#can people talk about disney princesses as humans and not as stand-in's for “girl power” for once?

[idiosyncraticrednebula]

I really wish some of the actresses who have voiced Disney Princesses would stop comparing their princess to the previous ones and claim how she was the "first" one to have *gasp* independence and strength *gasp*. Have they ever watched a Disney movie outside of their own?

[wings-of-sapphire]

HELLO THERE LOVES I MADE A WISH REWRITE

I watched Wish twice (once on early screening day and once on the offices release date) and I fuckin loved it. But I feel like while this was a great movie, it was Disney’s 100th anniversary one and it needed like twenty minutes more or so to develop the characters and make it a truly spectacular celebration of 100 years of Disney.

I recently read about the concept pictures for Wish— Asha being the daughter of Magnifico, Star taking a human form and having a relationship with Asha— and I liked the idea of changing up the “quirky main character” idea as well. Don’t get me wrong, I have no problem with girls like Rapunzel or Mirabel. They’re fun, they’re optimistic, they’re hardworking and determined. Buuuuut as more of a pessimist myself I found my favorite character to be Gabo. The short pink sarcastic side friend based off of Grumpy. Yes, the friends are based off of the seven dwarfs. But ANYHOW— I thought maybe a return to the Classic Disney Princess attitude would be nice. So I chose Kusco. Because he’s the best Disney Princess out there.

I’ve been rambling long enough. Full rewrite under the cut! Will explain more in future posts! Ask any and all questions you’d like! Now, presenting my Wish rewrite~

💫 Asha is the princess of the kingdom of Rosas. Her parents, Magnifico and Amaya, built Rosas after Magnifico’s old kingdom was burned by greedy Wishers who used magic to give them whatever they wanted, which led to their own destruction.

Asha grew up in her kingdom learning that because her father kept the magic in check and only he granted wishes, Rosas could stay safe and happy. Asha gives tours of the city to people who sail in, and as they give their wishes to Magnifico, Rosas grows stronger and safer.

Welcome to Rosas

(Though she’s on carpets and stuff and there’s servants swarming her and she’s comfortable while giving the tour— we see Asha being kind to the child of the tour group)

Asha puts on a happy face for the tourists. But the people of Rosas say they know the “real” her. They hate their princess, truthfully. But they love her parents.

Asha doesn’t really have friends. She’s above that. She’s a princess and her parents founded this kingdom that literally granted people’s wishes. Sure, she sometimes lingers in the kitchen to hang out with Dahlia, the head chef. And sure, sometimes she wished wanted to hang out with them. Dahlia and her six friends whom Asha could never remember the names of. She calls them nicknames based on their characteristics. Easy and efficient. Dahlia is Doc, since she always patches her friends up. She said Asha couldn’t call her friend Stoner, so his name is Dopey (Dario). There’s Happy (Hal), Sleepy (Simon), Sneezy (Safi), Bashful (Bazeema), and Grumpy (Gabo). They’re all close-knit and trust each other with everything.

Asha doesn’t have that.

But she’s their princess. And she remains that way. Untouchable. Unbreakable.

Until one day, Grumpy Gabo says she’s not above them for any reason other than her title. That if ranks were stripped away, she’d be talentless and left behind.

Of course Asha can’t have that.

Soooooo she sneaks into her father’s study to get some of his magic.

What? He has a ton of it.

But then stuff goes awry. Asha tampers with Magnifico’s forbidden books and… nothing happens.

Grumpy laughs at her and Asha threatens to have him imprisoned if he doesn’t treat his princess with respect. Dahlia and the gang stand up for Grumpy and Asha storms off.

Amaya tries to comfort Asha when she runs to her room and throws herself on her bed and cries, princess-style, and Amaya and Asha talk about how Asha dreams of a group of friends she can have fun with and trust, and Asha says her brain knows what her wish was, and it was to become the most powerful sorceress princess in the lands just like her papa. Amaya says that a dream is a wish your heart makes, and Asha’s heart didn’t want to be the untouchable princess of Rosas. Her head may tell her that, but everyone needs connections.

 It’s Magnifico that ends up cheering Asha up by bringing her to see the wishes of Rosas again.

At All Costs

Asha calls Magnifico “Papa” and Amaya “Mama” by the way

That night, Asha tosses and turns, and we see the magic swirls from the book start to gather around her, then shoots into the sky as she shoots up, panting.

Turns out she accidentally ripped a star out of the sky. Asha runs after the giant comet fall, where a young man is floating in a crater in the forest.

The star had taken the shape of a young man. Who can fly. And bring objects to life for a bit.

He’s glowing yellow and wears a dark teal-blue velvet cape and his glow turns pink when he spots Asha.

When Asha freaks out and grabs the boy— she’s calling him Star— and hides his glow with her pajama cloak, and asks how the heck did this happen?

Star shrugs and says he was just chilling in space when the force of someone’s dream pulled him down to land.

Asha quietly excitedly stims, saying she can’t wait to rub Star in Grumpy’s face, and Star is like please don’t rub me in someone’s face, sweetheart.

Sweetheart?

Asha glares at Star, who smirks.

Asha exclaims that anyways— she knew she was a powerful sorceress, and Star says he senses no magic on Asha.

Asha says she must’ve had magic in her, or else how could she have ripped a star from the sky?

Star says people can learn magic but right now, Asha was inexperienced. It was probably because of her connection to the stars.

That means—

No, it’s not just you. All people are connected to the stars.

You’re a Star

Asha takes Star back to her room and says they can’t let her dad know she used his books to summon Star— but maybe Grumpy would need more proof. Maybe she could sneak a peek at his book again, and summon more stars to prove to Doc and the gang that she has talent and she was sooooo qualified to be their fr— sorcerer princess.

She tells Star to stay put in her room, and she’d sneak out and take a quick look.

Star asks if he can come with.

He just got ripped from the sky and needs some more exposition than “I don’t know.” And he’s too impatient to wait for Asha to come back.

Asha says he’ll have to learn and Star magically locks the doors until Asha explains something about how he was brought here.

“You made trees dance the hula and we rode here on a singing deer.”

Star gives Asha a look.

Asha pinches the bridge of her nose and explains that her papa’s whole family was killed because of the greedy wishmakers. With him in charge, he gets to choose, and people are safe.

Star says that the people deserve more, and Asha snaps that get family decides what everyone deserves because they’re the rulers of Rosas.

Star smirks at her and says she’s adorable when she’s mad. But, she’s wrong. The people deserve a chance to get their wishes returned so they can become dreams that can be achieved by pure hard work.

Asha says they’re the same thing, and Star shakes his head. “A wish you give away. A dream you keep with you to work hard and achieve your heart’s goal.”

“Wow, you have a great personality.”

Asha rolls her eyes and says Star can come, but he has to be quiet.

In Magnifico’s study, Asha sees Star heading to the wish room, and before she can grab him, he opens the doors and sees the wishes of Rosas.

Star is amazed and Asha sighs and walks up next to them. She looks up and closes her eyes and bathes in the feeling.

“They’re beautiful, aren’t they?”

“Yeah… they are.”

Star quickly turns to look at the wishes above them, his glow pink.

They end up arguing again because Star wants to return the wishes to the people so they can become dreams once again and Asha says her father worked hard on protecting them

Out in the hallways, Asha ends up shoving Star into a nearby room when she hears Doc and her friends come by

Asha smooths down her skirt and holds her head high as she walks by and calls to Grumpy. She smirks and says unfortunately, they were incorrect about her being talentless. In fact, she was so powerful, she ripped a star from the sky.

Behold.

She opens the door (which turns out led to the chicken coops) where Star was chilling in the sunlight where his glow looked normal.

“You brought us all here to check out your boyfriend?”

“Hal!”

Asha rushes to explain that no, Happy, he was the star. She orders Star to step out of the sun.

Star crosses his arms.

“No.”

“Excuse me?”

Dahlia and her friends all gasp and start planning Star’s funeral.

“Sorry, sweetheart, I’m a star. If you ever want your dream to come to fruition you have to be nice to people you want to befriend. Go on. Apologize and then ask me nicely.”

Dahlia and friends are now forgoing that funeral, there will be no remains left to bury.

But then Asha flares her nostrils, taps her foot, then glances at Doc. She averts her eyes and mutters, “sorry for being mean to Grumpy. Star, can you… can you please show them?”

Jaws: dropped. Wigs: snatched. Princess Asha of Rosas, apologizing and saying “please”? Sure, she cared for her people. But she never apologized if she accidentally ran into someone for walking in their way! It was her way! She was the only one who’s way mattered!

Star smiled and thanked Asha, then steps out of the sun to reveal his glow.

Jaws: even dropped-er. Wigs: even snatched-er.

After the initial “ooh”s, [something something]

Asha tells everyone that because she’s a star, she was able to be this powerful. They should all be impressed.

Star then corrects her by saying everyone was made of stardust and therefore had a connection to the stars and magic.

When Gabo laughs, Asha throws a fork at him and tells him to do that to himself.

Magnifico is calling Asha for a family meeting, and she says it’s probably about tonight’s wish ceremony. Dario’s Sabi who’s turning 100 today wants to get his wish picked. He doesn’t remember what it is as all wish-givers forget, but he knows it has something to do with his sickness. Asha tells everyone else to keep quiet about Star, or else. And with that, she leaves the room.

Star opens his arms and asks which of the group wants to help him commit a crime.

“What?”

He wants to break into Magnifico’s study and return the wishes to the people of Rosas.

Gabo snaps at him that they can’t just steal from the king and queen, and everyone else agrees. But Dahlia purses her lips. “Why?”

Dario asks if he wants to betray his girlfriend like that, to which Star turns pink and rolled his eyes saying they were not dating, in fact, they were enemies! She was uptight and didn’t care about anything but her title, scoff!

“Uh huh. Sure, buddy.”

“Gabo, stop talking.”

“Yes Bazeema.”

Star explains that losing people’s wishes made them lose a part of themselves. The most beautiful part, their heart’s dream. He tells Simon that his heart is sad.

He asks that if he returns Simon’s wish back to him, and it does make him whole again, then would they believe him?

Dahlia shakes her head and says they wouldn’t be part of this. But… they wouldn’t mention anything to Magnifico or Amaya. For the time being.

Star thanks Dahlia, and she says this was for Simon. And if Asha also changes her mind, then that’s a bonus. Then she smiles. “Good luck, kid.”

Magnifico called Asha to talk with her and Amaya about a threat that’s happened to the kingdom. Last night, someone harnessed the magic of a star and ripped it from the sky, which disturbed the wishes and his magic. Someone has threatened him, and this was a warning that something was to come. He couldn’t let that fire happen again.

Amaya and Asha calm his worries, and Magnifico says he doesn’t want the people to lose faith in him. Amaya says she will explain to the people about the giant light last night since they were asking questions, but they shouldn’t let it worry them.

“Thank you, darling.”

“You’ve got this, papa. I’m sure whoever bashed that light meant you no harm.”

“Thank you, Asha.”

Star asks Asha to spend the day with him, to which she agrees until the wish ceremony that night. The two have a day in Rosas, Tangled-style. Romantic montage, beautiful moments, Star sneaking glances at Asha when she isn’t looking and Asha doing the same for him.

Star shows Asha how to be messy and see the beauties of life while Asha shows Star how she actually does have good in her and cares for her people, truly. Star gives Asha a small wand to practice some small magic as a gift. While she shows him the study, he sneaks into Magnifico’s office and steals Simon’s wish.

Star returns to the seven and gives Simon back his wish. His dream was to become the kingdom’s best knight— and now he could achieve that! They show Asha how much happier Simon is with his whole self again, and while Asha is happy for Simon and that the seven are being kind to her (after she’s been kind to them), she asks Star to promise not to steal stuff from her papa without running it by her first.

“I promise, sweetheart.”

Safi asks Asha if she can get her papa to grant his Sabi’s wish, or at least return it so he could have a chance at fulfilling his dream like Simon now can. Maybe it would reveal a way Sabino could live longer.

Asha hesitates.

In her room, Asha paces. Her papa said that if people kept their wishes, they’d be dangerous and bring another fire to burn down their kingdom. But Simon seemed so happy. She didn’t know what to do.

Later, in the wish ceremony, all her friends are happy and excited for Safi’s Sabi. Sabino only has a few weeks left to live, and if this month his wish is granted, Safi can keep his Sabi with him.

Asha did talk to Magnifico but Amaya reminded her of the dangers of people chasing wishes in the wind. They showed Asha that Sabi Sabino’s wish was too dangerous, his heart’s dream was live forever. Sure, he was sick now, but once he gets better from that, who knows what immortality will do? Magnifico revealed the true story of their home using magical glass shards—

Backstory details that’s tragic and sad

Basically a king wanted to be immortal and it led to him going insane which led to the destruction of his kingdom

He sent his son away before the whole place burned to ashes

Magnifico was that son

A Wish Worth Making (?)

Asha agrees with him that that can never happen, and Sabino’s wish must never be granted and only the royal family can keep Rosas safe.

At the ceremony

Magnifico doesn’t grant Sabino’s wish and Amaya makes a public statement about how wishes were kept with him to stay safe and anyone who tried to oppose that rule was a danger to everyone in Rosas and a traitor to the crown.

Star calls them out for this and while Simon hides his glow with his huge body, the seven create a ripple effect through the crowd with questions that question the king and queen’s authority. They bring up how Amaya reassured them but this contradicted her words. Magnifico ends the ceremony and storms up to the royal master room with Amaya.

Asha and Star have an argument, with her saying her parents were good people and him saying that Safi’s Sabi will die because her parents were scared, and with that Asha flares her nostrils and says that she is the princess, and as their superior, they should watch their tone before something bad happens.

Safi is heartbroken. Without that wish, his Sabi will die.

Dahlia comforts him, and Star steels himself.

Star tells the group that they’re going to steal all the wishes. And return the dreams of the people back to them. Especially Safi’s Sabi.

“But Asha—“

“I’ll tell her when she comes back. We need to do this now.”

Back at the castle, Magnifico is pacing angrily in his room with Amaya. How dare these people question them? They’re doing everything in their power to prevent that (points to a burned tapestry of young Magnifico and his family) from happening again!

This is the Thanks I Get?!

Amaya also joins in

Cutscenes of the seven + Star breaking into the wish room again

Meanwhile, Asha goes back to talk to her parents. Maybe talk to them about Sabino again, maybe tell them everything, who knows—

Wait. There’s a noise in the wish room.

Asha uses her magic wand to open it and sees Star using his magic to lift the roof open to free the wishes. But it isn’t enough. They need more people; the roof is too heavy.

There’s a small magic scuffle with Asha and her wand against Star and his magic, and Asha ends up beating Star (much to his surprise and he’s totally not turned on by this which is why he’s bright red he’s not at all attracted to powerful women). Her heart breaks and she yells at him and all the seven and says if they ever show their faces around her again she’d banish them from Rosas.

“Sweet—“

“Don’t call me that name! Just— just go!”

“Asha, please. Safi’s Sabi—

“Go!”

Star stays and says he’ll be back to free the wishes and return them to the people. Sabino’s sickness has gotten worse, and he can’t wait another month for Magnifico to turn him down once again.

Asha snaps and yells at him a lot and blames him for everything that’s happened lately, the chickens, and the chalk drawing, and the dancing in the city square, and especially that sticky feeling in her chest when Star’s giving her those sad looks. So she doesn’t want to see him again.

She goes to snitch then sees the Epic Celestial Villains her parents had shifted into. Both of them used forbidden magic in the other section of the book Asha used. She asked if she had forbidden magic in her too, but they tell her she wasn’t powerful enough to handle this magic.

Their magic swirling fog is telling them via shapes that Asha was the one that ripped a star from the sky.

They’re acting different— they barely acknowledge Asha and demand that she tells them where Star is.

They crushed wishes to give them power, and Asha is of course horrified.

She saw how happy Simon was, and now those people…

Her parents weren’t survivors.

They were just power-hungry.

And now this forbidden magic was changing them.

They demand Asha tells them where Star was so they could siphon his galaxy magic and become the supreme rulers of Rosas— no one would never question them again.

Asha tells them she doesn’t know, and Magnifico uses his magic fog on Asha to make her tell them that Sleepy, Grumpy, Happy, Dopey, Sneezy, and Doc probably did know.

Amaya tells Asha she was grounded. She says Asha should sit down in her room and wait for the new era to rise.

Asha runs back to her room and cries, princess-style, and speaks out to the sky, to Star, that he was right. He was telling the truth, her parents weren’t good. And now she didn’t know what to do.

This Wish

Yeah she says she’s the first to stand in line but she’s been told that all her life okay

Magnifico makes an announcement to the people of Rosas that the entity that came from the sky was named Star, and he, along with Simon, Gabo, Hal, Dario, Safi, and Bazeema were conspiring to commit treason. He says to find them all and get him Star’s powers do he can grant all of their wishes!

Asha runs after the seven and sees them arrested by other citizens, with Gabo cursing everyone out. Magnifico waves his hand and mutes Gabo. Asha commands the soldiers to give her the satisfaction of imprisoning these traitors and interrogates them in the carriage driving them to the prison with guards posted by. 

She asks all of them where Star was, and they refuse to listen to her. They’re cold because she sort of beat them up with her magic. She says as their princess, they have to tell her.

“You all are underneath me. I am your future queen. Tell me where Star is. This is important.” She turns to the shortest in the carriage. “My parents are looking for him. Gabo, if you know where he is, you have to tell me.”

Gabo’s eyes flicker up at her saying his actual name. He glances at Dahlia, who sighs. She says that even if they wanted to, they couldn’t hand Star over, because he was already gone. He was at the place Asha first starting falling in love with him.

The guards raise an eyebrow at Asha, and she says the fools were so simple-minded that they believed her lie. Then she tells Sabi to shut up and stop sneezing.

She says the forest was where she first found Star, and Magnifico creates a dark fog horse to ride out and find Star.

Once she’s sure he’s gone, Asha whips out her magic wand and blasts the doors open. She apologizes to the seven and says nothing could make up for imprisoning them and lording her title over them, but she needed their help to help Star.

Asha and the seven run back to the Rosas town square where Star is rallying the people and telling them the truth about Magnifico and Amaya. The crowd gathers to help pull open the roofs to free the wishes.

Knowing What I Know Now

Asha joins in and leads the people

Asha apologizes to Star for yelling at him and he apologizes to her for going behind her back. He says she deserved to know. Before they go, Asha tells Star to wait.

“That… feeling. That I mentioned before? I think… I think they’re feelings. For you.”

Star’s glow slightly turns pink. “Like, do you mean…”

“Yes. Feelings of affection. I just… wanted to let you know.”

“Sweetheart, you should know I feel the same. Have since I first laid eyes on you.”

“I am pretty beautiful.”

“The beautiful-est.”

Asha laughs. “That’s not a word.”

“She’s right, it’s not,” Dahlia quips.

The two pull back and laugh awkwardly.

The seven lead the people of Rosas to help lift the roofs, but Amaya catches them and there’s a magic battle where Amaya turns into a dragon a la Malifacent. Star helps Asha suck out the evil magic, and Amaya falls to the floor. The roof is opened, and the wishes began to flow out.

Then Star is grabbed from the back by a fog hand and Magnifico tuts, telling Asha he’s disappointed in her. But now that he has the power of a Star, no one will ever question him again.

He ties down every single person and closes the roof, draining Star’s essence into his magical staff.

Asha yells and uses her magic wand against him, and the two have a giant blast of magic against each other, but the energy is draining Asha while Star’s is giving Magnifico more strength.

Star weakly whispers to Asha to remember where she came from.

Magnifico snarls do Asha that she is nothing, and Asha remembers.

“We… are… stars.”

Asha’s blast of magic is battling Magnifico’s but he’s still stronger.

Asha cries out a plea to the people, these stars just like her, and Dahlia responds.

This Wish (Reprise)

The strengths of these stars give Star enough energy to break free from Magnifico’s staff and fly over to Asha’s side, and the magic blast shines bright and blasts Magnifico back, burning away the evil magic.

When the dark clouds clear and the night sky is sparkling once again, Magnifico isn’t moving. Amaya and Asha run to him, and Amaya cries over his body. She apologizes to Star for what they did, and asks if she can help her husband.

Star sadly tells her that his powers weren’t strong enough for that.

Amaya cries, and kisses Magnifico’s lips. Then, her star soul orb thing in her chest glows bright, and Magnifico’s does too. His body glows that shimmering yellow and he’s lifted into the air and the last bit of evil magic is burned away.

Asha asks Star what he’s doing and Star says he’s not doing anything!

Suddenly, Magnifico’s eyes open and he gasps, then falls.

Amaya and Asha rush to catch him, and Magnifico asks what happened.

Star shrugs and says some sort of True Love’s Kiss.

Magnifico and Amaya walk up behind Asha and address the people of Rosas. They apologize for what they did and they know nothing could ever make up for it. But… they promise to keep working to be the best king and queen they can be. If the people will still accept them. Also, they should have what’s rightfully theirs.

Magnifico uses his magic to lift the roof and release the wishes of Rosas back to their people. Amaya tells them that now they have a chance to fulfill their dreams, and she and Magnifico will be behind them every step of the way.

Dahlia steps foreword and thanks them for apologizing.

Basically they can still remain king and queen but they start a council of representatives where people can address them directly about problems and stuff

Then, Asha turns to the seven and says she has to apologize to them. For treating them all so poorly in the past.

They forgive her, and when she asks how they can do something like that so easily, Dahlia smiles. “It’s what friends do.”

“…friends?”

“Do you have a hearing problem, or something?”

“Gabo!”

“Sorry, Bazeema!”

Asha laughs and turns to Star who spins her around.

“I have friends!”

“You have friends!”

Meanwhile, Gabo whispers to Simon how they ever feared the princess. She was just a sad, lonely, friendless girl.

Asha turns to her wand and discovers it broken in half when she was blasted backwards.

Star restores her wand, and she says she’s going to be the most powerful sorceress in the history of ever and Gabo says she looks like a stupid fairy.

Asha glares.

“A fairy godmother,” Gabo smirks.

Star laughs and says that sounds amazing and Asha groans and bites back a smile.

Star smiles at the family, but he looks sad still. Asha holds his hands and he rubs her thumb.

“You have to return to the sky, don’t you?”

“If I had a choice, I’d choose to stay by your side.”

“I’ll keep on wishing on stars. I’ll find a way to bring you back.”

He tells Asha that they’ve learned that sending your greatest desires into the universe in hopes that they’ll be answered doesn’t do anything. It didn’t work for Magnifico, and it didn’t work for Asha. Instead, the people of Rosas should work to achieve their dreams.

Asha says she’ll work to achieve a way to find him again, then. Since she was going to be the most powerful sorceress—

“Fairy godmother~”

“Shut up Gabo.”

—she’d find a way.

Star smiles and says she’s his dream girl, and Asha jokes that’s he’s got to work to achieve her.

Star flips his cape and says it’ll be easy since he’s so absurdly handsome, and Asha snorts as she pulls him down and raises an eyebrow at him. Star turns a bright pink, then rolls his eyes as he smiles and pulls Asha up in the air with him by her waist, and the two kiss.

When they finally separate, Star is vibrating happily and he accidentally shoots out a magic blast at a nearby chicken, which makes it grow big and lay a giant egg on Gabo.

Star winks at her and returns to the sky.

EDIT BC I CAN’T BELIEVE I FORGOT TO ADD THIS BUT

ASHA DOES END UP USING HER FAIRY GODMOTHER POWERS TO HEAL SAFI’S SABI

MAYBE SHE MAKES A MAGIC FLOWER FROM A SUNDROP AND DAHLIA COOKS A PETAL INTO A COOKIE THAT HEALS SABINO

THEN BEFORE STAR LEAVES HE PROMISES TO HIDE THE GLOWER IN A FAR AWAY KINGDOM EHERE NO ONE WOULD BE ABLE TO EXPLOIT IT FOR IMMORTALITY (*side eyes Gothel*)

HE DOES END UP GETTING HEALED OK THE PEEPAW DOESN’T DIE

[marciabrady]

some HOT disney princess takes that you'll hate or love but i fully stand by regardless. lets discuss~

singing/having a powerful voice is aurora's thing, not ariel's! ariel misses her concert in the beginning of the film, struggles with using her auditory voice to effectively communicate, and even gives it up to turn human. it means little/nothing to her and i think people just attribute singing to her, the same way sebastian and her father do, because it's a plot point in her movie meanwhile if ariel knew you all irl she would not be doing sing alongs like that. on the contrary, aurora is literally blessed with the SUPERNATURAL gift of song from birth by a magical fairy, uses it to express herself, and famously sings more than she speaks. so much of aurora's identity is tied into her song and i really think, if there was a singer or someone who owns the "voice" among the princesses, it should be aurora- besides, have you literally ever heard of a more divinely ethereal but also epic and powerful voice than mary costa's??? like don't get me wrong, jodi benson ATE but also after jodi, all the princesses more or less have a similar broadway sound but like no one else can do what aurora did

snow white should be the leader of the princesses. i love cinderella, i do, but snow white was literally the first and imo is the most groundbreaking female character, animated or not, of ALL TIME and she deserves her flowers. also, i think people are FINALLY coming around to see cinderella's value after years of "cinderella ate my daughter" weird misogyny masquerading around as feminism criticisms and i think a lot of that is centered around cinderella being an abuse victim and that's what's warming a lot of people to her...which i love, really i do. but snow white was also abused and, in her film, makes it a point to end the cycle of abuse. she was even the victim of a murder attempt, after which she continues to pick herself up and find shelter and work for her keep, and that gets lost so much and i think, whereas cinderella's dreams center around happiness, snow white singing of the fact that she's dreaming of the nice things someone would say to her and the way she needs grumpy to like her makes so much sense given her background and i literally never EVER see anyone discussing abuse when it comes to snow white. i think if people started talking her character more seriously and analyzing and appreciating it the way y'all do elsa, we would be saved from the heinously bad takes that get attributed to her (see: rachel zegler. that girl has not said ONE valid thing about snow white and her views are so embarrassingly stamped by pseudo online activism from the early 2000s by users that, not only don't realize how dumb they are but also think they're smarter than everyone else because they dabble in armchair psychology, and it's enough)

ariel collecting isn't leaned into as much as it should be tbh (and i'm talking as a serious pastime, not a parody of her never understanding human things that's contingent on her being a mermaid or being totally ignorant to humans)!!! like we get it, belle reads, but i think ariel collecting as a hobby is so much more interesting and well-rounded and nuanced. like, first of all, ariel collecting doesn't eliminate other hobbies, but actually promotes them! like she has books in her grotto, and we see her reading in poyw, but that's not the ONLY thing to her! she probably picks up on so many tiny details about like historical time periods or climates or dress patterns in a way that heightens life and reality and bridges people together because of all the studying she does and it's just soooo interesting to me, as we see things like the historical community evolve on tiktok and people who are fascinated with studying other cultures and the evolution of fandom in general, etc. also, i get this might be super super hot of a take but i think jodi performs certain songs better than she does part of your world...like i do love the song and i think it's more than worthy of being ariel's character's theme song but there's definitely some other bops in there that are just as good, if not better

belle should have a sequel where she gets to be unlikable for a change! even when she is unlikable in the film, it's never perceived as a character fault and linda woolverton's writing/the other characters in the film just blind hero worship and idolize belle and it's creepy tbh and i think it robs her of being a fully realized person that's treated like other people and can build human connections! like, everyone thinks she's stunning and wants a piece of her and never really takes her to task about her character flaws or even mentally challenges her and i think that's why she's so depressed? people only view her as being ultra desirable, whether it's the castle objects seeing her as a beautiful girl that can fall in love with the beast to the point where they ignore the really shady stuff she does, or gaston thinking she's the most beautiful girl in town and wanting to marry her, or even her fans thinking she's the smartest female character who ever breathed and is incapable of flaws. i think if we treated belle more as a person, maybe she could also have an arc in her movie and it wouldn't just be about the beast! also i think it'd be refreshing and we'd allow women to be people, too, and not this "smartest girl in town, but modest about it, prettiest girl in town, but unaware of it, loyal to her father but still stands up for herself, etc etc etc" unrealistic model. belle deserves EQUALS not just admirers who will never measure up to this pedestal they put her on

cinderella 1950 and cinderella 2015 are not interchangeable as characters or films!!! kenneth and lily did a HORRIBLE job at interpreting ilene woods's cinderella and the changes they made are shameful and the original character had so much more strength and realism to her, but in her own feminine way, and lily's character was a giant step back and is the epitome of making loud changes that result to NOTHING. the way the entire 2015 cast badmouthed cinderella 1950 on their press tour has always sat uncomfortably with me and so many people prefer it over the original one i just. also, cinderella looks best in pink! i LOVE aurora in pink, and we're omitting silver because that IS cinderella's color and nothing compares, but i just think she's so vibrant and cute in her pink dress and i love her with her hair down and it's just so much more fun and human and it doesn't get nearly as much attention as it should

they desperately need to age the content/demographics of the franchise up, like ngl them turning these women (and yes, i think they're women not little girls and the point of their movies is them BECOMING women) into like little nursery crib characters for babies and infantilizing them is creepy. also a HUGE segment of the fanbase is an adult one, like fans of the disney renaissance ladies are typically in the 20s-40s, not four year old's, and i just think disney is doing themselves a disservice by largely ignoring all the adult fans who collect these characters and make artwork for them and keep the princesses in vogue by writing about them and making social media content about them. like the avengers can really tap into their fanbase like that, meanwhile the best us princess fans have are like 8 dollar playline dolls?!?! where is our movie!!! where is our CONTENT. the 2003 princess party dvds will no longer suffice!

