#but then i got to thinking and it dawned on me….i think i like her too bdjffjfkfk

[jadeylovesmarvelxo]

if you’re looking for stevie requests can i suggest eddie having to come to terms with steve and reader getting married/announcing theyre expecting and seeing how good he treats her compared to how eddie treated her when they were together (eddie was a fuckboy.

Request by anon.

Angst and fluff. Happy ending for reader.

Steve Harrington x Reader/Past Eddie Munson x Reader.

I'm not going to lie, I flew through writing this. It was just what I needed (to write some angst and sweet Steve content) and the story just flowed out so fast.

❤️

Eddie didn't regret many things in life but losing you was the one that would stick with him for the rest of his life.

He should have treated you like a princess, instead he treated you like shit. It took a while for him to admit it, he strung you along and made you think his feelings were deeper than what they actually were.

In reality he was a typical fuckboy and messed around with your heart.

He was arrogant and cocky, assuming that you would never leave him. He dated other women and never gave a thought to how much it would hurt you.

Eddie assumed that he could come back and forth into your life when he felt like it, indulge in some great sex and then leave.

Then one day he decided to look you up while he was in town after being away for a little while.

Sometimes he travelled with Corroded Coffin doing gigs up and down the country, so when he ended back in Hawkins he figured he'd visit you and have some fun.

You can imagine his shock when he turned up at your house and Steve fucking Harrington answered the door, he was just in a towel and was smiling like the cat had got the cream.

"Harrington? What the fuck are you doing here?" Eddie snaps and there's a sinking feeling in his chest, a sense of knowing what's happening before anything is even said.

"Visiting my girl. What are you doing here Munson? If you're here for any booty call then I'm afraid you'll be disappointed" Eddie is silent for a moment and is about to speak when he hears you calling Steve's name.

You appear at the stairs beaming at Steve, the smile slips from your face when you meet Eddie's gaze.

"Back again huh? What's it been six months since I last heard from you Munson? I don't know what you think I am but I'm not an idiot...or maybe I was but not anymore. I'm with Steve and he treats me right, much better than you ever did. I suggest you leave"

He's stunned by your admission and looks to Steve who's gazing at you with complete love in his eyes. Shit...

The thing is the same love is mirrored in your eyes as you gaze back at Steve, the sight leaves Eddie feeling vaguely sick. He backs away from the door and practically high tails it away.

When he leaves Hawkins later that week, he's sure the next time he comes back this little fling of yours with Steve would be over.

Turns out he couldn't be more wrong.

❤️

Dustin is the one who tells him that you and Steve have gotten married. Steve has proposed on your one year anniversary and the two of you had gotten married in a small ceremony with just close friends and family.

To say it was like a punch to his gut was an understatement. By that time it had been almost a year and a half since Eddie had seen you and when he went back to Hawkins for his usual visit, he expected that you and Steve would be over.

He didn't expect you would be married.

It was hard to see you around town with Steve. You looked so happy and it was finally dawning on Eddie that he had lost something special.

A little while after the wedding you announced that you were pregnant. Uncle Wayne had passed on the news and gave Eddie a look of severe disappointment. Oh Wayne was delighted for you and Steve but he was pissed at Eddie and Eddie didn't blame him.

His uncle had warned him not to mess you around, that you could be special if Eddie just gave you a chance and stopped messing around.

Boy did Eddie regret not listening to the old man. Regretted every way that he had broken your heart and stomped on it and there was no way he could fix things or even hope to win you back.

Because Steve treated you right. Treated you a princess and doted on you. He made you smile and laugh instead of making you miserable.

It was Eddie's fault that he lost you and now he had to deal with the reality of that. You had truly moved on and Eddie was left with an aching heart.

If only he had treated you like a princess instead of treating you like a fool.

It turns out that he was the biggest fool of all for losing you.

[lena-in-a-red-dress]

Musician Age Gap AU Pt 14

True to Lena's plan, while the paparazzi on site hounds them for information on Kara, the rest of the world is too taken by the new song to speculate much on who Lena's *current* beau is.

Kara proves to be little more than an escort, following Lena from event to interview to even a hospital to visit the childrens ward. Even so, Kara doesn't mind. She has no thirst for the spotlight at her age, and is content to let Lena be front and center.

At the hospital, however, as she's lurking out of sight from the press cameras (legitimate press, looking for staged candids for the hospital's future use), Kara feels a tug on the hem of her shirt. Looking down, a frail little girl trailing a tattered blanket stares up at her.

"Can you read me a story?"

Without hesitation, Kara reaches for the girl's hand, and they manage to find a relatively isolated corner to huddle in. With a skinny children's book in her hand and the little girl tucked against her side, Kara reads aloud in a low voice, doing her best not to draw attention to herself.

Her efforts are for naught. When she glances up towards the final pages of the book, Lena's gaze is locked upon her, her gaze warm with something indecipherable. Upon being caught staring, she smiles, and cocks an eyebrow to check in. Kara nods, and Lena, satisfied, returns to the gaggle of kids crowded in around her for photos.

Lena is wrangled into a standing meeting with her mother once the children are returned to their nurses and caretakers, leaving Kara to linger on the periphery. To her surprise, Jess is the first to approach.

"Hi!" Jess chirps softly. "Lena has a few friends in town, and they want to take her out tonight before we fly out tomorrow."

Kara's eyebrows lift. "Okay...."

Jess leans in conspiratorially. "My guess is she'll invite you, but by out I mean clubs, bottle service, etc."

At that, realization dawns. "Ah. Thanks for the warning."

She won't mind declining, or spending an evening alone, especially in Paris. As eager to spend as much time with Lena as possible, she's loathe to infringe on Lena's time with friends--

"I don't suppose you brought anything.... appropriate?" Jess continues. "For the club, I mean."

Kara blinks, then barks a laugh. "Hah, no."

Jess nods, grinning. "Thought as much. I can pick up a few options for you, if you'd like..."

After a moment's consideration, Kara nods, smile growing on her face. "I'd appreciate that, thank you."

"Oh, it's no trouble at all! It'll be in your room by the time you get back this evening--"

"Jess?" Kara cuts in, a thought occuring to her. "Could you also pick up some workout gear for me? And maybe... keep all of it a surprise?"

The young woman brightens. "Sure-- do you prefer looser clothes, or more form fitting."

"Tight on the bottom, loose on top, if you can mange it?"

Jess makes a note on her phone, nodding. "Got it." She winks. "We'll put the rack directly in your suite."

"Thank you, Jess, truly."

"Oh," Jess grins, "it's my pleasure."

----

Lena approaches her shortly after, head tilted with an imminent check-in. "Doing okay?"

Kara nods. "Of course. Jess has been taking good care of me."

"Good," Lena purrs. She leans against Kara's chest, kissing her languidly. "I have a question for you."

Guessing it has something to do with the information Jess had imparted early, Kara feigns curiosity. "Uh huh?"

"I'm planning to go out with some friends tonight. Would you.... want to come?"

Kara acts out a thorough consideration of the prospect. In the end, she hedges. "Can I think about it?"

Lena nods. "Of course. And no worries if you'd prefer to take advantage of the time alone. I know this week has been..."

"Wonderful," Kara fills in, bringing a smile to Lena's face.

"Yes," she agrees, "but also a lot. I wouldn't blame you if you wanted to decompress."

With a nod, Kara leans in and kisses her again. "I appreciate that."

---

Lena's day continues until well into the evening, with the final interview wrapping up just before nine. Only the thought of seeing Lena in a new environment, with people who were not her mother, keeps Kara from groaning at the thought that the night was really only just beginning.

They split upon returning to the hotel penthouse, intent on refreshing with their own showers. When she steps out of the bathroom, towel wrapped around her, Kara makes her way to the rolling rack of clothes standing next to the closet.

She bypasses the workout clothes, noting only that Jess had fulfilled her request to a tee. The other half of the rack takes more consideration. Hanger after hanger displays dress after dress, all short, all glitzy. Lifting one of the hangars, Kara holds it against herself in front of the mirror, studiously regarding the figure staring back at her.

This is going to be interesting, she thinks to herself. Then she grins. No, this is going to be *fun*.

An hour later, Kara's putting on her shoes when she hears a soft knock on the door joining her suite with Lena's. "It's open," she calls.

"Hey," Lena issues quietly as she edges into the room. "Just checking in, have you made a decision about..."

