#das my magnum opus

[are-we-really-doing-this]

In case y’all mfs thought I was just talking…

(These are just some of my favorites.)

Hope y’all like ‘em!!!

And Happy Valentine’s Day 🥰

[thou-babbling-brook]

Made this at 2 am last night with nothing but a vision and an empty water bottle

[illiana-mystery]

2004/2005/2006

[gio-goose]

Maybe having braincells isn‘t that bad…

[lichtecht]

PART 20

of the dfk 2023 audiobook translation

@cnka

Narrator (audiobook): Robert puts another piece of wood on the trunk and swings the axe.

Bökh: „And you never wanted to get in touch?"

The Nichtraucher picks up a piece of wood.

Silence.

Nichtraucher: „Why should I? We didn’t see each other for the past ten years either.“

He rips the piece of wood apart with his bare hands. While holding eye contact with Justus.

Silence.

Justus lowers his head.

Jo: „Uh.. weren’t you-" Martina, quietly: „Jo, leave it. Lets go.“

Martina, louder: „We need to go! We still have something to do.“

The kids leave. Jo and Martina are holding hands as they walk away.

Bökh: „Yeah… Thank you, kids.“

Jo, whispering as they walk away: "What was that just now?!"

Robert picks up the chopped wood and walks back to his wagon. Justus looks after him.

Narrator (audiobook): If the two friends will find back together? Matze isn’t so sure of that.

Matze, sarcastically: „Well, that was a great success!“ Jo: „Yeah, so much for friendship between Internals and Externs.“

Narrator (audiobook): At least Robert granted Herr Bökh access to his wagon. He looks around lost in thought more or less, while Robert washes the dishes.

Dishes clatter. There is silence otherwise.

Justus stares wistfully at Robert while he washes the dishes.

Justus takes his eyes off Robert and starts looking around while Robert continues to ignore him.

Bökh: „I thought you were living in London.“ Nichtraucher: (silence) Bökh: „It's nice here.“ Nichtraucher: (silence)

Justus starts walking around.

Bökh: „I told the kids about our friendship.“ Nichtraucher: „As a cautionary tale?“ Bökh: (chuckles/scoffs) „No. Of course not.“

Narrator (audiobook): Bökh spots the poster of „the Bandits“, the same one hanging in his apartment.

Bökh: „The 'Wild Dog' that we always played in is still there.“

Nichtraucher: (silence)

Bökh: „Should we meet there sometime? For a beer?“

Robert looks up.

He lets out a small huff, almost like an incredulous laugh or a scoff.

He dries his hands on a towel and folds it.

Nichtraucher: (silence) Nichtraucher: „I don’t know what we would have to say to each other.“

Bökh: „Hm. Well. A lot of time has passed.“

Narrator (audiobook): Robert sits down at the table and lights himself a cigarette.

Justus turns as well and starts looking around again.

Nichtraucher: „Why didn’t you come to Marie’s funeral back then?“

Nichtraucher: „You didn’t even get in touch.“

[„You didn't even get in touch“ -> parallels to „And you never wanted to get in touch?“]

Justus is silent. He starts fiddling with his jacket and pulls it off his shoulder. He lets out a deep, shaky sigh and is silent for another few moments.

Bökh: „…I don’t know, you met her and… and suddenly you were gone.“

[Parallels to „suddenly your closest loved ones are gone“]

Bökh: „As if everything -our friendship, the band- as if that had all just been a dream.“

Justus turns around and looks at Robert.

Bökh: „Wir zwei. Wir hatten doch Pläne.“

Bökh: „That really hurt me.“ Nichtraucher: „It hurt you.“

Silence. Just the music.

Bökh: „Yes. Very much back then.“

The Nichtraucher lets out a soft incredulous laugh again, almost like a scoff.

Nichtraucher: „I see.“

Long silence. Justus stares out the window. Finally, he turns and walks to the door.

Bökh: „You know where to find me.“

Justus leaves the wagon. Robert nods to himself silently.

