#couple more pages done :D

[keeps-ache]

ggghhg i hate vehiclessssssss ghghghhghhhhh [dies dies dies forever]

[arklay]

🖊🖊🖊🖊 for diana ofc

a fun little fact about diana is that she wears her watch with the face on the inside of her wrist

while working for umbrella (well, undercover for the rival company, that is), diana's employment was never common knowledge to the public – because why would a pharmaceutical company need a herpetologist? instead, she simply held a position as a researcher at raccoon university, and would occasionally do lectures, but for the most part she would just take the cable car underground to the nest

when diana collaborated with the connections through h.c.f. in the early 2000s, they named one of the d-type bioweapons after her

diana saw a lot of her younger self in sherry when they first met due to the similarities in their situations with their parents, and the way she behaved around both herself and albert. despite her dislike of children, she couldn't help but feel for her and even came to enjoy when she would stay over on occasion (i'd love if my brain would let me finish the rewrite of their first meeting because i touch on all of this in there and diana's thought process ough)

[haileys-out2]

I’ve been told to make this caption from one of my photos (yes this is me in the photo). I have no control over any of this, I’ve been told what tags to use and how long the post is to be pinned to the top of my page. 😥

The post is up for three months (until June 8) and I am scared about how long I’ll get!!

P-p-please be nice. I d-d-don’t want my life ruined!! 😭😭😭

Update. If this post hits 100 REBLOGS I have to get a larger plug and dildo.

Update 2. You are all mean (specially @count-alta with your 20-odd reblogs)😤😭😭 I now have to get a larger plug and dildo. If it gets to 300 REBLOGS then I have to make a Discord server to show that I am in fact wearing the cage and plug 😭😭😭😭 this is getting both out of control and expensive

Update 3. It hasn’t even been a week. 😢😢 I’ve been instructed to add note milestones. I’ve only been given a couple for now but more will be added if any of you suggest something my dominant likes.

Update 4. I’m back from a brief hiatus from Tumblr while I settled into a new job, and I discovered that this post really took off. I now have to make discord (coming soon) and I’ve been given a new Reblog MILESTONE. If this post reaches 500 Reblogs I will have to start HRT. If it hits 1000 Reblogs then I have to find a man to fuck me on camera 😭😭😭😭. Please be nice.

Update 5: whelp it’s done. My Discord server is live

1500 notes: I have to keep myself hairless from the nose down.

1700 notes: Make an Amazon Wishlist and add 100 toys and clothes for anyone to buy. Anyone who buys them will get a free show with what they bought

1800 notes: my hair must be grown out

2000 notes: I have to resume my BambiSleeps regimen

2500 notes: Practice deepthroating the current sized dildo twice a week

2750 notes: I now have listen to Bambi sleeps every morning, afternoon and night on my days off

3000 notes: Sit on a 7-inch dildo 2 times a week for 30 min

3250 notes: I have to start using she/her pronouns

3500 notes: I have start wearing a bra everyday

3750 notes: Use a large plug now

4000 notes: I have to start an OF (ManyVids and webcamming as well once I find a better living arrangement)

4250: I have to film myself suck cock

4500 notes: i can only ever cum from anal

5000 notes: I can only wear androgynous clothing. Nothing overtly masculine

5100 notes: Sit on an 8-inch dildo 3 times a week for 30 min

5400 notes: Listen to Bambisleep hypno every time I do anal

6000 notes: edge with a Hitachi magic wand for 30 once a week

6500 notes: start using a ball gag whenever I do anal

7100 notes: Once a week I have to film myself anal training and share it to the discord channel

8000 notes: Sit on a 9-inch dildo 4 times a week for 30 min

8500 notes: I must listen to ALL hypno that is sent to me

9000 notes: The Hitachi edging session becomes twice a week

12300 notes: Clicker train myself to get horny to the thought of cock

13200 notes: Use an XL plug now

13500 notes: Only use 10-inch toys from now on sit on it 6 times a week for 30 min, once a week use a 12+ inch toy

15000 notes: I have to get either bottom surgery or an orchiectomy

20000 notes: I have to be spit roasted

25000 notes: I have to be the center of a Blow Bang

32500 notes: I have to be the center of a Gangbang 😳😳😳

[attleboy]

I hold you SO SO closed in my handsss,,, I love seeing you in my notifications it's always such an honor and makes my day so much

-@sm-baby

omg hiiii mushroom!! :D i'm gonna be honest, i've been staring at this trying to figure out how to respond for a while but i am far too flattered to think of a good response! consider me rendered speechless...

anyway, i just hope you know the feeling is mutual and i am also very happy when i see you around!!! i'm going to use this as an excuse to toss some carnival au art your way which you'd enjoy, i hope?? ^-^

yes this one's based off madagascar 3 which... please don't judge me too hard for that... that movie's iconic (to me at least 😭)

there's more to these but idk i wasn't feeling it so crops are all i'm giving out

this one i'll probably still finish but i like how caine looks so here's a sneak peek

that was all pomni and caine wasn't it uhhh. whoops... here's a couple jax i also like that guy

and this isn't the carnival au, but it IS showtime and i know you love them... technically a wip but it's gonna take sooo many rendered pages to finish that idk if i'll ever actually get it done so just take this bit

okay that's it, ty again for stopping by!!!

[katabay]

SUBTEXT

so I've focused in on Perceval and Bors before, and I've done Perceval and Gender (for more on this specifically, see: Clothes Make The Man: Parzival Dressed and Undressed, Michael D. Amey) and did a whole comic that leaned into some subtext™ on temptation, but actually let's throw out the subtext! let's bring Augustine into this!!

Perceval, de Troyes (trans. Burton Raffel)

introduction to Confessions, Augustine (trans. Sarah Ruden)

so for perceval a knight is both the gender he wants to perform but also something that is expressly compared to god, and if god is a lover that seduces. well. does this not also apply to knights as well?

Homosexuality in the Renaissance: Behavior, Identity, and Artistic Expression, James M. Saslow

and while galahad might be the obvious choice, I think perceval's relationship with bors during the grail quest narrative is more interesting. it's not god that transforms perceval, it's the sight of knights for the first time. something in here specifically is incredibly intriguing to me, but there's a different text I need to finish reading to fully form some thoughts on it.

le Morte d’Arthur

and finally! tentatively. I think I might slowly start turning this idea I had a couple years back into a fully formed comic. we'll see! I had most of it blocked out, but halfway through reading augustine's confessions, I think was when perceval finally clicked for me as a character in a later narrative cycle setting. I think I might have to spend a lot of time doing some visual research first because my god I cannot consistently draw armor to save my life......back when I lived in new england, there was a museum with a wonderful medieval armor collection I could visit.....alas.........I will have to hit the books (literally, I have a collection of books on medieval armor but this is apparently the one thing I can't visualize properly in my imagination. save me, museum collections, you're my only hope)

⭐️ credits for the collage panels! (all open access or public domain, etc.)

-Saint George and the Dragon -Saint George and the Dragon (different one lmao) -Pages and Knights, Frontispiece for "The Man at Arms" -Cloisters

⭐ if you like my comics and have a couple bucks, I have a tip jar (ko-fi)!

⭐ and other places I'm at! bsky / pixiv / pillowfort /cohost / cara.app

[sanjisprincesswifey]

valentine's day

summary: spending valentine's day with the monster trio

notes: sanji, zoro, & luffy x implied female reader (separately), pure fluff

black leg sanji

sanji may know your favorite flower or candy, but he remains a teddy bear, roses, and box of chocolates kind of guy 

for sanji, it’s the idea that you deserve love in its purest form; that all he wants to give you is the love people see in movies or read in books

it’s about the sentiment; he could give you your favorite flowers or candy any other day (and he does). today, on valentine’s day, it’s about him and how he wants to show you he loves you 

he’ll plan a nice, romantic dinner that includes a sweet wine, dimly lit candles, and a meal perfectly curated for your palettes

again, to sanji it’s his way of proving to you that he loves you; he’s so in love with you, in fact, that you’re worthy of the love that others only dream of having. so tonight’s meal has been in preparation for weeks before the actual date 

he can’t help but stray from the basics and put his own touches on everything. 

sanji gets all giggly and flustered while he leaves small presents around the ship for you to find. small is a loose term though, in actuality the presents probably cost thousands of berry 

finally, he pulls a couple all nighters to write you a handwritten love letter. it obviously starts off as a proclamation of his love and obsession with you, but around the second page he begins to explain just how much you mean to him. how he’s changed for the better and learned to love both himself and life so much more now that he has you. 

the day consists of being wrapped up in your boyfriends long limbs practically every minute of the day, so many kisses you swear his lips must be tired, and words even sweeter than the candy he gives you

roronoa zoro

zoro gets lost walking on a straight path, you think he’ll remember a holiday? 