Lena's words fall away as Kara rises from the edge of the bed, pulling herself up to her full height-- plus another four inch heels now strapped to her feet. Her hair is loose around her shoulders in waves that glint in the light, and her dress is short and layered with gold fringes.

Kara hasn't looked this good since college, and she feels the difference. She feels sexy, and powerful, and *thrilled* that Lena clearly sees it too.

"Oh," the younger woman breathes. Lena herself is clad in a rhinstone studded mauve dress. It comes to mid-thigh, but hugs every curve of Lena's body like a glove. Her sleek black hair is up in a high pony, the tail straight and shimmery. But her eyes are on Kara, and nothing else.

Kara slowly struts towards Lena with a sultry smile. "Does your offer still stand?"

Lena blinks, dazzled by Kara's beaded fringes. "Huh?"

Reaching out with one hand, Kara tilts Lena's chin up to meet her eyes. "Up here," she says quietly.

"Right. Sorry. Just--" Lena clears her throat. She shakes herself out of her daze. "I guess you're coming."

"If you'll have me."

Lena grins. "I'll have you right here if you'll let me..."

"I think I've been hogging you enough lately," Kara returns. "I wouldn't want to keep your friends waiting."

Even so, Kara takes Lena's hips with both hands, tugging her close enough for a kiss. Lena moans.

"Fuck 'em."

Kara chuckles. "I think that would make a bad impression."

Lena looks at her for a long moment. "You really want to meet them, don't you?"

Brow furrowing, Kara nods. "Of course." She pauses. "Is.... that okay?"

Lena's smile warms. "Yeah. It's just... new." Before Kara can ask what that means, Lena steps free, snapping her clutch shut. "Let's get out of here."

---

The club is glamorous, and clearly catering to a high end crowd. There's a cordoned area for paparazzi, allowing both photographs and unobstructive ingress to the establishment. When Kara slides out of the SUV, she's careful to immediately twitch her skirt down so as not to give the tabloids something new to talk about.

As always, she lets Lena set the pace. Lena takes her hand and leads the way into the club. Her free hand lifts towards the paparazzi as they walk the roped sidewalk to the building, in a wave or to shield her eyes or hide her face, Kara isn't sure. Before she could decide whether to do the same, the door opens to admit them, releasing a wave of music and voices from within.

When the door closes behind them, Lena takes a moment to scan the crowd. No one seems to recognize her, or, more likely, don't care. It allows Kara's gaze to catch on a tall, slender brunette at a both in the back, standing on the bench seat and waving them over.

Kara nudges Lena and points. Lena nods. "That's us!" she calls over the din. "Let's go!"

Lena tugs her through the crowd, and Kara soon finds herself watching as Lena throws her arms around the brunette. The hug is tight but brief, before Lena turns to pull Kara closer. "This is Sam!"

Sam thrusts her hand out, gripping Kara's hand firmly as she leans forward. "Kara! Nice to meet you!"

"And this is Jack!" Lena continues. "And Veronica-- who invited you?"

"Fuck you too!" Veronica returns easily. She eyes Kara up and down. "You're hot! Wanna dance?"

In an instant, Lena's arm loops through Kara's. "Sorry, taken! Bye!"

And then, Lena leads her back to the dance floor. Kara doesn't have the presence of mind to be upset at the introductions being cut short-- not with the way Lena's body soon moves against hers. Her movments aren't choreographed, but they may as well be with how quickly it melts Kara's insides.

For her own part, Kara struggles to find the beat. She eventually tries to mimic the bodies around her, but remains a half beat out of tempo until Lena gently grabs her wrists and guides Kara's hands to her hips.

It's too loud to even attempt to talk, but Lena's actions speak loudly enough. Her body moves sinuously, her hands resting atop Kara's, and with their bodies pressed together, Kara finds herself falling into step with her partner's. Soon, all that exists is the heat of Lena's body, the pulse of the heavy music, and the scent of Lena's perfume.

They dance for two songs before Lena calls a time out. They return to the booth only long enough to collect the others, before they all relocate to a second floor Kara hadn't noticed, where there's just enough air for Kara to hear herself think.

"We're gonna talk," Sam says, leaning in to murmur in her ear. "Later."

There's no malice in her voice, which prompts Kara to give an easy nod. She looks forward to knowing more about Lena's friends-- even if it means she gets a shovel talk or two.

Once they collapse in a booth, a server takes their orders for drinks and food-- for which Kara is grateful. She doubts the hunger in her belly will be sated by small bites from the bar, but it could perhaps tide her over until she and Lena returned to the hotel.

"Well," Jack says pegging Kara with a pointed look. "After that display, I think we deserve to hear how this happened." He gestures towards the pair of them, and Lena giggles.

"Kara barged into my dressing room," she delivers. Her fingers lace between Kara's under the table as she continues to relate the story of their meeting. When she finishes, Jack whistles.

"Quite the whirlwind for you then," he says to Kara. "How are you holding up?"

"Lena's been taking good care of me," Kara says with a smile. "It's been amazing to see her work."

Lena beams back at her. "You've been amazing." She shoots a look towards Jack. "Don't you dare scare her off."

"Only if you give me a dance, darling."

Lena sighs. "All right. Come on, before the food gets here."

Kara slides out of the booth for Lena to exit, and as she sidles past Lena kisses Kara's cheek. "The things I do for you."

"My hero," Kara grins. Lena isn't at all put out by the idea of dancing with her friend, and for all the warning Lena gave him, he didn't seem to be antagonistic about their relationship. She watches them go, glad that Lena has the chance to reconnect with her friends.

"Kara!" Sam calls. She waves Kara back to the table. "Come sit!"

Kara obeys, only for Veronica to slide out. "I'm going to find the restroom. You two have fun!"

Bracing herself, Kara turns to Sam-- who laughs and waves away her tension. "Relax... I'm not Lena's keeper. She's clearly into you, and you don't seem to be an asshole, so. I'm good."

"You're Sam Arias, right?" Kara asks. She hadn't been sure before in the strobing lights, but sitting so close she now recognizes the actress from some of the movies Esme likes.

Sam nods. "I'm filming in Florence right now, so I figured I'd stop by while I could. Jack has a cover shoot in Vienna, so we figured we'd make a night of it."

Warmth floods Kara's chest. She's seen how hard Lena works, and how solitary she's been since Kara met her. The fact that she has friends willing to bend their schedules to make time for her when they can speaks volumes.

"Mind if I ask you something?" Sam asks. Kara nods for her to continue. "What do you want out of this?"

Sam's not the first to wonder. The difference is that she's asked, rather than assume like Lillian has.

Kara shrugs. "Nothing Lena isn't willing to give." Sam looks at her, waiting for more. "I'm comfortable. I don't want her money, or her fame."

"Then why drop everything to go on tour with her?"

"Being with her makes me happy."

It's a simple truth, but a truth nonetheless. She can return to National City whenever she likes; Lena has placed no pressure on her to stay. But in National City, Kara's thoughts would stay with Lena, so why condemn herself to being stretched between two locations, when she has the freedom and means to simply stay?

"God, that's refreshing," Sam drawls. She takes a sip of her drink before she gives a broad smile.

"Positively saccharine," comes a dry voice from behind Kara, making her jump. She turns to find another tall brunette lurking over her shoulder. This woman's gaze, however, is far sharper than Sam's.

Sam doesn't seem all that surprised to see their visitor. "Andrea," she greets.

"Samantha."

Andrea sits on the edge of the bench, worming her way in so that Kara is forced to scooch to accommodate her.

"What's interesting," Andrea continues, "is that Lena finally found someone who has absolutely no impact on her career."

Though ostensibly that would be a good thing, the relish glinting in the woman's gaze suggests something much darker.

"Before she's chosen industry people. Singers, actors, reps and so forth. The kind of people who, if crossed, could end her career in a heartbeat. Untouchable."

Andrea leers at Kara, her smile tight and predatory. "But you... mmh."

Kara's features settle into a solemn glare, defensive. "What about me?"

"You're nothing," Andrea responds, as though it's the most obvious thing in the world. "So when you inevitably break her heart, which you absolutely will..." Andrea leans closer. "I'll be able to absolutely demolish you."

"Funny," says Lena, reaching between them to snag her drink. Her face is flushed, upper lip glistening with sweat, but her features are placid. "If only you had put that much care into our relationship *before* it ended."

