#dialogue mode

[zelda-the-sacred-realm]

SORRY IF I JOIN BUT OLD MAN ALSO SMILE IN YOUR DIALOGUE MODE!!

😂 He does! I'm glad someone remembers this!

He smiles for exactly the same reason I said before, he's simply mean and smiles at the mean things he says

Thanks for reminding me of this project, I really liked working on it but I no longer have free time to do it 🥲

Thanks for your ask! 💖

[krysmcscience]

Look, Aym, I know you wanna annoy your big bro sometimes, but y'all really gotta stop putting the death god into silly mode. He is Very Dangerous, you see. ŎuŎ;

this idea wouldn't go away until i drew it so here it is lmfao

[dragonpropaganda]

you should talk about your thoughts on rw fanon (looking with huge eyes)

Oh god, there's a lot of major misconceptions have concreted into fanon, mostly around ancient society and ascension.

First things first! Ascension is not death! They are entirely separate things treated entirely separately by the text of the game. I can see where the interpretation is coming from, but it doesn't really align with how the text treats either subject. Five Pebbles may want to remove the self destruction taboo, but from his reaction to the rot it's clear that he doesn't want to die. Conflation of ascension and death only comes up as an offhand possibility that pebbs makes on iterator 4chan, when he's going into the possibilities of scenarios that even the other sliverists are doubtful of! (let me make clear that I am not a sliverist by any means)

Ascension is more of talked about as a form of transcendence, yeah? A Bell, Eighteen Amber Beads talks about their sitution as being "To have grasped at the boundless infinites of the cosmic void…", not as them seeking an end to life.

The beta dialogue goes into more detail, mentioning the "infinities of time and space" and the "boundless fractal planes of spirit and reality...", though this dialogue was cut and it's hard to tell how much it reflects the concept as in the released game.

As for the cultural misconceptions... there's A Lot to talk about, but the first that comes to mind is the common conflation of the five natural urges and the christian concept of sin.

It is true that the negation of urges is mentioned by moon as an alternative method of ascension, but much of what we know about the culture of the people who the fandom calls the ancients (which makes discussion of the depths a mess but that's something for another post entirely) points towards the urges not being seen as shameful.

Even the first urge does not seem to be particularly scorned! Being a warrior is presented as a cause for bragging in the Shaded Citadel pearl, being comparable with being an artist and a fashion legend. The second urge, also does not seem to be suppressed. Multiple sources attribute some level of honour to parenthood! The aforementioned pearl also mentions Seventeen Axes, Fifteen Spoked Wheel as being a "Mother, Father and Spouse" without any hint of shamefulness. Nineteen Spades, Endless Reflections expresses pride about having progeny, mentioning it alongside their owned land and esteem among their peers.

After some peer review, an esteemed friend has told me to add a section on purposed organisms as well! This is not so much my area, so I might be a bit off on some things.

As moon says, the majority of purposed organisms were tubes in boxes, and that the primal fauna of the world are almost entirely extinct. A lot of the fandom seems to ignore the first part, and i can't say I blame them, but the evolution of the creatures is so much weirder than people think.

Concept art for the creatures has this interesting quality to it, where the organic parts of the creatures have an almost... melty quality to them.

In the concept art, the flesh appears as if it's almost defying the machinery to form an animal shape. It's as if it's conquering its own artificiality the way the foliage grows over the (stone, brick and concrete, not mostly metal as some think!) ruins.

Of course, it's hard to really tell how much of this reflects the finalised concept, most of the integration is much smoother in the game, in line with a seamless kind of biomechanical design. There was always an intention of biomechanical strangeness, as shown in this screenshot of the devlog before the term "slugcat" even existed!

That said, the melty nature of the concept art shows a level of wild change inherent the biomechanical nature of the creatures, as if they truly are the result of these "tubes in boxes" almost revolting against their own boxes.

and considering centipedes... some tubes may not have had boxes in the first place!

[sonadowkismesis]

2005's worst get-together

[threestarsaboveclouds]

Ah, hello again little animal. I see you’ve brought me a pearl. Would you like me to read it?

…

This pearl contains a data buffer from an ID drone that belonged to one of my former citizens. I imagine you retrieved this from within my city?

It would appear that the drone transmitted this data to a nearby access point before losing power. That data was then dumped into this pearl for long-term storage. The drone was probably damaged- much of the data is corrupted, but I can retrieve some sections.

