#cut out background from image

[skyrim-forever]

lot of Miraak posting lately :P

[cave-monkey]

I'm watching Monkey King 2009, and I know a bit of what happens to Six Ears later so I can't help but look at things through that lens, specifically the ways the FFM troop are a hot mess in a way that's actually kind of interesting and addressed in the show (to the extent a kid's show generally touches on those things). Like! The fact it's only the second episode and the troop is now two-for-two throwing Six Ears to the wolves at the first available opportunity! I decided to look back on what happened the last time they did this and go ahead and outline the thoughts I was having on it because, apparently(!), this was not a one-off! And I was not overreacting!

The very first fight scene in the series in Episode 1. Analysis, go!

Specifically, the part where a child is the one facing down the leader of the enemy warband, a combatant who already mowed through the advances of two experienced, trained adults with minimal effort, and the show...actually kind of goes a semi-realistic route with it?

Six Ears starts off strong and confident. He's basically an adult, his king put him up to this, of course he can handle it! He won't let him down!

And he does a pretty good job! It's very kid's show fun and punchy.

But then the Demon King of Havoc - an adult, a trained fighter, a blooded fighter - starts buckling down. And Six Ears slips up. And then he keeps slipping up.

It's not fun anymore. Six Ears is in way over his head and he knows it. So you get this (honestly kind of heartstring-tugging) shot of him glancing away while the Demon King approaches to look for his mentor and idol for help or guidance or something. He's a kid, he's scared now, and he wants his grandfather.

...and finds him asleep.

Now in most media I'd expect this to either be the mentor-figure feigning indifference or carelessness to encourage their pupil to handle the problem themselves (and implying in the process that they never doubted their pupil's ability to handle it - that they were never in actual danger), or this would just be building tension before the seemingly-oblivious mentor-figure suddenly intervenes at the critical moment.

But, of course, Six Ears isn't the actual protagonist, and that's not what happens. Six Ears looks to his king for help, finds none, and that's it. The Demon King of Havoc goes in for the kill and all Six Ears can do is run.

And he does, and he runs and runs and runs, farther and farther from his troop and anyone who can help because apparently no one was paying attention to the kid who was taking on the leader of the entire opposing force by himself, and he barely stays ahead of the sword, the trees the Demon King sends crashing down on him, and he's blatantly not able to do anything more than survive moment to moment.

And then he can't run anymore.

And the Old Monkey King doesn't show up. We find out he was never going to show up.

We get a shot of the Old Monkey King slowly waking up way back in the camp well after this scene, in response to Stone Monkey's hatching. (He also stands bolt right up, which is probably meant to be in shock at the giant stone rocketing into the sky wreathed in universe energy but I also like to think might also have been a "Where the FUCK is my KID" just so I can imagine someone was concerned about Six Ears during all this.)

Like, I cannot emphasize enough, Six Ears would be dead if Stone Monkey hadn't been hatching at this exact moment. An energy burst from the hatching blinds the Demon King long enough for Six Ears to bolt and start the chase again. That's what saves him. And then again when Six Ears manages to get the egg between him and a blow from the Demon King's sword.

Considering how eager the generals are to throw Six Ears to Stone Monkey when they're still convinced he's a legitimate danger in literally just the next episode, presumably just days after all this went down, and I...sort of think they were fully aware Six Ears was likely going to die to the Demon King. While I hesitate to say they didn't care at all, they showed in Episode 2 pretty clearly that they definitely cared way less about a child of their troop's likely death than they did about saving their own skins. Not enough to back him up, not enough to go after him when he's forced to flee, not enough to take on the fight in his place.

Which is tremendously messed up all on it's own, but it gets worse because these generals are all for treating him like a young kid when it's convenient for them. They see him as a child! But they're just as quick to throw him under the bus of adulthood as soon as that's convenient for them. Whatever requires the least effort from them, that's what they want him to be.

Seriously, who the hell is taking care of this kid? Because at this point it sure seems like the Old Monkey King - who is very old and very tired and whose body is blatantly failing him - is stuck not only trying to keep his troop in something vaguely resembling working order and secure them as much as possible for his imminent death no one but him seems concerned with, but is also somehow expected to be the primary (if not sole) caregiver of a young child. Something he can't be. Like, geez, guys. Let the man wither away in peace without piling on him more fraying threads of the things he can't possibly tie up properly before he goes, thanks!

Not to mention how this would blatantly conflict with the Old Monkey King's need to have a successor as soon as possible, since the most eligible adults in his troop are, apparently, all lazy cowards who are entirely unsuitable. He brings it up like two or three times in the first episode alone, so this is clearly something that's stressing him out, and his best option is still a boy. Meaning Old Monkey King is in a position of having to desperately (but trying not to show that he's desperate) push Six Ears to grow up just a little faster because he doesn't know how much longer he has left. There's just not a lot of room for him to just let Six Ears be a kid, in those circumstances. He needs a king. He needs Six Ears to make decisions and lead and take risks, even if the ones he's taking are far beyond the sort of things that should be on a kid's shoulders. He can't be his mentor and his grandfather and his king. No one person can be all three of those. Something is going to give. And so the Old Monkey King makes his mistakes. He piles too much on Six Ears too soon. He expects too much of him too soon. He nearly gets Six Ears killed in the first episode. (He accidentally leaves Six Ears vulnerable in the future to adults who want to use him.)

It's a fascinating little set-up. Obviously not really addressed in the show, since it's for kids and framed from a kid's perspective, which is also sort of genius? I'm thinking of the second episode where the generals are more than willing to dump Six Ears on the sacrificial alter, even physically carrying him out the door, an adult on each arm, like he might wise up and get scared and run (and if he did, like they wouldn't let him), and all Six Ears does is laugh. He's a kid. We've all been kids who think some of the most messed up things are perfectly normal simply because you don't have anything to compare it to. This is just the generals being the generals, obviously. They're so silly :)

But adults were writing this show, and I can't imagine an adult writing this not knowing exactly what they were doing. Especially knowing what happens to Six Ears.

Anyway, long story short: I want to fight the generals with my bare hands. I do not want to fight the Old Monkey King with my bare hands, but I do want to give him a long, disappointed glare over his cups that I feel like he would understand perfectly.

Also, someone needs to wrap Six Ears up in a burrito blanket and stuff him in a pillow fort with Stone Monkey where nothing can hurt them. That would be nice.

[patheditprovider]

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[painted-bees]

A quick, sloppy little comic about Magritte

[OC's]

(image description under the cut)

[Image Description: It's a vertical comic strip of 14 panels arranged one under the other. The style is realistic, done with sketchy lines in a dark burgundy. It is not colored or shaded and there is no background. The comic features the interactions of a couple, Magritte (also called Margie) and Rafael (also called Raf). Magritte is a young woman, she is wearing a baggy armhole tank top with a tight fitting black top underneath, shorts and boots. She has a messy bun and a small messenger bag slung over her left shoulder. Rafael is her partner, wearing baggy pants, sneakers, fingerless gloves, V-neck t-shirt and an open button-up jacket with a hoodie and the sleeves rolled up to his elbows. His hair has short side with long top bangs and a short goatee.

 (First panel): There's only Magritte visible from the waist up. Off screen, Raf says to someone else: “Magritte has our tickets.” Magritte is excited, looking straight forward. Her left hand in on her bag's strap, her right hand rummaging inside her bag. Magritte says: "Yeah! Even made sure to put them in my wallet so that I wouldn't- uh..."

 (Second panel): She is beginning to look concerned, now with her face turned to her back, both left hand holding the lip to open the bag wider and her right hand still rummaging inside. Magritte says: "wouldn't forget.... Hang on, it's not on it's usual pocket. Haha." The last is a nervous laughter.

 (Third panel): Magritte is kneeling on the ground. Rafael is standing to the side and behind her, only his feet visible. Magritte looks frantic, searching inside her bag. Her right arm is forearm deep digging in her bag. Magritte says: "It's definitely here-! It's the one thing I never forget 'cus I never take it out of my bag!" Rafael says, firmly: "Margie, when you took it out to put the tickets in, did you put the wallet back in the bag?" The letters are bolded, with the word "back" underlined for emphasis. Magritte says: "Give me some credit, there's no way I'm that stupid." The last three words are underlined for emphasis.