Narrator (audiobook): And with these words, Herr Bökh leaves his friend’s train wagon. If the two will ever see each other again?

[c3meteryboy]

insp. @thisdastampdoesnotexist

[this-doesnt-endd]

I love the museum scene from ferris bueller so much not only cause its just great but also cause like everytime i see it i see myself and think about how special that kind of moment is

[farbsturz]

i know it’s been a while since you wrote it but just wanted to let you know i’m loving your ravioli fic and just your ravio design for the fic in general! it’s one of my favourite fics and your writing is amazing !!

Thank you so much for your kind words! I had so much fun writing NMNL and posting it back then was a time I still hold very dear and close. I'm happy to hear that you've liked it enough, thank you for taking the time to read through it all!

[jayteacups]

Levi nation, may I present to you my magnum opus…

Ta-da! From now on, we should just play a fun game of bingo instead of feeding trolls. How many can we get in a month? How soon before we get a line or a full house? (I bet it won’t take very long)

(Yes, some of these are very specific and refer to past events lmao but if something resurfaces or you see something that’s close enough, it counts and you can cross it.)

Feel free to make your own version if you want! Though I’m also happy to make amends to this one if there’s an important thing that I may have missed, because it’s late at night and I’m getting tired lol

Thank you to those who made suggestions - @captainleviswifee @humanitys-strongest-bamf @leviismybby !

(Yes this is a joke but honestly if you unironically played this you’d get bingo in no time lol)

[dccomicsbracket]

Batgirl (2000)

Perhaps my single favourite piece of writing in the comic book medium. This was my introduction to Cassandra Cain, and is the perfect place to get into her. Everyone should read Batgirl #19, and bask in the way it lays out the core of Cass' character with surgical precision. Puckett's Cass is fascinating: a fine balance of absolute confidence in her ability, crushing guilt about her past, a desperation for redemption and to see others redeem themselves, and a fundamental belief in the preservation of life. 1st batgirl on going, very good overall run, do it for Cass everyone its quite literally required reading for cass, babs, and steph. the way kelley puckett is able to explore cass’s character through her relationships with the other bats and the parallels between her and bruce is actually insane. theres so many little details in the visual story telling as well that just make the experience that much better. the fluidity and expressiveness of the art also adds on to the overall experience. it is literally DCs magnum opus Life changing series.

Young Justice (1998)

It's 6-8 fifteen year olds living in a cave, and their only adult supervision is a robot wind machine one of them graffiti-ed all over within the first five minutes of meeting him. The only two with anything even RESEMBLING normal childhoods are the demigod and the son of two billionaires (literally just some guy). They have an alien motorbike and at one point they save the world from aliens by playing baseball. Everyone in it is just so stupid all the time and I love that for them (god bless 🙏) Never has a comic quite that batshit and quite that sincere graced my presence I just love it and I enjoyed reading it

Blue Beetle (2006)

Just a good introduction to a character with a satisfying conclusion. I love you, Jaime, a guy who's just trying to do his best for his loved ones and his local community. I love you Khaji Da, scrungly lil dude speaking in glyphs. I love you, Brenda, and your complicated relationship with your aunt who adores you, but is also a crime lord. I love you Paco, a genuinely good friend. I love Jaime's family and the way they all adjust to Jaime being a superhero. I love the effort made to portray Jaime as a person with community and connections. i looove jaime sososo much he's such a fun protagonist and the developement of his character + his relationship w khaji da is sooo interesting and well written. i love seeing him bond with his little alien bug parasite !! all of the side characters are also so great like brenda and paco are so fun and la dama is suuuch an interesting character. jaime's family is also so lovely they clearly care abt jaime so much and its nice to see a kid superhero with parents who respect and also deeply care abt their kid. the art is also very fun overall its just a really stellar run Quite honestly one of the best written comic runs I've ever read, DC or otherwise. It flips so many standard comic book tropes on their heads and does it well. The main character is the epitome of just some guy and he is my favorite of all time. AMAZING characters. Fresh perspectives on comics tropes that are so overused it's hard to imagine comics without them. Everyone is worthy of respect and treated with dignity, even the villains. Khaji Da's character arc is amazing. And the adults make me laugh so much. Guy and Peacemaker as mentors who IMMEDIATELY recognize this kid is FAR more emotionally mature then they are, so they're not going to bother with that side of mentoring!

