#cool shit to read

[lokorum]

so....................i've read unraveled the other day.................... and then ive re-read it.........and now im in the middle of re-reading it again????

honestly cant promise that im not gonna keep coming back to it until someone would steal my phone and then i'll just log in from the pc lets be real here (¬‿¬ ) but!!! what i wanted to say is that its just such a good fic?? so well written? it has all the right words in just the right order and i can and will argue till late night that it healed part of myself that i had no idea existed. these descriptions of hugs??? gonna stay with me untill the very end  (*_ _)人  

and drawing something is the least i can do to show just how much your work means, @2btheanswertothequestion  (/▿＼ )

"unraveled" became my spiderverse canon since the moment ive finished chapter one and it will stay this way!!! thank you so so much for all the long hours and all the hard work you clearly had put into it!! you're amazing!! ♡

[wat-zu]

Fanart for @tulipsempai 's Mutual Aid comic part 15 and 16 cuz its literally so cool wtf are you kidding me 😭💥💥‼️💥‼️‼️

Bonus fanart for part 10

CUZ WHAT THE FUCK!!!!!!!!!!!!! 1!!1!!!!!1!!1!!!!!!!!! /POS

[musubiki]

danmarch 🐉💎

[greenglowsgold]

The List.

Based on the Cass Apocalyptic Series.

The first part of this has been rumbling around in my brain ever since that Super Sad Scene a month ago, but yesterday’s update gave me the other side of the coin, so to speak, and finally pulled it all together.

@somerandomdudelmao thanks for the fuel, friend

                              -----

                              Donatello’s days have become a series of checklists, as of late.

No, that’s not exactly true. His days have always been about lists: what he’s done, what he can delegate to someone else, what still needs doing. But these days he’s been doing less and listing more, piling tasks from the first category onto the second as fast as he can manage, hoping he has enough time to empty the queue.

The full catalog is written out in a series of files, reorganized for accessibility to the layperson and meticulously up-to-date as of yesterday. He meant to run through it again this morning, ensure all the relevant instruction manuals were attached to each item and double check his protocols, but he wasn’t… he couldn’t…

He’s going to die tonight.

It irritates him, his own miscalculation of the timing more than the stark presence of his oncoming demise. The latter has been inevitable for quite some time, long enough that he’s gotten used to the idea. But he thought he had another week or two, and he doesn’t like being proven wrong. He wonders if his brothers know.

Probably not. They know it’s bad now, obviously, because they’ve piled him with pillows and blankets and surrounded him on all sides, and Leo has finally gone quiet. But they trust him, they’ve always trusted him, even when they shouldn’t, so if he swears he’ll last a few more days, they’ll believe him. He thinks. He’s pretty sure. If they knew it was tonight, he doubts they would choose to sleep through it. Donnie thinks about waking them up, but only for a moment. He’d like to say it’s a noble act, to leave them in peace a little bit longer, but the truth is he’s just too fucking tired to move.

There’s something settled bone-deep in his chest, a heaviness that sits on him like a stone, a peine forte et dure pressing him down and down, stopping his voice and his breath and his heart. He wonders if this is what dying usually feels like, or if it’s unique to the Kraang. Raph would know.

He cranes his neck to the right, to catch Raph’s face out of the corner of his eye. Raph’s working eye is half-open, staring down at the floor. Donnie could ask him. (He won’t. Let him fall asleep.) The movement of his head is so slight it doesn’t even catch Raph’s attention. He’s too tired for anything more. He’s so goddamn tired.

His lists are out of reach at the moment, with his physical interfaces back in the lab and his ninpo locked behind a wall of oh-god-it-sounds-too-exhausting-to-even-try, but he memorized them all long ago.

Raphael: Maintenance (delegated to Casey, who has it well in hand). Plans (tucked away in a dedicated folder, long term, but someday they’ll have the materials, and Raph will have a proper body again, someday). Honey (yes, he passed that along last week).

Raph has access to the tracking programs, so he can keep an eye on everyone himself, even when Donnie can’t pull up locations or vitals for him anymore. He has his own space in the base once more, somewhere to close a door when he needs to (he insists he doesn’t, but Donnie isn’t a fool). He has more excuses to spend time with Casey, who’s taking over his upkeep. Donnie hopes it fills in some gaps for both of them.

He runs through the list, double checks each item. It’s his last chance to make sure he hasn’t forgotten anything important.

