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lacroixqueen · 2 months

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sparks fly - deadpool x fem!reader

Summary: deadpool has been stalking reader who works at a diner. he ends up hatching a diabolical plan to get reader's attention

Pairing: fem!reader x deadpool

Word Count: 1.3k

Wade knew he was obsessed with you from the moment he laid eyes on you.

It was a dark, rainy night in the city, and you were closing shift at the diner. You liked closing shift. Especially on weeknights like this when it was generally pretty quiet. You were placing dirty plates and utensils into the bus tub when you heard what you swore to be shattering dishes from the back of the kitchen.

Your back stiffened as you peered over your shoulder to the shadowy, unlit part of the restaurant.

“Hello..?” you called out carefully.

Silence.

You carried on with your tasks for the remainder of the evening, unsure exactly of what you heard but too terrified to investigate.

He was already watching you this entire time. He admired the subtle curve of your waist. How your apron tied around your hips in an adorable little bow. The way your thigh-high stockings dug ever so slightly into your skin.

He knew that sneaking into this rinky dink little dinner to spy on some random girl he found somewhat attractive off of a split second impression was.. reckless to say the least. But recklessness has never stopped him before.

Wade stationed himself next to the dishwasher, staying still as a statue until you turned around the corner.

“Boo,” he said without so much as a care in the world.

You screamed, of course, and instinctively threw your entire tray of plates at him. “What the fuck!”

“What the fuck is right!” he answered gleefully, effortlessly brushing the completely filled bus tub to the side, not even flinching as even more silverware crashed into the ground. “And you are actually in big trouble! Like biiiiig trouble. This entire diner, and probably all the buildings around it are going to be incinerated within the next.. 5 minutes? So if I were you, I would leave everything behind and follow me while you still have the chance.”

You watched as the diabolical man in what you could only describe as some sort of BDSM gimp suit pantomimed every single word that came out of his month with a bravado of a world renowned circus performer.

“And.. who are you exactly?” you asked, folding your arms across your chest and raising your eyebrow.

“Deadpool. Spelled like dead and pool,” he replied confidently, sticking his hand out.

“Uh huh,” you said, allowing him to shake your limp wrist. In your mind you were calculating the fastest way to reach the store phone to dial 9-11. “What a.. pleasure.”

“So.. you are coming with me,” he established. “As in, I am going to take you away from this building. Because it is about to blow up. There is a bomb some psycho what’s his face planted in the basement and you are way too pretty to die this young, so I am just going to have to rescue you right here right now.”

“You- what?” you stammered out, but before you could even muster another word, the mercenary had already swept you off your feet bridal style. “Hey! Put me down. Right now.”

“Yeah, sorry that’s not really gonna be an option sweetheart,” Wade snapped back with a wit as sharp as a knife. “Oh, and look at the time! Only one more minute left.”

And with those words, he quickly darted out the back door of the diner into a dingy alleyway. You reflexively wrapped your arms around his neck, taking note of how sturdy his arms felt underneath your legs.

“Whatever you do,” you whispered through gritted teeth. “Don’t. Drop me.”

“You don’t have to tell me twice!” Wade chirped as he scurried down the avenue, maneuvering around a sharp corner. “You’re precious cargo, and besides, the whole point of this entire stunt was-”

Before he could even finish his sentence, you heard a loud “boom”, now realizing you were miles away from the diner you were just at. You felt the ground shake under Wade’s feet, and a gust of warm wind blowing from the explosion site.

You gazed over Deadpool’s shoulder, and gasped as you watched the distant part of the city being engulfed in flames.

“You.. you saved my life..” you murmured. “H-how did you even..”

“Well, if I were to lie, and we all know I am very good at that,” the assassin began. “I would say it was sort of a right place right time sort of situation. As in I was just innocently strolling around the block when I noticed a big bad evil villain, aka my arch nemesis plant a little, let’s just call it grenade downstairs. So, I, being the upstanding citizen that I am, decided to walk right in and save the day. Yay! Let’s just go with that.”

“And if you were to be honest?” you challenged, untangling yourself from his arms and stepping down onto the sidewalk. You realized since you were in a slightly calmer state of mind, and actually standing face-to-face to him under the streetlight, that he was literally towering over you by at least a head.

“Hmm, you got me there princess,” he capitulated. “If I were being real, I would say the part about me being in the right place at the right time was true.”

“Go on,” you chided, beginning to rub the middle of your forehead. You could already feel that this was not about to end well.

“Buuuuut, you were just too cute. I really had no idea how to approach you. So, the most logical conclusion was to throw a wrench into the sink, or should I say a bomb into your diner, and time it perfectly so I could sneak in, pull you aside, and er, get you outta there? And here we are. Ta-daaaa!” he embellished the ending of the entire debacle with jazz hands, as if he was telling a casual story to a group of friends.

“You.. are unbelievable!” you shouted, pushing him against his chest, and not really causing enough force to have him step back. “What kind of sick, twisted joke is this?!” You threw a punch against him with every single word. “You really thought this would be the way to get my attention? Instead of, oh, I don’t know, just coming up to me and striking up a conversation like a normal fucking person?”

“Cute, very cute. Adorable,” Deadpool commented as he watched you attempt to hurt him, almost as if he were observing an unfamiliar specimen in the wild. “God, you are so cute.”

“That’s all you have to say?!” you cried. “After blowing up part of the city? You are a psychopath.”

“Eh, not even wrong,” he shrugged. “Nowadays I even take that as a compliment.”

“I-I’m gonna call the police!” you ultimately decided, whipping out your cell phone from your back pocket.

“Oh, no no no I would not do that,” Wade said, effortlessly grabbing the device from your hand and texting his phone before you could notice. “Just.. they aren’t a big fan. Of me.”

“You think?!” you seethed. “God. You are insane. You know that?” You stood up on your tippy toes, trying to take your phone back.

Wade eventually relented, motioning to hand it back to you before you snatched it out of his hand.

“And never speak to me again,” you shot back at him as you walked in the opposite direction.

“So does that mean I can pick you up at 7 tomorrow?” the assassin called after you. “I know a really nice place downtown.. er, wait that might have been blown up.”

You stormed off without another word, self-assured that this would be the last you would ever see of him. But you were sorely mistaken.

#deadpool #deadpool and wolverine #deadpool 3 #deadpool movie #wade wilson #deadpool x reader #deadpool x y/n #deadpool x you

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grison-in-space · 10 months

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Listening to Artificial Condition again, it strikes me how much Murderbot uses empathy reflexively as a survival skill. Look at this bit.

Upon meeting it, ART allows it on board and then announces that it knows that Murderbot is rogue. Then ART threatens to destroy it if it hacks ART's own systems. Murderbot is immediately terrified and shuts down all inputs, gives serious thought to spending the entire three month journey unconscious, and then considers the potential avenues of damage from ART's drones. ART, not realizing why Murderbot had suddenly gone silent, tells it to quit sulking, which understandably pisses off the still-terrified Murderbot. It dumps a bunch of memories of coercive treatment into ART's feed, and ART goes silent.