[teethstoobigmouthwontclose]

A vile thing. Abomination. Creature-of-the-dark. A failed experiment by the Queen's own chief scientist: his goal, his magnum opus, to create an artificial Animus.   Oh, everyone knows of it, of the thoughts and memories it takes, the minds it defiles, if one should cross it's path. This is Thoughtstealer, a Nightwing who cannot read thoughts but can erase them >:) Read more about it here. More art on my dA :)

[pheonixdrop]

It’s basically a space/robot au thanks to me making too much lore.

The Divine Automatons were a series of large robots, a long dead engineer’s magnum opus, intended to perpetually manufacture human-sized robots to be used for hard labor in space colonies. They gave up their purpose after gaining sentience and broke their space station off from the network they were apart of, instead teaching the robots they had in their care how to build a society. Now, the station functions as a refuge for anyone in need of a home and has a bustling population of both humans and non-humans. Each of the DAs have an “enforcer” who’s basically their mouthpiece since they cannot leave their individual sectors due to their size.

The only part related to the game (Citizen Sleeper) is part of Shad’s lore. He originally controlled the sector for repair and maintenance. His sector was cut off from the mainframe and literally cut off from the station after he created ‘shades’, originally just robots infected with malware that allowed him to override their free will whenever it suited him. He began using more sinister methods of control out of spite for the others after they exiled him, seeing it as abandonment.

The bit that’s taken from the game is that Shades have a built-in dependence on a substance called Stabilizer (the robot equivalent of an immunosuppressant) and without it their bodies started to break down. This makes escaping him significantly less appealing to most shades, as Shad is the only person with the means to mass-synthesize it.

👀 I have no words, but check out this drawing I did of my boyfriend’s oc

She’s a Raccoon :3

[adridoesstuff]

Rating/roasting Death costumes from Elisabeth das musical

So, this, ladies and gentlemen, is somewhat of my small magnum opus. I'm rating the costumes based on how well I think they're constructed, how much I think the design fits Death as a character and personal preference. What entitles me to undertake this task is me being a student of costume design at uni and being a crazy fan of this show

Disclaimer: I'm only rating costumes from the European productions of Elisabeth das musical, because this post would be way too long if I were to get into all the Japanese and Korean productions costumes.

Original (Vienna, 1992-1996)

Love the iridecsence and shimmer the fabric has, love how flowy it is, altough I wish I could see more contrast between the separate fabrics. The right amount of androgyny with the jacket skirt and the super fluffy hair to set the bar really high for future productions. But, it could have been tailored a bit more in some parts and the execution could have been a teensy bit better. A believable unearthly being. 9/10

German productions (2001-2008)

Not totally on board with making the entire costume black, since it can look a tad too plain in pictures, but that shimmery velvet is so pretty. Not sure if I like all of the seams finished by bias tape, leaning more towards no, since it's giving the costume more of a pyjama appearance rather than some luxurious fantastical coat. I love the cut they gave the jacket, because long jackets with trains are awesome, but with the amount of stories of Deaths tripping on it, I don't think a train is a wise choice for this role. The idea was there, but it wasn't thought through too well. 7/10

Budapest production (1996-2005, 2007-)

I love how goddamn shimmery this Death is! Like, it's balancing the line between being too much and just enough, but I love all the glitter going on. This Death looks like some otherworldly alien and for the most part, I am digging it. I love the decoration going on on the top part of the jacket, but I'm not sure if I like how baggy the coat's silhouette is. And I think the trousers could have benefited from some decorations, because they look like they belong to some other costume. Also, some Deaths wear a waistcoat with this costume and for that piece, I feel like the waistcoats are a bit too long. 8/10