Andrea blanches slightly, but her features remained solidly antagonistic. "Skimming the gutter, are you, Lena?"

"And happier than during the two years I spent with you," Lena returns smoothly. "Imagine that."

"Get lost, Rojas," Veronica drawls, approaching from the other direction. Andrea is cornered, and she knows it.

She rises stiffly. Moving to leave, she pauses at Lena's shoulders. "Lena--"

Lena scowls. "Please leave."

Andrea hesitates a moment more, but ultimately decides now was neither the time or place to push further. She leaves, and Lena watches her leave with a glower on her face, before she settles onto the bench seat next to Kara.

"Ignore whatever she said to you," Lena says stiffly.

Kara softens. "She cares about you."

"She doesn't get to," comes the sharp retort. "Not anymore."

The message is clear-- Lena does not want to discuss Andrea Rojas.

The mood lightens as Lena's friends expertly steer the conversation away from Andrea's interruption. It's not long until Lena's hackles ease, and she's once more laughing and having fun. Kara relaxes as well, accepting every one of Lena's invitations to dance.

When they leave, it's at Lena's request. Kara's surprised-- Lena's trademark energy still relatively untapped-- until Lena captures her gaze with a heady one of her own. They're on the dance floor when it happens, and Lena leans in to shout into Kara's ear.

"Wanna get out of here?!"

Kara hesitates only a moment, conscious of how Sam and Jack had crossed international borders to see Lena, before she sees Sam not too far off. The brunette's features are astute and smirking, confirming the she understands-- and approves-- exactly what Lena intends.

Before she nods, Kara turns her head to capture Lena's lips as she pulls away. She kisses Lena deeply and soundly, and when she breaks away Lena lists after her. Heavy eyes look up at her, dazed and hungry for more.

"What about your friends?"

"Sam says I've been eye-fucking you all night," Lena calls back. "I'd rather be fucking you for real." She grins. "Respectfully!"

Kara laughs, the sound lost in the music. "Uh huh," she says, mostly to herself. "Then let's go!"

Lena waves at her friends, earning cheeky grins from all three in return. Kara's surprised to see the time is already past 2am. Her blood buzzes in her veins, arousal and anticipation electrifying her nerves.

Kara enters the suv at Lena's slight push, which means when Lena climbs in she plants herself firmly in Kara's lap, hiking up her skirt to straddle Kara's thighs.

"You are so hot tonight," Lena murmurs. "I couldn't keep my eyes off you." She grins. "I wasn't the only one."

Kara blinks. She hadn't sensed anyone staring at her. Then again, she hadn't paid much attention to anyone but Lena.

"I didn't notice."

"I know," Lena purrs, leaning down. Her tongue laves across Kara's throat, before she engulfs all of her senses in a searing kiss. "So fucking hot...."

Kara glances frantically towards the front, hesitant to put on a show for anyone but Lena, but finds that the driver has already rolled up the privacy screen. Kara doubts the screen provides any amount of soundproofing, but it's enough for her to slide her hand under Lena's hitched skirt, cupping a bare ass cheek in her palm.

"Fuck," Kara groans. Her groin tightens, warming with arousal that leaks past her own thong. "Lena--"

"Let me, baby," Lena murmurs beside her ear. She suckles the column of Kara's neck, even as her hand deftly delves under Kara's dress. "I'm gonna make you feel so good..."

Expert fingers find Kara's clit and pause, pressing gently against the throbbing bud. Lena's fingers are warm, but still cooler than the heat between Kara's legs. She curses again, hips bucking ever so slightly.

"Not so fast," Lena croons. "I want you to enjoy this."

Kara's breaths are already coming hard and fast, as her higher brain functions swiftly cease to function. She grunts, pulling a smile to Lena's lips.

Long fingers slide tenderly across Kara's arousal-slicked opening, circling almost carelessly-- except Kara understands Lena knows exactly what she's doing.

"I want you to wait," Lena whispers. "Can you do that for me? Can you wait until we get to the hotel?"

Kara's teeth grind, lassoing any shred of self control she has left, even as Lena's fingers dip between her labia. She enters almost enough for Kara's walls to grip her fingers, but Lena is quick to react, withdrawing before Kara to gain any purchase.

"Answer me," Lena says.

"Y-yes," Kara stammers. "I-- I can wait-- ungh!"

A high, pitiful sound escapes from Kara's throat, wild and unexpected. She feels her cheeks tingle, and knows they would have turned a vivid red if she weren't already red from the exertion of the club.

Lena kisses her, long and slow and deep. As she does, a fingernail lightly catches on Kara's clit, making her gasp. She tastes the warm air and alcohol from Lena's breath, savoring it for a short moment before another stroke of Lena's fingers makes her huff in frustration.

"You're doing so good," Lena tells her. Her free hand strokes Kara's breast, teasing her through the dress until her nipple hardens and stands at attention. "Oh my god, Kara-- you are so beautiful..."

Kara moans plaintively. "I-- I wanna touch you... more--"

"Not yet," Lena chides. She rests their foreheads together, even as she continues her ministrations under Kara's dress. "Do you know what I'm going to do when I get you upstairs?"

Kara grunts, gasping for breath. She's on the verge of coming, and has to force her inner walls to relax lest she climax right then and there.

"I'm going lay you down on my bed," Lena continues, scissoring her fingers inside Kara and smiling sweetly when Kara squirms. "I'm going to lay you down, and then I'm going to ask you to spread your knees as far as you can. I'm going to make you stretch for me...."

Kara's thighs tense under Lena's, hungry in anticipation. Lena leans in close then, speaking low into Kara's ear.

"And then I'm going to put my mouth on you." Teeth scrape Kara's earlobe, sensitizing it for when Lena makes another pass, this time nibbling sharply. Kara throws her head back hard enough to bounce off the headrest.

"Would you like that, baby?" Lena asks, smiling languidly. "Do you want me to lick you dry? Suck on your clit until-- uh uh," comes a stern warning.

Lena withdraws her hand just before Kara climaxes. Kara gives a shuddering sigh, grateful even as she resents the sudden stillness. Her core gapes, walls flexing in search of something, anything to grip.

"You promised," Lena reminds her.

Kara nods, breathless. "S-sorry," she gasps.

"Shhhh," Lena soothes. Her hand returns, playing idly with Kara's clit. "You're doing amazing, baby."

She retracts her fingers again, less cruelly this time, and lifts them to Kara's mouth. Understanding her intent, Kara kisses Lena's slick fingertips, then parts her lips in invitation.

Lena carefully inserts her first and middle fingers, and Kara lets her tongue curl around them. The salt of her own arousal only heightens her senses further, and the pleasure in Lena's features only makes Kara want to perform perfectly, whatever Lena asks of her.

"I--I want...."

"Tell me," Lena murmurs. "Tell me what you want..."

Before Kara can find the coherence to answer, the car slows to a long stop. Lena's eyes flick up to glance out the back window. With a smile, Lena bends back down to capture Kara's lips in a soft kiss.

"You made it," she says. "We're at the hotel."

Lena wipes her damp fingers across her dress to dry them, then clasps Kara's hand and all but drags her out. If there are paparazzi waiting for them outside the building, Kara doesn't see them. She doesn't register much of anything until her dress is a pile on the floor, and Lena pushes her gently backwards. Her legs fold against the edge of the bed, and she sits with a thump.

"Lay back, baby."

Lena kneels, long ponytail spilling over one shoulder. "Let me take care of you."

And oh, does she.

Kara comes in moments, but Lena doesn't relent. She suckles Kara's clit, and licks ardently, endlessly, until Kara comes again and again.

She doesn't relent until Kara breathlessly pats somewhere near Lena's head, unsure if she actually makes contact. Nevertheless, Lena disengages and crawls over Kara, gazing down into her eyes with satisfaction and adoration.

"Worth the wait?"

Kara mutters a curse. She reaches up to snag Lena by the edge of her jaw, pulling her down to a deep, languid kiss.

"Do that again," Kara warns, "and there's no guarantee I won't explode on the spot, if that's my reward."

Lena beams.

"That was so hot. You-- Lena, I...." Suddenly, Kara's brain catches up to her. "Why are you still dressed?"

"I was a little busy..." Lena grins. Her chin is still slicked with arousal, which she wipes salaciously with her fingers.