i don’t know if he even knows what day it is normally 

since he doesn’t even know what day it is, that most likely means he doesn’t even have a gift for you

sorry babe, but if you want to have a nice date you will have to plan it yourself 

however, if you mention your concerns to someone who is more situationally aware (cough, cough, nami, robin, or sanji), he may remember to get you a gift 

albeit, it won’t be wrapped and will most likely still be wearing the price tag, but it is a gift regardless

that being said, roronoa zoro is incredibly sentimental in his gift giving. just because he may be a bit forgetful does not mean that he doesn’t love you

he loves you so much he doesn’t need a day to remind you of that; he tells you every day in the way that he interacts with you 

considering how much he loves you, remember to give him some reassurance about his airhead-ness. he doesn’t want to admit it, but he was actually a little worried it might jeopardize your relationship 

monkey d luffy

knows valentine’s day is important to you so he’ll celebrate with you, but otherwise doesn’t really care much for the holiday besides all the candy, of course

luffy can’t be trusted with any money nami gives him as he’d spend it solely on meat, so he must resort to handmade gifts

but do not be fooled by the name! your captain is incredibly sweet, the handpicked flower bouquets contain all your favorite colors and all your favorite flowers. he insists on adventuring to a flower field and picking each flower individually claiming that it’ll only be right for you if he’s the one who does it

usopp, robin and nami then wrap it up all nice and pretty for that extra special touch

in classic luffy fashion, he’d also give you a box that has the appearance of a box of chocolates but inside contains a bunch of cool looking seashells or rocks that he, again, hand chose for you

no outside planning is done besides this though as dinner with luffy only sounds fun in theory; he’s a human vacuum cleaner, you wouldn’t get very far in your own meal before he’s swallowing up your food too 

he’d love for you to join him for a dance under the moonlight though

his long, rubber arms wrap around you while his body sinks into yours as you rock back and forth to the music 

and, of course, he is telling you he loves you every second of the day and every other day for the rest of your lives

ʕ•́ᴥ•̀ʔっ like this post? send me a request!

[heretherebeturtles-comic]

How long does the process take you to get one (or more) comic page done? I love the idea of making comics but i suck at structure, you know with the script and posting/layout. I was wondering if you had any tips or what you wish you knew before you started.?

Sorry if this had been asked before

OOOooooo a fun question for me!! I love talking about comic creation :D

I do my best to keep the full process under 2 days (or 12-14 hours of work) per fully coloured page. I'm trying to get faster, but speed comes with time and experience.

Hmmm as for tips and things I wish I knew... so many things... I should let it be known that I am an artist and not really a writer, but your questions are focused on script/planning/structure, so I'm going to focus the advice on that.

Start with something small - Learn about making comics and find a comfortable style through making a couple smaller comics and then try your passion project. Writing and planning smaller comics with fewer pages takes a different kind of puzzle solving and thought process. Smaller page limits can force you to try new things which you can then apply to larger projects to save time; limitations breed creativity after all. Every attempt made (even an unfinished project) is knowledge gained that you can apply again for future projects.

Study comics! - It's hard to create if you aren't feeding the mind and giving it things to learn and create from. Read comics made by professionals and study how they handle pacing. How many pages are they dedicating to each moment? What do you think of their pacing and what would you change? Take a sketchbook and make small rectangles and draw out the panel layout from that comic. What are they doing that works and what don't you like about it? How would you do that differently? ... I think this is me assigning homework... i am so sorry.

Set a hard page limit - Try to get your story told within that limit, and then add more pages if necessary. More pages = more time you have to spend working on it. Most standard single issue American comics are roughly 24 pages. I try to work inside that limit using a rough 5 page per scene structure.

Condense or Cut - I struggle so hard with this one, but comics aren't written in the same way as a novel is. They have a slightly different plot structure and a much more limited amount of pages to tell the story in. Obviously it depends on the story being told, and what kind of scenes are important to that genre of story, but in general, unnecessary scenes should be cut out. examples...

CUT! Having the characters go out to get ice cream is cute, but you don't need to show them each ordering their ice cream unless the flavour they choose is an important plot point. Skip to the last one receiving their ice cream and turning to the others who already have theirs and are having that deep discussion. OR skip that scene entirely and have a quiet panel of them sitting in the park at sunset, already holding their ice cream, before delving into the deep emotional conversation they will be having.

CONDENSE! You can combine two scenes if you need to. If you have one scene where two characters are having a casual conversation and another where they are sneaking into a building? Stick them together. They can sneak AND talk and now you've only used up 5 pages instead of 10.

Comics take a LONG TIME to make!! - you have to make peace with that _(:Ⅰ」∠)_ Comics, especially full colour ones, are an extremely labour intensive and time consuming way of telling a story. If one page takes 1 day (8 hrs of work) and you have 24 pages, that is 24 days of working on one comic.

Thumbnails! - Draw the pages small and rough first! It's easier to plan things and mess around with the layouts when you don't have an emotional attachment to how the art inside looks. Once you have a layout you like, you can then draw it again in full page size and work on it from there.

Page and panel layouts are my favourite part of the whole process, I could talk forever about it, but I do not have the energy for it right now. I'll save panel/page layout for another time.

It doesn't have to be perfect!!! - IT DOESN'T HAVE TO BE PERFECT!!!! (shouted with excitement btw). Panels can be boring! A page can be extremely simple! The art can be messy! The dialog can be simple! The plot can go nowhere! In fact it is really really fun to make a messy imperfect comic on purpose. Destroy the perfectionist in you, because they will always and forever hold you back from actually creating things. "what if it's bad?" what if it's fun? what if you learn cool things?

Anyway, those are my tips/advice, idk if I actually answered what you were asking... sorry about all the time commitment ones, that is something I really wish I had figured out a few years ago lol.

Comics are fun to make and a lot of learning how to make them is just jumping in, encountering a problem, and then learning how to solve it.

[levshany]

how do I put this. Even those who actually track our blogs and are interested in our Aus can get a little confused about what's going on here. but I'll try to explain anyway

we already mentioned the crossover between Anarchists and Tandem and even DRAWED them once, back when Tandem was in development (and by the way, this crossover is canonical for both AUs). Now this story has been continued >:D

Here's some context: It so happened that the Colibri wanted to see what alternative timelines looked like and ran into the king and the jester. Phil was delighted with Colibri and wanted to flirt with them. Jester Collie was categorically against it. so he immediately possessed Phill and tried to fight Tandem. he didn’t succeed because his fusion with Phil is extremely unstable. and here we are

Initially, @angstyhikka and I just drew these three pages, but then @lasymit supported the idea and made a drabble which she allowed me to add to the post :3

------------------------------------

"Let go, bitch! I'm not done with you yet!"

The savage creature desperately squirmed in Philip’s hands. It grabbed onto him, trying to either break free or, on the contrary, rush closer, glaring furiously and baring its shark teeth.

He held the clumsy, collapsing fusion at arm's length and looked at it with slight disgust. His tandem with the Collector was a strange but harmonious union. And what was writhing in front of them right now was the direct antipode of the word harmony.

“Well, I am,” he said distantly.

And with his other hand he grabbed the one sitting inside the demon’s body. Under the flesh soaked in titan blood, he felt a soft essence, like rubber or hot wax. The Collector from this universe felt completely different to the touch.

He stretched them, pulling them away from each other, disentangling them from each other. Paradoxically, bodies that should repel each other by the nature of their forces, like unipolar magnets, clung to each other very stubbornly. But Philip was still stronger with the power of the Collector in his hands, power which he clearly used better than the local... king of demons...

“Ouuuuch ouuuuch,” a boy in the robes of a jester, painted in red and black, shrank on the ground, wrapping his arms around his own chest.

He was not at all like his Collector. Philip had never seen his friend's material body before. But he knew he looked different. For some reason he knew this for sure.

"Who pulls a guy out like that!? Fuck!!", the now-green demon yelled nearby. And he clutched his head painfully.

What Idiots. They vomited three times while chasing him. Philip did them a favor by stopping this outrage.

Now these two were lying helplessly at his feet, groaning and gasping, trying to catch their breath and come to their senses. Now they are separated.

"What were you trying to achieve?" His question was almost rhetorical.

"It wasn’t me, it was all him!" like a child, pointing a sharp, protruding finger towards the Collector, the demon yelled. "I didn’t want to fight at all!"—here he gazed up at Philip with some strange look and batted his eyelashes expressively—"I wanted something else– something more interesting."

"Ohh fuck off, Maggie! You traitor!" came the shout from the red Collector. Philip silently decided to call him the Jester and the demon, by analogy, the King. Philip had already guessed his name. But he couldn’t bring himself to call this savage by that name. Not even in his mind. 

He ignored the King's vague attempts to take a tempting pose while still lying on the ground and grinding his teeth from the headache. He turned to the Jester.

"So you're in charge?"

Judging by King's behavior, it would indeed be reckless to put him in charge. But, having always been the decision-maker when paired with the Collector, by right of being the adult, Philip is accustomed to his friend almost never taking the leading role unless circumstances require it. Like a couple of years ago...

“Nuh-uh,” the Jester raised himself up on his elbow and rubbed his chest, inhaling deeply, greedily. "We're bros! Equal rights and stuff."

