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#count dracula's great love
weirdlookindog · 2 months
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Is this piece of classic literature actually gay or is the author so misogynistic that he wrote the men as characters who actually think and feel and make decisions, never considering that he could do the same with women, so of course we're going to see chemistry between the men because the women are nowhere near as deeply written?
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movieposters1 · 3 months
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idlesuperstar · 11 months
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Conrad Veidt as Captain Hardt in The Spy In Black [Powell & Pressburger, 1939]
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Renfield (2023) is one of those vampire movies that gave me everything I could have wanted and more. I haven't felt this way about any vampire media in a long time. Nic Cage was the most perfect choice to play the count himself in this film. Just--- *chef's kiss*
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granhairdo · 10 months
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my classic lit ranking
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embystarr-blog · 2 years
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No but imagine a young, inexperienced Seward at university, living on campus and recording on his phonograph after every class, or simply when he's studying for an important test, walking around the room and speaking about the core subjects outloud to remember them better😍😍😍😍
IT'S HEADCANON TIME
- His stress about the more difficult topics would be evident, because his voice would sound angry.
- There'd be entire cilinders with him whispering because it's the middle of the night and he's still studying.
- his classmates interrupting his recordings all.the.time
- him subtly throwing shade to the meaner professors
- him imitating his closest friends at uni
- at least three cilinders simply end in the middle of a sentence because he kept talking and didn't even realize there was no more cilinder to keep going.
-at least 50% of the cilinders contain one or two f bombs.
- his nervous voice when he's recording something really quick right before an important final.
- his classmates stealing his phonograph for a few hours to record themselves because it's fun, and him keeping that cilinder even though he can't use it.
- his budget contemplates all the stuff he'll need to keep his phonograph working properly.
- His first RECORDING with him all happy to have bought the phonograph.
-him all happy because he did great in his exams
- hearing his smile on the recordings 🥰🥰
i.cant.even.
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victory-cookies · 4 months
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*dracula voice* whalussy
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weirdlookindog · 3 months
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El gran amor del conde Drácula (1973)
AKA Count Dracula's Great Love; Dracula's Virgin Lovers; Cemetery Tramps; Cemetery Girls
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luveline · 2 years
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𝐥𝐨𝐯𝐞 𝐛𝐢𝐭𝐞𝐬 | 𝐞𝐝𝐝𝐢𝐞 𝐦𝐮𝐧𝐬𝐨𝐧 
summary eddie munson is super weird. he holds your hand too tight, he has a fascination with your neck, and he can’t give a hickey to save his life. good thing you’re super weird, too. [20k]
warnings two losers falling in love!! vampire!eddie munson, ditzy!reader (kind of), fem!reader, smut mdni (p in v, unprotected sex, oral fem receiving, general heavy petting and kissing, praise), fluff, hurt/comfort, angst (eddie struggling with guilt and grief). canon divergent (the events of volume 2 take place but there’s a mostly happy ending i.e. everyone good lives and everyone bad dies) TW eddie doesn't have suicidal thoughts, but he does think about it briefly. not with intent or anything like that though. requested here for my halloween party <3
(㇏(•̀ᵥᵥ•́)ノ)
Eddie Munson never wanted to be a vampire, and he wants that on the record. 
It's a ridiculous existence. It's embarrassing. It's nothing like all the movies and books promised him. 
He's looking at you, Bram Stoker. 
In Eddie's mind, Stoker’s nothing less than a liar and a sycophant. 
"Who's dick were you bouncing on, Stoker?" he demands to know, kicking fallen leaf mulch under his feet angrily. "Need'ta fucking impress some vampire lover with your over-exaggerated, over-powered, ridiculous descriptions? Great. Hope it was worth it. Meanwhile I'm here, self-esteem half the size of a grain of rice because I can't scale a building with my bare hands." 
Eddie would know. He's tried. 
He's not genuinely angry with Bram Stoker, but he'd rather take his frustrations out on a guy who's been dead for a hundred years than take them out on the demobats, because he doesn't want to even think about the demobats. They're all dead too. Not before they'd had (see: devoured) their pound of flesh and changed his life for the worse, though.
He shakes his head to drive out the memory like water in his ears. It's easier to pretend none of that shit in the upside down ever happened. (Impossible to pretend. He begs himself to try anyway.) 
He’s pissed because science fiction has promised him a lot of things and reality has delivered on none of them. No super strength, no impermeable skin. He is faster, but that's more a reflexive thing than anything else. And being faster doesn't make running fun. That’s impossible.
Sunlight breaks through the treeline and his skin crawls. Science fiction didn't get that right, either. The sun doesn't hurt. It's just really, really annoying.
He covers his eyes, winces at his itchy hand, pulls his sleeve over his fingers and covers his eyes again. "This blows," he says, and means it. 
In Dracula, the sun nulls Dracula’s supernatural abilities. Eddie doesn’t have any abilities worth nulling, unless you count echolocation.
He doesn’t. 
He walks another five minutes up the road toward Forest Hills when he realises you're behind him. His senses are enhanced now as a bat’s might be, hearing fine-tuned and dialled up every second of the day — which makes living in a trailer park where everyone thinks he's a murderer an acute misery — but he's as prone to distraction as anyone else. Especially when he gets stuck in a memory.
Eddie throws his gaze over his shoulder and finds you thirty or forty feet away, talking to yourself under your breath. He knows you more for your sounds than your appearance. To be able to put a face to your mindless babbling is a mystery solved. Of course you look like that. A skirt made of soft looking fabric bounces over two cute thighs, a pretty lacy corset type of thing that isn't too tight outfits your top half. You look more like a vampire than he does. 
"Hi, Eddie," you call.
His eyes widen, a deer-in-the-headlights kind of surprise. If you notice how he's frozen you don't show it, continuing to push your bike toward him. The tick of the wheels grows louder as you get closer, two hands on the handlebars with wrists draped in bracelets, both silver and fabric. 
Besides your jewellery, your arms are bare. You must be freezing. 
"Hey," he says. 
He doesn't know your name. He doesn't know how you know his, and he’s too awkward to ask. 
Your sounds peak as you close the gap. The wet scrape of your dirty black canvas shoes over shining asphalt, the soft puff of your breath, the clinking sounds of whatever trinkets you have in your bag. If he focuses, he can make out the tiniest pinches of fabric. Your short sleeves rubbing against your arms, your bra straps stretching over your shoulders. 
Eddie takes a deep breath and tries to diminish his senses. 
"Where's your van?" you ask curiously. 
"Piece of shit kicked it in the middle of town. Just my luck." 
You pause at his side, looking him up and down obviously but without the judgement or irreverent disgust he's come to expect from near about everybody in Hawkins. 
"That's not good," you say succinctly. 
It's such a genuine response that Eddie can't find it in himself to be sarcastic. 
"God awful," he agrees sullenly. 
You nod and start to walk again. Eddie falls naturally into step beside you, matching your pace without thinking. 
"You should get a bike." 
He laughs. Coughs to cover it up. "Yeah?" 
"They're way more reliable than a car, and it doesn't hurt the zone." 
Eddie squints. "The o-zone?" 
"Is there another one?" 
You're still so serious that he spares you the ridicule he might dole out to anyone else. If Dustin had said something like that he would've ripped the kid a new one, but you're rather sweet in an odd way. You have a soft manner of talking — each word sounds like you've thought its pronunciation through meticulously beforehand. 
He ignores your question and points at your bike, ring catching the sun. "Why aren't you riding it?" 
"My chain slipped." 
"So much for reliable." 
That makes you smile. Eddie feels it like a punch, a flat palm slapped into his chest. 
"You can't put the chain on yourself?" 
A brisk breeze whips your hair, your earrings. The left kisses your cheek, a silver heart-shaped hoop with pink beads that click together. You lean into it, face tilted to one side as a perplexed smile plays on your sticky lips. "You can do that?" 
"Sure, you pull it back around the gear. It's easy." He hesitates for a moment, and then feels guilty about hesitating. "I'll do it for you, if you want." 
"The guy in no. 62 has been charging me ten dollars." You don't sound as angry as you should, in Eddie's opinion. 
"I'll do it for nothing." 
You beam at him. His chest feels like a bruise. 
Pretty girls don't like Eddie. Not before Chrissy, not after. He's trying to work out your angle, what it is that you want. 
Or maybe you don't know. 
As soon as you find out who he is, you'll turn your pretty nose up at him and walk the other way. He shouldn't smile at you, he definitely shouldn't fix your bike. 
He can't help it. He's so starved for positive attention that he follows you all the way through the park, westside to east. 
He checks the driveway of his own home and smiles mildly when he spots Wayne's new car. It's new in the sense that it's different. It's actually way older than the one he'd had before, the one he'd pawned to pay for Eddie's — well, Eddie's everything. His check-ups, his court dates, his goddamn bail. In the same way that this trailer isn't the trailer, but an older, smaller one as far away from their first as possible. 
Kid, if I had the money…
Wayne hadn't needed to finish. If he had the money, they'd leave. Leave Hawkins, leave Indiana. Settle down in some other mediocre Midwestern state with all the same creature comforts and none of the "You were acquitted but literally none of us believe you didn't kill someone," motif. 
All they have now is debt, each other, and the Great Munson mug collection. 
Eddie keeps his head down as they pass the old trailer. Nobody lives inside now. Only termites. 
He can taste blood by the time they reach your home. Far from the metallicity of his human blood, Eddie's blood now harbours a bitter taste. Not quite like coffee but with that same overwhelming earthiness. He pulls his teeth from the bitten flesh of his bottom lip and quickly raises a hand to his teeth, alarmed. 
No knife-like points. Normal teeth. 
"Are you thirsty?" you ask him. 
Eddie flinches and drops his hand. You've parked your bike against the wooden lifts of your porch and are halfway up the steps to your front door, hand clasped loosely on the railing. 
His heart fucking pounds. 
"I have grape juice?" 
"Right," he says hurriedly, "right. Yeah, that would be awesome." 
Duh, you meant juice. 
You send him another endearing smile and pop up the last of your steps and into the front door. It's not locked. He doesn't follow, thinking you must live with somebody (who's gonna know exactly who he is and tell him to get lost).
He turns his attention to your bike instead. It's easy enough to fix. He rolls the bike so its handlebars are resting against your concrete driveway and covers the top bar of the metal body with his sneaker to stop it from toppling. He rolls up his sleeves and bares his arms, but pulls them back down immediately when he remembers the white-purple whorls of scar tissue lurking underneath. 
"Fuck," he mutters. Everything is a reminder, all of the time. He can't escape what happened. 
It's everywhere. 
He's getting his fingers under the chain when you reappear. You've layered up, bracelets and naked arms hidden by a black hoodie. 
The wind blows and your skirt shifts. From his position he can see a ladder hiding in your tights where your inner thighs are pressed together. He whips his gaze up like a high-school perv caught sneaking peeks in the girls locker room and notices the stitching on your chest for the first time.
"You like Dio?" he asks excitedly. 
"Who?" 
He wilts. "Uh, your hoodie. Dio." 
"I got it for three dollars in the bargain bins," you supply helpfully, all pep as you climb down the stairs and offer him a glass cup adorned in dainty enamel flowers. "Is Dio good?" 
He waves his hand at the glass apologetically. "Two seconds…" Lifting the chain with the second hand, Eddie tugs and then feeds until the links are lined up with the bumps on the big chainring. The skin on his fingertips get pinched and his eyebrows pull together in pain, but it's a mild irritant at worst and after a moment the chain is back in place. 
He pulls his hand away and wipes dark grease down the front of his jacket. "I think I did it." 
You're glowing, earrings like a metronome as you ask, "That fast? You're awesome."
He turns the pedal and your back wheel spins in time with his heart. You're awesome. When was the last time somebody who wasn't Wayne said anything like that? 
Although Dustin had told him he thought Eddie was a much cooler, more fucked up version of the guy from Van Halen the other day. 
You're just saying that 'cos we're both called Eddie, Eddie had said morosely. 
Learn to take a compliment, dude. 
When they aren't pity compliments, he might. 
Eddie lifts your bike back onto the wheels to show you that it's working perfectly. You giggle your evident pleasure. "Oh, thank you, thank you!" you say, super sweet even as grape juice sloshes over the rims of your flowered glasses and drips down your fingers. 
"Here, let me," he says, taking the glasses from your purple-stained hands. 
You kiss your hands clean which is a thing, a lot to watch. Eddie admits to himself that he thinks you're really pretty, recognises that that is a bad thing to think considering the likely very short life span of your acquaintance. God knows you won't be saying anything as friendly when you find out who he is. 
"You're so nice," you say. It feels like you're talking more to yourself than him. "Thank you. It's slipped off three times this month, and ten dollars is ten dollars. Wait, do you want ten dollars?" 
"My services were administered charitably.”
Your smile grows. You accept your glass and take a small sip, eyes lit up as Eddie steers your bike one-handed to rest against the porch. 
"Do you wanna come inside? I don't have any of the Dio, but I have Blondie." 
He holds in a throwaway comment about real rock and roll, astounded that you’d ask him. "Your folks aren't home?" 
"I'm twenty-two." 
Eddie squints at you. "Seriously?" 
"You didn't think so?" 
He shrugs. It's not that you don't look twenty two. Or even that you don't act twenty two. But it's been a long time since he met somebody living alone in the park. Forest Hills is where poverty comes to settle. 
"A boyfriend?" 
"Just me and mister Porterson." 
"That your grandpa?" 
"That's my pet fish."
He smiles. It's his first real, authentic smile in days. He's genuinely elated by your offer and your attitude, but he doesn't know how to handle it, struck with a sudden nightmare of you, afterward, telling somebody you'd invited him in and he'd tried to hurt you. It isn't fair of him to assume you'd do anything like that. You've been nothing but sweet and sincere this whole time. 
Eddie hasn't let his guard down in a long time. 
You're giving him this wide-eyed, imploring look that promptly suffocates any fear. 
And in a week, when she finds out who you are and feels betrayed, feels tricked? What then, Munson?
"You know what happened?" he asks.
"What happened?" 
"Two years ago. Chrissy… Chrissy Cunningham?" 
Don't say her fucking name. 
Your expression clears as clarity blooms. You take a step. He needs a second to realise you've come forward rather than away, fingers twitching toward his hand. 
"I know about it. I'm sorry that happened to you." 
He stares. 
This is a trick. Two years and he can count the amount of people who believe him on his two hands, and only because they'd all gone through it with him. Sometimes there are outliers, logical people who seem to realise Eddie couldn't have killed all those people, couldn't have been in all those different places without leaving any evidence behind. And sometimes there are people who agree he didn't kill Chrissy, but he's a coward for leaving her to die. (She’d already been dead.)
Eddie doesn't know what he thinks. Wayne sets the record straight every now and then with a clap on the shoulder. You did what every parent wants their kid to do. You lived. I can't ask for more than that. 
"You don't believe it?" 
"That you hurt her?" You hold his gaze, face practically impassive. "No, I don't believe it." 
He pulls in a breath that fills every inch of his chest. "I could learn to like Blondie," he says. 
— 
You're standing in the driveway of Eddie's trailer with a heavy bag over your shoulder, face to face with a man who kind of looks like him but not really. You assume it's his uncle because who else could he be? If you hadn't seen him here you'd never guess. 
"Eddie's mom must've had strong genes," you say. You bring your shoulder up toward your cheek thoughtfully. "He didn't get any of your face. Was she pretty? Eddie's really pretty." 
"She was," he says, peering down his nose at you. 
"I got sandwiches. Do you want one?" 
"What kind?" 
"I have ham and cheese, or ham and lettuce and tomato, or I have pumpernickel cookies. Is Eddie a vegetarian?" 
"Why?" 
"'Cause I only brought one cheese and cucumber, and I have dibs." 
He climbs down the last couple of steps and is still taller but definitely less imposing, face covered in scratchy salt and pepper stubble and crows feet deeply embedded into the corners of his eyes. He looks like a man who has been tired for a very long time. You make a mental note to bring him some lavender for his pillow on your next visit. 