[hopepaigeturner]

Sophie Beckett & Female Power: Untapped Potential

That's right here we go, buckle up and in.

So, this is going to be a bit of a mix between creative ideas/character analysis mixing both Bridgerton the show and An Offer From A Gentleman. (AOFAG)

Currently, in the show, we have roughly seen two types of femininity (if I were to generalise). We have Lady Violet and Daphne exhibiting a more maternal take on femininity, and then we have Kate and Eloise (even Penelope) with a more ‘girl-boss’ femininity.

But I think in the character of Sophie Beckett, JQ laid the foundations for a different type of femininity, another facet of female power, which can be explored further in the show...

I argue that the show could emphasise how Sophie Beckett’s female power comes from her kindness and empathy, which enables her to create strong, female relationships. It is this female power that enables her to save herself and orchestrate her own emancipation.

Background: Cinderella & Female Power

Now, due to AOFAG being a Cinderella retelling, I can see how some people might assume the opposite from Sophie. I have already touched upon this in my other comment on @bridgertonbabe’s post concerning Posy’s role and some of those ideas shall be repeated here. Concerning ‘background’, I shall refer primarily to ideas/debates surrounding the 1950s Disney Cinderella, as I believe that is most prevalent in people’s minds when we talk about this topic.

As I said in that other post, many people critique Cinderella as an ‘anti-feminist’ figure, a ‘weak role model’ for young girls. Many argue that Cinderella does not have agency because events happen to her, she does not initiate them; it is her father’s death that leads to her servitude; the fairy godmother steps in and enables her to go to the ball, and the prince steps in and marries her.

However, when people brand this character as a portrayal of ‘weak’ femininity, I do not think they are considering that Cinderella is an abuse victim. While yes, some abuse victims can find their own ways out of abusive situations, it is very common that abuse victims need some type of intervention.

AND THAT DOES NOT MAKE THEM WEAK. NEEDING HELP IS NOT A SIGN OF WEAKNESS. NEEDING INTERVENTION DOES NOT MEAN YOU LACK AGENCY; IT DOES NOT MEAN YOU ARE ‘LESS’ OF A WOMAN.

I believe it is the opposite. Cinderella shows amazing strength, because she is in this abusive situation BUT SHE STILL GETS UP. Cinderella still puts one foot in front of another, she has hope even in the face of great unkindness, Cinderella is still kind in the face of great unkindness.

Cinderella’s story might not teach girls how to stand up to the patriarchy, but it does teach young girls that sometimes, the strongest and most rebellious thing you can do, in the face of a situation where you can’t fight or scream, is to put one foot in front of another and hope. And I think that is such an important lesson not only for girls but for humanity. The world is confusing, the world can be bleak but hope and kindness can create a little light among the chaos.

So yes, events do happen to Cinderella. And yes, she does marry the prince. And in some parts of the film, she does not have as much agency as other Disney princesses. However, that does not mean she does not show female power, it is just that her female power is a little more subtle than Elsa’s.

Sophie Beckett and Agency: A little good, a little meh–but a lot of potential

Now I think, due to genre restrictions, time of publication, and perhaps the writer herself, that JQ does not give Sophie as much agency as possible.

Don’t get me wrong there are moments when Sophie does have agency. (There’s a really funny post from @sophiamariabeckett here, linking once again with @murielstacy and @bridgertonbabe)

As I mentioned in my Posy comment, Sophie’s kindness and empathy to Posy creates a bond strong enough that Posy is willing to defy her abusive mother and free Sophie. In this way, Sophie’s kindness saves her. It also shows that Sophie saves herself and does so by establishing female friendships.

However, I feel that with a couple of little tweaks, the show could take this idea from the books and expand it.

So, let’s take a look at events where Sophie is ‘saved’ or is ‘enabled’. And I’m either going to advocate how these events signify Sophie’s agency or I am going to give them a little tweak. Here’s the list I’m working from:

The servants push Sophie to attend the ball where she meets her Prince Charming AKA Benedict Bridgerton.

2. Benedict saves Sophie from her would-be-rapists.  

3.a Posy Reiling swoops in and unlocks the door for Sophie’s freedom-> twice.     

3.b The Bridgertons save Sophie from jail. (Particularly Benedict and Violet)

1)The servants push Sophie to attend the ball where she meets her Prince Charming AKA Benedict Bridgerton.

Now, JQ does not make it explicit, but she does mention that Sophie has a good bond with the servants throughout her childhood, often seen helping in the kitchen. However, JQ also writes that as she grew up, the servants distanced themselves.

So, on the one hand, Sophie’s own actions and bond with the servants set up their motivation to get Sophie to the ball... Once again, her kindness and her ability to form friendships, enable her to step closer to freedom. However, I feel the motivation for Sophie to attend the ball could be stronger. So…

CHANGE: Sophie Beckett goes to the ball, because of her friendship with Genevieve Delacroix.

Firstly, I think that Sophie needs more characters to interact with and Genevieve Delacroix is a character that could easily be orchestrated with.

So, according to this change, Sophie Beckett and Genevieve Delacroix are good friends, and Sophie Beckett’s infamous silver dress—is one of Genevieve Delacroix’s designs.

Now, my book lovers. We can still have the servants and housekeeper Mrs Gibbons help Sophie to the ball. But I want the main reason Sophie goes to the ball, not because she deserves one night to ‘be who she was meant to be’, but because Genevieve asks her to.

Picture the scene. Genevieve and Sophie have been friends ever since Sophie was relegated to servitude. Over the years, the pair have gained a deep friendship through sharing dreams, pasts and storms of life. So, Sophie obviously knows of Genevieve’s talents as a designer. One night there is a masquerade ball, the biggest party of the season, and Genevieve turns up in the servant’s quarters of Penwood Place with a silver dress in hand. She’s finally ready to show her design to the ton but she needs someone to model it, someone who has the right accent, the right upbringing… someone like Sophie.

Now, Sophie is hesitant; by going to the ball Sophie would be risking the wrath of her abuser—Araminta. I can only imagine that this would create great anxiety for Sophie. But after a moment of hesitation, Sophie looks at her best friend who is ever so close to attaining her lifelong dream. So, Sophie accepts the silver dress. Sophie’s choice to put her friendship with Genevieve over the toxic & abusive relationship with Araminta enables Sophie to meet her Prince Charming.

Personally, I feel this is a greater motivation for Sophie to go to the ball than in the book. Also, if the show does not want to do a ‘fancy dress’ masquerade but a normal one, then Genevieve’s dress can facilitate this.

 2)Benedict saves Sophie from her would-be-rapists.

The problem I have with this scene is that, (like the trope in general), it draws focus away from the woman and onto the man. Scenes like this are commonly used to show how good the guy/romantic lead is, rather than anything about the situation the woman is in. 

Due to the show, we already know that Benedict would never dream of conducting himself like Philip Cavender. Further, in prior seasons we see Benedict's respect for working-class women (another post I could do). So, this scene is kinda redundant, but it can easily be adapted for a more modern audience.

CHANGE: Sophie is the one who frees herself.

The scene goes as normal, Sophie is running away and gets caught. Benedict is exiting the party and comes up to Cavender’s crew. But instead of intimidating Cavender into letting Sophie go, he merely distracts Cavender (with the intention to free Sophie). Sophie uses Benedict’s distraction to punch her way out of the men’s clutches and runoff. (Benedict standing for a couple of seconds utterly stunned at this very pretty woman who just felled three men in one swoop).

We still get a Benedict and Sophie reunification and Benedict still aids Sophie, but I feel this tweak gives a bit more power into Sophie’s hands. Once again, Sophie saves herself—a little more obvious than her other times.

3.a) Posy Reiling swoops in and unlocks the door for Sophie’s freedom-> twice.     

The first incident I refer to occurs at the beginning of the book when Posy unlocks the cupboard door that Araminta locked Sophie in, thus allowing Sophie to escape. The second is her dramatic entrance into the jail at the climax of the book with the will that enables Sophie to be freed from her cell.

These events should stay the same. Because Posy is awesome, and Sophie is awesome.

As I mentioned before (and in a previous post), Posy is the main piece of evidence highlighting Sophie orchestrating her own emancipation.

Sophie did not have to be kind to Posy. I think it is reasonable that Sophie could have grown to resent Posy. Perhaps, due to Posy’s silence, Sophie could have seen Posy as an enabler of her abuse. (Especially because Sophie was a child and so, would have had a child-like mentality).

NOW. DON’T GO HATING POSY. I DO NOT STAND FOR POSY SLANDER IN THIS HOUSE.

It is not Posy’s fault that she did not stand up to her mother. Posy WAS A CHILD. A child should not be expected or responsible for standing up against abuse, let alone responsible for standing up against a narcissistic, let alone standing up to her mother. Think about your own relationship with your parents. As a child, were you confident in pointing out when your parents did something wrong?

And I am not blaming Posy, I am saying that it was a possibility that Sophie would perceive Posy like this. Or at best, distance herself from Posy due to Posy’s association with Araminta.

But Sophie doesn’t. JQ makes a point in the prologue of AOFAG to show that Sophie goes out of her way to help Posy and be kind to Posy.

It is because of Sophie's kindness towards Posy that establishes a bond between the girls. A bond that enables Posy to be incredibly brave and go against her abusive mother by unlocking the door for Sophie not once–but twice. Through being kind and empathetic, Sophie enabled herself to escape that jail cell. 

3.b)The Bridgertons save Sophie from jail. (Particularly Benedict and Violet).

Now the only reason Benedict Bridgerton is in that jail is because he has fallen in love with Sophie. Once again, by establishing a relationship, Benedict is willing to propose and get her out of jail.

But more importantly, (or what I wish to stress more), is the presence of Violet Bridgerton. Violet Bridgerton is the one to threaten Araminta; Violet Bridgerton is the one who manipulates Araminta into instating Sophie’s legitimacy and removing herself from Sophie’s life and future. Now, in this case, it seems that Sophie does not save herself, Violet does.

But why does Violet do this? Sophie is merely a maid, a hardworking maid, yes; a maid with a suspicious past, yes. But still a maid.

Violet is a Dowager Viscountess, many levels of nobility above Sophie the maid, levels above Sophie the ‘ward’ of Penwood, and levels above Sophie the illegitimate child of an Earl. So why does Violet bother?

Because Sophie and Violet have established a relationship—a friendship.

Once again it is Sophie’s ability to create a female relationship that helps her gain freedom.

But then again…

CHANGE: The show should show more of Violet and Sophie’s relationship.

I feel in the book Violet does the most work in establishing the bond between her and Sophie. Further, JQ presents Violet's motivations to be mainly ones of intrigue concerning Sophie’s identity rather than friendship.

Now, this can stay the same, Violet initially invites Sophie to tea because she is intrigued by the plot holes in Sophie’s backstory. However, due to Sophie's interactions with her daughters and her kindness—that is how the bond is established.

Due to the longer ‘content time’ the show has than a romance novel, I think the show can expand on the nice interactions JQ gave us concerning Sophie and the Bridgerton women. Instead of telling us how Sophie has fit into the family, the tv series could show us.

PS. I actually have the idea that there should be one scene/instance when Sophie connects with each Bridgerton female. Concerning Violet, this is a very sweet conversation about motherhood concerning Eloise. (I am still manifesting the fan theory that Sophie will end up as Eloise’s maid and I also might have that whole storyline planned out. Woopsie).

Apologies. Back to the main show.

Through establishing a female relationship Sophie enabled herself, and even Posy, to be freed from their abuser. Through her own actions, Sophie set up the potential for her own rescue. She is not passive; she is active in her emancipation.

So after all that let’s do a whistle-stop summary of points so far:

Sophie does have agency in AOFAG, however, with a few little tweaks, this could be expanded upon. 

The show could have Sophie being active from the very beginning of her story and in other places with a few little tweaks. 

Primarily, Sophie’s agency is manifested through her kindness/empathy, which establishes relationships, particularly those with women.

Okay, ok Hope you’ve babbled on long enough—what’s your point??

Well, with my little tweaks, the three people who ‘save’ Sophie would be:

1)      Genevieve who gives Sophie the opportunity to go to the ball and meet Benedict

2)      Violet Bridgerton, who helps blackmail Araminta into establishing Sophie's legitimacy, further legitimising her marriage to Benedict.

3)      Posy

 What do all these people have in common?

These three characters experience Sophie’s kindness.

These three characters have a friendship with Sophie.

These three characters are all women.

So, S4 could use Sophie to show that kindness and hope have real power in changing a woman’s circumstances, (while presenting a complex female character with agency to boot). But S4 could also show the power of female friendships.

Now, Benedict and Sophie’s relationship should be the centre of the series, I am not disputing that. And while Benedict does ‘help’ Sophie in the prison, I think Benedict’s role is to help Sophie emotionally break free. By loving Sophie, showing her how worthy she is to him, and giving her the opportunity to experience a life of love without Araminta’s shadow, Benedict ‘saves’ Sophie. (Although once again it is Sophie’s choice to eventually accept this, and it is Sophie’s actions that made Benedict fall in love with her).

But alongside this, I think the show should emphasise the idea of female friendships being able to instigate change in regency society, particularly because these women already had limitations on their agency.

Yes, these women do not topple the patriarchal pressures they were under, but they instigate change and freedom by supporting each other. And I think that is such an awesome lesson, such a wonderful story of female power to show on screen and is easily applicable to the 21st century.

And in the centre of this story is a woman whose strength isn’t in her fiery opinions or her vocal battle against the patriarchy; but a woman who saves herself through the bonds she establishes. What an amazing (and rarely told) example of a female character.

Sophie is not the antithesis of the typical ‘girl-bosses’ seen in Eloise Bridgerton or Kate Sharma but nor is she necessarily the maternal femininity seen in Daphne and Violet. Instead, she is a different kind of woman, her story showcasing yet another remarkable complexity of womanhood.

CONGRATULATIONS!! You made it to the end. Go grab a cuppa and a biscuit. 

 Thank you so much for reading the piece and I hope it was worth your time. 

Let me know your thoughts on whether you are in an agreement or not. Anything you want expansion on? Anything else you want to hear my over-analytical brain interrogate? 

Honestly, while I really didn’t like AOFAG as a book, (that’s for another post) there is so much potential to update it for S4–and not necessarily throw away the original story. 

Most importantly, I want to give a shout out to the wonderful @murielstacy who proof-read this post and gave me some great ideas. Please, please  go follow her. She has such a cool run of posts about Modern Bridgertons and royal fashion and so many other things (I know, sounds interesting, right? Go check it out!). 

Thanks once again.

Hope xx

[redspiderling]

MCU Breakdown: Black Widow, Part 1

I can’t believe this is happening 😭

First of all, congratulations to all of you who’ve been here all these years. We got it. We begged for years, and it’s finally here.

For once I wasn't dreading revisiting this film to write down what I got from it. I felt more like I might not do it justice. This film is so special to me, but here it is, the MCU Breakdown of Black Widow, part 1 (of who knows how many).

I remember back when I started running this blog and talking about a hypothetical Black Widow movie that had never been announced, always "yeah, we would be happy to do it, maybe, someday in the future", and arguing that it would be important for women and girls, no matter its content. I'm so glad we got it like this. So, so glad.

The rest under the cut.

Let's start with some technical details. The film has a lot of setups and callbacks, nothing is done in chance. For example, I love how the light, and the sounds we hear when we first, and last, see Natasha in the film, are the same. We greet her in bright -birds cheeping- morning light, while she's riding her bike home, to her family

and we leave her in bright -birds cheeping- morning light, while she's riding her bike home, to her family (I'm using the term family very liberally here in reference to the Avengers for the sake of the movie, bear with me, you know how I feel about those dudes).

It's signifying new beginnings, each time, not endings. Notice how, what we see is natural light, which makes this scene pop out, and look more real because the light is coming from the sun, and isn’t artificially made on VFX software. You will notice the stark differences in colours and lighting when the emotions and the atmosphere change in this film, because there is a visual language being employed here, the director has a story to say, and she uses all the tools she has to tell it. The light is exactly the same in those 2 scenes, because Cate wants us to make that connection, even if we make it unconsciously.

Natasha is placed in such a positive way, both at the start and the end of the film. There's this discussion about how "real" their little family was, but it was the characters that muddled up that image. The reality of their lives in Ohio is presented in a happy way, that had deep rivers under the surface, for sure. This wasn't accidental, for a lot of reasons.

First of all, if you take it the literal way, they were spies, and had to present themselves as normal. If you take it the allegorical way, any girl could fall victim to trafficking, and if you take it the character way, both Scarlett and Cate wanted to showcase that Natasha is human. They also wanted to give her something that wasn't always dripping with pain and sadness. They were both parts of her life, yes, but there was also joy, and light, and once upon a time she had been a kid, playing with her sister.

Also, and this has been mentioned before but it bears repeating: I love the actress they chose for young Natasha, and I love how they presented her character. She's allowed to be a young teenage girl. She's not sexualised. She's at that gangly stage between childhood and adulthood, and there's nothing sexual about it, no provocative clothing, no excessive makeup. She's a kid.

Plus, I know Cate said the actress already had her hair dyed blue and they just decided to let her have it, but I think it works well for Natasha's character. That small act of defiance, even that early on, against the system that wanted to break her. Also, the film gives us such great character moments, because they let the camera roll and don't rush through scenes, look at Natasha looking at Melina comforting Yelena. We can see the pain, the fear, where she knows that this isn't going to last, and wonders about what will become of them once their lives begin to unravel.

We also get to see the joy on her face, the wonder of discovering the world, how often do you get to see Marvel characters do this, just live in the moment?

Bioluminescence: the production and emission of light by a living organism. Or how Natasha is a bright light, that shines from within. Not my words, Cate Shortland's words. I felt it when I was watching this scene, but it was lovely to have it verified in one of her interviews. I wish I could meet her, and tell her that everything she wanted to put on screen came through, incandescent and crystal clear. Fireflies are a symbol for Natasha, as a bright light that shines from within, and never dies.

Small details that I love, the magnet on the fridge: Don't forget, above a picture of Natasha. LIKE WE EVER COULD, CATE.

We have another setup here, where the family gathers up to have dinner together. Even the sitting arrangement is the same as later on in the film.

Notice also how both young, and adult version of Natasha, communicate so well with Melina, just with their eyes. It doesn't necessary show a deep history between them, but it does show a bone deep level of understanding. Not just of their current circumstance, but of their future, and of what it will do to them. Melina knows what's coming and she's says it "I'm sorry", but they're both resigned to their fate, Melina because she doesn't see a way out, and Natasha because, well, here she's a kid, and therefore is powerless.

The dynamics between Yelena and Alexei is so different. Yelena is young and doesn't understand, so they're speaking about completely different things. "I don't have my shoes" is what she says, and it's heartbreaking in its innocence, as Alexei is loading his gun and reading himself for battle. We can still see that he's not indifferent to her, telling her she can have "fruit loops in the car". He's not a monster, he just doesn't have a choice (or at least, he thinks he doesn't).

Also, notice how the camera angles are employed here: Natasha and Melina look each other eye to eye, Yelena looks up to Alexei, Alexei looks down on her, there is an imbalance of power and understanding in the second set of images, and the camera tells us that.

Melina doesn't let Natasha take the photo album. For one thing, it's certain that Natasha wouldn't be able to keep it. For another, Melina wanted the memories, and probably didn't want anyone else to realise/think that they cared about their little family unit.

There's just a lot of thought that's been put in the details of the script, to show us their bond, their attempts to hide it, to show the characters' personality in everything around them (notice the plants that are ever present in Melina's home, in Ohio and later in Saint Petersburg). She might seem cold, she has been through a lot, but she cares. And that care has brought her pain. And we have to see that pain, because we get the quiet moments like this one, where she stands alone in an empty home knowing that part of her life is over, never to return.

The mission, is the last thing Melina asks about. The last thing Alexei mentions, the last thing either of them cares about. First, she refused to accept that they had completed the mission and were now hunted, then she accepted it and they loaded their family in the car, and then she asked about the leaked files.

Also, notice how that shot is framed. Both images silhouetted by the light because it’s the moment and the prop smack down in the middle of the frame that’s important, now what they’re going through, emotionally, they’re not themselves in that moment, they’re nameless, tools of the trade, expendable in front of that tiny floppy disk.

Yelena is singing while the rest are plunging in despair, but still humour her and play her song.

I found this shot a bit... Jarring. I get it that for American audiences this would show that they're actually leaving "home" behind, but for the rest of us... Eeeh, I'll give it a pass because it is an American production and this is just something to be expected. I mean, Yelena's song was American Pie. We get it, you still love America, just because you're making a film about Russian spies doesn't mean you're a commie Marvel, it's ok.

But in any case, the setup for the action scene here was excellent. Happy, familiar music playing, car is on the main road, car goes off the main road familiar music gets toned down and eventually completely lost in the darkness.

Yelena knows what to do, we see it, so that we know that this 6 year old girl who holds her stuffed animal and walks barefoot has practiced for this moment.

By the way, Natasha did take another item with her along with the photobooth pictures (it also looks like a photo album with Disney princesses on it), it didn't survive the trip. We are informed of this for a very specific reason: Melina didn’t ask Natasha not to take the photo album out of malice, or just because she wanted to keep it for herself. She knew it wouldn’t survive the trip in Natasha’s hands. We also get a close shot of the image strip (and we get it again, during the credits), because it will be important, later on.

Bet y'all also forgot you were watching a superhero movie until this happened? That wasn't accidental, they wanted us to see them as normal people, this is the moment when that ends.

Natasha saved her family, even though she was a terrified kid.

I know that they did the huge titles thing to connect this film to Civil War but... Listen, Civil War needed the huge titles because that script and the way that movie was directed was a complete disaster. We needed to know where the characters were each time with huge ass title because there was NO OTHER WAY TO TELL. Between complete lack of a timeline, and the fact that you couldn't even tell what time of the day it was due to the horrible lighting, you definitely couldn't tell what the location was because it was irrelevant to the plot like, 90% of the time. Not to mention the title cards in Civil War were usually followed by dimly lit grey corridors so, yeah, give us a title so we know at least where they are, generally.

This film. Didn't Need That. For the most part anyway, there are 2 locations where the titles worked. First one was Ohio, the other I'll reveal later.

But here. Guys, they're Russian spies escaping from the US on a small plane... Where else would they go if not to Cuba?!?! This is the Black Widow movie paying for the sins of Civil War, in a small way in this instance.

Yelena tells Melina that pain only makes you stronger, Natasha cries, and they setup my heartbreak for later.

Natasha protecting Yelena, terrified, and staring men down the barrel of her gun anyway. Such a badass and heartbreaking callback.

Notice how this scene makes us look at how men view this. There's an allegory here as well, but I'll address what's actually happening in the film:

Dreykov notices Natasha's natural instinct to protect herself and her sister, and all he sees is something he can use. A tool for violence, instead of sex, in this case. But the implication is there. Not a person, or a terrified girl, just an object to be used by men.

So glad that piece of shit got blown up and never mentioned again. Any man looking for exposition on Dreykov to feel the "loss" when the villain is gone: Fuck you. Go get some therapy.

Moving on from that piece of shit, difference between Melina and Alexei: Melina apologised. Alexei lied, but he also tried to give them hope. We can see the devastation, because the soldiers never thought of them as girls like he did, and didn't blink before drugging them and taking them away.

Yet another setup, of Natasha and Yelena, drugged and powerless as they are taken away. Because it wasn't enough that they were kids, they took away all their choices, and rendered them unconscious.

What can I possibly say about this credits scene.

It's very real, probably the realest minutes in the entire MCU, and it's merciless. They don't try to sugar-coat what's happening, and there are no jokes to diffuse the drama. These are girls being trafficked from all over the world. I don't know about you but I felt the switch from true parallel to real life traffic victims like this shot that looks like footage from Interpol

to Red Room victims as being a clear shift, and I was actually grateful for it. Because here I could put my back against the fact that the red room wasn't real, otherwise I would have broken down before the credit sequence even ended.

It was a stroke of genius to create an introduction to this entire world like that. We rarely see credit sequences anymore and it's a shame, because when they're well done they tell stories in and of themselves, and this is one of the best I've seen.

Even the villain is set up here. He's pointing at girls and saying "that one, and her", like he's picking pigs for slaughter. How much more setup than that do you need, to want to murder that man dead? Not any more, that was enough.

Nobody speak to me I’m crying.

Subtle, but there. Trafficking (and traffickers) exists because it IS being tolerated by governments around the world.

Unnecessary title aside, who else says Natasha looks at herself in the mirror hear and repeats "pain only makes you stronger", as she's being hunted away from yet another family.

Then she's saying it again because it bears repeating and Natasha has been through A Lot these past few years. I love how unfiltered our first image of her is. After all she's been through, we basically see her stripped of all her tricks in a moment where she’s alone with herself and her thoughts(something we later learn she tries not to do much), and she's just a woman having a tiny breakdown in a semi-public bathroom. Again, human.

This is where I will leave you for this first part. Hey, I got through the intro, I count that as a win given just how long this breakdown has already been. If you’ve gotten this far, thank you for reading, come yell at me in my inbox whenever, see you for the next one xo

[vavuska]

Who changed Lola Bunny?

Malcolm D. Lee explained, “This is 2021. It’s important to reflect the authenticity of strong, capable female characters. … So we reworked a lot of things, not only her look, like making sure she had an appropriate length on her shorts and was feminine without being objectified, but gave her a real voice. For us, it was, ‘Let’s ground her athletic prowess, her leadership skills, and make her as full a character as the others.'”

(See the complete interview here: X)

So, gone are her curves, thigh-high drawstring shorts and midriff-baring crop top. Instead, Lola Bunny now takes on a sportier look wearing a more standard basketball vest and leggings under her track shorts.

But, let's see more deeply what determinated this choice:

1. Being mad at a fan art is sad, people.

Before, a sad 50 yo guy starts complaing about how "cancel culture" or "politically correct" ruined his life - Really? Changing a cartoon bunny from a movie you didn't see for a decade ruined your life? Wow. Someone should really review the list of their priorities -, let's see how really Lola looked in the 1996 original Space Jam.