And he twirled his funny yellow gloved hand in the air.

Something in the Jester’s words pricked Philip. He didn't fully understand what exactly.. Until the King said, in a dramatic whisper:

"I no longer have a brother. You’re dead to me!"

And Philip stood there, trying to remember that the air was not hard, dense lumps, that it did not clog in the throat and did not press in the chest with a dull phantom pain. Meanwhile these two idiots, after a couple moments of aggressive looks, laughed out loud.

“Yes, I would strangle such a brother,” the King squeezed out, wheezing and squinting through laughter, “with my own-"

And he bent over, swallowing the end of the sentence with a cough as the toe of a boot hit him in the stomach.

"Philip! Philip... They've had enough... He doesn't know what he's talking about."

Philip's cheek twitched.

"Ouch... bro, save me!" the King squeaked hoarsely.

And this completely infuriated Philip. He swung his foot again, this time at the face. But he was met by an elastic wall. And the ground under Colibri’s feet, along with all the space, suddenly curved.

If it weren't for years with the Collector in his head, he wouldn't have realized what happened. But now he clearly saw how a couple of dimensions were distorted, folding space into a loop. He suddenly found himself not between the King and the Jester, but at a considerable distance. And these two were already close together. The boy helped his “brother” get up from the ground; King was now leaning on Jester’s shoulders, clutching his stomach. Perhaps Philip miscalculated his strength a little. This happens sometimes... Especially when it comes to emotions.

“Hey! Hitting people who are down is against the rules,” the Jester frowned. "Give us a timeout!"

Philip felt his jaw tighten. How the nodules rolled across his face. But the flaring rage, as it often happened to him, went away as easily as it filled the air in his chest, leaving reddish streaks before his eyes and pulsating power in his fingertips.

“Get out of the way,” he let his hands glow slightly.

"Ohhhh, what about a last kiss, star boy?" the King whined, clinging to the Jester and trying to straighten up next to him, as if hoping to reach Philip from a distance of ten steps and still get the coveted—

A kiss? Seriously, what the hell? Philip directed a confused, irritated look that bore all these unspoken questions at the Jester. He awkwardly shrugged his sharp shoulders, caught in the King’s grip.

"Don’t be mad... Philip, right? Don't be mad at him, Philip. His Majesty has a reason to be an idiot. And he didn’t mean it out of malice about the ‘brother’ thing.”

Philip looked at the Jester more carefully. The collector in his head was silent. But Philip sensed something from him. Philip also noticed the King’s uncomprehending expression.

“What’s wrong with ‘brother’?” The King sounded surprised.

And then Philip understood. And his face froze.

Yes... yes, what need is there to remember such things? He himself tried to forget for a long time... If he succeeded, would he be the same now as the king in front of him?

Looking at this wretched shell of a “King” who’d forgotten everything important about himself and the loyal “Jester” still standing steadily at his side, the Collector in Philip’s head began to sob. They both, it seems, had the same thought. It’s scary to look at the reflection of a future that never happened.

The jester smiled at him guiltily- at both of them. And then he confidently and widely showed about fifty teeth to his King.

"People don’t like such familiarity, you fool! You can’t just kiss someone the first time you meet."

"But it's okay to fight them when you first meet?" Philip was indignant...

Yes, it's Philip. He cannot refuse to call this man by his own name. Philip himself could one day become such a “king.”

------------------------------------

also @kenku97 helped us with translation and added this comment, I gotta show it to you ;v;

"I thought “The collector in his head sobbed” needed more context for people who aren’t as tightly wrapped up in these AUs as we all are. To understand why Collie’s crying, you need to point out how Tandem Collie sees himself in the Jester. They’re both caring for a Philip who is forgetting himself and the people closest to him. Jester is living out Tandem Collie’s worst fear: what will happen when Philip can’t remember anything anymore? What will become of their friendship? And it’s bittersweet because the King and the Jester are still friends, even though the Jester basically had to start over from the beginning. Jester Collie is quietly carrying all of those memories inside his heart of a friend who has basically disappeared while still learning about and loving the brand new person his friend has become. It’s so sweet and so sad.😭"

that's pretty much all for now It’s hard to return to drawing after the holidays. and this is not even a new art you see, but last year’s. therefore this comic cannot be considered the first work of this year sadly

[aclockmaker]

Part 2 now here

Okay to expand on this I just think: Steve who’s been in a couple of tv shows and is having a moment, famous offscreen for his hair and his charm and onscreen for his ability to find chemistry with anyone (and also, again, his hair).

And Eddie who is a complete unknown; he’s been in some stage productions and had the tiniest bit parts on TV but nobody’s ever, like, recognized him on the street.

Eddie auditions for a new HBO show. When his agent tells him that Steve Harrington is already attached Eddie is like cool, I’ll never get this part but the audition will be good practice so why not. They’re never gonna cast him. He’s sure he’s playing it too weird, and he hasn’t cut his hair (but he will when a part needs him to) but then he gets a callback. Twice.

And then he’s getting called in to do a chemistry test with some of the other actors. The show is like a modern Freaks and Geeks but with a slow burn murder mystery, and Eddie’s actually dead in the main timeline but about half the show is told in flashbacks so it’s a big part. When he meets Steve he doesn’t know what he’s expecting from the paparazzi darling but the guy is super genuine, makes Eddie feel way more comfortable than he has so far. They do their read together and Eddie is just thinking to himself like… damn, this guy really is good, because that felt crazy. He’s acted opposite some insanely talented people but it’s never been that easy. That must just be what it’s like working with Steve.

And now it’s dangerous because he really wants the part. He wants to stop bartending to make rent. He wants to be on this show, because the pages he’s seen are good, and he thinks he could really bring something to it. And because he wants to work with Steve. And even the rest of the cast, too, but—

The day Eddie gets the part he gets a text from a number he doesn't know. Hey man, really looking forward to working with you. And then, a few minutes later, It's Steve btw. He's smiling down at his phone so much that his agent, whose office he's in, is like "What, did you just score another life-changing opportunity I don't know about?" And Eddie is like "Nope, just the one, uh—it's just my uncle saying congrats. Anyway—"

They don't make him cut his hair. They don't tell him to stop playing it so weird. Everything goes so well that it feels fucking hard to believe, in fact, like he's just waiting for the other shoe to drop. There's one group of them playing seniors in high school, the main foursome of which is Eddie, Steve, and their two girl costars, Nancy and Robin. And then there's a younger group playing freshmen whose story intersects with theirs.

His and Steve's characters are set up as opposites, almost rivals, and at least at first, you're presumably supposed to wonder if it's Steve's rich, popular guy who's killed Eddie's character. Nobody in the cast knows the truth yet; the scripts get revealed to them as they're shooting them and they've been told the murderer won't even be revealed in the first season (so here's hoping they get renewed, because Eddie would really like to know who killed him—and he'd also like to keep making HBO money).

Their scenes are some of Eddie's favorites to film (although he also has a soft spot for the kids—especially Dustin who plays a hilarious and awesome nerd who does D&D with Eddie's DM). Eddie hopes his and Steve's stuff is working on whatever level they ultimately need it to work on—sometimes they do get notes that tell them to pull back or dig into something, to emphasize something else, so he has to trust that they're doing the right things.

They often film out of order so when they eventually film the scene where Eddie and Steve's characters have their first run-in at school, it's far from the first time they've shot together. They get all up in each other's faces in the scene, and they've run the lines, done a table read, but acting it out at full intensity is. A lot. Steve's character is mad because he thinks Eddie's character is trying to steal his girlfriend (really she was just buying drugs from him). The way Steve plays it is all simmering intensity, the threat of violence just under the surface, and this is where Eddie doesn't know if he's reading something into it that isn't there. Because for him, there's also another kind of tension between them. And he doesn't know if it's his real life bleeding into the character; if it's just how Steve can't help being with everyone; or if it's a legitimate part of the scripts that they're supposed to be picking up on and exploring. He doesn't even know if anybody else sees what he does. But they do their takes; nobody tells him he's doing something wrong. And after the director calls cut the first time, Steve winks at him. Just to cut the tension, Eddie thinks, maybe to make him smile, which it does. It's fun watching Steve work, watching him slip into and out of character. He's really easy to work with.

Sometimes they get together to run lines or talk motivation or whatever. “It's crazy, you know," Eddie tells Steve in his trailer one night. Steve's is bigger so all of them usually hang out here. They've been making each other laugh, shooting the shit about increasingly funny backstories for their characters, and Eddie feels high with it. "I mean, you know this is my first real show. It's like—" he gestures between them, trying to encompass everything that happens on-camera and all the fun of working on that off-camera. "I didn't know it would be like this."

"Oh—yeah, man," Steve says and laughs a little self-deprecatingly, running a hand through his hair. "But, I mean, for me, I've done a couple and, with our stuff—it’s never been like this with anyone else, either.”

It's going to be so hard, Eddie thinks, looking back at him, to not read into that more than he should.