"You're Eddie's new friend?"
You nod your head briskly. "Yes, sir. I'm Y/N." 
He opens his box of camels like a pro, bottom pressed to his chest. He tucks a cigarette between his lips and pulls his lighter out. He doesn't light it. 
"It's nice to meet you," he says eventually, voice warming. 
You search through the mess of your skirt for the zipper on your bag and peel it open, pulling out your tupperware of cookies and cracking them open to release the fragrant smell of cinnamon and almonds. It's a heady scent, fitting for the holiday season approaching. 
You offer Eddie’s uncle a cookie.
"Thought pumpernickel was bread," he says gruffly, taking one. 
"It is, but there's this little town in France that makes these every year at Christmas and they call them pumpernickel biscuits," — he takes a bite and winces at the hard snap — "you're s'posed to dip them in hot chocolate." 
"You don't say." 
You nod happily and he moves aside to let you pass. 
"Thanks, kid." 
You turn back to him with your fingers curled around the door handle. "Of course! It's really nice to meet you, Mr. Munson, sir." 
"Wayne is fine." 
You laugh and repeat his name in a similarly rough voice, letting yourself in as Eddie had told you to do. You find him immediately in a man-made corner of the living room, pale and in his pyjamas. The trailer is open planned, a living room they’ve divided by propping a couch against the kitchen counter, a slim hallway leading to a cramped bathroom and the single bedroom. It's exactly like in your home. 
You're somewhat surprised to see him in pyjamas. Eddie doesn't wear comfy looking clothes out of the house — you've only ever seen him in jeans and jackets like a real rockstar. 
"Are you ready?" you ask.
You've invited him to come and search for bugs with you. Catching any kind of bug, whether beetle or butterfly or spider, is really scary, but you need to be able to catch them to draw them. 
You'd expressed this to him over the phone and he'd said, "I can come and help. I have good reflexes." 
He rubs his hands over his knees. There's a blanket pooled around his feet, a quilt he must sleep with, and the room is decorated with not a whole lot of stuff but enough to make you take a step back. 
"Is this your room?" you ask, enchanted. 
"Kind of." He pulls his hair from behind his ear, obscuring a pale cheek. "I don't think I can come with you today, I'm sorry. I meant to call you." 
You toy with a dark thigh high sock as you ease out of your shoes, height drastically decreasing. "That's okay, we can stay here. I brought you a sandwich. I brought you two sandwiches," you correct. 
He nods. Rather sadly, in your opinion. "Alright. Thanks." 
You step over a tented paperback and hand off the cookies before sitting down beside him on the couch he's occupying. It's smaller than the one against the wall and round like a clam, lots of room for your legs to stretch out. 
"I feel like a pearl," you say. 
You and Eddie have been friends for a little while now. Long enough for you to realise he's either depressed or mentally unwell in some way. You hardly mind keeping him company on his bad days if he needs somebody, so drawing bugs will have to wait. 
His hair is limp, not totally greasy but not super clean either. His face looks fresh enough, though the bags under his eyes make you frown. 
You pull your purse into your lap, thighs covered by the thin layers of your midi skirt. "I have just the thing for you," you murmur. 
"Yeah? Bring me another bracelet?" 
You like that he sounds eager. Making his bracelet had been a challenge, lots of knotting and double knotting, three restarts and one small under the breath tantrum. It's not anything special, black and white hearts seven strands wide, but he'd been very appreciative. 
"No, but I can make you another one if you want. I mastered the inverse chevron last night." 
He hums. You pull a saran wrapped sandwich from the depths of your crowded bag, glad to see it's mostly intact. When you open it up you find that it's the ham and lettuce and tomato one, so you drop it into his lap haphazardly and move onto the next. 
"Aha! Here," you pull a cucumber from your sandwich. "For you." 
He takes it between two tentative fingers. "Thank you?" 
"For your eyes." 
"There's cheese on it." 
"I'll still work," you assure him. 
"M'not putting cheese on my eyes." 
You laugh because he probably shouldn't put cheese on his eyes, cucumber adjacent or otherwise. "Okay, don't. I'll make you a hot towel." 
He drops his hand on your arm as you go to stand. You like how he touches you, soft but not scared. "You just got here. Stay here." He pats you nicely. "Tell me about work last night." 
You settle heavily into the seat beside him, your thigh to his thigh, your hip squished against his hip, doughy flesh separated by nothing more than a strappy tank top and a cotton long-sleeve t-shirt. His heat quickly becomes yours, a sinking transference of warmth. 
"Well," you begin, cheek turning into the couch to face him. "It was mostly okay. I dropped another plate, but this time it didn't have a stack of waffles on it." 
He smiles ruefully and sinks back as you had. Neither of you eat your sandwiches. "Progress. Taking it out of your pay?" 
"Yes, definitely." 
"Discrimination." 
"That's what I said! I said, Sarah, I was born with butterfingers and you know that." 
"She didn't budge?" 
"Dishwashing all week next week. Whatever, though, 'cause it's Saturday." 
He laughs and shakes his head, his gaze dropping to your neck. He does that sometimes. You can't blame him; you wear a varying assortment of necklaces because you think they're pretty, and you're glad he likes them too. 
"See my new one?" 
"What?" 
"New necklace." You look down at your chest and pull the newest addition from between the cups of your bra. "It's real silver." 
"It's nice." 
"It's surprisingly heavy. Wanna feel?" 
"That's okay," he says, slightly strained. 
Right, you think. I'm talking a lot. 
You press your lips together in a mild pout and look at him through appreciative eyes. He's a very pretty boy, all soft and pale and sweet dark curls.
"Do you want me to put your hair up?" 
His lips part before he talks. "I don't know if you should." 
"Sure I should. It's getting in your eyes, right?" You take his hand where it's laid unsuspectingly in his lap and slip the hair tie from around his wrist, his fingertips tickling the inside of your palm. "Sit forward, Eddie." 
He takes a deep breath, holds it, and sits up. You twist and then realise you need some more height, pushing a leg under yourself to kneel next to his lap. 
You weave our fingers softly into the hair at the front of his face and rake away in lieu of a brush. After it's mostly tamed you pull it all into one hand and wrap the tie at the base of his head. You hum to yourself as you go, pleased when his lovely curls behave. 
"Voilà," you announce, moving back on your haunches. 
He breathes out. "Thank you." 
You reach for a curl you'd missed at the very front and encourage it behind his ear. He has subtle indents in his cheeks today like he's in need of a good meal, and his skin is colder than it should be when you flatten your palm. 
"You need something to eat," you fret. Your fingertips stroke under his eye, your thumb his smile lines. 
He moves away slowly. 
You pull your hand back into your lap. "Maybe we can go out and get something, if you don't like the sandwich?" 
"What?" he asks, pale lips taut as he simpers at you. "Are you kidding? This is about to fix everything that's wrong with me." 
His enthusiasm emboldens you. "It so will! There's ham and cheese too, if you prefer that one." 
"Get it! I'm gonna eat both of them." S
Eddie eats both of his sandwiches and you eat your own, the two of you with your heads dropped back against the couch as you watch TV. There's a guy you've never seen before running around the streets of Chicago city centre looking for people to be in his play. Eddie's seen it before. He repeats dialogue in time with the characters, performing each line. Impressive, what with how tired he looks. 
"What did he just say?" you ask, mouth full of cucumber.
"He said he's gonna throw himself off a bridge," Eddie informs. "Poor guy. I know the feeling." 
You swallow harshly.
"Seriously?" 
Your sad tone surprises him. 
"I- No, I'm kidding," he says, scratching the base of his throat, friendship bracelet his only adornment.
His nervous itching makes you even more worried. 
"If you did wanna do that, you can talk to me-" 
He baulks, tongue poking out past his lips as he licks the corner of his mouth. "Thanks, sweetheart," he says, pet name like a kiss. It sounds silly but it really feels like one, right in the centre of your chest. "But I'm fine. Promise. It was a bad joke." 
"Okay," you say, letting your suspicion shine through. You hold his eyes. 
You haven't known Eddie long. It feels like you met yesterday, though really it's been two or three weeks. You fit together in a way you hadn't expected and adore more than you can articulate, two funny puzzle pieces.  
"Well, I just wanted you to know. I like being your friend, I don't want you to disappear."
He laughs and licks his lips, a rough, chesty sound. "I don't want you to disappear either." 
Tires crunch outside, a shushing sound and then the sharp shriek of a jeep being put into park. Eddie perks up considerably, his shoulders straightening. 
"Hey, Chief," Wayne calls. 
Trailer walls. Basically made of cardboard. 
"Hey, Wayne. Where's the kid?" 
You can't hear what Wayne says after that, words stolen by the TV. 
"Is that Chief Hopper?" you ask, trying to catch a glimpse of him through the mostly shuttered blinds. 
"Yeah, he- He's friends with Wayne." 
"Why's he wanna know where you are?" 
"'Cause I got into so much trouble." 
You bite your tongue. His tone is hard, not stern but almost, and you realise you've overstepped as you usually do. You want to apologise but you don't want to pick the wound, eager to gloss over and make him smile again. 
"It's pretty cool, isn't it?" you ask him.
"What?" 
You spread your legs wider to slide onto your thighs and make him the taller one again, legs bent in a 'W' shape. "Coming back from the dead! First Will Byers, then Hopper." 
Something surfaces in his expression. An irony. 
"The undead," you croon, aiming for a smile, a laugh. 
He cracks. "The undead," he agrees, smiling in bemusement. His eyes are a funny shade of brown. 
Eddie shoo’s you home early that night but tries to do it kindly. He feigns exhaustion, a facade that's difficult to uphold when his entire body is thrumming with want. If there's one thing Eddie hates about being a vampire (there are literally hundreds of things he hates, but this one's special) it's that he wants to hurt the people he likes a thousand times more than the people he doesn't. 
He can't explain it. Your blood is more appealing than any lonesome stranger's. Your pulse is practically music to his ears when you sit beside him. He'd kill himself before he ever hurt you, though. Or that's what he likes to think. Whether he has that amount of control is debatable. 
No. He would kill himself before he hurt you, or Wayne, or any of his friends. 
Steve can see the way that he's feeling on his face. 
Hopper's delivery set to one side, a tall glass with blood congealed in a sticky ring at the bottom, Eddie curls under his huge quilt and tries not to pass out. Blood sate feels the same as a thanksgiving food coma. It's awesome. 
He hates how good it feels. 
"Stop feeling guilty," Steve says. 
"He doesn't look guilty to me," Dustin says beside him, taller than the last time Eddie had seen him but still miles off of Steve's tall stature. He's changed his hat again, this one a garish green. It's not a good look. 
"He looks like he's napping," Robin says, delighted. 
"Can you guys go home?" Eddie asks. 
"Shithead." 
"What Steve means to say," Robin corrects, grinning her huge, catching smile, "is that no, we aren't going home. We brought games." 
"I don't wanna play games." He does. Eddie needs the distraction, because eventually the blood sate will fade and all that will remain will be self-revulsion and a cruel desire to do something awful. 
"I do not care even slightly," Steve says, deadpan, as he sits right there next to Eddie where you'd been sitting before. Steve's nowhere near as soft and he doesn't smell as nice, but Eddie's honestly glad someone is willing to sit next to him at all. 
"Ouch, what the fuck?" 
Dustin looks up from where he's sat himself on the floor. Robin giggles in her seat on the coffee table. 
"Munson, are you fucking shedding? I just got stabbed." 
"They don't work like that. They retract." 
Eddie feels at his broken gums with his tongue. There's a clean incision where his fangs come out and then snap back inside after a time. They're remarkably thin, fitting in front of his natural incisors neatly. 
Steve grumbles, hips lifted and hand searching under his butt for whatever it is that jabbed him. He retrieves exactly what Eddie had been expecting but hadn't had the forethought to prepare a lie about with a shocked gasp.
"Is this an earring? You don't have your ears pierced." 
He swallows, knowing it's a very guilty gesture, and meets Steve's eyes straight on. 
Funny how Steve's hair speaks as much as his expression, bobbing as he nods his head to emphasise each word, "Munson, do you have a girlfriend?" 
Silence. 
"...Not really." 
"Holy shit," Dustin says, sounding extremely pleased. "No way." 
Robin tucks her short hair behind her ears, hands paused in disbelief at her neck. "Actually?" 
"I have a friend," Eddie admits. 
"Thank god," Steve says, dropping your heart earring onto Eddie's thigh. The silver feels extremely hot over his pyjamas, like it's been held in the centre of a blistering hearth. 
"I really thought Steve was gonna have to take one for the team and give you a pity handie," Robin says agreeably, scratchy voice coloured by genuine awe. 
Eddie groans, "Harrington, get this shit off of me. You know I can't touch that." 
"I forgot," Steve lies. "Can you wait? My hands are busy." 
He has Steve put your earring between two pieces of kitchen towel and holds onto it. He doesn't see you for a week, and he keeps your damn earring in his pocket that entire time worried it's gonna slip out and brand him at any second. 
Finally, you call him. He pretends he wasn't waiting. 
"Hello," you say, like you're announcing something. 
"Hey. How are you?" 
"Eddie, I need your help. Badly." 
He flinches up where he'd been leaning casually, hard enough to make Wayne jump. Eddie smiles at him placatingly and mouths a poor sorry, turning away to pretend there's a semblance of privacy to be found in such close quarters. 
"Are you okay?"
"I gotta find a rainbow leaf beetle. Do you have a torch?" 
"...What?" 
"They only come out at night, so I'm gonna go look but I don't have a torch that works." 
He relaxes, the lilting cadence of your voice enough to make his whole night. You sound so pretty even through the phone. He suspects you could hold any pitch, deep or high, and you'd still sound nice. 
It's all in the way you — he says this with love — perform the words. You speak like each word you're saying has equal importance, and it's calming.
Even when you say stuff that's nonsense to him.
Right now, you don't sound upset or even worried about not having a torch, simply curious to know if he has one. If he focuses hard (and he's been trying not to, as you deserve your privacy) he can hear you all the way across the park, shifting from foot to foot in your bedroom, carpet crushed under your heels. 
The action makes him think this might be more urgent to you than you'd first admitted. 
"I have a torch." He also has amazing night vision. Like, impeccable. "Can I come help?" 
"You want to?" 
"I'd love to. Are you going out tonight?" He leans back to glance out the window. "The rain is finally stopping." 
"Yeah, tonight! Is that okay for you? We could go tomorrow if you can't." 
You're willing to change your plans now that he's asked to go with you. It's a gesture as lovely as you are. Eddie doesn't think you'd ever think it of yourself; your kindness is so intrinsic you don't notice it, like the fine stitching of a leather bound book. Integral and widely unappreciated.
"That's perfect."
Wayne raises an eyebrow when Eddie relays the conversation. "You're going out in the middle of the night with this girl to… look for bugs." 
Eddie crosses his arms over his chest. "I swear." 
"Be honest with me, kid." 
"I am!" 
Wayne swirls his coke can around in his hand as he thinks, a reluctance evident in his scowl. Eddie knows he's way too old for a guardian's oversight like this but he lets Wayne have a say because Wayne loves him, and Eddie doesn't ever want to put his old man through the turmoil he went through when he ran away. If that means a curfew in his twenties, Eddie's okay with that. 
"If you're going to have sex with this girl, I'd prefer you did it here. You have to treat women with respect."  
Eddie shivers, full body. "Wayne," he groans, covering his face. He can feel his cheeks pink under his palms, that's how quickly his embarrassment rises. 
"I know you're more responsible these days, and you're a grown up. If you want a girlfriend and you want to do adult things with her-" 
"Jesus Christ." 
"- then that's alright. You don't have to fool around outside." 
He drags his hands down on his face, pained. "It's not like that. You met her, you know she's…" 
"Strange?" 
"Alternative." 
"No, you're alternative. She's cooky." 