Here we have original Lola Bunny:

(Here you can see all Lola's scenes in Space Jam: X)

Yes, Lola walked in a sexy way that show off her curves, or at least she seemed to have curves (a little breast, tight waist, long legs, bootie), but those are not big as in the fan art you are seeing around, and Lola's curves are not evidenced during the match or when she played. Is more her attitude and posture that made her look sexy. However, althought her curves clearly changes every time she is doing something different, from action to action, there are some scenes in which she is purposely made sexy, with saxophone music as soundtrack and male-gaze sections that ends in the same way, Lola surrounded by a bunch of horny and howling cartoon guys.

That's appropriate with Jessica Rabbit: she is purposely made and designed as a parody of the femme fatale from old hard boiler movies, in which attractive, mysterious women were portrayed as evil and manipulative gals who hide criminal intentions. Jessica, with her intentionally exaggerated body, subverted the misogyny of 40s and 30s detective movies: she is kind-hearted, truly loves her naive and goofy husband Roger and uses her powers (beauty and cunning) to protect him. Her body too is used for comic sketches, while this not happens for Lola, that's just a serious and indipendent basketball player. So, the male obsession for her body is out of place, expecially because she reacted with anger at being misconsidered only for being an attractive female bunny. “Don't call me doll” is her catch phrase. So, it seems strange she didn't react at all at the very sexualized presentation at the final basketball match: Lola simply shows her basketball skills, ignoring or accepting passively the reaction of the honey crowd of wolves around her. (Please, notice the association: Lola “admirers” are wolves, predators, while Lola, their object of desire, is a rabbit, a prey)

This is the cartoon version of cat calling: they are like a group of men who sit on their porches and whistle at girls everyday when they walk in from of them. A normal girl or woman would pass over this thing, even if they are bothered, unconfortable or embarassed, because they are more scared by a possible violent reaction of this whistling horny guys at their legitimate anger objections. But here, we are talking of Lola, a strong Looney Tunes bunny, and she could smash that damn basket ball on wolves' face, breaking all their teeth. That would be very a Looney reaction. But Lola doesn't react at all at this situation. Here, on my opinion, screenplayers missed an opportunity, but probably they thought to have already did too much with Lola's personality and “girl power”.

Remember also that Lola is the only young cartoon female character we see in the whole movie. So we can't do a proper comparison with other female relevant characters' rapresentation. (See here for a deeper analysis of Lola's origin and development: X)

However, compared with Bugs, Lola looks more fit, more humanized than Bugs. Lola has clearly a definited breast and booty, but it looks like is more her posture that makes them relevant. Lola has clearly shoulders back to show the rack. Bugs is anthropomorphic but remains an animal, has no shoulders or pectorals more like a human and looks a bit over-weight (fat belly). And his posture don't keep that stomach in, chin up, and march forward.

Lola, on the other hand, has a more human structure. That's why I say she has curves. An example are Mickey and Minnie who are two beans in the same way it is not that Mickey is a bean and Minnie has small tits, they are structurally alike.

Lola's body remembers highly No-Ribs-Jasmine from Aladdin (see the gif for reference). That unrealistic Barbie-like waist that was so popular in the 90s and 80s. (See here for references: X and X)

Now, we are changed a lot from the past 24 years. Barbies didn't have that impossible, unrealistic waist-line anymore, Disney princess concept has changed (see Merida and Moana).

Lola concept is changed in 2012: her design for the new cartoons is totally different and her personality too. She wear a blue or violet dress, almost flat-chested and she was made annoying and silly, just to make a contrast with Bugs smarter. Just like Daffy Duck is dumb as hell and his new girlfriend, Tina Russo (no more dear old Melissa Duck), is way smarter than him. Tina is tough, street-smart, rebellious and feisty. But we will see this thing in the next point.

2. People on the upper floors hated Lola personality.

Lola Bunny had only few lines in Space Jam, but she definitely passed the first impression that she was draw only for make male characters fall in love. Lola was a good basketball player and show it off, in front of a skeptical and then astonish bunch of cartoon guys and also Michael Jordan. She also had a strong personality and said it clear to Bugs she didn't like being called "doll". Lola was beauty and curvy, but not a cheerleader. Lola was a basketball player. Remember this part, because we will talk about basketball in the next point.

If at the box office Space Jam was a success, at Warner Bros there were those who turn up their noses, and they are important people, from the upper floors, who accused the film with Michael Jordan of having completely distorted the philosophy of the Looney Tunes. They blamed Lola Bunny more than everything else. Producers of Warner Bros said she was too perfect for the moody group of Warner cartoons: she was too sensual, provocative and independent, totally alien to that core of crazy characters that act as an exaggeration of the vices of 'man.

And fans hated her too. Chuck Jones, creator of the Merrie Melodies said: "Lola Bunny is a character with no future, she’s a totally worthless character with no personality."

So, Lola Bunny was deleted. Lola would make only some brief apparitions in some comics edited by DC Comics, in Baby Looney Tunes, in which she was a toddler with a very similar personality and resemblance to Space Jam adult version, and also as playable character in some unsuccessful videogames.

Years passed and projects for a sequel of Space Jam never become reality, so in 2003 Warner Bros relased Looney Tunes Back in Action. But Lola wasn't here, because the movie purposely want to make a deep cut with what we saw in Space Jam, according to what said it's director Joe Dante. This movie was a totally failure, but it gave back to Looney Tunes their craziness.

Years passed again, but this time is 2011, 10th of May on Cartoon Network was relased the second episode of The Looney Tunes Show. The series aimed to strongly relaunch the Looney Tunes, long gone from the glories of the past, updating the stories of Bugs Bunny and associates in a sitcom key, with the rabbit sharing a house with Daffy Duck in a suburb of Los Angeles. All interspersed with sketches by Wile E. Coyote and Road Runner done in CGI and the updated return of the Merrie Melodies. But the big news of the second episode is that LOLA BUNNY RETURNED.

And Lola was a character with some relevance within the series, even if something didn't seem right with her. Lola looked different, she was no longer the rabbit version of the femme fatale seen in Space Jam: she was naive, talkative, with her head in the clouds, crazy to the point of becoming Bugs Bunny's stalker. Bugs after having fallen in love with her at first glance understands on the first date that he absolutely can't stand Lola. She is no longer the Lola we used to know, even if the appearance is similar and the name is the same. Lola is effectively a Looney Tunes now. And the fans like her, the public like her, Warner Bros like her.

(See Lola in The Looney Tunes Show here: X)

But this is a big walk in behind from the indipent character we used to know in Space Jam. Lola was turned into the stereotype of the crazy girlfriend for a while. And this is not a surprise, if we remember that in 2012 were popular the "overly attached girlfriend" meme template. (See here for references: X)

However, in The Looney Toons Show Lola has some very funny moments, while in Space Jam she was more serious and a little out of space among the other characters. (See here for references: X)

3. What women wear when they play basketball?

Women's National Basketball Association was only created in 1996. So, women's basketball were not considered - and still is not considered - as important as men's basketball at the time Space Jam was filmed.

In Space Jam 2 there will be WNBA players with a significant role, for example Diana Taurasi and Nneka Ogwumike.

Professional female athletes aren't that curvy because curves are determined by body fat and they have a little.

As a busty volleyball player, I can say, dear people, breats could be very annoying during sport activities: it could be a pain, when you run or jump. That's because a lot of women wear sport bra to compress and support their breast. Sports bra may also include layered cups or a high neck to keep everything in place and protect from painful hits, so women can be safe and comfortable during workouts.

Female basketball players didn't wear crop-tops and tight shorts to play. They wear exactly what Lola wears in the picture above: long sleeveless tees, large shorts and maybe protective gears such as knee pads, sleeves or braces to reduce chronic pain caused by the immense burden put on the knees in basketball, to prevent bruises caused by collisions and hard fall and to provide support after a significant knee injury like an ACL tear. They could wear also compressive arms sleeves to help muscles that are sore or overworked to recover faster. The sleeve enables your blood flow to circulate quicker to the heart, which helps you heal and recover quicker.

Wow. WNBA wears Exactly what wear NBA players. So surprising.

4. This is only a promotional character sketch, not what Lola would look in the movie.

Space Jam 2 would be developed in CGI and there are a little preview frames going around, included one showing Lola jumping and you can see her breast shape. But she totally looks like a comic cartoon character. It's not humanized. It's not designed to be the sexy love interest. She doesn't look out of space among the others anymore, expecially because seems that there would be also Tweety's Granny and Melissa Duck or Tina Russo as players too.

5. Reality.

Really? You want a human anthropomorphic rabbit? Well, Lola as a rabbit would have something like six nipples, but no human-like breast. And, also, real life girls have ribs. No one in real life is that thin. Oh, well, if you don't considered Pixee Fox, a model who had surgically removed six ribs and wears daily a compressive bust corset (yes, like the one that made Elizabeth Swan faint in the first movie of Pirate of the Caribbean) to look like a cartoon fairy (Tinkerbell, you are the one to blame for this).

(See here for references: X)

In conclusion, we can say that all this controversy is based only on a porny fan art and that Lola “new” graphic isn't change too much from the original Space Jam movie. It's just a little more cartoonish.

We can also firmly remeber that Space Jam 2 is going to be developed for children, to relunch Looney Tunes among new generations of children, who are the largest buyers of merchandising (including Happy Meals surprises) and consumers of new cartoons that surely would be developed, if Space Jam 2 would be a success.

However, we should admit that those kids probably know better the 2011 version of Lola than her original version and that 2011 version was more appreciated by fans and producers. Lola's voice actress, Kristen Wiin won BTVA People's Choice Voice Acting Award in 2012 and was nominated for that prize also about three times in the following years. Also Rachel Ramras, Lola's voice actor was nominated for BTVA People's Choice Voice Acting Award in 2016 for her role in Looney Tunes: Rabbit Run.

We don't know anything about Lola's personality in Space Jam 2, so we can't do a proper comparison or a prevision, but, according to what Malcolm D. Lee said, we can assume that original personality of Lola would be preserved.

The controversy is relevant only for Lola's body and not for her personality, and that's is highly rappresentative of what impressed more this bunch of grow-up kids. They grow up to be like the horny wolves and they are howling because their prey is not available anymore.

And, to be honest, being so obsessed with the breast and the body of a cartoon character (that is clearly made up for kids) it's not sane at all. Sorry to say that, but sometimes people need to drink from a bottle of truth.

[agentrouka-blog]

Hello! I’ve just finished reading some of your posts about Sansa’s similarities to Disney princesses, and it’s astounding how Sansa and the princesses (particularly the classic ones) are treated by audiences. They’re so generally hated that liking them and saying something positive about them is an “unpopular opinion”.

The parallels and traits Sansa shares with them are the reason many people hate them.

Snow White: 14-year-old princess that has been enslaved since her stepmother the Queen seized the throne, then has to run for her life. She’s considered useless, naive and everyone hates her, never mind that she’s literally a child and that the Queen wanted her dead (really, what was she supposed to do against the most powerful person in the Kingdom?).

Cinderella: daughter of a nobleman that, after his death, is enslaved and abused by her stepmother. Again, she’s pretty much universally hated for being meek, passive, useless, and not standing up for herself. What could she have done in the 1800s? Call child protective services? Talk about victim blaming. She literally had no choice! If she left home (with no money or place to stay), who knows what would have happened to her. Besides, if those people actually bothered to watch the movie, they’d see that Cinderella is everything but meek: every chance she gets she tries to speak up, she’s very active in trying to make the best of her situation (hello? She completes all of the chores and finds a gown to go to the ball. She fights for freedom in the end. She’s not passive at all!). Waiting for a prince to save her? Please, she rescued herself. Fairy Godmother rewarded her for her resilience and kindness, and again she was not passive at all.

Sleeping Beauty: a secret princess raised in a very sheltered environment, dreamy and romantic, who dreams about true love. Despite finding a prince and falling for him (they all consider her shallow for this, but how can we blame her? She’s an adolescent who’s probably never seen a man her entire life, and Phillip was wow. Plus, their encounter was straight out of a medieval poem of courtly love, which coincidentally is when the story takes place), Aurora accepts her duty and responsibilities and, with a broken heart, takes on the role of princess.

The Little Mermaid: a redhead princess who is extremely fascinated by the human world, that falls in love with a man and is very determined to live out of the sea, not only for him, but first and foremost because she wants to live her life as a human. Defies her father to fulfill her dream. Again, she’s deeply condemned for her decision, deemed ungrateful for wanting to leave her home (hmm, would you say that to all the thousands of people who migrate to another country? Or that wish to live somewhere else, or that follow their loved ones to their home country? That’s awful).

Why is Sansa, like Cinderella, considered passive when she’s clearly not? Sansa does everything she can in her circumstances. Meeting Ser Dontos, subtly manipulating Joffrey and Tyrion, trying to do whatever she can to survive.

Why is Sansa, like Ariel, despised for wanting to leave her home and live her dream? I’ve never seen anyone criticize Arya for going to Braavos or taking water dancing classes.

Why is Sansa, like Aurora, considered shallow for her romantic nature and feminine and graceful demeanor? So much hatred for soft-spoken and sweet girls.

Why is Sansa, like Snow White, victim blamed so much? Why are the children considered culpable for the mistakes or awful actions of the adults around them?

To me, the people who hate Sansa and the ones who criticize mercilessly the classic princesses are the same. They only see/read what they want to see/read, conveniently overlooking or ignoring the circumstances, twisting words and facts, and not paying attention. If only they watched the movies and read Sansa’s chapters without their obvious bias.

Hi anon!

I’m not sure I have seen quite as much vitriol against Disney princesses as you, but I agree with the principle of your words. I guess I have seen more of a move to “reclaim” them, and I am closer to the original fairytales than some of the Disney versions, and there have been very interesting approaches to them, including deeply psychoanalytical. It’s rich and universally human stuff contained therein.

Disney is lighter fare, but still I utterly agree with you that often it’s not the princess that is 'problematic’, but a lack of respect for what usually tends to be female-coded, non-violent, enduring and constructive reactions to life and its burdens.

Thank you so much for the compilation!

[ariel-seagull-wings]

TOP 12 WICKED QUEEN PORTRAYALS

@sunlit-music​ @mademoiselle-princesse​ @princesssarisa​ @superkingofpriderock​ @metropolitan-mutant-of-ark​ @amalthea9​ @theancientvaleofsoulmaking​ @astrangechoiceoffavourites​ @giuliettaluce​ 

Alongside the Big Bad Wolf, Cinderella’s Stepmother, The Giant from Jack and The Beanstalk, The Witch from Hansel and Gretel and Bluebeard, The Wicked Queen from Snow White is one of the most iconic fairy tale villains of all time. A lot of people come to consider her the real protagonist of the fairy tale, since is her desire to be considered the Fairest of All and her actions to keep that title what puts the narrative in motion. And today, i will rank my favorite portrayals of this fascinatingly nasty foe.

12º Miranda Richardson as Queen Elspeth in Snow White: The Fairest of Them All (2001)

Talk about being typecast: before that turn as Snow White’s Evil Queen, Richardson had portrayed an Evil Sorceress Queen and Stepmother in Jim Henson’s The Storyteller (’The Three Ravens’ episode) and she was a wicked Sorceress Stepmother in Tim Burton’s Sleep Hollow. So it was neat for her to be called for the role of the most famous Evil Sorceress Queen and Stepmother in this Hallmark TV Movie. Elspeth is the sister of a strange, mysteryous creature known as the Granter of Wishes. Having been recently released from his freezing prison, the Granter of Wishes makes a spell to make her look beautifull for human standards, and marries her to the newly crowned and widowed King John. At first she looks content with the prospect, but as time passes, she grows more and more unsatisfied. Her source of joy is the Magic Mirror that praises her beauty, and casting spells to turn gnomes into garden statues. But when the Magic Mirror says that Snow White’s beauty surpasses hers, the unsatisfaction gets mixed with paranoia, and Elspeth slowly abuses her power in constantly harming other people, until there is no magic enough...

11º Herta Kravina in Schneewitchen (1971)

This german TV Movie is the most faithfull adaptation of the Grimm’s tale original edition, not only keeping the three murder attempts by ribbon/lace/corset, hair comb and apple, but also being the only one to show the Queen dancing to death with hot iron shoes in Snow White’s wedding. This is enough to make it worth a checkout. The other reason i find this version interesting is how the Queen comunicates with the Magic Mirror: they sing to each other. And Kravina has a really good voice (no wonder she was a voice actress for Peggy Lee in the first german/dutch dub of Disney’s Lady and The Tramp). Sometimes that is enough to get a spot in a ranking.

10º Mari Yokoo/Caterina Rochiara/Regina Reagan/Carol Jacobanis as Queen Crystal in The Legend of Snow White (1994)

From the outside, Queen Chrystal appears to be calm, regal, and sophisticated, but in reality, this collected and stately facade hides an extremely sadistic, hateful, cold and sinister person. She is ruthless, jealous and obsessive and wants nothing more than to be the fairest in the land. She also has an extreme vanity that made her utterly intolerant of rivals. Being solely focused on the idea of becoming the fairest of all, Queen Chrystal does not appear to be significantly involved in governing her husband's kingdom, though the skeletal remains of prisoners in her dungeon point to her being a villainous ruler. In the end, her mad vanity and jealousy of her stepdaughter Snow White drove her to murderous insanity. Later is revealed that Queen Chrystal is not unredeamably evil as everyone thins, but an actually kind and gentle person who is possessed by an Evil Spirit. 

09º Diana Rigg as the Queen in Canon Movie Tales: Snow White (1987)

This lady is the personification of paranoia multiplied by the double. Why? Because the Magic Mirror didn’t needed to say that the little child Snow White was the fairest, this queen just feared so much that the princess’s beauty would outgrow hers that she ordered the huntsman to kill her. Basically: run, she is bad news.

08º Jeri Arredondo as Sly Fox in Happily Ever After: Fairy Tales For Every Child (1995)

Sly Fox... What a cunning diva. People try to counsel to not use alone a Magic Mirror that is a portal to the spirit world, but who says she listens? She is just there to hear the singing of her praises, and will try to eliminate anyone who gets on her way. She even goes so far as taking the appearance of the kind hearted nurse Sage Flower to lure her stepdaughter White Snow to eat the poisoned appled. What is not to love about that bastard?

07º Kazue Komiya/Arlene Banas as the Queen in Grimm’s Fairy Tale Classics (1989)

Interestingly this encarnation starts naturally cold, calm and collected, ocasionally at the princess Snow White to see if she can ever grow more beautifull than her, and dismissing the girl with contempt. It is years later that she lets go of acting calm and collected, because after hearing some gossips in the palace, she asks Snow White if she thinks of herself as more beautifull than the Queen, and her stepdaughter reacts by exclaiming that the Queen is vain and cruel, and to her eyes that makes her ugly. So besides the desire of being considered the most beautifull, you get the feeling that this Queen pursues Snow White as a way to shut a person that dares to rebell against her, wich ads new interesting dimentions to their antagonism.

06º Dorothy Cumming as Queen Brangomar in Snow White (1916)

Brangomar was once a lady in waiting of the palace. But one day, she met the powerfull Witch Rex, who offered to give Brangomar anything she wanted. And what Brangomar wanted was to become a beautifull Queen. Wich was achieved by a faustian deal where Witch Rex would cast a spell that killed Imogene, the previous Queen, while in return Brangomar would have to find a way of getting Snow White’s heart for the Witch. Years have passed, and now Brangomar  must kill the princess to pay her debt, or else everything she got will be lost. Hey, here is a way of making a villain tragic, almost simpathetic and complex while keeping clear that she is still a villain!

05º Vanessa Redgrave as the Queen in Faerie Tale Theatre (1984)

The most loud and bombastic portrayal of the Wicked Queen ever put on screen. Bringing to television her sperience from stage, that allows some more over the top emotional reactions, Redgrave had the time of her life in that role, indulging in twirling, preening and screening as much as she could, and his Queen is all the most fun for it.

04º Gudrun Landgrebe as the Queen in Schneewittchen (1992)

What i live about Landgrebe’s Queen is her range: at first she acts all humble, discreet, cold and mysteryous. Then her husband leaves to fight in a Crusade, and she trows the white veil and gray clothing of humility to show a diva red hair and orange dress, as to say “Hey, the King leaved, i have all the power here now and you must do as i say”. Later, a knight comes, offering a magical crystal ball that connected to a mirror says all the truth, and the Queen takes posession of it to ask about her beauty. When Mirror says that the most beautifull woman in the kingdom is Snow White, she gets infuriated, than goes to carefully plan ways to eliminate the princess once and for all. The highlight is when she takes the disguise of a russian male doctor to offer the apple (where she injects poison into with her ring) to Snow White.

03º Maria Antonieta de Las Nieves in El Chapulin Colorado: Blancanieves y los Siete Churín Churín Fun Flais (1978)

This three part episode of the mexican comedy superheroe show is a loving parody of the Disney version, that stands out as an enjoyable retelling of the classic fairy tale in its own right. Interestingly, while most of the comedy in the episode is delivered in the form of over the top slapistick, de Las Nieves’s delivers a straight faced, contained performance. Wich makes her answers to the absurd situations in the story all the more funny.

02º Patricia Medina as the Queen in Snow White And The Three Stooges (1961)

This lady was a hell of a foe: she not only antagonizes Snow White for the title of the Most Beautifull, going so far as to lock the princess in a dungeon for no crime at all, but also, alongside her partner in crime Count Oga, ordered a murder attempt aggainst Prince Charming when he was a child, to prevent him from marrying Snow White, and this way she could become ruller of the kingdoms of Fortunia and Bravuria. Troughout the film, you think that she could win, since she has powerfull magic, spy and a mighty army at her comand, wich makes the viewer get all the more excited on the seat, that is how enjoyable Medina’s Queen is.

And my Number One Portrayal of the Wicked Queen is...

01º Lucille La Verne as the Queen in Disney’s Snow White and The Seven Dwarfs (1937)

The first encarnation of the character that i ever saw in my childhood, and the one that still sends chills/shivers to my spine. As a young Queen, she rarely smiles, acting cold and calculating, intidimidating who is subordinate to her with the expression of her eyes and highbrows. And as a Crone, she lowdly indulges in her cruelty, offering the poisoned apple to her pet raven to scare him, and mocking the dead skeleton of a prisoner inside the castle’s dungeons. That balance between cold calculism and loud cruelty, where both are equally unsetling and scary, is something very hard to achieve, but i think this encarnation did a very good job in achieving that balance, that every other  portrayal that camed tried to draw influence from it ever since. And that’s why Disney’s Wicked Queen is my Number One portrayal.

HONORABLE MENTIONS: Addi Adamets in Schneewittchen (1955), Marianne Christina Schiling in Schneewittchen (1961) and Sonja Kirchberger in Sechs Auf Einen Streich (2009)

[lincnok]

Disney Princesses are all excellent role models

Nowadays, we see something called the feminist movement, something that was born to empower young women, and equalize society, a noble cause; now it is nothing like it’s original goal, and some even bash more feminine, or soft spoken women in the fictional media. I have seen many ‘feminists’ go off about how earlier princesses, like Snow White, Cinderella, Aurora and Ariel are all ‘weak’ and are ‘unfit to be role models for young girls’ whilst princesses like Moana and Elsa are praised for their ‘empowerment’. In all of these events, both on the opposite sides of the spectrum, there is barely ever any space for the girls in the middle like Tiana and Pocahontas. Whilst these characters aren’t recognized, some get bashed, and others praised above the rest, which is unfair as they are all excellent role models and here’s why.

(I’m gonna start from the first movie cuz I find it easier that way)

Snow White:

This princess is overlooked and consistently talked about as weaker and ‘less than’, when in actuality, she is as strong a role model as any other. Even in the face of death, she is kind-hearted and care-free, choosing to clean the dwarves home, and never saying one bad word about her step mother. Yes, she did open the door to a stranger and eat the apple, but she was fourteen, and in the original story, had been living with the dwarves for two years, essentially leaving her ‘sheltered’. She lived in the middle of the forest with a group of tiny men for God’s sake, do you really think she would understand the no strangers rule? And even then, eating the apple was something she did out of politeness, rather than stupidity. It was her innocence taken advantage of that got her poisoned, not stupidity or weakness. She is a positive role model because she was able to stay level-headed, polite and innocent, even under severe pressure.

Cinderella:

Now in her story, she is claimed as weak because, in some people’s eyes, she did nothing in the face of abuse. Is that true? Absolutely! But not because she is weak, but because she is strong enough to know when not to fight. She cried and had bad days, but still chose to do the things she was asked in order for things to remain peaceful. She worked hard to achieve what she wanted. When she was told she had to do all her chores and more in one afternoon to go to the ball, she did, and made a dress on top of that. She would’ve gone to the ball anyway if it were not for her step-family’s spite, all she need the fairy godmother for was a change of clothes and a ride. She was honest and hard working, unbending even in the face of abuse and pain, something all girls should aspire to be.

Aurora:

This is the one that gets the worst media, as she had little lines and screen time and ‘slept through her whole movie’. But in all honesty, the girl lived in the forest with three fighting fairies, who did little to help with education and knowledge of the outside world, keeping her as sheltered as possible. She was happy and loveable, with a definite affinity for singing, something she did on the regular. Of course, we don’t get to see much of her personality there, but I’d like to say that she was something of a carefree spirit, happy and optimistic, trying her best to keep others happy too. She was a little boy crazy, yes, but she was fifteen, and Prince Phillip was the first man she had ever seen, so you can’t really blame her for her fascination with him. She had no idea about a curse, and if something possesses you, you don’t really have anything to do about it, and you can’t do anything if you’re asleep for one hundred years. But she kept herself happy and cheerful even in loneliness, as the prince was not only the first male she’d seen but also the first human she’d seen since she was a baby, and yet she was obviously happy, jubilant enough to sing for hours in the forest, despite being alone for most of her life. Happiness can be found in the even in the loneliest of places and that is what Aurora teaches us.

Ariel:

This girl gets bad media too because of her choice at the end of the film. Through out the film, she is presented as a curious soul, wanting to find out how the humans lived, collecting the trinkets and items from the shipwrecks said humans left. She did go too far in her curiosity, though, signing her voice away for legs. But she was eager to learn, and that is something all girls should aim to be. As I said before, she is bashed for making the decision to stay on land and get married, rather than going back home, but that is a very common thing to do, more common that people think. If a girl falls in love with someone in another country, she has every right to stay there with him, and thus Ariel shouldn’t be penalized for something so common and accepted. Her family didn’t condemn her, they came to her wedding and were happy for her. She chose her happiness over cultural norms, and that kind of confidence is something we should all aim to have.

Belle:

Belle isn’t bashed so much as diagnosed, and I feel like that isn’t right to do. I’m not saying that it isn’t true, but there is so much that is ignored about Belle’s story that should be mentioned. Like the fact that she is educated. This is something that was very rare in the time period in which she lived, and she definitely needs to get more recognition because of that. In an essay I read, it was said that she would be the equivalent of the village’s ‘IT guy’ and that is exactly right. When she rejected Gaston, she never said a bad word about him, nor wrote off his affections or was rude, she simply declined, which is something that should be respected and applauded rather than bought down. There is also the fact that she is quite feminine in appearance and picks a decidedly feminine dress despite being raised by a single father, which is a detail I rather liked, as it lets Belle be on both sides of the spectrum, being able to expertly communicate with her male friends, whilst also being ‘girly’ with her female friends, and thus makes her a well rounded character. Her falling in love with the Beast, may have well been a psychological disorder, but it wasn’t like her feelings weren’t reciprocated. And she wasn’t kidnapped. Kidnapping is abduction, meaning that you are taken or held somewhere against your will. She chose to stay. And it wasn’t like she was held in particularly bad conditions, the only condition was that she couldn’t leave. Yes, she was provided an ultimatum, but she chose to stay. And then made the best out of it. The falling in love was a side effect. Belle was educated, but not arrogant, kind and humble, polite and feminine, and those traits are wonderful, and make the princess an incredible role model.