[thenamesblurrito]

so. Transformers ONE was a good movie

i HIGHLY recommend going in blind, i do think it's incredibly effective with as few spoilers as possible beforehand! seeing it on the big screen is really really nice too, i encourage you to watch it in theaters without reading up on it first if you can!

long full-spoiler review and dissection of elements below (i reached the text block limit a couple times oops):

general stuff:

gorgeous. just genuinely visually gorgeous. so many details, colors, textures, everything was so beautiful. the stylization itself may not be my favorite but it was executed so well that i ended up loving it. their optics! their colors! their movement! the way the visuals serve the lore and the story is extremely well done too, i felt like everything i was seeing was deliberate, relevant, and a treat for the audience instead of just "ooo visual noise look at how powerful our cgi rendering is" (which is how i felt about the "live action" Lion King prequel(????) ad they showed before). all the little cameos and repaints and everything in the background? mwah. GORGEOUS MUSIC TOO AAAA THE WAY THAT TFP'S MOTIF IS IN THERE AAAA

the visual effects and action, the way they USED their roboticness/transformation sequences/vehicle modes in fighting and moving and emoting, it was VERY GOOD. Orion grabs a Death Tracker and RIPS THEM INTO PIECES BY TRANSFORMING AROUND THEM AND FORCING THEIR FRAME TO SHATTER. insanity

this is ABSOLUTELY the origin story movie the fandom has wanted. even if it wasn't your preferred origin story, this movie SHONE with love and respect for the franchise and drew on so many influences to craft a powerful version of the beginning we all wanted to see

in some ways i wish we had more, i think it would've been extremely effective to see things expanded upon, especially D-16's emotional descent and maybe some more Quints. actually looking at the content and pacing of the movie though, and the audience it's aimed at, i don't think there's anything they should've cut in favor of other stuff. i understand why it wasn't dwelt on more, but hooooo i would've liked to see Dee breaking apart a little more thru the middle of the film. apparently the novelization has more scenes of this and i would love to read it

i had so much fun watching this movie. it was a rollercoaster. it was a TREAT. i was sitting there enjoying every second both times i saw it because it was a good film that rewarded me greatly for being a Transformers fan, giving me so many easter eggs and injokes, while also being perfectly understandable and fun for a complete newbie. excellently balanced appeal to old and new fans alike

there was no wink to the audience about how stupid and childish a movie about robots is, there was no lampshading of how silly sci fi is, there was no betrayal of the emotional tone of the film. so many stories now kneecap themselves by mocking their very concept, and the audience watching them, in a very cinema sins-style irony poisoned way. this movie never does that. its humor is fitting, its drama is real, its emotion is all SINCERE and i love how i was never mocked by any part of the movie for engaging with it sincerely

this movie loved being a Transformers movie

anyways. specific stuff:

love how Wheeljack managed to explode everything despite not even being a scientist. he's just THAT good

THE INJOKES AND REFERENCES. "you don't have the touch OR the power." calling them Gobots. the corny More Than Meets The Eye bits. "don't be a glitch" is a headcanon swear i've been using for years now and they canonized it!! "High Guard, eject". "paging doctor Ratchet." the new take on "all are one". the really interesting way that the term Transformers is an actual significant in-universe name, and how Orion and Dee ARE NOT Transformers at first!

the sheer number of cameos is ASTOUNDING. what an excellent mix of masc/fem designs too, they really made it normal on this Cybertron which i appreciate! apparently Blurr exists here, his name was on the leaderboard!!!!!! good job Chromia i am so proud of you for winning. and the shots of the bots getting cogs at the end was aaAAA!!! <<33 my HEART! Jazz's little smile looking at his new doorwings!!

I GOT ALL MY SILLY OLD DEMIGOD FAVES I GOT THE THIRTEEN EVERY SINGLE ONE OF THEM AAAAAA ALPHA TRION MY GRANDPA god i'm so sorry you're dead but i can't believe you showed up on the big screen <<333 you and your rockin rhino unicorn lion alt mode. and your superpowers. god you're so cool. "old timer" NUH UH HE'S STILL BETTER THAN YOU!!!!! using Zeta for the thirteenth was an interesting choice! i did think he was Overlord for a hot second. it's the lips. Solus wasn't fridged by virtue of everyone else died too yippee!! ALSO MEGATRONUS THE COOLEST ONE WOOOO HES NOT JUST A FIERY EVIL GUY!!!!

the way Dee himself was, in a way, the Fallen of this continuity.... 😭

the way Sentinel was handcrafting his downfall with each touch of the blowtorch. carving the sigil of the Decepticons into the one who will kill him. dooming Cybertron in a moment of petty mockery. AND HE DOESN'T EVEN DRAW IT WELL IT'S LIKE A MESSY CRAYON DRAWING CMON

planetformer Primus in a blockbuster movie? CANONICAL EXPLICITLY STATED PLANETARY ROBO MPREG BIRTH IN THE FIRST FIVE MINUTES???? THEY USE THE WORD BIRTH. BORN. we are never escaping the reproductive insanity in this franchise

Shockwave you whiny tantrum throwing wuss. let Elita beat him up more. it's good for him. also love how that could be construed as a ref to her G1 resistance force

CASUAL MIND READER SOUNDWAVE???????

Elita was perfect, no notes. i would not like her if i met her but i respect her so much. she really is better in every way and down to business. Best First indeed

so much cool implications and fascinating timeline confusion. 50 cycles since the Primes were slaughtered? the way Sentinel leveraged their reputation to make himself beloved, casting himself as their peer? the way he didn't choose to villainize them, the way he apparently openly admitted to the loss of the Matrix and how it impacted the planet? when did cog theft start, and how old is Orion since in the novelization it states his entire generation is cogless? who remembers the og Primes? who is in the know about it all?? hoooghhghhh fascinating.

the implication that the High Guard worked with the og Primes?? the possibility STARSCREAM was a loyal guard for Cybertron's DEMIGODS????

okay i was not expecting a backstory for STARSCREAM'S VOICE in this movie but holy. god. the shippers will be going insane over this one. hoogh holy fit. what is wrong with you. the utter contradiction of being both an instigator and a coward when he gets in over his head and immediately backpedals

also obviously this is the I Love Divorce movie and megop shippers will be having a field day but i DEEPLY appreciate just how solid a friendship Dee and Orion have and how badly they fall apart, even thru a strictly platonic lens. i also appreciate how there was no forced comphet attraction/romance!! i was dreading the possibility of it, i mean Oplita was RIGHT THERE but they didn't force it at all thank youuuuuu. i would rather have this dynamic with its zero intended romance than awkward, OOC attraction shoehorned in to detract from the plot

Bee was actually good! like yeah he's def the kid appeal character and i prefer it when he's in a younger gen and not OP's peer, but he was wayyyyy less annoying than i was expecting! i think he fit the movie and did his job in it well, and i absolutely laughed at him multiple times. "i get to work for the GOVERNMENT! :DDDD" bee. please. the fact that he's been going insane and desperate after isolation for so long really helps make his character work instead of being just irritating

Airachnid you are so cool. you are TOO COOL. PLEASE TONE DOWN YOUR COOLNESS. i adore how she is not good at facial expressions thank you evil autism moments. love how her signature move is stabbystabbystabbystabbystabbystabby

Sentinel. god. Sentinel. SENTINEL!!!!!!!!!!!!!

i need to draw him getting ripped in half. it's like they distilled the worst parts of every single iteration and combined them into a SuperBad version. horrifically realistic kind of guy. i love to hate him. real Metro Man from Megamind energy. and megachurch pastor energy. the IRONY that Orion and Dee were probably actually helping him, that he was probably being genuine in the medbay when he said he loved what they did by racing, that he may have been honest when he said he was gonna have them fixed up in his own facilities and had them tour the mines! because them racing increased energon production by 150% and Sentinel needed that!!! he needed that for the Quintessons!!! i think he was being genuine when he first met Dee and Orion and then Darkwing ruined everything!!!

