#craft writing

[theoldaeroplane]

worried that thing you put in your art or writing or game or music is too self-indulgent, too self-referential, too niche for anyone but yourself? fear not! you can do whatever you want forever. and you should.

[lgbtlunaverse]

Nothing will dispell the "the curtains were just blue" myth faster than writing something yourself, because the amount of pretentious symbolism i am putting in my silly little fanfics is ridiculous. I mean SO much with these words, literally every single one of them. This fic has twenty five typos and zero correct uses of punctuation but if there's curtains you bet your ass I put thought into what colour they were.

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[em-dash-press]

I am going to take a deep breath and just remind you:

Writing is messy, even for the best authors. It's supposed to feel a little uncomfortable, exhilarating, freeing, natural, and terrifying.

It's supposed to inspire you and feel like a too-heavy backpack.

Sometimes, you're going to love being a writer and sometimes, you'll feel so disconnected, you'll wonder if you were ever a writer to begin with.

Give yourself room to make mistakes and hate your work and return to it with renewed confidence that yes, you will get 1% better next time.

It's what we're all going through. Let's speed up the growing process a little by accepting the entirety of it.

[k1d1c4rus]

thinking about how armand was turned bc he was dying from being stabbed by a scorned grown man who was in love with him. he nearly died from rejecting unwanted advances. its such a key explicit detail of his origin that teaches him yet again that what he wants is utterly unimportant and even deadly in the face of survival. everything about his character is informed by the fact that he adapts entirely to the situation he is forced into because that's the only way he can survive. he adopts the satanic doctrine for 200 years not because he believes in it but because he knows that is the only way he'll survive and as soon as lestat arrives he knows he can abandon it. for half a millenium he believes he can't get what he wants and also survive, he has to choose one or the other. God.

[iamdexter123]

A good writer, like a good reader, has a mind’s ear. We mostly read prose in silence, but many readers have a keen inner ear that hears it. Dull, choppy, droning, jerky, feeble: these common criticisms of narrative are all faults in the sound of it. Lively, well-paced, flowing, strong, beautiful: these are all qualities of the sound of prose, and we rejoice in them as we read. Narrative writers need to train their mind’s ear to listen to their own prose, to hear as they write.

- Ursula K. Le Guin, Steering the Craft: A 21st Century Guide to Sailing the Sea of Story

[smalltestaccount]

I wish non-tech people would get into open source. You should post your crochet pattern on github. I want to see your wip novel on a webpage running Wikimedia.

[miatsai]

writing and craft and stuff

"Mia do you have any writing advice pet peeves"

why, yes i do. presented without too much comment:

it's a scam because you need to use both things to tell a story effectively. if it's all show, your novel is going to be over 200k words and half of it will probably be a travelogue. if it's all tell, we'll have a hard time getting into the characters' thoughts and feelings. show, don't tell exists to help newer writers explore what's going in their characters' minds. it's not a hard and fast rule once you've learned how to characterize and give context. so please, do some telling. do some beautiful telling.

[cuubism]

you guys know about the hobby lobby smuggling scandal right

[merp-blerp]

Wait, so Polites's instrument is a mallet. And Polites is killed with something very similar to a tool mallet, a club...

JAY I HATE YOU—

[pangur-and-grim]

when editing the Sir Cameron book, I read the entire thing out loud, and whenever I hitched on something (the flow got interrupted by a sentence that was too long or too short or too lumpy), I went in and fiddled until it ‘read smooth’ again. it was soothing to do, but also it took soooooo long!

[existentialterror]

Fellas, if your story has...

Way too many narrators

Self-aware weird formatting

A metanarrative

Courier font

Meaningful colored text

The story existing as a piece of media within the story itself

A fucked up house

An unreliable narrator

Just way too much about the romantic lives of people who suck

That's not your story, that's

[mokeonn]

me and kirby getting peeps on sale at winn-dixie :)

[superkitty21]

Anne Rice will write the most loving, nuanced, sympathetic portrayal of a complex messy character and you'll find out she hated them. Like what the hell.

[elizabethminkel]

Earlier this week I reported on the very depressing for-profit fic pirating happening in certain corners of fandom—but (somewhat coincidentally, timing-wise) I also had the joy of reporting this story on fanbinding, and the work of the @renegadeguild! Featuring the words (and fanbinds) of the brilliant @celestial-sphere-press, @butterfingersbookbinding, and @fanboundbooks (who also talked about Renegade on the most recent Fansplaining episode).

Renegade's binders are strong proponents of the non-monetized gift economy—they truly embody the spirit of fanfiction, in my opinion, both in the communal way they share their work with fic writers and each other, and in the DIY way they approach making books:

There’s a strong parallel between the amateur, instinctive nature of fanfiction and the act of fanbinding. While plenty of fic is penned by formally trained writers, much of it is not. Tiffo, who binds as Fanboundbooks, likens the reverse-engineering involved in teaching oneself both activities. As writers, people try to figure out why stories work. Fanbinders collectively share the process of learning to turn that work into a physical object—tactile, clean, often beautiful. Fic is largely unencumbered by the forms and structures of traditional publishing, and fanbinders approach their work with the same spirit. “People will often say, ‘How do I do this?’ or ‘What’s the rule for this?’” Tiffo says. “The answer that we always try to throw in Renegade is, ‘This is what other people have done, but know that there is no rule to your book—you can make whatever you want.’”

It's a shame seeing people conflate the bad actors of the pirating situation—many of whom don't appear to be in fandom and seem motivated by pure profit—with the work of fanbinders at large, and seeing people scared to try out fanbinding because of the recent news. Not-for-profit fanbinding is just as legal as writing fanfiction, and I don't speak for all fic writers, but if someone ever bound one of my fics, I'd be so touched I would almost definitely weep. 😭

[scissorcraft]

art for the first chapter of my fic!!! link [here]... -pokes my fingers together-