 (Fourth panel):  The scene has changed and now Magritte and Rafael are in a car. We see them from the passenger's side. Rafael is driving, looking straight ahead at the road. Magritte is hunched forward, hugging herself with the left hand. Her right hand is holding her head. She is looking out the passenger window, avoiding Raf.

 (Fifth panel):  Rafael turns slightly to look at Magritte.

 (Sixth panel):  The point of view is now a side profile view from the drivers side. Rafael has his left arm leaning on the open window, his right hand on the wheel. Magritte is hunched over facing the passenger window. Rafael says: "I'm not mad at you, if that's what you're worried about." Magritte says: "I can literally feel your disappointment."

 (Seventh panel): Back to the passengers side, Rafael is looking at the road. Magritte is frustrated, no longer leaning her head against her right hand and instead her hand is palm upwards. Rafael says: "Well, yes. It is a disappointing situation, but-" Magritte interrupts: "You'd think I'd be able to do the one thing I was asked to do-! That I'd at least learn from the last billion times I forgot shit. Rafael says, quieter: “that's not where I was going with this...”

(Eighth panel):  Magritte has her right hand holding her face with the palm on her cheek, left hand placing the tips of her fingers on her left temple and eye brows. She is frustrated and angry. Magritte says: "It's not like I've got anything more important rattling around in my brain.  But, for some reason, if it's not my music, or like.... food or something, then it's just not a priority. I can't make myself care enough to make it a priority!"

(Ninth panel): She now has both hands in front of her, elbows bent, finger extended in a vague hand gesture as if there was something in front of her. Magritte says: "I'm an adult in my 20s and I still manage my responsibilities like a child. I'd be more dependable if I could just stop and think for a second, but I'd probably forget to even breathe if it weren't for the..."

 (Tenth panel): Her frustrated expression turned to confusion. Her hands are still in the air in the same position as before. Magritte says:"... why are we parked?" Her noticing this stopped her rant.

(Eleventh panel): Magritte straightens up and faces the window entirely, left hand crossed over her body to lean on the car door. Rafael, off screen: "Margie." Magritte says: "Oh." Magritte's inner thoughts are written around her. "He stopped the car to scold me. No, not ‘scold’. Don't be a child about this. He's disappointed and just needs to make sure you understand so you can do better next ti-"

 (Twelfth panel): Magritte is still looking out the window, but now with a shocked expression. Rafael reached with his right hand, and its now resting gently on her upper back. Rafael interrupts her inner monologue with "I need you to stop repeating the shit your parents and teachers and such yelled at you growing up. They were wrong, and nothing you just said makes sense."

 (Thirteenth panel):  The perspective switches back to the driver's side profile. Rafael says: "A poor memory isn't synonymous with poor priorities. Nor does it speak to a lack of maturity. The priority was there, we just have to build a better habit of checking things before we leave the apartment. Both of us. It's gonna take time. You afford everyone else a ton of patience, all the time. Can you please afford some for yourself? The situation sucks, we were both looking forward to this. But it's not the end of the world. We didn't forget things on purpose. So let's take it easy and try to end the day on a good note. Alright?" Magritte says: "Okay... c-can we um...."

 (Fourteenth panel): Magritte has turned to face Rafael and her eyes are filled with tears and they're running down her cheeks.  Rafael looks startled, lifting his arm off Magritte's back. Magritte says: "Can we get some ice cream on the way back?" Rafael says: "O-of course!" End of description.]

This description was written and provided by Hiwi.

[the-stove-is-on-fire]

After School Ghost Theory 101 with Professor Fenton

Switch to light mode or Classic Blue to get the full transparency effect!

[Image ID: A four page comic that starts with Danny Fenton standing in front of a whiteboard holding up a white cat. "Question: Do ghosts purr?” 

Tucker: “Danny when was the last time you slept?” Danny: “Irrelevant.” 

Danny info-dumps: “The answer is yes, but also no. Technically, all beings that possess a core are constantly "purring", a.k.a. Core Vibrations. Core Vibrations are a nonverbal, emotion-based communication system between Ghosts, similar to how some living species use pheromones to communicate. The exact tone of each ghost is different the same way people's voices are different. Humans can only hear these vibrations when the frequency passes through their audible range (20Hz - 20KHz), hence the 'purring' sound. When the range dips into infrasound (16 - 20Hz) it can cause feelings of fear and unease in humans that they often associate with ghosts and the supernatural. Also known as the ‘Heebie Jeebies.’”

Danny, wiping off the whiteboard: “Any questions before we move on?"

Danny’s audience consists of Wes Weston, Tucker Foley, Sam Manson, Danny’s clone Ellie, and Dash Baxter in a classroom. Wes is seated at a desk at the front taking notes. Tucker is sitting on Sam’s lap playing on a Switch, Ellie is sitting on a desk behind them. Dash is asleep at the back of the room.

Ellie, now holding the cat: “Is this Vlad’s first cat!?” Wes: "Could you tone down the floating eyes before the next part? They're kinda distracting." Danny: "What eyes?" Wes: “Please stop gaslighting me.”

A transparency trick on the last page reveals dark shadows and eyes all around Danny when viewed in dark mode. /.End ID]

An Extended Image ID is available under the read more because it’s over 1k. Side by side light and dark mode versions of the transparency trick is also available under the cut.

[Extended Image ID: The post contains a four page comic. The first page shows two comic panels with white borders. The top panel features a bedraggled looking Danny Fenton from the waist up holding a disgruntled fluffy white cat. There are bags under his eyes, his hair is messy, his arms are covered in bandaids and cat scratches, and his nails are painted black. He’s wearing a white shirt with red sleeves and a red oval on the front. In a large green text bubble he says “Question: Do ghosts purr?” A small orange text bubble under it asks “Danny when was the last time you slept?” “Irrelevant” Danny replies. 

In the bottom panel Danny is standing on the far left side of the panel in front of a whiteboard in a classroom with the cat under his arm. He’s wearing baggy jeans with holes in the knees and his classic white and red Converse shoes. The whiteboard behind him has partially erased doodles around the edges including some flowers, stars, and Phantom’s DP symbol. There are a few balls of paper on the floor. Partially out of frame on the wall behind Danny is a poster of  Einstein and above it a clock. Pointing at the whiteboard with a marker Danny says “The answer: Yes but also no” His words are written on the whiteboard. Under the words is a drawing of a stick figure and a green bedsheet ghost with a circle between them. The circle is surrounded by green squiggly lines radiating out from it. Under the circle, an arrow is drawn pointing to it with the words ‘core vibrations’ written on the board. A green text bubble in the space under the whiteboard says “Technically, all beings that possess a core are constantly "purring", a.k.a. Core Vibrations.”

On the second page there are two blocks of text, each followed by a drawing. The page background is a pale, greenish-grey with subtle scuff marks imitating the look of a whiteboard. The first block of text at the top of the page reads “Core Vibrations are a nonverbal, emotion-based communication system between Ghosts, similar to how some living species use pheromones to communicate. The exact tone of each ghost is different the same way people's voices are different.” Under the text, imitating the look of dry erase marker, is a drawing of two simple ghosts smiling and waving to each other. They both have a small green circle drawn on their chest area with green squiggly lines radiating out from each ghost. Between the two cores, two parallel arrows are drawn, facing opposite directions. Under the arrows is the text “core to core communication.” 

Under the ghosts is a second block of text reading “Humans can only hear these vibrations when the frequency passes through their audible range (20Hz - 20KHz), hence the 'purring' sound. When the range dips into infrasound (16 - 20Hz) it can cause feelings of fear and unease in humans that they often associate with ghosts and the supernatural. Also known as the ‘Heebie Jeebies.’” Under the text a red arrow points from the words ‘heebie jeebies’ to a simple drawing of Dash Baxter holding a flashlight and looking scared. There is a cobweb with a dangling spider drawn to his right and a bunch of green blob ghosts behind him to his left. In blue text the blobs say “you forgot to update your mailing address with the IRS” and “you filed your taxes incorrectly.”

The third page once again shows two comic panels. In the top panel Danny takes up the centre. He’s stretched across the whiteboard in a dynamic pose erasing the drawing of frightened Dash with a big swipe. One hand is braced on the board as he looks over his shoulder and asks “Anyone got questions before we move on?” If the image is viewed in dark mode, there are five, messily drawn eyes of varying sizes surrounding Danny. If viewed in light mode, the eyes are absent. 

