#but these books means so much to me

[curarems]

Nothing like waking up with no knowledge of the date, opening the discworld tag and getting hit with 12TH OF MARCH screaming sobbing lying on the floor.

Gnu Terry Pratchett

[egophiliac]

just thinking about hair and faces

[vaguely-concerned]

sometimes I think of all the on-the-surface warm, well-meaning but deeply ineffectual advice and attention john gives harrow through harrow the ninth (make some soup and get some sleep! get a hobby! don't be so hard on yourself! self care harrow! as long as I need take no actual responsibility in this relationship whatsoever I would have loved to be your dad!) set up against the stark truth that with his other hand he has been staging her attempted horrific murder again and again and again like a living nightmare on the logic that it will 'put her down or fix her'. and then I find that I wish there is a hell. a special hell where twitch streamers turned necromantic death emperors go

[civetside]

the doodles i doodled while i listened to the nona audio book babay! (plus my favorite pyrrha dve quotes)

[crunchycrystals]

this makes me want to cry

[sneez]

family portrait :D young sam and sybil are behaving themselves and vimes is throwing a hissy fit because they tried to make him wear the helmet

[id: a digital painting of three people sitting for a portrait in a domestic interior. young sam is standing with his hands behind his back and beaming proudly. vimes is standing behind him with his hand on his shoulder, wearing a shiny military uniform and a surly expression. sybil is sitting on the right with an arm around young sam, smiling at the viewer. a plumed helmet is sitting on a table on the left. end id.]

[benrybenrybenry-chr]

being into sherlock holmes is so stupid like. yeah here's my blorbo, you don't know him. you think you do, but unless you've systematically fallen in love with him through the personal writings of his retired army doctor best friend you really don't. yeah. he's one of the most popular and well known characters in the world. I have interacted with at least 60% of the current fans. hey do you think he associates the sounds of waterfalls with death? do you think he'll ever get over that? I won't. good talk

[abd-illustrates]

✨ My book is out next week! (on the 16th!)✨

I got some early copies in the post today and getting to actually hold 'em made me cryyyyy - I'm so happy and I still can't believe my art's gonna be in actual bookstores out in the big wide world 🥹💖📖

[liesmultixxx]

“We’re together”

them not ever wanting to be separated again is so🥺

[poorly-drawn-mdzs]

Call that a Cave Story.

[First] Prev <–-> Next

[egophiliac]

CROWLEY SSR THOUGHTS

there is zero basis for this, but I can't get this thought of my head

I don't know why I decided to draw it this way

[i-seeaspaceshipinthe-sky]

Evil in general does not sleep, and therefore doesn't see why anyone else should. But Crowley liked sleep, it was one of the pleasures of the world.

+ bonus:

[macaulaytwins]

female character: *is rude or evil or commits heinous deeds*

me, with stars in my eyes:

[magnus-rhymes-with-swagness]

OKAY who wants to hear about why i think nimona challenges amatonormativity? you do! 🫵

one of the main ways this is accomplished is through ballister and ambrosius’s relationship. it’s arguable that it doesn’t necessarily fit the traditional model of romance - not only are they a queer interracial couple, and not only is their relationship ambiguous in the book, but there are certain instances, especially in the movie, that subvert traditional ideas of romance and friendship.

one instance that really stands out to me is when the director asks ambrosius what’s on his mind and he goes on his imagined rant about how arm-chopping isn’t a love language - you know the one. when he mentions ballister, he refers to him as “the man i love, my best friend.” and not just one or the other, but both! the man i love, and my best friend. he places equal emphasis on both the romantic and platonic aspects of the relationship, valuing ballister in both a romantic context and a platonic context without treating either one as more important than the other.

and even moments such as the first “i love you” and the kiss manage to subvert tradition. both of these things are generally seen as a pretty big deal, especially in fiction - if the characters are kissing or saying “i love you,” it’s usually a moment in which everything changes. a line is drawn, dividing the story into after and now. sometimes it’s dramatic and climactic, with fireworks and a swell of music, but even when it isn’t it’s still seen as a turning point of sorts. now it’s official, now it’s real. but this isn’t the case in nimona. both moments are certainly significant - they do a good job of showcasing the character development and where ballister and ambrosius are on their respective journeys, and are certainly important in terms of representation - but neither one follows the path that most fictional romance does.