"Don't," he says. He knows his uncle isn't actually being cruel, so he lets it lie and fights for his own cause. "We aren't messing around. She genuinely wants me to go find these bugs with her. And…" He hates himself. "She has her own place, you know? If we were going to-" 
Wayne seems stricken by the same mortified embarrassment as Eddie, raising a calloused hand in surrender. "Spare me." 
"Thank you," Eddie says, spinning on his heel to hide in the bathroom for a while. It's only when he's sitting on the closed toilet does he realise Wayne hadn't mentioned his more dangerous ailment. For a time, he'd been a normal (debatable) person having a normal (horrifying) conversation with his dad. Not a vampire. Not somebody who ruins everything he touches. 
"It's so quiet," you whisper. 
For you, Eddie thinks. 
You're in the forest surrounding the aptly named Forest Hills trailer park, wielding your borrowed torch carefully into the dark. Eddie's following in your footsteps, trying not to smell everything that's on you today and failing. 
You smell like a person as everybody does. Over that is your soap, a faint hint of milk and honey that sticks to your skin even after you've washed it away. Over that is your deodorant, 'unscented', and over that is your perfume, which he likes most. It's a mix of smells, some Eddie doesn't know and some he does. There's lavender, though that might be down to the bunch you'd brought for his uncle wrapped in newspaper, and there's something fruity he can't quite put his finger on, all of it wrapped up in a cloying pairing of vanilla and coconut. 
"Eddie?" 
"What?" 
"Are you okay? You're almost as quiet as the trees." 
If only you knew the trees aren't quiet. 
"I'm alright," he says quickly, catching up to you where you stand a few feet ahead. "What are we looking for?" 
Best change the subject. How to explain he'd been smelling the notes of your perfume? 
"They rest on tree trunks. You have to be careful, any sudden sound or light will scare them away. But if you flash the torch on them, they shine like oil stains." 
He loves when you talk. "Where'd they come from?" 
"Place called Snowdon. They're so rare, they think there's only about a thousand alive there." 
"Well, how did they get here?" 
You laugh under your breath, so quiet he would've missed it if he wasn't enhanced. "I don't know. How do beetles get to different places?" 
"They fly?" 
A twig crunches under your shoe. 
Eddie tips his head to the side, thinking. "If there's only a thousand, how-" He stops, your circle of torch light growing further and further away. "Are you sure that they live here?" 
"No, but if they do we'll be the first to find them." 
"So they've never found any out here? In- In the midwest?" 
"Not yet. Where'd you go?" 
He shakes his head in an affectionate disbelief. "Right behind you." 
You search in silence for a while. Eddie wishes he could say he was mad, or even mildly annoyed, wishes he had even the slightest regard for his own time, but really he thinks any time with you is time well spent. Especially if it's helping you do something you want to do. Whether you find your rainbow leaf beetle or not, he feels better knowing he's out here with you to keep you safe and in company. 
Conversation is sparing. He doesn't mind. Your footsteps fill the sound and he finds even that stupid detail charming, the crunch, the pick up. His own are silent, a rare advantage to his terrible affliction. 
"Any other beetles you want me to keep an eye out for?" he whispers. 
"I'm not sure…" You turn to face him, torch pointed at your shoes. Rubber toes touched together, you lean in until you're all he can smell. Perfume. Blood. "If you see any cool spiders, too." 
"You have the mason jar?"
"You know I do." 
More than you realise, he thinks. The glass clicks in your bag. 
There's enough light reflected to see the most minute details of your face. Your nose, the circle of your irises but not their colour. He suspects Eddie from early '86 wouldn't have been able to see hide nor hair, and it wouldn't shock him if you were technically blind right now.
"Thanks for coming out with me. I was gonna ask you." 
"Yeah?" 
"Yeah, but I didn't want to come on too strong." He can sense your smile even though he can't see it. It's in the way your breathing deepens. "I know I can be a lot to deal with." 
"Who told you that?" 
"What?" 
Eddie doubles down.. "Who told you that?" he sounds heartbroken. 
He kind of is. Yeah, you're weird — Who cares? Who isn't? — but you're not a lot to deal with. He doesn't 'deal' with you.
"Everybody tells me that. All the time." 
"Everybody's stupid." To say it so loudly, scathingly, is sweet. It's therapeutic. "They are. This whole town is stupid." 
Your fingertips touch his thigh. He's willing you to turn the torch up and see his face, because he has a lot of feelings on display that he isn't brave enough to say out loud. 
"You never make me feel stupid," you say softly. 
"You're not." 
You giggle breathily at his vehemence, fingertips pressing in with a touch more pressure before you pull away and shine the torch deep into the trees. 
"This whole town is stupid," you mumble. "But not you." 
He thinks of his friends who are definitely stupid, but he loves anyways. He's about to add them to the not-stupid (subjectively) list when he remembers Steve's discovery: your earring burning a hole in his pocket. He'd been carrying it for long enough now to forget all about it. 
"Hey, I have something for you." 
"You do?" 
"Don't get too excited. It's not a gift." 
He digs in his pocket for the tissue paper wrapping and hisses in shock as the silver plating of your hoop graces his index finger. You shine the torch at him. His eyes ache like he's been stabbed and he slams them closed, hand pulled to his chest. 
How embarrassing. 
"Eddie, what happened?" you question loudly.
He winces at the sudden overstimulation. Slowly, he blinks, and finds you staring at him in a worry that softens every feature, even your nose. He doesn't know the logistics. 
"It's okay. Stabbed a paper cut on the back. Your earring's in my pocket, the heart?" 
"The hoop? I thought I lost it." Your worry turns to confusion and then melds into joy. You step forward and fish in his jacket pocket for your earring. 
"Steve found it." 
"'The hair'?" 
"Yeah, the hair." 
You both laugh and yours heightens when you find the earring, pulling it out like a knife to be brandished. "Yes." 
"I meant to tell you a dozen times that I had it." 
"You're the best." 
There's a crunch of wood somewhere to the left like something heavy falling over.
The forest sprawls in every direction and the trees tower, their presence looming as skyscrapers. The wind ruffles the topmost branches and their trunks groan with pressure. It's enough to freak Eddie out super sense or not, feeling suddenly like he couldn't protect you. He could hear the individual droplets of drool dripping from a lynx's bloody maw, and he can sense each twig underfoot before he takes his next step, but none of that is going to keep you safe in the face of real danger. 
"Maybe we should head back," he says tentatively.
"Okay. Do you want to come over?" 
His breath catches. "You want me to?" 
"Yeah, we can watch movies, I have leftover pasta." 
That sounds more like what he should've been thinking. "I don't wanna keep you up." 
"What kind of pasta?" he asks. 
The torch flickers. "With the tiny tomatoes. You'll like it, super creamy." 
"How do you know?" 
"You like Alfredo," you say astutely, hitting the torch into the palm of your hand. It flashes weakly, the shadow of the trees flickering and so dark they're violet. 
"Try tightening the handle." 
You turn the barrel of the torch and the light switches off completely. You try to undo what you've done to no success, the sound of plastic rubbing plastic almost as loud as your heartbeat. Your pulse falters and then grows to racing when the light fails to come back on. 
"Eddie," you say, sounding unsure. It's a new sound on you. "I don't know where we are. How are we gonna get home?" 
Your admission is like a dousing of ice water over his head. "You don't know what direction we came from?" 
"No, do you?" 
Eddie wouldn't know if he couldn't hear the sound of the electricity pylon buzzing somewhere to the right. But how can he explain that? "Uh, we were turned around."
You creep to his side and grab his arm with both hands. "Are you sure?" 
"Hey," he says gently. "Hey, it's okay. I know where we are. We'll be fine." 
"Are you sure?" you ask again. 
"I'm positive." 
You take a deep breath that doesn't erase your shakiness, a failed attempt at self-soothing. "I really don't know where we are." 
"You're not afraid of the dark, are you?" 
"Not really… I don't wanna get lost out here." 
"You won't. I know how to get back. C'mon," he prompts, pulling his arm to encourage you forward. 
You let go of him and navigate a few steps by yourself. He weaves through the trees, waiting for your heartbeat to slow. 
It doesn't. He opens his mouth to reassure you again when you gasp, kicking your foot against a root and tripping. You barely fall, catching yourself on the trunk of a tree, and Eddie remembers himself. You can't see the trees. That's why you're worried. You can't see anything. 
Then the smell of blood hits him like a freight train. 
Your hand stings where you caught yourself, palm scraped down against harsh bark. 
"Shit," you mumble. 
You're panicking badly, and you're confused as to why Eddie isn't. Not only was it fucking stupid of you to come out here with only one torch, it was stupid of you to assume you'd remember what way was home. It was stupid of you to come here tonight for that stupid beetle, and stupid of you to drag Eddie along. You're an idiot, and now you're bleeding. 
Your eyes sting with tears, pain like a popped seal. I'm so stupid. 
"Hey," Eddie says, his tone silky soft, "you're okay. Let me help you up." 
You hold your hands out. 
"Eddie, this is weird." Hopefully he understands that weird means scary.
He takes your hands, fingers closing slowly over your bloody palm. His breath is loud as he pulls you up toward him like he's panicked but his grip stays kind, and you abandon the notion when he rubs over your knuckles with his thumb. "It's alright." 
He doesn't sound the same. 
"Eddie, we can't see." 
"We'll go slowly, okay? I'll put my hand out and we'll walk around anything that gets in the way." 
"Yeah," you say hurriedly, heart bump-bump-bumping against your ribcage. 
He keeps one hand, the injured one, and starts to drag you slowly through the trees. His grip tightens as you go until it starts to ache, until it feels like it might bruise. 
"Ouch, Eds. You're hurting me," you say, going for a lightly teasing tone and missing the mark. 
Instantly, he eases off. "Sorry, sweetheart. You hold onto me, alright?" 
You do as he'd asked, hand clinging to him as he leads. He doesn't squeeze you again, walking slowly as he'd promised, and the closer you get to the edge of the forest the clearer it becomes. Light pollution from the centre of town leaches through the trees like water trickling from an overflowing basin. 
His second hand is in his pocket. 
"Here," he says after you've traversed to the very edge of the forest. "There's the park. We're bona fide explorers." 
He looks out toward the park and you look at the side of his face. Something isn't right. Something uncanny. 
You drop your gaze from his face to your joined hands. They come apart, blood smeared in both your palms like two halves of a dripping heart. 
— 
There is something weird about Eddie. As a residential freak of Hawkins you think you're an authority in this, and you don't feel guilty for judging him. Your brain can't stop going over your night in the forest. For days you play the scenes back and for days you lose the details. You forget how the wind had tousled his hair, how he'd smelled, what he'd said. 
You remember the way he'd squeezed your bloody hand. You remember the way he'd spoken, strained. 
Not strained like he didn't want to comfort you, he had, but strained. 
Restrained. 
You're poking at the shallow cut half-healed now in your palm at work when a dude walks in, very tall, handsome, and gunning straight for you. 
You straighten your badge and hide your bracelet heavy wrists behind your back, receding slightly as he approaches. He slows in front of you. 
You have a light bulb moment. 
"The hair," you say.
He scowls. "He told you that, huh. Typical." 
"You're Steve?" 
"That's me." Steve crosses his arms across his chest, his back to a booth, your back to the diner bar. "You're Eddie's new friend." 
"What counts as new?" A month and a half doesn't feel so new to you. 
"Trust me, you're new." 
He has the strangest patch covering the outside of his left wrist, the same peculiar scarring that you can see on Eddie's waist when he reaches for a glass out of the kitchen cabinet. You don't ask because you're not a dick no matter how curious you find yourself, but it makes your heart skip. What is that? You'd assumed Eddie's was road rash. Now you're not so sure. 
He tucks it under his arm. 
You meet his suspicious gaze. 
"You want coffee?" 
"No." 
You kick your foot, shoe sliding over the shiny waxed floor with a squeal. "Is Eddie okay?"
"Did you want to come to a party next Friday?" 
"No," you say honestly. "Like a cult?" 
"What?" 
"Are you initiating me into your cult?" 
He finally smiles, eyes creased with amusement. "I'm inviting you to our club." 
"Club where you chew on each other?" 
You look pointedly at Steve's wrist. 
"No. Club where we play board games and drink jiffy pop. Come or don't, doesn't matter." 
"If it doesn't matter, why are you asking me?" 
It's a strangely intense conversation to have this early in the morning. Patrons chatter about work, coffee gets poured. The diner smells of syrup and sugar and bitter cold-press. You're both in work apparel, both refusing to move back. If this is some kind of shovel talk then that's fine, and if it's a test you're determined to pass, even if Eddie's been super weird lately. 
"I'll come if you promise not to eat me," you say. 
"It's really not that kind of club." 
"I had the weirdest visit in the entire world today," you declare, stopping in front of Eddie's porch with a smile. 
"Yeah?" he asks without looking up, guitar in his lap and pen scribbling over a lined notebook.
You wait for him to stop before you continue, leaning forward with both arms braced on the porch by his feet. "Steve Harrington came to see me, and he was super mean. You said he was nice." 
He frowns at you. "I told you he was a dick." 
"You like him when you tell me stories." 
"How mean?" Eddie asks, patting the seat beside him. 
You climb up onto the porch and plop down onto the couch, worn leather cold with the weather and damp in the seams. 
You take a strand of his hair and curl it around your finger. "Not really super mean, but he was, like, acting like I killed a baby." 
"He's like that." 
You sigh and lean your cheek against the couch cushion, watching Eddie's stubble move as he tamps down a teasing smile. "He invited me to a party next weekr." 
"It's not a party- Sweetheart, what are you doing?" 
You tickle his cheek with the end of his hair. "Nothing." 
"M'gonna sneeze." 
You tickle him again, fine dark strands brushing over his pale cheek. He's a very ashen guy, you've found. Likely because he barely goes out in the sun and he doesn't eat enough. You draw circles around the apple of his cheek and grin softly at his growing smile, a sweet, silly thing. 
"I'll tickle you back," he warns. 
"Promise?" 
He steals the curl back and tucks it behind his ear. 
"You're not a cannibal, are you?" 
Eddie chokes on air. You startle at his coughing and move to pat his back, palm slapping a steady rhythm into his shoulder. When he calms down you run your hand down the length of his arm, long sleeve t-shirt soft beneath your touch. You linger at his wrist and decide to hold it. 
He drops his pen and your hand travels until he's caught your thumb. He kneads it in his fingers.
"I'm not a cannibal. Why would you think that?" 
"I don't, but you and Steve are in your club, right?" 
"Hellfire wasn't like that," he says heatedly.
"No, not- Not that one." 
He doesn't say anything. 
"You have… He has this scar, on his wrist. Like something bit him, or-" He turns to you and he looks formidable and upset and himself, not mad at you but raw emotion in his expression anyhow. It's gone as quick as it came. 
"When all that… stuff happened," he begins quietly, "we got hurt. A couple of us." 
You drop your head, ashamed at having pried.  "I'm sorry, you don't have to tell me anything else."
"Don't be sorry…" He squeezes your hand and lets it go. "Don't worry about it." 
"Okay." 
"We usually call ourselves a party, these days. Not a club." 
"Do you really play board games and drink jiffy pop?" 
"Sometimes we get really crazy and order a pizza. You should come." 
You realise as he says it how much his wanting you to go had mattered to you. Eddie's your friend, and you don't think that you're going to stay friends much longer.
"You think your friends will like me?" you ask, voice descending to a new kind of gentle. 
He puts down his guitar and his notebook. His full attention is something you've come to really enjoy, not because of the hunger you often see flitting across his face — though that's neat —, but because of the inklings of adoration clinging to his smile when he looks at you. His blinking lashes. He smiles at you and just slows. A usually frenetic boy calmed. 
"Maybe not Mike. Mike doesn't like anybody. Except for Will," he muses.
"What about you?" 
"What about me?" 
"Who do you like?" 
"I like all of them." He juts his cheek toward his shoulder, conceding, " I think Dustin's my favourite. He's funny. He's funnier than I am, and he's the smartest kid I've ever met. And he knows it." 