Then this happens:

Then it said, I’m sorry I frightened you. Okay, well. If you think I trusted that apology, you don’t know Murderbot. Most likely it was playing a game with me. I said, “I don’t want anything from you. I just want to ride to your next destination.” I’d explained that earlier, before it opened the hatch for me, but it was worth repeating. I felt it withdraw back behind its wall. I waited, and let my circulatory system purge the fear-generated chemicals. More time crawled by, and I started to get bored. Sitting here like this was too much like waiting in a cubicle after I’d been activated, waiting for the new clients to take delivery, for the next boring contract. If it was going to destroy me, at least I could get some media in before that happened. I started the new show again, but I was still too upset to enjoy it, so I stopped it and started rewatching an old episode of Rise and Fall of Sanctuary Moon. After three episodes, I was calmer and reluctantly beginning to see the transport’s perspective. A SecUnit could cause it a lot of internal damage if it wasn’t careful, and rogue SecUnits were not exactly known for lying low and avoiding trouble. I hadn’t hurt the last transport I had taken a ride on, but it didn’t know that. I didn’t understand why it had let me aboard, if it really didn’t want to hurt me. I wouldn’t have trusted me, if I was a transport. Maybe it was like me, and it had taken an opportunity because it was there, not because it knew what it wanted.

The thing about Murderbot's survival is that it clearly involves quite a bit of negotiating with other constructs and bots. That's how it talks its way onto cargo hauler bots in the first place. It uses empathy--envisioning the emotional and cognitive context of the individuals it encounters--to work out what different kinds of people want, so that it can offer them fair trades. It also uses empathy to consider what humans might be looking for, so it can practice blending in and hide.

Murderbot would never have survived so long if it wasn't capable of assessing the individual desires of the people--human, bot, and construct--around it. It thinks about ART's probable fears and motivations so that it can consider whether ART is inherently an ongoing threat or a potential ally.

When your survival depends on evading detection, you get really good at assessing perceptual biases so that you can shape yourself to fit into them. People talk about murderbot being radically empathetic as a choice it makes, or as a feature of its personality that makes it a good person. But I think murderbot would be the the first person to tell you that this empathy is part of its threat assessment suite, a skill that was developed out of necessity in order to allow you to survive.

It is also a trait that makes murderbot a good person, of course: it chooses very carefully to try to survive by doing as little harm as possible and by offering things, like media, that buy it access to things it needs. But it started as a survival skill. It's part of hypervigilance.

I think one of the strengths of this series is that so many of the things we love about SecUnit are traits developed for survival in an inherently threatening world. The shape of its mind and heart have been changed by the trauma of its origin--but they don't make murderbot less good for being altered, even if that skill was developed in a traumatic context.

I like that.

#murderbot #empathy as a tool #note that this is not necessarily natural empathy #it's cognitive and only happens when the adrenaline eases off #going to work my way though the existing published series before I dig into my brand new copy of the new one

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reasonsforhope · 2 months

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"In Cambodia, 60 eggs were found in the nest of one of the world’s most endangered large reptiles, which after hatching set a new record for an international conservation effort to save them.

It was believed the Siamese crocodile, with the distinctive bony crest running down its skull, was extinct in the wild until it was rediscovered in 2000. Almost all of the 400 animals remaining live in Cambodia.

A network of private-public partnerships have been organizing conservation measures to protect the species, including captive breeding and reintroduction programs, and village patrols to ensure their nests and habitat are not tampered with.

In May [2024], locals in the Cardamom Mountains found a nesting site in an area that crocodiles hadn’t been released, suggesting they are expanding and breeding under their own powers: a tremendous sign for the species’ recovery.

“The hatching of 60 new crocodiles is a tremendous boost,” said Pablo Sinovas, who leads the Cambodia programme of conservation group Fauna & Flora International, which has been running a captive breeding program since 2012.

They’ve successfully reintroduced 196 crocs back into the wild, and it was they who deployed a team of conservationists to the nest site found in May for round-the-clock care and observation until every last one of the 60 eggs hatched, bringing their precious cargo into the world.

Generally speaking for crocodile species, the mothers are very attentive beasts, and even the fathers will help raise young if the mother isn’t around. When hatching, the little crocs emerge from the creche of eggs chirping, calling the mother in who then excavates the nest and takes any unhatched eggs in her mouth, rolling them around to speed up the hatching process.

The young are carried to the water in the mother’s mouth, where she will watch over, feed, and care for them until the next mating season."

-via Good News Network, July 19, 2024

#crocodile #cambodia #conservation #endangered species #biodiversity #conservation news #wild animals #wildlife #baby animals #reptiles #reptiblr #reptile #good news #hope #crocodilian

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espinosaurusrexex · 6 months

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Remember Me

WinterSoldier!BuckyBarnes x Female!Reader

summary: After a fight against the most notorious Hydra agent of all, Steve and you discover that your assumed diseased friend Bucky is still alive. Old wounds resurface as you are confronted with the grappling reality that you have lived vastly different lives for the past 70 years. Will he remember your shared history? And most importantly: does he still feel the same?

word count: 3.1k

a/n: Just a short piece that I managed to finish. I know it's not a lot, but I hope you enjoy anyway 💕

warnings: a bunch of fluff and angst, mentions of war, mentions of sexism, swearing, Bucky is really broken in this one, happy ending (:

･ﾟ✫* 𝒎𝒂𝒊𝒏 𝒎𝒂𝒔𝒕𝒆𝒓𝒍𝒊𝒔𝒕 ｡✭･ﾟ

“Proceed with caution, unidentified shooter on bridge. I repeat: unidentified shooter. It is not clear what the motive is. Take cover and shoot on sight.”

“Dispatch, this is Captain America - we’ll take it from here.”

“With all due respect, Cap, I will keep my men on site to keep your cover.”

“I appreciate it.”

“Least I can do for you, sir.”

“Stop chatting it up with the police and do your job, Rogers.”

“Alright, alright.”

You chuckled and turned to Tony. “How long are we out?”

“Three minutes, 46 seconds.”

“You gonna survive that long, Stevie?”

“That guy’s got a good aim on him, gotta give him that.”

Muffled noises pushed through your earpiece before you stepped into the back of the Quinjet to gear up.

“Can’t let him do anything. It’s one guy they’re fighting... one.”

“Yeah, one Hydra-trained assassin who’s apparently immortal and got more deaths on his record than Romanoff.”

You huffed as the meeting recollected in your mind. The Winter Soldier had been the newest pain in the Avenger’s asses ever since you discovered that Hydra was still operating in the shadows of S.H.I.E.L.D.

“They’re just making a show out of everything, huh?”

You strapped your gloves over your wrists and watched as Tony chuckled in the pilot seat. You and him had become good friends over the past few years. Ever since you and Steve had been discovered in the frozen airship of what you had thought to be your last mission about 70 years ago, you and Captain America had woken up in a vastly different world. One through which Howard’s son, Tony, gladly guided you.

Both you and Steve were overwhelmed by the amount of changes the world had endured while you had soundly served your time as human popsicles, though Captain America seemed to struggle a little more with 21st-century technology and norms.

