I see a lot of posts about Danny seeing Jason and immediately thinking he’s a baby ghost and wanting to adopt him but what if it’s the other way around?
What if Jason sees Danny and is hit with oh my god that’s a baby, who left a baby unattended out on the street?? He needs help, gotta protect him, mine, yeah he’s mine now, I got u lil guy don’t worry
Meanwhile 15 yr old Danny is like um hi?? And promptly gets kidnapped. But he just lets it happen because he’s actually feeling the safest he’s ever felt in his life with this guy, and Danny’s core immediately recognizes Jason as parental figure and just relaxes Danny 100%
Jasons feeling like Danny is a helpless baby while Danny feels safe, protect, calm, safe, relax, and he just lets Jason take him home. Neither are really sure why or what is going on with them but they’re not gonna stop it.
I think it’s because Danny’s own parents kinda suck and any other ghost that he’s interacted with he’s had to fight in some capacity or has been spooked by them. Jason’s the only one who 1) wanted to parent him and 2) has good vibes. Danny’s usually waiting for fights to happen and he’s very stressed. Jason calms him down so much he probably falls asleep before they even get to Jason’s apartment, full trust that Jason will take care of him.
Meanwhile Jason never really connects with his pit side, but really wants to find some way to have a truce. Cue Danny, and both Jason and the Pit turn to protectiveness and so the rage becomes more protection and Jason yk, might be kinda lonely and wanting something to take care of. He was probably thinking about getting a cat and not a kid but he’s not complaining
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little girl, a patient: can I have a lollipop
doctor merlin in the 21st century: can you have— I have created butterflies from nothing and horses from smoke. I have seen empires rise, fall, crumble, and start from nothing but a fish in a poor man’s hand. I’ve fought witches and failed them too. I’ve laid waste to armies and blessed nations of people with health that will never make up for it. I have pantsed Kings and kissed Queens. I have stood upon the precipice of this world and called forth the ocean only for time to swallow me whole and spit me back out. And I would do it all again if I could grant you, dear Matilda, a lollipop.
little girl: strawberry?
merlin: say no more, Tilda, this should clear up the taste of that cold medicine right away
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Good Omens season 2 referencing Powell & Pressburger films
Crowley's angel hair is modeled after Kim Hunter's hair as June in A Matter of Life and Death (1946).
Maggie's shop is called The Small Back Room in reference to 1949's The Small Back Room.
The red ballet shoes on the door of Give Me Coffee or Give Me Death are a nod to The Red Shoes (1948).
(Note : the klaxons sounding in Heaven at the end of episode 1 are said to be a nod to the alarm bells in The Other World in A Matter of Life and Death. Personally, I don't think they sound at all alike; they are only similar in both being alarms. Plus, it's an audio reference, which I don't have the skill or patience to include here. But it's there!)
In The Small Back Room, Maggie has a poster for the film Stairway to Heaven displayed. A Matter of Life and Death was released under this title in the US.
The tartan hills welcoming Aziraphale to Scotland are a reference to the tartan hills welcoming Joan to Scotland in I Know Where I'm Going! (1945). And of course, the third episode is itself titled "I Know Where I'm Going."
Jim drops the book My Best Games of Chess, 1924-1937, by Alexander Alekhine, onto a table in the bookshop repeatedly as he is discovering how gravity works. This book is featured prominently in A Matter of Life and Death.
When Aziraphale enters The Resurrectionist pub in Edinburgh, I Know Where I'm Going! is playing on both televisions (I'm pretty sure I found the right scene to match this screenshot). You can also make out the name 'Pressburger' on one of the posters in this screenshot, but we'll get to that later. . .
The family name on the mausoleum where Aziraphale and Crowley hide out with Elspeth and Wee Morag is Archers. It's never clearly seen in the show, but it can be seen in this BTS photo of the model used for Crowley's embiggening. The Archers was the name of Powell and Pressburger's production company. The interior of the tomb and the urns outside the full-size set also reference the Archers, and Powell & Pressburger individually.
In Mr. Arnold's record shop, one of the posters on the wall is for a UK music tour; either the band or the tour is titled Met By Moonlight. This is referencing Ill Met By Moonlight (1957), the final film Powell & Pressburger made together. (I personally think this one is a reach, as the title of the film is a line from A Midsummer Night's Dream and thus not really clockable to the outside viewer as a direct Archers reference, but apparently the intent was there so we're counting it!)
The Pressburger posters are more clearly visible during the Gabriel and Beelzebub rendezvous scene in The Resurrectionists pub. We can see they advertise 'Pressburger Scottish Lager,' which is of course a nod to Emeric Pressburger himself. (Unclear if Michael Powell has his own label that we just don't get a clear view of. . .)
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I clocked a couple of these myself, but they are all referenced in the X-Ray trivia on the Prime Video player. Would love to know if anyone has clocked anymore that aren't divulged. . .
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