Darkwing is the curly straw of this continuity

the Quintessons were hoooooooooooooooo. whoooooooooogh. hoohhhhhhhhhhhh. the biomechanical. the shapes. the textures. eugh. icky. creepy. excellent. the way their ships looked like the Nemesis. the way they're STILL a looming threat. i wanted to see more of them but i get why the movie wasn't about them. i hope we see more in the future

the way Orion is the kind of guy who, in an attempt to be selfless, keeps making selfish or thoughtless decisions was SO INTERESTING. it set up the dynamic of his and Dee's friendship very well, with Orion always wanting the best for his buddy but ultimately overwriting or ignoring what Dee says!! the way Dee clings to the social contract of protocol for safety because that's all he knows and his ANGER when it's broken, even when it's Orion breaking it, because that's not SAFE it's an UNKNOWN it has CONSEQUENCES WHEN YOU DEVIATE. and then it's revealed that the social norms have been a lie the whole time and Sentinel has "broken protocol" more than ever and Dee has no safety left because it was always broken. Orion wanted to be more, he could feel there was more. Dee just wanted security

Dee spent so much of the movie complaining and arguing and it was very funny and good characterization but it was also a hint at how much bitterness was under there the whole time. so much of his complaints were threats of violence. he always had Orion's back and then when he learns the truth he abruptly. stops. do you notice he doesn't really have Orion's back after this? he's no longer by his side? he's there, but he's not... there. he was the first to shoot an enemy and took joy in it. all of his emotions were so justified and then what he does with them is what makes it a tragedy. he didn't have to do this. augh

i really, really like the fact that they managed to pull off the ending without it fully turning into a "boohoo if we do anything violent we're as bad as the bad guys waaaa". the specific phrasing of "rebuilding cannot start with an execution" went HARD. and it's demonstrated in their actions too like, Dee was out for REVENGE and it was PERSONAL, Orion was fighting for JUSTICE and it was UNIVERSAL. Sentinel was beaten, everyone knew the truth. it was over. but Dee in his (very justified!) anger and broken trust was too overcome to back down. they were given the power to change their worlds, but Dee was thinking only of his world. Orion was thinking of everyone

ironic that as soon as Orion starts thinking of other people and considering what they need instead of forging ahead, Dee decides to center his own feelings and actions to the point of murder. even after Sentinel was dead, he just kept shooting, he did NOT AT ALL care that some of those shots were clearly hurting innocent civilians/going wide and shooting out into the city/damaging actual important infrastructure and not just Sentinel statues. i believe it's Bee who said "he's gonna kill everyone" and he proves it by attacking Elita and saying "I won't stop until every last one of his followers is dead". THE FACT THAT HE FELL SO FAR AS TO SEE ELITA, HIS PEER AND FELLOW FREEDOM FIGHTER WHO WAS THERE WORKING AGAINST SENTINEL WITH HIM FROM THE START OF THIS QUEST, AS ONE OF SENTINEL'S FOLLOWERS.... by the end of it, Dee really was nothing but blind anger

and the way kneeling was a common thread!!!!! aaaaaaa. Sentinel betrayed the world by kneeling to the enemy. Dee won respect by refusing to kneel. Orion gained followers by willingly kneeling to his peers. hooghh

Orion jumping and stumbling and falling this whole movie because he just THROWS himself into things because he BELIEVES in things, he's the one to take leaps of faith, to take that step out into the unknown! and Dee refusing to save him as one final nail in the coffin, so clearly feeling like Orion jumping in front of the blast was yet ANOTHER way Orion is forcing his hand, corralling him into doing something he thinks is best but did not consult him on, finally FINALLY saying NO and leaning in to the tragedy!! and in the exact same way Sentinel handcrafted his enemy in Dee, Dee has now handcrafted his enemy in Orion!! AAAAAAAAAAAAAAA and now that Orion took that last leap of faith and fell, now is when he RISES. ONE SHALL FALL AND ONE SHALL RISE. god. it reminds me of Spiderverse, the way they use falling and rising

the way the tragedy is worse for how well everyone was working together.... for one shining moment, the miners and the High Guard, the rescue mission, it was going so well. they were doing it. they were winning. it didn't have to turn to slaughter. if there was to be an execution it should've been by trial, by the voice of the people, not Dee deciding for Cybertron as Sentinel decided what truth was. augh.

in an abruptly different note, the way they have characters move and fly is so cool. i love the jetpacks. i love how flight is not "flyer" exclusive. it's fascinating and i think really fitting for the general city of Iacon itself. all those towers going up and down

THE TRAINS!! THE MOVING ROADS!! HOW COOL IS THAT!! LOOK AT THAT WORLDBUILDING IM OBSESSED WITH THIS CYBERTRON HOOGH. this movie was VERY good at building a rich, functional world of detail and making it very alien in a way i want to chew on forever. the moving mountains and greebled energon mines. the living planet. the deer!!! ooghghh. PRIMUS LOOKS LIKE A STAR

i do like this Primus actually, yeah it was a deus ex machina but that's the POINT. Optimus himself is an act of god and his presence heralds miracles. Dee couldn't bring justice to Cybertron because justice is restoration. justice is healing what was hurt and doing right by the wronged. yes that often means consequences upon the perpetrator but that's NOT what Dee was doing, he wasn't even THINKING of anyone else!! would killing Sentinel get ppl out of the mines? would it restore their cogs? would it bring equality to a clearly oppressive society? like he LIVED this (cogless bots with limited options, the talk of tiers as if they are social castes you can be demoted from, lower city levels where ppl can be banished, etc) but it was Orion who ultimately addressed this. i'm sorry if it feels like insult to injury to rub his Primacy in your face, Megatron, but stealing a cog just like Sentinel and declaring the age of Primes over, when it was the age of Primes ending that made you cogless and oppressed in the first place, is only an extension of your trauma, anger, and violence, and is not solving the problem!

a cog stolen from him at birth! and then he steals it from Sentinel in symbolic revenge, stolen again, but even that wasn't Sentinel's, it was stolen too! the way he discards the cog from Onyx, willingly gifted to him, to continue the trend of desecrating the dead! man. MAN. the name he took, the cog he took, the symbol he took, all from his hero, the one he looked up to, the coolest Prime, and THEN DECLARED THE AGE OF PRIMES OVER

the gilded pompous showmanship of it all was so gross, the way Sentinel's face was everywhere, the way he had instant access to everyone in Iacon via announcements that took over the media. but this was clearly derived from the previous Primes!! we see their statues, we see their stately tower, and unless Sentinel had all that built in "mourning" (which is totally plausible imho) he was really just setting himself up as an inheritor of that hyperwealthy standard! we don't know anything about the rule of the og Primes beyond that they're favorably remembered and loved (possibly because of propaganda but i think it was also genuine) and that they may have been losing the Quint war (considering that info was from jerkwad supreme i find it suspect) but just by comparison to Sentinel i think they HAD to be better rulers. there weren't cogless bots forced to mine for 20 shifts in a row back then!!! Sentinel is stealing their aesthetic as if that gets him the same power and acclaim. he's trying to steal their legitimacy. he paints himself across the face of Iacon to hide the fact the planet itself went into a coma because of him. he has ALWAYS been rejected. i call him a megachurch pastor but really symbolically i could say he's a fallen angel, and his visual design really fits too

i'm coming back to the deus ex machina thing bc i know it may be considered weak in a plot construction sense but i want to engage with it as literal. like, there is a literal in-universe god in the machine. they know it. they worship it, at least a little bit. i would consider this story to be analogous to Prince of Egypt, in that the deific is a real and tangible character with impact on the plot, and not a meta excuse to save the day. Orion made his choice, and as a result Primus made HIS choice. it's not necessarily a happy ending but if even Megatron acknowledges that GOD mandated this guy to be a Prime and the planet itself responds by COMING BACK TO LIFE.... i keep thinking of it like a cityspeaker, how they're the ones who commune with Titans to know their needs and tell them what needs to be done. is a Prime just the cityspeaker of Cybertron, able to help it remain healthy and functional?

the divine right to rule is REAL on Cybertron. you can like it or not but you have to contend with that when discussing fair leadership, political accountability, and representation of the masses re: Cybertronian government and Primacy

god i'm still so obsessed with the Thirteen i need to see them better i need to look at them. i love them. insane. i really need to invest in a chewtoy

also i know it may be a throwaway line but i'm very curious why Primus had to transform and sacrifice himself to save the universe. Unicron, maybe???

also how did Alpha Trion narrate the archival stuff telling the fake story of how the Primes died and the Matrix was lost. did Sentinel get a deepfake of his voice?? is that part of how he made the transition to power?? AUGH THE DISRESPECT KEEPS COMPOUNDING

Alpha Trion. my blorbo. my old man. holding you so tight. like an ancient rescue dog. im gonna groom you and give you treats and buy the biggest plushest dog bed from costco for you

anyways

good movie, guys

[purpleandgreen13]

STARDEW VALLEY INKTOBER 2024

Good lord, is it that time of year again? :D Since 2021, Grapefruit Sky SDV server has been creating an Inktober list. Beginnng with the wonderful @buttonso's list back in 2021 and designed by @hannahstumble the event has become a regular in our calendar. This year, we've teamed up with Stardew Valley Fanfic Writers for our prompts along with a couple of other servers.

The great thing about this carefully curated (by me!) list is that it is absolutely 1.6 friendly, but also, SPOILER FREE BABY! So if you haven't played 1.6 yet, this list is perfectly safe to use! :) Please feel free to share far and wide, there is also a dedicated Collection page on AO3 if you want to add your fic there :) AO3 Collection (be patient with me, I've never done this before, but if you need help signing up let me know here :) ) Don't forget, Inktober is not just for writers, it's for everyone! You can do anything you want and you don't have to do it all! Okay, enough of me, here's the list, I'll post it a couple more times until Inktober starts, but have fun! And feel free to share - everywhere! <3

[stringlessau]

Stringless Part 1, Page 2

FINALLY we got this page out :D

It's been a hot second since page 1 mainly because there was a lot of rewriting to be done from the old outline (but at least this means the comic is scripted for a couple more pages already)

You may notice the new and improved coloring style! Rope did all the color in this page instead of last time where he only did flats and background, and from the way it looks i can tell the style is gonna be a hit :3

Hope you enjoy the page, we're still getting the hang of this but we're proud of what we got!