"Fuck that," Kara growls. She fumbles for the zipper behind Lena's neck, but doesn't find one. "Off... off, off, off."

"Easy, tiger..." Lena casually reaches under her arm, and undoes the side zipper. Then Kara is treated to the sight of Lena peeling the dress up and over her head. Her boots, at least, are already off, leaving Lena utterly, delectably bare.

Lena tilts her head in a tantalyzing tease. She leans down, and the end of her ponytail tickles the hollow of Kara's throat. "How do you want me?"

"I want you so wet I could drown in you," Kara murmurs. Lena's cheeks heat in a ready flush. Carefully, Kara repositions them so that she was the one straddling Lena. She rubs the top of her thigh between Lena's legs, earning her a sweet mewling as Lena wriggles down to try and increase the pressure.

Rather than tease, Kara plants her knee in the mattress, a grounding rod for Lena to grind against.

"What do you need?" Kara asks simply.

"Drawer," Lena says breathlessly. "Under the scarf. There's a-- ngh, jeezus."

Now it's Lena's turn to be frustrated, and Kara finds that she enjoys the picture she paints. She enjoys it very much.

Kara gamely pushes off the mattress and pads over to the short dresser on the far wall. Fishing under the aforementioned scarf, she pulls out a dildo already fitted to a harness.

Lifting an eyebrow, Kara lets it dangle from her finger by one strap, shooting Lena a suspicious glance.

"Planning ahead, were we?"

Lena gives a cheesy grin. "Can never be too prepared," she teases. Her own eyebrow lifts in challenge. "Think you're up for it?"

Kara crosses back to the bed with dildo in hand. Lena returns to her back, and gazes up at Kara with eyes glazed by desire. She inhales sharply when Kara presses the shaft of the dildo between her legs.

"Tell me what you like," Kara urges, her voice low. She kisses her way up Lena's sternum, the licks the hollow of a slender throat. When she pulls back, Lena whimpers. "Tell me."

"I want you," Lena starts, her eyes hooded with want, "to hold me down, and fuck me senseless."

An all new wave of desire floods Kara, making her insides quake. She leans in close to Lena's ear, and feels her partner's breath catch.

"Challenge accepted."

[lynzishell]

The Sims is love. List 5 facts about a favorite sim couple of yours, and why you love them so much. Then pass this on to 5 others, whose sim couple(s) you also love. 💘💕 :D

Thank you thank you @sirianasims as well as @mdshh and @elderwisp for sending me this ask!! (I'm hoarding the other two in case I get time to do more, but also tagging you here in case I don't aksdljflkd) ❤️❤️

I chose Phoenix and Dawn because I miss them dearly right now, but also...

💙TODAY IS THEIR ONE-YEAR ANNIVERSARY!!! I mean, in the story they got together in August like seven years ago, but this scene was posted one year ago today! I can't believe it! 🥹

💙My favorite thing about these two is how incredibly supportive they are of each other. My favorite example of this is in this scene where Phoenix takes Dawn to the bench where he used to talk to his mom. He said it was the best way he could think of to introduce them, and Dawn didn’t even hesitate, just jumped in and started talking as if his mom was really there, and I know it meant so much to him. The other would be this scene where Dawn expresses that she wants to leave her job and stay home with Aspen. Phoenix wasn’t fond of this idea. It puts a lot of pressure on him financially, and honestly, he would’ve loved to be the one to stay home with her. He probably could’ve plead his case to do so, but instead of pushing back he said, “how do we make this work?” and they figured it out.

💙They encourage each other to remain individuals. It’s difficult in this stage of life, between careers and marriage and parenting, to maintain a sense of self. One thing they always encourage each other to do is to pursue their own interests. In this scene we see Phoenix pushing Dawn to go have a self-care day to destress and indulge her interest in yoga and meditation. It’s been more difficult for Phoenix lately since his career is becoming more demanding, but he does still make time to run every morning before everyone wakes up.

💙They’re dreamers. One of the things they love most is talking about their plans and dreams for the future. Dawn has always been a very future-focused person. It’s a coping mechanism that keeps her distracted from her past, but it also allows her to maintain her optimistic nature, and it’s rubbed off on Phoenix.

💙They rarely fight. In most situations, they’re excellent at communicating and working through things. It’s rare they can’t find a middle ground. However, we recently saw a situation where Dawn let unresolved issues from her past lead her to break Phoenix’s trust, and that led to their biggest fight ever. When we last left them, they were doing okay, but I think it would be unrealistic to say that everything is suddenly fine now. There is some work to be done for Dawn to face her past and earn that trust back. More on that when we return to them in Part 5.  

[mentalmeles]

Well. While the brain rot has me, I wanna talk about some lines in ‘Trust Love’ that have been bothering me lately. Mostly how they blatantly reference Penny and how she just might return once more.

Yes, it’s that kind of Penny posting. If you don’t subscribe to the Penny 3.0 theory or think she should stay dead, please carry on and let me have my silly little thoughts in peace. Also this is 100% Nuts and Dolts propaganda. I will not apologize.

ANYWAY! Onto the lyrics!

Right now, your hopes are shattered / Just pointless ever after

This line obviously talks about the loss of hope. Penny, time and again, has been the character to symbolize hope. The most obvious time this has been done was during Jinxy’s auction in Volume 9.

Ruby is inexplicably drawn to the jade marionette, which we all know turns out to be one of Penny’s swords. (And ofc let’s not forget that weapons are considered an extension of their owners in this world.)

Without knowing why, Ruby wants it and tries to wager for it. But Jinxy asks for something in particular—something Ruby has lost.

“Enough hope to fill [a] jar.”

I also want to point out that the pov making it look like the jade marionette is fitting inside the jar as well as the star charm tied around the top are not at all coincidences. This is the show telling us point blank that Penny is the personification of hope. Or at least Ruby’s hope.

But Ruby just lost her. She has no hope left.

But in time, you'll find / Through love, your power just shines

(I felt the need to put this gif here since it is exactly what plays during these lines in the Volume 7 intro, so let’s just sit and think about the implications of that for a moment. Cool? Cool.)

When you don't know where to turn to / And you're sure all hope is gone / When the day you waited for won't come / And dark won't yield to dawn / Trust love and open up your eyes

Now these lines are what get me. They talk about Ruby losing hope and direction, caught in darkness. Now, while this is the intro song for Volume 7, it’s clear that Ruby has not lost her hope yet. If anything, she just got a big chunk of it back.

And I’d argue that even In Volume 8 when shit has hit the fan and it just keeps coming and coming, Ruby hasn’t lost her resolve yet. There are definitely moments when she comes very, very close to it and she falters, but she does end up maintaining it for the most part.

(I can't find it, but imagine the gif where Ruby is looking down at Penny's unconscious body and is tearing up while saying "It's all...too much." Wow. Such a pretty gif.)

(It's also funny how these moments where Ruby's doubts are the strongest are taking place when Penny is seriously wounded and incapacitated, now isn't it? Surely that's just a funny coincidence...)

But then she and the rest of team RWBY fall into the Ever After and, after learning about Penny's second death, Ruby's mental state just falls deeper and deeper.

But then the lyrics tell Ruby that all she has to do during this dark and harrowing moment is to 'trust love.' Who's love is she supposed to trust? The song has been relating to keeping hope up till now, so it's not a stretch to say that she's supposed to trust the love she had for Penny, platonic or otherwise.

Trust love, the truth is there, but sometimes in disguise

These lines are certainly interesting when put into the context that they're also related to Penny somehow. Personally, all I can think of is when Penny transferred the Winter Maiden powers to Winter. I'm definitely not the first to mention this, but it's awfully suspicious that the aura glow was yellow and not green, isn't it? Sure, there were motes of green, but that isn't what happened when Fria gave Penny the powers previously. So why the change? Unless the truth, while there, is disguised. The truth is that Penny is dying and giving up her power, but it's disguised somehow...

The way's uncertain but we're together / Movin' toward the light / When we trust in love and open up our eyes

Mention of Ruby being together with someone. Obviously, this could just be referring to team RWBY or the whole group being together, united under the mission of saving Remnant from Salem. But, again, when mostly every other line has been tied to hope--and by extension Penny--, it's hard to believe it's talking about that. So, maybe a reunion with a certain someone that hasn't happened yet? A reunion that will bring Ruby back towards the light--towards regaining her hope--once and for all? I mean, if Ruby's character arc in the second Justice League crossover movie is where her arc will go in the show proper, it's not too far of a stretch.