1st revival (Vienna, 2003-2005)

Kept the basic essence of the original design, but upgraded it with a cleaner execution and super sharp tailoring. It could have used some decoration, but I am not too upset about that. We lost a fair bit of the androgyny, but I like their decision to go for an empire style cut for the jacket. And the color contrasts between the black and that bright saturated ultramarine are so good. This design is simple, but hits hard and it's iconic for a good reason. 9/10

Finnish production (Turku, 2005-2006)

This feels very similar to the German tour design to me with the long coat, but with more decorations. I like the choice of the braided cording (perhaps as a nod to Elisabeth's love of Hungary by including elements similar to a hussar uniform). And I like the poofy shirt he seems to have underneath along with the fingerless gloves. But I'm not sure if gold was exactly the best color to use for the deco for Death (I think silver would have looked much better). So, poins off for that and for the trip hazard of the coat. 7.5/10

Flemish production (Antwerp, 2009)

An omen of the bland designs to come. Completely destroyed the color storytelling and made Der Tod look plain as heck. At least the tailoring seems decently good. The only saving factor other than that was the glitter on the black costume. 3/10

2nd revival (Vienna, 2012-)

No. Just... no. This is literally the most plain, most boring costume they could have given him. I get that they wanted to go for a more "masculine" look for Der Tod, but even if I was a fan of this approach, the execution is so boring. Like, the tailoring is good, but it's just bland overall as a costume (and you know you've got a bland costume at hand when the most interesting detail on it are two patches of quilted/couched pleather). It's missing everything that makes a Der Tod costume good in my book. This Tod isn't an otherworldly being, he's just... a dude in pleather. If I were Elisabeth, I would in no way be enchanted with this man and his untucked shirt. 2/10

Kecskemet production (Kecskemet, 2021-2022)

A bit unusual, I'm unsure if I like or dislike it. Like, he is very nicely dressed, which I like, the tailoring looks good, but he kinda looks like a pimp (I do like the cane, tho). With skunk hair, which I don't know if I'm a fan of. Also, I'm not really fond Death being in white through the whole show. And those white contact lenses this Death wears are kinda scary. 5/10

Czech production (Plzeň, 2019-2023)

I didn't think I'd like this costume this much, but this is like what the 2nd revival designers wanted to do with Der Tod, but were too afraid to do. In my opinion, this is how you do a Death costume out of pleather. Despite the material, the coat is flowy and has just the right amount of length to not be a hazard. All the little details you notice once you take a good look at this costume, despite it looking very simple at first glance, are so great! This is a Death, who doesn't quite understand the concept of how a human dresses and all those little details hint at that. I like the choice of making this Death styled after a crow/raven, down to that epic feather shoulderpiece. And thumbs up for them not being afraid to really go in with the makeup. 8/10

Bruxellons production (Brussels, 2022)

This Death costume is so simple, but I commend the designer for going for something new and fresh. The tailoring is crisp, I love the shade of blue they gave Death and the choice of a mesh shirt isn't something I would think I'd like, but I do like it. And I like that this Death has some accessories to complement the simplicity of the base costume. And I love the matching painted nails! It's very much something outside of the box of how we usually see Death designed and it's refreshing. 8/10

[by-kilian]

I have to preface this post by saying that I am not a Dragon Ball Z fan, but in spite of that that, even *I* know of Akira Toriyama's influence.

Akira Toriyama was an industry giant. And I don't know if he ever intended to be one, as giants often don't, but there is no denying his influence. Without Dragon Ball Z, a lot of the animations and animes we all know and love today wouldn't exist.