The bottom comic panel reveals Danny’s audience to be Wes Weston, Tucker Foley, Sam Manson, Danny’s clone Ellie, and Dash Baxter. In the bottom left corner, Wes sits slouched at a desk at the front of the classroom with papers and an open notebook spread out over his desk. He’s wearing a red zip up hoodie with white sleeves. His hoodie is unzipped showing a green shirt underneath that matches the colour of his eyes. At the desk beside him Tucker and Sam share a chair with their focus on Tucker’s Switch and not Danny’s presentation. Tucker is sitting in Sam’s lap with her arms around his waist and her head resting on his shoulder. Tucker is wearing a red beanie with short dreads, goldenrod yellow turtleneck sweater, green cargo pants, and white shoes. Sam is wearing a black crop top with a fishnet layer over top, purple pleated plaid skirt, artistically ripped purple leggings, and black combat boots with bright green laces. Tucker has the tips of his dread dyed green and purple. Sam has streaks of purple, green, and orange in her hair. Ellie is sitting cross legged on top of a desk two rows behind Sam and Tucker. She’s wearing a cropped hoodie with the same colours as Danny’s shirt and black track pants with white and red shoes. Her hair is tied in a high ponytail and she is holding the squirming fluffy white cat up in the air. At the very back of the classroom behind Wes’ left shoulder Dash can be seen asleep slouched over his desk. Wes has one hand resting on his desk holding a mechanical pencil the other partially raised with his hand open. In a beige text bubble with red text he replies to Danny’s question with an unimpressed look on his face “Could you tone down the floating eyes before the next part? They're kinda distracting.” Under his text bubble a small blue text bubble from Ellie asks “Is this Vlad’s first cat!?” If the image is viewed in dark mode, there are three visible floating eyes off to the side of the panel. If viewed in light mode, the eyes are absent. 

The final comic page is a single, full body shot of Danny standing in front of the blank whiteboard. He’s looking over his shoulder, slightly turned with his back mostly towards the classroom and the eraser in his hand. He has an incredulous look on his face. If the page is viewed in dark mode, the background looks dark and Danny is surrounded by dozens eyes of in all different sizes. If viewed in light mode, the eyes are absent. In a green text bubble Danny asks “What eyes?” In the bottom left corner Wes replies “Please stop gaslighting me.” /.End ID]

[bleuisghost]

I decided to share this around Tumblr, as well

—

image id: a tweet by nick @/nickybravoart on may third. it says, "i'm so fucking mad. this is my classmate Hunter's portfolio who's a trans man. his artwork and statement on gender transition was taken down from my private schools senior showcase for "unspecified reasons". please share this, give him the attention my bigoted school denied." attached is a portfolio with four sequential images with similar lighting and background. the background is composed of two vertical stripes: the left is white and the right is sky blue. the skin tone of the person in all four images is a near-white pale. in image one, the person has long hair, red lipstick, and a sleeveless dress that is white with small red shapes that are either triangles or hearts. they are looking straight into the camera while holding scissors to a section of their hair. in image two, they are holding the cut off hair and looking at it in a way that makes their eyes hard to see. they look pensive. they are no longer wearing the dress. in image three, they are holding the back of their hair, looking out. there is bandage-like binding on their chest. in image four, they again have red lipstick, but this time it is smudged. the camera is zoomed out further so you can see that along with similar bandage binding, they are wearing black boxers. they are holding the top of their head and looking straight into the camera. end id.

note: while it is safe to assume hunter is portraying himself in this set, it is still possible it is a piece on transmasculinity as a whole, so i opted to use they/them. i searched for "hunter gender photography" but could not find this piece, so if anyone does have a link to any of his socials for credit let me know.

—

Thank you so much to @eros-vigilante for this image ID :D

[rayveneyed]

sukuna ryomen is somewhat of an infamous bachelor.

it’s not surprising to see him with a new beau every few months, if not weeks — almost trope-like in their frequency, his image bouncing between playboy and manwhore. he doesn’t take it personally, and he makes sure to let people know: he’s young and sexy and he has two oscars, for fuck’s sake, so he thinks the world can cut him some slack when he wants to mess around. and mess around he does.

between obvious paparazzi shots of panties tucked badly into his back pocket, and instagram posts with fellow actors and models pressed tightly against his chest, most are divided between thinking it’s either damn good pr, or a simple man living a life most would wish for. regardless, nobody is surprised when sukuna arrives alone at the mugler show for paris fashion week, and leaves with someone on his arm.

the only thing that came as a bolt from the blue was that it was you hanging from him.

the photos are undeniable, a story in parts; sukuna finding his seat in the front row, you on one side and kendall jenner on his other. his eyes drifting from the models to your face, as if taking a clandestine peek. you, meeting his underhanded gaze with a smile as sweet as spun sugar — and, gasp, sukuna returning it. the display is so out of character for him it feels almost voyeuristic to see it plastered all over twitter.

you, with your vintage, girl-next-door-esque image, big hair and big eyes and demure, calf-length hems, a voice that evokes the memory of helen forrest or ella fitzgerald. him, with his smudged eyeliner and tattoos and all-black attire, persistently typecasted as the panty-dropping bad-boy or devil-smiled brute. it shouldn’t work. for all intents and purposes, he should be spotted with a new supermodel the next week, leaving you in the dust of his philandering. most expect it, wait for the other boot to drop — expect an album of heartbreak from you, but—

a month passes. and another, and another. and suddenly sukuna ryomen, notorious rake, is photographed backstage at your shows. suddenly there’s an anklet hanging from your ankle, his initials in garnet. it’s early morning paparazzi pictures of you both in sweatpants and hoodies — yours, suspiciously oversized — one of his hands engulfing yours, the other holding a bag of takeout from a local breakfast spot, a lit cigarette in his mouth. hickies on your neck and a shit-eating grin on sukuna’s face. candid snaps taken at intimately sized parties, with his chin hooked over your shoulder and his large hands cupping your stomach. tiktoks of you both on the red carpet in the background of somebody else’s interview, sukuna leaning in close to brush an eyelash from your cheek.

neither of you confirm anything, but then — you don’t need to, do you?

[gildedoak]

Sweet Tea: the staple of nearly every Southern household.

I think this is about to be a WHOLE DANG THING. I blame this brainworm on @notherpuppet and her Bread Pudding comic. Got me all nostalgic for foods from when I was a kid at my grandparents' house.

We all know Al loves jambalaya, so I'm focusing on some other dishes!

SOUTHERN COMFORT FOOD SERIES Chicken and Waffles Peach Cobbler Hushpuppies Crab/Crawfish Boil Gumbo (plus character notes!) Beignets (part 2) Shrimp and Grits Cornbread Biscuits and Gravy Pecan Pie/Sugar Pie Fried Catfish ??? - Season 1 Finale

Medium: Copic markers, gel pens, colored pencil

Image Description below the cut!

[IMAGE DESCRIPTION: a 6-panel Radioapple comic

Panel 1: Lucifer crouches by the kitchen counter, watching Alastor serve up a glass of amber liquid out of a large glass beverage dispenser. Lucifer: Whatcha makin'? Alastor: It's sweet tea.

Panel 2: Lucifer frowns, standing up straighter. L: But you don't like sweets. (aside: Sus...) A: (offers Lucifer the glass) Correct. This is for the hotel lobby. Taste test this for me?

Panel 3: Lucifer downs the whole glass in one go without hesitating. "Bottoms up!" reads the background with little cartoon stars.

Panel 4: Lucifer freezes, his brain buffering. A: Does it need more sugar?

Panel 5: Lucifer looks up at him, serious as can be, with little pink bubbles and golden Satanic-cross sparkles floating around him. L: Marry me. A: (recoils, hissing) NO.

Panel 6: End! (there's a small sketch of a full glass of sweet tea with a straw.)

END DESCRIPTION]

[currently-becoming-potatoes]

List of words for the computer:

LONG POST- more under the cut

STANFORD- Pulls up a file on Stanford Pines, written by an unknown scientist. It discusses his extra finger and praises his intelligence, as well as calling him the “next evolution in the human species”.

BILL CIPHER- Takes you to the Wikipedia page for the Eye of Providence. Also took me to a Sesame Street video about a Jazzy Triangle and a Square. Not sure what prompted the change.

STANLEY PINES: Takes you to a list of EBay listings for brass knuckles.