(The reason I mention the Justice League crossover movies is because Ruby's arc in the first movie was very reminiscent to the arc she had about her leadership role in Volumes 7 and 8. So, since she became very self sacrificing in that movie, diving headfirst into mission after mission with no regard to her safety, maybe that's what will happen in Volume 10 too? Maybe having the potential of getting Penny back will be the thing to make her stop?)

Anyways... I don't know if any of this really made any sense and I might just be rambling nonsense, but yeah. Some things that I noticed and felt the need to shout out into the ether.

Thanks for reading!

[kikimurphys]

Behind Closed Doors (Part 17)

Pairing: Cillian x Y/N

You choked on your water when you heard her name. "Fuck," you thought, panic seeping in. You were about to meet Cillian's sister—right now. Anxiety washed over you as your mind raced. What if she thought you were just a gold digger after her brother's money? Meeting Cillian's family had always been one of your biggest worries.

Orla stood at the door, waiting for Cillian to greet her, but he seemed to freeze in place.

"What's wrong, Cill?" she asked, noticing his odd reaction.

"Nothing, sorry. Hi, Orla. How are ya?" He quickly recovered, giving her a kiss on the cheek and closing the door behind her.

She carried a few boxes and bags as she made her way to the kitchen. "I'm just passing by to drop this off," she said, placing them on the counter nearest to the kitchen door. "And I bought this set of curtains for Mum and Da, but I don't know if they—" She suddenly noticed you sitting at the kitchen counter and paused, recognition dawning on her face. "Oh, hi," she greeted you with a warm smile as she walked over.

"Orla, this is Y/N. She’s on bed rest, so she's staying with me," Cillian explained, his tone firm, making it clear that you were important to him.

"Why? Are you okay?" Orla asked, concern lacing her voice as she leaned on the table. Her sweet demeanor and well-mannered approach immediately put you at ease. You could tell she was genuinely kind, much like Cillian.

"Yeah, I was hospitalized last week," you began, placing a hand on your belly. "I had some bleeding, but we're okay now. I just have to move as little as possible."

Orla’s eyes softened as she looked at you. "Oh, I’m so sorry. Glad you're well now. Bed rest’s the worst, especially when you get that insane need to nest in the third trimester. Those urges are no joke," she said, raising her hands for emphasis, making you laugh at her playful tone.

There was a brief, awkward silence as the three of you stood in the kitchen, unsure of what to say next. 

“Well," Orla finally broke the silence, patting the boxes she had dropped off. "I was just passing by to leave these. Don’t forget to take them to Cork,” she said, gesturing to the boxes, before handing Cillian the curtains. “And here, what do you think of these? Do you think Mum and Da will like them?” she asked, her expression a little more serious now.

"They're okay, I suppose," Cillian replied with a shrug, clearly not too fussed about curtain shopping. Orla rolled her eyes at his lackluster response, amused by her brother’s indifference.

"Alright, I’m headed off," Orla said, reaching for her coat.

"We were just about to have dinner, if you want to join," Cillian offered, sensing that this could be a good opportunity for you to spend more time with her. "I'm making chicken curry."

"You know what, Cill?" Orla smiled as she settled beside you, pouring herself a glass of wine. "I could go for some of that chicken you make."

As she took a sip of her drink, she turned to you with a curious smile. “So, how far along are you?”

“Almost 22 weeks,” you replied, feeling a bit more comfortable now.

“Ah, halfway already! Do you know what you’re having?” she asked, excitement lighting up her face.

“A girl,” Cillian chimed in from the stove, turning to you both with a proud smile.

“Oh, they’re the best! I had my Nina last year, and it’s so different than having boys,” Orla said warmly.

“How’s baby Nina?” Cillian asked, his eyes softening at the mention of his niece, who was nearly 10 months old.

“She’s exhausting,” Orla sighed dramatically, making both you and Cillian laugh. “She just learned how to get off the bed, and now I can’t close my eyes for a second without her disappearing.”

The evening flowed pleasantly after that. Orla shared stories and showed you pictures of her baby, and you got a glimpse of just how close she and Cillian were. His gentle care for his sister warmed your heart, and the easy dynamic between them made you feel more at ease.

After dinner, fatigue began to weigh on you, and Cillian noticed immediately. He offered to prepare the guest room for you, knowing that it hadn’t been decorated or lived in yet. You thanked him as he left to make the bed, his attentiveness leaving you feeling cared for.

Once Cillian was out of earshot, Orla leaned in closer with a playful, curious smile. “So, how’s my brother been treating you?” she whispered, her tone filled with interest.

You smiled softly. “He’s been very attentive and has helped me so much. He’s a good guy,” you said, genuinely grateful for Cillian’s care.

Orla raised an eyebrow slightly. “And are you two not together then?” she asked, her eyes flicking to the separate room where you'd be sleeping. “I don’t want to be invasive, but Cillian mentioned the situation…”

“No, it’s okay,” you reassured her, appreciating her honesty. “To be honest, I don’t really know,” you added with a small laugh. “We’re taking it slow... just taking our time.”

Orla nodded, understanding. “That makes sense,” she said gently.

“I’m just staying here so he can take care of me if anything happens until my sister arrives. I don’t want to take up too much of his time,” you explained, feeling the need to be transparent.

Orla gave you a knowing look and smiled. “You don’t have to worry about that. Cillian wouldn’t offer if he didn’t want to be there for you. He’s always been a bit of a caretaker, especially for those he cares about.”

Orla’s smile softened as she leaned back slightly, swirling the wine in her glass. “You know,” she began thoughtfully, “even if you two don’t end up together, that baby girl of yours... she’s still part of this family.” Her eyes flickered warmly toward your belly. “And we’ll love her no matter what.”

You blinked, a wave of emotion rushing through you at her words. It was the first time someone from Cillian’s family had said anything about the baby, and hearing that acceptance brought a sense of relief. 

“She’s going to be surrounded by love,” Orla continued, her tone filled with sincerity. “You, Cillian, and the rest of us. Family isn’t always about how things start, but about how you come together in the end. And believe me, we’re here for both of you, no matter what happens between you and my brother.”

Her reassurance eased a knot in your chest that you didn’t realize had been building. “Thank you,” you said quietly, feeling a surge of gratitude. “I’ve been so worried about what people would think... that maybe they’d see me as some sort of... I don’t know.”

Orla waved a hand dismissively. “People will always have something to say. But those who matter—the people in this family—we’ll always have your back. And that little girl... she’s going to have an army of people loving her.”

Hearing that made you feel more welcome than you had expected. “I really appreciate that,” you said, your voice soft but sincere. “It means a lot.”

Orla smiled again, this time with a glint of amusement in her eyes. “Plus, you’re stuck with me now—an honorary sister. We’ll spoil her rotten, you just wait.”

You felt a warmth spread through your chest at her words. All you wanted in the world was for your baby to be happy and grow up in a loving environment.

Just then, you heard Cillian’s footsteps coming down the hall. “What were you two talking about?” he asked, his brow raised slightly as he entered the kitchen.

“Oh, nothing much, just talking behind your back,” Orla teased, shooting her brother a playful grin. Cillian rolled his eyes, used to her antics.

“The bedroom’s all ready for you,” he told you softly. You nodded, feeling your eyelids growing heavier as the night wore on. "Thanks, Cill."

Orla stood up, gathering her things. “Well, I better head off. Gotta tuck the kids in.” She smiled, giving you a quick hug. “Don’t forget to rest, okay?”

“Of course,” you smiled back, sipping the last of your tea.

Orla turned to Cillian, reminding him once again about the package for Cork. “Don’t forget! You’re as forgetful as ever,” she teased.

“What’s that for?” you asked, glancing at the large box she’d mentioned earlier.

“Cutlery and plates for our parents’ anniversary in October,” she replied. “Their 50th. We’re planning it way ahead.”

“You should bring Y/N,” Orla repeated, looking between you and Cillian. “It’ll be the perfect chance for her to meet everyone at once.”

Cillian’s eyes widened, and he shot you a quick, slightly panicked glance. You could feel anxiety bubbling up in your chest, a knot tightening in your stomach. "Oh no, don't worry about me. I wouldn’t want to intrude,” you blurted out, your voice a bit shaky. Your palms were suddenly sweaty. What would his family even think? You were already pregnant and hadn't met them. What if they judged you? You weren't even sure where you stood with Cillian—how would you explain this to them?