He looks down, finds Mikey.

There’s a stockpile of the anti-aging serum in his safe, the formula in his database, plans for the permanent solution clearly labeled. As long as they have his lab, his systems, Mikey will be as young as his years. He’s walked him through the greenhouse, even if most of it is controlled by the computer system. Mikey misses the world being green; it’ll do him good to spend more time around the plants. He has his tea, his candles. He has Draxum, who by now should have received a — mildly — threatening message warning him not to pull any disappearing acts anytime soon. He has their ancestors, just a short call away.

Donnie’s sure Mikey will call on him soon. He doesn’t plan to stray far.

Up a bit. To the left. Leo.

The arm — Leo knows how to take care of it, as does Casey.

The passwords — reset, something even Leo will be able to remember without resorting to blackmail.

The schedule — reshuffled for the next few days, he’ll have a hard enough time sleeping as it is.

The photos — everything they have, even the embarrassing ones. He even managed a couple of prints, and one precious shot from their pre-apocalypse days, something for Leo to tuck into a pouch and carry with him, when they’re not around.

Raph, Mikey, Leo. He doesn’t think he’s missed anything. Donnie lets his head fall back, too exhausted to hold it up any longer.

Is it enough?

His mind stretches further out. He’s unraveling.

What about April? Her prescription is up to date, they just checked a month ago. She has the latest in his combat tech, which has kept her safe in the field this long, so he has no reason to think it will falter now. He’s leaving her a few extra pieces, since he won’t be able to use them anymore. Leo will find the time for a movie night once in a while, he’s certain, even if his taste in Jupiter Jim movies is horrendous. They still have coffee; he’d die before he let that particular supply run out. He will, actually.

Casey. Fuck, Donnie’s gonna miss his birthday. But he did plan for this, his protocols will kick in. The mask is finished, everything is in place. He’s reconfigured his workstations, fit them for a tiny human instead of a seven-foot turtle. Casey has a better head for mechanics than any of his brothers ever did. Kid likes to be useful, so Donnie’s left him as much use as he can. He’s taught him everything Casey can learn and left instructions for more, when he’s a little older and wiser. His family will take care of him, they’ll make sure he gets there.

The base. It has to hold, to give them somewhere safe. The infrastructure is sound, and they have people to manage repair work. Supplies are decent, the most critical items in stock, everything that can be made renewable is. Their allies — Leo handles interpersonal issues and leadership, but Donnie’s checked the list with a pragmatist’s eye, left notes and rankings for priority. Security is the largest concern, but he’s spent nearly half his time with his assistants since his self-diagnosis (he could have spent it with his family), running them through the programs and adjustments, trying to bring them up to somewhere in the realm of his own expertise (a fool’s errand, but still). They’ve been rigorously instructed, they understand that the little things like sleep are secondary concerns. It has to hold.

Is it enough? For them to be okay?

He’s done everything he can. He can’t do any more. So it has to be enough.

Donnie blinks, and for a moment isn’t certain his eyes will open again at the end of it. But they do. At least one more time, they obey him.

Raph. Mikey. Leo. April. Casey. Home. He rolls back through the list. It’s his last chance. He can’t miss anything.

Mikey’s hand tightens unconsciously around his wrist, fingers meeting easily on either side. Donnie feels only the echo of the pressure.

Raph. Mikey. Leo. April. Casey. Home.

Something bright sparks at the edges of his vision before it fades. The last gasps of a dying brain, he supposes. Synapses firing one last time before they’re snuffed out.

Raph.

Mikey.

Leo.

                                                            April.

                                                                                                                        Casey.

                                                                                                                                                                                                                                                   Home.

                                                                                                                                                                                                                                                    Light.

                                                                                                                         There’s light.

                                                            It hurts.

                                                            He thought dying would stop the pain, but it’s risen to a fever pitch instead. His brother’s arms are gone, but the disease wraps around him in their place, consumes him. It rages like a wildfire, burning through his center until pieces start to flake away like ash.

Oh, this is what it does, what it was built for. The Kraang could have killed him in a lot of different ways. He’d wondered why they chose this one.

He hasn’t planned for it. This is something he didn’t even know to fear.

It’s bright and it hurts but it’s quiet as he crumbles, folds in on himself like a black hole in the utter silence of outer space. It’s quiet enough that the voice that breaks through does so clear as a bell.