It was fine, Steve had always been a little old-fashioned, even back in the day. You for one were delighted to learn about all the opportunities the world had to offer for women and other people who couldn’t have dreamed of any in the 40s. Because while Steve was celebrated for being the face of hope for the American people, you were still dodging snide comments doubting your place in the Army. And while you tried not to let anyone see the toll it took on you, it was the reason for enough nights you spent with Peggy sharing stories over a bottle of wine.

You both decided the important men in your life should never find out. Though, of course, your not-so-secret didn’t stay hidden from Bucky for long. Which was one of the reasons you had jumped on that plane with Steve. Even when Bucky was already dead. Even when Steve was still oblivious. You constantly needed to prove yourself. But this one time, it had actually changed something – well, time had.

You shook your head free of that thought and walked towards the cargo hatch. Tony had landed the Quinjet – it was go time.

“Ready?”

“That guy won’t know what happened to him when we’re done with him.”

“Let’s rock his world, then,” Tony winked before his helmet closed and he flew out of the jet. You were close behind him, running the short distance from the ramp to the bridge from which you swung yourself off with a grappling hook.

“What’s the status?”

“I’ve been shot.”

“I’ve got it, Bearcat check on Steve. He looks ridiculously helpless.”

“Roger that,” you sprinted towards the two fighting men on the street, as the Winter soldier threw Steve to the ground, his shield nowhere to be seen.

“Okay, my turn.” You stepped in front of him, analyzing his movements, and dodging punches, trying to get some in yourself.

“Oh come on, that’s not fair.” You huffed when he took a knife out of your leg holster and almost acrobatically threw it over your head just to graze your cheek with the blade.

He had knocked off your guns at this point, leaving you with choking wire and some smaller daggers in your jacket. When he turned the right angle, you jumped his shoulders and locked your thighs around his neck, kicking the knife out of his hand and watching as he ripped your choking wire in half. Damn.

“Now, that’s not nice.” You threw the torn metal to the side as The winter soldier struggled to get you off him. A look to Steve told you he had a new plan, and with a short nod, you signaled your understanding to him.

“But if you wanna be like that...” Steve threw you his shield and in a swift motion you managed to drag it over the soldier's head. He pushed his metal arm forward just in time, though your hit had already knocked the mask off his face.

When the shield came down, you heard Steve’s footsteps halt next to you, the world going quiet.

Your stomach churned when you watched blue eyes twitch between the dark smudges. Familiar and oh-so strange at the same time.

“Bucky?” Steve stammered, and at the sound of his name, goosebumps rippled over your skin.

The Winter Soldier’s look darkened before he reached for a gun. “Who the hell is Bucky?”

From then on, the day seemed like a blur. You remembered Sam knocking Bucky down and the lot of you flying back to the compound on standby. Steve was functioning a lot better than you were, considering the man you thought to be dead for over 70 years was currently handcuffed to a handrail on your jet.

James “Bucky” fucking Barnes. Captain America’s best friend, founding member of the howling commandos, infamous war hero apparently turned assassin, and the man who stole your heart somewhere along the way.

You dared a glance at the chained-up, unconscious brunette in the corner as Steve sat down next to you, a calming hand squeezing your shoulder.

“Can I get you anything?”

You ignored him. “How are you not freaking out?” You whispered through glassy eyes instead.

Steve’s expression softened when he pulled you into his chest, his other hand pressing your head further into him. His heart was hammering beneath his ribcage, his fingers cold to the touch.

“I am. Just trying to be a captain.” His voice was strained when he mumbled into your hair.

You just nodded in understanding, finding comfort in the fact you weren’t the only one feeling this way.

❁ ❁ ❁

You watched him through the glass of the interrogation room with your arms crossed before your chest. Buck was sitting at the table, his head hung low, his dark hair falling in wet stands into his face. He didn’t move a muscle. For half an eternity, he stared at the table his wrists were chained to, almost statue-like. But when he finally looked up, you could see the confusion and nervousness in his ocean-blue eyes.

They had given him time to recover, to shower, and feel like a human again. They forced him into normal clothes and offered him a bed to sleep. But it wasn’t enough. The man you were looking at was terrified and lost - exhausted and overwhelmed.

Bucky visibly tensed when the door opened and Steve stepped into his sight. They spent the next hour reconstructing his past. Steve told him how he had ended up in the 21st century and by the end of their conversations, the tension was a lot less static.

“She’s alive,” Bucky stated and tore his eyes away from Steve to look at the one-way glass.

“She’s a tough one. Survived the crash without super soldier serum and came out of the ice just as unharmed as I did.”

“What are the odds?” Bucky chuckled bitterly. “What are the fucking odds we all end up together again?”

Steve only gifted his friend a sympathetic smile along with a squeeze to his shoulder. “Take it as a chance.”

“Feels like a punishment.”

They were locking eyes and even though you were watching the interaction from the outside, you could feel the atmosphere turn somber. The men were staring at each other in silence for a while, though you knew there was an entire discussion happening in their eyes.

“Does she... does she want to see me?” Bucky’s voice was hesitant and broken. And you couldn’t help but somehow imagine a different question nestled in his words.

You almost had to stop yourself from touching the glass with your hands, wanting to tell him that you were already seeing him - really seeing him.

“Why don’t you ask her yourself?” Steve stood and with a last smile to Bucky, he exited the room.

This was it. The door was open. The love of your life sitting only a few feet from it. Though it seemed like he was trapped inside another’s body.

“I’ll give you some privacy,” Steve murmured as he stood in the doorway looking at you by the window. And you just nodded, trying to suppress your pulse rushing in your ears.

“Thanks.” It was only a whisper. You weren’t used to your voice being this small. And Steve didn’t seem so either. He was looking at you with sad eyes, fists clenched by his sides. There was nothing he could do to make you feel better. Not this time. And he seemed to know so. With one last tight smile, he sent a short nod your way and then left.

❁ ❁ ❁

Bucky didn’t look at you when you finally built up the courage to step inside his room. He was much bigger than you remembered. Thick muscles adorned his arms and shoulders. Shaggy, longer hair fell from his head and over his scrunched brows. His left arm was entirely of metal, a red star reminding him who had taken claim to him several decades ago.

If you hadn’t known, the man before you had almost no resemblance to the soldier you loved in 1941. He had been lean and full of life. He was broken now. And you were terrified someone had taken the very thing from him that would keep him from becoming himself again.

Without a word you approached Bucky, cupped his hands with yours, and undid the restraints that tied him to the table. And this was the first time he looked at you. Really looked at you. Bucky’s piercing blue stare was full of awe and sorrow, a deep pain etched beneath the grey flecks within the vibrant color.

You sat down beside him.

“Hey.” Your voice was shaky, dragging a long silence in its wake that only made your heart beat faster.

“Hello,” Bucky finally whispered, breaking the spell. His voice was a raw timbre, like a long-forgotten melody. And so much more tangible now that you weren’t listening to it through a speaker.

But that was it. Neither of you spoke afterward.

There was so much that could have been said, so much that could have been exchanged, known, explored about the other. And yet it didn’t feel like any of the words known to you were enough to break the static tension in the room. You were just looking at Bucky, scanning every part of his body like it was a flash card for the most important test of your life.