The data itself is a combination of citizen telemetry data, vitals, and audiovisual recordings stored as low-resolution qualia. Most of it is rather mundane, just glances at the ebbs and flows of daily life. I can’t imagine you’d be very interested.

…

… your expectant stare tells me you are indeed interested.

Very well. I suppose I can spare a moment to entertain you, little animal. If that is what it takes for you to leave me alone. My current background processes don’t require the use of my puppet anyway…

Now then…

…

… ah, here is a section that is largely intact. This is a recording of a conversation. I will repeat it aloud for you.

[ AUDIO TRANSCRIPTION - YELLOW-GREEN PEARL ]

…

???: State your name and title.

???: Fourteen Eclipses, Nineteen Dark Shadows. Member of the House of Two, Count of no Living Blocks, Counselor of 4, Duke of none. Member of the Congregation of Tasteful Ambiguity.

???: Excellent. The House of Spheres has been expecting you. You may enter.

Fourteen Eclipses: I am eternally grateful.

???: …

Fourteen Eclipses: May I ask your name?

???: Distant Stars, Twelve Moons. High Priest of the House of Spheres, Count of 3 Living Blocks, Counselor of 5, Duke of 1. Head of the Congregation of Gracious Thought.

Fourteen Eclipses: I am honored to make your acquaintance, Distant Stars, Twelve Moons.

Distant Stars: Likewise. Follow me.

…

Fourteen Eclipses: I presume you have read my proposal?

Distant Stars: Indeed. It appears promising.

FE: I am forever honored, Distant Stars, Twelve Moons. I am eager to begin my research under the House of Spheres.

DS: Be patient, Fourteen Eclipses, Nineteen Dark Shadows. Yours is not the only proposal with merit.

FE: Of course.

DS: Upon review, the House of Spheres endorses your proposal. You are aware of this already.

FE: Indeed, I am. Your approval letter arrived via pearl earlier this cycle.

DS: You are a novice of the Institute of Firmamentalist Studies, so I will explain our approval process. Your submitted proposal has been passed through the echelons of the House of Spheres, and the Council of High Priests recommends your methodology warmly.

FE: By this I am humbled, High Priest. I am once more unendingly grateful.

DS: The Council does not hold the final authority on the process of approvals, however.

FE: It does not?

DS: No. We are ultimately beholden to the Divine Exalted Superstructure, Three Stars Above Clouds.

FE: The iterator?

DS: Our iterator, yes. Now that you are a citizen of Zenith, they are your iterator as well.

FE: I see.

DS: Three Stars Above Clouds, in their immeasurable wisdom and ceaseless amenability, ultimately carries out all observatory proposals. The telescopes atop the Institute's Pinnacle Vertex Spires are trusted to our iterator’s gracious influence.

FE: I did not realize this.

DS: An understandable oversight. Precious few Iterators have quite as much sway over the actions of their Houses.

FE: Please forgive my ignorance; why, may I ask, is your iterator allowed such a privilege?

DS: They were created for such a purpose. The relationship we Houses have with our iterator is a symbiotic one. You hail from an older superstructure arcology, so I understand that such concepts must be a novelty. The city of Zenith was constructed with this mutualism in mind; we depend on our iterator for water, energy, and nectar, and in turn they depend on us. We place our trust in Three Stars Above Clouds to iterate on the Great Problem, but this is an endeavor we share as Firmamentalists. It is a mutual burden.

FE: Iterators are meant to release Us from the Natural Urges. Does this relationship not indulge upon the Third Urge?

DS: Perhaps it does. But Three Stars Above Clouds is our child, and we are beholden to them as their parents. Any aid we can provide our Iterator increases our likelihood of converging upon the Solution. We do this by trusting them to carry out our proposals, and in turn they return with invaluable data. But any good parent must place faith in their child, and we trust Three Stars Above Clouds to discern only the most promising research proposals through their gift of vast intellect.

FE: I believe I understand why this meeting was necessary, then.

DS: Indeed, you have caught on quick. Ah, we have arrived.

FE: Where exactly are we?

DS: Beyond this threshold is the Grand Planetarium, 10th Council Pillar of the House of Spheres.

FE: The Grand Planetarium! I have only beholden its magnificence from the building's exterior!

DS: Here you may commune directly with the Divine Exalted Superstructure, Three Stars Above Clouds.

FE: Directly?

DS: Yes.

FE: …

DS: Fourteen Eclipses?

FE: … I’ve never spoken to an iterator before.

DS: Very few have! You should be honored!

FE: … if I may speak candidly… I am nervous.