FIDDLEFORD: Takes you to the music video for Cotton Eye Joe by Rednex.

SHERMIE: Nothing. I sure do wish we got some lore about Grandpa Pines.

GRAVITY FALLS: The text on the computer reads “never heard of it” and the red light on the bottom turns green.

ALEX HIRSCH: Leads to Google Images for “flannel”. Huh.

WEIRDMAGEDDON: Pulls up an article from the Gravity Falls Gossiper about how nothing happened at all and there was no apocalypse.

DISNEY: Screen reads “rat.gif censored for your protection”

SOOS: Leads to a page of writing from Soos himself, referencing many things (including Tad Strange being gay and madly in love with Woodpecker Guy. Love wins!!!)

DIPPER: Leads to a creepy yellow parchment with a message from Bill Cipher himself trying to trick Dipper into blinding himself by staring at the sun for 13 hours straight! Silly! (Also if you keep clicking on it, the page gets darker and blurrier until it implies we've gone blind)

MABEL: Causes stickers to appear on every available surface. Clicking it enough times leads to message “lab now fully Mabelized”.

WENDY: Leads to a note from Wendy that mentions a way to ward off evil triangles written in the bottom corner of the book.

GIDEON: Makes a web recording of Gideon scatting play. It ends with “I love you forever Mabel”. Please shut the fuck up you little creep.

TAD STRANGE: Plays a video of bread with smooth jazz in the background.

TOBY DETERMINED: Leads to a Google search for a restraining order. Holyyyyy shittttttt

WHO ARE YOU: “I could ask you the same question”

SEASON 3: “Season Two”. I guess that’s that lol

This was about all I could find. Please reblog with anything else you can discover! Thank you, fellow Gravity Falls enjoyers!

And make sure to give some love to all the wonderful folks down in the comments! Many of these answers and tips come from what they've found. I can't list everyone, unfortunately- I didn't expect this post to get popular- but, to everyone who's helped out, THANK YOU.

FURTHER EDITS:

BLIND EYE: Pulls up an optometrist’s eye exam. Each line reads “WKHBOOVHH”. Too lazy to translate atm.

PIÑATA: Bill Cipher getting beaten to death /hj

MASON: A note from Dipper listing several anagrams of Gravity Falls characters’ names. You can check in the comments for the answers.

AXOLOTL: “You ask alotl questions”. Thanks for the pun, Alex, but I’m kind of losing my mind rn

MYSTERY SHACK: Leads to a Google search for Confusion Hill, the real-life Mystery Shack!

MYSTERY: “?”

MONSTER: Leads to several YouTube videos for “There’s a Monster at the End of this Book.”

VALLIS CINERIS: Leads to an analog-horror-esque video of Baby Bill and his parents, who have been blotted out by static, and a voice repeating “WHY DID YOU DO IT” over and over again until you stop the video.

PORTAL: “Portal.exe has been deleted. I bet you could build a new one.”

GIFFANY: You need to put it in multiple times. Several warnings about breaching firewall, followed by a message from GIFFANY saying “SOOS! I still love you!” or smth like that, and then GIFFANY herself briefly appearing onscreen. Trying again after that summons her more. Also lets you download some ZIP files.

DORITO: Summons an image of a spinning Dorito, followed by the most cursed image of Bill Cipher I have ever seen.

GOD: A short video of an axolotl in a tank with a Bill Cipher statue plays. This is Alex’s axolotl, shown in the Book of Bill countdown.

REALITY: “Is an illusion”

FILBRICK: “I’m not impressed”

CARYN: “I knew you were gonna write that”

GLASS SHARD BEACH: Leads to an image of the New Jersey Hell Hole.

ANY CUSS WORD: Pulls up a paper reading “NOT S&P APPROVED. WASH YOUR MOUTH OUT WITH SOAP” with an image of soap below.

MATPAT: Leads to a video of MatPat next to a conspiracy board, holding the Book of Bill. He tells us we’re on our own.

BABBA: Plays an audio recording of Dipper singing BABBA. Not Disco Girl, a different song.

CRAZ: Leads to the Jem and the Holograms theme.

XYLER: See above.

AD ASTRA PER ASPERA: Shows us two new journal pages from Ford and Mabel, studying the Cipher statue. They’re definitely worth the read, I teared up looking at them.

ANSWER: “Question”

QUESTION: “Answer”

SEASON ONE: “Season -1: Antigravity Falls”

SEASON TWO: “Season 1” …maybe scratch what I said about Season 3. Or don’t. Things are starting to damage my brain.

CURSED (got from @slimslamflimflam decoding the candle! Thanks!): Shows two pages talking about the dangers of drawing triangles, with the bottom of the second page showing several drawings of Bill and the words “HE IS COMING, RUN”

THE UNIVERSE: “Hologram”

RIZZ: “Life privileges revoked. Now releasing poison gas.” This response is repeated if you type in SKIBIDI or FORTNITE.

BABY: Shows an ultrasound of a fetus Bill Cipher, captioned “Look at what’s growing inside you! See you in nine months, papa!”

JOURNAL 3: “The Journal for Me”

PACIFICA: Leads to a note from Pacifica calling Bill Cipher “ick” and telling us to follow her on social media under “Platinum Paz”

PLATINUM PAZ: Pulls up an image of Northwest Manor with the llama symbol overlaid and a “NW” logo beneath. There's also a short story beneath!

LOVE: Leads to an audiobook of “The Love Triangle”. Need to read later.

BLENDIN: “The time agent lost and presumed incompetent”. Uh…?

SCARY: Leads to another audiobook of a cheesy Goosebumps-esque horror novel written by Bill himself, apparently.

DIVORCE: Shows you the logo of the bar Bill went to after his fight with Ford… Billford bitter exes confirmed

ROBBIE: Leads to the cringiest messages ever. He’s such a failure I love him

CONSPIRACY: Leads to a video of a man losing his mind over the countdown counting up. I feel so seen. (I have been informed that his name is Charlie Day, he's an actor from It's Always Sunny in Philadelphia and that one meme, he had a quote on the back of the Book of Bill, thanks to everyone who explained that to me, I'm sorry, I'm uncultured)

RAT: “Thurburt’s number?”

BLANCHIN: Leads to a YouTube video on how to blanch vegetables.

TJ ECKLEBURG: “Never mention that name again.”

NOTHING: “Something”

SOMETHING: “Nothing”

BURNSIDE: “Burned inside.” Well… at least we know what happened…

WADDLES: Leads to the pig placement network!

THERAPRISM: Pulls up a sign from the theraprism regarding an emergency situation. The code reads "THE OLD ONE".

SHAPE: Pulls up an article on Plato, triangles, and Ancient Greece. This article is presumably written by Bill.

LLIB and BILL: THIS leads to the Sesame Street video every time.

WEIRD: Shows a video of a frightened Weird Al panicking about being trapped in a computer. Sorry, man...

CLONE: Pulls up an image of Paper Jam Dipper, a warning about not getting him too close to liquids, and an option to print.

TRIANGLE: ")" or "Tri harder."

THEYLLSEE: "Is seeing believing?"

DEER TEETH: "For you, kid!"

LIFE: "Life: 72% complete. Now loading: death."

DEATH: "Life's goth cousin."

PINES: "A good family tree."

OWL TROWEL: A slab of hieroglyphs, translating to an ancient ad for an owl trowel.

SCALENE: "Life form not found." EUCLID has the same outcome.

WELL WELL WELL BEING: Some assorted notes from Bill's Theraprism file. These include his greatest love and fear, his art therapy notes, and notes on his phobias. Three clicks is required to read them all.

BOO BERRY: Offers a poem on the meaning of life! Wow! I feel so enlightened!

LOVE YA BRO: Shows us a doodle from Stan of one of his and Ford's Sea Grunks adventures, and another code on the back. It translates to "Kings of New Jersey." I've been told it lets you download the code as a font.

SORRY: Reveals the repaired Backupsmore photo, with a note from Fiddleford about his and Ford's growing friendship. Fiddauthor fans, we are eating well tonight!

HORROR: Pulls up an image and report on The Always Garden, which is essentially a cheap Italian restaurant hidden in the backrooms.

HOLOGRAM: "Universe."