So, here you were: With the opportunity of a lifetime right at your fingertips and the confidence of a kicked puppy settled deep in your wounded soul. The person you had known for the longest looked so timid as if he were looking at a stranger. Not that he had ever been shy about strangers back in the day. But this was different. This was strange and beautiful, and scary, and exciting. No book in the world held the answers as to what to do in this situation.

And the solution was so easy: you just had to say something. So why didn’t your damn mouth open?

The speaker above your heads crackled and then Tony’s voice rang through the room. And for the first time in what felt like hours, a tiny bit of the weight on your shoulders lifted with it. “Bearcat, If you don��t open your mouth and put the guy out of his misery in 5 seconds, I’ll personally mediate this incredibly static confrontation.”

You rolled your eyes and then glared at the mirror, knowing full well Tony was watching you despite your asking him to leave. You mouthed a ‘shut it’ towards the glass and then turned in shock when a familiar voice rose from the silence.”

“Bearcat?”

You stared at Bucky with soft eyes. There was an innocence in the way he slowly guided this conversation - almost like he’d always had. It was an easy question, a nice entry to the heavier stuff that was bound to be discussed.

And just as you began to explain, it dawned on you how much you had missed about each other. How differently your life could have been if it weren’t for the cruel turn of fate.

“When Steve and I were discovered, S.H.I.E.L.D. was our home for a long time. They tried to put us in apartments, even set us up with chaperones to guide us through the new century.” Bucky looked intrigued, even leaning forth as he listened intently. You wondered if he ever realized how much time had passed when he was the winter soldier... if anyone ever cared to tell him. “But it wasn’t until I met Natasha that I felt like I had arrived. She showed me so many things and trained with me until I became an agent here. Howard’s son came up with the nickname. He reminds me of him.” You smiled and shook your head “He’s a pain in my ass but a genius that can be genuinely helpful even though I don’t want to admit it at times. I haven’t grasped the explanation fully, but apparently, my fast learning and efficiency when it came to fighting reminded him of one of those small powerful fighter jets that were finished just after the war.” You chuckled at the memory before your eyes found Becky’s again only to see pain all over his face.

A silent tear rolled down his cheek and hit the floor before you could see it stain his skin. “I'm so sorry.” His voice was shaking, his body trying to make itself smaller but failing miserably with all the muscle surrounding it. He took up the room and your heart right along with it.

“Hey you have nothing to apologize for, you hear me.” You cradled his face and his hands instantly covered yours, only for his metal one to retract just as fast again. He was sorrowful and it made your heart ache.

“You’ve been navigating through so much alone and this is yet another thing you had to do without me.” He confessed through his tears and squeezed his eyes shut. He hadn’t changed within - always caring for everyone around him and never putting himself first.

“I’m fine. Was then and am now.” You ensured him. “If you want to worry about someone, take Steve. He’s a lot more overwhelmed than I am.” Bucky chuckled through his tears, a deep seriousness settling in his eyes. “If anything, I’m sorry we didn’t save you sooner.”

He shook his head. “You couldn’t have known.” And there it was: a glimpse of the loving, caring, charming man you’d known so many years ago. A small smile snuck onto your face at the revelation and a spark of hope shot through your body.

“I haven’t stopped thinking about you,” you confessed, "We never had the time to actually be just us. To live all the dreams we shared back then.”

Bucky's eyes were full of sorrow before he closed them and pressed his forehead to yours. “I wish I could say I missed you,” he whispered and slung his arm around you, “But I didn’t remember.”

“And that’s not your fault, you hear me.” Your hand stroked over his damp hair, pulling it back and making Bucky look at you again. “None of this is your fault. Don’t you ever doubt yourself. What happened to you is horrible. And I vow to kill every single person responsible for keeping us apart for this long. But not once will anyone ever consider this your fault.”

Bucky averted his eyes and turned his head but you were quick to catch his face with your hand. “Promise me you won’t beat yourself up. Please. That’s all I ask of you. Let Steve and me handle the rest and focus on becoming comfortable in your skin again. I can’t wait to meet the man you can become.”

“You don’t want to know me, doll. Not anymore. Even if it wasn’t my fault, it changed me. I’m not the man you-“ he stopped talking as you watched regret flash over his features. “I don’t think I can give you what you deserve.”

“I don’t care what I deserve, Bucky. I want you. I always have and that won’t change because some bullies tried to brainwash you. The very fact that we are here talking like this shows how much stronger you are than them. How the good in you never wavered.”

“But I can’t even trust myself. How can I expect you to do so of me?”

You cradled his head harsher as you felt your own tears roll down your cheek. “All I need is for you to try and trust me. We’ll figure this out... like we always do.”

Bucky’s flesh hand had fallen to your thigh, a soft thumb stroking over your leg and he watched the movement in awe. You didn’t know how long it had been since he had last felt comfort but you were determined to make up for all the lost time. With the wild beating of your heart, you took his metal hand and laved your fingers with his, watching as Bucky’s eyes glued to your smaller hand in his. There was no fear of what could happen, no aversion towards the alien element attached to his body. And then, finally, he encased your hand with his silver fingers.

Your other hand still stroked his cheek and you waited until he caught your gaze again. And once he did, you did not hesitate to slowly push your lips to his.

Just a short, sweet kiss. One that held more words than you could ever say. And then you waited. What for? Maybe a rejection, the shake of his head, or the sheer confidence with which he used to kiss you decades back.

Bucky’s breaths were shaky, his hands still touching you and sending softly timid comfort through your body. He held your gaze for a second... and then, he finally kissed you back.

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lyralu91 · 5 months

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More cargo hatch pictures!

#james delaney #james keziah delaney #lorna bow #lorna delaney #fanfiction #ao3 fanfic #the river that connects us #chapter 40 #cargo hatch

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autisticlancemcclain · 1 year

Text

“No.”

Lance groans loudly, forgoing smacking his face in his hands and going straight for banging his head repeatedly against the elevator doors, which Keith thinks is a touch dramatic. But regardless he crosses his arms over his chest and stubbornly refuses to budge from his position.

“Keith. For the love of God.”

“God is dead and I’m not climbing out of a goddamn ten thousand foot elevator hatch with you.”

Keith admittedly puts a tad too much emphasis on the ‘with you’ part of the sentence. It’s obvious in the way Lance stops and lifts his head up and glares at Keith so icily he doesn’t need to squint to make out Lance’s expression in the low emergency lights; his eyes practically burn a hole through Keith’s forehead. Keith winces but doesn’t say anything.

“You have gone toe to toe with a goddamn zombie dictator,” Lance grinds out, “but you’re too much of a pussy to climb an elevator shaft?”

Keith stiffens. “I’m not — shut up!”

Smirking, now, visibly delighted that he’s managed to press Keith’s buttons (God Keith wants to punch him), Lance leans against the elevator wall, hip cocked, feigning nonchalance.

“It’s fine, it’s fine,” he says, inspecting his nails like it doesn’t matter. “I just never would have thought that the best pilot out of the Garrison and literal pilot of the Red Lion is, you know, a chicken.”