Your eyes focus on the pink outline of his upper lip as he speaks. It's a pleasure to be this close, and see him in this kind of crazy detail. When you go home tonight you might try to draw him. You'll probably forget.
It's the kind of smile that deserves to be immortalised. 
"I really like your smile," you tell him, hoping it'll last a little longer. 
It stretches. The pink outline turns white. "Shut up." 
"I do. I've seen a thousand different smiles but I've never met someone who smiles like you do." 
"How's that?" he asks, edging toward you, face a mirror in which you can see your own charmed expression. 
"Like you," — you shake your head with your lips parted — "know a secret. Something you won't tell anybody." 
His smile abruptly ends. 
You've nothing if not a talent for saying the wrong thing. 
"A good secret," you amend. 
He picks up his acoustic and gives it an experimental strum. "Maybe one or two," he agrees. 
Relief catches you. You nibble at the inside of your lip and watch his fingers work over the neck of his guitar, tipping your head so you can read the words he's markered over the body. 
"This machine slays dragons," you murmur to yourself. "Yeah? How many?" 
"Just the one." 
"Save any princesses?" 
"Not yet." He plucks at the strings, lost in thought, before turning to you with eyebrows raised. "Can you play?" 
You exhale out of the corner of your mouth as he pushes the guitar into your lap, an arm coming around your shoulder, the other reaching to guide your curled forefinger to the strings. You turn to face him, watching him talk with a growing fondness. 
"It's easy, I swear. We'll do Call Me. Blondie's basic, even a baby could play it." 
He realises you aren't listening and raises his gaze, shiny brown irises stuck on your lips. This close, it would be worse if he didn't look at them. 
You glance at his, an obvious thing, half a wish. If he only lifted his chin. 
Your breath mingles. 
"It's easy," he says again, a murmur of his usual volume as his gaze pulls back up to yours. "I'll show you." 
You wonder if he can hear your heart pounding; it's deafening. You wait, and you wait, and you turn your eyes back to his guitar and clamp your fingers down against the struts so he can't see them shaking with adrenaline. 
Eddie sits beside Steve and tries not to admit to himself that Steve Harrington is, horrifyingly, his best friend (along with the rest of the party, obviously). Steve is the closest in age and Eddie can't make excuses (though he tries and tries and tries), Steve understands how much Eddie doesn't ever want to talk about anything that's happened to them, so he talks about literally everything else instead. 
"It was the weirdest pawn shop I've ever been in. They had, like, a wall of combi's playing the same video at the same time but all slightly delayed." 
Eddie blinks. 
Steve turns his head from the TV, having expected a response. "Did you say something?" 
"No." Then, because he's not a dick. "Sorry, Harrington. Want me to sit on your other side?" 
"What for?" Steve says. Not because he denies how he's hard of hearing, but because he denies having conversations with Eddie. 
He does end up moving to Steve's other side with a pathetic excuse. "I can't see the TV." 
Steve doesn't say a word until he's sat down again. "Sorry I was mean to your girlfriend." 
"Yeah, what was that about?" 
"I was cranky because it was early and I don't want her to damage the integrity of the party." He gives equal weight to both reasons. 
Eddie snorts at him. "Since when do you care about the integrity of the party?" Steve barely acknowledges that they are a party. He thinks that's a very nerdy way to say friends. 
"Since always, dipshit." 
"And inviting her to join the party was the solution because…?" 
Steve drinks the rest of his coke and pretends to really care about what's on TV. "If," he begins after a minute, refusing to look at Eddie, "something happens with her, and something happens to you, that damages the integrity of the party." 
"Steve," Eddie says, jaw dropped down to his chest, "do you have a crush on me?" 
"Oh my god," Steve mutters. "Oh my god," he says louder. "I can't stand you." 
To prove his point, he gets up from the couch with a wrinkled nose, stops to tap his shoe gently against Max's where she's sitting in the armchair across from the coffee table, and disappears into his kitchen. 
Steve Harrington cares about me enough to give Y/N the shovel talk. 
He feels kind of great about it. 
But he's not sure your the one who needs warning. 
That night in the forest, Eddie had almost snapped. There are rules to follow if he wants to keep people safe, self-imposed, Hopper-imposed, and he's broken too many with you already, the most important being no close proximity when he's hungry. Eddie doesn't even realise he is hungry half the time. He'll be standing by you and he'll want to touch you, and suddenly it's like he's three weeks in to the month without sating. 
He thinks about kissing you and suddenly he's thinking about biting you, and hurting you, and it's literally tearing him up from the inside out. 
How can he want to do that to you? 
"You look so depressed and pathetic," Dustin says out of the blue. 
Eddie pouts and falls back into the couch, Steve's fancy throw falling onto his shoulder. "I used to like you," he says, taking in Dustin's outfit with a kind of parental approval. He's getting older and it shows, slightly more handsome than he had been — he's kept all his baby weight and it suits him, his full cheeks surrounded by the softest brown curls Eddie has ever seen. The outfit stays immature, a funny t-shirt and ill-fitting pants. 
"Sad. You have a sad face," Dustin says. 
"Go play with your nerd squad, please." 
He doesn't listen, collapsing in Steve's still-warm seat like a cheap tent and crossing longer, thicker arms over his chest. He smiles at Eddie genuinely. "Where's your girlfriend?" 
"No." 
"Where's Y/N?" 
Eddie tips his head so he can see past the coffee table and points to where you're almost hidden, sitting with Robin on the floor by Steve's sideboard. You have a basket of tapes in front of you, the two of you trying to choose what's going in the stereo. Eddie prays for anything but Blondie. 
You will most likely choose Blondie. 
"What does she like?" Dustin asks curiously. 
"Everything, kind of. Why?" 
"I wanna know what to say when I talk to her." 
Eddie smiles at his friend's face, a soft, surprised thing. "I don't know if she knows anything about the radio but if you're happy about it she'll be happy too. She's a good listener."
Dustin picks at a piece of lint on his t-shirt bearing a white and black print of a dog wearing sunglasses. "So you talk to her?" he asks without looking up. 
"I mean, yeah. What else do you do?" 
"With a girl that likes you? Huh, let me think." Dustin laughs and ruins his own sarcasm, pointer finger laid against his chin in a show of thoughtfulness. 
"It's not like that," Eddie says lightly. 
"It could be." 
"Could it? I mean… I don't even know if she'll stick around. And I feel bad 'cos I can't be honest with her." 
"Why not?" 
"Hopper said he would literally put me in the hole if I even thought about it." There's no need to expand. Dustin would know better than anyone what he's talking about. 
He cringes at the thought, self hatred a hot poker down his throat. He must've said it to Dustin a hundred times when he finally came around from his coma (that wasn't a coma, but a death, and then a rebirth). I can't believe I put you through that. I can't believe I put you through that. I'm so sorry. 
I'm just glad you're alive, Eddie. 
And for a while, Eddie hadn't felt the same. The world he'd woken up to was hard. There had been lawyers and grief and guilt and becoming. He doesn't have the words to describe how it feels to become something new, something that needs to hurt people to live, something that will hurt people to live, whether Eddie wants to or not. 
The loss of choice is suffocating. 
Though moments like this with his friends– they don't make it 'worth it', they're just how it had to happen. There isn't a scenario where Eddie could give up. He can't leave Wayne, and he can't leave Dustin. He can live with the grief of what he is if it means other people don't have to live with grief of what he isn't. 
"Eddie, are you okay?" 
He's missed something. Dustin isn't the only one looking at him. 
He curls a hand around his forearm subconsciously. "I'm fine. I think I'm gonna go to the bathroom, actually. Gotta piss real bad." 
"Eddie-" 
"I'm fine, Henderson." He puts on a good show, patting Dustin's arm. His heart, usually so slow these days, has enough life in it to ache. 
He can't have been in the bathroom for five minutes when somebody knocks on the door aggressively. He's expecting Steve, pissed at his disappearance and likely preparing a speech on attention seeking behaviours and how they're hurting the youth of America, so he opens the door with a tired glare. 
He finds you, beaming and pretty, dressed ridiculously nicely for his idiot friends. 
"Hi," you say. He can hear something from Blondie's Parallel Lines playing from the living room, familiar because it's your favourite album. "Any room for me?" 
Eddie moves back. You close the door behind you. The bathroom becomes a vacuum of your sounds and smells. 
"They didn't have any Dio," you say with a smile. 
"I honestly wouldn't expect any different." 
"You could've brought some tapes, your mix from the van," you suggest. "I love that one." 
"Which one?" he asks, and he can't help it, whenever he's with you his voice crops to a dulcet murmur. The urge to speak to you as you speak to him is unconquerable. 
"One with the winking smile on the slipcase. I really like it." 
"You can have it." 
You lean against the sink. "I can?" 
"Mm. Whatever you want." Especially when you look like this. 
You smile at him, your 'thank you' smile, all sticky fondness and mischievousness. He has no idea what you're thinking. 
"'S a small bathroom in a huge house," you marvel. Your voice echoes "Where does he shower?" 
"There's an upstairs bathroom." 
"Two bathrooms? That's-" 
"Audacious?" 
"I was gonna say overkill." 
Your candidness has him shaking with laughter. He clutches at his sides, arms crossed and leaning forward. You visibly take in his appearance, eyes panning slowly over his clean hair. He'd taken care to look like somebody you might want to look at tonight. 
"Why don't you sit down, Eds?" you ask, eyes creased with an unreadable emotion. 
Eddie feels blindly for the toilet lid and pushes it down so he can do as you ask, wondering why you're asking.
"You look very handsome today." 
He hugs himself. "As opposed to every other day, when I don't?" 
You take a step forward, a second, hands playing with the hem of your shirt. Your outfit today is delightfully simple, a pressed black t-shirt long enough to cover the waistband of your pleated skirt. There's an expanse of thigh that makes his heart beat spin out, one longer than the other where your thigh-high is falling down.
He wants to pull it up. 
"C'mere," he says. 
You take that last step between his shoes and he reaches out, getting his fingertips under the elastic of your sock and tugging it upward over the soft fat of your leg. Your hands come up to his shoulders for balance, and you say, "No, you look handsome every day. Today you look very handsome. I made the distinction." 
He covers your thigh with both hands, looking up into your face as you look down. "You look really pretty today," he says boldly, fingers spreading behind your knee. 
"Thank you. Do you like my t-shirt?" 
It's a screen print of Debbie Harry. Eddie tries not to roll his eyes. "I love it, but your dedication to Blondie is seriously worrying, sweetheart." He gives your leg a short squeeze and pulls the most giggly smile out of you yet. 
"Like Madonna." 
"No!" he bemoans. 
You laugh and grow closer, arms on his shoulder, a hand threaded into his hair. "Cyndi Lauper?" you suggest. 
He puts a hand on your waist as you move in for a hug. Your arms wrap around his neck and the tops of his shoulders, cheek crushed to the top of his head. 
He'd ask if you were okay if he thought you weren't. You're not upset or seeking comfort. You're affectionate. You've been getting more and more touchy for weeks, as he has. Stolen touches, your almost-kiss on the porch last week. 
"No, not Cyndi Lauper," he says, his hand skirting around your back to pull you in properly. 
"R.E.M?" 
"God, no. Where are you hearing all this junk?" 
"The radio." 
"Tuned into the wrong station." 
You pet the back of his head. "Yeah," you say softly, "I think I was." 
The hug is shorter than Eddie wants it to be. You make one of your happy sounds and pull away to get your hands on his face, stroking curls from his cheeks with a protective touch. "Handsome," you say, turning your hand to stroke his cheek with your knuckles. "Pretty. You have really big eyes, Eddie, so brown, and so…" You tilt your head to one side, face inching forward. 
He turns his face to suit, to fit, breath held as you close the gap. 
"So pretty," you murmur, and kiss him. 
His hands are limp and then alive, one clutching your hip, one splaying against your chest. He can hear the thud of your heart clear as day — you're bumping with excitement as you kiss him. It's a delicate, tender thing, the party suddenly far away, the music drowned by the sounds of your breathing. You kiss as you talk, as you move, gentle but with bursts of ardency. Your lips are a blissful heat, the tip of your nose smushing into his as you part your lips over his. 
He lifts his chin higher, his neck craned to receive you. He's savouring every movement. Each pause for breath that you take. The feeling of your inhales over his quick-bruising lips. 
Your hands play in his hair so sweetly it makes his eyes burn with an embarrassing amount of emotion. He screws them closed and squeezes up your waist, steadying himself as you feel along his bottom lip with the tip of your tongue. 
You don't get much further than that, seemingly pleased with your own brazeness or perhaps his touch, eyes glowing with mirth as you pull away. 
"Sorry," you breathe, not sorry at all. "You just really looked like someone should be kissing you."
You're flushed. Eddie can practically see the heat emanating off of your cheeks. He can feel it. 
He stands up, your pulse a ringing in his ears. The wet valves of your heart opening and closing. 
"Eddie?" you ask quietly, lifting your head to meet his eyes as he walks you back into the door. 
His gums sting. A click. 
It's a compulsion. 
His hands curl around your elbows, holding you in place. Your eyes are wide with confusion, your lightly swollen lips parted. He can see the tiniest slip of your pink tongue. 
He holds your gaze as he leans in. Your eyelids flutter closed. You wrap your arms around him as he descends, totally trusting. 
He's a meaner kiss than you are. He starts slow but swiftly loses a handle on it, kisses short but insistent, hot presses like little crescent moons against your barely open mouth. 
His hands move up your arms, a near vice-like grip until he finds your sleeves. His fingers slip underneath, hands hungry for your warmth. 
You make the worst sound anyone has ever made as he moves back, like something has been ripped from you. A gutted gasp, near silent. 
He placates as he wades back in. Thumbs rubbing your arms, lips mouthing damp kisses down your face. The corner of your pout, the hill of your chin, the skin under your jaw. Your head tips back against the door with an audible thud. You exhale hard. 
Eddie can't feel his hands. 
Your pulse hammers under his lips. He kisses it once. He can't think. He can't breathe. 
"You're always cold," you whisper, your hands drifting lazily under the fabric of his t-shirt. Your fingertips trail up his spine. "But your lips are warm." 
He kisses your neck, his lips parting slowly, a hair's width a second as he sucks your skin into his mouth gently. It's barely a kiss. He does it a second time. A third. You start to laugh, a golden sound. 
The point of his fangs touch your skin and you stop. 
Eddie closes his mouth abruptly. His hand leaps to your neck and he feels your heart skip as he holds you still. "I'm sorry," he says, nose rubbing over the damp spot he's left behind, your teased skin. 
Your heart hikes again. 
"I'm sorry," he repeats. He pulls away, an agony. 
"It's okay," you say. Your breathlessness says otherwise.
Eddie takes as many deep breaths as he can stand, wanting to clear his head and filling it with you instead. Your everything; your smell, your skin. Your limp hands against his back. 
"I didn't hurt you, did I?" he asks when he gets a look at you, your unreadable expression. He takes care to keep his head angled down so you can't see the lower half of his face. 
"I don't think you could." 
You cup his cheek in your hand and he leans into it, his weight against yours.
"I wanted to tell you something," you confess. 
"What-" He licks his lips, wincing when his fangs slide into his tongue and scrape grooves across his taste buds. "What was that?" 
"I know you…" You pause, fingertips rubbing at his cheek.
Does she know? Eddie thinks, horrified. He hadn't realised how scary waiting could be. A thousand worries condensed into a handful of seconds. Does she know?
How could she not?
You press your palm to his cheek with more insistence. "I don't want you to think you have to hide anything from me. I know you have scars," you say, fingers sliding into the soft baby hair at the back of his neck. "You don't have to cover up. You don't have to cover any of it." 
"I won't hurt you," he says, trying to convince himself. 
"I know." 
-
You stay a while longer. Eddie's friends pretend that you hadn't been alone in the bathroom for an inordinate amount of time together. You thank them all silently and less so, trying to talk to as many of them as you can. 