Scripting and lineart by @shiibaroll

Coloring and background sketching by @theropeaaa

Special thanks to @gutamajunk for giving the idea of the spamton car introduction even before the comic was planned! His proposed rough outline for the events of Stringless influenced how i wrote the AU storyline a lot and it'd not be the same without it.

[nmoroder]

Modern au comics again!! lessgooo!!! first three were done along with that meursault bartender identity post and i was just lazy to translate them, the rest are todays catch

i've already mentioned that ishy really hates most things marine in this au and refuses to cook it in her bar, so that's what the chippy (fish and chips) page is about; the rest is just her getting to know heathcliff. meursault is noticeably speaking up more often in contrast to canon (but i guess he'll warm up there eventually too) for example explaining to ishy who's that bastard with a beer.

funny side note, ishmael calls meursault "d" and it's an inner joke of mine that demian somehow grew up to be meursault. that's the last name after all, his first one might me demian or the french damian yeah. it has little to no ground to stand on but i just like joking around that thing and since in this au meursault's first name is also unknown to most people, there's just a couple of them knowing and using it. one being his boss and even she's not using the full form and prefers the first letter, probably finding it endearing

[suddencolds]

insatiable appetite [1/?]

sooo... this is one of the thirstiest things i have written—and also one of the only times i've written a character with the kink, ever T.T warnings in advance for mess, character getting sneezed on, implied contagion, possible ooc-ness, & me writing this entirely with my d instead of my head

ivan and till are from al//ien sta//ge (a very fun watch which will only take 30 mins out of your life; i really recommend it!!). that said, this fic takes place in a modern au setting, so feel free to read it without any prior context :)

special thanks to @6pmsoup for sending me a very cute alnst doodle of these two which altered my brain chemistry permanently

—

Summary: Till shows up to a dinner outing with a brewing cold. Ivan suffers. (est. relationship, kink!Ivan, ~2k words)

—

For all Till tries to hide it, Ivan can tell immediately.

There’s this: Ivan has been paying attention to Till for most of his life. A full decade before they’d gotten together officially, and some more—this is how long Ivan has had to observe his tells. Always from the sidelines, always with a detached air of indifference that, in reality, was anything but.

All the signs are there the night before. Till, turning up the thermostat a couple degrees higher than he usually keeps it. Spending a little too long in the shower and using up almost all of the hot water. Clearing his throat one too many times in the morning before Ivan leaves for work, his smile distracted, the rasp of his voice nearly indistinguishable—but only nearly.

Now, Till is here for dinner—it’s a dinner they’ve had plans for a couple weeks now, at one of the nicer restaurants downtown, in celebration of Till’s recent promotion. Ivan had booked the reservation a couple weeks in advance.

When Till arrives, stepping out of a taxi cab, he’s wearing a scarf, even though the weather is too warm for it. Ivan steps up to meet him. 

“Sorry I’m late,” Till says. “Traffic here was the worst I’ve ever seen it, swear to god.”

“Was it cold outside today?” Ivan asks, a little pointedly, tilting his head towards his scarf.

Till looks at him, his expression unreadable. Then he nods. “Colder than usual, for this time of year.”

“Strange,” Ivan says, just to be difficult. “But the weather forecast says it’s the same temperature today as yesterday.” 

“It’s probably just windier today,” Till says, readjusting his scarf around his neck. His face is a little flushed.

“Your voice sounds a little off, though.”

Till clears his throat with a scowl. “You must be imagining it,” he says. “It always sounds like this.”

No admission, then. That’s fine. Ivan will get the truth out of him at some point. He lets Till guide him into the restaurant.

It’s a nice restaurant—worth the hassle of the reservation, Ivan thinks. Each table is set with flowers arranged tastefully in long glass vases, empty wine glasses turned on their heads. The server—who leads them to their table in a small, private booth—is wearing a suit.

It’s a shame, really. Ivan has a feeling that he won’t be able to pay attention to any of that tonight.

They sit. Ivan looks down at the menu, picks out something at random in a matter of seconds. Truthfully, he can hardly think of anything less worth his attention right now. He turns his attention to Till instead—Till, who’s seated directly across from him, the scarf still around his neck, obscuring the lower half of his face. 

Till sniffles, reaching down to turn the page, and oh. The sniffle is terribly liquid—has he been sniffling like that all afternoon? Perhaps it’s a good thing that they work at different offices—Till at a law firm, Ivan as a senior manager at a consulting company—because Ivan certainly doesn’t think he’d be able to get any work done with Till sniffling like that. 

It’s not two minutes later that Till is reaching up to wipe his nose against the back of one knuckle. All in all, it’s discreet. Just a quick brush of the fingers against his nose, which is still hidden under the scarf. Though, the look of sheer ticklishness that passes over his features for a brief moment there is...

“What are you thinking of ordering?” Ivan asks.

“I can’t decide,” Till answers. He turns the page again. “It’s between the ribeye steak and the… snf! The pork belly. Is this the kind of place that skimps on the portion sizes?”

“Not from their Yelp reviews,” Ivan says. “You know, if you really can’t decide, I can flip a coin.”

“I’ll pick,” Till says. “Why? Hungry already?”

He looks up, now. His eyes are a little watery. There’s a faint flush over the bridge of his nose. Ivan thinks that if he reached out and touched him, he’d probably be running warm. The thought is almost unbearable.

“Your taxi did take forever to arrive,” Ivan says, by way of explanation. 

“Did you really wait that long?”

He looks uncertain, for a moment. Ivan says, “Not at all. But you know, I’m always impatient when it comes to you.”

Till rolls his eyes, but it’s fond. “There was a meeting that ran late. I wasn’t avoiding you.”

“Is that also a part of your new position?” “I guess so, yeah.”

“I can see why they were eager to promote you, then,” Ivan says. “How productive can late afternoon meetings be, anyways?”

Till snorts. “Not that important. It definitely could have been an email instead. I was about ready to doze off.”

He sniffles again. “Okay. I think I know what I want.” The way he says know betrays the slightest hint of congestion. 

“At long last,” Ivan says, just to be a little bit of an ass. “I’ll call over the waiter.”

He flags their waiter down, waits for Till to order first.

“A spiced apple cider,” Till adds on, at the end, with the slightest of coughs. “Hot, if you can.”

That’s new, too. Till seldom orders hot drinks at restaurants, though he’ll drink tea without complaint if it’s offered. Perhaps his throat hurts, then, from the cold that has clearly started to settle in his system. Subtle, still, but Ivan is familiar with colds like this. He knows it will probably only be a few hours before this deceptively “small” cold turns into…

Ivan orders, too, and thanks the waiter, who leaves with a curt nod. When he looks back over to Till, there’s a… strange something to Till’s expression, a slight distractedness. Irritation.

Ivan swallows hard. He should look away. 

He should, but then, Till’s breath hitches. He pulls the scarf higher over his face preemptively, as if he anticipates having something to have to cover for. The sharp intake of breath that follows is breathy, though Ivan can hear Till’s voice in it. He should really look away.

Instead, he takes the scene in, painstakingly, little by little, as Till’s shoulders jerk forwards. As Till presses a hand to the scarf, presses the fabric closer to his face, to muffle a sneeze into his fingertips:

“hhH-Ih!! hiHH-’IESCHH-eew-!”

God. It sounds utterly miserable, the harsh release of it scraping against his throat, the spray tearing into his scarf. It’s the kind of cold sneeze that is undeniably telling: this is going to be one hell of a cold. It’s not very quiet, either, even muffled into the fabric.

For more reasons than one, Ivan is glad they’re in a private corner of the restaurant, not somewhere more public.

“Bless you,” he offers, once he can trust himself to speak. It’s a good thing that Till is too distracted to look up at him right now. Ivan isn’t sure he can keep what he’s feeling off of his face.

Truthfully, he isn’t sure he’s going to be able to endure a whole night of this.

The problem here is that Till—Till, of all people; Till, who Ivan has been pathetically in love with for almost as long as he can remember—has no idea about Ivan’s… relatively niche interests. That is to say, he has no idea what effect it has on Ivan when he does that.

“Thanks,” Till says, a little stuffily. He sniffles again, lowering his hand. 

Ivan can’t help it. He knows he shouldn’t pursue this line of questioning, but he can feel his self-control dwindling by the second. “Don’t you think it would be better to take off your scarf, now that we’re inside?”

Till freezes. “Y-You know what,” he says evasively. “It’s pretty cold in here.”

Ivan tilts his head in question. “And just how do you plan on eating like that?”

“I’ll take it off when our food comes.”

“I can ask the waiter to turn the temperature up, if it’s a problem,” Ivan says. 

“It’s not a problem.”

Ivan rises from his seat. Till watches him, perplexed, as he heads to the opposite side of the table, where Till is seated.