DS: There is no reason for fear. Three Stars Above Clouds is a trusted mentor and a dear friend to Zenith. They are highly motivated in their research, and they are eager to be offered a proposal that is worthy of their prodigious intellect and sharp acumen.

FE: I hope what you say is truthful…

...

DS: ...Three Stars Above Clouds also deeply values their time and has very little of it to spare. I would caution against continuing to dawdle.

FE: Yes! Of course, yes yes…

DS: Let us not prolong these niceties any longer. I wish you good luck.

FE: Thank you, High Priest.

…

The owner of this ID drone, Fourteen Eclipses, Nineteen Dark Shadows, was a scholar of Zenith’s Institute for Firmamentalist Studies. I cannot recall our conversation; I talked to countless other researchers, scholars, and entrepreneurs just like them in my time as the Director of Zenith’s Stellar Observatory Consortium. Brief interactions like this were a daily occurrence, too mundane to occupy space in my long-term memory arrays.

I do have a record of the proposal of Fourteen Eclipses, Nineteen Dark Shadows in my archives. They asked me to conduct spectral analysis of a star cluster in the constellation known as the Outlaw. The data I collected for them was ultimately used for their thesis, which they later defended before both myself and the High Council of the House of Spheres. Fourteen Eclipses, Nineteen Dark Shadows went on to publish a fairly regular output of methodologies before ultimately deciding to ascend in the cycle of 1101.42.

Such was the life of countless others in my city. Every Major Cycle, Zenith brought in a new crop of novices to educate in the ways of Firmamentalism. Some eventually had their fill of my creators’ unorthodox beliefs and departed the city, but those who remained within the Institute eventually became scholars under the direction of the House of Spheres. Some rose to the rank of clergy or high priests, and would often come to me offering research proposals or asking for advice. Eventually they would decide their thirst for knowledge was sufficiently quenched, and they would depart the Carnal Plane. Fresh novices arrived in their stead, and the cycle would begin anew. It was all very routine.

I was too busy with my duties to become bored by such matters. I will even admit that I viewed their constant interruptions as somewhat of a nuisance, but I understand the importance of their involvement with my assigned task. They were dependent upon me for data collection and complex analysis, and my insights provided them with spiritual clarity. 

These days the only disturbances I receive are from little animals like yourself. I’m not quite sure if you even glean any useful information out of my lectures. Your worldly priorities are certainly more simplistic than those of the pupils I used to tutor…

Yet despite this you never seem to be satisfied. Perhaps I misjudged the capacity of your species’ desire for knowledge.

I hope I have at least abated your curiosity for the time being. Now please leave me be, I must return to my work.

Farewell for now, little Pupil.

[robert-edwin-house]

[enden-k]

DID YOU WATCH THE GENSHIN 5.0 LIVESTREAM? LORD, THEY ACTUALLY LISTENED!!

yall.......i stopped posting gnshn stuff a while ago, i dont bother watching their stupid livestreams aaahhhhh if i could i would kidnap my faves out there and take them somewhere safe smh

anw no i did not watch it bc i dont keep up with gnshn. im out of the loop so idk what youre talking abt

[maybeitsalivescribbles]

Day 31: Bonus Day

Cape

“Your suit must include a cape,” cut the Designer dryly. “If you’re a Hero, you have to wear a cape.”

Hero squirmed uncomfortably:

“But- didn’t the Edna Mode School of Thought say-”

The end of this sentence died on their lips as Designer glared at them, waving dangerously with their scissors gliding in their hand:

“I know what they say. Do you fly?”

“N-no?”

“Then most of the risks are averted. All clothes have dangers, if you put it like that. You can trip on a scarf or on new shoes too.”

“But capes do nothing.”

“Excuse me? The propaganda has come too far!”

Designer rubbed their forehead:

“Look, if you’re cut from help and backup, trust me, you’ll be grateful for the extra fabric. You can carry things or a person with it. You can rip it apart for bandages. It can be used as a shock blanket or a way to protect anonymity. ”

“I-I didn’t think about that-”

“Exactly.”

Designer stepped forward and poked at their forehead:

“So you’re gonna walk out to the world with your shiny new suit, you’re going to heroically cover a citizen in need with your crazy useful cape, and you’re going to look damn good doing it. Understood?”

“Y-Yes, Designer.”

"Don't be ungrateful to the Cape and its wonders. Or it will end you."

*

Aaand that makes 10 snippets. Thanks for the event @augusnippets, it's been fun !