There's Lucas, who's really, really nice, and his girlfriend Max, who's less so. She gives you an unimpressed look through her thick-lensed glasses, but you compliment her crutches and she comes around. 
There's Mike, who actually isn't anywhere as bad as Eddie had described him. He's not frosty or standoffish, he's sweet and he asks questions. There's a girl with him that you don't catch the name of, and a boy on her other side. 
There's Dustin, who you adore immediately, Robin, who you adore more, and then there's Steve. 
Steve offers you a pretzel like you're more than familiar. He strolls right up to you with a bowl of them in hand and doesn't leave until you've eaten half of them. 
There's a couple of people you don't manage to talk to at all, and you feel guilty about it all the way home. 
"What if they think I'm rude?" you ask, tired eyes locking onto the stereo system. The time blinks analog in the dark, 12:59AM. 
"They don't, don't worry about it. You have lots of time to get to know them, anyway." 
You hum and turn to his face, indulgent because you know he can't look back. "You're not too tired to drive, are you?" He's spent. Yesterday had been one of his bad days. 
"I'm fine." 
"You say that all the time," you observe, dropping your cheek into the passenger seat's headrest. 
"I'm fine all the time." 
"Liar." 
"Nuisance." 
You huff a laugh through your nose. The strands of his friendship bracelet, the small beads at the ends, swing like pendulums in the gap between his arm and the steering wheel. You can see the rough skin of a scar creeping out from under his sleeve. 
"Mike was really nice," you say. 
"He has a bleeding heart." 
That feels accurate. "He reminds me of you." 
Eddie rolls his eyes. You feel for every detail, the strange tension between you like a gaussian filter over everything. He's gorgeous in a horrific way, heartbreakingly pale, eyes dark as pitch, hands restless. They squeeze alone the wheel, thick fingers curling tight until his knuckles are stark white. Running down the back of his hands are veins like rivers. They're more purple than green. 
"Eddie," you say, playful, a tiny bit insecure. 
"What?" 
"Wanna stay the night?" 
His hand moves forward on the wheel like he's revving a motorcycle, the tendon in his wrist rising to the surface. He clenches. "Not sure it's a good idea." 
"Just to sleep. It's late." 
"I don't know if I can sleep next to you." 
You don't wanna say please. You don't want to ask Eddie to do anything he can't or doesn't wanna do. 
He pulls up outside of your house with his mind already made up. He gets out of the car and you follow his lead. He locks it, shoves the keys in his pocket as you join him on the path up to your porch. 
He's been in here enough times to know what it looks like, but for some reason you find yourself checking his face, worried about what it is he thinks of your things, all your mismatched trinkets, your stained glass lamps, your life as you let yourselves in. He ducks through the beeded curtain into your bedroom wary that they'll get tangled in his hair like they sometimes do. 
"Do you wanna call Wayne?" you ask, gesturing to your telephone on the right hand side, nestled between a stack of books and a cup full of coloured pencils. 
You pull your knee up to your chest and unlace your shoes one at a time. Eddie punches the number into the phone and holds the receiver to his shoulder to do as you're doing. It takes him less time to pop his sneakers off than for you to get out of yours. He's just taken the phone back into his hand when Wayne picks up. 
"Wayne?" he asks softly. "Didn't wake you up, did I?" 
You can't hear his response. 
"I'm gonna stay with Y/N tonight. Yeah, we had a good time. Yeah…" His eyes drift to you as you peel out of your thigh highs.
"Yeah, I'm still here. What?" He meets your eyes and it feels accidental, because he throws his eyes to your bedsheets and turns his face to the wall. "No," he says firmly. 
You scrape together something to wear for bed and some fresh underwear and leave for the bathroom, telling yourself that nothing is gonna happen so don't get your hopes up but not wanting to get caught out if it does. You freshen up, brushing your teeth and washing your face.
You stare at yourself in the mirror and wonder if you should've left your face-powder and your mascara on. Maybe even the skirt. You'd looked nice and pretty for the party. Now you look like yourself, still pretty but without those extra touches. Will he care? Does it matter? 
You debate your pyjama pants considerably. 
There's a lot happening. 
Eddie is… Eddie is something else. He's different, you'd known that for a long time, and his kiss had confirmed it. 
He's something out of a science fiction book. 
Well, nobody's perfect. 
Whatever he is, he'd kissed you. You'd kissed him and he'd responded, he'd come back for more, and now he's sitting in your bed when he could've gone home. You bring your hand to your neck and crane to one side, fingertips poking at your unbroken skin. His hickey's haven't even bruised. 
You screw the pants up and drop them into your laundry basket. You take off every piece of jewellery on your person. 
"Do you wanna use the bathroom?" you ask from behind the beaded curtain. "I left a new toothbrush for you on the sink." 
"Yeah, desperately, I…" He takes you in as you emerge. Fresh-faced, bare-legged. As naked as you've ever been in front of him, physically and otherwise. 
Eddie meets you where you're standing. He's ditched his jacket, and for the first time since you met him you can see the full length of his arms.
"You're not wearing your bracelets," he says, looking between your bodies. His hand twitches toward yours. 
"You have tattoos," you say. 
"They were better, before." 
There's a misshapen mess of black splodges near the crook of his elbow broken up by scar tissue. One arm is less scarred than the other, an almost perfect flank of white skin. 
"Is that a puppet? He's super spooky." 
"Mh-hm." 
You bring your hand to his tattoo and feel over the skin. It doesn't feel like it's there. Eddie holds your wrist and the two of you move together, your fingertips stroking up until you're wrapped around his bicep. 
Eddie brings his free hand to your collar. His index finger straightens, encouraging your chin up so he can ease forward and kiss you. He's firm, eager, and your lips curl up into a smile underneath it. He turns his head to the right and you fall left, smile worsened when you feel his own start to form. 
He nudges your nose. You take it for a telling off and laugh. "Sorry," you apologise, kissing his top lip. 
"You're making this difficult," he chides. 
Despite any sternness, Eddie loosens his grip on your wrists to slide his fingers between yours, pressing your joined hands to your chest. He leans back down and he's careful, almost methodical in the way he kisses. Chaste pecks, hot and precious as tiny stars. 
You reach for his waist. 
Eddie kisses you a final time and steps back. "I'll be back," he promises. 
You lower your chin, flustered and perplexed by his sudden departure.
Walking around to the right side of the bed, you click on your bedside lamp — a beautiful glass and foiled contraption that throws dainty stripes of stars and hearts over everything close in the dark — before climbing in. You sniff one of your pillows experimentally, trying to remember when you last changed the bed. You decide they're acceptable even if they really smell like your hair oil and flip them around to be safe, plumping them up with your hands.
You've curled up on your side and almost succumb to your fatigue when Eddie returns, bringing with him the smell of spearmint and a fuzzy feeling in your stomach as he shuts off the light and sits on the opposite side of the bed, facing you. The hair around his face is damp with water, baby hair's limp. 
"I'm sorry I don't have anything for you to wear, I-" Youre cut off by your own gasp as Eddie kisses you, his hand on your neck, his nose bridge sliding into your own. You hadn't been expecting it, and it's no less dizzying than any other kiss he's given you today. 
"It's okay," he murmurs lowly, lips pressed to your lips, "have to wear you, is all."  
You huff a laugh into his mouth. "I swear I'm always laughing when I'm with you," you muse as Eddie dedicates himself to your bottom lip. You cup the back of his head. "You're amazing." 
Eddie groans and eases back. "I'm not good with words, sweetheart. To tell you how I feel about you." 
You push one of your legs toward his knee. "...You can show me." 
He shifts in the bed until he can lean over the entirety of your chest, hands cupping your face and lips poised hovering over your own, a millimetre of space between your mouth and his. "Okay," he says quietly.
He dips down. You can feel his bottom lip tremble, and then he's kissing you too hard to feel it anymore. You wrap loose arms around his back. 
"Are you sure?" you whisper to him. 
He rests his nose against your cheek, eyes closed, drawing the tiniest left to right. "I want you," he reassures. 
"And you're okay?" 
"Yeah, sweetheart. I'm okay. Do you want to?" 
"Yeah. More than anything." 
Another loving kiss against your cheek, Eddie moves down, down, down. "Tell me if I do something you don't like," he murmurs, top lip dragging and leaving a line of dampness to the base of your throat. 
He adorns the canvas of your neck in half-moon contusions, big hands caressing your shoulders, your chest. You hold your breath as his fingers pass over your nipple, fighting to keep in any embarrassing sounds. 
Eddie disagrees with his plan of action. You shiver as he brings his lips to a close and his bottom teeth scrape upward, as he pulls his head up and says, "C'mon, angel, breathe." 
He follows his command with a manipulative touch, a circle over your nipple that makes you shudder. He kisses you and it feels like a thank you, pressure, a heat as his palm smooths over the bump of your tummy to your thighs. He squeezes the outside of one and for a while you can kiss him back, and then he pulls your thighs apart and you break away. Eddie follows, kisses you even when your reciprocation is weak. 
He pushes your thigh flat to the bed. 
You feel the heat of your excitement start to grow. Your stomach aches with the want to be touched. 
"You're like a space heater, you're that warm," Eddie says, hand coasting down the inside of your thigh. He squeezes until fat melds under his fingers. "Are you scared?" 
His whispering in your ear, his hand as close as it is to where you want it, it winds you up like a coil. You sigh as his thumb strokes the edge of your panties, sound coloured by an awful, devouring desire. 
His face presses further into yours in reaction. 
His touch is like the tide. He wades in, away. His thumb strokes inward over something soft and then his whole hand moves back to your thigh. 
"Teasing," you utter. 
"A little… Why, is there something you want me to do?" 
His clueless whispering is infuriating and exciting at the same time. Your heart races and you can't discern if it's more lust or love.
"Touch me," you plead, pouting, knowing he's a pushover.
Anticipation stabs like a needle in your tummy as he slides his palm over your cunt completely. He rubs a careful, almost casual rhythm into your panties with the breadth of his fingers, lips kissing a lazy stripe up to your forehead, where he rests his face. You both watch his hand move past the valley of your rising chest. 
"M'gonna pull these off, yeah?" He sits up, fingers pushing under the sides. "Lift your- yeah, thank you, sweetheart." 
You buzz with his pet names, his soft voice, the feeling of your panties sliding up to your knees and his gentle exhale. You swear you can feel it fan over your slit. "Shit…" he moan, pulling at your spread cunt. 
He looks like he's in pain, eyebrows pinched together and murmuring curses as he circles the wetness gathered at your entrance. You turn your head searchingly as he starts to ease his index finger inside your heat, a gentle probing. 
One becomes two. He muffles your sighing with firm kisses, amorous praises, "That's it, baby, relax," as he works you open, fingers wet with slickness but not enough. He changes his position, pushing his middle and marriage finger inside and curving as his thumb slides up your slit looking for the bead of your clit. 
Slow, slow circles. "There, huh?" 
You shiver as he pushes in deeper, fingers as far as they can go. He spreads them wide, drops reassuring kisses all over your face when you keen. It's so new to have him kiss you at all, and to have him touching you — you're melting into nothing right there in his hold. 
"I got you. Tell me if it hurts, okay?" 
"Want you to- I want you to fuck me," you murmur, arms wrapping around him so you can hide your face in his neck. 
"Fuck. Fuck, baby. Gonna fuck you just as soon as I can fit," he murmurs back, sinking three of his thick fingers into your snug cunt. He pulls wetness out with every thrust, a line of slick dribbling down onto the sheets underneath. He wipes it upward and pushes it back inside, his chest heaving. "Y'so tight, gotta take my time. Take our time." He rubs his nose against your head until he can kiss the highest point of your cheek. "Make sure you can take it." 
"I can." 
It doesn't bear repeating how quietly you're speaking, a mouthing inaudible under the wet, rhythmic thud of Eddie's pinky finger slapping your sticky cunt as he ups the pace of his finger-fucking. 
"I don't think so," he coos, pulling his fingers from your cunt and making a show of spreading them wide. Your slick ribbons between them, almost invisible in the dark. "Ruin your sheets before any of that, maybe." 
Eddie sits up and gets his hands under your armpits. You laugh as he tugs you up so your shoulders are on top of the pillows, but you don't have time to be confused. He quickly moves to kneel at your feet and pulls your leg over his shoulder, your back lifting unevenly from the sheets. 
He starts with a sweet kiss pressed to the skin closest to his mouth, your lower thigh, and then works his way up, open mouthed, barely kisses at all until his hair whispers against your sensitive cunt and he's nipping at the stripe of skin between your thigh and the place where you most want his attention. 
"Pretty," he says into your damp skin, lips shining. You reach down to stroke his hair behind his ears, worried he's gonna get it dirty. 
He looks at you from between your thighs, his eyes dark in the dim light, their lashes long and soft where the outermost flutter into your skin. He's lovely. 
He holds your gaze as he pulls back to your inner thigh. "Pretty everywhere," he says salaciously. 
His lips part over your skin and you think he might bite you, a bruising hickey, but he pushes you down flat to the bed by your hips and kisses your clit, a simple kiss. Your fingers weave deeper into his hair. Your fingernails scratch lightly against his scalp, every tiny lick or kiss reflected in the minute tightening of your hands. 
He goes slow, mouths down, kisses wetter and wetter as he reaches your entrance. "Poor girl," he murmurs, hands pulled down to further scandalise. He sinks two fingers inside and laughs into your cunt. You squirm. 
"What happened? You're dripping on my fingers." Your thighs draw closed around his head as he curls his fingers against a soft spot.
"Eddie, can you-" You swallow. "Please. Please." 
He pries your thighs open and rubs them soothingly, lapping at the heat of your cunt in face of your pleading. His tongue appears broad and flat up the centre of you until he's kissing on your clit, fingers pumping in rhythm. Your fingers work into his hair and he groans, the vibration enough to make you whimper under his mouth. 
He laps at your clit messily and you tip your head back, breath coming in tight pants. You don't know what you say, only how you say it, desperate "please,"s and keening "Eddie,"s. 
His thrusts grow in enthusiasm, fingers rubbing eagerly against something sweet. You pull your legs up and nudge his face to your cunt insistently, thigh shaking as you hold it up. Eddie doesn't need any more encouragement, his pretty pink lips suckling at your clit until you see stars. You make a pained little sound and try to move away from his kissing, startled at the intensity of your high. 
Eddie lets your clit pop out of his mouth with a lewd, slick sound, his hands moving under your thighs and pulling you closer. "Good girl," he says, rubbing his wet face against the inside of your thigh. He inhales hard as you are, though he pauses to kiss your kneecap and pat your leg. "Good girl, sweetheart." 
"I'm sorry," you say breathlessly, hands pulling his hair from his face. Pleasure rolls through you in hot waves. 
"For what?" 
"Tugging on your hair," you explain, shoulder pulled up to your cheek.  
Eddie kisses your tummy lovingly and climbs on top of you to do the same just under your chin. "It’s okay, sweetheart, I like that shit. That was good, huh?" he asks, lips dropping down to yours all wet and warm. 
He's not bragging, he's genuinely asking. 
You nod into his kiss, your hands coming up to his sides. You swear your ears perk up as he unzips his jeans and eases them down, a hand disappearing into the mess of fabric. He moans quietly at the first touch. 
You move his hair out of the way to watch. Eddie tugs at the length of his cock with a cruel hand, a short dribble of pearly precum sobbing down the tip and under his fingers. He spreads it as it goes, the slickness emphasising the ridges and veins of his cock. You can see it throb, if you look close enough. 
He sits back and eases his jeans and boxers down enough to reveal a thatch of curls that brush his hand with every pump downward. 
"You okay?" he asks, smirking. 
You pull your shirt over your head and your chest warms at his adoring smile. "Will you take off yours?"
He doesn't hesitate like you worried he might. He sheds his t-shirt, pulling the fabric over the back of his head and dumping it off the side of the bed. 
