was not always as easy as you make it sound. But… I suppose I made my own fun, in a sense. I made a game of sorts out of trying to learn or guess the situation from context, and simply followed the energy of you and the others when I was completely lost.”
She paused for a moment to glance back at the movie and snicker at some obscure joke – the comedy relief was stealing the show at the moment, so there’d been a lot of those lately – while Beast Boy cackled from the far end of the couch. With a thoughtful eye on him, she added, “I suspect Beast Boy and Cyborg are doing the same thing now.”
Robin’s brow furrowed and he hummed a little to himself, deep in thought. It made sense, but…
Starfire’s expression lit up with an idea. “Perhaps after the movie is over, I could explain the meanings behind any references that are confusing you. Then you will understand it better the next time.”
Robin smiled at that. It was such an obvious solution, but somehow hearing it out loud – and having Starfire suggest it, so he knew it would not be a bother for her – was enough to brighten his mood considerably. He was becoming increasingly interested in Tamaranean culture as time went on and everything about it seemed a little less daunting, and getting a better understanding about a piece of media that was so important to Starfire sounded like a wonderful way to learn even more.
“You know what?” he said, resting his shoulder comfortably against hers as they both settled back in their seats. “That sounds like a great idea.”
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yellowhollyhock · 2 months
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thinking about sainw (again. still.)
And how like. Yes of course they did lose a big strategic advantage in the fight against Shredder by losing their tech guy. We can look at moments where Donny's noticing something others didn't or having background knowledge others wouldn't made a difference in the main timeline.
But you know, that was kind of a secondary thing. Nobody's saying "without your engineering we were outgunned by Ch'rell's alien technology." In fact the good guys had Stockman on their team, though being stuck to Hun could have limited his usefulness. But Mikey does say "without you, it just didn't work," and April does say that Casey and Splinter "never gave up on you." And with the way the events unfold it's very implied, 'without you we didn't know how to help Raph and Leo when they needed it.' I mean Raph and Leo's split was more directly caused by Splinter's death than Donny's disappearance, and yet. It's just the way the story builds really brings attention not so much to his role as the team tech guy, but as the team mediator
it's not "we needed your strengths to be weapons against Shredder," it's "we needed our strengths and without you we couldn't find them"
Because there are some huge losses of personality traits for each of them
Mikey, the guy who keeps them all together--watches Raph and Leo split apart, gives up on the idea of family. No more point in humor of there's no one to protect from the darkness
Raph, always reliable, always a survivor, always got your back--leaves the team
Leo, never gives up hope, never stops fighting for what he believes in, sees his team's strengths and strategizes accordingly--not trying to organize. Working on the fringes of the rebellion, initially against giving it one last shot because that's how they lost Casey.
Just the fact that the biggest loss was so clearly the relationship and not the things he could've done for then--makes me emotional
And a good thing to keep in mind for writing purposes if changing the turtle who disappears
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