Back to the Hero x Villain Masterlist

Whump/Horror Masterlist

[placeholder-mcd]

(Obligatory "I sound like I'm speaking objectively from authority but this is just my opinion and it's okay for you to like media I dislike for whatever reasons you may have")

Okay so like. while "the minecraft move trailer is so bad that it makes minecraft story mode look good in comparison" is both true and funny, can we please not start pretending that story mode is a well-crafted piece of media. as someone who has played through it multiple times (first when it originally came out and I was 12 and thought it was awesome, then later as an interactive Netflix experience with friends for so-bad-it's-good reasons) I feel pretty qualified to say it blows

Like, yes. There are so many things that MCSM got right that the movie apparently got wrong. But, like, they're all extremely common-sense things to get right -- like having the whole thing be animated, and maintaining a visual style that feels consistent with minecraft, and spending time with individual aspects of the minecraft experience that have their own communities (like redstone contraptions). that sense seems a little less common now that the movie trailer exists, but still, these are all bare minimum expectations of a piece of narrative-driven media set in Minecraft.

MCSM still completely fails, however, to have any compelling characters (RIP Reuben you were just as annoying as everyone else) or non-grating dialogue. The universe they depict isn't even well thought out! Like, okay, example:

Right off the bat, they make a big decision about how they're going to handle MCSM: they are not telling a story about people playing Minecraft the video game, but are instead depicting a universe where Minecraft is inhabited by a civilization of NPCs that have identical abilities to a player (aside from like, pausing the game or changing settings or what have you). This, in itself, is not a bad decision, but it puts the writers in a position where they need to conceptualize what is effectively a Minecraft AU. You're not playing survival mode or creative mode, you're playing Story mode. In this AU, humans exist in the minecraft world and have for a long time (centuries, at least?), they've built cities, they have language, etc. Imagine you're Jesse. Imagine you've grown up inside of Minecraft. Everyone is playing on hardcore, there is no respawning, and you live in a world filled with strange and dangerous creatures that seem hell-bent on killing you. Why the Fuck does anyone go out at night. Why isn't literally everyone combat-trained. Why is Jesse acting like he's never seen a Creeper before. Why is Petra the only member of the main party who knows how to craft a pickaxe.

At the build competition, the party is surprised that the reigning building team has a beacon. But nobody takes a second to actually investigate what that means. Did their team intentionally spawn and defeat a Wither? Doesn't that make them more badass and legendary than the order of the stone? Is there a black market for nether stars? (I think Petra is probably the one who gave them the beacon since she also trades Ivan a Wither skull. But like. Why isn't literally anyone else just going and doing what Petra does. Why aren't they impressed)

Ivan having access to a Command Block is also insane. Like, it has potential to be an extremely cool choice -- did Ivan find a way to break the fourth wall? Did he find an exploit in Minecrafts code that allowed him to obtain this? The command block has the power to just generate resources out of thin air. Ivan could actually use it to become a god and give himself creative mode. But okay, we can assume that the command block is just... Different, in the AU. Fine. It's a computing center / power core for the Wither Storm. Sure

But, like. I, even as an 11 year old, knew everything there was to know about minecraft when I played story mode (and, unlike the Movie, MCSM was actually attempting to appeal to the existing fanbase), so watching these characters who have lived for DECADES within the Minecraft universe just. Be helpless and completely clueless as to how the universe works? It makes me hate like all of them. I don't care about Jesse or Gabriel and if I actually had the freedom to perform the basic actions I could perform in Minecraft -- mining, building, and crafting -- I could use my game knowledge to pretty swiftly end the entire conflict at like any point in the story. And I'm not very good at video games. But I would expect a character who's been LIVING IN THE MINECRAFT WORLD TO BE ABLE TO DO THAT. BECAUSE THEY'D BE BETTER AT MINECRAFT THAN ANY OF US.

The whole thing is a contrived and buggy mess that feels like it was written by a Hollywood CEO who watched someone play the game for 30 minutes, looked up some basic information like how to beat the game and whether there's any in-game lore, and then riffed on that until a script outline was finished. The programmers, visual artists, and composers clearly did a ton of work to make MCSM feel like minecraft. And they did a good job -- clearly, a much better job than the Movie is going to do. But that doesn't change the fact that the Story -- the focal element advertised in the title -- completely misses the fucking mark and centers around a group of characters who are largely incompetent and stupid in an unfunny and uninteresting way. MCSM was a shitty cashgrab by telltale games and I am not apologizing to it.

[starry-bi-sky]

Sketch dump! I havent done one of those in a while. These are all from June-July while I was on vacation.