You take in his chest and it's abundance of ragged scarring still purpled with newness. He has a tattoo over his heart, a black whorl of legs and eyes. Fine dark hair crawls from the middle of his chest down his navel, joining with the thatch of coiled hair surrounding his aching cock. You shuffle forward and wait with two tentative hands held aloft until he says, "It's okay," before you touch him. You run your hands down the soft slopes of his waist. 
"Does it hurt?" 
"Not anymore." 
"Can I kiss it?" 
He snorts. "Prefer you kiss something else." 
That really makes you laugh. You dot a kiss against his jaw and can't make yourself stop, dropping them all the way to the skin behind his ear. Your hand creeps lower as you go, held to the curve of his tummy. His skin is hot to touch the lower you go, and his stomach feels solid, a heaviness you know all too well. 
"Can I touch you?" you whisper into his ear. 
"Please." 
You drop your forehead against his chest and he brings his hand up to cup the back of your head. His cock pulses as you wrap your hand around it, skin smooth and slick as you palm slowly up and down. You watch in awe as a bead of precum wells at the tip, Eddie's rough breathing loud overhead. 
"Lie down, Y/N," he says, hand moving behind your naked shoulders. 
"What way?" 
"How do you want it, sweetheart? We'll do it whatever way you want." 
You think about it. Whatever way you want. No matter how indulgent, you know he means it.
"Will you spoon me?" 
He pushes you gently and follows behind, dragging your body into his front and angling your hips, cock hot and prodding your back. He gets his hand under your knee and pulls it up, splaying your cunt. You jump in surprise as he pushes his cock through your folds, tip rubbing against the still sensitive bead of your clit. 
Eddie wraps his arms around you, hugging you from behind. "You wanna put it in for me, baby?" 
You reach between your bodies and take his sticky cock into your hand, shifting until the head nudges against your hole. He sinks in inch by inch, arms tightening around your waist and grinding you down onto his cock until you're whimpering. 
You grab at his arms with your hands and tether yourself to him as he starts to rock his hips, his thrusting tender and his face turned into your neck. 
He presses his hand flat to your abdomen, an anchoring point as he moulds your weepy cunt around his length, each slovenly movement into your heat spreading you that little bit wider. 
"Fuck," he says finally, sounding seconds from a black out. "Oh, fuck- You're tight. Gonna fuck you open slow, okay?" 
You're pretty sure you'd let him do just about anything. You bring his hand to your mouth and kiss every white knuckle, every freckle you can see on the back, and when he bottoms out your cover your lips with his stolen hand to smother a tearful gasp.
Eddie's thrusts are spearing in their steady rhythm, a dirty slap ringing with every punching thrust forward. You curl in on yourself and hide your mouth in the sheets, wet pants smothered by fabric. Eddie's grip falls to your hip, where he pulls your body back and forces your cunt open even deeper. 
His cock pushes into your sweet spot sudden and emphatic. You moan and he stills, rutting into that same space without pulling out until you're babbling his name, body knocked forward with every thrust. 
Eddie turns your face toward him as much as he can without hurting your neck, your moans echoing in time with each thrust. "There you go," he says, "wanna hear how good it feels." 
If he cares that you can't answer him he doesn't show it, arm coming up under you arm to grasp at your chest, your breaststroke soft and aching under his hand as he squeezes tenderly. His cock kisses at the sweet spot inside you intermittently; you're dizzy with it. 
Eddie can't keep quiet either, his moans breathy, his breath hissing between his teeth when you clamp down around him. "Fuck," he begs, dragging his cock out of your heat, "fuck, Y/N." 
He says your name like the syllables alone are appraising. 
You can tell when it gets too much for him. He slows. His face drops into your shoulder, and he matches his pace to the wet kisses he leaves behind. Your wetness feels stickying, each of his thrusts snug. 
His breath hitches, ragged pants accompanying every slow push of his hips. "Where's my girl?" he asks, eyes still closed as his hand abandons where it'd been squeezing the bump of your tummy to search further downward, fingers disappearing into your folds, short curls wet with slick. He can't find any purchase. You roll your hips, chase his touch and the pleasure that comes with it. 
He groans into your shoulder. It sounds more pain than pleasure. 
"Are you okay?" you ask, trying to turn in his arms. He holds you in place. "Eddie?" 
"Yeah, fuck, I'm okay." He grinds up into your cunt. "Fuck, you're perfect." 
"Will you kiss me?" 
He does. It's nowhere near the bruising press you'd wanted. It's too careful. 
"Listen," he murmurs, "I'm gonna get you on your front, okay? Gonna make you feel so good," he promises, waiting for you to nod before he pushes your shoulder away from him and climbs up behind you. You lay flat on your stomach and Eddie settles on your thighs, a heavy weight. 
He pushes into your cunt with two fingers first, the new position allowing for a new pleasure. He pumps in and out and swaps his fingers for his cock quickly after, bearing the full weight of his body into your back as sinks to the hilt. 
You both moan in time, hands fisted in the sheets. 
He kisses your neck, lips parted, and his teeth feel so sharp that your heart sinks as it had in the bathroom. 
"Eddie-" you start. 
He pulls away, stops every movement. 
"Eddie," you say again. What are you supposed to say? You both know what he is. 
There's a lull where neither of you knows what to do filled by your too-fast breathing.
"I won't hurt you," he says, hands rubbing up the length of your back and then under. He holds a hand over your heart. He drops his lips to your back. "Do you want me to stop?" 
He must feel your pulse calm under his touch, but he still asks again when you don't answer. "Do you want me to stop? It's okay if you do. You're okay, baby, I promise." 
You steal a pillow from against the headboard and rise up on elbows. Your admission comes weak but completely honest. "Fuck me, Eddie, please... I want you. I want you-" Your murmuring's interrupted by a sharp breath as Eddie starts to move again, the head of his cock pushing into your cunt, a slick, perfect feeling. 
He moans from the back of his throat as his cock pushes into you again and again, hips smacking the dough of your ass as his pace quickens. You hug your pillow tightly, tears popping up in the corners as he ruts deep. 
"Being so good for me," he groans, clamped down on your hip with a vice-like grip. "Fuck, you feel so good. Fucking clinging to me every time I pull out, baby, Christ." His blasphemy is punctuated by a thrust that has you sliding up the bed, sheets wrinkling under your arms. You spread your thighs and wetness pools at your clit as his pelvis thrusts into you, driving pleasure so deeply it aches in your hips.
You moan pathetically and reach back to hold his hand, wiggling your fingers. He takes it in one and presses your arm against your lower back with the other, struggling to maintain a steady pace as he gets close to cumming. You're a babbling stream of sounds as he fucks in deep, swollen sweet spot tapped against mercilessly.
He throws himself back on his haunches, cock dragged out of your heat. 
You pull your legs out from underneath him and curl onto your side to watch, eyes wide as white spurts of pearlescence jump out of the head of his reddened cock and drip down the bumps of his fingers. He leans back, his stomach and thighs tensed with every pump. 
He groans through a smile, moan's coloured by a happy, relieved laughter. "F-uck," he drags, fisting his cock dry. 
He meets your eyes as the last of it slides down onto his stomach. 
You smile softly. "Fuck," you mumble. 
Eddie wipes his hand in his jeans like a fucking hooligan and tucks his cock back into his boxers with a wince, and then he collapses on top of you. He's sort of nice about it, his arm over your shoulder and his face behind your ear. 
"Fucking beautiful," he praises, dropping his head back on the bed so you're face to face. "You're so fucking pretty. So perfect." He kisses you. "You're perfect," he repeats, staring intently into your eyes. 
You pull a hand from between your legs, smelling of sex. Eddie literally couldn't care less if he tried, and he lets you take his face into your hand without complaint. 
He gets his arm under your arm and starts to rub your back. "You want me to take care of you again?" he asks, eyebrows raised gently. "Yeah?" 
And you would let him, you would, but you need to see them for yourself. 
You touch your index fingertip to his lip. 
"Can I see?" you ask. 
He loses his boisterous joy, tamps it down. He realises that he can't lie, that he hasn't been lying, and he nods. You tremble as you pull his lip up over his canine tooth, excited and scared.
A sharp, exceptionally white tooth pokes out of Eddie's gums. You're taken aback, though you'd known exactly what you'd find.
A fang. 
Blood oozes at the gums. 
"You're bleeding," you worry aloud, touching your finger to the dark beading at the base of his tooth. 
Eddie's eyes rove over your face thoughtfully. He pulls your hand away from his lip and sets it on his neck instead. "They always do that. The gum heals, breaks when they wanna come out." 
"How often do they come out?" 
"A lot more since I met you. Whenever my adrenaline spikes, they seem to think it's… feeding time." 
That is a dizzying thing to learn. 
You're not sure how you feel, but you know one thing: he's Eddie. "It's too bad," you say, forcing a lightness that turns real more easily than you expect. "I really want to kiss you right now." 
He strokes your cheek with his thumb. "I really wanna kiss you too. Maybe a small one?" 
You find yourself leaning forward, unafraid. 
He kisses you once, twice, three times, the two of you holding each other's faces and covered in mess. Slick and sweat and blood. The hearts and stars from your lamp spray over his hip and paint him with pinks, greens, oranges, a rainbow cutting over his trim waist. You rest your hand overtop, feel his keloid scars like hills under your fingers. 
"My boyfriend's a vampire," you mutter, bemused at fate.
Eddie blinks at you. "I'm your boyfriend?" 
"Yeah, I think so. Don't you?" 
Eddie pulls you into his chest and doesn't let you go for a long, long time.
-
Your first time watching a blood sate is weird. 
For one, Chief Hopper is firmly against it. He's got his kid with him, the boy from the party that Mike had been so heavily doting on, and if he didn't you might think he was a pretty scary guy. 
"I think this is stupid," the chief says plainly. "I think this is stupid, I think you're stupid," — he points at Eddie where he's sitting sickly in the round couch — "and I think you're plain crazy, kid." He points at you last. 
You beam at him. "People have said that about me." 
His kid laughs. 
"Will," Hopper says tiredly, "go sit in the car." 
"Look, Chief, I know I messed up, okay, but she kind of stuck her hand in my mouth and I didn't really have a choice." 
Wayne looks at you with new eyes. "You did?" 
You nod at him faux-seriously. 
"And what gave her the inkling that you might have had something in your mouth worth looking at?" Hopper says, which is hilarious. You laugh behind your hand. 
He gives you a disapproving look that you completely ignore. If you'd taken notice of disapproval you would've stopped having this much fun years ago. 
"Uh, well, she might have… felt them?" His pitch rises. 
Hopper looks like he's about to blow a gasket when Will says, "What was he supposed to do? Never talk to anyone new ever again?" 
"He did a lot more than just talk to me," you say. There'd been a fixed bike, phone calls, lots of sandwiches, bug hunts, an entire sketchbook full of drawings. 
"I told you to wait in the car," Hopper says.
Will grins and raises his hands in surrender. "Bye," he mouths. You wave. 
Hopper waits for the door to close before he continues. "I get it, when you're a teenager you think your hormones are the end of the world-" 
"I'm almost twenty three." 
Hopper pinches his hand closed. "But you do not understand the danger that you are creating here."
"Like a stake-ing," you whisper, very very quietly. Eddie's the only one who can hear you, and he laughs so hard he snorts. 
"I'm glad you find this funny." Hopper's tone could not imply the opposite any more. 
He hands Wayne a paper bag that audibly sloshes and stalks out, his anger a palpable cloud of steam rising off of his shoulders. Eddie seizes up beside you at the sound, lips parting as his fangs come through. You don't touch him because you value your blood inside your body, only slide away from him and smile. "You okay, handsome?" 
"Kid, maybe the chief is right. We don't know how Eds is gonna act with you here," Wayne says. 
You nod respectfully. You like Wayne, and he knows about all of this stuff more than you ever could. 
"No," Eddie mumbles, putting his hand out for you across the couch. 
You take it without thinking. 
Wayne sighs. You can hear him grumbling as he disappears from view into the kitchen and puts a pot on the stove. There's the sound of a bag being punctured with a knife, a wet slosh. Eddie's grip on your hand tightens. 
You're still fascinated that he even drinks blood in the first place. That's wickedly sickening. Wicked, because it's cool that he's a vampire, with his impressive hearing, senses and smell. But sickening, because if you had to drink a pint of blood every couple of weeks you'd throw up. 
"I read about a new blood-sucker." 
Eddie raises his heavy head. "Another bug?" 
"No, a finch! A vampire finch. They're really pretty, Teddy. They're small and brown with long beaks and they drink blood because there's barely any water on their island." You give him a loving smile. "They aren't parasites. S'just how they had to change to survive." 
He squeezes your hand, this time on purpose. 
"Are you gonna come and have it in here, Eddie?" Wayne asks, one last shot at separating the two of you.
"I'm okay," he says loudly. His eyes trace your smile. "Really." 
It can't be fun to have two people watch you drink a warm mug of blood, but Eddie finds it funny. He keeps laughing every time he brings the rim of the glass to his mouth. 
"I can't do it if you're looking at me," he says. 
Wayne rolls his eyes and looks away. You cover your face with both hands and part your fingers to spy on him through the gaps. He makes it look easy, draining the mug basically in one long pull, though his hunger turns violent as the cup empties. He chokes. Blood trickles down from one corner of his mouth. 
You automatically want to reach over and wipe it away. Wayne grabs your arm before you can and gives you a fatherly look that says, I wouldn't do that if I were you. 
"Shit," Eddie says, slamming his now empty mug down on the coffee table. It makes a grating sound like a ground mortar and pestle. He sits as far back on the couch cushions as he can, nausea clear on his face. 
"Deep breath," Wayne says. 
"Fuck, Wayne." 
"You're aces. Deep breaths." 
Your heart hurts watching Eddie like this. He covers his mouth with eyes closed tightly and breathes hard through his nose. Already there's colour coming back into his face, not a lot but anything is an improvement. He'd been practically grey. 
When Eddie pulls his hand from his mouth blood has spread over his lips and jaw. Your eyes widen.
"I'll get the shower running," Wayne says, slapping his knees as he stands. He stops before the hallway. "Good job, Eddie." 
The boy in question slouches into a ball on the sofa and nods into a cushion. You wait for the sound of Wayne pulling the shower cord that turns on the hot water before you stand up, head tipped to one side. 
"You okay, handsome?".
"Tired." 
"You want a hug from me?" 
"Is anyone else offering?" He opens one eye to peek at you and grins at your distraught expression. "I'm joking, I'm kidding. C'mere, before I start bawling." You sit and then flop onto your side, pulling your legs up next to his. "Such a frowny face." His voice is adorably tired.
"Better than yours. You look like someone from Night of the Living Dead, baby." 
Eddie's arm lies limp like a dead fish over your waist. "Lemme nibble on your brains," he says, words thick as dark honey, eyes closed. "Just a snack." 
You're waiting for someone to pull the rug out from under your feet. No way your boyfriend, your cries at the end of every movie, brings you flowers because he felt like it, won't step on cracks in the sidewalk boyfriend just skulled a glass of O-negative like it was a milkshake. 
You feel guilty as soon as you think about it. He's not confined to all his softest parts and he never will be. He's snarky and angry and loud. He plays guitar like a real rockstar and he doesn't take anyone's shit. He's a survivor. A glass of blood every now and then was never gonna stop him. 
You keep wondering if you should let him suck your blood. It could be hot. It could also probably be the worst idea ever, a relationship faux pas up there with proposing after a month or saying I love you on the first date. 
"What are you thinking about?" he asks. 
You brush the hair out of his eyes with your ring finger. "Embarrassing relationship fumbles." 
"Oh yeah? Like letting your girlfriend watch you drink human blood from a mug shaped like Woodstock?" 
"Least it wasn't Snoopy." 
"God forbid." 
"Is it always like this?" You stroke your hand down his face and rub along his jaw with your thumb. "D'you always get sleepy?" 
"Yeah." He turns his face so your hand covers his mouth. 