His head turns to follow the sound, instinct. He’s lost half his field of vision, but what’s left is enough. He looks, and finds Casey.

Casey looks at him, at him, not the body. Donnie opens his mouth to ask a question — What are you doing here? How? Why? — but something else sloughs out instead. Not blood. He doesn’t have that anymore.

Casey calls his name once more and starts running.

Donnie’s questions fold back into his mind. His mouth clicks shut, he swallows back the putrid rot and pushes himself up. His arms are shattered but they’ll have to hold him. They have to. Because Casey is here and he needs something, which means Donnie missed something, which means he isn’t done.

His spirit disagrees with him, doesn’t see the logic. His arms don’t hold.

Casey reaches to catch him as he falls, and the touch ruptures him instead. He scatters. Into the air and the ground and Casey. For a moment, he’s just pieces, fumbling around and latching onto anything that welcomes them, and Casey does that. They flow into him. They’re him. They’re…

He’s…

Casey, he’s…

Donatello pulls himself back together. Most of himself, anyway. The infection hasn’t followed him but the damage persists. He’s run through with cracks and crevices, shaking bits away into infinity with every movement. But there’s more of him here than not.

Unexpectedly, Donnie is not gone. He’s still dead, but that’s fine, he planned for that one.

                                                                                                                         Casey has him now. He wraps himself around Donnie in layers, helps hold him together with a kind of sheer will that makes up for any lack of mystic knowledge in spades. Casey asks him to stay, and Donnie takes up the task like Sisyphus sizing up the hill. This time, this time I’ll do it right.

Even better, Casey has taken him to another time, one where all of Donnie’s long-term plans are now completely-fucking-reasonable plans. Casey’s going to fix it, so Donnie can fix everything else. Whatever else needs it. He hasn’t really asked. And he knows he’s missed something, but he doesn’t think too hard about what, not yet.

First thing’s first: he needs a body.

It’s so simple to accomplish that it seems like the universe is mocking him. Just a quick 1-2-3, ticking off the list. It feels almost stupid, like running back through the early levels of a video game after unlocking all the ultimate weapons and burning through enemies and obstacles, laughing, shit, did I used to think this was hard?

In no time at all, his own face has formed in front of him.

In no time at all, he’s gasping.

It’s only been a few hours since he last breathed air, but he’s missed it.

Another thing he’s missed? Functional musculature. Casey slams into him and Donnie is startled to find that it doesn’t knock him over. His arms and legs look like actual limbs again, not fragile little sticks disguising themselves as such. He stands, dragging Casey along without a second thought. The weight barely registers. It’s amazing.

The power trip is heady, but it only lasts a few minutes before reality kicks it in the ass and pulls him back down to earth.

We lost, Casey says.

They’re dead, Casey says.

It wasn’t enough, Casey does not say, but Donnie hears it just as clearly.

All those plans, the preparations, the precautions and protocols, they only borrowed a year or two before they fell apart. He sees the timeline spiral out before him, tighter and tighter until it collapses in on itself, rendered all the more insignificant from his own point of perception. He was alive yesterday. His family is dead today.

Everything he did, it wasn’t enough. Of course it wasn’t. He was stupid to think otherwise.

(Raph. Mikey. Leo. April. Casey. Casey’s still here. It was enough for him, at least.)

It cuts at him a little, to have been so wrong. But he’s strong again, now. He can take the wound. More importantly, he has another chance to get it right.

Donnie breathes. His chest expands smoothly, easily. The air doesn’t rattle in his lungs. He’s alive, he’s a genius, he can fix anything.

He pulls up a list.

[skydaemon]

so we (and by we, i mean the very specific overlap of jews and nerds among whom i make my home) talk a lot about how tolkien's dwarves, in both the books and movies, were likely influenced by certain jewish stereotypes. obsessed with gold/wealth, secretive (especially about their language and religion), refugees from their ancestral home, portrayed with big, sometimes hooked, noses and interesting facial hair, and most specifically: the favourite little meow meows of one particular god, causing them to be shunned and persecuted by other races and creeds. this is likely unintentional, coming from the subconscious of tolkien in the same way orcs were "based on mongols" (ew colonialism) and activating subconscious biases/stereotypes in the people who designed the dwarves for the movies. it's subtext, albeit subtext that influenced the next eighty years of fantasy.