NAITSUAF: Pulls up a page that looks like it would be from the Book of Bill, in which Bill tries to convince us to sell us his soul. Clicking "ARE YOU READY?" pulls up a contract where we can sell our soul to Bill (with an alarming amount of coded fine print. Will need to translate later). You can print this document out, back out, or sign it right there on the web. Hitting "SIGN" causes the words "PLEASURE DOING BUSINESS WITH YOU!" to appear, and the document to close. In other words, I no longer have a soul.

IMSTILLONYOURMIND: Plays a recording of the ocean, with Stan faintly talking in the background. Poor Ford ain't quite over the divorce yet...

HOTXOLOTL: Pulls up a "MOST WANTED" doc on the henchmaniacs.

SEVENEYES: Pulls up a faded polaroid of The Oracle with text on the back that reads "LEAVE HIM. Escape to dimension *blurred out*. It's against the rules but it's the only reality where you'll be safe from him." The code at the bottom (once again decoded by the powerhouse that is @slimslamflimflam) reads "Set a course for Dimension: R34LITY." Is another Cipher Hunt in the makes? Only time will tell, hehehe.

JUST FIT IN: Plays an old commercial with a few moments of speech in the glitches at the end.

EVEN HIS LIES ARE LIES: Shows a transcript from a therapy session at the Theraprism. Bill discusses his relationship with Ford and cuts off the session when someone brings up his parents.

NOT A PHASE: Shows a Google search for "black hair dye stained an entire bathroom."

PAPER IS BOOK SKIN: Instantly downloads a page of fleshy pink paper with the word "ENJOY" written on it!

SHAVE YOUR GRANDMA: Pulls up a few more pages about the human life cycle.

LIES: Pulls up an image of "The Game of Lies" board game, with a long stretch of text from (I assume) Bill, ending with "LIE UNTIL YOU ARE NOT LYING ANYMORE." Someone has some issues...

SAY BAAAA: Pulls up a neat little rhyme about being Bill Cipher's obedient flock of sheep. The code at the end translates to "Black Sheep."

ONE EYED KING: Plays a video of a hypnotist's spiral, with Bill proclaiming "YOU WANT TO PLEDGE YOUR SOUL TO BILL CIPHER" in the background. There is also morse code that translates to "NAITSUAF", leading to a previous discovery- the soul contract.

TANTRUM: Pulls up a transcript of a spat between Bill and Time Baby.

TITANS BLOOD: "HOOT HOOT! Password please!"

CURSE WITTEBANE: Pulls up an image of a Bill Cipher ouija board.

FORDTRAMARINE: Pulls up several rejected files from Ford trying to convince us Fordtramarine exists.

SUCK IT MERLIN: Pulls up a tapestry of Bill riding a unicorn. The code at the top reads "DAY MARE VS NIGHTMARE."

HEY NERD: Plays a commercial advertising things such as a Bill Cipher calendar, the Scrubba-Bill, a severed hand, and the entire Cygnus-XIII galaxy. Half of the image can be found in the Book of Bill.

DESTRUCTION IS THE FORM OF CREATION: Pulls up a frantic page of notes from post-portal-shit Fiddleford. A sticky note at the bottom has a code that reads "Unreality."

RUBBERHOSE: Plays "The World is Small Ever After for All."

IRREGULAR: Shows us Bill's mugshot in color. The code below reads "No prison or attention span can hold him."

UNREALITY: Offers a guide by Bill on how to become immortal.

GUN: "Oh yes oh yes oh yes they both."

ABUELITA: Leads to a video on vacuuming the walls.

YES: "What's McGucket's favorite soda?"

NO: "Your loss..."

REPEATEDLY CLICKING STAN: This stuff deserves a section of its own, away from the OG Stan stuff. It takes you through several Ebay listings on various Stan-ish items until you get to a page written by Bill about Stan's secret shames. "Ex-wives" further confirms our theory on Stan and Eda's relationship, as well as revealing many other bits of lore. "Fears" is somewhat goofy to be honest. "Secret Shames" reveals that Stan is a fanfiction writer and that his mother is the only member of his family who truly loves him outside of Ford and the kids. "Unreported Crimes" is somewhat goofy as well. "Failed Products" basically confirms that Stan is that world's Alex. "Lowest Moments" is genuinely depressing, and "Darkest Thought". Well. I'm not spoiling it lol. And the bit on "How He Beat Me" causes Bill to get more and more frantic/angry the more you click it! Comedy GOLD!

DIPPY FRESH: Leads to a Reddit post of the Burger King Kids Club.

MEOW: Leads to a TikTok of a man playing the Gravity Falls theme on that cap keyboard.

HELP ME: Pulls up another video of Alex's axolotl and the tiny statue. Rip Bill ig :/

R34LITY: Pulls up several photos of the henchmaniacs in live-action, captioned "They found a new home."

JOURNAL 1: "The journal of fun."

JOURNAL 2: "The journal for you."

FBI: "Your webcam is on. We are watching."

BURNED INSIDE: Shows an image of a charred Oregon Parks badge and nametag on the ground.

HECTORING: Plays a silly little country song!

OROBOROUS: Pulls up two journal pages about Fiddleford buying Ford an axolotl to keep him company, and Bill subsequently telling Ford to get rid of him. There's also some code on the first page that reads "CHONKY BOY." Ford, you wonderful dork.

[swampjawn]

Dungeon Meshi Episode 7 was super interesting from an adaptation standpoint - this'll be a little different from what I usually write about (though I do still talk about the animation in the full video).

Studio Trigger have never done a straight-up manga adaptation before - and led by Yoshihiro Miyajima, a big fan of the manga who pushed hard for the adaptation to get made, and who has never directed a full series before, it was unclear if they'd be able to find the right balance between a simple panel-for-panel recreation and making something that's completely different.

And in the first few episodes, you could really feel the tension between the influence of a cautious young creative with great respect for the source material, and a studio with a unique established visual style. It kinda seemed like they were ping-ponging willy-nillily between the two sides of that spectrum.

But this episode showed that Miyajima (and series writer Kimiko Ueno) can take 3 chapters, slice them up and rearrange them into a cohesive-feeling episode while taking into account the differences between screen and page, and using them to their advantage.

Starting with the way the water looks. This line from the manga describes a faint magical glow to the water in this lake and you can see that the cavern fades into darkness above, but Kui's illustration style doesn't really define lighting and shadows very much compared to the cel-drawing style of animation. So the animators took the opportunity to use the water as the light source, and make a whole episode that's lit almost entirely from below. It really gives an otherworldly feeling to this area.

Particularly when the Kelpie shows up, that under-lighting works wonders to define its anatomy within the relatively simple line art.

What do you do when you can't show the immense fuck-off scale of a monster with a beautiful full-page spread like this?

Well you use what you do have: the ability to move the camera instead. This is such a great way to communicate the scale of this thing, AND such a great way to show some of Senshi's anime-original butt-cheeks!

This is one of my favorite shots from this episode - this whole sequence is super hectic, cutting quickly from character to character, but they use tricks like this to keep you from getting confused. This is framed much like it is in the manga, but with the moving image, they're able to use the trajectory of the fish head in the background to lead your eye directly from Chilchuck, right to the point where Senshi pops up in the foreground and transition seamlessly from one character to another!

Now, it's not all good - I am a bit disappointed that they removed Marcille's own Senshi-style soap-making montage, which was the perfect visual representation of the culmination of the character development and understanding built between Senshi and Marcille.

It's a shame to see it go.

I get more into that, what else was cut, and much more in this video where I broke down the entire episode!

Check it out if you feel like it. If you don't, jump in a ditch, cover yourself in leaves and jump out at people as they walk by.

Thanks for reading!

[tpwrtrmnky]

visibility

[ID: A three-panel "Pills that make you green" comic. People represented by crudely drawn stick figures.

Panel 1: A crimson person with a triangular body, a cyan person with a round body and a magenta person with a rectangular body are standing out in the street. A small creature is chasing another creature, orange, which has a tail and cat ears. In the background there is a lime green person wearing a magenta tail and ears, as well as a couple holding hands, one of them wearing a sage green shirt. There is a wanted poster with an image of a moss green person wearing a bandana.

Crimson: "yeah I'm glad we're seeing more chromatically diverse stories get the spotlight" Cyan: "it's cool I mean a lot of people don't even know about any chromatic-variant people other than green" Magenta: "yeah it's about time that green people stopped hogging the spotlight. They're so privileged."