Orla quickly picked up on the tension, her smile softening as she placed a reassuring hand on your arm. “Honestly, don’t stress about it,” she said warmly, sensing your worry. “There’s plenty of time to decide, no pressure. Just something to keep in mind.” She gave you a comforting smile before turning to Cillian, pulling him into a hug as she said her goodbyes.

Cillian moved to the sink to wash up as you quietly made your way to bed. While he scrubbed the dishes, your mind raced. *Would he really want you to meet his family?* You still felt insecure, unsure of your place in his life. Despite all his efforts to show he cared, you couldn’t shake the feeling that you didn’t belong, especially with the baby on the way. He already had a family, a whole life. Sometimes, you felt like an outsider. Or worse, like you were intruding on something that wasn’t meant to be yours.

Meanwhile, Cillian’s thoughts were completely different. As he washed up, the idea of you meeting his family filled him with joy. He could picture you with your baby, surrounded by nephews and cousins, fitting right into the warm, lively chaos that he loved so much. You’d bring a new light into his world, one that had dimmed over the years. You’d made him feel alive again. But he didn’t want to push you. He’d let the idea sit for now, give you time to decide. 

Later, lying in bed, you rubbed belly butter over your growing bump, your mind drifting. The realization that your body would never be the same hit you hard. You wouldn’t say it out loud, but you were terrified. The stretch marks, the weight gain—it all scared you more than you let on.

Cillian, meanwhile, was fussing over the curtains, trying to make the room feel cozier. The space had been bare when you first arrived, just a bed and a mattress. He’d worked tirelessly to make sure you were comfortable, and now he was determined to block out the morning sun.

“Cill, it’s okay,” you laughed softly, watching him work. “I can do that tomorrow. You’ve got work in the morning.”

He shook his head stubbornly, finishing up with the curtains. “No, I don’t want you waking up with the sun in your face at 7 a.m.,” he replied, focused on getting it right.

You grinned, amused by his overprotectiveness. It was a little over the top, but sweet. You felt lucky that he was going to be the father of your child. Once he finished, he stood back, hands on his hips, looking at you with a smitten expression. Seeing you lying there, belly growing with his child, no makeup, just real and vulnerable—it melted his heart.

“All done,” he sighed, dusting off his hands.

“Thanks,” you said, your voice softer now. “Do you have to leave early for work?”

“Yeah, but I should be back by lunchtime,” he replied.

“Well, I’ll let you sleep then,” he said, turning to leave, but something made you stop him.

“Cill?” you called softly. He turned back to you, walking closer.

“Yeah?” he asked gently.

“Thank you,” you said, reaching for his hand, your voice filled with sincerity. “For letting me stay here, for being so good to me. And Orla, too. I was really scared to meet her, but she was so nice. I’m really grateful.”

He smiled, leaning down to press a kiss to your temple. “You don’t have to thank me for any of that,” he murmured. “Goodnight.”

Your heart fluttered at the softness of his touch, and almost as if in response, the baby kicked. She always seemed to know when you were nervous around him. “Goodnight,” you whispered, rolling over and closing your eyes. The sound of Cillian moving around the house was oddly soothing, and before long, you drifted into sleep.

Cillian went to his room and changed into his pajamas, but after tossing and turning for almost an hour, he gave up on trying to sleep. He padded softly into the living room, careful not to wake you. Opening your door just a crack, he peeked in. You were fast asleep, soft snores escaping your lips, and he couldn’t help but smile. 

He closed the door gently, grabbed a glass of water from the kitchen, and settled on the couch. Turning the TV on with the volume barely audible, he let the low hum of some sitcom wash over him, hoping it would help him fall asleep.

tags:

@mamawiggers1980 @xsweetcatastrophe @galactict3a @thistheivyseason @cillianmurphyvevo @sweetcheesecakesblog

[cirilla-fiona-riannon]

Birthday Event: Francis Drake

Translations may not always capture the exact nuances or tone of the original text. Expect grammatical errors and inaccuracies.

Not proofread. Rush translation.

Still holding her in my arms, I started untying her corset.

With each layer I removed, Mitsuki's bare skin became more exposed.

Drake: "Haha! I never thought taking off the clothes I put on you would be this fun."

Mitsuki: "Don't make it sound like a game. Ah, mnn!"

Tempted by the sight of her exposed breasts, I rolled my tongue over them.

Taking off my shirt, I laid her down, and Mitsuki, feeling shy, wrapped her arms around her shoulders.

Drake: "Alright, let's move those hands."

Mitsuki: "Ah, geez."

I grabbed her wrists and pinned them to the sheets, and her eyes looked up at me with a hint of confusion.

Drake: "There's no point in hiding now."

Mitsuki: "That's true. But still, being completely naked in front of you feels a bit…"

Drake: "Haha, that's so like you."

I glanced down and saw the petal-like marks from last night were vividly scattered across her skin.

(I'm definitely being greedy here.)

(But seeing Mitsuki, who looked like a princess, in this state after removing her dress is exhilarating.)

Drake: "Mitsuki, don't hide anything from me now."

Drake: "I love seeing your face even when you're trying to hold back your pleasure, so show me everything."

Mitsuki: "Francis. Ah! Wait. Nmm."

I moved my fingers against her sensitive spot, and a relentless stream of wet, lewd sounds filled the air.

Her efforts to hold back her moans and the way she tightened around my fingers were so adorable.

(I'm so into her that it's making my head spin.)

Mitsuki: "Ahh, Francis."

She sweetly called my name, and my last bit of reason snapped.

Drake: "Haa. Mitsuki, I love you."

Mitsuki: "Ah! I'm so happy."

She clung to me like she was seeking support and pressed her body against mine, her sweet fragrance almost overwhelming me.

Mitsuki: "I'm happy to be with you. Both yesterday and now. Stay by my side forever, Francis."

Drake: "I'm here. See? We're connected."

I thrust inside her to make my presence felt and gently stroked her head.

When she lifted her chin, I kissed her, and her expression of pleasure turned into a tender smile.

Mitsuki: "I love you."

(Ah, damn it.)

(That's yet another perfect smile.)

That night, I kept exchanging warmth with the woman I loved.

I heard the quiet sound of the door closing.

(Hmm. Mitsuki?)

The warmth that was supposed to be in my arms was gone.

As I dozed off, the door opened again, and I felt a person's presence return.

The person who approached the bed gently stroked my head.

Drake: "Caught you."

Mitsuki: "!"

When I grabbed her hand, she looked wide-eyed as if her prank had been discovered.

Drake: "Where did you go, little fawn?"

Drake: "Wait. Did you change?"

In the dim light, I noticed she was wearing her familiar white blouse.

Mitsuki: "I put the dress in the closet so it wouldn't get wrinkled."

Mitsuki: "I also changed clothes while I was at it. Sorry for waking you."

Drake: "No, it’s fine."

(After spending such a satisfying birthday with her by my side, I really don't feel like going back to my normal life.)

I found myself reluctant to let go of this moment that was almost over.

Mitsuki: "It's almost dawn. Someone might be coming back soon."

Mitsuki tried to move away from the bed, but I took her hand.

Drake: "Nope."

Drake: "I still want to stay like this for a little longer."

(The truth is, I don't want to let her go, even for a day.)

I muttered my honest thoughts to myself.

Mitsuki: "Hehe, what should I do? I think my happiness just got rewritten again."

Drake: "Huh? From that?"

Mitsuki: "Yeah. Because you’re acting all cute and sweet, Drake."

(You're the cute one.)

(That's what I want to say, but she seems to be having fun.)

Drake: "Well then, how about I rewrite your happiness even more?"

I held her hand, gazing deeply into her eyes.

(If only my feelings alone could keep her smiling and happy.)

Drake: "Mitsuki, I love you."

Mitsuki: "----!"

Drake: "You're my one and only. The princess I want to steal away more than anything in the world."

Mitsuki: "Hehe, you're being so generous with your words of love."

(But none of them are lies.)

Drake: "You're so cute that it's making my brain short-circuit."

Mitsuki: "Haha! What kind of confession is that?"

Mitsuki: "If you keep confessing like this, I won't be able to stop feeling happy."