but what i don't see much discussion of is the fact that in terry pratchett's discworld, it's intentional. terry pratchett's dwarves are, more or less, jews.

carrot is a human adopted by dwarves, based on human standards. but within dwarf culture, he IS a dwarf. specifically, he has undergone specific rituals and memorised certain passages, making him LEGALLY a dwarf. this is basically how conversion works in judaism. indeed, as in judaism, it's considered rude to even mention that carrot is six feet tall and obviously wasn't born into the culture he has adopted.

the dwarves also have internal rifts - there are a group of 'orthodox' dwarves who consider the dwarves in ankh-morpork (who have adopted other customs and don't follow traditional roles) not to be dwarves at all, and don't recognise carrot as a dwarf for the same reason. they believe that the way to be a dwarf is to live in an all-dwarf community and follow their traditional rules, while other dwarves believe they need to change with the times and integrate (at least somewhat) with larger society. jewish as fuck.

there's also the interaction of dwarves with gender. when cherie comes out as female (which isn't a recognised gender by dwarvish society) she is ostracised for taking on the feminine roles common to other discworld races. however, she could never THINK of cutting off her beard, because she is still a dwarf. i see parallels with women in judaism taking on roles traditionally considered 'masculine' (e.g., as rabbis, wearing tallit and kippot) and the acceptance of queer people into jewish communities. there's lots of great discussion about cherie as a trans character on tumblr, btw.

finally, something that particularly strikes me is the line from carrot in tfe, where he says that the biggest dwarf city on the disc is ankh-morpork. obviously all diaspora communities can relate, but it's really something to know that new york is the city with the most jews in the world (960k to jerusalem's 570k. btw, 3rd is LA!).

i just love that, again, consciously or unconsciously, pratchett incorporated more positive elements of jewish culture into his portrayal of the dwarves.

[crancisfrozier]

BABE WAKE THE FUCK UP NEW PARKS CANADA PRESS RELEASE ABOUT EREBUS ARTIFACTS

https://www.canada.ca/en/parks-canada/news/2024/01/parks-canadas-underwater-archaeologists-complete-seasonal-research-at-wrecks-of-hms-erebus-and-hms-terror-national-historic-site.html

Edit: here's another page from the parks canada website with photos of some of the artifacts:

And an unlisted video apparently posted a month ago?

[gotogull]

I post Kirby and WH40k art exclusively now.

[juniper-clan]

I somehow ended up having a dream about JuniperClan, that the next moon was Shiningpaw's warrior ceremony, but you were using longer, more old-timey sentences that were using a lot of metaphors and a tad confusing to read. As it went on, multiple panels would show Amberbranch in a panic/shock, and then it was slowly revealed that a snake had snuck into camp during the ceremony. Nobody besides Amberbranch noticed it, and he leapt to protect Shiningpaw from being bit, and ended up dying from the venom. And I vividly remember my last thoughts before waking up being "oh this isn't gonna be good for Heronstar".

So I deeply hope my dream doesn't come true haha

[mblue-art]

once again i was fueled with coffee (did not sleep the whole night) but this time i doodled college au to cope bc ofc i did (also did not feel like sleeping wooo)

[ruinatlantis]

Honestly, thank god for the tumblr version of humans are weird/space orcs/whatever. I love the stories I read on here about discovery and interaction between different species and how cool space is. Every time I try to go to reddit (into the r/HFY one, which is supposed to be the same thing), all I get usually is stories of human's deadly military in space.

[necrotic-nephilim]

@profandomhopper i was going to reblog the original post this comment was left on but i felt it divorced itself from the original topic so much, you get your own post for giving me delightful permission to ramble about this. buckle in people this is long.

so, DC is a big fandom that expanses a lot of different types of content, and like anything, is subject to crossovers. the obvious ones like Marvel are for the reason of being a similar and equally popular superhero world, so it's easy to transpose the worlds onto each other and overlap the characters. both of these worlds deal with multiverses and endless, endless heroes. it makes sense and there's no real stretch to think Batman and Spider-Man could co-exist. i mean, there have been canon crossover comics. and even some more random crossovers like White Collar have pretty easy to trace origins, being an actor in WC was a popular Dick fancast back in the day so there was some bleeding over that led to a well-loved niche crossover space.