Panel 2: Zoom in on crimson, cyan and magenta's faces Crimson: "Uh, I don't know about saying it's a privilege to be visible like that" Cyan: "I mean have you seen how vicious people are being towards green people, especially lately?" Magenta: "oh right"

Panel 3: Cut to the three standing in front of the wanted poster, showing Moss Green Person wearing a black bandana. It reads: "Wanted. If you have any information regarding the whereabouts of the terrorist known only as "moss green", contact corporate authorities immediately. They are to be considered extremely dangerous." Crimson: "Like I don't think this person's getting much from visibility right now" Cyan: "Yeah after the pride incident they've been everywhere" Crimson: "They're making up so much weird shit about them, like saying they killed someone and turned them into a couch" Cyan: "Oh yeah I heard they fought five guys on top of a jet in flight" Magenta: "What are they hoping to get out of lying to make them sound cool"

End ID.]

Start - Previous - Next

[writersdrug]

Training for Two

Chapter 5. Back to Square One

Masterlist

Summary: Simon's rapidly growing obsession with you comes to a halt.

Warnings: obsessive behavior, cursing, slight nsfw

The drive back to Simon's house was quiet and dark. Price had turned on the radio, letting classic rock play quietly in the background. He tapped the steering wheel every so often, humming to whatever lyrics he could remember.

Simon sat in the passenger seat, staring at the cars ahead, occasionally glancing at the signs that whizzed by the truck. Each sign that brought him closer to home made him ache. He thought about his bed. He thought about Riley. And, of course, he thought about you. He knew you most likely wouldn't be there - it was after midnight. But he liked to imagine that you'd be waiting there, sitting on his couch with your book and mug of tea, Riley settled next to you, ready to greet him with your smile - the smile that he'd been thinking about in every stolen moment during the mission.

"Alright there, Simon?" Price cut through the silence, dragging Simon back to earth.

He cleared his throat. "Yes sir. Jus' ready to be back."

Price scoffed. He knew Simon didn't consider his house a home. If anything, it was a safe house between missions. "I'm sure Riley will be happy to see you."

"We'll see about that." Simon said with a chuckle. "This dog-sitter might've stolen her from me."

"Nah, she's yours. Been with 'er through it all." Price said as he turned into Simon's neighborhood. "I'm sure she enjoyed the company, though."

Simon grunted. "Seems like it." He said, remembering the picture you had sent him; the way Riley had cozied up to you, the way she seemed so docile and calm in your presence. He imagined you running your fingers through her fur, the perfect ratio of scratching to gentle pets. He wondered what it would feel like on his scalp...

A shiver ran down his spine. How does one become jealous of their own damn dog? It was ridiculous.

"Speaking of the dog-sitter..." Price said, "Johnny mentioned she's a real-"

"Whatever Johnny told you, you can disregard." Simon grumbled. "I told him not to worry 'bout it."

Price chuckled, which made Simon burn with frustration. "Touchy subject, eh?"

"There's nothing to discuss." He replied bitterly. Quite frankly, he didn't like the picture Soap had managed to paint of him. His entire team thought he was whipped by someone he had barely known. Despite it being entirely true, it was the complete opposite of the image he had built of himself - and he had a reputation to keep.

"Right." Price nodded. Simon could tell he didn't believe him, but as long as he didn't try to pester him anymore about it, Simon would take it as a win.

Price pulled into the driveway, and Simon immediately unbuckled. He reached into the back and grabbed his duffel bag, then yanked his door open and got out.

"Y' know this isn't over." Price said, right before Simon could close the door. "We most likely 'ave a week 'fore we get sent out again. Just don't get too comfortable 'ere."

"Never do." Simon replied, shouldering his bag. "I'll wait for your call."

Price nodded, sending Simon off with a wave. He watched as he closed the passenger door and walked up the path to his house, before pulling out of the driveway and heading towards his own home.

Simon sighed as he fished his keys from his pocket. He heard Riley barking on the other side of the door, and a small smile formed on his face. When he pushed it open, she immediately jumped on him, whining and sniffing him all over. He knew she could smell the others on him, and probably wondered why he didn't bring her this time.

"Hey, girl..." he said, yanking his balaclava off and kneeling down to ruffle her fur. "Sorry I's gone so long. Miss me?"

She stood her front paws on his knees and licked his face, still whining and swinging her tail rapidly.

"Yeah, missed you too." He chuckled. "D'ya have fun? Did she treat you right?"

Riley dropped down to the floor as Simon stood. She turned towards his duffel bag and began sniffing, eyes focused on the fabric as she took in all the new and familiar scents.

Simon sighed. "'Bout time for a proper cuppa." He said, making his way into the kitchen. Despite it nearing one in the morning, it would be a while before he was decompressed enough to fall asleep.

He reached into the cupboard for a mug, ignoring the way his back popped. When he placed the mug down and reached for a teabag, he saw a note on the counter. With a furrowed brow, he picked it up and read it.

Hello Simon!

Hope your deployment was fun good! Riley and I had a blast! She learned how to play dead - if you want to try it, just make sure to give her a biscuit for it (she's only had one today, and she was a bit bitter that I left before giving her a second one). Also, she's had her medicine for the day. I gave her last dose around 9 pm.

Can't wait to spend more time with her, but I'm sure she's happy to see her dad! Let me know when you need me next!

Have a nice evening!

P.S. I had to use your washing machine, I hope that was alright. I got a bit muddy trying to teach her the new trick.

He stared at the note for a good amount of time. His eyes wandered over your meticulously neat handwriting. He noticed how often you liked to use exclamation points - the same way you did in your texts and emails. It made him annoyed - but not with you. He was annoyed that he found it... adorable. He shouldn't. You were too bright and happy; your personality should burn him, not warm him up.

He tried to brush it off, blaming his obervant behaviour on the recent mission. Old habits die hard, he lied to himself.

"Riley, c'mere."

Upon hearing her name, Riley meandered into the kitchen and stopped in front of Simon. She sat on her hind legs and looked at him expectantly.

He looked back at her - he felt a bit silly, commanding a retired veteran dog to do simple party tricks. But, it sounded like you put a lot of effort into teaching her this - not to mention, you had somehow dirtied your clothes over it - so he decided to entertain the idea.

"Play dead." He said firmly.

Riley immediately flopped down onto her back, sticking her paws into the air. She even let her tongue hang out of her mouth to really sell the image.

He felt an immediate rush of pride. "Atta girl..." he praised, kneeling down and patting her affectionately. Despite all the annoyance he felt a moment ago, Simon couldn't stop the smile from creeping onto his face.

She twisted and sat up, snuffling and groaning as he rubbed her fur. She barked once, sharp and demanding.

"Yeah, yeah- suppose you deserve a biscuit, huh?" He stood up and grabbed the box of peanut butter and bacon treats, fishing one out and tossing it to Riley. She caught it perfectly, crunching it with an open mouth and licking her lips afterwards.

He watched her with a smile, his arms folded over his chest. Sure, tricks were dumb, something only glorified house pets did for small rewards. But he was impressed that Riley had so effortlessly followed a new command, especially after being out of work for so long. And he was warmed by the fact that, not only did you watch her, but you engaged with her. He was confident he'd found the perfect pet-sitter.

After starting a load of laundry, Simon had taken a cold shower. He scrubbed his eyeblack off with nothing but his hands and the generic body wash from the corner store. He slathered some of his 3-in-one hair gel into his scalp, giving it no more than seven scrubs before rinsing it out. He stood there for a while, letting the water beat against his sore back as the details of the previous mission swarmed throughout his head. He picked apart what he could have done better, what had nearly gotten him killed, and what had probably saved his life.

His eyes flickered to the corner of the tub; there was a cluster of travel-sized bottles, labeled "face wash", "body butter", and so forth. He let himself imagine - who was he kidding, he had no control over his thoughts when it came to you - your body, standing under the stream of the shower. You probably liked hot showers, didn't you? You most likely stayed in there for an hour, going through your meticulous routine, lathering yourself in scented soaps and creams... you'd be appalled if you had seen the three-minute showers he takes, wouldn't you? Maybe you would pull him into your routine, once Simon did eventually get the balls to ask you out, despite how much the thought of being romantic with someone made him scoff. He'd let you wash his face, or shave his balls, or do whatever it is you would do to him.