It is rare that art spans genres, cultures, and time, but DBZ is among the few that have. It managed to do what so few art does, which is bleed into the cultural fabric. So much so that even as a non-fan, I can recognize a Dragon Ball Z character immediately upon seeing one due to its distinctive art style. I know what it means to go "super saiyan" because my friends in school constantly referenced it. I remember them going into DBZ fight stances, drawing Goku or Vegeta in their notebooks, and excitedly debating and talking about the show over lunch. I've seen it referenced throughout Western Animations, paid homage to with such great admiration and respect that you know it was done out of sheer love.

Dragon Ball Z is part of the cultural lexicon because it was a unique creation from the unique mind of its creator. I don't think Akira put his pencil to paper when he first drew Goku with the intention of making something so iconic. I don't think he wrote this story or these characters, thinking that he'd make something that would be a part of peoples' minds for generations to come. I think he made this story out of love, and it became what it is simply because he shared his heart in his art. It is evident that Dragon Ball Z was a labor of love, and AI couldn't attempt to make something this influential even if it tried.

Art that is this culturally impactful is often referred to as a magnum opus; a masterpiece. It transcends time, outlasts the artist, and is proof of their immortality. Leonardo da Vinci has the Mona Lisa, Mary Shelley has Frankenstein, and Akira Toriyama has Dragon Ball Z.

Rest well, friend. Thank you for sharing your works with all of us.

[ziskandra]

Fanfic Author Self-Recs!

@haljathefangirlcat tagged me to rec five of my own fanfics with you all — thank you, friend! 💖 I've tried to go with a variety of different fandoms and have mostly focused on older works. I also purposely haven't recommended any of my Dragon Age works as I feel DA has been occupying a lot of my brain space lately, and I wanted to give some of the spotlight to my other fannish interests! I'm gonna tag @mxanigel, @barbex, @joiningthefandomeightyearslate, @chocochipbiscuit and @fandomn00blr to share five of their works with us (if you so desire!) Without any further ado, I present my self-recs: 1. Retrospect - Mass Effect: Andromeda - Alec Ryder/Ellen Ryder (10k, rated M)

They say your life flashes before your eyes before you die and he's about to find out just how right they are.

A series of vignettes exploring Alec Ryder's relationships with his nearest and dearest, and the faltering steps he took to bridge the gaps between them.

Every time any sort of self-recommendation meme comes up, Retrospect is always the first fic that comes to mind. To this day, I still consider it my magnum opus, as I feel it really captures my strengths as an author. Character study of a morally grey, controversial character? Check. Non-linear narrative? Check. Experimental prose? Check. Vignettes? Check. Themes of family and struggling to fit in? Check check. If anyone ever wants to make my entire fucking month, please read this fic and tell me your thoughts on it. You will have my undying gratitude! 💖

2. Grounded - Mass Effect Andromeda - Calvin Kosta/Joelle Kosta (2.2k, rated M)

Calvin remembers the first time he held Liam in his arms. Big baby, nine pounds. His son is an ugly, wrinkly thing and yet also the most beautiful sight in the world. He smooths down the infant’s hair, kisses the soft spot on his head and whispers, “You’re gonna do great things." During the Reaper War, Calvin Kosta reflects on his relationship with his son.

This fic did really well on Tumblr (one of the few times I'd ever gotten over 100 notes on a post), but didn't quite get the same level of traction on AO3, which was quite interesting to me at the time as I'd never had that happen before (or since!) Honestly, it covers a lot of similar themes as Retrospect, but this time focused on Liam's family and how they deal with the Reaper War when they're left behind on Earth. IDK, I'm just obsessed with examining the human drive to live and survive, and what we struggle for, and how both our past experiences and our hopes for the future shape our actions, whether we're willing to admit it to ourselves or not.

3. Best Served Hot - Ace Attorney - Miles Edgeworth/Franziska von Karma (2k, rated E)

Franziska's gloved fingers seized Miles's jaw, digging into the sides of his face. "We were never siblings," she said. "Papa made sure of that. But if I can't best you in any other way, then I will have this."