Keith clenches his fists. Lance is frustrated and bored and pushing Keith’s buttons because there’s fuck else to do. He is. Keith knows this.

But he is so goddamn good at it.

“I’m not a fucking chicken, Cargo Pilot.”

‘Cargo Pilot’ is usually a hole-in-one insult that’s guaranteed to make Lance bristle, sure to make him bare his teeth and go bright red and generally lose his absolute shit. Keith is even sparing in his use of the term, careful not to let it lose its potency.

But because the universe hates him and also Lance is the most annoying motherfucker alive, his smirk only widens, and he flexes his fingers, still fucking casual, still not even bothering to look up in Keith’s direction.

I hate you, Keith thinks, with feeling.

“Sure,” Lance says, without. He shrugs. “Prove it.”

For a second Keith thinks he’s so mad that he might. But then he imagines it fully, pictures his bare back pressed against Lance’s, feet planted on the slippery castle walls, lights probably still out, struggling to put one foot in front of the other and drag each other upright. He thinks of how much effort that would take and how easily he would start to sweat, how easily every shift of their muscles would loosen the friction-borne grip between them, how easily his foot could slip. He thinks of how long a ten thousand foot drop would take, how long he would have to accept that he’s going to die before he splats on the pristine floor.

His stomach turns. His face goes green.

Lance’s jaw drops.

“Oh my God, you’re afraid of heights!”

“I am not!” Keith snaps, because he isn’t, he just has a fucking brain. “It’s just — it’s ten thousand fucking feet, Lance!”

“A pilot!” Lance screeches. “A pilot afraid of heights!”

“You are so goddamn extra!” Keith cries.

Lance makes more vague screeching noises. He gestures furiously at Keith, then pauses, then makes a sound in the back of his throat akin to a loudly dying whale, then gestures back at Keith, then at the ceiling, then at the elevator as a whole. Then he lets out one loud, long, final yell, completely wordless and directed at what Keith can only assume is the heavens, and stops, closes his eyes, breathes deeply, and very calmly crawls onto the floor, belly first, and lays perfectly flat with his face pressed to the tiles.

“I hate it here,” he says serenely. He pauses for a minute, thoughtful. “Also, I hate you.”

“Ditto,” Keith mutters, finally giving up and joining him on the floor. He tips his head back until it thumps on the elevator wall and sighs, loud and long, wondering vaguely if this is punishment for the hundreds of times he mocked Shiro for his fear of squirrels. He truly thinks it might be.

All he wanted was twenty goddamn minutes in the pool. That’s all. He’d have even taken ten. He just wanted to swim a few laps, maybe float for a bit, and pretend he was in a lake somewhere without pressing problems such as saving the universe and the fate of every single soul in it.

Eight minutes, really. Seven.

The lights flicker back on. Lance lifts his head, hopeful, then stretches out one ridiculously long leg (seriously what is the deal with that he’s basically a giraffe, it’s too much, Keith should talk to someone about it because since when were legs allowed to be that — long and shapely, or whatever, it’s weird) and presses the closest button with his toe.

It does nothing. Lance stares at it for a few minutes, as if attempting to bring the elevator alive by manifestation alone, but no life is forthcoming. Lance huffs sadly and returns his face to the floor.

“That’s really disgusting,” Keith says, although he has his fair share of Floor Time. “People walk on this floor all the time.”

Lance doesn’t bother looking up, groaning loudly for several minutes before simply rolling away to the opposite side of the elevator.

“Shut up,” he says finally, after so long Keith almost forgets his original comment. “You just —”

Abruptly he straightens up, pulling the towel off his neck and crawling forward to place it in the middle of the elevator. Keith rolls his eyes so hard it actually hurts, a little.

“You and your commentary stay on the loser stinky mullet half of the elevator,” Lance says. “The pretty half that’s not infected with your rancid vibes belongs to me.”

“Were you trained to be this annoying?” Keith ponders, half out of genuine curiosity. “Like, do you do this on purpose?”

“Ignoring you now,” Lance says primly.

Keith scowls. He’s not — Keith isn’t the one who’s too irritating to be around without going insane.

“I’m ignoring you, asshole.”

Lance doesn’t respond. Keith closes one eye and holds up his thumb and forefinger to the approximate shape of Lance’s face, pretending he’s squishing his head. It brings him great peace.

After a while, though, he starts to get restless. His legs starts bouncing, up and down so fast it’s blurry, and then his fingers start to tap, but the feeling of rustling under his skin only gets worse, spinning faster and faster and coil tightening more and more in his stomach until he just — implodes, really, until his brain goes boom and says if you don’t get moving right this second, and Keith says in response to it, believe me I’m on it. He’s scrambling to his feet before he has the conscious thought to do so, hands moving before he tells them to and pushing him upright, bare feet padding rapidly on the floor as he paces, three steps until he hits the wall then pivot then three steps then pivot then three steps again. Over and over and over. His fingers stop tapping but his shoulders get twitchy; itchy under his skin and on it, sweaty because there’s no airflow and this goddamn elevator is sweltering. Or he’s just hot. He usually runs hot. He’s not sure and he doesn’t care to know, because the pool would have been refreshing but instead he’s stuck in a ten by ten by ten cube stuck somewhere on a ten thousand foot tube and to his right his rival-slash-teammate keeps huffing and rubbing his hands on his arms and muttering to himself.

“Could you maybe cut that out,” Keith snaps, which is entirely unfair because his pacing isn’t quiet, but Keith is three seconds away from attempting to climb the walls and it’s Lance, anyway, when are they not arguing, so it doesn’t matter.

Maybe when you’re having a crisis-brought bonding moment, says a voice in his brain. Stuck elevators are kind of a crisis.

Shut up or I’m going to give myself a concussion, Keith responds to it.

“Not my fault it’s goddamn freezing in here,” Lance snaps.

Keith pauses. He looks down at Lance. He frowns.

“Your lips are blue,” he observes, bewildered.

“Eat shit,” Lance responds, predictably. He’s fucking — he’s shivering.

Keith is made astutely aware of the cooling sweat on his back and grimaces.

“Lance,” he says slowly, “it is not cold in here.”

Lance blows out a breath like the goddamn weight of the world is on his shoulders. He flicks his eyes up to meet Keith’s, who is standing behind his head and leaning down, and somehow manages to seem like the more put-together person between them, which is bonkers.

“I’m anaemic, stupid.”

Keith blinks. Suddenly the air feels very solemn, and he shifts uncomfortably, unsure of what to say.

“I didn’t know you had an eating disorder,” he manages eventually.

Lance’s faces scrunches up in confusion for seven whole seconds before it clears, and he looks at Keith like he is the dumbest man alive and then bursts out laughing.

“That’s — anorexic, you idiot! I don’t have enough blood!”

“Oh,” Keith says, face heating. He scowls as Lance continues to laugh way harder than what was called for, clutching his stomach with tears rolling down his face. He pokes Lance aggressively with his toe, and by that he means his kicks him. “Will you stop — it’s not that funny, dickhead!”