another way in which nimona challenges amatonormativity would be the emphasis on friendship! in the tavern scene (in the movie) when ambrosius suggests killing nimona, ballister disagrees and says “she’s my friend.” ambrosius replies with “aren’t i more than that?”, implying he’s more important than a friend - thus upholding amatonormative ideas. ballister becomes angry at that and leaves - challenging this idea and prioritizing his platonic relationship with nimona over his romantic one with ambrosius, as nimona is the one he wants to defend.

additionally, a big part of this scene is the way ballister deliberately rejects institute values while ambrosius unintentionally upholds them. and because the story challenges homophobia and transphobia (and other forms of bigotry) through the lens of the institute, it would make sense for it to challenge amatonormativity too! it’s something that’s become incredibly normalized, to the point that lots of people don’t even know it exists, and this is reminiscent of the institute brainwashing, especially when it comes to ambrosius - he’s been manipulated his whole life and probably genuinely doesn’t understand the level to which he’s internalized institute beliefs.

ballister prioritizes nimona many times, actually. when he tells ambrosius she’s “smart, kind, and quite sophisticated,” when he’s overjoyed to see her again at the end, when he refuses to kill her and saves her instead. over and over, he proves how much he cares about her, even when this involves directly going against what ambrosius wants - which, of course, is really what the institute wants. a core tenant of amatonormativity is the false notion that romantic relationships are more important or valuable than other types of relationships, but ballister actively goes against this!

to conclude, as a story that at its core is about identity and challenging societal beliefs, nimona defies expectations and traditional ideas of what it should or shouldn’t be. it’s possible that amatonormativity wasn’t what the creators had in mind, but the story still manages to challenge it with grace and elegance. just like its main character, nimona refuses to conform to what others want it to be.

[findingcrow]

Why have I not seen LITERALLY ANYONE talk about how in Erak’s Ransom, when Will saves the group, Horace yells “Will!!” And holds up his tied hands AND WILL SHOOTS IT AND FREES HIM??? LIKE THAT WAS SO COOL WHY DO WE NEVER TALK ABOUT THAT????? The fact that, number one, Horace knew Will was skilled enough to do it, number two, Horace TRUSTED Will not to shoot his hand, number three, Will understood what Horace wanted him to do, and finally, the fact that WILL WAS ABLE TO DO IT IN THE FIRST PLACE?? Now obviously rangers are very trained and blah blah blah but THATS STILL BADASS????

[krash-and-co]

not to be insane about her on main but you know I never stopped thinking about jessica right. you know I never stopped thinking about jess lockwood

shes like. she's JESS.

shes haunting the narrative. she's haunting lockwood. shes haunting nothing at all, in the literal sense, which is rather strange. shes in Lucy's face and the way she stands at the door. shes got lockwoods eyes, or maybe hes got hers. she's burned into her bedset. she's burned into her house. she's burned into wood. she's a broken pot. she's a clumsy rapier. she's waiting at the apple tree. shes sleeping under her covers. she likes stickers. she's a kid, she's a guardian, she's not going to take off the baby wallpaper in her bedroom. she's clung to youth. she's forced to grow up. she's younger than her baby brother. she's the world. shes important enough to die for. she's important enough to live because of. she's blue and swollen and on the floor and dead. she's pale and smiling and holding her brother in her lap, immortalized, shoved in a dresser drawer because somebody couldnt handle seeing her face.

she's that important. she's that important.

she's a lockwood, she's a mirror, she's lucy joan carlyle and anthony john lockwood and a reminder and a child and doomed, doomed, doomed in such a way that she could save everyone else.

she's the boxes lockwood couldn't open. she's the right time. she's warm feathers and stitches purposefully undone.

in her childishly wallpapered room, she is sitting, watching, cross legged on her bed.