When he gets there, he stops. Stands, unmoving, so he can study Till from above. 

“What are you—”

Ivan reaches out, settles his palm across Till’s forehead. As expected, it’s warm. Not quite feverish, which is a good sign, but warm enough to be notable. 

“Just how long were you intending to hide this?”

Till stares back at him, wide-eyed. “Hide what?”

Shouldn’t it be obvious? “The fact that you have a cold.”

“I didn’t think it was worth mentioning,” Till says, slowly.

“Hmm.” Ivan drops his hand to his side. He is a little concerned, now. “We could’ve called a rain check.”

This time Till really does roll his eyes. “For the reservation we planned weeks ahead?” he sniffles again. “That just sounds completely and utterly unnecessary. Are you the type of person to call things off just over a little cold?” 

Ivan leans over, tugs down the edge of Till’s scarf. Till bats his hand away just a moment too late, cups his other hand over his face to shield his face from view. For a moment, he looks faintly mortified.

Then his expression settles into something more disgruntled. “What are you doing?” he hisses.

So uncooperative. “Let me see,” Ivan says. Slowly, gently, he pries Till’s hands away from his face, and then—because the restaurant is dimly lit—tilts Till’s face up slightly so that it catches more of the overhead light. 

Till’s nose is redder than usual. He’s probably been rubbing it all afternoon, if the redness that percolates into his cheeks is any indication. There’s  a damp, liquid sheen on the underside of his nose.

“What’s there to see?” Till says, a little crossly.

“Your face, since you’ve been so intent on hiding it under that scarf,” Ivan says, leaning in to get a better look.

Till scowls at him, but there’s no heat to it. “You see my face every day.”

“On the contrary, I don’t see it nearly enough,” Ivan says. “And you hardly ever get sick. Is it so wrong for me to be concerned?”

Without looking, he reaches behind him with one hand to grab a couple cocktail napkins. The other hand he keeps held up to Till’s cheek. 

But then, Till’s breath hitches. “Wait,” he says. Panic flashes through his face. “Ivan, move, I—”

Oh. Well, seeing as there’s no way he’ll be able to get the napkins over in time, it looks like he’ll have to improvise. If Till wants to cover, Ivan can help with that. He moves his hand to cup it loosely over Till’s mouth. Not a second too late, it seems. Till jerks forward unceremoniously, his nose twitching, his eyes squeezing shut.

“hHheh-! HHh’EIITShHh’yYiew!” he gasps sharply. Two? “Hh-! hHiiH’DSSCSSHh-IIew!”  

The jolt of the sneezes is practically electrifying—all of that force, brought to an abrupt halt behind Ivan’s waiting palm. He feels the expulsion of air against his skin, the warmth of Till’s breath, feels the slight dampness behind his hand as the spray mists over his fingertips.

Ivan swallows, hard. Thank god it’s so dark here, otherwise Till might notice what this is doing to him. 

“Bless you,” he says, withdrawing his hand at last to wipe it on one of the cloth napkins. It comes out slightly raspier than he intends it to, though perhaps it’s a miracle that he’s still able to talk at all. “Some cold, hmm?” Belatedly, he hands Till the stack of napkins.

Till practically snatches them from him, turns aside to blow his nose wetly into the top few. The way he sniffles afterwards suggests that his nose is still very much running. 

“Do you have no self preservation? It’s as if you want to catch this,” Till says, drawing back with another sniffle.

Oh, Ivan thinks, fighting back a shiver. That would be far from the worst thing.

[agarthanguide]

Very much love your take on the new looks for Orym and Ashton! I saw a bit of your post about how Liam and Tal give feedback... would you be willing to share any information about how the back-and-forth process works between you and the actors as you work on their stuff? (I just love hearing HOW the awesome happens, not just the end results.)

Yeah okay. Lemme think, here. Alright let's so this as a numbered list-

1- Actor sends description of character. This is pretty broadly interpreted, in my experience. It's something between a brief paragraph, an annotated pdf, and multiple pinterest boards.

2- I send back a Pitch. This has taken multiple forms in the past, but it's generally settled into a few pages, that kinda go- a- Poses and Vibe Sketches- This includes little portraits, attitude poses, a couple sketches showing extreme dynamism or movement. I try to suggest outfits and weapons or accessories, here, but I don't spend a lot of time fleshing it out. b- Outfit Poses- usually on a turnaround or one fairly lowkey pose. I try to include 3 or 4 serious attempts at outfits and maybe a couple of backs, if it's important. c- Color- I usually just pick an outfit at random and try to give it a few different palettes. If the actor is absolutely sure what the palette is, or if it's a character I've worked with before, I might just make one palette and briefly color each of the outfit sketches from b in that palette d- Accessories, Weapons, Other Important Stuff- if the character is carrying around like a book or a bird or a really specific weapon, I try to address that in its own space, though sketches for all of those things may exist on other pages. This has been known to be very pretty or a bit boring.

3- There is some form of back and forth between me and the actors (and a producer, who are all lovely and don't step in on creative things but are always working against a schedule and need to know how things are going. I just want to be clear that every producer at CR is a secret angel who eats deadlines and shits magic and every one of them totally Gets It. They are all One Of Us). The back and forth is always individual and based on the actor but it can be- a- Actor picks from menu, usually via complex "circling" system (also all sketches are numbered, so they can just ref numbers). b- Actor sort of picks from menu, while moderating and adding further references. c- Actor just sends a bunch more shit and I narrow stuff down based upon what they seem to be getting at.

4- There's this bit of finding what the pose is gonna be, marking in all the necessary accessories, getting that last email about adding a scar, can we add a necklace? etc. What you are left with is something that the Producers call "pre-final." If it hasn't already been with the modelers and painters this whole time, this is when the modelers and painters get the design and start their magic.

5- I go away into a cave for a time period of quiet reflection with my Gods. I refer to this period as "rendering." I cannot be reached by the reason of man and spend a lot of time bitching to my friends while I try to figure out why shading a cape is suddenly the most difficult thing I've ever dealt with in my life.

6- Done!

[serial-serializednovelreader]

It's crazy to me that people call Jonathan a himbo, he's so methodical and clever! It makes sense that Mina would be attracted to someone bright too

Yes, anon, you’re so speaking my language!!! I do wish people would stop calling Jonathan a himbo because — nothing against himbos — but Jonathan is not one of them! And yes, it totally makes sense that Mina would attracted to someone as clever as him, and since she’s also so smart, I’m sure the feeling is mutual.

Before y’all come shouting in my inbox “what do you have against himbos??” and “Jonathan is totally a himbo, what are you talking about?” Let me clear things up:

First of all, I love himbos!!! Kronk from Emperor’s New Groove — peak himbo, imo — is one of my favorite characters. Am I attracted to them? Well…no. As you can probably tell from my last Nova’s Notes, I’m more the kind of person who’s attracted to cleverness or when people nerd out. BUT I cherish himbos for all of their wonderful qualities and if I ever get the opportunity to meet one in real life, I would love to be friends with them! <3333

Secondly, for anyone who’s still saying Jonathan is a himbo…

Himbos have to embody all three qualities equally to be considered himbos! If they are not kind? Not a himbo. Not strong? Not a himbo, I’m sorry! I do make the rules of himbo, I simply follow the rules.

Now on to our good friend Jonathan Harker’s case.

He is undeniably kind. From what we’ve seen so far (not to mention later), he is not only loving to his fiancée, he is kind to strangers as well. He takes gifts from the villagers, even if he does not understand them. Just a couple of entries ago, he was willing to risk his life over a child he didn’t even know (and the same night after he had screamed running away from the women, too). Some of the Dracula Daily book club on here suspects (as do I) that some of the reason he’s so eager to spring into action the next day is to put a stop to Dracula’s evilness for other people, not just for himself. Heck, he’s even talked about Dracula’s good qualities after finding out he’s a prisoner!!! So, kindness? Yes! ✅

As for strong, there’s not as much evidence here, but I would call him somewhat strong because not just anyone could successfully scale a castle wall twice in one day like that! That takes a lot of strength in your core, arms, back, etc. Sure, Dracula can do it — but Dracula is also a vampire with super strength. Maybe it’s easier than I think it is, but I’m not exactly going to look for a castle to try it!! So for Jonathan to crack his knuckles and go “yeah, he can do it, why can’t I?” is both hilarious and shows that he must know something of his own strength. However, he’s also a solicitor and I doubt he’s built like a bodybuilder. So, strong? Maybe not as much as a typical himbo, but let’s give him the check mark because Lizard Fashion is nothing to sneeze at. ✅

Now for the ditzy part….I’d have to say no to that. Himbos are meant to not be “the sharpest tool in the shed” (yes, I did have to hit you with a Smash Mouth reference, sorry not sorry) and Jonathan is farrrrr from that.