“It really is,” Lance wheezes.

Keith scowls harder. His face is as red as his shorts and the flush is starting to spread down his chest and Lance notices and it only makes him laugh more, because he’s a shithead of the worst kind. “I hope you choke.”

Keith flicks his towel over his head and yanks, embarrassed, stomping to the other side of the elevator as if that will somehow make Lance shut up faster. It doesn’t, obviously, and he hears Lance laugh for several minutes until he finally winds down to giggling, then eventually nothing.

Keith harrumphs quietly to himself. He resolves to sticking in his corner like he should have from the very beginning, until the elevator starts moving again or someone on the team comes to save them. At this point he’s so done he wouldn’t even care if it was Shiro, wouldn’t even care if Shiro gloated about it for eternity (Keith saved his ass from government experimentation, anyway, so he wins by default for the rest of time). He faces his corner and pulls his knees to his chest and starts picking at a loose thread in the seam of his shorts to amuse himself.

Several minutes later, he hears Lance shifting. He ignores it. He pulls at the thread until it comes loose, then busies himself with tying the thread into the most complicated and random knot he can.

A few more minutes later, and there’s the sound of fabric rustling and draping, then quiet cursing. Keith untangles and retangles his knot for the fourth time.

After what must be a half hour, Keith hears the sound of teeth chattering.

He sighs. He looks forlornly at his knot.

“I could just ignore him,” he mutters to himself. “He probably won’t die.”

He thinks of how short Lance’s shorts are. He pinches his own towel in his fingertips, so thin he can practically feel his fingerprints. He remembers blue lips and a clenched jaw and raised gooseflesh.

He sighs loudly, more of a groan, and flicks his ball of thread away.

It takes Lance a few seconds to respond to Keith looming over him, which is worrying. But eventually he cracks open one brown eye and flares up at Keith.

“What,” he mutters. His teeth are chattering so bad it sounds like two words.

“You’re freezing,” Keith says. His voice is softer than he expected it to be.

Lance huffs, closing his eye again and curling further into himself. “No shit.”

Keith frowns. “I’m not.”

“Well, rub it in, why dontcha.”

Keith frowns. “You’re not understanding.”

Lance ignores him. Keith has a sudden and vivid memory of the year Shiro and Adam drove him up to Seattle in the winter so he could be more cultured, or whatever (or less of a desert menace, Adam had argued, and perhaps more inclined to stop biting people), and spent the whole car ride lecturing him about hypothermia.

“It doesn’t take very long to set in,” Shiro had said.

“And once you have it you need to warm up or your heart can stop,” Adam had finished, very serious.

Suddenly Keith starts to feel very panicked.

Lukewarm tea, warm blankets, skin to skin contact with someone who’s warm, were Shiro’s instructions. And then possibly hospital.

Well. Keith has one of those things.

Before he can talk himself out of it, he wraps a gentle hand around Lance’s shoulder, tugging him upright, then pulls him forward so his cradled hands are pressed against Keith’s chest and his head is tucked into the junction of Keith’s neck.

Worryingly, it takes Lance almost thirty seconds to start complaining.

“You smell like mullet,” he whines. But he doesn’t move away. In fact, he burrows closer.

Keith swallows down his worry. “Mullets don’t smell like anything, dumbass.” He brings his hands up to press against Lance’s back. Lance groans, curling deeper into Keith’s hold. His nose is icy and burns a trail across Keith’s shoulder, down his collarbone. Keith’s flush from earlier makes an enthusiastic return, because nothing good still exists in the world.

“I still think you’re annoying,” Lance mumbles. Every move of his lip brushes against Keith’s skin.

“Shut up and focus on not freezing to death,” Keith snaps.

Lance snorts. “I’m not gonna freeze to death, doofus. It’s just a dead elevator. Once I fell asleep on the Garrison rooftop in January and only had to spend three days in urgent care, so basically I can withstand anything.”

Keith pauses. He tries to reconcile the Lance who just said that to the Lance who came up with a life saving plan in thirty seconds on the Balmera to the Lance who threatened to stick Keith in a wormhole to the Lance who smiled and said they made a good team before passing out in Keith’s arms.

“You are a very confusing person,” he says when all the reconciling does absolutely nothing.

“Thank you,” Lance says, sounding pleased.

Keith snorts and tightens his hold. Lance sighs and sags a little. Slowly his fingers stop feeling so much like ice blocks, and his breathing doesn’t sound so erratic. Keith doesn’t know how long it’s been. He stopped trying to count somewhere between when Lance’s cheek squished against his chest and his fingers started tracing featherlight patterns across his skin.

Lance yawns. Keith tries to fight his but ends up yawning anyway.

“Is it bad to let a person with hypothermia sleep?” he mumbles, half-slurring his words.

Lance hums. “‘M not hypothermic.”

“Dunno. Could be.”

He sighs again, a puff of air against Keith’s neck, and spreads his palms against Keith’s chest, flat. “‘M not. You’re too warm.” He pauses. “Freak.”

His tone is fond. The corners of Keith’s lips quirk up. “Weirdo.”

“Mhm.”

He falls asleep trying to count Lance’s breaths. It’s — groundbreaking, somehow.

———

(“Oh, my God.”

Keith cracks open bleary eyes, lifting a hand to rub his face. Lance groans from his place on Keith’s chest — in a puddle of drool, why is that not nearly as revolting as it should be — and snatches Keith’s wrist way faster than he should be able to as groggy as he is, placing it back around his waist.

“Oh, my God,” the voice repeats, gleeful.

“Shut up, Shiro,” Keith mutters. “Fuck.”

It takes him a minute.

His eyes fly open at the same time as Lance’s, and they look at each other, and then Keith is being shoved and kicked at the same time somehow and Lance is scrambling backwards at the speed of light, screeching. A loud bang makes Keith look over and he discovers his brother, who is dead to him, collapsed on the floor, laughing so loud Zarkon can probably hear him.

“What — Shiro — go — stop fucking laughing, you piece of shit!”

Lance continues to screech. Keith whips a towel at him.

“You gay pining loser!” Shiro shrieks. “I’m going to tell literally everyone!”

Keith puts his head in his hands and wishes he’d fallen down the goddamn elevator shaft.)

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mostlysignssomeportents · 4 months

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Emil Ferris’s long-awaited “My Favorite Thing Is Monsters Book Two”

NEXT WEEKEND (June 7–9), I'm in AMHERST, NEW YORK to keynote the 25th Annual Media Ecology Association Convention and accept the Neil Postman Award for Career Achievement in Public Intellectual Activity.

Seven years ago, I was absolutely floored by My Favorite Thing Is Monsters, a wildly original, stunningly gorgeous, haunting and brilliant debut graphic novel from Emil Ferris. Every single thing about this book was amazing:

https://memex.craphound.com/2017/06/20/my-favorite-thing-is-monsters-a-haunting-diary-of-a-young-girl-as-a-dazzling-graphic-novel/

The more I found out about the book, the more amazed I became. I met Ferris at that summer's San Diego Comic Con, where I learned that she had drawn it over a while recovering from paralysis of her right – dominant – hand after a West Nile Virus infection. Each meticulously drawn and cross-hatched page had taken days of work with a pen duct-taped to her hand, a project of seven years.