You've stopped wearing silver jewellery, your wrists bare besides the endearingly awful friendship bracelet he's constructed for you. Not a friendship bracelet, he'd corrected. You're not kissing other friends, are you? Because that's really gonna put a downer on this whole thing.  
You dip your forehead to his chin and the two of you lay there in silence. You can smell blood, a thick, metallic stick permeating every corner of the room. It's especially strong between the both of you. 
"Do you wanna bite me right now?" you inquire without opening your eyes. 
"Not really. Blood sate kicks in quickly. It's the worst for, like, the first ten seconds after. Now I wanna sleep, but Wayne's gonna make me shower." 
"Maybe I can shower with you." 
"I'm sure he'd jump for joy if you suggest it." 
"Really?"
Eddie kisses your hand. "No," he says with a giddy laugh. 
"I'll pretend I'm gonna sit on the toilet. Keep watch." 
"How will you stop your hair from getting wet?" 
"I'll lean out." 
Eddie laughs even more than he had been, peeling laughter that warms you from the inside out as he kisses your hand again. "That'll definitely work." 
Wayne clears his throat. 
"Shower's hot. I'm going out. For an hour." Eddie perks up. His uncle looks him dead in the eye. "Don't make me regret this." 
And while Wayne had been under the impression you and Eddie were gonna have some grown up fun together in the shower, what you really do is an innocent act of affection: you wash Eddie's hair. 
"You have to lean your head back," you chide. 
"I am." 
"More than that." 
"There's no room." 
You're lucky you both fit. You're freezing standing behind Eddie, the only relief the warm water that trickles down from your hands to your elbows as you draw circles in his scalp, working the shampoo into a fine lather. 
"How did you get blood here?" you ask, scratching rusty flakes from the hair behind his ear. 
"I don't know. It gets everywhere. Like eyeshadow." 
You push your chin over his shoulder. "You wear eyeshadow?" 
"For shows." 
"Really?"
"Is it hard to believe?" 
You encourage his head under the water and rake your hands through his curls, encouraging the soapy water down to the ends with patient hands. "Lip gloss too? Hey, can I do your makeup?" 
"Maybe tomorrow," he bargains. While the shower has helped to wake him up, lethargy remains thick and unshakeable as adamant. 
You kiss the wet ridge of his shoulder blade, picturing his pretty face decked out in dark liners and sticky balm. "Thank you." 
"I haven't worn any in a long time. Haven't played a show in a really long time." 
You wring the water out of his hair and search in the steam for his conditioner. It's mostly empty. "You could put on a show for me. I never got to see you play," you say, shaking it really hard. A dollop collects in your hand and you work the dregs through the ends of his long hair. 
"You want that?" 
"I think you're the best guitar player in the world." 
You're not joking. He's the best, and he plays guitar. And he's pretty good, semantics aside. You love sitting out on the porch with him and listening to him play old rock songs off the top of his head. You could watch his hands move over the strings for hours. 
"If that's the case, I can definitely put on a show. Make-up, costume, stage dives. The whole nine yards. Anything for my girl." 
You roll the ends of his hair between two coated palms and step back. "There. You have to let it soak in for a couple of minutes." 
Eddie turns with a grin, angling his chest and hair forward, away from the stream. 
"Whatever will we do?"
You wipe an escaped streak of blood off of his bottom lip and smile. "I have no idea." 
You kiss. Eddie leans down and you move up, damp noses glancing off of each other. You're used to short kisses, never enough to make his heart race in case it prompts an unnecessary appearance of his fangs, so when Eddie encourages your lips apart to wade in deeper you pull back questioningly. 
"Blood sate. I'm 'sated'. They won't come out." 
Your jaw drops. "For real?" 
He shakes his head with a pleased smile. "For real. Kiss me sick, sweetheart." 
You throw your arm around his neck and drag his face to yours, kissing with an ardency that both surprises and amuses him. He laughs into your open mouth until suddenly he's not laughing at all, only breathing, pushing against you with the same urgent force and the same adoring smile. 
"Does this mean you can give me a hickey?" you ask enthusiastically. Eddie has yet to give you a proper love bite.
He leans back under the show spray and pulls you in with him, laughing when you dissolve like rice paper in his arms, finally warm. There's never been a sweeter sound. 
/\^._.^/\
thank you for reading! | my masterlist | my halloween party
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frenchkisstheabyss · 5 months
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⛧ 𝙽𝚊𝚝𝚞𝚛𝚊𝚕 𝙱𝚘𝚛𝚗 𝙺𝚒𝚕𝚕𝚎𝚛𝚜 ⛧
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⛧ Pairing: poly!slasher!minsung x chubby!fem!reader
⛧ Genre: slasher au/horror/fluff/angst
⛧ Summary: It's Halloween 1996, you've just broken up with your toxic ex, and there's a killer on the loose. When you go to the local video store to find your next distraction, you run into your longtime crushes who have their hearts set on looking after you. But you must be careful. Not everyone's who they appear to be.
⛧ Word Count: 2.1k
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⛧ Warnings: brief discussion of murder, implied possessive ex, intro to knife play if you squint, suggestive, psycho Minsung, you probably have a killer fetish, & that's all my loves. It's otherwise quite fluffy tbh.
⛧ A/N: I'm starting this series as my love letter to 90's slasher films aaaand because I just love Minsung. I'm writing this in "tapes" instead of chapters for ✨ ambiance ✨ so I hope the vibes come across. I'm already working on part two so I'll have my knives and fingers crossed you babes enjoy this one.
💀 >>> Go to Tape 2 >>> 💀
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A bell dings overhead as you step through the door of Topline Video. A crowd of middle school kids dart by, nearly knocking you over in their excitement to get home with some cheesy slasher flick they definitely shouldn’t be watching. All are in full costume, wearing the kind of plastic masks that smell sorta funny when you put them on. 
The kid dressed as a goblin turns back for a second, peeling up the murky green mask to reveal an apologetic face. “Sorry, lady!” he shouts, taking your gentle smile as a sign of forgiveness and racing to catch up to his friends. “Lady?” you whisper to yourself, the door creaking shut behind you, “Great, now I feel ancient.” 
Lucky for you there’s no time for an existential crisis as you’re swept into the frenzy of the video store. The walls are packed with what must be a thousand VHS tapes. Double sided displays line the aisles with hundreds more. Every one of them is some brand of horror movie with even the most obscure subgenre present. 
Black and orange streamers travel from one end of the ceiling to the next with tiny spiders dangling from them. Giant skeletons lurk in the corners guarding jack o lanterns with flickering eyes. Every year people eat it up but this year is particularly spooky. It sends a shiver down your spine when you recall why. 
“I heard they found another leg” a red haired girl says, casually smacking on a piece of bright pink bubblegum. Beside her a shorter girl files through tapes under a large bloody hand drawn sign reading SERIAL KILLERS.
“I thought they already found both of his legs. A guy can’t have three legs.”
The red haired girl shakes her head, smiling mischievously. “That is not true. I hooked up with him once. You could for sure consider that thing a third leg.” The girls break into a fit of giggles. Dodging their insensitivity, you squeeze yourself into the Monster Movie section. 
“Hey Drac” you sigh, staring up at the Dracula cutout looming over you, “I live in a town of idiots.” “You don’t mean everyone, do you?” a voice answers back with the worst Dracula impersonation you’ve ever heard. Suspicious that it isn’t coming from the cardboard cutout, you peek around to see a familiar face stocking the shelves. 
Your heart immediately begins to flutter, a blanket of warmth encompassing you. Han Jisung. If you flip through the dictionary you’ll find him under D for dreamy. The glow of the setting sun kisses his dark curly hair, making it almost sparkle. And those brown eyes, they’re so…no…keep it together. 
“That’s a terrible Dracula voice” you tease, arms folded across your chest. “I don’t know what you mean. Bleh, bleh, bleh” he carries on, pretending to bare his fangs. Now it’s you who’s giggling and you can’t stand how easily he gets you to.
“You are such a dork, Han.”
Returning to his normal voice he only shrugs, “But that’s why you’re so insanely in love with me isn’t it?”
His words intensify the heat moistening your palms. Fidgeting with the sleeves of your jean jacket, you wrack your brain for some witty response only for nonsense to tumble out. 
“No. What? I…uh…um…early.” 
Popping a copy of Megaverse Massacre 2 onto the shelf, Han raises an eyebrow at you, “Early?”
Your brain finally catches up to your mouth and you spit it out. “Uh, yeah, early. I heard you guys were closing early because of the…” 
“Body hacking psycho killer?” a voice cackles, gripping your shoulders from behind. You let out a blood curdling scream that draws the attention of a few nearby shoppers. Swinging around, your fist ready to dish out a debilitating gut punch, you come face to face with Lee Minho. You haven’t quite decided if he can be filed under “dreamy” or “asshole” yet.
Minho grins, never finding you cuter than when he’s getting on your nerves. “I’m sorry, babe. Didn’t hurt you did I?” he teases, straightening out your clothes with a gentleness you weren’t expecting. The sun’s doing that thing again. The sparkle. The glow. The radiant brown eyes searching yours, threatening to make you fall even deeper into them than you already have.
Han dips between the two of you, separating you before you rip Minho’s head off. “I’m sorry. Really. He was deprived of air in the womb. Being an asshole’s just a side effect.” 
Over Han’s shoulder Minho frowns, “Hey! Rude much?” Digging into his pocket, Han pulls out a lollipop. It’s sugar blown into the shape of a blood drenched kitchen knife. “Are you bribing me with a sugary murder weapon?” you ask, staring at it skeptically. Han flashes you a close lipped smile, his cheeks so fluffy it’d be a crime to deny him.
Snatching the lollipop you waste no time popping the wrapper off and tapping Minho on the head with it. “Hey! What was that for?” he winces, wiping lollipop residue from his head. “Sorry, babe” you grin, sucking on your tool of revenge, “Didn’t hurt you did I?” Han buries his face in his hand but it does nothing to hide the joy he takes in his best friend’s pain. 
This is nice. Laughing with someone. With them. It’s been a while since you felt this light around other people. The recent weight on you hasn’t been of some invisible boogeyman sneaking off with one of your limbs. No, your boogeyman was someone you knew well, or at least thought you did, and he’s haunted you every chance he can.
Speak of the devil…
A bell dings, drawing your attention to the door where a man in a demon mask scans the room for someone. You recognize him immediately. Those boots. Those pants. That flannel shirt you always found totally hideous on him. Your heart sinks, the lollipop in your hand tumbling to the floor.
You see Minho and Han’s hearts sink too. It’s as if they sense that any joy you’d been feeling just went down the drain that instant. Minho whispers something into Han’s ear. You can’t make out what, only the calculated tone of his voice. “Hey!” Han says, perking up again, “We’re having a movie night tonight. You should come.”
As the man in the demon mask spots you, your eyes dart back and forth between the men. “A movie night? Sure that would be…I’d like that.”
Han takes you by the hand, “Wicked. Come on, you can pick a movie from the back.” He leads you towards the backroom just as the man advances towards you. Peeking over your shoulder you spot Minho blocking his way. A quick left turn stops you from seeing what happens next, filling your vision instead with tattered old movie posters.
Passing a few of Han’s coworkers, you wave politely and they smile in return. The back room’s like a dustier, quieter version of the sales floor. The walls are still lined with tapes, only there’s no way these have been watched any time in the past decade. Through the dust you see the spine of a tape titled Camp Counselor Sleepover Murder Party 4.
“That one” you decide, stopping dead in your tracks.
Han stops too, squinting to spot what caught your eye, “A woman of taste I see.” 
Pulling it from the shelf, he blows the dust away and hands it to you. “Only the finest for you.”
You feel that lightness again. It's easy to feel it when he smiles at you like this. Such an unexpected but welcomed sense of safety. “Han, thanks for…” you start but the surprise sensation of his lips pressed to yours makes anything you were about to say feel insignificant.
With one hand still holding yours, his other hand comes to rest on your lower back. Your lips are somehow softer than he’d imagined. Even in the absence of the lingering strawberry flavored lollipop, he knows they’d taste just as sweet. Minho’s gonna kill him when he finds out that he kissed you first but nothing could be more worth it.
“Thank me by not worrying about your ex,” he says, “He won’t bother you anymore. I promise.” 
You want to tell him how much he doesn’t understand. That your ex doesn’t give up that easily. But you decide not to ruin the moment, even if letting yourself believe him feels delusional. “Jisung, we need you up front!” one of his coworkers shouts back. He hesitates, unsure if he should leave you or not.
You kiss him first this time, turning him loose, “Go. I’ll be fine back here. Camp Counselor Sleepover Murder Party 1-3 have gotta be rotting around here somewhere right?” One last kiss and he’s rushing back up front, clueless as to how he’s supposed to focus on anything else now.
Turning back to the shelf you realize how big of a challenge you’re in for. Maybe there’s a feather duster somewhere? Or a respirator mask?
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“Give it here. That has to be wrong.” Minho approaches the kitchen counter where you sit, playfully swinging your feet. He reaches for the magazine in your hand but you clutch it tightly to your chest, refusing to fork it over.
“Live with it, Minho. You are Suspicious Boyfriend.” 
“Suspicious boyfriend” Han sings, retrieving a bag of freshly popped popcorn from the microwave, “I think it has a ring to it.”
Hopping down from the counter, you skip your way over to Han extending the magazine and the pen in your hand out to him. “Your turn, Hannie.” You see the skepticism all over his face but don’t give up. All torture must be equal after all.
“I’ll take that” Minho smiles, stealing the popcorn for himself.
“Sure. Why not?” Han surrenders, grabbing the magazine and the pen. You and Minho watch on, far more amused than you should be, as Han skims the pages checking off answers to silly personality questions. Pick a country to travel to. Pick a favorite food. Upstairs or downstairs?
After a minute or two he finishes and slides the magazine back over to you. You can barely contain yourself as you assess his results. Leaning across the counter, you share them with Minho who immediately begins to laugh. 
“What’s so funny? What did I get?” Han asks looking so genuinely concerned that you almost feel bad for telling Minho first. Minho empties the popcorn into a bright orange Halloween bowl, shoveling some into his mouth. “Comic Relief Best Friend” he mumbles. Han frowns, coming to see for himself. You hold the results page up for him. 
Which Horror Character Are You?
You point to his score beneath the headline “Comic Relief Best Friend”.
“Oh, okay. So I’m funny and I die before him. Perfect.”
“Aww, come on. Don’t be like that” you say, poking at his chin, “It’s not like I got the best result either. I’m the Final Girl.” 
“What’s so bad about that?” Minho asks, his words muffled by food, “It means you make it to the sequel.” 
“No, it means that I’m boring. Badass but boring. I wanna be the killer. They have more fun.” 
Han shakes his head, a sympathetic hand resting on your shoulder, “I hate to break it to you but you’re not really killer material.” Minho takes your hand like a doctor prepared to give you some bad news, “Yeah, you just…you don’t have it in you, kid.” 
“Don’t have it in me? I do so!” you protest, your tantrum not doing much to make you less adorable. Minho moves toward the knife rack behind him, carefully selecting the biggest, sleekest one he can find. “Okay, so kill me.” 
There’s a long, tense silence.
“Come on. It’s not that hard. Just…” Minho mimes stabbing himself in the chest, his tongue stuck out sideways. “Give it!” you shout, running to take the knife away. Minho catches you by the wrist, slipping the knife into your hand and raising the tip of the blade an inch away from his throat.
“Do it” he dares, his hand tightening around yours, “Prove us wrong.”
There’s an unnerving excitement in his eyes as he awaits your decision. An excitement that doesn’t seem to want you to back away. No, it wants you to come closer. He wants you to come closer.
“Hannie,” you plead, “Can you talk some sense into him please?” Han joins the two of you, saying nothing at first, simply observing. The way that they watch you is intensely sexual and some part of you, one you hadn’t known existed until now, seems to take pleasure in it. 