Like a bud blossoming, her smile bloomed into a radiant flower.

And again, that smile was the most beautiful thing.

Drake: "Mitsuki, I love you."

What spilled from my heart was pure, unfiltered love.

I kissed the back of her hand, pouring all my heart and soul into it.

Part 1 ╎ Part 2 ╎ Premium ╎ Epilogue

[lesbianmarrow]

augh. rewatched btvs 5x22 scene where spike & buffy go to buffy's house to get weapons before the big showdown. them having to retrieve weapons is such an amusingly flimsy excuse to have them go to her house so we can have the scene where she invites him in + he promises to protect dawn + "i know you'll never love me" speech. i love a paper-thin excuse to put 2 characters in a room together. especially when those characters are buffy and spike!!!!!!!!!!!!

it really is so striking the way spike refrains from asking buffy to let him in even though he would be perfectly justified in doing so as it's obvious that buffy has forgotten he's not allowed in. i think part of it is that he wants to make it clear that he will respect the boundaries she has set with him. but i also think part of it is that he doesn't wanna feel the pain of being rejected again, because that fucking hurt. if he doesn't ask then he doesn't have to hear her say no again. it shows how head over heels he is for her and how much he has changed since the beginning of the season, when he was challenging her boundaries so much.

spike's expression when he's walking thru the doorway......it's so endearing and some really great acting from james marsters. first surprise and disbelief, then glee which spike is trying very hard to restrain because these are grave times. and yet he can't help feeling so joyous that buffy trusts him. he glances as the doorway like he's thinking "ah yes what a nice house" which makes me laugh because it's so stupid but also sweet. i think it's him trying to play it cool and doing a not so good job of it. there's such a lightness to him - it reminds me of the feeling when you think you did something to upset your friend a few days ago and you're anxious that they've been angry with you all this time and you finally gain the courage to ask them about you and it turns out they were never angry or upset at all. the giddy relief you feel.

and then there's that little moment of tension where they're standing so close together and you think something might happen but then spike breaks off and goes to the weapons chest and starts rambling about what they should take. it's so notable that it's him who gets nervous and moves away. so different from the way he behaved with her in fool for love, getting up in her space and trying to make her admit she had feelings for him. he's accepted that she'll never love him back, and moments like this where it feels like maybe there could be something between them are too painful, so he disrupts the moment. moves away.

jumping to the end of the scene - i love that buffy is on the stairs when spike does his little speech. she's physically above him. "you're beneath me." not only that, she's ascending, just as she ascends at the end of the episode, accessing a level of heroism that spike will never be able to meet. rewatching this part, spike's expression really surprised me. when he says "i know you'll never love me," he doesn't look at all bitter or resentful. his face is open, understanding, compassionate, and thankful. because that's what this speech is - he's thanking her for treating him better than he deserves. he's so grateful for the respect and trust she has given him. it has been truly transformative, as we've seen. only he doesn't get to the actual thanking part, because he cuts himself off, saying he'll wait for her down here. i think he cuts himself off because he realizes that this isn't what buffy needs to hear right now. she's got an enormous battle to prepare for, and a sister to save, and spike's feelings simply aren't important. so he stops mid-sentence for her sake. i think we're meant to understand that the only reason he started to say this at all is that he really thinks he might die tonight and it could be his last chance to let her know what it has meant to him to be treated like a person capable of doing good.

i've focused on what's going thru spike's head in this post bc i think buffy is a lot harder to read here. which is interesting bc sarah michelle gellar as buffy is so expressive that usually you can always tell exactly what buffy is thinking. but when she's with spike in these episodes toward the end of season 5 it's difficult to tell how she regards him. i think a lot of the time even she doesn't really understand how she feels about him. their relationship is so paradoxical. she relies on him but she reviles him. she wants him around but she finds him intolerable. i might rewatch the scene again and make another post about what might be going thru buffy's head, but for now i'll leave it at saying that i kind of love how spike's feelings for buffy are crystal clear to us and buffy's feelings for spike are much murkier. spike started out as this cool mysterious antagonist, whereas buffy has always been the protagonist and we're constantly seeing things from her point of view and being made to understand how she feels. so it's kind of fun to see that flipped a little bit. and it also rings really true for me how buffy in this moment is like, i have 5 billion things to be worrying about right now, i cannot even begin to process whatever feelings i may or may not have regarding spike. and with all of that said........there really is a softness to the way she treats him in this scene. and it's nice.

anyway. these two ✌️ gonna go jump off a tall tall tower

[awinterrosesstuff]

I hate how Riley Finn is presented as the perfect boyfriend by the narrative. I know Joss Whedon wanted to show an "healthy" relationship between him and Buffy. And really he failed miserably.

If anything Riley is barely presented as a good boyfriend. Maybe in some instances, like when Buffy thinks of dividing herself in two and he answers that he wants the "whole" Buffy. He seems impressed by her strong personality when she stands against Maggie on Willow's behalf. Maybe it's also her loyalty that draw him to her. But I'm not sure about it. He's also very curious about her physical strength and her mission. And that's great (on the surface at least). I don't think he understands her mindset concerning the slay. It's a game for him. Not for Buffy.

And quickly, he becomes envious and jealous of her strength and powers. He wants to be the strongest of the two. He wants her to be dependent of him for protection and emotional support. It's particulary clear when he loses his purpose in the initiative. But it was already there before.

He's upset about ridiculous things, honestly. He's angry that Buffy got betwitted by Dracula as if it was her fault. Didn't he say in a scene that Buffy allowed Angel and Dracula to bit her and have an hold on her ? That's obviously what he's jealous for. He seems to think to think they had her in a way he never could. He goes to the vampires for that very same reason, to be bitten, to experience it in the first place. Then he stays because they "need" him. He's unhappy when Dawn confesses that she's glad her sister is with him because Buffy was always crying because of Angel. This scene always makes me upset. The teenager is happy for her sister and he's there wondering about Buffy's love for him.

It honestly feels like he dislikes some of the most important traits of Buffy. Her strength, her resilience, her independence, her mission... he wants her to rely on him more. He's upset that she doesn't allow herself to be vulnerable in front of him. To be fair, she doesn't want to be "weak" in front on anyone, but he doesn't care about it. He only cares about his own feelings.

He has insecurities (and actually that's important) but he blames it on Buffy. His jealousy, his envy, his cowardice, he selfishness... it never got properly adressed. When they have their confrontation, after she discovered about the vampires, he explains himself (finally) and blames her. He's really a moron for not talking to her before. I get it's hard. But he's the one being stupid in the room. Not her. His communication skills fucking suck. You could argue he didn't want to put more weight on her, but at this point of the story he could have told her.

What really matters to him is him... his feelings. And with the ultimatum, he only gets worse. Man, if you want to leave, then leave. It's not her responsabilty to choose for you. You're just acting like a child...

[pygmi-says-hi]

I love your writing. It's amazing! If you haven't done so already, I'd like to hear your advice or tips on sentence flow and how to transition between character thoughts and whatnot (just flow in general) because I feel like that's what I struggle with when it comes to writing for me.

I am assuming that you mean transitioning from dialogue/commentary to exposition paragraphs? that's what I'll go with pls tell me if I'm wrong!!!

lemme write an example:

'she'd never seen such a magnificent flower before - the petals were a silvery velvet that glistened in the dawn sunlight. It reminded her of her mother's skirts. A sense of warm nostalgia swept over her at the memory of the flowing fabric that swayed around Mother's ankles.

the rest of the field contained similarly beautiful flora, varying in size from thimble to elephant ear.'

-

The pink is a character opinion/thought, and the white is the exposition and objective description. when a paragraph is narrated by a character, it reads best to mix them together. When you chunk it like this:

'she'd never seen such a magnificent flower before. It reminded her of her mother's skirts. A sense of warm nostalgia swept over her at the memory of the flowing fabric that swayed around Mother's ankles.

the petals were a silvery velvet that glistened in the dawn sunlight. the rest of the field contained similarly beautiful flora, varying in size from thimble to elephant ear.'

and the expo/narration are kept separate, it's harder to visualize the connection between observation and the reactive thought.

tip 1: keep similar sentences together.

In the above example, I grouped the character's observation of the flower together with the actual description of it.

After, I grouped the memory of the mother's skirts with the emotion.