but Danny Phantom and Miraculous Ladybug are where it gets interesting. because at a surface, MLB sort of makes sense. it's a superhero world, you're following a teen girl superhero and sure the mechanics are pretty contained, but the crossover should make sense. but when you compare it to the crossover numbers of other superhero media like say My Hero Academia, Ladybug takes the *crown* with such a bizarre popularity. and of course, DP feels like it makes even less sense. sure, you *could* lump it into at the very least, superhero-adjacent media, but it's not a true hero world like MLB or DC is.

but, the thing to always understand about DC, *especially* the Batfamily (which is where the crossover content propagates the most) is this: a *very* good chunk of fans don't interact with the comics. i would venture to say even most Batfamily fans don't read the comics and actively talk about it. we've all read a very fandom big Batfam fanfic where the author's note mentions the writer has never touched a comic in their life. typically, these fans are either cobbling together their understanding from fandom content, or by frankensteining unrelated DC adaptations to understand each character. you take Bruce from Batman: TAS, you take Dick from the animated Young Justice, you take Jason from Batman: Under The Red Hood animated movie, you take Damian from the DCAMU Batman vs Robin, and you read some fandom metas to fill in the rest and well, you've got some sort of an understanding of these characters. read enough incorrect quotes, some genfic, a couple of character metas, and boom, you understand the Batfamily fandom enough to start creating your own content. and of course now. now you have Wayne Family Adventures so it's even *easier*. a pretty easy to pick up webtoon that's filling in all the gaps for you. but i've been in this fandom long enough to remember before we had WFA and even then, this was still a common, if not the most popular way, to ween yourself into the DC fandom space. you cherry-picked the canon you liked and then plunged into the depths of fanon.

i'm not here to make in depth commentary on if i think this is a good or bad thing. trust me i have that commentary in my head, but that would need it's own post. i'm very split on it and my feelings are complicated. my feelings on WFA are even *more* complicated. because oftentimes, the attitude expressed by these fans who are frankensteining this version of the Batfamily/DC world they have in their head is they don't *want* to read the comics. the comics don't contain the content they're after. and to an extent, i understand that. if you're looking for light-hearted vibes of the Batfamily all getting along and having the occasional hurt/comfort moments but in the end, they hug and make up, you're right. largely, you won't find that in canon. of course there are so many comics to recommend for Batfamily interactions, but you have to get specific. you'll find them interacting in small groups, Tim and Dick bonding here, Duke and Cass bonding there, but largely, the comics don't care to balance the ridiculously large cast they've given themselves. but fandom does. it's easy to toss them all in a blender and ignore the parts you don't like. the default argument to ignoring the comics or writing something OOC is always "well the comics are OOC and inconsistent too" which, while a flawed argument that massively misunderstand how comics work as a medium, isn't an entirely incorrect one. you could serve on a silver platter to these fans, an easy and accessible way to get into comics and they wouldn't be interested. it's not what they're here for. fandom is always character-driven above all else. it's driven by character relationships and dynamics. if someone wants to consume content where Tim idolized and stalked Jason as 'his Robin' and now is trying to help him rehabilitate and they're super complicated but have this long epic forgiveness arc, why *would* they read the comics? because they're sure as shit not going to find that dynamic in the comics. it's laughably OOC and not canon at all, but that doesn't matter. what matters is the sandbox. most Batfamily fans care *far* more about the sandbox canon gives them than the actual canon itself. feel how you feel about that, this really isn't being negative toward that attitude, but it is a common attitude.

so, you have Batfamily fans playing in the sandbox and building their own narrative. common fandom headcanons are so common, you could practically write a guide on how the fanon Batfamily works with how consistent people are about it. or you could just read WFA, which is practically the new manifesto of it. even now, with this sudden spike in people talking about canon accuracy and "actually this happening in the comics", they don't actually care about the comics, just what they can cherry-pick for fodder. (even if they rob it of so much context they're just as OOC as they were before. see specifically: the recent phenomena with Tim Drake going from the woobified weakest member of the Batfam who everyone needs to save constantly and he's the smart boy but he's also the one with a sad tragic neglectful past who gets overlooked being the way Batfamily fandom played with Tim for years. but recently, people seem to be pushing this idea of a ridiculously badass Tim, Tim who *totally* has a kill count because of his actions in RR (2009) if you take them completely out of context, Tim who bested Ra's and is even more badass than Jason and he's the 17 yr old CEO of Wayne Industries being cool and flawless it becoming the new fandom zeitgeist. neither of these versions of Tim are canon, and the second fundamentally misunderstands his arc in RR (2009) but the shift has undeniably happened and it's been fascinating to watch. the same thing happened with people suddenly deciding Jason isn't the "angry violent Robin", he was a sunshine sweet boy who was perfect as Robin. neither of these are true, but the second feels more transgressive and new to fandom from cherry-picked panels.) the point is largely, Batfamily fans would rather build their own canon than play with the actual canon.