Han laughs, bringing his arms around your waist, “Oh but sweetie, we’ve played your game. Don’t you wanna play ours now?”
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movieposters1 · 8 months
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see-arcane · 3 months
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The idea of one of the Weird Sisters being a romani girl or a slovak girl that was in the wrong place at the wrong time is horrible, and a great way to showcase the kind of power (both social, and supernatural) that Dracula forces upon the humans around him.
Wrong place, wrong time, wrong state of being, social, supernatural or otherwise. Dracula could have taken anyone from any station in Transylvania. Rich or poor, friend or foe. But I think none of the Weird Sisters were noblewomen while alive. They were, like Jonathan, sniffed out among the chattel. Dracula is their superior in every regard that way; and more, the servile classes do one thing better than any aristocrat.
It is their wont to make their ruler happy.
The eldest, a young fair girl, was a drop of sunshine and laughter in a threadbare village. Someone who uplifted and charmed whoever she crossed. Dracula, after some unknown breaking point in the mad red fog as he skulked up the mountains into his broken castle to wrestle with inhuman instincts and hold to something like a man's sanity, was alone. A monster made raw with slaughtering, with his people only fearing and fleeing around him. His halls are quiet. He crawls and lopes through them, snapping at himself, knowing he is reducing night by night into a Thing more than a man, let alone a conqueror.
So he goes hunting. He finds the fair girl who makes others happy and holds their hearts. He steals her. Wrings out months of playacting from her; in turn, he has reason to force himself into behaving like a man. The castle has no visitors in that era. When she cries and calls from her window, she hears only her own echoes as a pleading choir. And then it is back to making her monster happy. So happy that he loves her. She must stay.
The next girl was taken back when ties were first forged between the Count and the early generations of Slovaks he would come to entrust with his errands. There was trust on the human side too. Yes, he was a monster, but he was their monster. Their benefactor. He speaks to them like kin and pays a dragon's ransom for their work. They are allies! He calls them friends!
So it goes until his attention falls on one of the girls. A daughter. A sister. A new wife. She knows their Count, their kind monster. 'A friend of the family.' And perhaps she is not even afraid when he asks her, cordial as a lord, to aid him with something in the castle. A small matter, my dear, but something he would not trust the coarse handling of the men to do. She goes in. The door locks.
Does she go to that same room, that same window? Does she weep and call for her family? Does anyone try to come for her, to plead with their friend-master-owner, or to--ha--raise a weapon against him?
If so, it is a small matter. Quick. Bloody.
She charms him while alive. For she must. She thought, just as her new-ancient Sister thought, that she might find a way out. A chance to flee. But she makes him so happy. So happy that he loves her. She must stay.
And the Slovaks learn a lesson that is shared through centuries. They warn all those they work with in the future of the same. The locals, the nomads, the strangers. No women. No girls.
The third girl has no warning. She is Romani, but she has run from her people too. Or else she was trying to find them. Times have always been grim, but especially when the mania over witchcraft was at its height. She lost friends and family to...what? Sham trials and tortured deaths? A scattering to the winds as they fled the self-assigned hunters? Running further, higher, steeper. God's soldiers will not bother with their mission if it means galloping up the cliffs.
Up, up, up.
There are wolves. There is cold. She has no room in her to care.
And then, a fairy tale happening:
A man appears on the moonlit mountain. His eyes are fire. Are you lost, my dear?
She is. She thinks herself already dead or dreaming when he leads her into the castle. When there is food, warmth, and sympathy from this smiling noble perched in the crags of the Carpathians. And for one month, maybe two, even after she smells something worse than death on him, even after every liberty is plucked from her like petals from a rose, even after she has her first glimpse of her grinning Sisters, even after she sees strangers--Living people! Her own people among them! Look, look, I am trapped here! Please! Please, do not go, do not leave me with him...--she clings to charm. To smiles. She makes him happy.
So happy that he loves her. She must stay.
And now there is a young man. Such a winsome thing, young and strong. He makes their monster so happy.
His waiting Sisters think their monster may just love him.
And as they hear him shout from the hand-me-down window, they laugh along with the living in their coffins.
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Man, each year I get to it, I love the May 5th entry and what it means. I take something new from it each time. Like last year I noticed the sacrifices and efforts the Driver and the other passengers made to try and save Jonathan, a stranger to them, by showing up early, by giving him gifts, by blessing him, despite the danger that puts them in. Especially when Dracula, as the driver, points it out to the Driver of the first coach, what he was trying to do, and scares him by pointing out what he said (despite it being heard far out of normal earshot and over the sound of horses galloping).
This year though, I notice that, but I see some of the smaller details too. Like how the mountains are full of blooming fruit trees, and how we are so used to the “gothic” aesthetic we almost forget it’s Spring. How Jonathan takes notice and comfort in the view, despite the growing unease he feels because of the people around him. He is trying to distract himself from how scared he’s getting based on their warnings. Warding him from the Evil Eye.
"No, no," he said; "you must not walk here; the dogs are too fierce"; and then he added, with what he evidently meant for grim pleasantry—for he looked round to catch the approving smile of the rest—"and you may have enough of such matters before you go to sleep."
I also take notice of this from the driver, as it’s almost a morbid gallows humor that he clearly knows to expect the wolves, and knowing what happens later, I’m sure the people here have a horrible fear of them, knowing what Dracula can do…and what he does to that poor mother later.
There were dark, rolling clouds overhead, and in the air the heavy, oppressive sense of thunder. It seemed as though the mountain range had separated two atmospheres, and that now we had got into the thunderous one.
We also get here what might be our first indication that the Count can control the weather to an extent.
They were driven by a tall man, with a long brown beard and a great black hat, which seemed to hide his face from us.
All I can imagine is Dracula in a fake beard now lol.
"You are early to-night, my friend." The man stammered in reply:—
"The English Herr was in a hurry," to which the stranger replied:—
"That is why, I suppose, you wished him to go on to Bukovina. You cannot deceive me, my friend; I know too much, and my horses are swift."
But God, this must have been terrifying for the driver and the passengers. What would Dracula do to punish them for trying to escape him? Would he dare make an example in front of the Englishman right now, or would he grant them mercy to say nothing else as Jonathan is unsuspectingly led to his doom, so they think.
"Denn die Todten reiten schnell"— ("For the dead travel fast.")
The strange driver evidently heard the words, for he looked up with a gleaming smile.
It feels like they’re all in on some sick joke that they know the punchline to, but Jonathan doesn’t, so with the dramatic irony, it feels like we the readers are the same peasants, trying to do anything to save or warn Jonathan but it’s already too late.
I also notice how quickly Dracula tries to shift the power dynamic with Jonathan, and have him doubt his sanity so soon, and he’s not even in the castle yet.
He drives him in circles to try and disorient Jonathan and make him feel even more lost, also keeping him out for far later and making Jonathan question if he’s dreaming or if what he’s seeing is real. I’d also bet more than anything that wine he offer Jonathan on the coach that Jonathan didn’t end up taking was drugged. Because it’s far easier to disorient an unconscious passenger in the dark than it is to disorient a conscious passenger. But he still does a pretty darn good job.
Then there’s the blue flames, which Jonathan doesn’t know how to react to as they seem supernatural and he doesn’t know how to rationalize it yet, so he takes it as if he’s dreaming.
This gave me a sort of shock, for I suppose the general superstition about midnight was increased by my recent experiences. I waited with a sick feeling of suspense.
Jonathan also has already felt the fear and nerves associated with the supernatural and superstition after what all of the townsfolk have told him, and later he tries to brush this off and rationalize again, try not to get too scared, but a part of him already realizes something is wrong.
Then a dog began to howl somewhere in a farmhouse far down the road—a long, agonised wailing, as if from fear.
I also want to point this out, as it’s right before the wolves surround the coach, but it’s the second time a “dog” has been mentioned howling in the night, and with this evidence, I bet Dracula uses the wolves as a threat to keep the peasants and townsfolk in line, as he can’t munch down on everyone. But it shows how powerful he is and what a threat he poses. I wonder who the wolves kill in the night.
Also how Jonathan, as an Englishman where there were no more native wolves, can’t even imagine that’s what they were and thinks they are dogs.
And it makes sense now that earlier when Jonathan was getting out his good ol’ polyglot dictionary, how the two words mean the same thing.
"vrolok" and "vlkoslak"—both of which mean the same thing, one being Slovak and the other Servian for something that is either were-wolf or vampire.
As Dracula, as we see later, can transform into a wolf himself, and so there is probably less distinction between the two in this culture than we have tried to establish in the modern day.
Once there appeared a strange optical effect: when he stood between me and the flame he did not obstruct it, for I could see its ghostly flicker all the same.
Ah, I wonder if this is an early indication that Dracula cannot be depicted through traditional means? Like how he can’t be seen in the mirror. Certain lights just, pass through him.
I shouted and beat the side of the calèche, hoping by the noise to scare the wolves from that side, so as to give him a chance of reaching the trap.
We also see Jonathan taking an active and proactive approach, in this manner trying to be helpful and aid his (what he assumes human) driver. With these sorts of actions already, I can see signs of the man who will pick up a shovel to try and do what needs to be done. Who takes a knife and vows action, not hesitating.
He is polite right now, he’s on business. He doesn’t know what’s coming. But regardless, that person is still in him, and he’s capable of taking great action and doing great things for the sake of survival and doing what he thinks is right.
And Dracula commanding the wolves to stop as the driver, and the cloud passing overhead, I feel is like a subtle display of power and threat to Jonathan. He’s still playing pretend, but when Jonathan does figure out he was the coach the whole time, and he plays coy, the Count knows Jonathan will remember this threat, and it feels that much more sinister.
Jonathan still questions and thinks he fell asleep, as he doesn’t see how he’d have missed the approach of the castle otherwise, but I think he was awake because it was dark, and the count was intentionally taking him a winding and confusing path under a lot of fear. Though if he did fall asleep, I’m that much more terrified about how Dracula was driving him about, now secure in the knowledge that Jonathan would be thoroughly isolated and lost.
And the thing that nearly gives Dracula away twice as the driver is the strength of his grip on Jonathan’s hand, also lacing a subtle threat.
through these frowning walls and dark window openings it was not likely that my voice could penetrate.
Well this is just scary knowing how trapped Jonathan becomes later, knowing he wouldn’t be able to hear the outside world, and how the outside world might not be able to hear him, and how he’s already acknowledging that.
The time I waited seemed endless, and I felt doubts and fears crowding upon me. What sort of place had I come to, and among what kind of people? What sort of grim adventure was it on which I had embarked?
He already is expressing doubts and fears, he isn’t ignorant of what situation he might be in, and it’s only later when he tries to rationalize with the count and is given the comforts manipulation of food and sleep, that he tries to dismiss these fears and take the Count at his word.
Was this a customary incident in the life of a solicitor's clerk sent out to explain the purchase of a London estate to a foreigner? Solicitor's clerk! Mina would not like that. Solicitor—for just before leaving London I got word that my examination was successful; and I am now a full-blown solicitor!
Okay, this is just really cute. Mina said You passed the Bar, you Deserve to call yourself a Solicitor Jonathan <3
Also explains a lot that Jonathan is a fresh faced baby lawyer who just passed the bar and needs this assignment. He’s probably hoping that after this pay day he can marry Mina and have enough for them to start making a life together. Also says a lot for Dracula’s strategy to him to get someone young, inexperienced, and unfamiliar with the area, who might be seen as “expendable” so that Jonathan’s sudden “disappearance” might go unremarked by those in charge (though Mina would notice).
I began to rub my eyes and pinch myself to see if I were awake. It all seemed like a horrible nightmare to me, and I expected that I should suddenly awake, and find myself at home, with the dawn struggling in through the windows, as I had now and again felt in the morning after a day of overwork. But my flesh answered the pinching test, and my eyes were not to be deceived. I was indeed awake and among the Carpathians. All I could do now was to be patient, and to wait the coming of the morning.
Again, those early signs of doubt and fear from Jonathan, showing his unease already at the situation. We did not deserve to be clowning on him so much when this book club first started. It’s not his fault he’s not genre aware 😔 I’m sorry Jonathan.
And when Drac does show up to open the door:
"Welcome to my house! Enter freely and of your own will!" He made no motion of stepping to meet me, but stood like a statue, as though his gesture of welcome had fixed him into stone.
I wonder if he’s like that because he needs to be invited into places to be there, so if it’s almost like a supernatural hold of importance for him to offer the same thing. Almost like a subtle joke or curse with the knowledge that after Jonathan enters, he won’t be allowed to leave of his own will
holding out his hand grasped mine with a strength which made me wince, an effect which was not lessened by the fact that it seemed as cold as ice—more like the hand of a dead than a living man.
I also like how all the clues are there, and since Jonathan has written them down and taken note of them, the expression on them must be some of the things he’s piercing together about his own fears as well that he’s afraid to voice aloud or in his journal, because if he voices his suspicions, they might become more real to him.
The strength of the handshake was so much akin to that which I had noticed in the driver, whose face I had not seen, that for a moment I doubted if it were not the same person to whom I was speaking
See? He knows what’s up, he’s just afraid to say it.
I also didn’t pick up that Jonathan’s room is octagonal for some reason. I wonder if there’s any reason for that or symbolism with the 8 sides?
Also the letter from Mr. Hawkin’s feels very ominous in retrospect knowing what’s coming and how Dracula will treat Jonathan:
"I must regret that an attack of gout, from which malady I am a constant sufferer, forbids absolutely any travelling on my part for some time to come; but I am happy to say I can send a sufficient substitute, one in whom I have every possible confidence. He is a young man, full of energy and talent in his own way, and of a very faithful disposition. He is discreet and silent, and has grown into manhood in my service. He shall be ready to attend on you when you will during his stay, and shall take your instructions in all matters."
I feel like Dracula knew to take advantage of that, and also this feels like him basically reading the menu for an ideal victim once his business is said and done, so I get shivers, brrrrr.
Hitherto I had noticed the backs of his hands as they lay on his knees in the firelight, and they had seemed rather white and fine; but seeing them now close to me, I could not but notice that they were rather coarse—broad, with squat fingers. Strange to say, there were hairs in the centre of the palm. The nails were long and fine, and cut to a sharp point. As the Count leaned over me and his hands touched me, I could not repress a shudder. It may have been that his breath was rank, but a horrible feeling of nausea came over me, which, do what I would, I could not conceal.
I also like that while Jonathan is describing Dracula, he notice his hands. And I am also struck with how little it is brought up that he has hair on his palms, and I can see the more wolf-like nature of this vampire mythology. I wonder if Bram Stoker intended for werewolves and vampires to be the same thing in his novel? They are certainly compared and have similar powers and weaknesses, so it’s possible I guess.
Also Dracula has corpse-breath lol. Nasty.
I saw the first dim streak of the coming dawn. There seemed a strange stillness over everything; but as I listened I heard as if from down below in the valley the howling of many wolves.
Ah ha! Also the first foreshadowing we get for the importance of dawn and dusk in the novel, as we know later how important timing becomes for our protagonists, so seeing its affects already make me smile at the recognition of the signs so early.
"Listen to them—the children of the night. What music they make!" Seeing, I suppose, some expression in my face strange to him, he added:—
"Ah, sir, you dwellers in the city cannot enter into the feelings of the hunter."
And ah, an iconic line. Though I just get second hand angry and uncomfortable at Dracula’s insistence that he’s a “hunter” 🤢. God I just hate him haha.
I am all in a sea of wonders. I doubt; I fear; I think strange things, which I dare not confess to my own soul. God keep me, if only for the sake of those dear to me!
And literally Day 1 of being in the castle and Jonathan is already questioning his sanity and piecing things together he’s afraid to even voice in his journal. This is the second time in as many days he has already wished that those around him find this journal and laments should anything bad happen to him. It creates the impression of one who knows they’re walking into danger but must go on anyway.
But I love Jonathan so much, and I definitely really like the May 5th entry, and it does so much work to set up what happens later.
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