Finally, the next paragraph was still describing the foliage (aka tying in the initial description), though removed from the narration and still progresses throughout the scene.

does that make sense?

no?

lemme try again guys I got this.

When you transition from 'thought' to 'sight', it might look a little daunting. you'd think "gee I just spent an entire page describing an intense traumatic mental spiral. how do I transition to writing about the room they're in?"

Pick the similar attributes. The middle of the Venn diagram. Okay, character is having a panic attack. It's intense, it's descriptive, there's a lot of inner dialogue. Now, we have to describe the aftermath in relation to the state of the bedroom.

pull them out slowly. If a character is deep in reverie, describe the room how it feels to them. This is a slow transition out of 'me my mine everything about my opinion' description, to 'this is how it is cold turkey' description (plot development).

Example:

(panic attack, oh my god we're dying the world is ending I can't breathe help aahhh)

he shivered. The floorboards had grown cold since the episode started. A cool breeze slithered through the room, chilling him further. leftover adrenaline raised gooseflesh on his arms.

This is entirely objective. no opinion was inserted, but there was the stimulus and physical reaction to the surroundings. this still draws in the character-focused analysis without getting stuck in his head.

2. great sentences think alike. I sometimes feel that my transitions are chunky and not very smooth. Pick common themes to tie them together. "Oh okay, her skirt is blue, it's blue like cornflowers, cornflowers were anna's favorite, now i'm thinking of anna, she'd love it here. where is here? here is in a farmhouse kitchen with...." boom. I made a domino effect from the starting description (blue skirt) to the final destination/scene progression (farmhouse desc).

3. know when you've beat the dead horse. If you've been circling the drain over one thought or milked all the setting adjectives possible for one area, move on. when a scene/dialogue is sufficiently described, the readers are ready for a break.

does that help a little bit?

there was a second part to the request, right? sentence flow? cool beans.

Sentence flow is actually a really cool concept that if you master, you can add so much depth to your writing (i'll def make a part 2 post, stay tuned!).

If you structure a sentence really long and fast without the punctuation and it's just going and going and going oh no-

you start to feel anxious, right? when's it gonna end? what's the kicker? the tension is building and building....

Sentences are short. thin, staccato. not a lot of meat. no meat, maybe. just. bare. bones.

punching, intense, hard thoughts. a shocking discovery, your character doesn't have the processing capacity to think eloquently.

maybe they disobey grammar rules. fuck grammar rules. don't actually tho because you guys lowkey suck at grammar and i'm angry. no don't point out my bad punctuation i'm the teacher here.

point is, the flow of the sentence dictates the reaction. Shakespeare uses this with meter. when the meter is disrupted, it means something bad has happened. In Romeo and Juliet, every time a lie is told, the meter shifts out of iambic pentameter. it's like a 'heads up, something's wrong' to the audience.

USE THIS!!

also - read your story out loud. writers have a tendency to write how they talk. I am a comma fiend because I go off on so many anecdotes I pause all the time while I talk. When I read it out loud and take the necessary pauses though, I want to vomit.

If it's smut I can see how this might be hard for you, but another good idea is to hit hard the grammar rules. If there's a bunch of commas - read the sentence and enunciate the commas. that's how it will read to your audience.

common problems with sentence flow.

feeling long and heavy. if you're describing the action and you feel like you're being swamped in adverbs, take a look at your passive and active voice. passive: "The ball was kicked by Anna." active: "Anna kicked the ball." if your sentences are long and dragged down with adverbs, you're probably really passive.

too much information, not enough words. Thesaurus!! if you've been puzzling over a paragraph and it turns out all you needed were some synonyms, pull out a thesaurus! and a dictionary because remember: similar is not the same. just because a word has similar meanings doesn't mean there aren't special addendums to each.

lost in the sauce. where are we? what's happening? who are you? i'm hungry. too many succulent words! your sentences so big backed they out-backed Outback. long, frivolous words and ten-mile high stacks of adjectives only work sometimes and infrequently. otherwise you spend so much time describing the thing, we forget what the thing actually is.

losing the motivator. why are you writing this sentence/paragraph? what purpose is it supposed to be serving? keep that in mind so you don't lose track and if you do, it'll be easier to get back on it.

repetitive meter. the sentences follow the same pattern, like this one. almost like they're in a loop, circling forever. there's no escaping, you'll like read this till you die.

did you see the pattern? it starts to make you dizzy after a while, doesn't it? This is a common problem and fairly easy to break out of. Just chop up the sentences and glue them together.

*ahem* like so:

The sentences follow the same pattern, like this one. Almost like they're circling in a loop forever. There's no escaping. You'll read like this till you die.

same words, with some added/subtracted punctuation. If that doesn't work, rearrange the order, add in some new verbs or adjectives, maybe add a few filler sentences to space the pattern out.

that's all folks, i hope that answered your question, if not feel free to say so! I'm not offended.

xox keep writing!

[jontaro-kun]

Whoops I tripped and my hand slipped and all of a sudden this Sonamy art just kinda spawned outta nowhere haha that's crazy

I'm not gonna sugarcoat it this is almost entirely inspired by a specific Slowed & Reverbed rendition of Ariana Grande's "Into You" and 90% of it just came from the gif they used for the chorus vdsbfvjhkbfdv

I saw it and thought "Okay how can I make this about Sonic. Hm. This song feels Sonamy-coded, and Sonic feels like the type of guy to give a girl a motorcycle ride but like romantically. Oh but he doesn't have a motorcycle. That's, like, Shadow's thing. He has a hoverboard though. And letting someone else ride with him on a hoverboard would arguably be even more dangerous than on a motorcycle...so it's right up his alley." all in the span of like 2 seconds.

Of course this also meant I needed to finally design my own Amy, usually when other artists draw her they choose one of 3 options: they draw her normally, they give her long hair, or they give her Sonic's hair; as you can see I couldn't make that choice

So why am I yapping so much about all this? Idk I just think it's neat hdbfsvjhbhvbd

[jasontoddenthusiastt]

“Jason should get over being upset about his death” - he has, he wasn’t angry at Bruce or the world because they failed him and he ended up dying, which he made clear plain as day and that’s about the most reasonable a person who went through what he went through could be

anyway I don’t think these people realize how gory being bludgeoned to near death is, and maybe it's because of the limitations of the medium that scene was presented in

[legend-had-it]

nami and zoro instantly clock eachother as gay when they meet in Orange Town and it takes luffy about a week to remember that romance and attraction exists then Also instantly clocks them

[ironasss]

twitter is so fucking funny like only there can you get blocked for headcanoning a character as autistic fr

[zannolin]

you ever get an idea that is sooooo. arghhhhh bites into a roof tile and cries.

[toboldlywrite]

I made the mistake of making Spidersonas of Star Saga characters just for fun and now my brain is drowning in a whole-ass AU

[kirayaykimura]

Hak and Soo-Won’s relationship is one of the most interesting aspects of Yona of the Dawn. 

In the early part of the manga, he claims to not know what Soo-Won at all, let alone what Soo-Won is thinking. 

As the story progresses, Hak doesn’t shut down completely when the topic of Soo-Won comes up, but he does still claim to not understand Soo-Won despite proving that he obviously does. 

Finally, by chapter 169, he’s able to admit - to himself - that he does understand Soo-Won when he uses Soo-Won’s battle strategies to help Kohka fight off Kuelbo. 

He doesn’t want to understand Soo-Won and it tortures him that he still does. His best friend - one of the only people he trusted implicitly - lied to him almost their whole lives. It’s easier to pretend they never knew each other at all because if any of their friendship was real, it means Soo-Won loved Hak the way Hak loved Soo-Won and still went through with the coup. That has to hurt. 

While Hak tries desperately not to understand Soo-Won but does so anyway, Soo-Won has a handful of moments where he does not understand Hak as well as he’d like to think. 

There’s this moment in Sei, where Soo-Won wasn’t sure Hak would be able to put aside their personal differences for the good of the people being abused at the forts even though Hak is always willing to help people in need. 

Then, obviously, there’s the moment with the Senjuso plant. 

Soo-Won consistently underestimates Hak’s heart, and is therefore taken by surprise every time Hak reacts out of kindness instead of hate. 

And yes, this does make me wonder if things would have been different had Soo-Won just talked to Hak instead of assuming Hak would never have taken his side against King Il. 

In conclusion: I just think they’re neat.