and then, you have Danny Phantom. i'm not into DP and have no interest to get into it, but what i know about it via fandom osmosis is this: DP fans sort of also don't give a fuck about canon. once again, the canon of DP is a sandbox, not a rulebook. the concepts and the characters are the draw, not the plot itself. i've seen DP posts explaining characters who are essentially OCs, but have become so dominant in the fandom via fandom osmosis. there are concepts and ideas about how Danny's powers work and potential concepts with his ghost nature that either aren't in canon or only happened once in canon and fans decided to expand on that and doesn't care about it's own in-universe logic. i've seen a lot of DP fans also express they haven't seen the show and they don't have plans to see the show. because the show is just some children's cartoon with some inconsistencies and a simple plot, as you'd expect from CN. the show isn't the point. no one cares about it's plot, they care about it's characters. they care about pushing the concept of half ghost boy to a logical extreme and seeing what you can get out of that. can you make it weird and fucked up. how much can you highlight on his trauma and body horror. what identity crisis can you give him and how can you build his interactions with other characters in his world around that and also make those characters fun and unique on their own. sure, the skeleton of canon is there, but the meat lies all in the fanon.

Miraculous Ladybug also exists in this similar vein. the characters, the concepts, those hold intrigue. and not even mentioning the fact the original concept for this show was supposed to be aimed to an older audience, so you can see the bones of something a bit more mature and nuanced under this typical, villain of the week magical girl transformation show. the show itself is a bit shallow and that's not a *bad* thing, it's just the medium it exists within being aimed towards children. but the concepts of a teen girl who's basically a sort of chosen one, a boy who doesn't know his father is the big bad of the show, and their weird identity porn love... square thing. those dynamics are *so* complicated and such a fun sandbox to play in with character-driven fandom.

so, at the core, you have three fandoms that care more about the culturally accepted fanon than the canon, with a good chunk of people often not even consuming the original canon content. and well, DC is an *easy* world to transpose just about anything onto. a boy who's half ghost and fighting supernatural threats? that makes sense, DC has ghost heroes like Deadman already. a girl who has this magical item that gives her animal themed superpowers? i mean that's practically the same thing as Vixen's Totem so that one makes sense too. they fit in pretty easy, no needing to change the world to accommodate them. and of course, if you're a fan of *one* fandom where you don't care for the canon content and only like the fandom sandbox, chances are, you'll get drawn in pretty easily to another fandom with similar mechanics. if you can teach yourself the DP fandom rules/concepts, you can teach yourself the Batfamily fandom rules/concepts. and well, since there's so much crossover in fandom members, why not write the fanfiction? crossover fics will always exist, but with such a shared member base, you have a really big boom.

it's why the characters you see DP interact with in DC are *always* characters who are far more driven by fanon than canon. Danny and John Constantine is a *massive* concept. for people who don't read Hellblazer comics. my poor partner, @divine-dominion has lamented to me pretty often about finding DP content in the Hellblazer tag that is essentially turning Constantine into an OC. because whatever version of Constantine is being written about isn't one bit comics accurate, and really, isn't trying to be. and the same thing happens with Shazam. you watch Young Justice and understand him well enough, you get drawn in by the character concept that you just run with it. people put their favorite blorbos in the same place because hey, wouldn't ghost boy be pretty cool in a city like *Gotham*. how would Batman even react to him. and then, the shipping. because ages for the Batfamily can be easily hand-waved and moved around based on where you plop Danny into the timeline, you have your pick of the litter with him, and same with Ladybug. of course there are the most popular ships but largely, the world is your oyster.