Jasmine:

Jasmine is one of those princesses who is forgotten about, but I’ve come here today to let you know she is an absolute girlboss. In her movie, she was the crown princess, and her family ‘needed’ her to marry so that they could have a king and her dad could retire. But she wanted to marry for love instead of just political power and wealth and thus turned all her suitors away. This meant that she never gained any of the rights she would get if married and had to live in the palace for the rest of her life until she found ‘the one’. And if you pay attention, you’ll realize that Jasmine  was the ruling monarch because Jasmine was royalty and Aladdin was not. She was also only 17 when she became queen, which makes her queendom so much more impactful. Her little outing one the outside gave her that little bit of compassion that she would’ve needed to become a great sultan. She may not have been a warrior, but in terms of political prowess, she was one of the most powerful. She is the ruler that girls should want to look up to and follow, a role model to her community as well as her audience.

Pocahontas:

I don’t really know much about her, but I know enough to say this. In the film (not real life), she made the opposite decision to Ariel, and chose to stay with her tribe rather than stay the man she loved. That was a brave decision, and the fact that she made it in the face of pressure is to be admired.

Mulan:

Ah, yes. The great feminist icon. But the one who gets condemned for having a prince. Yes, she was a great warrior, and yes, she was professional, but that all doesn’t mean she’s not allowed to find love. She can be all those things and still be a mother and a wife, they don’t have to go separately. And, you know what? The fact that she had a prince just made it all the more inspiring, because thats what the #MeToo movement should be about, embracing all kinds of women, and not separating the roles of mother and wife from the roles of leader and independent. Having a husband doesn’t make you any less, and that, among other lessons, is what Mulan teaches us.

Tiana:

Tia should get about as much hype as Mulan, but in reality, she doesn’t. She is very much forgotten about other than the fact that she is black. Her story isn’t about ‘conquering racism’ or anything attributed mainly to ‘black media’, but instead is about a working girl, doing just that, working. She worked hard to achieve her goal, and not once did she even try to take a short cut. She found love along the way, made some friends and lost some friends, impacted some friends for the better, and achieved her goal, no short cuts and a whole lotta jazz music. That’s what the Princess and the Frog is about, working hard to achieve your dreams. That sentiment is something everyone should learn, and the fact that that’s a black girl up there being that role model for us just makes it even better.

Rapunzel:

Rapunzel, the queen of self-isolation. But despite that, she was always happy and optimistic, which is something us cynics could stand to learn about. She was curious, but had some common sense. She was probably the most organized out of all the Disney princesses, as she had a set schedule for everything. She was probably the most artistically gifted as well. She definitely not stupid, but instead innocent and gullible, but capable of defending herself and running a good negotiation. She could’ve been a lawyer! She was a perfect example of someone talented using their talents to better the people and that’s what makes her someone to look up to.

Merida:

Another warrior, except this time, set in Scotland without a prince. You guys know the story. Bought up in a home where all she was expected to do was get married and have kids, Merida yearned to be outside with her bow and arrow, but instead was told no. Eventually, tired of the pressure, she goes to a witch to get a charm to make make her mother more lenient. Instead, the charm turns her mother into a bear, and turns her curious little brothers into bear cubs. The race is on for Merida to get the cure before it is too late. She successfully cures her mother and brothers, fights the evil Mor’du and comes to appreciate her mother more. This little family story shows a headstrong girl getting love and affection from her family without condescending, and the best interests at heart. She sets of to fix her own mistake, something still not really shown in media. She teaches girls to love their family even when you don’t agree, stand up for themselves, take responsibility for their actions and try their best to fix their mistakes.

Elsa: 

I’ll start with her because this list is oldest to youngest. Another Princess without a Prince, she’s actually a queen for most of the movie, and isn’t even the mainest main character. She still teaches girls something. With her headstrong character, she was morally sound despite dealing with an immense feeling of self-hatred and fear. Only when she really broke did she ever intend to hurt anyone. She shows you how to be yourself in spite of the of the danger. She is brave and strong, with powerful abilities and love for her sister.

Anna:

Anna isn’t in the spotlight as much as Elsa was, seemingly naïve and gullible. Except, you have to realize that Anna is that she was left literally alone for God knows how long. Hans was the first person she’d met and liked who didn’t leave her alone. She liked him a lot, and it is believable that she would’ve said yes to Hans when he proposed. But still, as the story went on she became more mature, but didn’t lose her childlike spirit. She teaches us to go to the ends of the Earth for the ones you love, but to not be a push-over. To stand firm in the face of danger, but to not be reckless. Anna teaches us what true love is.

Moana:

“If I go there’s just no telling how far I go!” Moana is an adventurous soul, unafraid of nonconformity, and in love with the great unknown. She falls in love with the sea, and, even though she is prohibited, follows her dreams. She is the picture of determination and willingness to go out into the unknown, and she isn’t afraid to be herself, even amidst hardships, rejection and danger. Such a sprit is something to admire and aspire to have.

Every last one of the girls on my list is a role model and I hope you now understand why. So don’t look down on a little girl when she says her favorite princess is Cinderella. Don’t cuss out the little black girl who says she wants to be Snow White for Halloween even when there’s a princess that looks like you or vice versa. Don’t roll your eyes at the girl who says she likes Anna better than Elsa, or she wants to be a queen like Jasmine. Don’t hate on these characters because of circumstances they couldn’t control or because they’re not like you, because every single one of them is and can be a role model to a little girl, they all just cater to different types. Yes, the Disney princess line isn’t all representing, and many of these tales are taken out of context or made more light hearted, but no matter what the story is, these girls are their own characters and we should respect that, and everyones opinions on them.

Aight, I’m out.

[thepermanentrainpress]

THE PERMANENT RAIN PRESS INTERVIEW WITH EDEN SUMMER GILMORE

The film scene in the Lower Mainland has never been brighter. Rising talent, including Burnaby’s own Eden Summer Gilmore, have begun to make a name for themselves, with a multitude of key roles over the past five years. Gilmore is currently starring as Sofia Bianchi in Global’s Family Law, a drama that follows “a group of flawed family members who reluctantly work together at their father’s law firm in downtown Vancouver.” Her on-screen mother is Jewel Staite, who as recovering alcoholic and lawyer Abigail, must find a way to balance (and repair!) her own career and family life. 

Growing up, who were some artists you looked up to? What specific films, series or characters did you watch and feel inspired by?

Growing up I was really inspired by artists such as Taylor Swift, Emma Watson, Amy Adams, Reese Witherspoon and Jennifer Aniston. They are all such strong women that really showed me at a young age I can do and be whatever I set my mind to. I was (and still am) obsessed with the Harry Potter series. I remember growing up and watching Hermione, Emma Watson’s character, and feeling inspired to be me. She never let what anyone said dictate her and always stood up for herself. I also loved the film, Enchanted with Amy Adams. I actually used to call it “princess in the hole” since Amy Adams' character comes up from a sewer grate. She also really inspired me to be myself and to see all her talents in this film was so much fun to watch and definitely inspiring. Enchanted brought together all my favourite elements of Disney Princesses, musicals, singing, dancing, fantasy, it was my favourite growing up and I can’t wait for the sequel.

As I got older and started watching the tv show Friends - Jennifer Aniston really showed me the power I have as a woman. Also, Gilmore Girls and the relationship with Lorelei and Rory was fascinating to watch. One of my favourite shows! And of course Reese Witherspoon, she is also a huge inspiration. She has portrayed such amazing strong women in her films that I find awe-inspiring. Her production company Hello Sunshine is also a huge inspiration to me and a platform for female led productions.

Were your family and friends supportive of your decision to pursue a career in the arts?

Yes, they were very supportive. My mom actually works in the industry behind the camera and she was the one who thought I might enjoy acting, which I very much did. My parents and my grandparents were the ones who always would drive me to my auditions or take me to set. I am very grateful to have my family's support. My friends are also very supportive. I am very lucky and grateful to have friends that I can share these milestones with.

A defining role in your young career was starring in It’s Christmas, Eve opposite LeAnn Rimes. What did you take away from working on that project, and with LeAnn?

That was such an amazing project to do. LeAnn is so incredibly kind, I loved getting to work with her. Since this was my first lead role and I was on set almost every day, what I really took away was observing the actions of others, cast and crew on set & behind the scenes. I learnt so much about professionalism, kindness, tone and how to set healthy boundaries for yourself. Kindness can go such a long way and a positive attitude can really change the tone of a set.

LeAnn taught me so much about spreading kindness and acting professional on a set. She really is such a role model and created such a positive energy on the set. Same with Tyler Hynes (who played Liam, my dad in the show) I learnt a lot from him too, he is so lovely.

You star as Sofia Bianchi in Global’s Family Law. What have you enjoyed about portraying Sofia so far, and do you have similarities with her?

I love playing Sofia, she is awesome. There are so many things I enjoy about portraying her. We are both teenagers so there is a lot I can relate to her with. She has made me feel not alone in some of the experiences we both have gone through. I am sure many teenagers watching the show will be able to relate to her as well, I am really grateful to be able to tell her story. She is very witty and smart so it’s really fun portraying that side of her too! Her short jabs to her mom are really fun to play with. She also has a really vulnerable side to her that we see more of throughout the series. It’s really fun exploring those deep emotions and opening her up throughout the series. We definitely have similarities. As mentioned we are both teenagers so I can relate a lot to the emotions she is feeling. We both are very caring people (though Sofia doesn’t show it as often) and we both aren’t afraid to stand up for ourselves or the people we love.

Tell me about your time on-set, and working with your on-screen family – Jewel Staite (Abigail), Luke Camilleri (Frank) and Brenden Sunderland (Nico)? What are a couple of your favourite memories?

I love my on-screen family, they are all so amazing! Working with them is so great and they are all kind and generous. I love sharing scenes with them. We talked a lot about food on set, favourite desserts or recipes. Jewel and Genelle [Williams] would often buy Honey Donuts whenever we were shooting in Deep Cove which is so incredibly nice of them. Honey’s Donuts were a favourite on set. Brendon was always telling us interesting facts or stories (much like Nico’s character), he’s really sweet. I learnt so much from Luke and Jewel about acting and the industry. I really enjoy our talks in the greenroom and on set. I am really grateful to be able to work alongside them, they are both incredibly lovely! Jewel and I also tend to have a lot in common fashion wise and interests in general.

What is it like working and interacting with legendary actors like Victor Garber and Lauren Holly?

Amazing! Victor and Lauren are both so incredibly kind. I was already huge fans of them before getting on the show so getting to work with them really is a dream come true. Lauren is so kind, funny, and so talented. I have learnt so much from her on set. Same with Victor, I have learnt so much from him too. They bring such a positive and warm energy to set. I am grateful to work with them. It’s still surreal to me that they are my tv grandparents.

A large part of Sofia’s storyline is her fractured relationship with her mother. Did you and Jewel talk about your characters ahead of time, and how their relationship will evolve during the course of Season 1?

Yes, definitely. We would sometimes rehearse lines or talk about the scene between takes. Or sometimes when getting a new script we would talk about Abby and Sofia’s relationship that episode. Lots of it just came on the day when we would film the scene. Playing off of each other or seeing what other layers we could bring in.

You handmade friendship bracelets as a Season 1 wrap gift, which is so sweet and creative! How’d you come up with the idea?

Yes! I already made bracelets in my free time, while watching a show or just as something to do. It was a little hobby of mine. I love having little mementos to remember events and thought the bracelets would be a great idea to remember season 1! Something we could all share and remember how special and fun filming season 1 was. I think they were a great hit with everyone.

Family Law is very much a family drama, but also has crime and comedy mixed in. For those who haven’t yet tuned in, how would you pitch the show to potential viewers?

I would pitch it as a dramedy that follows the story of Abigail Bianchi, a recovering alcoholic and lawyer slowly trying to put her life and family back together while also helping other families do the same. She’s forced to work with her estranged father and two half siblings she has never met while at the same time trying to patch things up with her husband and kids. The dysfunctional family at the law office is always helping other dysfunctional families and learning things along the way. Each character is so real and rooted with so much truth. Each person watching will be able to find themselves in the characters and the stories being told. You will laugh, you will cry, and learn that in the end we are all human.

Congratulations on the Season 2 renewal! You wrapped the second season in late August, while the first season has just premiered! Was it exciting to return to set, knowing you’d have an opportunity to further Sofia’s development?

Thank you so much! Yes, it was very exciting! I had gotten to know Sofia so much in season 1 that in season 2 I just got to dig so much deeper! I got to explore other sides of her and show the audience more of who Sofia is and her relationships.

You can also be seen as young Nancy Drew in the CW’s Nancy Drew. To play such an iconic character, what has that meant to you?

It meant a lot to me. I grew up reading the Nancy Drew books. Nancy Drew was another role model to me growing up, there was always a deep connection I had with her. So to be able to bring that to the screen means so much. I find myself so much in Nancy’s character and am really grateful to be able to be a part of her story. It also meant a lot to me because I know other young girls who look up to Nancy’s character and I hope they learn from her that they are powerful and can do whatever they set their mind to. I am really grateful that I was able to play Young Nancy Drew and it will forever hold such a special place in my heart.

You’ve also gotten to work with an older Nancy, lead actor Kennedy McMann. How special has it been to have her support and guidance?

Yes, she is amazing. It’s been so special to have her support and guidance. She is a large role model to me as well. She always looked out for me on set and I am really grateful for that. I learnt so much from her as well. She is a phenomenal actor so to work alongside her has been truly a blessing and she is so incredibly kind!

You’ve worked on numerous projects, including web series and independent short films (many being female-led). What do you enjoy about being a part of the vibrant B.C. film industry?

Yes! I love being a part of the B.C. film industry and working a lot on independent shorts because there is just so much joy, passion, and creativity. It’s amazing working with people who have a passion for storytelling, it’s therapeutic in a way and gives the storyteller an opportunity to tell their story their way. Working with such passionate people also allows my creative energy to flow and allows me to let so much go. I am also really grateful to have worked on so many female-led projects. Especially being young in the industry working with so many females has taught me about the power I have as a woman. But also it’s so important that female writers, directors, etc. are getting opportunities and their stories told.

How has it inspired you to pursue writing and directing in the future, and have you been able to shadow/ask questions on these projects?

It really inspired me. It showed me that I really can do whatever I set my mind to. It also showed me how much writing/directing our own stories can inspire so many other people. I was definitely able to ask questions on these projects and it’s inspiring to watch their passions come to life. 

The Directors/Writers/Storytellers on these independent projects, such as Andy Alvarez, Veronica Kurz, Meeshelle Neal, Leah Beaudry, Annette Reilly and Heather Perluzzo really taught me a lot and they welcomed my questions and curiosity. I honestly can’t wait to write and direct my own independent short in the very near future

Is there a dream role or character you would like to play in the future? If not character, are there any specific film/TV genres or franchises you would like to be in?

I would love to do a comedy or horror film. I really love those genres and haven’t explored them on screen as much. I would also love to do a period piece. The 70s or 80s would be awesome. I love exploring pop culture and trends of different time periods.

For other young actors like yourself, do you have any advice for how to be confident in front of the camera? What (or who) has helped you prepare for roles and work on your lines?

Totally. My main advice would be to have fun and trust yourself. Whenever we do anything our main goal should be joy. Of course preparing and such is important but joy should be our number one goal. Once we are working out of a place of fun, truth, and joy when we get to the camera we can trust ourselves and have that confidence. That also comes with working on mindset and mindfulness in our everyday lives. And also remember to be yourself! My acting coach and mentor Beatrice King really helped me prepare for roles. She taught me to make sure I am working from a place of joy and continues to inspire me. I also train year round by attending acting classes and private coaching, which I think is definitely an asset in growing your craft and confidence.

You also have a passion for music! How did this interest come about, and how long have you been singing and playing the guitar?

Singing really was always a part of my life but I formally started taking lessons about 4 years ago. I love singing, it’s such a beautiful form of expression. When I am having trouble expressing something through words I can turn to a song to help me release. I started playing the guitar during quarantine. I had played the ukulele for a few years and wanted to try something new and ended up loving it.

You performed “You and Me and Christmas” with LeAnn (Rimes) in your holiday film. You even joined LeAnn for a live performance that December! Tell us about that experience, what do you remember from that concert?

It was amazing. It was my first time singing live at a concert. The movie means so much to me so getting to share that experience with LeAnn on stage was wonderful. I remember being quite nervous, but LeAnn gave me some advice before going on stage. Singing live on the stage was truly magical, I will never forget the adrenaline and pure joy it was. I am really grateful to have that experience, especially with LeAnn.

As a poetry writer, are you writing your own music? If so, what can you share about your lyrics and what has inspired you?

I do love writing poetry, it’s such a beautiful form of expression. I have dabbled in songwriting but never have gone too deep into it. It’s definitely something I want to explore further.

We know Queen is your favourite band, but who are some other artists we can find on your playlist?

Yes! I love Queen, I grew up listening to a lot of 80s music so I think that’s one of the reasons I love Queen. I mean - Freddie Mercury is pretty awesome. On my playlist you will find artists such as Taylor Swift, Olivia Rodrigo, Billie Eilish, Harry Styles and other 70s or 80s artists such as Abba, Billy Joel, Elton John, etc.

Your family has a wonderful pup, Finn, adopted from Fur Angels. What are some activities you enjoy doing with him? How would you encourage people to ‘adopt not shop’?

Finn loves swimming so often in the summer I love taking him to lakes to swim or in winter when it snows I love throwing snowballs for him. Like most dogs he loves belly rubs, walks or playing fetch. I always encourage people to look into adopting. There are lots of dogs who need forever homes and love. Lots of dogs in shelters who don’t get adopted sadly don’t end up making it. Finn is a rescue pup and I am really happy we were able to be his forever home.

What are some of your favourite places to visit or eat at in Vancouver?

Some favourite places to eat in Vancouver (which has been mostly take-out this past year and a half) are Agra Tandoori, Ragazzi Pizza, Neverland Tea Salon, Big Star Sandwich, or Casa Gelato! Highly recommend those places. I love to visit Lynn Valley for a nice hike. Downtown Vancouver is always fun. I also love Deep Cove and Granville Island.

Our signature question – if you could be any ice cream flavour, which would you be and why?

Love this question! If I could be any ice cream flavour it would be Raspberry Cheesecake. It’s one of my fav ice creams. It’s sweet with a tiny bit of tartness and combines the richness and softness of cream cheese, the sweetness of a raspberry, the nutty flavour and gritty texture of graham crackers to make a lovely combination that is both complicated, intriguing and delicious at the same time.

Thank you to Eden for taking the time to answer our questions about your projects and passions! Be sure to follow Eden on Twitter and Instagram for updates on her life and blossoming career! 

Family Law airs Fridays at 9 PM on Global TV. 

Photo credit (header and sixth image) to: Noah Asanias Special thanks to: M Public Relations

[blackmissfrizzle]

Once Upon A Time

Summary: The reader has a cleaning tradition that she’s embarrassed for the boys to find out about.

Pairing: Dean Winchester x black!reader

Warnings: Violence and mention of smut

A/N: 2 Dean fics in one week? Who do I think I am???

Ever since you were a child obsessed with fairy tales. Not the Grimm brother versions, but Disney’s family-friendly versions. You had your mother to thank for that. She painted her love story with your father as her own fairy tale.

Your mom came from a family of evil witches, but she didn’t share the same values and wanted to help people instead of harm them. As she told it, she didn’t see a way out until she met her own knight in shining armor, your father. He was a hunter and fell in love with your mom while he hunted her family. She helped him defeat them and they ran off to live their own version of happily ever after.

They both hunted until your mom became pregnant with you, their little princess. Even though, they retired from the hunter lifestyle they taught you all about hunting; they always knew there was a possibility for their past to haunt them. While your dad stuck to teaching you about hunting in particular, your mother taught you the art of witchcraft. “There’s a beauty in magic.” She always said.

Unfortunately, your parents happily ever after didn’t last forever. They were right to worry about their past coming back to haunt them. You came back from a sleepover excited to dress up in your princess ‘rags’, sing Disney songs, and clean up the house with your mom. Instead you found their mauled bodies. The remaining werewolves from a pack they killed came back with a revenge. They even tried to kill you when you discovered the bodies, but due to your extensive training you killed them before they got the chance.

Years later you found yourself and your familiar, Aladdin, hunting and living with the Winchesters. To keep the memory alive of your parents, you kept up your mom’s cleaning tradition. Only thing was you always waited for Sam and Dean to go hunting on their own. You may be a little extra with this tradition, so extra Aladdin refused to participate. Sometimes you’ll cast a spell on some birds and sing with them as if you were Cinderella or Snow White. So, if the boys ever caught you, you would never hear the end of it and be deeply embarrassed.

Currently, you were singing your heart out to Part of Your World and washing the dishes when you heard the clearing of someone’s throat. Turning around you saw a set of hazel and emerald eyes filled with mirth and a pair of poorly hidden smirks. “I thought you two wouldn’t be back til tomorrow?” You asked, fidgeting with the hem of your dress and then remembering the bandana a la Cinderella you had on and quickly removing it.

Barely containing his laughter Sam answered you. “You know Dean. Speed limit laws don’t apply to him.” Just as Dean was about to say something, his eyes went wide and zoomed on your shoulder. Raising a hand, he pointed in your direction, “Is that a crab on your shoulder?”

Looking down in fact you saw an annoyed crab glaring at you. In the midst of getting caught, you forgot you turned a reluctant Aladdin into a crab for your Little Mermaid set. “Oops, I’m sorry, Al.” With a wave of your hand you returned your familiar back into his canine form. “Looks like the mutt wasn’t happy being turned into seafood,” Dean muttered as Aladdin stalked off. Your familiar had excellent hearing and growled at the eldest Winchester before returning back to your room.

“Your highness,” Dean bowed before you. Snatching the towel from the sink you balled it up and threw it at Dean’s head.

He caught it instead of letting it hit his face. “Hey, that’s not princess-like,” he reprimanded you. Just to tease him some more you gave Dean the middle finger and he clutched his imaginary pearls.

“What’s up with the Disney routine anyway?” Sam asked, trying to stop you two before y’all got too childish. While you explained the backstory of your cleaning tradition, Sam stood back and mentally shook his head at Dean, who looked at you like a doofus. Sam tried multiple times to get his big brother to admit his feelings for you, but he refused.

Done with your story, you noticed Dean looking at you with that funny face you sometimes catch him with when he thinks you’re not paying attention. “What’s with that stupid look,” you asked him.

Caught off guard, Dean had to quickly come up with an excuse. “Um, I’m just confused about how someone so badass is still obsessed with princesses who always need saving.”

“First of all, me being a badass and loving princesses are not mutually exclusive. Second of all, you must be talking about them older white princesses, because my girls with color didn’t come to play. Tiana, a true boss bitch, Mulan saved a whole country, Pocahontas looked out for her people, and Moana got a whole god together. And third of all, I don’t know why you’re trashing them when you have so much in common with them.”

Dean crossed his arms in disbelief. “Please explain to me how me and a Disney princess are alike.” Chuckling to yourself, you proceeded to explain to Dean. “On the somber note, you have the requirement of at least one dead parent growing up. Sam’s your sidekick, Castiel’s your fairy godmother, Rowena is sorta the wicked witch, just depending on the day, and I’m your knight in shining armor.” Dean couldn’t believe his ears and was about to counter your claim when you interrupted him. “Oh, and you have Rapunzel’s eyes.”

Pointing between him and Sam, Dean responded. “Listen, we don’t need saving that often.” Without saying a word, you cocked and eyebrow and a hip, silently challenging Dean’s claim.

“Ok, you win. I’m a stupid princess, but I’m gonna be Snow White!”

Looking to Sam he had his bitch face while you were confused. He must’ve known why he choose Snow White. You looked to him to ask why and he mouthed ‘You wouldn’t want to know.’ Going against his advisement, you asked Dean why he choose her.

“Because the version I watched, the wicked stepmother was wicked.” His smile suggested it wasn’t the G-rated version you’ve seen before.

With a sway of your hips you walked up to Dean and stared up at him devilishly. “Well, you gotta show me that version. I need to spice up my porn playlist.” Instantly, Dean’s face turned red and Sam off to the side muttered, “You two are perfect for each other.”

You walked off to your room, beginning to sing Kiss the Girl, while leaving the boys in the kitchen dumbfounded. Halfway to your room, you remembered your surprise for Dean. Sticking your head in the kitchen doorway, “Oh, there’s pecan, sweet potato, and apple pie in the oven.” Both boys stared at each other and ran to the oven to get to the treat. Even Sam couldn’t resist your baking.

--

Back in your room, you found Aladdin in his human form laying in your bed and watching tv. He rolled his eyes as he listened to you sing another Disney song. It wasn’t your voice that he was annoyed by, because you had the voice of an angel, but it was who the song was directed to. Al didn’t understand your attraction to Dean, but he supported you, nonetheless.

“Jordan text you. She needs help with a coven of witches in New Orleans. And she said leave the Winchesters at home if you come,” Al informed you in the middle of your song.

“That would’ve been nice to know earlier. Why didn’t you come get me?”

“I was giving you some time with your precious Winchester.”

Deciding not to address that statement you asked Aladdin if he wanted to go with.  “Nope. I got a crazy ass ex down there and I’m having a Smart Guy marathon.”

“Hey! You were supposed to wait for me.” You pouted.

“That was before you turned me into a crustacean.” Knowing that it was fair, you told him bye and went on to tell the boys you were leaving.

“You sure you don’t want us to come?” Sam asked clearly concerned. They didn’t know your friend and were overprotective of you hunting without them. Standing on your toes, you gave each boy a kiss on the cheek. “I’ll be fine boys, promise.”

Just as you opened your car door, Dean tugged on your wrist. “Be safe and call us if anything’s fishy.”

Snatching your hand back, you laughed at your friend. “Ok, mom.” Crowding your space, Dean looked at you hungrily. “I preferred to be called daddy.” Cheeks heating up quickly, you turned around and rushed into your car, waving bye to the boys while you heard Dean’s deep chuckle as you drove away.

--

It was setup. Jordan wasn’t just your friend, but your cousin from your mom’s side of your family. The little traitor knew who you were when you ran into her in Atlanta when you were working a job. She continued to earn your trust until she could find the right moment to kidnap you.

Turns out your mom and dad didn’t get rid of the whole family and your grandma somehow survived. The old woman had been plotting against you, since Jordan told her of your existence.

Struggling against the cuffs, you were looking for an escape. “Its useless, my dear. Those cuffs are spelled to imprison supernatural beings.”

Great, the one time being a witch was a bad thing. “Well, can you just kill me now?”

Your grandma turned away from the potion she was concocting and caressed your face. Her amber eyes that reminded you of your mother’s softened. “Don’t be silly, girl. You’re family, even if that didn’t mean anything to your momma. Our coven is growing weak, but you’re the strongest witch ever in our bloodline. With you joining us and the Book of the Damned we’ll return to our former glory.”

All this trouble for that damn book. Even though it saved Dean, that book has been causing so much trouble ever since it came into you and the boys’ possession. “So, this is why you want me. For the Book of the Damned. Well, newsflash no matter what you do to me the boys won’t give it up.”

Stepping away from her potion once more, she knelt down in front of you. “It’s a shame, really. All your power gone to waste. When Jordan informed me of your existence, I thought I would just kill you, but then you got involved with those Winchesters and we were still too weak to deal with them and you. But then I heard Rowena took you under her wing and I felt hope again. I thought Rowena would surely teach you the dark arts, but once again I was wrong. Those damn Winchesters sure do know how to suck out all the fun.”

“If you know I’m so good, then it’s a waste to try to get me to join the coven.” Levitating the mortar, she used to make the potion, your grandma had it in her hands. “Chile, I know I can’t make you do things on your own free will. That’s why I got this little potion for my spell. It’ll make you more malleable to my will. Now open up, girl.”

Refusing to be anyone’s puppet you shut your mouth close. Your grandma was frustrated with your antics and didn’t have any time to play with you. The cuffs dampened your own magic, which allowed your grandma to use hers and get your mouth open. The vile taste of the potion slithered its way down your throat and you knew when you woke up you would be a different person. Hopefully, Sam and Dean would be able to fix you.