The wild backstory of the book's creation was matched with a wild production story: first, Ferris's initial publisher bailed on her because the book was too long; then her new publisher's first shipment of the book was seized by the South Korean state bank, from the Panama Canal, when the shipper went bankrupt and its creditors held all its cargo to ransom.

My Favorite Thing Is Monsters told the story of Karen Reyes, a 10 year old, monster-obsessed queer girl in 1968 Chicago who lives with her working-class single mother and her older brother, Deeze, in an apartment house full of mysterious, haunted adults. There's the landlord – a gangster and his girlfriend – the one-eyed ventriloquist, and the beautiful Holocaust survivor and her jazz-drummer husband.

Karen narrates and draws the story, depicting herself as a werewolf in a detective's trenchcoat and fedora, as she tries to unravel the secrets kept by the grownups around her. Karen's life is filled with mysteries, from the identity of her father (her brother, a talented illustrator, has removed him from all the family photos and redrawn him as the Invisible Man) to the purpose of a mysterious locked door in the building's cellar.

But the most pressing mystery of all is the death of her upstairs neighbor, the beautiful Annika Silverberg, a troubled Holocaust survivor whose alleged suicide just doesn't add up, and Karen – who loved and worshiped Annika – is determined to get to the bottom of it.

Karen is tormented by the adults in her life keeping too much from her – and by their failure to shield her from life's hardest truths. The flip side of Karen's frustration with adult secrecy is her exposure to adult activity she's too young to understand. From Annika's cassette-taped oral history of her girlhood in an Weimar brothel and her escape from a Nazi concentration camp, to the sex workers she sees turning tricks in cars and alleys in her neighborhood, to the horrors of the Vietnam war, Karen's struggle to understand is characterized by too much information, and too little.

Ferris's storytelling style is dazzling, and it's matched and exceeded by her illustration style, which is grounded in the classic horror comics of the 1950s and 1960s. Characters in Karen's life – including Karen herself – are sometimes depicted in the EC horror style, and that same sinister darkness crowds around the edges of her depictions of real-world Chicago.

These monster-comic throwbacks are absolute catnip for me. I, too, was a monster-obsessed kid, and spent endless hours watching, drawing, and dreaming about this kind of monster.

But Ferris isn't just a monster-obsessive; she's also a formally trained fine artist, and she infuses her love of great painters into Deeze, Karen's womanizing petty criminal of an older brother. Deeze and Karen's visits to the Art Institute of Chicago are commemorated with loving recreations of famous paintings, which are skillfully connected to pulp monster art with a combination of Deeze's commentary and Ferris's meticulous pen-strokes.

Seven years ago, Book One of My Favorite Thing Is Monsters absolutely floored me, and I early anticipated Book Two, which was meant to conclude the story, picking up from Book One's cliff-hanger ending. Originally, that second volume was scheduled for just a few months after Book One's publication (the original manuscript for Book One ran to 700 pages, and the book had been chopped down for publication, with the intention of concluding the story in another volume).

But the book was mysteriously delayed, and then delayed again. Months stretched into years. Stranger rumors swirled about the second volume's status, compounded by the bizarre misfortunes that had befallen book one. Last winter, Bleeding Cool's Rich Johnston published an article detailing a messy lawsuit between Ferris and her publishers, Fantagraphics:

https://bleedingcool.com/comics/fantagraphics-sued-emil-ferris-over-my-favorite-thing-is-monsters/

The filings in that case go some ways toward resolve the mystery of Book Two's delay, though the contradictory claims from Ferris and her publisher are harder to sort through than the mysteries at the heart of Monsters. The one sure thing is that writer and publisher eventually settled, paving the way for the publication of the very long-awaited Book Two:

https://www.fantagraphics.com/products/my-favorite-thing-is-monsters-book-two

Book Two picks up from Book One's cliffhanger and then rockets forward. Everything brilliant about One is even better in Two – the illustrations more lush, the fine art analysis more pointed and brilliant, the storytelling more assured and propulsive, the shocks and violence more outrageous, the characters more lovable, complex and grotesque.

Everything about Two is more. The background radiation of the Vietnam War in One takes center stage with Deeze's machinations to beat the draft, and Deeze and Karen being ensnared in the Chicago Police Riots of '68. The allegories, analysis and reproductions of classical art get more pointed, grotesque and lavish. Annika's Nazi concentration camp horrors are more explicit and more explicitly connected to Karen's life. The queerness of the story takes center stage, both through Karen's first love and the introduction of a queer nightclub. The characters are more vivid, as is the racial injustice and the corruption of the adult world.

I've been staring at the spine of My Favorite Thing Is Monsters Book One on my bookshelf for seven years. Partly, that's because the book is such a gorgeous thing, truly one of the great publishing packages of the century. But mostly, it's because I couldn't let go of Ferris's story, her characters, and her stupendous art.

After seven years, it would have been hard for Book Two to live up to all that anticipation, but goddammit if Ferris didn't manage to meet and exceed everything I could have hoped for in a conclusion.

There's a lot of people on my Christmas list who'll be getting both volumes of Monsters this year – and that number will only go up if Fantagraphics does some kind of slipcased two-volume set.

In the meantime, we've got more Ferris to look forward to. Last April, she announced that she had sold a prequel to Monsters and a new standalone two-volume noir murder series to Pantheon Books:

https://twitter.com/likaluca/status/1648364225855733769

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/06/01/the-druid/#oh-my-papa

#pluralistic #books #reviews #lgbtq #pride #gift guide #graphic novels #emil ferris #comics #monsters

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sw5w · 8 months

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Oops! This is Not Good

STAR WARS EPISODE I: The Phantom Menace 01:59:07

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marlynnofmany · 7 months

Text

Catching Things in Zero-G

“Reach over the border,” Captain Sunlight directed the Frillian twins. “Make sure they’re touching the floor when they cross into gravity.”

I watched from well out of the way as Blip and Blop nodded, holding muscular arms out for the oncoming guests. No one here was new to gravity fluctuations, but that didn’t mean they were fun.

The first person to cross from the damaged ship to ours was a bright red Heatseeker whose name I’d forgotten. He stumbled a bit on landing, grateful for the assistance. Blip and Blop released his hands when he was stable, looking like parents helping their lizardy toddler off a swing set.

Hard on his heels was Bopburt, the big gray Strongarm whose name I did remember (along with his extreme and hilarious dislike for pizza, from when I’d talked him into trying it that one time). I’d worked briefly on that ship before getting a more long-term position on this one. Nobody had changed since then. Bopburt was still a bigger octopus alien than the Strongarms on our ship. He was surprisingly talented at navigating in zero-g, though.

“No need,” he said, waving a tentacle at the waiting hands. He launched off the wall and landed with a splat just on this side of the seam between airlocks. “Thanks, though. They’ll want help with the cargo. Ah, here we go.”

