I genuinely wonder how they're going to do the timeline for S3, because this is where a lot of Oseman works outside the comic kind of collide (This Winter and Solitaire both take place within the ~10 month period S3 will cover).
And the TV series, while still true to the comics, messes with the timeline and events a bit. Typically they've created more plot points (Sports Day, Imogen/Ben drama) to fill screen time, and they've moved some things around (Nelson-Spring family dinner) but since there's a lot of plot to cover in 8 episodes, I wonder what they're going to change or leave out.
And they will have to change a lot, depending on how much of Solitaire they keep in the show - no Bash means no Ben means no Solitaire making people kick the shit out of him??? Will they even include the Solitaire blog plot? Did the Imogen/Ben story line replace the Ben/Becky story line? And ofc no Olivia Coleman, which means none of the awesome Sarah Nelson moments :(
I'm just very intrigued and very excited for S3, because I know the Heartstopper team has something good cooked up for us!!
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La Mode nationale, no. 27, 10 juillet 1897, Paris. No. 19, 20, 21 — Toilettes de plage. Bibliothèque nationale de france
No. 19. — Toilette de plage en foulard tête de nègre à dessins multicolores, forme redingote. Corsage redingote, ouvert sur une chemisette de tulle brodé, avec ceinture, corselet, rubis et col drapé montant semblable puis petite ruche. Manches renflées du haut; jupe redingote ouverte de chaque côté sur un tablier semblable, ornée et cerclée dans sa hauteur par des petits volants de mousseline de soie. Chapeau de paille rond couleur tête de nègre, entouré par une draperie rose, retenue par une haut boucle de strass, avec haute aigrette de mousseline au dessus.
No. 19. — Beach ensemble in foulard with multicolored designs, frock coat shape. Frock coat bodice, open over an embroidered tulle shirt, with belt, corselet, rubies and similar high draped collar then small ruche. Puffy sleeves from the top; frock coat open on each side over a similar apron, adorned and encircled at the top by small silk muslin flounces. Round straw hat, surrounded by a pink drapery, held by a high rhinestone buckle, with a high muslin aigrette above.
Métrage: 12 mètres foulard tête de nègre.
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No. 20. — Toilette de plage en étamine bleu pervenche. Corsage plat recouvert par un fichu formant revers, brodé et entouré d'un petit volant plissé; manches plates avec double bouillonné dans le haut, chemisette de tulle brodé avec col montant semblable; jupe plate cerclée du haut en bas par des bouillonnés et des petits volants plissés alternés. Toquet en paille de riz noire orné devant par un petit motif de fleurs bleues et par une haute plume d'autruche noire en aigrette.
No. 20. — Periwinkle-blue cheesecloth beach ensemble. Flat bodice covered by a scarf forming a lapel, embroidered and surrounded by a small pleated flounce; flat sleeves with double shirred top, embroidered tulle blouse with similar high collar; flat skirt encircled from top to bottom by alternating bubbles and small pleated flounces. Black rice straw hat adorned on the front with a small pattern of blue flowers and a high black ostrich feather in aigrette.
Métrage: 7 mètres d'étamine très grande largeur.
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No. 21. — Toilette de plage en lainage uni gris nickel. Corsage plastron, boutonné sur le côté decolleté en carré sur un empiècement de soie écossaise vert et bleu; gros nœud sans gêne en tulle blanc à l'encolure; manches plates sur petit ballon rentré dans le haut; jupe plate devant, froncée derrière et sur les côtés, avec patte boutonnée sur le côté. Chapeau canotier en paille nickel, garni sur les côtés par un chou de mousseline de soie noire et derrière par une touffe de plumes d'autruche en aigrette. — Voilette blanche.
No. 21. — Beach ensemble in plain nickel gray wool. Bib bodice, buttoned on the side with a square neckline on a yoke of green and blue tartan silk; big bow sans gêne in white tulle at the neckline; flat sleeves on small balloon tucked into the top; flat skirt in front, gathered behind and on the sides, with buttoned tab on the side. Boater hat in nickel straw, trimmed on the sides by a puff of black silk muslin and behind by a tuft of ostrich feathers in aigrette. — White veil.
Métrage: 6 mètres lainage très grande largeur.
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its so weird thinking about childhood best friends you don't know anymore. like. the girl and her siblings who lived next door for year, who I used to considered my sister, who now looking back on it was probably my first crush ever, who swore we would grow up together, who was only 'visiting' her family for a month, turns out her parents lied to us, I never saw her again. the girls I went to summer to summer camp with every year and now I can barely remember there faces.
like. how are they doing?
I still can't conceptualize that these people who mattered *so* much to me are just... gone... chances are that I will never see them again, especially my best friend who's back in Pakistan, and even if I did, so much time has passed that I would most likely not recognize them even if I did see them.
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Day in Fandom History: April 30…
After a failure of a mission to beat out a gem that resulted in a local pizza chain getting damaged, Steven decides to throw a get-together over at the beach for both the Gems and the Pizza family. “Beach Party” premiered on this day, 10 Years Ago.
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La Mode nationale, no. 27, 10 juillet 1897, Paris. No. 16. — Chapeau de plage. Bibliothèque nationale de france
No. 16. — Chapeau de plage en tulle blanc brodé. Le fond forme bonnet bonne femme, avec draperie se séparant de la passe, représentée par un large volant, se retournant derrière pour former pélerine sur les épaules, sur un corsage blouse. Velours noir passé sur le dessus de la capeline, et s'avancant en dessous pour se passer sous le menton.
No. 16. — Beach hat in white embroidered tulle. The bottom forms a good woman's bonnet, with drapery separating from the pass, represented by a wide flounce, turning behind to form a pelerine on the shoulders, over a blouse bodice. Black velvet passed over the top of the capeline, and advancing below to pass under the chin.
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