--

Once you returned to the bunker, the boys instantly knew something was off about despite you saying nothing went wrong with the hunt. “Man, something’s up with Y/N.” Dean whispered to Sam while you were in the library.

“I know. Something had to have gone with that hunt.” Their whispers died down when they heard you walking towards them.

Holding the Book of the Damned, you made a beeline to the stairs, but Sam stopped you. “Y/N/N, what are you doing with the Book of the Damned?”

Annoyed but also prepared for this moment you threw the boys against the wall. “You’ll find out soon enough.”

With a flick of your wrist the door opened up, letting in your grandma and Jordan.

“What a cute little place! We’ll have to set up base here, Y/N. That’s after we kill the Winchesters of course,” your grandmother informed you while inspecting the bunker.

“Yes, grandmother. Would you like me to dispose of them now?”

The elder Winchester scrunched up his face in anger. “Grandma??? Y/N/N this isn’t you. Break out of it!” He pleaded with you, but his words had no effect on you.

“You evil bitch! What did you do to Y/N?” Dean asked your grandma.

She stood in front of Dean and traced a finger across his face. “Hmmm, I can see why my granddaughter is in love with you. Such masculine features, so handsome that you’re almost pretty. And the passion that radiates off of you, hmph, you must be an excellent lover.”

Dean turned his head away to escape her touch. “Get your filthy hands off my brother! And what did you do to our friend,” Sam reminded her of the more pressing issue.

“Oh, I just made her more pliable to my will. The girl is headstrong like her mother. Too bad I didn’t discover the potion I used on Y/N when I had those wolves kill her mother.” Your grandmother revealed which stirred a little something in you, but you must complete the mission for her. “Y/N, be a dear and kill these oafs. We have important work to do,” she ordered you.

Imagining liquefying their insides, the hunters started to cough up their blood, but as you saw them struggling you started to feel bad. Something didn’t feel right, but you had to press on.

“Y/N, you’re in there I know it. I know you heard her. That wicked bitch killed your parents! Come out and fight, damn it!” Dean was screaming at you, it seemed that the emotional torture was more painful than the physical torture you were dishing out.

Seeing that Dean wasn’t getting through to you, Sam joined in at trying to break through to you.  With each passing second, they were chipping away through your grandmother’s defenses. It worked well enough for your hold to weaken and the boys fell to the ground. The boys easily incapacitated Jordan, leaving your grandma with no backup.

“Y/N, what are you doing? Kill them!” Your grandmother ordered, terrified of what a free Sam and Dean Winchester could do.

You paid her no mind and pinned her to a wall instead. Dean approached you carefully, as if you were a scared animal backed into a corner. “Sweetheart, I know you’re in there.”

Your eyes darted between your grandmother and the Winchester. You didn’t know who to believe with both of them talking to you simultaneously.

Sensing he was losing you, Dean got desperate. “God, I hope this works,” you heard him murmured before he grabbed your face and mashed his lips to yours. At first, your lips you were stiff, resistant to the kiss, but soon it started feeling right, like home, like your lips and his were meant for each other. Your hands snaked up to the back of his head and you pulled Dean closer.

The screaming of your grandma alerted you and made you and Dean break the kiss. Caressing your face, Dean whispered against your lips, “You back?” He asked, his hopeful searching yours.

“Yeah,” you whispered back blinking through tears.

“I should’ve known. You’re weak, just like your mother!” Your grandma somehow pulled herself halfway off the wall, but you pushed her back.

Taking out your gun from the back of your jeans, you pointed it at an unconscious Jordan and shot it right in the center of her forehead, feeling no emotions for so-called friend.

Next, your sights turned onto your grandma. “What?! You can’t grant me the decency of killing me like a witch? You’re gonna kill me like some filthy hunter?” She screamed with her grey locs falling in her face, spit foaming at the mouth, truly looking like a wild woman.

Raising your gun, you only said a few words to her before granting her the same death as your cousin. “Its more than you granted my parents.”

For awhile you stood above your dead grandmother’s body, grieving the life you could’ve have. Standing there reflecting on her need for power it finally hit you, she was the cause of your parents’ deaths. The emotions overtook you and you cried until Dean carried you away and let him fall asleep in his arms.

Waking up hours later you found Dean gone, but the smell of his famous burgers told you exactly where he was. Making your way to the kitchen, you were granted to the scene of Dean cooking, singing along to an old rock song, swinging his hips.

“Wow, you’ve been holding out on me. Who knew you had such killer dance moves?” Placing your hand over your heart, you acted as if you were offended at this great tragedy.

Rolling his eyes at you, Dean lowered his music and started to make you a plate. “I can do that.” You attempted to grab the plate, but Dean moved it out of your reach.

“I got it. Go sit down, pretty girl,” Dean ordered you before he leaned down and gave you a kiss. You guessed that the kiss from earlier wasn’t a one-off and discreetly smiled to yourself, wondering what this means for you and Dean.

Taking your seat, Sam entered the kitchen and began making a plate of his own. “Hey, Y/N, how you feeling?”

“Mmmm, better now. It still hurts, but I know that my mom wouldn’t want me to dwell on it too long. She lived the life that she wanted, even if it was cut short.”

“Between Samuel and your grandma, we had some crazy ass grandparents,” Dean referenced to his grandfather that would’ve let them die in exchange to have Mary back. Little did he know if he could’ve waited a couple of more years, he would’ve had her back.

Setting down his plate and yours, the three of you began eating dinner. Talk varied from when y’all would take the next case, when you should visit Jody and the girls again, when would Cas and Jack get back, and even a little argument about how turkey burgers taste the same as regular burgers.

At that moment you were trying to convince Dean to watch The Little Mermaid with you, but he refused, saying he was too grown to be watching fairy tales. Deciding that he wasn’t too grown, Sam poked fun at Dean. “So, Dean, how did you know how to break the spell put on Y/N?” Sam knew the answer, Dean confided it in him earlier, but he wanted Dean to say it in front of Y/N.  

Looking at his baby brother as if he could strangle him, Dean dropped his burger. “Lucky guess.” He grunted before picking it back up and biting into it.

Your eyes switched back and forth between the brothers. Obviously, Dean was holding something back by the way he was giving Sam bitch face.

“That’s not what you said earlier,” Sam retorted, hiding his smirk by taking a bite of his own burger.

“Oh, Dean, c’mon tell me.” You pleaded, giving him your best puppy dog eyes that he couldn’t resist.

“Truelove’skiss.” He mumbled quickly.

Hiding a giggle, you asked him to repeat himself, “Excuse me, what was that?” You knew exactly what he said, you just wanted him to be louder.

“True love’s kiss, ok! Now can we drop it?” He snapped, embarrassed he knew this little fact and that he was basically announcing his feelings to you this way.

Abandoning your seat, you jumped into Dean’s lap and kissed him all around his face. Sam silently left to give you two privacy and also, he didn’t want to see anything if you two decided to get explicit.

“I love you, Dean Winchester,” you whispered into his ear.

Dean’s eyes lit up as if you told him he had an unlimited amount of pie. He knew that for a true love’s kiss to work, both parties had to love each other, but hearing you say it confirmed it for him. “I love you, too.”

Wrapping your arms around his neck, you snuggled into Dean deeper. “So, does this mean you’ll watch The Little Mermaid with me?”

“I guess,” Dean accepted defeat as you squealed in his lap. “But only if you sing along. I can’t get enough of that voice of yours.”

“Of course, my knight in shining armor.” Dean put an arm behind your back and the other under your knees to carry you bridal style to his cave.

“And at the end of the night can I kiss the girl?” Dean asked with a mischievous grin on his face, glad that he made at least one reference.

Making your voice a bit softer to sound like a princess, you replied, “Oh my dear sir, you can do whatever you like to the princess. She’s forever in your gratitude.”

“Well, princess, be prepared not to finish that movie, because I got other things in mind.”

Soon, Ariel and her pals became a distant memory with the opportunity of a better time spent with Dean. “If that’s the case, then how about you show me how wicked that stepmother was in Snow White?” You offered, suggestively raising your perfectly arched eyebrows.

With that suggestion, Dean changed his course and headed for his bedroom. “Anything for the lady.” Passing a conversating Sam and Al in the hallway, you conjured up earplugs in their hands. Of course, you could’ve soundproofed the room, but you wanted to gross them out instead.

“Dudes, disgusting!” Sam groaned, but you could barely hear him over yours and Deans’ laughs. This is what happily ever looked like and you wouldn’t trade it for a thing in the world.

Tags: @titty-teetee​ @nervouspetsonanime​ @thefaithfulwriter​ @nerd-lovely​

[artificialqueens]

Revelation Sunshine, Chapter 1 (Courtney/Vixen) - Veronica

A/N: Oh hi. Welcome to the Galactica sequel that I’ve been planning FOREVER. Like...literally since the time these two started interacting on Twitter, during season 10. Thanks to @artificialpuddle for the beta help, and @aqcitrus for brainstorming with me. <3

And of course, a HUGE thanks to @theartificialdane, for humoring me the whole way through and letting me explore this ship in the Galactica verse. It is mostly fluffy, fluffy shit, which is a bit out of my wheelhouse, but I love them so much and I just want them to be happy.

I think it can easily be read as a stand-alone story. The only thing you need to know from Galactica is that at this point in the story, Courtney is a wildly successful queer pop star and star of a fictional Disney franchise called ‘Glimmer,’ which costars Honey Mahogany as her love interest.

Challenge Notes:

Story is told mostly from Vixen’s POV

Her BFFs: Asia, Monet, Monique, Mayhem (who show up in person in Chapter 2)

The title is a song by Cree Summer. I’ve also made a playlist for this story, which can be found here.

#Vixney4Eva

TW: vague reference to past transphobia, sexual apprehension/nervousness that should in NO WAY be construed as dubcon

***

It was Honey who introduced them. Or, rather, Honey who handed Courtney the book that started everything, on the set of Glimmer 3.

BEWARE WHITE TEARS: Performativity and Racial Justice, by Toni “Vixen” Taylor enthralled Courtney so much that she barely slept for 3 nights, devouring it twice. And then she read the whole thing again, slowly, highlighting the parts that blew her mind the most.

On set, when she just couldn’t stop raving about it, Honey laughed at her.

“So...you liked it?”

“Omigod, yes!” Courtney exclaimed. “I mean, obviously I feel very called out. But in a good way? Like...this is making me rethink everything.”

“That’s good! I thought maybe you’d be offended,” Honey said, adjusting her crown.

“Offended? How long have we known each other?” Courtney giggled, bumping Honey with her hip. It was true: they’d been co-starring in the Glimmer franchise for 8 years at that point.

“Still.”

“But god, Honey, it was just...I mean, I don’t even have any words for how amazing it was. She’s so fucking smart and passionate, and so funny, and everything she says is like…” Courtney shook her head, starry-eyed.

“You should tell her,” Honey said with a saucy wink. “Send her a tweet or something.”

“She’s not gonna care what I think,” Courtney said. “I mean, hello? Chapter 4?”

“Okay, but she’s a professor. She’ll be thrilled that someone learned something. Besides, even if she doesn’t respond, maybe you’ll encourage your fans to read it.”

“That’s true…”

“And maybe get more people to listen to her podcast-”

“She has a podcast?!!” Courtney shrieked excitedly, then whispered, “Sorry,” when she saw the boom operator cringe.

Maybe Honey was right...but what should she say?

***

Vixen felt absolutely silly. There was really no reason for attention from a celebrity to make her so giddy. True, there’d been a phase when she hung on Courtney Act’s every word--but that was years ago. Early in her transition, when she felt like nothing she did was right. When she was desperate for any voice telling her that who she was was okay.

It was different now. She was 30 year old, for fuck’s sake. She didn’t need validation from anyone anymore, especially not a pop-star-come-Disney-princess. At least, that’s what she would have told anyone who asked.

But to herself, she couldn’t deny the thrill she got when she saw that first notification on her phone. The mild anxiety all day as she taught two lectures and graded a handful of thesis proposals--a nagging thought in the back of her mind wondering how she should reply. It wasn’t until late into the evening, after 2 glasses of wine, that she allowed herself to read it again, slowly typing out a reply.

Courtney Act @courtneyact ∙ 15h Just read @professorvixtaylor’s “Beware White Tears” and my mind is BLOWN. Everyone needs to read this game-changing book. E V E R Y O N E!!!! It’s so good, so informative, so powerful. AND I just found out that she has! A! Podcast!! #obsessed <3 <3 <3 <3

Dr. Vixen Taylor @professorvixtaylor ∙ 1m Replying to @courtneyact Glad you found it interesting! Thanks for the plug.

That was fine, right? Very chill. She went to sleep feeling pretty satisfied with herself. It wasn’t until the following morning when she saw Courtney’s response.

Courtney Act @courtneyact ∙ 6h Replying to @professorvixtaylor That is the understatement of the year!!! I LOVED it! You are BRILLIANT. I just listened to the first episode of your podcast and holy shit...it’s phenomenal.

Vixen put down her phone, a smile tugging at the corner of her mouth. It was shallow and cheap--being this enchanted by obviously exaggerated praise. But still...not a bad way to start the day.

***

Vixen was used to fighting. All of her life, it seemed, she’d had to prove herself. Scrape and claw for her voice to be heard. Shout into the void over and over, praying that someone would eventually listen. Demand attention and bang down doors and yell until she was hoarse.

Having someone at Courtney’s level of fame pay attention to her--emphatically describe her as brilliant, incisive, powerful, mind-blowing--Vixen’s impulse, in the beginning, was to lie. To say she didn’t need that kind of validation from anyone, especially a rich, famous, beautiful white girl. The embodiment of privilege. Someone whose coming out was celebrated in the media like a massive human rights achievement. Because how could someone like that ever really get it?

But on the other hand…she had to hand it to Courtney. She had excellent taste in podcasts.

And there was something soothing about a person who didn’t expect her to prove anything. Someone who respected her from the jump, who engaged with her book and her podcasts from a place of dignity, assuming that she knew what she was talking about. She didn’t demand back-up or further explanations when she came across material that was confusing. She did the work herself, looking up the articles and studies Vixen cited, posting them with a quote when something in particular caught her attention.

So reluctantly, over the next month or two, Vixen found herself warming to the idea of a real dialogue. It was January 1st, sitting on her grandmother’s plastic-covered sofa, when Vixen finally bit the bullet and slipped into Courtney’s DMs, so to speak.

Courtney had been tweeting up a storm over the holidays. Gobbling up her podcasts rapidly and hungrily, heaping her and her guests with praise and incidentally, making her subscriber numbers climb. She opened a direct message window, typing out a message that she hoped would make Courtney laugh.

@professorvixtaylor: Alright, already. This is getting embarrassing...

The response came within minutes.

@courtneyact: LOL! Listen, nobody ever accused me of a lack of enthusiasm.

@professorvixtaylor: I bet not ;)

It took one afternoon of DMs before Courtney gave Vixen her phone number. “Twitter’s great, but it’s probably easier to just text, right?”

Well.

Vixen had to admit, she had a point.

***

“So listen,” Latrice said, heaving a deep sigh. “I hate to be the one to tell you this. Like, I really, really hate it.”

“Oh shit,” Courtney said, wrapping herself in a blanket and preparing herself for whatever horrible news her manager was about to deliver. “Go ahead…”

“This isn’t coming from me, okay? It’s coming from Disney.”

“Just tell me, Latrice. What? Is the tour cancelled? Do they hate the new video? Do we need to do reshoots? What?”

“No, all that’s fine. They just...they’re a little uncomfortable about your interactions with this Vixen person.”

“Why?” Courtney sat up, ready to get extremely annoyed, extremely fast.

“Well, it’s just...she’s apparently got some very radical ideas, and-”

“So? Maybe they’re amazing ideas? Have you read the book?” Courtney countered.

Latrice sighed.

“Courtney, listen. It’s just...not what they want while they’re trying to promote this last movie.”

“It’s a movie that ends with a gay interracial marriage!” Courtney exclaimed. “So why the fuck do they have a problem with me complimenting a Black political science professor on Twitter?! This is beyond idiotic, Latrice, you have to admit that! And by the way, I’m not gonna stop. She’s amazing and her book is important and more people should know about her, and if they want to fire me, then fine!” Courtney’s heart was racing as she tried to catch her breath.

There was a pause before Latrice spoke again.

“I assumed this would be your response.”

“Yeah, so. Now what?!”

“Now, I tell them that you feel very strongly about this, and that you’re not breaching any contract, and if they try to silence you on this issue, you’re prepared for a very public, very embarrassing fight,” Latrice said.

“Okay…” Courtney waited for the catch.

“I’m pretty sure they’ll drop it.”

“Just like that?” Courtney asked, confused. She’d gotten herself well and riled up, prepared for a real battle.

“Yeah, baby,” Latrice said. “Just like that. Chalk it up to white privilege.”

Courtney couldn’t help but laugh at that, head falling back on the sofa cushions.

“Good one, ma’am.”

After they hung up, Courtney opened Instagram, delighted that Vixen had updated her story. It was just a casual picture, her and two other professors getting ready to speak at a round table discussion. Courtney smiled, replying to the picture with heart eyes and the question, ‘Is that top from my collection?’

She responded a little while later, while Courtney was on the elliptical, saying, ‘I was hoping you’d notice. ;)’

Courtney giggled to herself, wondering when she’d get to meet this amazing, glowingly beautiful woman. All she wanted was to finally talk, face to face. Maybe in the spring, when her tour hit Chicago? Which, as far as Courtney was concerned, couldn’t happen soon enough.

***

It may very well have been a love letter, Vixen thought, finding her cheeks blazing hot at the thought. She’d woken up to a video posted on Courtney’s Twitter feed. “How To Be a Race Ally.”

Vixen watched the whole video with a healthy amount of skepticism. It was great, actually. Humble and informative. Cleverly incorporating some of the points from her podcast (with proper credit given) and even some things she’d said over text recently (also with credit, and a wink straight into the camera that made Vixen feel things she wasn’t prepared for at 7:30 in the morning).

Dr. Vixen Taylor @professorvixtaylor ∙ 1m Replying to @courtneyact Okay fine, you can come to the cookout.

As usual, Courtney's response was lightning fast, an emoji wearing a party hat and about 10 exclamation points. Vixen couldn’t resist teasing her a little bit more.

Dr. Vixen Taylor @professorvixtaylor ∙ 1m Replying to @courtneyact I don’t know how vegan-friendly it’ll be, though.  

Courtney Act @courtneyact ∙ 1m Replying to @professorvixtaylor You really think I’m there for the food? ;P

Vixen rose from her bed, an almost giddy feeling filling her chest. She really needed to calm the fuck down. What was with this silly schoolgirl behavior? And on a public platform? Every interaction ran the risk of absolutely ruining the street cred she’d spent years building up. (Monet was already making it her personal mission to screenshot every exchange and then tease her mercilessly, and Asia had begun to join in.)

Besides, what were the odds that it would ever be anything but a short-lived flirtation? Courtney was bound to become captivated by something else soon. An animal rights group, perhaps. Or funding for the arts in public schools. There were a billion issues competing for her attention. How long would Vixen’s moment in the sun possibly last?

And yet, when Courtney tweeted that she was on her way to New York, Vixen found herself taking a shot of liquid courage and then sending a text.

VIXEN: Hey...how long are you gonna be in New York?

COURTNEY: A couple of weeks, why?

VIXEN: Well, I have a conference at Columbia on February 23, and then I’m gonna stay for a few days. Maybe we could meet up?

COURTNEY: YES

COURTNEY: I mean, sure. Sounds lovely. Tell me what day you’re free. <3

***

It was strange, seeing Courtney in person after all this time. As much as Vixen enjoyed chatting with her, and as validating as it was to get so much attention, she had reminded herself over and over again that this was all just friendly banter. A bit of lighthearted flirting, maybe, but the possibility of a genuine romantic connection was absolutely out of the question.

But then.

When Courtney first emerged from the elevators, smile bright, it was like time ceased to be linear. Nothing...not pictures, not video, not even that concert she’d attended all those years ago, prepared her for how heart-stoppingly beautiful she was in person.

Vixen stood, in slow motion, knees shaking a little, suddenly hugely aware of her height. Was Courtney always this little? Why had Vixen worn heels?

It must have taken Courtney less than 10 seconds to cross the lobby to where Vixen stood, but for some reason, it felt like 10 years. Excruciatingly slow, and yet somehow, Vixen was still caught off guard as she bounded up and grasped both of her hands.

“Thank you so much for coming!” Courtney exclaimed, that dazzling smile still on her face. “It’s amazing to finally be in the same room!”

“Yeah, it’s…” Vixen offered a smile of her own, swallowing hard. Her hands were warm and soft, and as Vixen gazed down at her, she could feel her heart racing faster than ever. “How was your day?”

“Crazy…” Courtney linked an arm through Vixen’s, leading her towards the hotel bar.

It took a concerningly short time for all the weirdness to dissipate, for Vixen to forget that she was across the table from a celebrity, a person she’d been following for years, a person that she’d idolized at one point in her life.

She was just a girl. Granted, she was a beautiful girl, but one who seemed incredibly excited, even honored, to be talking to Vixen—about her book, her podcast, her life. Where she came from and what she cared about and who she looked up to. A girl who wanted to get to know her.

After awhile, when Vixen was finally relaxed enough to really open up, she told Courtney about hearing ‘Kaleidoscope’ for the first time. How, at that point in her transition, it made all the difference in the world to see Courtney so open about the fluidity of gender and sexuality. To hear those magical words. ‘This is who we are.’

Courtney nodded along, listening to her, tears filling her eyes. She covered Vixen’s hand with her own, and said, “I needed it too.”

As the hours ticked by, they talked about everything. Passion, art, travel, identity. She wanted to know when Vixen began to question her own gender, how she knew that she wanted to transition. She was delighted by the story of her brief foray into drag during the early college years, the source of her now permanent nickname. In spite of all the questions (or maybe because of them), for once, Vixen felt like she wasn’t on the defensive. She found herself being more sincere and honest about all of it than she’d been in a long time.

“I’m not usually this open,” she admitted at one point.

Courtney laughed, eyes glittering, and said, “I’m usually too open.”

“I think you’re just right,” Vixen replied, giving her a generous smile.

They talked about their childhoods. How much she loved pretend and fantasy as a kid.

“I went through a phase—that’s generous, it was like 3 years—where I really wanted to be a dragon. I had this dumb...dragon hoodie, that I wore all the time. And when I finally grew out of it, I cried.”

“Aww,” Courtney said, reaching for her hand. “I bet you were adorable.”

“I think I just really, really didn’t want to be me.”

Courtney took in a slow, deep breath, and then let it out even slower.

“I’m not gonna pretend that I really get it. Everything you’re talking about. I don’t know if I ever could. But...I get that part.”

Vixen raised an eyebrow.

“You? How do you get it?” Vixen let out a chuckle. “I’m not trying to judge you, but I just...look at you. You’re this perfect, sparkly princess. Everything the world wants a girl to be.”

“Yeah...I see what you’re saying. But...sometimes it feels like that’s all the world wants. Is the sparkly princess part. And I’m more than that. Or, I hope I am. But…” Courtney trailed off, wrinkling her nose. “Do I sound really dumb?”

“You don’t sound dumb. You sound like a very intelligent, thoughtful...sparkly princess.”

Courtney threw back her head and laughed.

“I can’t believe you laughed at that,” Vixen said with a shake of her head. “It was such a cheap shot.”

“Well, I’m an easy laugh,” Courtney said, shrugging unapologetically.

“Yeah I’ve heard that about you,” Vixen couldn’t help saying, and Courtney’s giggles continued.

They stared at each other for a few moments, eyes burning in the dim light, with matching, goofy grins decorating their faces, until Vixen broke, shaking her head.

“This is so surreal…”

“How so?” Courtney asked, voice lilting in a way that felt almost like a tease, resting a chin on her hand.

Vixen hesitated. It felt so cliché to say that it was because Courtney was famous, or because she once cried at her concert when she was 23.

“I mean...you’re not even really my type,” she finally answered with a small shrug.

“Oh yeah? What’s your type?”

“Ummm...I normally go for curvy Latinas,” Vixen said, lashes fluttering.

Courtney’s eyes widened, smile deepening, as she exclaimed, “Oh my god, me too!”

They both started laughing again, clinking glasses for good measure.

“So, um...do you have to go back to Chicago tomorrow?”

“Actually, no. I decided to stay a few more days,” Vixen replied. “See some shows, meet up with some friends. There’s this museum in Brooklyn that I’ve been dying to check out for years.”

“What museum?” Courtney asked.

“It’s, uh, called the Museum of Contemporary African Diasporan Arts,” Vixen said. “Kind of a mouthful but-”

“Sounds great. I wish I could see it.”

“You wanna come? I’m going tomorrow after lunch.”

“Ugh, I wish!” Courtney said, stretching her neck. “But the press tour schedule is insane. I’m doing two more interviews tomorrow, and then I fly to LA to kick off the tour.”

“Tough breaks.” Vixen tried, unsuccessfully, not to sound sarcastic.

“Listen, I’m not complaining. I’m very lucky.” Courtney smiled, tilting her head. “But it would’ve been cool to see that museum.”

“Next time,” Vixen promised.

“I’m holding you to that,” Courtney said, gaze fixed on Vixen’s face as she downed the rest of her drink.

Vixen gave a small nod, finding her eyes hypnotic. Surreal indeed.

They ordered yet another round as hotel patrons trickled out, crowd thinning, closing time approaching. By the time they stood up to leave, they’d knocked back quite a few--more than Vixen realized at the time. She grabbed Courtney’s arm to steady her as the blonde swayed in her heels.

“You alright?”

“Mmhmm…” Courtney gazed up at her, lashes fluttering.

“Do you want me to help you upstairs?”

“Okay…”

In the elevator, Courtney wrapped her arms around Vixen’s waist, leaning a head on her shoulder. Vixen’s heart hammered in her chest, one hand gripping the railing for support.

At the door, Courtney looked up at her, eyes bright, breathing out, “You know, we don’t have to be up until 10 tomorrow…”

“What are you…‘we?’”

It took Vixen a moment to catch on to her train of thought, a wave of nerves washing over her.

“Listen. Um. I think you’re great,” she began, wincing as she saw Courtney’s blissful expression crumble. “But...I just, I never hook up with girls who’ve been drinking. It’s just…”

Vixen didn’t want to explain the whole story. The girl in the lesbian bar, years ago, who danced with her all night, flirting and rubbing against her, inviting her back to her apartment. Only, when they began to undress, and it became clear that Vixen’s body was a little different, the girl flipped a switch. Went from a delightful buzz to drunken rage. Accused her of taking advantage, called her...Vixen didn’t even want to think about that. Or about how she’d left her apartment as fast as possible, terrified and choking back tears. How at home, she’d collapsed into Asia’s arms and sobbed most of the night, wondering if she’d ever fit in, anywhere.

Courtney wasn’t that girl in the bar—Vixen knew that. But she was clearly tipsy, and some things, some decisions, required a clear head.

“It’s not you,” she finished lamely. “You’re amazing.”

Courtney nodded, swallowing her disappointment like a champ and saying, “You’re amazing.”

Before she left, Vixen leaned in and brushed her lips against Courtney’s cheek.

She walked toward the elevator, regret stinging the back of her throat. She had no idea how long it would be before they saw each other again, and suddenly her arbitrary rules based on one shitty asshole in a bar 7 years ago seemed...absurd. She turned back around. Courtney was still leaning in her open doorway, watching her walk away.

“Hey, how drunk are you, actually? Can you recite the Pledge of Allegiance?” Vixen asked.

“No—” Courtney said, brow furrowed.

“Oh.” Vixen’s heart deflated a bit.

“—Because we don’t have the Pledge of Allegiance in Australia.”

“Right,” Vixen laughed.