He suddenly snapped out of his trance, realizing he was holding one of the bottles labeled "conditioner". His thumb was on the edge of the cap, ready to flip it open and take a whiff of the scent - but he quickly stopped himself. He put the bottle back with the rest, then splashed cold water over his face. Quit being a fuckin' creep... he thought.

After turning the shower off and drying himself with a towel, he went into his room and grabbed a pair of sweatpants. He made his way back into the basement, patting Riley on the back as he passed her by the door. He pulled his laundry out and placed it on top of the washing machine, and opened the dryer. Just as he was getting ready to toss his clothes in, he noticed something hiding in the back of the barrel of the machine.

He reached in and pulled it out - it was your flannel. The same green-and-grey one you'd been wearing during your interview.

He paused for a moment, posture rigid as he held the fabric in the air. He wasn't quite sure what to do with it. It was just a flannel... but it was your flannel. He fought with his muscles, resisting the urge to bring it closer and inhale the scent - he tried to reason with himself. Maybe she used my soap, and it would just smell like my detergent. Nothin' special.

He dropped it on top of the dryer, still wrinkly and warm - but, strangely, that felt too rude. It's a fucking piece of clothing, for Christ's sake... he thought. Not her dead nan. He then attempted to hang it on the rack, but that felt too formal. He groaned, rubbing his eyes with irritation. How something so insignificant was causing him so much turmoil was beyond him.

He ended up bringing it back upstairs. Riley sniffed the fabric as he passed her - she thumped her tail eagerly on the floor as she smelled your scent. Once again, Simon was jealous of the dog being able to act so carefree with you - he knew for sure that if he tried sniffing your flannel, he would be a certified creep. Or, worse yet, he might not care, and wouldn't be able to stop himself.

He tossed it over the back of the couch, planning on forgetting you had ever even worn it. He dropped himself onto the cuhions with a groan. Riley immediately took her place in her bed, just a few feet away from him. He grabbed the remote off the coffee table and turned on the telly, flicking through the channels until he found some action/drama that caught his interest. He watched it boredly, drowning himself and his thoughts in the drone of the movie.

Suddenly, Riley barked. Simon looked at her - his gaze was met with hers, mouth opening and tail thwapping against the wall.

"Hmm?"

She let out an impatient, garbled sound. She lowered her head to the edge of her bed, still looking at Simon.

He shrugged internally and looked back at the screen. He settled further into the cushions and let his eyes fall shut. He thought about maybe drifting off then and there - the din of the telly might help keep the nightmares at bay...

Riley barked again, making Simon jolt. He snapped his head towards her - she was standing at the foot of the couch, ears back and panting.

"Wha' d'you want?" He asked in an annoyed tone.

She barked again, shifting her weight from one paw to the other.

"Ya need to go out?" He asked. He stood from his seat, only for Riley to scamper back to her bed and plop down on it. She looked at him expectantly.

Simon huffed. "'M not following." He dropped down to the sofa again. Riley groaned, making a scene of dragging herself out of the bed again and walking over to Simon.

"Now, don't you go 'n start aga-"

She cut him off with a shrill yap.

He pressed his lips into a thin line. He knew it couldn't be time for her medication - you had just given her some at nine. But he was entirely stumped on what she was trying to communicate to him. Was she hungry? She wasn't usually, after she'd had dinner... did she want to play? But... she was acting like she wanted to go to bed.

"What are you on 'bout?" He asked, leaning down to ruffle her fur. She dodged his hand and backed up a bit, yowling out a frustrated sound.

He scoffed. "Fuckin' hell..." he mumbled, pulling his phone from his pocket. Only one way to fix this, he thought, as he tapped through his contacts, until he landed on yours.

He stared at the picture for a moment, familiarizing himself with the details he had spent so long ogling at: your smile, your damp hair, the curve of your cheekbones, the way you marked your spot in your book with your fingers-

Riley barked again, making Simon scowl.

"A'right- just hush." He ordered, sending her a stern glance as she shuffled back to her bed. He started the call - he felt unusually nervous, his gut twisting as he listened to each ring on the line. Maybe he really was whipped, he thought.

Eventually, the call picked up. His shoulders tensed as he heard shuffling on the other end of the line.

"... m... hello?"

Fuck. You sounded tired- no, you sounded like you were still asleep. He quickly pulled the phone away and checked the time; it was nearly two in the morning. Of course you'd been asleep.

"Uh... hey." He said, mentally cursing himself. "Shit, I, uh... didn't even consider you might be asleep."

"No..." You mumbled - were you even awake at all? "No, iz fine... yeah..."

Simon waited a moment, expecting you to say something else - but you didn't. Eventually, he heard the soft sounds of your breathing again.

"Hello?" He asked cautiously.

"Up... 'm up... what's up?"

Simon shifted in his seat, slightly ashamed that he hadn't put two and two together and ended up calling you so late. "Right- jus' a quick-"

Riley barked again, staring at Simon impatiently.

Simon covered the speaker to his phone and sent her a harsh glare. "Oi! 'M workin' on it, hush!"

Your sleepy giggle wafted through the phone and into Simon's ear. "Sweet baby..."

Simon's breath caught in his throat, and he coughed nervously. She means the dog, the fucking dog, you idiot.

"Uh, sorry- jus' got a question for ya."

"Hmm?"

"Well- she's acting a bit funny," he stared at Riley and held a cautioning hand up as she shifted her weight and whined, "she's runnin' around and yellin' at me. Keeps gettin' in 'er bed, then comin' back like- like she wants somethin'. I have no bloody idea. Just wonderin' if she was doin' this with you."

"Oh, yeah..." Simon could hear your smile through the phone, and he desperately tried to push the image of your tired face from his mind. "She wants her blanket."

Simon paused. "She- she's got her blanket."

"No- she wants you to tuck her in."

"She wha' now?"

You laughed again. "You need to tuck her in her bed. She's right under the air vent and she gets cold."

He looked back at Riley. She was now sitting down, mouth closed, as if agreeing with what you said. He scoffed, rising from the couch and shuffling towards her. She slowly thumped her tail as he approached.

"Never 'eard of a dog gettin' tucked in..." he grumbled. He grabbed the felt blanket behind her, swaddling it around her body. She groaned, slowly blinking at him in an appreciative manner.

"Ya spoiled, you hear me?" He said quietly, tucking the blanket in between her and the cushion of the bed. She sighed happily, completely unaware that he was insulting her. She licked his cheek when he bent down close enough, and he grumbled and wiped the spittle away.

You giggled in his ear - Christ, you've got to stop doing that, do you have any idea what it does to him? - as he sat back down on the sofa. "All better?" You asked.

"Seems t' be-" he replied, watching Riley as she settled into her cocoon, "ya turnin' her into a princess."

"Well, she is one." You quickly replied - Simon could hear you stretching your limbs, followed by a long exhale.

He wanted to talk to you all night. Hearing you prattle on was like a balm to his jagged mind. But he knew he couldn't. You were half asleep, after all.

"Well, tha's all I needed- oh, and you, uh..." he grabbed your flannel off the back of the sofa. "Y' left your flannel here."

"I did?"

"Yeah. The green one."

"Oh, bullocks, I knew I-"

"Who are you talking to at this hour?"

Simon felt his heart stop when he heard the other voice. It had hit him like a train, flooding his veins with adrenaline. His brain went into overdrive, thinking of the worst possible scenario. Break in? Crazy stalker? Murderous ex? "Y' aright, love?"

"Simon." You said, and he couldn't tell if you were talking to him or someone else. Were you trying to warn him? To ask for help?

"Talk to me."

"Who the bloody hell is Simon?"

"My client, ya git."

"Oh- sorry love-" Simon heard more shuffling, then a kiss, followed by a grunt from you. He let himself linger in the confusion of what was going on - but, in the back of his mind, he understood it completely.

"Got me right in my bloody eye-"

"Oh, hush."

"Left your flannel at his house."

"My green one?"

"Yeah."

"I thought you were using the grey one!"

"Well, I was, Tyler, and then I wanted the green one!"

"That's it - I'm stealin' all ya knickers tomorrow."

You laughed again - this time. The sound nearly shattered Simon. He felt like it was wrong to hear you laugh so sweetly.

"Well, uh-" he was speaking before he even realized it. "You can pick it up- or I'll drop it off- or, uh, I can drop it- I mean, I'll-"

"You can shove it in the closet until next time, if that's alright?" You said, yawning shortly after.