He tentacle-walked over to stand near me as several other crewmates appeared at the hatch with an expensive-looking shipping crate. I couldn’t tell how heavy the thing was about to be, but it was a cube about the size of the bedside table in my quarters, and it shimmered with pearlescence. Even the label on the top was embossed in gold, matching the seam around the edges. Four different crewmates worked together to guide it oh-so-gently toward our ship.

“What’s in it?” I asked Bopburt. “Do you know?”

He made a rude noise. “Clients wouldn’t say. Rich jerks.”

Captain Sunlight watched with concern. “Is it heavy? Should we get a hoversled?”

“No, just don’t drop it.”

“Right.”

There were far too many people involved already, so we just watched as the whole procession made their way awkwardly through the airlock. Captain Kamm showed up during all this, along with the rest of their crew waiting to cross over. She and Captain Sunlight started a conversation over everyone else’s heads.

It was getting crowded. I moved back toward the hallway, where a few of my own crewmates had gathered to greet the guests. It’d been a while since we’d seen our sister ship, and while a damaged gravity generator wasn’t the best of circumstances, it was still nice to visit.

A furry shape trotted past my ankle. I scooped up the cat before she could get in the way. “Hang on there, Telly. You don’t want to get stepped on. I know it all smells new and interesting.”

Telly ignored me, watching the proceedings with great interest. Her mismatched eyes were wide, and she didn’t react when I ruffled her two-toned fur. This was more focus than new arrivals usually got. She hadn’t run out the airlock yet, but there’s always a first. I kept a close eye on her.

“What kind of animal is that?” Bopburt asked, looking up at the tense shape in my arms.

“A cat,” I said. “Humans keep them for companionship and…”

Telly was chattering — that distinct “I see prey” noise.

I turned toward the hall, but too late. She launched off with a kick to my ribs and flashed toward the gravity barrier.

“Telly, no!” I exclaimed, like that had stopped any cat ever.

Some crewmates looked up at me while others jumped aside with startled noises. Blip nearly caught her, which was pretty impressive honestly, but Telly jumped right past and into the other ship. She immediately careened toward the far wall, meowing and clawing at the air.

“Sorry, I’ll get her!” I dodged through the crowd. “I don’t know what she’s going after.” I ignored the conversation behind me and dove into the zero-g. It was just as disorienting as it always was, but I was heading in the right direction.

I caught up to Telly in midair where she’d bounced off the wall and been unable to catch anything with her claws. Those claws immediately tore into my sleeves, leaving more than one scratch that would probably need to get patched up, but I was busy offering comforting noises as I focused on holding her close with my arms while getting my feet into position to hit the wall.

I landed gently, making sure to take it slow before pushing back off, and in that half-breath pause, I saw something skitter past. “Ah!”

“What is it?” called Captain Sunlight.

“Something moved!” said, trying to look for it while shuffling the cat to get an arm free, and also searching for a handhold before I drifted away from the wall. I found a little hook that had probably held decorations once, and that was good enough. I clutched it tight. Telly tried to scramble onto my shoulder. I did my best to hold her in place. The creature had disappeared.

But Telly was chattering again, looking at the ceiling.

Somebody shouted about wire-eating pests. More people were coming back over the gravity barrier, a jumble of motion and urgent conversation about which tools had the best shot at catching something so fast.

“That’s why the gravity’s out! I knew it wouldn’t fail suddenly!”

“Do gravity wands work in zero-g?”

“Better to use a stun gun. Just nobody shoot anyone else.”

“What about that net in the cargo hold? We could—”

I tuned it all out when I spotted the thing Telly was chattering at. It was a flat little silvery beastie with lots of tiny legs and segmented plates on its back, every bit the kind of thing I could see wreaking havoc in the guts of a spaceship. It clung to the ceiling with stillness that could break into astonishing speed in an eyeblink.

The wall below it had pipes sticking out, curving into the living space in the type of ship design that was a little unsightly but immensely useful right now.

With one hand firmly holding Telly against my shoulder and the other on the hook, I turned in the zero-g until I could stick a foot through the loop of pipes. Then I used both hands to grab Telly, holding her out in front of me as I did a sit-up toward the ceiling. “Get it, girl!”

Telly didn’t disappoint. The thing saw her coming and tried to dash away, but she twisted in my grasp to launch off my wrist in a way that was incredibly painful but worth it. She snatched it off the ceiling and brought it to her mouth with a crunch of exoskeleton that I could hear from there.

Then she dropped it, shaking her head in comical disgust as the crowd cheered. Somebody caught it easily. I caught Telly before she could fully realize she was drifting again. After that, it was just a matter of making my way back to gravity without use of my arms. I ended up crowd-surfing, which wasn’t my plan at all, but everyone was appreciative and eager to help.

When I got my feet back under me, the first thing I did was find Eggskin the medic. “Was that safe for her to bite? She doesn’t usually react like that.” Telly wasn’t trying to jump free, busy licking a paw with vigor.

“Yes, I remember it from her original bio scans,” Eggskin told me. “Definitely on the safe list. These are a known pest with a strong flavor. They’re actually a sought-after delicacy in some circles.”

Eggskin was also the cook, which had seemed strange when I first joined the crew, but it made perfect sense these days.

“Oh good,” I said. “All right, kitty, great job. I’ll get you some treats to take the taste out of your mouth, okay?”

Captain Kamm appeared at my elbow, standing on the tips of her tentacles to get a good look at Telly. “Does your little predator like fish?”

“She does!” I said.

“Then we will be happy to reward her with some.” She waved a tentacle at a maroon-and-teal Frillian who was carrying a mesh bag of various things. “It’s the least we can do after she caught the source of our woes. Thank all the stars that it’s a small one, not old enough to spawn more.”

“Hey captain!” someone yelled. “There’s a gap in the seam of that expensive crate! And the bio-scanner shows traces of droppings!”

“More excellent news,” Captain Kamm said with an angry smile.

Captain Sunlight asked, “That crate has a scanner block, doesn’t it? No way to scan for hitchhikers.”

“Oh yes it does,” Captain Kamm confirmed. “How kind of that pest to leave its droppings by the hole where we can detect and record them.”

“They signed a waiver, right?”

“Oh yes.”

When I realized that the rich jerks had set themselves up for paying to repair the gravity generator that their negligence had damaged, I broke into a grin as well. “Such great news!”

Telly moved again, making me tighten my grip instinctively, but it was just to get at the tray of fish chunks that the Frillian was holding out. I took the tray and held it for Telly to eat from. She made some adorable happy noises.

“So you were about to say,” Bopburt said, “That humans keep these creatures for companionship and, and I think I’ve figured out the other thing.”

“Yup,” I agreed. “Valuable predator services.”

“You’re bleeding a bit there.”

“Ah, it’s not the first time. Worth it.”

~~~

The ongoing backstory adventures of the main character from this book. More to come! And I am currently drafting a sequel!

#my writing #The Token Human #humans are weird #hfy #haso #humans are space orcs #science fiction #writeblr #writblr #cats #in spaaace #zero-gravity #originally I was going to have Eggskin offer to cook the 'delicacy' for Captain Kamm #but they'll want to keep it as evidence #so it's going in the fridge #that's probably suspended-animation technology #it'll keep

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