“But what about, um, okay...so...here's a story from A to Z. You wanna get with me, you gotta listen carefully. We got Em in the place who likes it in your face. You got G like MC who likes it on a. Easy V doesn't-”

Vixen strode forward and silenced her with a kiss, soft and sweet, almost chaste at first, both of them giggling. As the kiss deepened, Vixen grabbed Courtney around the waist and pushed her backward into the room, letting the door slam shut behind them.

Vixen was so enamoured that she barely registered Courtney’s massive hotel suite, the entry hall or huge living room that Courtney led her through on the way to the bedroom. Guiding her by her hips to the bed, Courtney pushed her into a seated position and stood between her legs, chasing her lips as she took hold of her collar, fingering the little pearl buttons down the front of her shirt dress.

“Is this okay?” she asked, and Vixen nodded.

“Yeah.” She watched Courtney’s heavy-lidded eyes as she quickly opened the buttons, skin prickling as she pushed it off Vixen’s shoulders. She kissed Vixen again, deep and messy, sucking on her bottom lip.

Panting, Vixen reached around, fumbling for Courtney’s zipper. Once she pulled it down a few inches, the cotton dress easily came off over her head, and then there she was, standing in front of Vixen in nothing but a pair of baby blue panties.

Vixen swallowed, eyes sweeping over Courtney’s body, dying to touch her but nervous as all fuck.

“Listen, um...I should tell you…”

Courtney paused mid-way through opening Vixen’s belt to look at her curiously, face earnest and alert. The perfect student.

Vixen sighed. The fact that Courtney was so willing to listen, so considerate, should have been a bonus. But in this moment, it just made her feel startlingly inadequate. She hated this. The feeling of not being enough, or being too much. She didn’t even know anymore. All she knew was that she was about to make herself more vulnerable than she’d ever been, and she was terrified.

“So...Okay, um. I guess...it’s just been a long time since...I was with a girl.”

“Tell me about it,” Courtney said, grinning.

“No. A really long time,” Vixen said.

“Okay. Does that mean you don’t want-”

“No!” Vixen burst out, a little too emphatically, and then lowered her eyes bashfully, adding in a calmer voice, “No, I want to be with you, I just...might be a little out of practice.” It was an understatement, a lie of omission that unsettled Vixen’s stomach a bit. But it was all she felt comfortable with revealing at the moment, and she hoped that she’d be forgiven later.

“Hmm…” Courtney took Vixen’s face in her hands, tilting her chin up. “I think I can work with that…”

She bent down to kiss her again, soft as a whisper, fingers stroking Vixen’s cheekbones, before pulling back and gazing down at her.

“God,” Courtney breathed, “You are so beautiful.”

Vixen took in a shaky breath, her hands finally lifting to slide around Courtney’s hips. Something about the way Courtney looked at her was different than anything she’d ever experienced. She’d been the object of lust before, and sometimes very much enjoyed it. But this was more than that. She felt more than sexy, more even than beautiful. She felt seen.

But for once, rather than get all wrapped up in anxiety about what it meant, Vixen acted on instinct. She gripped Courtney's waist and pulled her forward, flinging her onto her back on bed. Courtney squealed delightedly, pulling her along.

Courtney smiled up at her, reaching a hand out but then pausing, letting her fingers rest on Vixen’s shoulder.

“Am I allowed to touch your hair? ‘Cause I’ve heard...”

Vixen couldn’t help laughing as she nodded and said, “That rule doesn’t really apply here.”

“Okay,” Courtney giggled, fingering her twists gently.

Vixen turned her head, pressing a kiss to Courtney’s wrist, then slowly moving up her arm, and finally nuzzling into her shoulder. Her skin smelled fresh and almost sweet, like she’d recently been in a doughnut shop. It wasn’t sugary like some kind of food-based perfume or soap, just a gentle, vague deliciousness that Vixen became addicted to immediately, burying her face into her neck to inhale deeply.

She found a soft, tender spot, just below Courtney’s ear, that made her sigh when kissed, and began to suck. Courtney inhaled sharply, hips thrusting up against Vixen’s, hands tightening in her hair.

“You like that?” Vixen asked, emboldened, hands sliding up from her waist to scratch gently at her ribcage.

“Uh huh,” Courtney breathed, arching up again as Vixen kissed her, thumb brushing over her hardened nipple. A whimper fell from her lips.

Vixen’s dress was half off at this point, pushed down around her waist, and when Courtney’s fingers began to trail lightly up and down her back, she shivered. Courtney pushed the dress further down, wriggling it over Vixen’s hips to her thighs, and Vixen pulled it off the rest of the way.

She was expecting to feel uncomfortably exposed, both of them now just in their panties—a situation she hadn’t found herself in with a woman is a very fucking long time. Especially a woman she liked this much. But instead of feeling awkward, she found her pulse racing with excitement, nearly breathless in anticipation of what might come next.

She realized that she’d been frozen for a few moments when Courtney raised herself up on her elbows and asked, “Are you alright?”

Vixen nodded, and Courtney sat up further, reaching out to touch her cheek.

“You want to take a break? Slow things down?”

“No,” Vixen said simply, slipping her fingers under the sides of Courtney’s panties. Her hips lifted, allowed Vixen to slide them off easily, heart in her throat when she saw how glistening wet she was already. She knew that she was potentially in over her head, but there was also a strong urge to keep going, pulse racing with desire.

“Come here.” Courtney stretched out her arm, pulling Vixen in for a kiss, tongues tangling together. She rolled Vixen over, onto her back, grinding down against her.

As much as Vixen wanted to please her, ceding control to Courtney felt liberating. She watched through heavy-lidded eyes as Courtney lavished her with affection, layering kisses against her skin. When a warm tongue swirled over her nipple, her hips jerked up, a stifled moan escaping from her throat.

Courtney sucked harder on her nipple, hands sliding down her torso, lips following as they trailed over Vixen’s tense abdomen. She hooked her fingers into the sides of Vixen’s panties and then looked up questioningly.

“Can I...?”

“Go ahead,” Vixen replied, straining to raise her hips, finding her core muscles in a weakened state, skin so flushed and hot that for a moment, she barely remembered to be self-conscious. Until Courtney began to slide her panties down, and suddenly she remembered exactly what she’d been dreading. When the reality of who she was would confront Courtney, more than theoretical, more than an idea.

Her chest rose and fell rapidly as she watched Courtney’s face. If she had any qualms about a girl with a dick, she certainly didn’t show it. She simply continued to suck soft kisses into her skin, warm hands resting on her thighs.

Vixen finally relaxed backwards, eyes falling shut. She let go of all her worries, all her stupid insecurities. At least for now. At least while Courtney took her dick into her mouth, tongue flicking delicately at her. Vixen’s hips thrust upwards, hands gripping the comforter tightly, moans dripping from her lips like honey.

It had been so achingly long since anyone had touched her this way. Maybe no one ever had, she realized as she arched into the soft caresses. She’s certainly never experienced this kind of loving attention from a woman, a woman treating her like she was precious and beautiful, turning her into a gasping, quivering mess. Vixen felt herself falling apart quickly, losing control, nearly gone before she had the wherewithal to choke out a pained warning.

“I’m-I’m gonna-”

“Mmhmmm…” Courtney made no move to stop, swirling her tongue again, then taking her deeper, sucking harder.

“Oh fuck,” Vixen moaned, hips pumping uncontrollably as she came, gasping for air.

The way Courtney’s hands stroked her thighs, continued to suck softly as she melted backwards into the pillows, every muscle in her body going slack--the small part of her that was still conscious shivered with delight, thrilled with the feeling of being spoiled.

It wasn’t until her body was completely still, bones feeling like jelly, when Courtney began to work her way up her body once again, hands sliding over her skin until she came nose to nose with her once again.

Courtney smiled, kissing her cheeks, down along her jaw, the corner of her mouth. Lips rousing her from a state of sheer exhaustion into warm, sleepy affection. Her hands circled Courtney's waist.

“How are you feeling, baby?” Courtney murmured.

“Uh huh.”

Courtney giggled, twirling a lock of her hair around her finger as she pressed more kisses against her.

Vixen sighed contentedly, pulling her in close, not caring how clingy and pathetic she might seem, just wanting the warmth of Courtney’s body against her own. Courtney snuggled into her arms, slipping to the side of her, legs still tangled together.

After a few slow, lazy kisses, Vixen started to sense a shift. Courtney’s breath grew hot and ragged, hips rutting against her. She cautiously moved a hand down, working it in between her thighs, fingers seeking out her wet heat.

“Show me what you want,” she urged, desire to give Courtney pleasure finally outweighing her fear of looking like an amateur.

Courtney lifted her head, giving her a sleepy grin and reaching down to guide her. She patiently showed Vixen exactly where to touch her, what to do to tease her, when to speed up and circle her clit, how deep for her fingers to go and exactly how to curl them to make her tremble. Vixen followed her breathless instructions, guided by Courtney’s own hand, thrilled at the way her body responded.

Soon, Courtney’s eyes were rolled back, muscles straining, tits brushing against Vixen’s chest as she thrusted against her fingers, fucking down into them, breathy moans music to Vixen’s ears. Her hips moved faster and faster until she stopped, whimpering, just barely grinding against the heel of Vixen’s hand, lips pressed to her neck.

Vixen had never made a girl come before, and it was so much more beautiful than she’d imagined, from the way her lashes fluttered against her cheeks to the slick sheen of sweat on her forehead, to her ass flexing, muscles still twitching against Vixen’s fingers. And the best part, the way she looked up at Vixen at the end, eyes locked with hers as the waves of pleasure radiated through her body, fingers wound tightly into her hair.

“Fuck,” Courtney sighed, collapsing against Vixen’s body, trapping her hand for a few moments before realizing it and letting her wriggle free with a sleepy laugh. “Sorry.”

“It’s okay,” Vixen said, tilting her chin up for a kiss. Her whole body had suddenly become soft and pliant, and all Vixen wanted was to wrap her into an embrace. She wasn’t expecting it to feel this intimate. A part of her had even worried that this whole affair would be wrapped up in a one-night stand. But as Courtney cuddled against her, heart still hammering, she felt closer to her than ever. “I should probably tell you…”

“Mmm?”

“What I said earlier, about not being with a girl in a long time?” Vixen swallowed. “I uh...I haven’t really had a girlfriend since high school. And I guess I’ve come close since then, but never really went through with it...as me. The real me.”

Courtney lifted her head, fingers trailing down Vixen’s arm, a smile playing on her lips.

“Thank you for trusting me with the real you,” she said softly.

Vixen nodded, not sure what more there was to add, when a clap of thunder outside scared the living shit out of her, causing her to nearly jump out of her skin. So much for a warm and fuzzy moment.

Courtney laughed, pulling up the covers and cocooning them both, pressing a kiss to her forehead.

“Don’t worry, I’ll protect you,” she said, snuggling tight against Vixen’s body.

“You better,” Vixen replied.

[joyofcrime-elinorhigh]

 Hello everybody, my name is JoyofCrimeArt, and legacy can be an fascinating thing in regard to animation. Since cartoons are made with the intent of being seen years or even decades after they're created, it can be interesting to see how the general consensus people have about a series can change over time. One day you can be on top of the world, and your series is loved by critics and audiences alike. But then, something happens. Sometimes it's a specific episode. Other times a season. Maybe it's a controversy within the fandom. But whatever it is, something happens that causes peoples opinions to turn. And suddenly your show has gone from being universally praised to becoming much more divisive. And when something like that happens, it can be hard to recover. It happened to Steven Universe.  It happened to Rick and Morty. And it happened to Star vs. the Forces of Evil.

 Created by Daron Nefcy,  Star vs. The Forces of Evil  premiered on the Disney Channel and Disney XD in 2015,  and quickly became one of the hot cartoons that everybody was talking about. It makes sense, as it came outright around the time where more continuity based fantasy series were really starting to take off, so it's natural that it became a hit. While the series was generally well regarded upon its debut, as time went on the series became much more of a "love it or hate it" type of show. And while that's not too uncommon for any show that amounts a large flowing, what makes Star vs. so interesting is that it seems like nobody can seemingly agree when the show got bad, if it did at all. Some people say the quality dipped after the first season. Others say the third. Some say the fourth. Others say that the show was good until the finale. And some say that the show was solid throughout. This divide among fans is why I feel confident calling Star vs. The Forces of Evil one of the most divisive shows of the 2010's, even if the debate around it isn't nearly volatile as other series. But now that the series has ran its course I have to ask, does it hold up? Did the show really go down hill, or is the hate undeserved? That's what I'm here to find out.

 I feel like I'm in an interesting place to talk about this series because, while I tend to try to keep up with all the big name animated show coming out, I actually didn't watch most of Star as it was running. I watched the first season until my family cut cable right before the finale of season one (You know, around the time people started to care about the show.) And only caught up with the show in the last year or so while doing research for my "Top 30 Cartoons of the Decade" list. So I went into the series mostly blind with the exception of a few spoilers. I just felt like this was important to point out as I feel it may have an effect on my view of the show.

 Also, while I usually try to go spoiler free when I do a general overview of a series, for this review I may have to go into some spoiler territory. Since this series features an ever changing status quo, as well as a lot of major characters who aren't introduced until late in the series' run, doing this review completely spoiler free would be difficult. So I'm going to be doing this review under the assumption that anybody reading this has already seen the show, and are just curious to hear my take on it, or don't care about being spoiled.  So if you wanna go in blind I suggest you sign out now.

 But to everyone else, let's dive in and talk about Star vs. the Forces of Evil.

https://www.youtube.com/watch?v=8hJ5ecrpp8k

 Star vs. The Forces of Evil stars (He, get it. I'm funny.) Star Butterfly. A princess from the dimension of Mewni who, upon her fourteenth birthday is given a wand of unbelievable magical power. However, after causing nothing but trouble with her new found powers in her world her parents decide to ship her off to Earth, where she can be somebody else's problem. There she befriends a human boy named Marco Diaz and the series mainly follow these two as they go on all sorts of magical adventures as they battle all sorts of evil monsters and ne'er-do-well who want to take the wand and use its power for themselves. Or at least that's how the series goes at first. As the series goes on it begins to focus more on the world building, as Star and Marco discover that the kingdom of Mewni isn't as great as they first believed, and are forced to battle political corruption, conspiracy within the royal family, and the generation spanning systemic racism against monster kind.  

 The best place to start when talking about the show are the characters. Lets start with the main leads.

 We got Star, your typical fun-loving, ditzy, hyperactive action girl. Which seems to be a common trend in Disney Channel cartoons now that I think about it. But she does enough to stand on her own. She's a fun character, and an overall good lead for the series. I admit that her bratty nature and general stupidity could turn some people off, and there are times  where it can get a little annoying, but I never minded it all that much. I think that's kinda suppose to be the point of her character. She's a royal, and spent her whole life with a silver spoon in her mouth. So it makes sense she would be a bit selfish and be unaware of the world around her. And she does improve over the course of the series, as she begins to take her job as a princess more seriously and spends much of the series actively fighting against monster prejudice. Though I'd be lying if some of these less desirable elements of her character don't continue to pop up every now and again, even later in the series and especially in the last couple of episodes. Also she's kinda a sociopath. Like especially early on in the show there are like...a lot of casualties to Star's antics. I'm kinda surprised Disney let them get away with that.

 Also, can I just say that I am sick and tired of people asking "When is Disney going to include their first LGBTQ+ princess, completely ignoring the fact that Star is bisexual as fu*k. Like, come on now!

 Marco is also a good lead. He's a neurotic, responsible, karate student who often acts as the straight man to Star's antics. However, I like the fact that he's not a total stick in the mud. Sure he's more cautious than Star is but he's still capable of getting in on the adventures as well. He comes across as a realistic teen with his own set of flaws. Namely his insecure nature and general social awkwardness. I also like that due to his expertise with karate he's able to hold his own in a fight even without magic. He always feels like Star's equal and never like a sidekick. He and Star have a great dynamic in general, and the two play off each other well. They contrast with each other and It feels like the two really cover each other's flaws. And it's kinda refreshing seeing two characters who are so different manage to genuinely get along with each other.  

 But of course, we also have the forces of evil that the shows title so clearly mentioned. Each season focuses on a different villain, and something that I really like is how all four major villains are introduced relatively early on. So the show doesn't suffer from that "Dragon Ball Z" type thing where it's like "Haha! I know you just defeated the villain, but now's there's an even BIGGER villain who we just haven't happened to mention until now!" They've always around in the world, and many of them even start out as joke villains only to become more serious later down the line. And they manage to do that in a way that feels very believable.

 The best example of this is the shows first villain, Ludo. Who upon introduction is portrayed as a completely comedic villain who Star could easily take in a fight. But things change when a new more serious villain, Toffee, usurps him as the season one antagonist. Stealing his castle and army in the process. Come season two and Ludo is left alone, having lost everything, and is forced to toughen up in order to get back what he once had. He builds a new army, stronger than his first. He finds a new castle to form his base in, and becomes a genuine threat to our cast. Scrappy underdogs villains who lost everything might be one of my favorite tropes in fiction. Other examples of this trope used effectively would be Peridot in Steven Universe and Jamack in Kipo and the Age of Wonderbeast. However, while those shows use this trope as an opportunity to have these villains go through a redemption arc, Star goes the other way and uses it as an opportunity to make a character become more of a threat. That said, he never loses the comedic charm that made his fun to watch in the first place. Part of me honestly kinda wish that Ludo stayed the main villain of season two, instead of being usurped Toffee yet again. That said, the episode "Princess Quasar Caterpillar and the Magic Bell" does a good job giving his arc a satisfying conclusion.

 Speaking of antagonist, let's talk about Tom Lucitor. Star's demon ex-boyfriend. While not a season spanning villain like Ludo or Toffee, he has several appearances early on as a recurring antagonist only to go down the more traditional "redemption arc" route later on. And I just want to say upfront, Tom is one of my favorite characters. Not in the show, but in fiction in general. It would of been so easy to make Tom your generic "toxic boyfriend" arch-type but even early on it's made clear that even though he's an antagonist, he isn't pure evil. His love for Star is genuine, but the problem is that he hasn't earned it. He tries to improve himself and become a better person but his own anger issues and jealousy keeps getting in the way. Specifically jealousy of Marco because he seems him as a romantic threat. But as time goes on, he does become better. He learns that he and Marco have a lot in common and eventually accepts that he can't make Star love him, and lets her have her space. And that, ironically, causes Star to becoming willing to open up to him again. They become friends and eventually get back together. But what I like is that while he has gone through efforts to improve and work through his problems, they still persist throughout the series. He's still very insecure and is looking for constant approval from Star. He still is jealous of how close Star and Marco are even though he has become friends with both of them. And it's shown several time that Tom tends to put his own problems above the problems of others. It shows that even though he wants to change and is willing to change, that doesn't mean that change come easy. It takes time and can be a long process. These are realistic character flaws that make Tom such a more complex and relatable character in my eyes. I relate a lot to Tom with his desire and constant struggle to improve as a person, and I feel like it's a struggle that's easy for a lot of people to relate to. Also...he's just such an edgy dork. He's...he is good boi.

 Another fantastic character is Eclipsa. Introduced about halfway into the series, Eclipsa was a former Queen of Mewni who was imprisoned in crystal due to dabbling in dark magic and for running away from her arranged marriage and marring the King of the Monster, Globgor. The show builds up mentions of Eclipsa early on, with characters talking about how evil and dangerous she was. Eventually she becomes free from her prison (cause lets be real, whenever there's a villain sealed away somewhere you KNOW they're going to get out.) But surprisingly, when we see her she actually doesn't seem that evil. She's polite, kind, and is even willing to go through the proper legal channels to prove that she isn't as bad as people say she is. She is an excellent example of a morally ambiguous character cause for the first several episodes we the audience don't really know if she is actually a good person who's just been judged too harshly by society or if she is actually evil and this is all an act. As even as the show goes on and it becomes clear that Eclipsa is a good person at heart they still manage to keep the audience guessing. Much like Star, Eclipsa can be kinda selfish and impulsive, making her a bit of a loose cannon.  Despite the shows title "Star vs. The Forces of Evil" Eclipsa goes to emulate one of the shows major themes. That life isn't that black and white.

 The show deals a lot with shades of gray when it comes to its characters, as all characters have there own motives and backstories and relations with each other that can make them either allies or enemies depending on the circumstances. An example of this is the Magical High Commission, a group that monitors magic across all the dimensions. throughout the series it is shown that they stand on the side of Mewni. So in season two when Mewni is being conquered by  Ludo and Toffee they're good guys. But just like most most people in Mewni they hate monsters and believe that Eclipsa is evil. Making them antagonist in seasons three and four. Their motives stay the same, but their role in the series changes.

 However despite my praise not all the characters are  great. In fact the show can be kinda hit or miss with their cast. The characters that are great are really great, but then you get characters like...

(Art by JelloApocolypse)

 You know what, I have to be honest. I kinda like Pony Head. I know a lot of people say she's annoying and selfish and contributes next to nothing to the plot...and they're right. But I also just kinda like her. I think what makes her more bearable to me is that she's kinda disliked in-universe. Even Star, who is Pony Head's best friend, often times get sick of her crap. Real talk though, can we all agree that Pony Head is basically just a discount Lumpy Space Princess from Adventure Time?  Like, they're nearly the exact same character.  

 A character who I don't like as much though is Glossaryck, the magical spirit guide that lives in Star's spell book. I never really got his deal. Sometimes it seems like he likes Star and genuinely wants to help her become a better magic user, while other times it doesn't seem like he really cares. He dies in the beginning of season three only to come back a few episodes later acting like a wild animal and yelling "Globgor" over and over again without any explanation as to how or why. Than at the end of season three it's revealed that it was all an act and he was fine the whole time. Like...why? We later learn that is a highly recognized historical figure in Mewni. Why is he yelling his name? And why does nobody question why he's doing this? I can buy that Star and Marco might not know who Globgor is but most everybody else seems to. I keep expecting that moment for his motivations to click. Where it's revealed how everything he's done was all an elaborate ploy to help Star or something, but it never really happens. Though my opinion of him does slightly increase in season four, but that's just because Keith David took over the role of voice actor. And adding Keith David can make anything better.

 Some characters can even change in quality between seasons. Janna is this edgy punk girl who joins the main cast in season two as a new friend to Star and Marco. I liked her well enough in season two even if some of her more abrasive elements could be somewhat obnoxious. She's more or less absent for most of season three. Then come season four she returns and I found her more annoying. I don't know if her character got worse or if it was just the fact that her character didn't work as well in later episodes after the show had become more dramatic. But near the end of the season, they give her some long overdue character growth. Not a lot, but some. And I found myself liking her more.  

 There are other characters in the series as well, and they tend to vary. Star's mom, Moon is a BAMF and I like Buff Frog a lot. Jacki and Kelly are fine characters, though I admit there's not that much to them outside of being love interests for Marco, though they still have there own personalities. King River's kinda annoying but I've seen worse examples of the "dumb dad" trope and Alan Tudyk gives a great performance.

 And since I don't have time to go over my thoughts on EVER character in this series, I'll do what ever online review does when they don't have time for nuance. Create a tier list!

 If It's not apparent by now, the characters in this show run the gambit. With the best ones being some of my favorite characters of all time, and the worse one's just being generally annoying. However, if there's one thing that this show excels at is not painting things as black and white. No character is evil without a reason and all the heroic characters have un-heroic flaws to their characters with unique motivations that make sense for their characters. (For the most part anyway.)

 The shows animation is also really good. Featuring thick outlines and a lot of nice coloring on the characters. (Even if some of the background colors can be a bit drab at times.) Most of the first season is done in flash, but it's good flash, which does well to accentuate the character expressions and the fluid action scenes. Part way through season one though the show's animation changes to more traditional animation. I think there is a bit of a divide on which style people consider to be better, but I personally prefer the look of the later seasons. The bouncy look of the early season one episodes look good, but I don't know how well that would of worked in the more dramatic and somber moments that happen later on.

 I also appreciate the world building. The first two seasons are set mostly on Earth in the town of Echo Creek, but the last two seasons changes things up and focus much more on Mewni, allowing us to explore both settings. I know some people don't like the change as it resulted in several of the characters introduced earlier being written out of the show but I never really minded that. I think Mewni and the cast of characters who inhabit it are on the whole more interesting than the people of Echo Creek. (I mean does anybody really miss Sensei Brantley?) Plus the change in setting allows us to get a bit of a role reversal with Marco being the fish out of water, and Star having to show him how her world operates. And even if you do prefer the Earth setting we still cut back to it on occasion. And when you add it all up the total series runtime between the two setting is fairly evenly.

 I like how characters can kinda come and go in this series, as it shows that the world doesn't revolve around Star and Marco. And it allows the writers to see which characters people gravitate to and focus on them while keeping less interesting characters out of the way. It also allows for character arcs to actually have conclusions, without the need for them to be drawn out just for the sake of keeping characters around longer.

 Let's talk about themes for a moment. Specifically the main theme of prejudice and  systemic racism in the show. It's handled...okay. It's kinda standard stuff and it doesn't go super complex on the issue, but for what it is it works though. That being said the show can be a bit confusing in terms of what counts as "monsters" and what are just regular races in this world. Which can make the metaphor a little muddled. I get that the idea is that there is no difference, and that monsters are only deemed as bad as an excuse for mewmans to justify their mistreatment of them, but it can still be confusing as to who's oppressed and who isn't and to what extent. I feel it would be even more confusing for a younger children watching who might not understand all the nuances of this stuff. However, the way the show tackles this isn't bad either. And the fact that the show tackles this element at all is admirable.

 But who cares about systemic racism! That's not the real reason people are watching this show! We all know that everybody is really here for the shipping!

 Yeah, as the series went on the shipping seems to become a much more major element within the series. So much so that to many the increased focus on the shipping is often cited as one of the main elements that caused the show to go down hill. However I never really minded it. I mean Star vs. has always been a bit of a love letter to the shojo/magical girl genre and romance is a very important element to those types of shows. So it makes sense that it would be used here. And I think it's used pretty well here overall. These are just kids struggling through these types of feelings for the first time, So it makes a lot of the stupid decisions that they make feel a lot more believable. But if this kind of thing isn't your cup of tea, it might end up bothering you. Because they do devote a good amount of time on it.

 But you're probably wondering, who do I ship? Am I team Starco or team TomStar? And honestly, while shipping has never been something I've ever gotten too invested in, if I had to pick I would probably have to say team Starco. Which may be surprising as I previously went on and on about how Tom was one of my favorite characters of all time. But this is the way I see it. Tom's whole arc is about learning how to get over his jealousy and controlling nature regarding his relationship with Star. And it's shown that even after he's dating Star, and has everything he thought he wanted, he still couldn't fully get over his hangups. Even though he loves Star and Star loves him, it's clear that the relationship still isn't exactly the most healthy. And it's clear that they are going in different directions in their lives. Tom knows what he wants. To be with Star. But Star doesn't know what she wants. Not all relationships have to end because one person does something wrong or because one of the parties involved is a bad person. Sometimes two people just aren't compatible in that kind of way. And seeing Tom be the one to break up with Star shows just how far he's come as a character. Plus, like I said earlier, Star and Marco have great chemistry. And I do genuinely see them working as a romantic couple, beyond the fact that there the two main leads.

 Besides, StarTom is technically incest so....

 *record scratch!*

 Oh wait, you didn't know about that.? Yeah, according to the official "Star vs. the Forces of Evil Magic Book of Spells" Star's Great Great Great Grandmother Rhina Butterfly was in a relationship with John Roachley, a second cousin to the Lucitor's. Now granted that would mean that Star and Tom aren't THAT related. But still. Incest none the less. Not that it even matters anyway since all of the Mewmans are descended from like five random people!  

Seriously, this is some Ishigami Village levels of incest we got going on here.

 But despite how heated the flames wars can be, I think we can all agree that Tomco is the best ship anyway. Like come on now.