Simon paused. He needed to get it together. "Yea, that'll work. I'll let you go then - sorry to call so late."

"It's fine, really. But let me know when you'll need me again, ok?"

"'Course I will. I'll send you an email, as usual."

You scoffed. "I know you said we should only text for emergencies, but you can text me if it's something small, Simon."

"Right, will do. I'll text you."

"Is everything ok?"

"It's fine. You should sleep. I'll talk later."

"Ok. Goodnight, Simon."

"G'bye."

He ended the call, staring at the screen for a moment, until your contact photo faded away. He leaned his head back and sighed. His thoughts suddenly came rushing back - except this time, they were about you. How he should have expected you to have a partner. How could you not? You were so bright and bubbly, of course you'd be snatched up. He felt stupid for thinking you'd be single. Maybe this whole idea of you falling for him was stupid. Maybe this was better - he was saved from rejection, even if this situation stung painfully within his chest.

Whatever. Hopefully, your personality would finally drive him over the edge of annoyance and anger, and you'd be more of a nuisance to him. That'd be the easiest way you could let him down.

He looked at the flannel in his lap. It's not even hers. He thought. He crumpled the fabric into his hand and flung it behind him.

Riley's head snapped up at the movement, and she floundered out of her bed, chasing after the flannel.

"Riley, no- don't-" he sighed and pinched the bridge of his nose as he heard her scuffling across the floor. He kept his eyes closed as he heard her come trotting back, before she stopped at the edge of the couch.

She whined and tilted her head. Simon opened his eyes and looked at her.

"That's not even hers, ya ninny." He said. He looked away and turned up the telly, hoping that everything in his head would just disappear into the back of his mind.

Riley stepped around Simon's feet as she carried the flannel in her mouth. She then hopped onto the couch and settled next to Simon, depositing the (now damp) clothing onto his lap. He grunted as she laid her head down on his leg, whining and flattening her ears. She looked up at him with curious eyes, slowly thumping her tail on the cushion.

He exhaled through his nose. He stared at the flannel, then back at Riley. "Ya really like her, eh?"

She licked her lips and blinked, sighing through her nose.

He chuckled, patting her side and looking at the ceiling. "I know. I do too." He closed his eyes.

"We'll be alright, girl."

Next ->

Taglist: @my-queen-rhaenyra-targaryen @jisungswiftie @sweet-tooth4you @kennyis-aloser @hyyyxr @lahniu @dory-98 @naradae @cum-tea-and-towels @boystepper @definitelynotaclown @your-wifes-boyfriend @ghostslittlegf @bossva @poppingaround @katzykat @mileyraes @chocolate-noodles @jupiternighties @sadlonelybagel @rorysbrainrot @reevesdriver @kingshitonly @ghost4love @lilyofhoon

[onismdaydream]

suguru has your picture as his background. he loves you, adores you, it makes sense that he would want to see you whenever he unlocks his phone. if he isn't there with you, seeing you on a screen will just have to suffice.

he's private about it, though. keeps his phone tucked away in his pocket when he's not using it, and even then, that's a rare occurrence. you have no reason to use it either, much preferring your own and it's not like you don't trust suguru. so you simply don't know the choice of pictures he uses.

unlocking his phone reveals your arched back, cut off right at the curve of your ass. your face is pressed to the crumpled sheets, mouth agape and your eyebrows scrunched, clearly fucked out of your mind. study the picture close enough and you'd be able to see the drool that dampened the sheet, that darker spot that will only grow as the night went on.

the image is a favorite of his, as is the position. he loves how tight you get when he forces your arch deeper, squeezing his cock as he fucks you harder, more desperately. your voice muffled as you cry out his name, your moans getting drowned out from the obscene squelching of your cunt.

suguru has videos of those, too, of course. but he'll enjoy those when he's alone and can't reach you.

[patheditprovider]

Clipping Path Services Provider & Cut Out Background | Photo Editing Company

Email: info@patheditprovider.com Gmail: patheditprovider@gmail.com Website: www.patheditprovider.com

[echoekhi]

I’m Declaring War Against “What If” Videos: Project Copy-Knight

What Are “What If” Videos?

These videos follow a common recipe: A narrator, given a fandom (usually anime ones like My Hero Academia and Naruto), explores an alternative timeline where something is different. Maybe the main character has extra powers, maybe a key plot point goes differently. They then go on and make up a whole new story, detailing the conflicts and romance between characters, much like an ordinary fanfic.

Except, they are fanfics. Actual fanfics, pulled off AO3, FFN and Wattpad, given a different title, with random thumbnail and background images added to them, narrated by computer text-to-speech synthesizers.

They are very easy to make: pick a fanfic, copy all the text into a text-to-speech generator, mix the resulting audio file with some generic art from the fandom as the background, give it a snappy title like “What if Deku had the Power of Ten Rings”, photoshop an attention-grabbing thumbnail, dump it onto YouTube and get thousands of views.

In fact, the process is so straightforward and requires so little effort, it’s pretty clear some of these channels have automated pipelines to pump these out en-masse. They don’t bother with asking the fic authors for permission. Sometimes they don’t even bother with putting the fic’s link in the description or crediting the author. These content-farms then monetise these videos, so they get a cut from YouTube’s ads.

In short, an industry has emerged from the systematic copyright theft of fanfiction, for profit.

Project Copy-Knight

Since the adversaries almost certainly have automated systems set up for this, the only realistic countermeasure is with another automated system. Identifying fanfics manually by listening to the videos and searching them up with tags is just too slow and impractical.

And so, I came up with a simple automated pipeline to identify the original authors of “What If” videos.

It would go download these videos, run speech recognition on it, search the text through a database full of AO3 fics, and identify which work it came from. After manual confirmation, the original authors will be notified that their works have been subject to copyright theft, and instructions provided on how to DMCA-strike the channel out of existence.

I built a prototype over the weekend, and it works surprisingly well:

On a randomly-selected YouTube channel (in this case Infinite Paradox Fanfic), the toolchain was able to identify the origin of half of the content. The raw output, after manual verification, turned out to be extremely accurate. The time taken to identify the source of a video was about 5 minutes, most of those were spent running Whisper, and the actual full-text-search query and Levenshtein analysis was less than 5 seconds.

The other videos probably came from fanfiction websites other than AO3, like fanfiction.net or Wattpad. As I do not have access to archives of those websites, I cannot identify the other ones, but they are almost certainly not original.

Armed with this fantastic proof-of-concept, I’m officially declaring war against “What If” videos. The mission statement of Project Copy-Knight will be the elimination of “What If” videos based on the theft of AO3 content on YouTube.

I Need Your Help

I am acutely aware that I cannot accomplish this on my own. There are many moving parts in this system that simply cannot be completely automated – like the selection of YouTube channels to feed into the toolchain, the manual verification step to prevent false-positives being sent to authors, the reaching-out to authors who have comments disabled, etc, etc.

So, if you are interested in helping to defend fanworks, or just want to have a chat or ask about the technical details of the toolchain, please consider joining my Discord server. I could really use your help.

------

See full blog article and acknowledgements here: https://echoekhi.com/2023/11/25/project-copy-knight/

[frostblightsunbite]

I call this birdwatching, because he's a bird, watching.

(I probably stole that from somewhere)

Rant under cut :)

I keep forgetting that people read these things sometimes and reply to whatever I've written, so whenever that happens I'm like HOW DID THEY KNOW before I realise

I could've posted this two days ago, but I forgot, so here it is :)

I'll learn how to do backgrounds one day, I swear. And shoes. And clothes.

This feels super unfinished (probably the background), but I'm done with it. mostly because the cape started to look like flesh and I don't want to look at that anymore. Wish I could actually draw skin that well but eh. Looking at it now, the fabric of the cape looks weirdly heavy. But I did remember to give him a cape this time, so well done to me. It was very close, though.

I tried lighting!! And trying to contour stuff to shape and stuff!! I like the leg on the left.

I forgot to use a reference, mostly because I just wanted to get this pose out of my head, It's been stuck there for literally seven months and I've never been able to draw it properly without it being stable, if that makes sense.

Also fun fact, the actual image is super dark, because I have somehow made it a habit to colour with my lights off, so this image has an overlay of slightly red light over it :)

Here it is without that, and the colour background I usually draw on because white is too bright for my poor eyes