i don't think this is the worst thing in the world for either fandom. it's not hard to filter out the crossover tags and scroll past content i don't like. and sure, i see the appeal of making your blorbos from two different places meet. i've got my drafts *full* of DC/MHA crossover ideas because well, i like them both and think that would be cool. i think my only gripe with it is when DP or MLB crossover content seeps it's way into the wrong tags. using the above example, if you're writing about Danny and Constantine but there's zero content of the actual Hellblazer comics, i don't think you need the Hellblazer tag, just the Constantine character tag. tbh i wish this extended onto Ao3 and people utilized fandom tags better. if you're writing Batfamily fanfiction that is very clearly and obviously WFA driven in characterization and concepts, i would far prefer those fics be tagged with the WFA fandom tag rather than the Batman (comics) fandom tag. because well, you're not writing about the Batman comics. and there's nothing wrong with that, but it helps if you don't confuse yourself for content striving to interact with canon more. (this especially extends to Young Justice, by the way. if you're writing for the Young Justice tv show please, please stop using the Young Justice (comics) fandom tag. i'm at my wit's end- /lh)

the whole thing is fascinating. i've got zero interest in entering DP or MLB as fandoms because that's not my speed, but witnessing it as an outsider is my favorite pastime. i see a *lot* of posts going around the DC x DP space that are helping explain to people who's who, what's what, and understanding the canon/fanon of both of these properties so others can better enter the space. which is not something you'd need in a fandom driven only by it's canon content, but it is sweet watching others try to help newbies enter the space. it's a very inviting fandom space, i think, whether you lament it's existence or not. they're just sitting in their corner with their blorbos, and i gotta respect that. the posts explaining the Batfamily to DP fans are always fun for me to read, even if i disagree with some of the characterizations in them because it helps shine a light on what the fans of this crossover regard as "important" enough about each fandom to be worth including those sorts of primers. very fascinating stuff.

[project-sekai-facts]

I've seen many people stating that Airi is implied as transfem, and many saying it's merely a headcanon, but I haven't been able to find evidence to support either side as I have no idea of where that notion comes from. Do you know about any event/card stories or symbolism that could imply that she's transgender? Thanks in advance.

oooh this is a really interesting one for me actually! so straight off the bat, no airi is not canonically or implied trans. that said, a queer (in her case, trans specifically) reading of her story is totally valid, much like Toya's backstory for an in-game example, and for out of game examples stuff like Rin in Love Live! School Idol Project or Gwen in the Spider-Verse movies (these two support a trans reading, whilst Toya's story supports a more general queer reading).

I think the main cause of the reading comes from her fes story! While her childhood is first talked about in the first chapter of RE:START From Here!, it's very brief and the specific parts about her personality and presentation aren't much of the focus, aside from an incredibly short interaction between Airi and her mother where Airi thinks the idol on TV is cute and her mother tells her that there's nothing stopping her from being like that, then a similar interaction with her younger sister where she decides that she wants to be an idol.

What we learn from this is that Airi used to be a tomboy when she was younger, and was short tempered and aggressive, and often got into fights with boys (though in the interaction we are shown she does this to defend her little sister). She also discovered idols and decided she wanted to be one too, just as cute as the one on TV, which is the total opposite to how she was then. In terms of Airi's backstory serving as a trans allegory? I think you could get something out of this, though the allegory (intentional or not) is far more pronounced in her fes story. You could definitely view this flashback as her starting to realise she's a trans girl, and that she wants to be more girly. Especially when her sister says that Airi's just like the idol on TV, and she has a moment of realisation that she wants to be one too.

Now onto her fes story. First I'll just mention a little fandom thing. So back in 2021 when Airi's fes card was initially released, a fan translation (pictured) was posted to youtube that mistranslated her as being transgender. It was a error made by the translator where instead of saying how the boys she fought with called her a "too cute for a monster", she said they called her a "too cute for a boy". The translation was deleted a long time ago, but for some reason people still bring it up, even now. I think this is where a lot of misinterpretation over her being canonically trans comes from.

Now onto the actual fes story. In the first part of the story, Airi looks back on the interactions with her sister that we saw in Re:start, thinks that she'd love to see the look on her younger self's face if she could see herself now, which creates her fragment sekai. In the second part, after talking with her younger self for a bit, she calls little Airi a tomboy, and she's visibly uncomfortable with this. Present-day Airi then realises this past version of her must be from around the time she started to be bothered by how people viewed her as "rambunctious" or a tomboy. She also mentions that when she decided to become an idol she started ignoring boys teasing her about it, confirming that her tomboy personality and presentation was a source of mockery.