 So yeah, even the shipping elements didn't bother me. To be completely honest, while the show did have some problems here or there, I found myself enjoying the show well into the fourth season. But I knew it was coming. Since I was watching the show months after the series had concluded, I had heard things about the finale. A finale that figuratively "cleaved" the fan base. But in order to talk about the finale we have to go a few episodes back and talk about the episodes leading up to it. Obviously spoilers ahead.

 To briefly recap, at this point in the series Eclipsa had become Queen of Mewni along with her husband Globgor after Star relinquished the crown to her. And many of the Mewmans are upset by Eclipsa's new "pro-monster" policies had left to live with the former Queen Moon. Meanwhile Mina Loveberry, a legendary monster fighter from generations far gone, had begun building up an army to invade Eclipsa's castle and take Mewni back from the monsters. A lot of people I hear don't like Mina as a final villain, but honestly I was surprised by how threatening they were able to make her despite how goofy she is. And her backstory about basically being a magically altered super solider driven to the point of insanity really helped to make her sympathetic. (Like I said, in this show everyone is painted with shades of gray. Even genocidal lunatics.) She invades with a Solarian Knight, a giant magic powered mech and it takes all of our heroes working together to barely defeat it. Until it is revealed that it was only one of many. It's an amazing twist that really leaves you wondering "How are or heroes going to get out of this one." Up to this point I was digging this final arc. But that's when I finally got to it.

 To me, the moment where Star vs. the Forces of Evil got bad was the moment it was revealed that Moon was working with Mina to reclaim the thrown from Eclipsa.

 It just doesn't fit Moons's character to do this. While it is shown throughout the season that Moon does not agree with Eclipsa more extreme policies, It was still shown that while Moon may be against Star's decision to give the crown to Eclipsa, she acknowledges that since Star was queen at the time and was within her right as queen to decide what was best for the kingdom. And in previous episodes she seemed generally happy not having the responsibility that comes with being queen anymore. But now she suddenly wants her kingdom back? If she wanted it back, all she had to do was say so from the start. At the start of the season most Mewmans still hate Eclipsa. It would not be that hard to stage a coup if she really wanted, especially since the magic high commission and all of Mewni would be on her side. Why would she work with Mina, who Moon knows is insane and racist even by Moons standard? Sure Moon and Eclipsa definitely don't see eye to eye on a lot of things but Moon still wouldn't want her dead, and Moon knows that Mina wants to kill her. I know she thought she could control Mina's army but that's still a big risk. It seems uncharacteristically reckless for a character as intelligent as Moon to make these choices.

 So then, after it turns out that Moon can't control Mina's army, our heroes are basically screwed and are forced to hide out in a special tavern located at the edge of the universe to wait things out while Mina begins rounding up all the monsters in Mewni. They are all trying to figure out a plan on how to possibly defeat Mina's army when Star suddenly goes on a rant about how magic is bad. And this idea had been brought up a few times in the series, but overall had never really been portrayed as a major aspect. But suddenly the show treats this as if it's all the magics fault, and that everything would be better if it was gone. And that's when Star comes up with the genius plan to use go to the magic dimension to destroy all the magic. Thus making Mina's forces useless. And while I admit that yes, they are very much been pushed to a wall here, this has to be one of the most overkill ideas they could of possibly think of!

 Now, I've seen a lot of people online saying that by doing this, Star would be committing mass murder on a multiverse scale, potentially destroying many universes. And I think that is a bit of a reach. From what we see in the series, it seems to me at least that magic is kinda a rare thing in the universe. That's why so many villains are trying to steal the magic wand away from Star. And I see very little implying that there are whole universes that are reliant on magic outside of Mewni. THAT SAID THOUGH, this would result in the deaths of a lot of innocent people. But Star really only seems concerned with the fact that once magic is destroyed, all people who come from parallel universes will return to their home universe, meaning she won't be able to stay with Marco. Which makes Star seem beyond selfish and generally pretty horrible.

 Hekapoo, one of the high commission members, despite being made of magic and knowing that she will die from this, is totally on board for this plan because plot. And our heroes travel to the magic dimension to destroy all the magic. Which they do. Defeating Mina's forces and leaving her powerless. She still manages to escape however because nobody decides to actually, you know, try to arrest the person who just committed a political coup and nearly whipped out an entire race. They just let her walk off, because she's powerless now. I mean what's the worse she could possibly do, right?

 So yeah, Mina is defeated, but everybody is sent back to their home dimensions. But somehow, through the power of love I guess, the universes of Earth and Mewni begin to merge. Thus allowing Star and Marco to be together. Happy ending, I guess? I don't know.  Like Star and Marco being together is treated as a good thing. But we also see humans screaming as there world have now been overrun by monsters. Is this suppose to be a joke? A bittersweet ending? I'm not really sure.

 In concept the idea of a universe merge is actually a pretty interesting idea. As it feels like a natural progression of the shows themes of racial tolerance and mutual understanding. Now that we've gotten semi-tolerance between monsters and mewmans we could now have an arc about trying to bridge the cultural gaps between the humans and the mewmans. Plus it would be a good way to appease both the people who enjoyed the earlier seasons focus on Echo Creek, and fans of the later seasons who preferred the stories set on Mewni. It's not a bad idea, but it needed to A.) be set up better and B.) needed more time to be fleshed out. I get that it's designed to be a sequel hook, but it's not like this is something that the series had been building up to to the point where we the audience can put together what happens next. As is, it's just weird.

 So yeah, the last couple of episodes of Star vs. where a total mess. It's fitting that the finale to Star happened to come out the same day as the finale of Game of Thrones. While I'm not going to act like there weren't some parts I liked or some good ideas sprinkled throughout, this finale was pretty bad. How do you have a show that preaches acceptance and equality and end it with a genocide?! But hey, genocidal problems call for genocidal solutions am I right?

https://www.youtube.com/watch?v=0Ufmrn7BCuA

My God, It's Dragon Ball Super all over again.

 And the worse part is that the series didn't have to end this way. Cause the show actually had a pretty good episode about half way through the season, "Cornonation" which would of acted as a great series finale! With the series ending with Eclipsa as Queen and ruling with Globgor by her side, with the mewmans finally accepting monster kind. You'd have to change a few things, like rap up Mina's plot and put Star and Marco together, but other than that it could of really worked. Admirably it may end up feeling more like a finale for Mewne as oppose to a finale for Star but it would thematically fit with the message of the series. Or if you really wanna keep this finale more in tack just don't have Star destroy the magic. Just have Star, Moon, and Eclipsa go off and do the one thing the three of them had never tried doing. Working together. And have them defeat Mina the old fashion way. They even allude to this idea in the tavern episode before Star goes on her whole "We gotta destroy the magic" kick.

 It is a bit ironic to think that a show that's whole message is about unity could end up being so divisive with it audience. I genuinely believe that had the show ended on a better note, people would look back on the show more fondly. Despite the flaws. To the people who don't like Star vs. The Forces of Evil, I can understand where you are coming from. Even if you ignore the finale there are things to not like. A lot of things aren't very well explained and the show has its fair bit of plot holes. The series can be repetitive with its frequent shipping and "racism is bad" episodes. And some of the characters can be a bit annoying, including our main lead at times.

 That being said though, I have to say, I can't bring myself to hate this show.

 I don't know what it is, but I just found myself getting really invested into this series. Maybe it was due to me hearing so much bad things about the later seasons that I had low expectations, and while that may be part of it I don't think that's the whole reason. When you watch as many cartoons as I have, and for as long as I have, it becomes harder for things to impress you. Sometimes it can feel like your just checking shows off of a box, which is something that I've been trying to improve upon. But watching this show, it brought me back to the way I felt back in the early 2010's when I first started getting into these types of series.  For all of Star's flaws, and trust me there are many flaws, it felt like it was doing something unique. Like it was in it's own little world that wasn't quiet Adventure Time and not quiet Steven Universe. And the series stuck with me after I finished watching it, which is surprisingly kinda rare. It's why I became interested in doing this review in the first place.

 Star vs. the Forces of Evil is a flawed show. Very flawed. But I'd rather have a flawed show that's unique than a perfect show that's something I've seen a million times. And while I may not be a fan of how it ended, I don't think that should completely take away from all the good that this show has to offer. This show isn't going to be for everybody, and If you somehow made it this far into the review without seeing the show than I hope I've said enough to help you figure out if this show is right for you. But for me, despite everything, the series still has it's magic.

 What did you think of Star vs. the Forces of Evil? I really genuinely want to know on this one.  Did it go downhill and if so than when? Leave those thoughts in the comments down bellow. Please fav, follow, and comment if you liked the review. And have a great day.

[thisisallthehattersfault]

God I just. I want to lean more into the fact that Descendants is a world where the fair folk exist. Dwarves and mermaids pixies and both light and dark fey, sorcerers and magic talking animals and they all exist in a world that’s technologically identical to the modern day. There is so much potential for worldbuilding fuckery there.

The books say that Dwarves are “cousins” of Goblins, the creatures that worked for Maleficent. Even just that is fascinating. Are they subspecies, able to interbreed? What are the offspring called? Is Doug biologically related to any half-goblins? Or are Goblins to Dwarves what Lions are to Tigers -- technically, sure they could cross breed, but the kid would be sterile. Are they different phenotypes, or are they completely different genotypes? What about Mal and Jane? It’s assumed that Fairy Godmother is light, but is she? Do we know for sure? What the hell is a Fairy Godmother anyway? Is she actually Cinderella’s godmother, a friend of one of her parents that got put in charge of her? If she is, why didn’t she come for Cinderella sooner? And if she isn’t, what? Is she just going around looking for kids in trouble? Only... she isn’t, is she, because the only person she saved was Cinderella, the girl who so conveniently married the prince. Funny how that works. What about Flora, Fauna and Merryweather? Obviously they’re enemies to Maleficent, and obviously they’re a different type of fairy than she is, but who actually are they? Ambassadors from their fairy realm, invited to Aurora’s christening to strengthen political ties between Stephan’s kingdom and the light Fey? If that’s the case then Maleficent isn’t a villain. Stephan chose a side in the war between fairies after she gave him a choice and an opportunity to save face. That’s what happens when you piss of the Fair Folk. What’s their current political standing in Auradon? What about the rest of the Seelie? Is their court part of Auradon or are they just allies? And what the hell is the deal with Auradon anyway? No royal family just gives up their crown. I get electing a High King, but that still means everyone else is Kings and Queens. And High King is usually an elected title, so there’s no way Ben just ascended the throne because it was his dad’s, right? There had to have been a vote or something, so then Ben is King of France and High King of Auradon? Circling back to the nonhuman people, like. What’s Dwarven culture like in Auradon? Obviously everything looks kind of vaguely modern American/European, so then that means there are certain rigid beauty standards inflicted on people from a single colonialist culture, and therefore there’s some push back, right? Is Doug growing out his hair in the third movie because Evie gave him the courage to try embracing his own culture, and he can’t grow a beard yet so this is the next best thing? Is there a language Jane and her mother speak when they’re alone? Did Maleficent ever teach Mal anything about their history, their culture? What about Genies? Or the Pixie Hollow pixies like Tinkerbelle? Magic is “retired” but there’s no way everyone is just okay with that. Atlantis’s whole culture is based on the magic in the crystals they use. Frozen was all about Elsa’s struggle with the powers she’d always had. Do you have to fill out paperwork, registering as a magic user? When you go to the doctor’s office is there a checkbox for if you’ve ever been cursed, hexed, jinxed or otherwise enchanted? Are there physical therapists who specialize in transformations gone wrong? If you have a family heirloom that’s been around for generations and it’s technically magic, are you legally required to forfeit it, or is there loopholes in place? Are talking animals legally considered citizens, or are they still pets? And if they are legal citizens, do they have to get special insurance, since they’re not pets? If they can’t talk but are still clearly intelligent, what then? What about the uncanny ability so many Disney princesses have of being able to communicate with or command otherwise wild, unintelligent animals? Is that considered magic, or is that something that humans can Just Do? Is it possible that exposure to Dwarves and Fairies and Mermaids have resulted in crossbreeding so heavy that the humans in the Descendants series are actually a different species than the humans here on earth? Ones that have, idk, a mild, low-level telepathic ability to communicate with animals? What the hell does that look like on an MRI? And like... Seelie/Light fairies aren’t... good. They still prey on humans. They just do it in the summertime. So what kind of weird political games are being played right now between the Seelie Fey and the Auradon Royalty? I know Audrey said the Evil Queen has no royal standing, but that’s not necessarily true? Snow White married Prince Ferdinand, so she’s probably queen of his kingdom by now unless his folks are still around, but Evie could make a campaign that she’s the rightful heir to the throne Grimhilde sat on depending on who’s blood line it belonged to. Did Grimhilde marry the king, and hate Snow White because she saw her as a threat, or did Grimhilde marry some random nobleman because the court was pressuring her? And if she did marry the king, was she a noble or a princess of her own homeland, because Evie might be entitled to some of that. There’s just SO FUCKING MUCH that we don’t know because Descendants didn’t explain shit, which leaves the door wide open for people to make up all kinds of political and social headcanons and write fics all about the worldbuilding and I WANT MORE PEOPLE TO DO IT PLEEEAAASSEE COME PLAY WITH ME IN THIS SPACE

[moonandstars]

Capable Of Love

Details : Vampire!Yuta, Human!You, fluff, non existent angst.

Pairing : Vampire!Yuta X Fem/Human!you

Word count : 2.5k+

a/n : nobody reads a/n. hop on the story.

You never believed Yuta when he said that he was incapable of love. You remember It was a chilly Saturday night on the rooftop of your apartment, looking at the stars above and drinking your hot chocolate when he looked you straight in the eyes and told you he was incapable of love.

"But how? Everyone falls in love."

"I don't know. But that's how we are."

You tried to read his expression but you could not. It was sad, longing, desperation or something else, you don't know. At times like those you would realize that no matter how much you think you knew Yuta, he had his ways of proving you wrong. Your heart broke that day, that moment and you wonder if Yuta could feel it. For someone who claims to have supernatural powers and super hearing he should have been able to. But the night ended like that conversation and Yuta never gave much away.

You have known Yuta for almost a year. A handsome guy with bright red hair moving in the apartment next yours, it was your right to be intrigued. For the first one month he was closed off, creepy and hardly spoke a word more than necessary.

"Hello."  He nodded. "I heard you moved in. I'm your neighbor."

"Okay."

"Ah-yeah. So don't hesitate if you need any help. It's a good place."

"Okay. Thank you."  He said while walking away.

It took two months for both of you to open up and have a conversation which lasted more than 5 minutes and could be classified as a decent one. That was also the time you started feeling infatuated towards him. Yuta was a gentleman. Always helped people in the apartment, played with the kids, even fed the stray cat when he thought no one was watching. He seemed like a simple guy but still there was a scent of secrecy that followed him. The only one who ever visited him was a black haired guy around his age, apart from that he never went out in the day.

It was the third month when you felt you both could be defined as friends. Yuta was still the same calm, closed off and mysterious person but there was a charm in everything  he said and did. You both shared some nice conversation at the rooftop every night and went for movies at some weekends.  Yuta sometimes even hanged around your apartment when he came asking for some stuff like extra pen or some room bulbs in the middle of the day when he could have easily bought those things just outside. You realized he had a great sense of humor but sometimes he talked like he knew something that no one else did. Somewhere along the end of the month you realized that Yuta knew almost everything about you but you didn't knew anything about him.

"So how long have you been living here?"

"Quite long. Can't exactly put the finger."

"Aren't you tired of the city then?"

"Never. It changes a lot and never let's me get bored."

Everything Yuta says leaves you with more questions but you don't understand how to put them into words. You cherish every small moment with Yuta. Even if it's small hello while passing each other in the hallway. At times you want sit in front of Yuta and ask him to tell you everything. Ask him about his life, where he came from and what's his favorite food or why he spends so much time cooped up in his room?

You were both returning home from the movie when you felt Yuta getting a little uncomfortable. He kept moving during the entire movie but he said he was feeling unwell or maybe could have caught a stomach bug. It was when the light from a passing car flashed on Yuta's eyes and you saw his eyes were as red as his hair. It should have rung a bell but it didn't.

The bell banged inside of your head at full volume the next week but it was too late. You were inside Yuta's apartment the first time, needing some ice. He was inside his room but you went to the refrigerator  yourself in a hurry, getting late for your classes. The thing you saw after opening the door was enough to make you gag, throw up and pass out all at once. But you stood there numb, frozen. The refrigerator was filled with blood packets, all stacked one over another.

"Ah-Oh. Bummer."

"Yuta Is it- Is ?"

"Yeah. It's blood."

And that's how you found out Yuta is a vampire. A typical one and that's why he never went out in the day. His eyes turned red because he was hungry and his appetite comprises of the blood he keeps inside his house, thanks to his black haired friend who works in the hospital.

"How are you so calm about it?"

"I have learned that some secrets cannot be stopped from being discovered."

"But aren't I a threat now? I know your what you are."

"Every problem comes with a solution. If you ever decide to threaten me, don't forget I have a lot of powers up my sleeve."

Even after learning he's a vampire, nothing is changed. Except now you the reasons for his unusual behavior, for not going out, for not eating and for having detailed information about a lot of historical events. You even learnt that he's not the only mysterious creature around.

"Why do you even use a coffee mug for blood, I thought you guys directly drank from the packet?"

"That's offensive Y/N, I'm a gentleman not some animal like those werewolves."

"WAIT THOSE ARE REAL?"

It has been six months since you have been in love with Yuta. You aren't surprised. The kind of man Yuta is, no one can stop for falling for him. But you never told him. Sometimes you feel like Yuta likes you. The way he cares for you, spends most of his time with you, looks at you but his voice from a month ago still rings in your mind.

"I don't know but that's how we are."

Incapable of love? Maybe yes Yuta isn't a human being like you but that does that mean he can't fall in love or feel affection for anyone. You haven't seen Yuta in a relationship or with a girl ever but sometimes he did return at dawn with some lipstick stains. When asked he told that he did one night stands but never got involved with anyone. You have done your research about Vampires being in love. It was very much possible, if you could believe those sources online. The hope was sparked when you saw the black haired friend, Doyoung, also a vampire, with a girl at a cafe looking very much in love. So you started the conversation with Yuta again.

"So you haven't loved anyone before?"

"I told you. My kind, we are incapable of love or romance, these kinds of things are not for us."

"For every vampire or it's just-"

"It applies to everyone of my kind."

"But who decided that, why is it a thing?"

"It is a long story. There's a reasons behind everything."

You did not believed it. Something about the way he spoke seemed fake and lifeless. Like he was trying to hide something, like he wanted to avoid something. But the conversation never got farther from here. So that's how you, the shy and insecure girl, decided for the first time that you will not give up, that you will make Yuta fall in love with you, or at least try for it. Because well you had nothing to lose, even if Yuta rejects you, you can isolate yourself in your room until you make yourself believe that was a nightmare. Like Yuta said, every problem came with a solution. The starting isn't easy because you have never done this before, never fallen in love before, never tried to flirt before.

"Oh hey, What's up?"

"You got quite late, busy day?"

"Huh?"

"I asked had a busy day, You here?"

"Oh sorry I got lost-" Finger guns "In your eyes."

1 second.

5 seconds.

60 seconds.

"Oh Y/N, I thought I was in a trance until I realized I'm a vampire and that's not possible."

It's been few weeks since you have been trying to flirt with him and give very transparent signals about your interest in him and you have got nothing solid results. Honestly you would give up if it was not for Yuta's reaction to your flirting. Sometimes he would blush as if all the blood he has sipped from his coffee mug went to his face or just smile looking at you for a while, sometimes he looks like he's about to say something but stops himself.

It's a lazy afternoon when you're both in your apartment, being your lazy selves.

"You know love isn't such a bad thing." You said trying to stir up the conversation again.

"Hm is it?" Yuta says.

One of the reasons your confidence has not gone is because Yuta never asks you to stop. In fact he enjoys it, teases you and even flirts most time.

"See, Snow White found her prince and lived, Cinderella found hers and escaped her nightmares, even Nala found Simba and got their kingdom back. Love also bring change in life."

"Are you saying I'm a disney princess?" Yuta says flicking his hair and laughing.

"Why not? You could be, a sexy goth princess who drinks blood and talks to bats?"

"I don't think anyone wants a princess like that and it's hard to find a prince."

"You're wrong. Maybe the prince is somewhere near, maybe in your neighbor or maybe in front of your eyes." You said huffing.

"Maybe." Yuta says looking serious and holds your hand. "But what if changes aren't positive? What if Cinderella didn't escaped her nightmares?"

"Well she would only know after trying it."

You both sit silent looking at each other. A lot of expressions flashed through Yuta's eyes, but he does not let go your hand, instead he takes it to his lips and kisses it. It's moments like these when Yuta is just right there, close enough to touch but so far away. Like there's wall between you and him and you can't cross it.

It's the next day when you're about to knock on his door when you hear something.

"Seriously Yuta, stop getting your insecurities get the better of you. You're a vampire act like one!"

There's a long pause, an oddly long pause until you heard several footsteps coming towards the door and you made a run for your apartment, you didn't wanted to be caught eavesdropping. You felt embarrassed, it was better to act like you did not know anything.

It was the next afternoon when Yuta knocked at your door in his black loose t-shirt, his red hair falling on his forehead and on his eyes, which looked the same bright red as his hair.

"Hi Y/N, did I disturb you?"

"Of course not, but are you okay?"

"Of course, I'm fine. Perfectly."

"So uh-why are your eyes still-"

"Red? "

"Or you want my blood." You said winking and Yuta choked on his breath.

"You know I stopped sucking blood in the 80s." He scoffed and made himself comfortable on your couch. "I just wanted to spend some time with you." He said patting the sofa.

You made your way towards the couch and sat opposite to him. It was nice spending time with him, even more nice when Yuta was the one who initiated it. But that doesn't mean he loves you and the thought makes you a little sad. Yuta sees you as a friend, with whom he can be comfortable and doesn't have to worry about his real identity. Maybe his incapability to love was just an excuse so he could be just be friends with you. You were deep in your thoughts and did not realize yuta was observing you.

"Hey Y/N, Y/N."

"Huh, yeah? Sorry I zoned off."

"Really? Here I thought you were lost in my eyes again."  He said making you blush.

"Yeah yea, how can I resist those crimson red eyes." You said dramatically fanning yourself.

You both sit in silence finding comfort in each other's presence. You don't even remember when did Yuta became such an important part of your life. He's not just a love interest, he's so much more. He's your best friend, the one who helps you in everything, the one let's you cry on his shoulder, the one who makes you laugh. He's the one for you.

"Why are you staring me?" Yuta says.

"Because I want to admire the look." You say smiling.

"Thank fuck, I thought there was something on my face."

Sometimes you thought if Yuta even knew the amount of feeling you had for him. You were scared that he saw you someone who was just fooling around and was not serious. But you would never be sure and you would never know what was going inside his mind. Even though months has passed, he still is the same yuta with a mystery that surrounds him.

That night you both entered his home when he went straight to the room. He looked tired, that's how he has been looking for a few days. His eyes constantly red and skin getting more rough, like it will crack if you touched it. You did not understand what thoughts were making Yuta so anxious and he was far away from telling you this.

You sighed and went to the answering machine. There was some problem with yours so you had to give Yuta's number to some of your friends if it was something important. Yuta was fine with it because the only to ever call him was doyoung and the landlady.

You pressed the button.

"Hey Yuta." It was doyoung. "Listen, I'm sorry for overreacting that day but I know you haven't picked up the blood from hospital in days and I'm just-just worried about you but you need to tell Y/N you love her. It's pointless to torture yourself like this. Stop thinking so much, just go with your heart and just come to the hospital." The line went dead.

You stood there still trying to process the information until you heard Yuta.

"Damn, I really hate new technology sometimes." You looked up to see him standing near the doorway.

"When you were going to tell me?" You asked and he just took your hand.

"I will tell you everything but not here." So he guided you towards the rooftop, same place where you both have shared countless of conversations, laughs , where he told you he could not love.

"Yuta please, was doyoung-"

"Yes, he was right. I do love you." He said smiling. "How could I not? You are the only one who made me feel like I could breath, that I was more than cold body, that somehow being with you I could remember what it felt like being a human." He said looking into your eyes.

"But why didn't you tell me something?" You said "I thought-that you did not see me like that."

"I'm sorry you felt that way but I wanted to tell you that, tell you how much you meant to me but I was afraid- I Y/N." He took a deep breath. "I have never felt like this before. I was really incapable of love, because I had never felt it until-" He said getting even more close. "Until I met you, and then everything changed. There's no words that I can use to describe how much I love you."

"And-and what about you starving yourself. What if you had died?" You said trying to wipe away your tears.

" I was just restless because I could not figure out what to do. That day when doyoung came, we really had a big argument and he made me realize how much of a coward I was being. He left when we felt your presence outside."

"Wait you knew I was-outside?" You asked getting embarrassed.

"We are vampires." He said as a matter of fact, smiling slyly. "And anyways what matters most is that I have you here now, with me." He said kissing your head.

"And I have you, finally. After so long." "Believe me, you had me at hello."

--

"You should not waste such a warm sunny day. Go out and enjoy a little."

"No. I don't like sunny days, I hate the hotness."

"Hate hotness? But you love me."

[allgirlsareprincesses]

Why Jasmine is the greatest Disney Princess

I’ve been meaning to write this for a while and I wanted to do more research before I did, but then the new Aladdin (2019) came out and HERE WE ARE. So this is me winging it with what I hope is still a pretty convincing case for Jasmine being the greatest Disney Princess so far.

What makes a great Disney Princess? Well, you could argue they all have something to offer: Snow White rocked some impressive sarcasm for a 14-year-old, Cinderella was pretty bold for her time, Sleeping Beauty was a dreamer with epic hair, Ariel is spunky and brave, Belle is bookish and kind, Pocahontas is regal and self-sacrificing, Rapunzel is sweet and empathetic, Tiana is passionate and hard-working, Merida is independent, and Anna is loving and faithful. There are others I didn’t include, of course, but the point is that there’s something to admire about every princess, and they all represent the modern woman in their own way. But did they need to be princesses in order to be these amazing characters? With the possible exceptions of Pocahontas and maybe Merida, I’d argue no. These stories would hardly be different, for the character at least, if she was any non-royal woman. And yes, I know Cinderella and Belle only became princesses by marriage, but even then, their stories could have been the same with any powerful man. It didn’t have to be a prince.

Of course, historical princesses and fantasy princesses are not the same thing, and we’re definitely talking about the latter here. Except for a few incredible and very unique ladies, most historical princesses were property whose carefully-preserved virginity was sold for a treaty, land, or a lot of money. They often lived and died miserable, their spectacular portraits notwithstanding. Fantasy princesses are, on the other hand, unabashed wish fulfillment for centuries of women who had little to hope for. These are the beautiful, powerful women we wish we could be, how we might see ourselves if our circumstances were different and nothing prevented us from realizing our potential. Fantasy princesses live the lives we want, and Disney princesses live the most flawless, perfect, clean version of that life. So by that metric, the greatest Disney princess might be the one who lives the most fully realized life that most girls can aspire to.

Jasmine in the original 1992 film

So, let’s talk about what we know of Jasmine (animated by the brilliant Mark Henn) from her introduction in the animated film. The first we see of her, she’s just rejected a suitor, so right out of the gate, we know she’s got no time for egomaniacs. A great trait, but not necessarily unique just yet. Belle also had zero tolerance for pompous douchebags. Next, we get some exposition setting up her conflict (and Aladdin’s) in that she’s legally bound to marry a prince, and she has a deadline. Naturally, she wants to marry for love, which is again sweet but not really original: Aurora wanted to marry for love, too, despite her betrothal. Then, Jasmine mentions that she’s never done a thing on her own, never had any real friends, and never even been outside the palace walls. This seems to be a hint that she might be spoiled and naive, if still sympathetic and appealing.