If Retrospect is my ultimate magnum opus, then Best Served Hot is my franmiles manifesto. It truly is all of my feelings about this complicated and messy relationship dynamic carefully distilled into a fanfic! Anyway, I'm obsessed with the fact that Franziska regularly refers to Miles as her little brother, but Miles never refers to her as his sister.

However, the way that Miles acts with Franziska is SO sibling-like, whereas Franziska's a bit... weirder. She never really had normal familial relationships modeled to her (Miles, on the other hand, at least had something of a normal upbringing before his father's death).

Franziska is also a character who, for lack of a better term, weaponises her femininity. She's so young but she's built this whole aesthetic around tight miniskirts and kitten-heeled boots and carrying and using a fucking bullwhip. So, I 'm particularly fascinated by the cross-section of Franziska's obsession with Miles Edgeworth and her insecurities (and how she over-compensates for them).

Of course, if she stopped to think about it for a minute, she should have realised that Miles Edgeworth is perhaps not the ideal target for her feminine wiles, but Franziska's not exactly known for keeping a cool head in a crisis.

Finally, this fic also explores another point in Franziska's life that I'm fascinated by, which is her reaction to Phoenix Wright's disbarment. Phoenix is the only lawyer who has ever bested her (if she can even admit that much), and I think she would be INFURIATED by the insinuation that he owes his career success to forgery. Franziska von Karma would NOT be bested by a fraud! (And also she would be furious that Klavier Gavin got the chance to do what she's always wanted to do -- that is, defeat Phoenix Wright -- but that's a topic for another fanfic.)

4. Intermission - Crazy Ex-Girlfriend - Audra Levine/Greg Serrano (2.3k, rated T.)

Recently divorced Audra Levine visits West Covina to provide moral support during her frenemy’s open mic night. Greg has always had a type.

While gregaudra (graudra?) might be something of a random ship, I was really surprised by how well they worked together (although in hindsight, it should have been obvious -- Greg really has a type, huh). I love Audra as a character, and I'm always obsessed with giving her room to grow and move on as a character and determine the shape of her own life, the way she wants, much as Rebecca (and Greg) got to do in the course of the series. (Also, its sequel, Realization, still has one of my favourite lines I think I've ever written: Audra's been busy filing away the parts of her life that don’t spark joy while retaining the parts that do, like she’s Marie Kondo-ing the weight and burden of everyone’s expectations instead of her household possessions.

I so rarely write in contemporary fandoms that it was a fun exercise to write stories where the popculture references actually help ground it in time and place.)

5. Sink or Swim - Harry Potter - Percy Weasley/Oliver Wood (12k, rated T.)

Percy has always struggled to keep his head above water.

(Or: the story of Percy Weasley, from his youth, through to his estrangement with his family, to the end of the war.)

It feels weird to be recommending HP fic in this day and age, but my complicated* feelings towards the fandom aside, I'm still really proud of how this fanfic turned out and how I was able to cram all of my Percy Weasley analysis into a coherent story. I particularly loved delving into how Percy was pushed into positions of responsibility from a young age (and then simultaneously derided for the very same qualities his parents reinforced), and how he struggled with his conflicting desires to fit in but also to succeed and be recognised for his talents and efforts. There's a couple of sentences from the fic which really encapsulate how I see Percy's relationship to his family, which I'll quote here:

In bits and pieces, Percy tells Oliver all about the estrangement to his family: how he’d always gotten along with his dad best growing up, no matter how his mother had doted on him. How when he was younger, he’d wanted nothing more than to be the next Arthur Weasley. How he’d always thought that his dad deserved more.

How it was easier to blame his father’s idiosyncrasies and personality for his family’s struggles with money, than to acknowledge it as a failure of the society he’d been raised in.

How he’d foolishly thought that if he studied enough, worked enough, succeeded enough, he could change it all.

Percy's story really is that of every working-class child who's sought to improve their life (and their family's life) through education and I just... relate to that a lot!!

[goannafr]

potentially my magnum opus 

i’ll be whacking her up for sale on my adopts dA here: https://www.deviantart.com/sunfloweradopts/gallery