a lifetime of happiness
**hnk ch 108 spoilers**
Can't believe it's already been a month since Houseki no Kuni ended... It's been a ride leading up to the finale but I finished the series with tears welling up in my eyes, and a sense of peace. 😭
The ending was hopeful and meaningful— an unexpectedly lovely conclusion for Phos! 🤧 I love the visual metaphor of Phos and the gems being reborn into "The Pure Land", or known as, The Land of the Lustrous, a purified paradise free of materialism and earthly temptations. These delicate gem flowers holding tiny, unique universes, will be eternally brightened by Phos' radiant existence. With the possibility of other universes, I hope that Phos and the others will meet again and lead more fulfilling lives together!! 🛌💭
The way my jaw dropped realizing Ichikawa ended the last chapter on number 108, the Buddhist symbol of overcoming worldly desires and embracing new beginnings to attain nirvana. SO good...😦 The parallel between big brother and Phos, both on self-destructive, morally ambiguous paths for their loved ones/ideals, was a compelling twist. I love them both... 😢 As Aechmea and Adamant hoped, big brother passed on knowing he helped Phos find happiness. 😭 Wailing...
This series has profoundly impacted me more than I imagined, shaping my perspectives on my own values and the world. Despite it coming to an end, we will always stay connected across time and space, just like Phos!!! 🥺🤍
Thank you, Haruko Ichikawa, for creating such a memorable piece of work, and to everyone who has liked my hnk art and commentaries throughout the years! I'll continue loving and drawing the series for as long as I can. 🙇
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Edward Teach: The Star.
Adapted from the traditional Ride-Waite-Smith tarot, this version of the Star shows Ed kneeling down serenely by the spring of life, bare to the world, ready to heal after tumultuous events.
Stede as the Sun to follow, Izzy as the Moon can be found here.
Longer exploration of the card's symbolism under the cut.
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The Star: Hope, openness, especially after a crisis. Renewal, healing, restoration.
Rachel Pollack writes: "This is the calm after a great change, whether it comes after a drastic planetary shift or a personal upheaval. There are still difficult times ahead, but the Star tells us to trust."
In the card Ed is depicted with a short, growing beard. Multiple personal upheavals and great changes have already happened, and he is settling into a new reality. Who is he when he is stripped from titles, uniforms and roles? In the space of the Star, he has enough trust to try and find out.
Pollack continues: "In Star, we find our inner strength and belief. The Star teaches us to accept whatever it is, to drop all our shields, to believe. The water poured out signifies healing, emotional and physical."
Ed as the Star is learning to shine his own light after witnessing Stede shine as the Sun. Trust and belief don't come easy, but as the Star he can be vulnerable enough to try again. The water flows from an infinite source, letting the emotions come and go.
Even though the Star opens up towards a bright future, Ed carries his history with him. His tattoos, pictures from other tarot cards, tell about his past:
Chest: Three of Swords, the infamous card of heartbreak. "Trust no one."
Left side thigh: the face of the Devil from the Devil card. One of the largest tattoos he has, projecting his self-image. "I'm the devil."
Right side thigh: Lobster from the Moon card, a beast that lurks under the surface, in the unconscious. "I'm the Kraken."
Right side: wolf from the Moon card. In my depiction of the Moon, Izzy stands for the wolf. Here the loyal wolf is cast to the side, left howling after the broken heart.
Belly: Ram from the throne of the Emperor, a symbol of masculine power. The placement on the lower belly suggest a trans reading of the character.
Chest, around the heart: birds from Ace of Cups, suggesting new beginnings even for a broken heart.
With his past carved to his skin, Ed is kneeling at the edge of land. One of his feet is planted firmly on the ground while the other graces the water. In Tarot, earth is often connected to the material, such as the body, and the conscious mind. Water is the element of emotions and the subconscious. At the edge of the water, Ed is in balance, grounded both in his body and in his emotions, the conscious and the subconscious. The water he pours rejuvenates them both.
TL;DR: After great personal upheavals, Ed as the Star is ready to heal and trust. He carries his past with him, but is ready to shine his own light and have faith in himself and for the future. He is vulnerable and at peace, and he is connected both to the ground and the water, nourishing them both with the water he pours.
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Sources
Image source: Pamela Colman Smith, 1909, republished as Tarot of A. E. Waite, 2016, AGM-Urania, Germany
Text source: Rachel Pollack, A Journey of 78 Steps, 2011, as cited in the booklet for instruction and guidance of Tarot of A. E. Waite, 2016, AGM-Urania, Germany
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Now that Ghibli's new movie is coming out soon, I've been thinking about anime films and wanna talk about my favorite animated movie ever, Tokyo Godfathers.
TG is a 2003 tragicomedy by Satoshi Kon, following three unhoused people––an alcoholic, a runaway girl, an a trans woman––who find a baby in a dumpster and set off across Tokyo to reunite her with her parents.
If you like the sound of that, go watch it because the rest of this post is spoilers and I have FEELINGS about this movie.
URGHH, the fact that only two moments of true kindness, generosity, and care given to the three protagonists without any expectation of reciprocity are given by a Latin-American immigrant couple and a drag show club full of trans women. The fact that, despite her loud and dramatic personality, Hana is the glue that holds the team together and the heart of the whole movie. The fact that this movie pulls no punches at showing the violence and inhumanity committed by "civilized Japanese society" against the unhoused. The fact that Miyuki craves to be loved by her parents and ends up seeing Hana as her true mother. The fact that Miyuki starts off accidentally using transphobic language against Hana, but slowly begins calling her "Miss Hana" out of respect. The fact that, according to Kon, Hana's role in the story is as a mythological trickster god and "disturb the morality and order of society, but also play a role in revitalizing culture." The fact that Hana so desperately wants to be part of a true family, yet is willing to sacrifice her found family so they can be with their own, and is rewarded for her good deeds in the end by becoming a godmother. The fact that, throughout the movie, wind and light have been used to signify the presence of god's hand/influence (this movie's about nondenominational faith––faith in yourself, faith in others, faith in a higher power. Lots of religious are referenced, such as Buddhism/Hinduism, Christianity, and Shintoism), and in the climax of the film, as Hana jumps off a building to save a baby that isn't hers, a gust of wind and a shower of light save her from death. The fact that god saves a trans woman's life because she proved herself a mother, and that shit makes me CRY.
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