Finally, we get the line about “Maybe I don’t want to be a princess any more!” Ah, now that’s new. What does this mean? Is she declaring her ultimate goal, to reject her title and birthright, and become something new? Or is this setting up a lesson she’s going to learn about embracing her role? We don’t know, but suddenly we’re paying attention, trying to figure out if this is a spoiled brat or a girl on the verge of becoming a fully-realized woman. The next time we see her, Jasmine follows through on this thought, escaping over the palace wall to take her future into her own hands. We know now that, foolish or not, this is a woman with agency, who’s going to move the plot forward through her own actions rather than sit around and be an object for the hero.

In the market, we see Jasmine’s wonder at the world she’s never seen, but more importantly, we learn that she’s not just a self-absorbed teenager: she has a kind heart. She notices a hungry child and gives them food. True, she doesn’t understand that she needs to pay because she’s never had to do that, which is a consequence of her tremendous privilege. But, for someone who apparently had never before had direct contact with her people, simply recognizing hunger and instinctively seeking to correct it is encouraging. Importantly, this is also the first time we see her actions mirror Aladdin’s: we saw him offer food to a child only a few scenes before. The audience is starting to recognize that this girl is our hero’s equal (if not more).

Now, we come to the inevitable Damsel in Distress moment, and this is where Jasmine really shines. Caught off-guard by the abrupt cruelty of the outside world, she’s not quite able to talk her way out of having her hand chopped off for stealing, but thankfully Aladdin steps in to help. Jasmine, rather than being rattled and afraid, is intrigued and doesn’t miss a beat when her savior whispers “Just play along!” She follows his cues and immediately gives an Oscar-worthy performance as his insane sister, getting so into the ruse that she gives a glassy-eyed greeting to a camel as if it’s her doctor. To my knowledge, this kind of quick thinking is totally unique among the Disney princesses, certainly at the time. Even better, as we’ll see, Jasmine uses her smarts and acting ability several more times in the film, so this scene isn’t just a contrived meet-cute.

On the rooftops, we learn more about Jasmine: she’s genuinely grateful, she can graciously take a compliment (her blush when Aladdin tells her she “stands out” is adorable), and she is, in her own words “a fast learner,” at least when it comes to imitating Aladdin’s street sense. Finally, they arrive at his hovel and she’s entranced by his apparent freedom. Upon hearing how impressive he finds the palace, however, we see her sink back into her own problems, focusing on what she doesn’t have rather than her extraordinary wealth and luxury. From the audience’s perspective, this is definitely a flaw, but one that makes sense given her life experience up to that point. Once she and Aladdin connect over their mutual feeling of being “trapped,” Jasmine completely succumbs to his clumsy charms, and they nearly share a kiss UNTIL….

They are surprised by palace guards and the iconic “Do you trust me?” exchange takes place (this will set the tone for their entire relationship throughout all of the animated content that came after, but more on that later). Aladdin is captured and without a second thought, Jasmine reveals herself and in a commanding, regal tone, ORDERS the guards to release him. For a girl who declared only a few scenes ago that she didn’t “want to be a princess any more,” she changed her tune FAST when it suited her. In fact, from this point onward, she embraces her power and wields her position like a weapon, never again seeming to question her role as Princess of Agrabah. When the guards try to question her, she tells them her actions are “not your concern” and when they tell her she’ll have to take her complaint to Jafar, she gives the most menacing glare of any Disney heroine, ever (fight me), with a sinister “Believe me, I will.”

A quick note before we continue our recap of Jasmine’s epic badassery: during production of the animated Aladdin, the crew had a bit of a crisis with Jasmine being so amazing that she completely overshadowed the hero. Studio head Jeffrey Katzenberg (a horrible human who nonetheless brought a few nuggets of wisdom to the Disney Animation Renaissance of the 90s) is on tape saying he understands why Aladdin would like Jasmine, because she’s fantastic, but that he doesn’t understand why Jasmine would like him. At the time, Aladdin was written and drawn younger, scrawnier, more boy than man and more befitting his “street rat” title. There was a song about his mother, which also contributed to the impression of him as a child, and it quickly became clear that the hero was not really worthy of the heroine, as written. Aladdin was completely redesigned by supervising animator Glen Keane to have a more adult, heroic physique (despite the fact that much of his animation had already been completed), the mother character was removed, and Aladdin’s personality was patterned after popular film stars like Tom Cruise. To further “age up” the cast for this new, more adult take on the story, Jasmine voice actor Linda Larkin was trained to record all her lines in a lower register than her natural voice, making Jasmine sound more like a woman than a girl.

So, back to the palace (which, remember, she’d left because she didn’t “want to be a princess any more”) and Jasmine marching right up to Jafar to get in his face about the boy he took from the market. Still with that same commanding tone she used with the guards, the princess wastes no time on pleasantries and invades Jafar’s personal space, demanding answers and admitting no resistance. When he accuses Aladdin of kidnapping her, Jasmine doesn’t hesitate to tell Jafar she ran away, clearly more concerned about the boy’s freedom than any consequences she might suffer for her actions. But when she hears that Aladdin was executed, Jasmine mourns…. Not only for the kind young man who helped her, but for the damage that her selfishness caused. Though she blames Jafar when speaking to her father, Jasmine reveals to Rajah that she feels Aladdin’s death was “all [her] fault.” It’s not supposed to be her story, but we’re clearly seeing the princess learn a powerful lesson about the consequences of her actions. This is why we see Jasmine continue to mourn for multiple scenes, really right up until she realizes that Prince Ali is Aladdin: the guilt she feels is devastating. She’s reaching a new level of moral maturity even as the object of her affections is constructing an elaborate lie to win her back.

When Jafar is chastised by the Sultan for executing a criminal without consulting him first, he makes a silky and obviously insincere apology to Jasmine, who utters possibly her best line of the film: “At least some good will come of my being forced to marry. When I am Queen, I will have the power to get rid of YOU!” And then she marches off. DAMN, GIRL. And the best part is that Jafar takes her seriously. He knows that was no empty threat, and he discusses with Iago whether Jasmine will have him banished or simply beheaded. Tell me, when has a truly menacing Disney villain ever been that TERRIFIED of the heroine? That’s power, people, the kind that most women can only dream about. Jasmine has it and she’s going to USE IT. Jasmine, First of Her Name, Queen of Agrabah….

Sorry, where was I? Oh yes, Jasmine scaring the sh*t out of Jafar like the badass b*tch she is. So anyway, Jafar realizes the only path open to him is to marry Jasmine (and then kill her, of course), so we see that plot being hatched just as Prince Ali comes to town. Unsurprisingly, Jasmine is even less impressed by the princely pomp and circumstance than usual, if that’s possible, and she literally ignores the parade when she realizes what it is. Then she overhears Ali bragging to Jafar and the Sultan that he will “win your daughter” and she snaps with undisguised fury: “How dare you! All of you! Standing around deciding my future? I am not a prize to be won!” And again with the storming off (there’s a lot of that, I mean she’s nearly 18, after all). But seriously, this woman is my feminist icon. She literally just took down a potential suitor, her own father THE KING, and the second most powerful man in the kingdom with one line.

Finally, Ali shows up at her balcony and Jasmine is blunt: “I do NOT want to see you. Just leave me alone.” Of course, when Ali takes off his turban, she recognizes him immediately. She doubts for a moment when he lies to her, and then he starts attempting to impress her. This is the second time we see Jasmine turn to her considerable acting skills, and the first time she uses her considerable powers of seduction to fool a man: she stalks toward Ali like a she-wolf, telling him everything he wants to hear. She takes his compliment about her beauty (and remember, we’ve already seen her blushingly accept that same compliment before) and turns it into a weapon against him, drawing him in only to put him in his place as a “swaggering peacock.”

Naturally, Jasmine is intrigued by the magic carpet and the opportunity to taste freedom again, but it’s Aladdin’s ultimate tell of “Do you trust me?” that finally draws her into his arms and out into the night sky. Love, for this princess, is an expression of her desire for freedom: it’s what she chooses to do with that freedom, more than an end in itself. And both the music and lyrics of “A Whole New World” speak to that freedom as much as or more than romantic love. For two people who feel “trapped,” this song is the ultimate anthem. And as they soar, Aladdin tosses an apple to Jasmine with his signature move, and she’s again certain that it’s him. Rather than confront him directly about his lie, she again uses her smarts and performing ability to entrap Ali into admitting he’s Aladdin. She really lets loose on him once he realizes he’s caught, asking if he thinks she’s stupid. Then, Jasmine demands the truth…. And of course she doesn’t get it. Though this naivete could be viewed as a flaw, we know that their early relationship was built on trust, so it makes sense for Jasmine to bestow this on her suitor without reservation. We’ve seen so much of her harsher side ever since Aladdin was dragged away a prisoner, so this glimpse of her soft heart is refreshing and reminds us of why she is so extraordinary.

Back at the palace, Jasmine is in full teen-girl-in-love mode, having her first kiss and then dreamily humming as she brushes her hair (this is the only time we see her hair unbound in the film, signifying her achievement of freedom through her love for Aladdin). Upon discovering Jafar’s plot to marry her, Jasmine of course refuses forcefully, declaring without hesitation her love for Prince Ali. During the ensuing confrontation, Jasmine is a bit more the object for Aladdin than his equal, unlike in the rest of the film, but this doesn’t last. We next see her excitedly preparing to introduce her betrothed to the kingdom, even as he tries to confess the truth to her. While this analysis focuses on Jasmine, it’s notable Aladdin respects her enough to attempt to admit his lies and reveal his true identity, however belated. This shows how worthy she is, that in spite of the risk of losing her, Aladdin wants to be honest and be her equal partner. This is another theme we’ll come back to later.

When Jafar steals the lamp and makes himself Sultan, he demands that Jasmine and her father bow to him. Once again, she defiantly refuses, even as her own father begins to bend in submission. When Aladdin’s identity is then revealed, Jasmine is understandably startled, but there’s no indication she’s deeply hurt or angry, especially as she’s confronted with a much greater immediate threat in Jafar, and that Aladdin is obviously attempting to protect her. Alone with Jafar and reduced to a slave girl in chains, Jasmine still tries to fight back in any way she can. She pleads with Jafar to show mercy to her father, then throws a goblet of wine in his face when he suggests she marry him. Understandably, she’s terrified when Jafar uses a wish to attempt to force her to fall in love with him. Again, since giving her love is Jasmine’s ultimate expression of her desire for freedom, to be forced to love against her will is the greatest possible threat to that freedom. It’s not just that it’s a heinous thing for any woman or person, but that it’s the worst for Jasmine, specifically, because of what we know of her character.

A quick note here about the similarity of Jasmine’s situation to another princess who has recently joined the Disney family: Princess Leia. Like Jasmine, she is captured and chained by a villain (Jabba the Hutt) and dressed in a “sexy slave” outfit meant to demean her as a sexual object. Also like Jasmine, Leia keeps fighting back, and eventually finds an opportunity to turn the tables on her lascivious captor and use the conditions of her captivity (literally, her chains) to destroy him. In both cases, there tends to be undue audience attention to how sexy the character looks (hello, Male Gaze), rather than how she uses her strengths to defeat the villain.

So then, Jasmine spots Aladdin creeping up the steal the lamp, and this is where she cements her place as the greatest Disney princess, IMO. Just as she has several times before, she uses her wits and her Oscar-worthy acting skills, and makes Jafar believe that his wish has been granted. In a startlingly mature turn for a G-rated film, Jasmine uses her sexual appeal as a weapon against the villain, to enable her lover to defeat him. All undulating hips and shoulders, a sultry purr, and excessive flattery, she slinks toward Jafar, distracting him as Aladdin draws closer to the lamp. When it seems Jafar might suddenly notice his enemy, Jasmine takes the drastic and self-sacrificial step of pulling him in for a passionate kiss. What’s notable about this moment is that Aladdin, in a classically male possessive moment, becomes just as distracted as Jafar, and misses the opportunity Jasmine gave him. It’s another example of how, though Aladdin has many wonderful qualities, the princess really is still out of his league. The filmmakers made her so brilliant that it’s tough for the “diamond in the rough” main character to measure up.

Her ruse having ultimately failed, Jasmine still tries to fight back physically against Jafar, but of course she can’t. But Aladdin can, so he yells to her to get the lamp and she nearly does, until Jafar traps her in a massive hourglass. At this point, she’s back into Damsel in Distress mode since it is after all Aladdin’s story (I guess), but thankfully our hero uses his own cunning to trap Jafar in time to free Jasmine. To his credit, the first thing Aladdin does when he faces his lady after the battle is apologize for lying. Her response is perfect: “I know why you did.” She doesn’t say it’s okay, she just expresses empathy for him, because she doesn’t doubt his feelings for her. His judgement, maybe, but not his love. And then, she doesn’t hesitate to express her love for him, directly. And finally, when Aladdin tells her he must do the right thing and “stop pretending to be something [he’s] not,” she says “I understand.” She accepts that him making the right decision means they can’t be together. It hurts for sure, but she has the moral fortitude to cope with it. Seriously, Aladdin doesn’t deserve this goddess.

So Aladdin makes the right choice and frees the Genie, and then the Sultan changes the law so Jasmine can marry him. Her father’s justification for this decision is that Aladdin “proved his worth,” rather than that his daughter has the right to choose ANY suitor she likes, which is kind of unfortunate. If anyone has proved their worth at this point in the story, it’s Jasmine, who has defended herself, her family, her city, and her lover throughout the film. Fortunately, this is something the creators of the 2019 film recognized and corrected…. But I’m getting ahead of myself.

As far as we knew at the end of the original film, Aladdin and Jasmine had married, and I believe that even if you considered ONLY this movie canon, the point that Jasmine is the greatest Disney princess stands on solid ground. But as we know, that was NOT the last we saw of these characters, and all the content since then has only reinforced how uniquely awesome Jasmine is.

Jasmine in the animated sequel content

After the smash success of Aladdin in the theaters, and the Little Mermaid TV show, Disney read the tea leaves and decided to create the first of its direct-to-video sequels. These cheaply-made, poorly-written debacles (often derisively referred to as “cheapquels”) would be a staple of studio income for some time, and were an intense topic of debate as well. That’s a tale for another day, but the point is that the first of these was The Return of Jafar, in 1994.

I’m not going to spend a lot of time on this film simply because it’s horrible and I have zero desire to watch it again, but I remember Jasmine being a lot more damsel-in-distress and less badass than she was in the original film, right down to her voice being higher than the carefully-crafted and mature vocals she had in the theatrical release. The film was mostly designed to set up the TV show, by removing the obvious remaining threat of Jafar, rehabilitating Iago for additional comic relief, and bringing back the Genie. It did all of these poorly, but the show afterward was better for having these issues resolved before it began. And the series, whatever its faults, had lots and lots of great Jasmine moments.

For example, in only the second episode of the entire series, Bad Mood Rising, Aladdin and Jasmine are sent on a diplomatic mission to a neighboring kingdom, to establish trade. Interestingly, there’s no indication that it’s Aladdin’s mission, merely that the two of them are “the delegation from Agrabah” and the episode starts with Jasmine giving Aladdin crap for his lack of diplomatic experience. They find the kingdom devastated by famine, and discover this is because the king, a young child, is enchanted such that his moods determine the weather. The kid’s boredom and tantrums are causing his people to suffer, so our heroes attempt to entertain him. Only Jasmine succeeds by telling him a story, in a delightfully direct reference to Scheherazade from the original 1001 Arabian Nights. The boy king is so fascinated by Jasmine’s storytelling, he commands her to stay with him forever.

At first, Aladdin and Jasmine try to escape, but when confronted with the suffering of the people, Jasmine agrees to stay with the king. Aladdin of course protests, and Jasmine utters my absolute favorite line ever: “I was raised a princess, Aladdin. And a princess knows: the needs of the people outweigh her own.” Like WHAAAAAT? I was about nine when I saw this and I swear it blew my tiny mind. I loved princesses, but the idea of them having a responsibility to their subjects had never once crossed my mind. Hearing Jasmine declare herself a servant and protector of the people completely changed my perspective on mythical (and to some extent, actual) royalty, and influenced my opinions of fictional princesses forever.

Jasmine freely chooses to go with the young king, even refusing to accompany Aladdin when he comes back for her again, but we see her mourning the life she lost. Even in a cheap and immature kids’ show, it’s clear that she’s made a real sacrifice to save the people. Thankfully, our heroes are able to teach the boy king that being kind feels good, and he releases the princess back to her city. I noticed when rewatching this episode that Aladdin’s first instinct is always fighting and physical aggression, whereas Jasmine turns to diplomacy. This is both a trend throughout the series, and also a setup for Aladdin’s eventual maturation. The show nearly always casts Aladdin’s aggressive stance as mistaken, which is an interesting commentary given the time.

In a much later episode, called “The Ethereal,” Jasmine has a dream foretelling the destruction of Agrabah. She is, of course, extremely disturbed, especially when events from her dream start occurring in sequence. Eventually a sort of Angel of Death called The Ethereal arrives to pass judgement on the city. We are made to understand that this is a very serious threat, as this same being has already destroyed Atlantis, Pompeii, and Babylon. While Aladdin attempts to make a magical spear that will destroy The Ethereal, Jasmine and her father take her on a tour of Agrabah’s wonders, to convince her to spare the city. They show her the fine library, the marketplace, and works of art, but The Ethereal is unimpressed. She begins to rain fire down on Agrabah in a fairly Biblical vision of the apocalypse, complete with smoking rubble and screaming citizens.

Aladdin attempts to use his spear to nullify the Ethereal’s powers, but his efforts fail. Our heroes come to accept that the city will be destroyed, so they turn their attention to saving as many of Agrabah’s people as they can. Jasmine sees a child about to be crushed by falling debris, so she uses the same pole-vaulting move Aladdin taught her at the beginning of the theatrical film (nice continuity, Disney TV writers!) to leap over the rubble and push the boy out of the way. She is then crushed by the falling tower. Just in case you weren’t SURE that they just killed off the princess in a Disney property, they have Aladdin finding her body in the rubble and saying in a devastated whisper, “She…. she’s gone.”

Holy sh*t, Disney, did you just DO that??? What? Keep in mind that this is at least two years before Hercules was released in theaters, in which Meg was also crushed by a falling column when she pushed Herc out of the way. So not only did Jasmine sacrifice herself first, as far as audiences were concerned, but she did so for her people, not just her lover. This is not to say that Meg’s act was selfish, of course, but it’s notable that Jasmine’s sacrifice was for someone she wasn’t particularly close to, yet she acted without hesitation all the same.

As the people of Agrabah visibly mourn their princess, The Ethereal floats down with a smile and says “I have seen what I needed to see. Your princess’s sacrifice makes it clear: she understood.” She restores Agrabah, then resurrects Jasmine, who tells Aladdin “It’s the people. The people make Agrabah great.” The Ethereal then warns them not to forget this lesson, and leaves.

Though these are the two episodes that most stand out in my mind, they clearly demonstrate that Jasmine thinks of herself not as Aladdin’s girlfriend, but as a public servant, a political figure with responsibilities to her people and a genuinely empathetic heart for them. It makes very clear that when the Sultan’s reign ends, Jasmine will absolutely be the ruler of Agrabah. While this is never stated explicitly to my memory, it’s obvious that Jasmine would be the wisdom and power behind the throne, as there is no clear arc built around preparing Aladdin for any kind of leadership. Despite the Sultan’s proclamation in the original film that Aladdin will be Sultan, it seems he’s really more of Jasmine’s consort, which appears to suit both of them just fine.

This leads me to my last point about the TV series, and one that segues well into the “threequel” that ended the animated content: Aladdin and Jasmine’s relationship is treated in a surprisingly mature fashion. What I mean is, though the writing on the show is often cheesy and a little cringeworthy, this is also a kids’ show that uniquely features a committed, long-term adult relationship. They often reference their plans to marry, and frequently say “I love you” to one another. Though there are ups and downs in their relationship, they remain committed and mostly very honest with one another, consistently demonstrating that their bond still rests on that trust that was so heavily emphasized in the 1992 film.

One episode in particular demonstrates this deep commitment, called Eye of the Beholder. In it, recurring villainess Mirage transforms Jasmine into a snake, to test Aladdin’s love. Aladdin determinedly sets out to find a way to break the spell and change Jasmine back. When they are unable to find an antidote, a devastated Jasmine tells Aladdin to leave her, believing that she will be a snake forever. Instead of leaving, Aladdin eats an enchanted fruit that also turns HIM into a snake, declaring to her “If we can’t be together as humans, then we’ll be together as snakes.” A furious Mirage screams “No, this was supposed to tear you apart, not bring you closer together!” And of course the episode ends with them being transformed back into their human forms.

While this is definitely more of an Aladdin moment than a Jasmine one, it’s important that her lover is shown being committed to her, because it demonstrates that he is truly worthy of her. Remember that in the original film, it was a major problem during production that Jasmine overshadowed Aladdin, so seeing him grow and become an equal partner is tremendously important to keep the audience invested in their relationship. I appreciate that instead of forced breakup plotlines, the writers of the series chose to show Aladdin and Jasmine growing even closer over the course of the show’s run, making them excellent romantic role models for kids.

Eventually, Disney chose to bring Aladdin and Jasmine’s story to a close, creating Aladdin and the King of Thieves in 1996. Blessedly, this film again featured Robin Williams as the Genie, and some much better animation than what we saw in Return of Jafar or the TV series. The story started with an obnoxiously-Westernized wedding, which was then interrupted by the appearance of the legendary 40 Thieves. We see here the return of Badass Jasmine, who punches out one of the thieves as payback for “ruining [her] wedding.”

Consulting an Oracle, Aladdin learns that his father, whom he had presumed dead, is still alive. There next follows another of my favorite Jasmine moments. She sings a beautiful song to Aladdin, about why she loves him and how special he is to her. The key line is “People like you don’t just come out of thin air.” Aladdin also has a verse trying to describe his painful childhood, including the wrenching line “Your father’s a man who taught you who you are; mine was never there.” I love the acknowledgement there that the Sultan, despite his faults, has been a good father to Jasmine, and that in particular, he shaped her and made her understand her place in the world. At the same time, Aladdin spoke to a generation of lonely kids with Daddy Issues, and there was Princess Jasmine, listening sympathetically and offering support.

The song ends with Jasmine encouraging Aladdin to go find his father: “Our wedding can wait. I think it’s worth a small delay. And won’t it be great to have your father see our wedding day.” No bridezilla here! Jasmine is happy to support her partner and put his needs first. When Aladdin learns that his father is “trapped within the world of the 40 Thieves,” Jasmine tells him “Take as long as you need.” Wow. He really, really doesn’t deserve her.

Aladdin goes off, finds out his dad, Cassim, really did abandon him and his mother, and confronts him about it. It’s been a while since I’ve seen the movie, but I remember being fascinated by how Aladdin didn’t let his father off the hook, but told him that his family had needed him. In an attempt to rehabilitate him, Aladdin brings Cassim back to the palace, where of course temptation gets the better of him and he gets caught stealing (again). Out of a sense of grudging loyalty to his family, Aladdin frees his father, but at the border of the kingdom, refuses to continue on with him. Cassim points out that Aladdin is a criminal now for helping him escape, and tries to convince him to leave Agrabah together. It’s at this point that Aladdin finally becomes a real man, defiantly shouting at his father, “I won’t walk out on Jasmine!” and turning his back on Cassim. DAMN RIGHT BOI, YOU TELL HIM. And as his father rides away, Aladdin returns to Agrabah to face the consequences of his actions.

Of course, they forgive him immediately and Jasmine even helps Aladdin rescue his dad later, but how great is it to finally see our hero show that he really is worthy of the princess’s heart? After this whole story has been told, this is where we end up: with Aladdin reaffirming his commitment to Jasmine, because homegirl is a damn QUEEN, thankyouverymuch. So Aladdin and Jasmine win the day and are finally married, and while we don’t hear anything of their lives together afterward, it seems like they probably had a wonderful life together, and that Jasmine was a wise and fair ruler with a supportive consort who always put her first. Or at least that’s the headcanon I’ve developed over the years.

Jasmine in the 2019 Live-Action Film

So this brings us to the latest of Disney’s live-action remakes…. BUT FIRST! Some context: I’m pretty lukewarm on this film. It’s fine, but IMHO it doesn’t hold a candle to the original animated version. That said, this rant isn’t about critiquing the film as a whole, so I’m going to set all of my nitpicks aside and focus just on the treatment of Jasmine, and whether she is STILL the greatest Disney princess in her newest incarnation.

Short answer: Yep, she is. While I can’t be certain that the writers for this movie had watched any of the TV series, I was struck by their choice of arc for Jasmine: whereas in the original film, her goal was simply freedom (expressed by loving whomever she wanted), her goal here is to literally rule Agrabah. That’s incredibly bold and of course anachronistic, but remember that we’re talking about a fantasy princess here, not an historical one. As in the show, Jasmine demonstrates an understanding of statecraft when she urges her father to maintain peace with the kingdom’s allies. Since she is interfering with his plans for a coup, Jafar insists she remain silent and enchants the Sultan into agreeing. This leads to an “I want” song for Jasmine, which she did not have in the original, but I’m getting ahead of myself.

While this Jasmine is missing some of the endearing traits of her animated predecessor, like the quick thinking and the acting skills, her ambitions to leadership create a similar problem to that of the original film. Remember that the 1992 filmmakers never quite solved the problem of their Jasmine overshadowing the hero, and now, with a new arc of her own that really has nothing to do with Aladdin, this Jasmine doesn’t really NEED him. Unfortunately, this leads to their two stories happening in parallel, rather than as part of a clear singular plot. Worse, it means that the climax of the film downplays Jasmine’s role in favor of Aladdin, robbing her of that wonderful moment from the animated film in which she tricked Jafar to help her lover. In the end, Jasmine’s achievement is her father formally declaring her his successor, and marrying Aladdin is more of an incidental bonus.

Issues with story structure aside, this Jasmine is much more academic than the street-smart girl from the animated content. She’s clearly well-studied in geography and diplomacy, which is why she has no patience for doltish princes like the one she rejects at the beginning of the film. She even has the self-awareness to recognize how being cooped up in the palace makes her an unfit leader, which is why she’s in the market the day she meets Aladdin. Whereas 1992 Jasmine left for selfish reasons - she wanted to be free of the royal pressures she faced - 2019 Jasmine left the palace specifically to learn how to serve her people. This is a level of maturity that the animated princess does not reach until fairly late in the TV series. While I miss the feisty, sharp-witted girl from my childhood, I have to admit that I love the compassionate, driven, calculating woman depicted in this new film, as well.

Which brings me back to the new song, “Speechless.” First and foremost, it’s fantastically performed by Naomi Scott, who has easily the strongest set of pipes in the cast. The musical style is out of place with the other songs, and the scene itself is a weird music video dropped into the middle of an otherwise tense moment nearing the film’s climax, BUT! It’s such a great girl-power ballad that it really doesn’t matter. Honestly, the lyrics don’t really even reflect Jasmine’s inner struggle THAT precisely, but this is because the song isn’t really about her, it’s about the audience, specifically the young girls in the audience. Disney understands that girls will project onto Jasmine as they do all the princesses, so they’ve given us the new “Let It Go” to belt out when we need to get psyched up about anything. I mean, I could easily hear this being played at a Women’s March or similar event. It might not make a lot of sense in the film, but Jasmine is definitely the perfect character to deliver this manifesto to the young women of 2019.

Point being, the only must-have on my list for the 2019 remake was that it not ruin my beloved Princess of Agrabah, and blessedly, they didn’t. And I think she still holds a solid first place among the princesses of the Disney lexicon, as the only one to seriously treat her role as a head of state. Pocahontas, Merida, and Moana all had moments of service to their people as well, but none with quite the boldness, cunning, and selflessness that Jasmine achieved in all of her many incarnations. I assume that Disney is seeing dollar signs and will put out another live-action sequel at some point, and it will probably be terrible, but honestly I don’t mind seeing more Jasmine as long as she continues to be the example of a powerful princess.

So thanks for reading my first unnecessarily-long Tumblr rant, and if you made it all the way to the end, please comment or reblog and let me know what you think!