Everything he has done so far has been methodical and smart. I covered this in my other Nova’s Notes (you can look under the hashtag on my page if you want to see more :D) so I really don’t want to go through too much I’ve already gone through, but the arguments I’ve seen for him being a himbo — based on the entries we’ve already read — are that he’s not smart because he:

Doesn’t heed villager’s warnings

“Let’s” himself become a prisoner

Is nice to Dracula after he knows he’s a prisoner

Talks about his fiancée a lot (???????)

For the first point, we’ve gone over this, but here we go again — he doesn’t heed the villager’s warnings, no. But keep in mind none of them actually say “The Count is a super dangerous man!! Don’t trust him!!!” Here’s the passage:

“When I asked him if he knew Count Dracula, and could tell me anything of his castle, both he and his wife crossed themselves, and, saying that they knew nothing at all, simply refused to speak further. It was so near the time of starting that I had no time to ask any one else, for it was all very mysterious and not by any means comforting.

Just before I was leaving, the old lady came up to my room and said in a very hysterical way:

‘Must you go? Oh! young Herr, must you go?’ She was in such an excited state that she seemed to have lost her grip of what German she knew, and mixed it all up with some other language which I did not know at all. I was just able to follow her by asking many questions. When I told her that I must go at once, and that I was engaged on important business, she asked again:

‘Do you know what day it is?’ I answered that it was the fourth of May. She shook her head as she said again:

‘Oh, yes! I know that! I know that, but do you know what day it is?’ On my saying that I did not understand, she went on:

‘It is the eve of St. George's Day. Do you not know that to-night, when the clock strikes midnight, all the evil things in the world will have full sway? Do you know where you are going, and what you are going to?’ She was in such evident distress that I tried to comfort her, but without effect. Finally she went down on her knees and implored me not to go; at least to wait a day or two before starting. It was all very ridiculous but I did not feel comfortable.

So here’s the thing: you can see that the only thing the innkeeper’s wife explicitly warns him against is going to the castle that night because it’s a day in their culture where evil spirits are considered to have full sway.

The innkeeper’s wife does ask him if he knows “where he is going and who is going to” — he says no, but she does not speak further on the matter. When he asked about the Count before this, they just refused to speak! I know that may seem like an implicit warning — and it is — but some people on here act as if Jonathan was supposed to have known why they were crossing themselves and immediately have left? Like, he obviously feels uncomfortable, but as he states before and afterwards: he has a job to do. If you were in his position: a newly-appointed lawyer (or position of your choice), and you went to a place where the locals told you not to visit your client that night because it was a night where evil spirits would come out: would you honestly believe them? And if you asked about what your client was like and they just crossed themselves and refused to speak on the matter, would you simply leave the town and tell your boss “nah, sorry, the villagers warned me against him. I decided this client’s not for me”? I guess that honestly depends on you, but I would think not if you want to keep your job!! I know that’s not ideal, but to be fair, he also is not given a fair warning before going in.

There is also that incident in the carriage where he hears those villagers talking and he picks up bits and pieces (including the words werewolf and vampire) but a) they’re not talking to him and b) he doesn’t pick up enough to even indicate who they’re talking about!! In fact, he thinks they’re badmouthing him!!! (Which is understandable, he can only hear a bit and he’s translating on the fly). Again, how he is supposed to automatically know: “oh, Count Dracula is a vampire and I must flee this place immediately.” We know that because Dracula has been a pop culture icon for 100+ years, but Jonathan doesn’t have that kind of knowledge. I feel it’s kind of ridiculous to call him not smart for not knowing this.

However, and this is important, he does take some of this warning to heart. He does take the crucifix and the other vampire-repellent gifts the villagers bestow upon him, despite his skepticism and ignorance of the culture (thanks, English colonization /s). He feels uncomfortable and anxious before he even goes into the castle, literally saying goodbye to Mina in his diary in case he doesn’t make it back!! He keeps the crucifix in his room and uses it to ward off bad dreams and for safety against Dracula (which is not really how he’s supposed to use it, but he wasn’t really told how, so I don’t really blame him for that).

I don’t think a himbo would’ve picked up that something was amiss at any of these points, not until it was too late at least. I think for this test, just picture Kronk (or your fav himbo) in this situation. Would they even notice something was up? Or would they go cheerfully towards the castle?

As for the second point — this is kind of unrelated to the himbo question but — what kind of victim-blame mentality is this????? I have seen people unironically (at least I’m pretty sure it is?) post that Jonathan deserves the abuse he’s getting because he didn’t heed the villager’s warnings (which I already talked about above) and/or he’s “rude” to Dracula. I’m sorry — WHAT???? So if you’re rude to somebody they’re to allowed to lock you up in their castle???? That’s a fair trade? I beg your pardon?! Just…ok. Believe what you want, but maybe let’s not blame the guy who’s been a prisoner in a random stranger’s castle for a month and is sure he’s about to die? Yes, this is fictional and not that deep, but still — weird take.

Back to the himbo question, I mean, he doesn’t really let himself become a prisoner. He’s at Dracula’s castle for a job. Once he’s done with that job he’s ready to leave, but Dracula makes him stay because he literally locks him in!!! He then explicitly tells him he will stay longer and Jonathan has to accept because he is there in place of his boss, and saying no would be like speaking (negatively) for his boss — and Jonathan is not going to do that. Correct me if I’m wrong, but I don’t think a himbo would be able to see all of that subtext within that conversation. I actually don’t know this kind of interaction between a true himbo and Dracula would go, but I imagine not well. Dracula thrives off of interesting conversation and wit, as well as being able to maintain a facade of host and guest. I just don’t see if someone like Kronk could maintain that for long because he would probably be like “but I don’t want to stay longer, let me go” or something, which would end the “game”.

Moving on to the third point, he is nice to Dracula after he knows he’s a prisoner for a reason. When he realizes he’s locked up (which he realizes super fast, by the way), he sits down and has a good, long think about what he can do. More passage evidence!

“I am thinking still, and as yet have come to no definite conclusion. Of one thing only am I certain; that it is no use making my ideas known to the Count. He knows well that I am imprisoned; and as he has done it himself, and has doubtless his own motives for it, he would only deceive me if I trusted him fully with the facts. So far as I can see, my only plan will be to keep my knowledge and my fears to myself, and my eyes open. I am, I know, either being deceived, like a baby, by my own fears, or else I am in desperate straits; and if the latter be so, I need, and shall need, all my brains to get through.”

So he knows Dracula is up to something (or he’s jumped to conclusions) and either way, talking about it is a bad idea. The only way through is to act like nothing’s wrong for now and try to get information out of Dracula. Other than that, he’s going to need to use his brains! Yes, he does talk to Dracula and acts nice — but it’s with a plan and a purpose. Dracula has creeped him out from the start, but he has always been able to maintain good cheer around him. Now, he will put that to use.

So for this himbo test, it’s kind of similar to the second one. Were Kronk in this situation, he would make it by for a while because he probably wouldn’t notice the doors are locked. But once he did…I’m not sure if it would be like the second point where he’d immediately tell Dracula “hey why are all of the doors locked” and the game is up or if his shoulder angel/devil characters would come out to help him. I guess it depends! And to Kronk’s credit, he has figured things out before (e.g. figured out who Pacha was and in relation to Kuzco) *but* it took him like 12 hours after the fact and that’s not how Jonathan operates. Jonathan figures out things pretty quickly. Does he need time to think sometimes? Yes. But he’s pretty much always thinking and trying to figure out more once he’s at Castle Dracula. I just don’t see these two in the same vein here.

For the final point, I haven’t seen much evidence for this, but it needs to be addressed. I think sometimes people tend to equate WifeGuy with “no thoughts, head empty only for wife” and that can be true!!! There are definitely characters like that and I do love them so. Jonathan is undeniably a WifeGuy (and Mina’s not even his wife in name yet), bringing her up anytime he gets a chance. I would argue though that just because he’s in love and brings her up a ton doesn’t mean he’s also not clever and methodical. You can be in love and smart: these can coexist. Mina is a very smart character from what we’ve seen already and she’s in love too!

I don’t really have a Kronk case study for this one, but like anon said — I think Mina is attracted to Jonathan for his smartness and it goes both ways. They love each other for many other reasons (there’s a lot to love!), but I imagine that’s kind of the cherry on top for them.

Why does this matter? I think calling Jonathan a himbo is reducing his character a bit here. Again, I’m not saying being a himbo is bad, but it does discredit his methodical ways and strategy he has in the castle. His methodical nature is part of personality and pretending that doesn’t exist erases his character, in my opinion. Additionally, it raises the question: could a himbo become a lawyer? I…don’t think so…but maybe? Find me a himbo who’s a lawyer and prove me wrong I guess! Wait is Phoenix Wright a himbo…? Question for another time.

In conclusion, Jonathan Harker only passes 1 part of the himbo test (kindness) with flying colors. The strong test he only passes by the tail of his lizard fashion, and as for ditzy? He fails miserably. Recall that for someone to be a true himbo, they have to possess all three traits equally. Even if you could make the case for one, you’d still be missing another. So, no, I don’t think Jonathan Harker is a himbo. You can maybe argue with me that he has himbo moments (if that’s a thing, idk), but overall? No.