The most interesting part is that Airi says when she started wearing cute and girly clothing to school, she was mocked for it. Although the text explicitly states that for Airi, she was a GNC girl who was uncomfortable with her presentation and wanted to be more girly, this is literally something that has happened with Mizuki, who is all-but-stated canonically transfem. The rest of the story is Airi explaining what being an idol is like and her experiences to her younger self, who then proudly proclaims that she's going to become an idol.

As I said, the text explicitly states that she's a tomboyish girl before she decided she wanted to become an idol and wear cute clothes, which strongly suggests that she's cisgender (of course, she could be a GNC trans girl who came out when she was very young, but this is not canon). However, the fes story overall, and particularly the 3 lines of dialogue pictured above, strongly support a trans reading.

Airi was teased for wearing cute clothes, and while the text doesn't state it outright, you shouldn't have to be told that these were typically girly or feminine clothes, especially given the tshirt and dungarees that Airi wears on her child L2D model. As stated earlier, this exact same thing has happened with Mizuki, although the reactions from classmates and the girls themselves were slightly different on the account of Mizuki being canonically transgender. Airi is annoyed that her classmates think the cute clothes clash with her personality and make fun of her for it, but in Mizuki's case she questions if it's okay for her to wear such clothes because people think it's weird for her to be wearing it (the reason for it being weird is left unstated, but it's presumably because her classmates knew her as a boy at this point in time). Nonetheless, this mirrors the experiences of so many trans people in real life, who are mocked by the general public due to not fitting into the box of gender norms dictated by society.

Airi affirming that she's a girl is definitely the standout line here, though. It shows us how insecure little Airi was with her presentation, and how she wanted people to think of her as a proper, cute girl, instead of a "monster". So while Airi is not canonically trans, the text strongly supports her being read as such. It doesn't take a genius to work out how you could apply Airi growing up as a more masculine tomboy, then realising she wants to be a cute idol, then being teased for dressing in a traditionally feminine way is an allegory for a trans experience, intended or not.

Also absolutely not solid evidence of anything at all, but I often see people point out that Airi's trained The Strongest Idol Smile! 4* has a trans flag color palette, something we've seen in Mizuki cards before. However this is very likely unintentional and just done for artistic effect, the pink ribbons on the card are actually red on the costume (and you can tell in some parts of this artwork too). Still think it's a neat end to this post though.

[rhinocio]

NOW WITH PODFIC ACCOMPANIMENT!

[kevin-the-bruyne]

here’s an opinion that you can leave or take or call me puritanical over but I feel this strange sentiment come from the thai QL fandom here that equates explicit content as progress in queer representation.

am I even reading the vibe right? idek because that life view is so unreachable to me lol but if you ask me the most progressive queer representation to have been released in the last couple of years is this

I understand that different people have different markers of progress and you don’t have to ascribe to or even understand mine but you must acknowledge that it exists.

SOTUS and A Tale of a Thousand Stars are older BLs that have very few parallels to me BY modern standards because to me progress is being able to watch a queer show with my family.

I’ve had a lifetime of watching queer as folk, grainy old school Japanese BL, lipstick jungle, weird french movies about gays with mommy issues in the dark, in the middle of the night; alone.

A lakorn like To Sir, With Love is something I can watch in the light with my whole family. Queer retelling of quintessential asian love stories like ATOTs or Moonlight Chicken that I can show my mom and have her understand queer love in the narrative language that she understands - that’s progress. That is what I have spent my entire youth praying for.

Don’t get me wrong I love buttcracks and the threat of male pregnancy just as much as the next person but dear god do I also need offgun to make 57 more heartwarming shows where their lips touch for 3.1 seconds so I can share this part of my life with the people that matter to me.

[whaliiwatching]

hobie in a croptop that says ‘thot crime’

and proud of it too

[autisticrosewilson]

Jason knows Bruce loved him that's why he's so pissed that Jokers still alive, he wants Bruce to PROVE that he still loves Jason by letting him kill his murderer, by choosing him.

The point of Red Hood is doing what Batman can't and nothing Bruce or Dick can say would change that Joker is still alive and there's another Robin who's going to suffer.

"Jason come home we still love you despite the murders 🥺" Okay then prove it, watch me put a bullet through the head of the man who murdered me and then let me come home. No? You can't? Well then I guess I was right the entire time and you're all useless and will never love me as I am. I'm going to non-fatally but very painfully hurt you now btw.

^ how it would actually go if Dick or Bruce or whoever found out his identity early