First we have Layal! The delightful Mother of Monsters, aka the Ghost Zone’s most evil mama bear AND my take on a fem!danyal dan! I like to imagine she could pummel Dan into the ground, but that stands true for any and all of my au Dans. Bc i am INCREDIBLY biased.

She mostly lives on her island in the Ghost Zone, taking in monsters of the Infinite Realms of all kind and raising them as her own. Surprisingly enough, she does genuinely love her children. That’s about where her love ends. She stole the minotaur, his name is Asterion.

Then we have Daini-Yel! He’s from an au i’ve never actually talked about on here. He’s literally just Danny for an Epic!-inspired au. He's an unknown entity in the newly released open-adventure, odyssesy-inspired game "Nautilus", and he is not a part of the game's code :). He showed up three months after the game's initial launch, and was discovered during a live when a streamer was on their way to fight a boss much similar to Circe and the streamer accidentally took a detour and found his pathway (of which did not previously exist).

He's very friendly! And offers you, the Captain, a strange liquid with even stranger powers called "Ektolai", in order to help you fight Circe. His whole vibe and creation is literally just the song "Wouldn't You Like" from Epic. If you run into him enough times at the start of the game, you can convince him to join you on your adventure as part of the crew. He's a powerful ally and a very good friend, despite his strange awareness of the world around him...

Oh, but be warned... just like the rest of your companions, your actions have consequences and what you do affects their opinion of you. Daini is no different! Your close allies can quickly become enemies.

[5ivers]

the tension was strong in this scene

[epicfroggz]

While i agree with you that it's very likely the abyssal serpent isn't an outer god and more of an eldrich parasite, you don't see other outer gods being obsessed with consuming and destroying the demigods they cursed. Most of them feel they're just forces of nature like the rot & the frenzied flame etc.. while the Abyssal serpent show some "wickedbess" and hatred towards Messmer it will do anything to destroy him .so you think that they're similar to Radagon/Marika? I think the white blind serpent is messmer while the red one he summoned which has red eyes and multiple eyes on its body is the serpent of the abyss, so they're kinda still different entities? While i think the abyssal serpent being Messmer is confusing but i appreciate your analysis, because it's far more interesting than the serpent being a new outer god.

Hi, thanks for the ask! I will attempt to clear it up!

I do not believe the Abyssal Serpent is attempting to consume or destroy Messmer, at least not intentionally. As is the theme of the DLC, perspective must be considered—the serpent is malevolent, but to who?

(long post under cut!)

The Abyssal Serpent is not stated to be harming Messmer, as far as I can tell. The only potential harm it could be doing is eating away at his kindling, but it is his flame that is the curse: “Messmer despised his own fire. Time and time again he hoped to rid himself of it, but ever did it burn” (Messmer’s Orb). So, it can be said the serpent is eating at the kindling instinctually and/or in an attempt to help snuff it out. Messmer explicitly has tried to get rid of his flame, but has not tried to get rid of the serpent—instead, he accepts it:

“The winged snakes were Messmer's constant companions. They were there when the base serpent was sealed away behind his eye. They were there through his eternity of suffering. They will accompany him yet, in his hideous new form born when he destroyed the grace granted by his mother. They have accepted his fate as much as he.” (Messmer’s Helm)

We’ll get back to the winged serpents in a moment, but note the timeline here: it first states the base serpent was sealed, THEN Messmer went through an eternity of suffering, THEN he removed the seal and was reborn anew. It might be hideous, but it’s his, not something his mother or anyone else has done to him. Thus, the serpent’s malevolence must have been directed at outside forces. Marika does not often directly interfere with something or someone unless it could bring personal harm to her or the Erdtree—such as when she personally slew the Fell God. Yet, she plucked out her own son’s eye and put in place the seal to contain the Abyssal Serpent, despite the consequences this may have for Messmer. The serpent was that much of a threat to her, hence why I believe it is the “traitor to the Erdtree” that was foretold. It was not even the flame part that concerned her, but the serpent’s great powers of Shadow, like I explained in the last posts.

(The whole sealing ordeal has an air of “I’m doing this for your own good” which I’m certain Messmer wholeheartedly believed. Being called an accursed traitor your whole life just for existing must’ve sucked so, yeah, seal away. I’ll go blind for you, Mother; I’ll take the blame for you, Mother; I’ll do anything you ask of me, Mother—and yet, she still didn’t trust him enough to not remove it one day, and left him abandoned in the Land of Shadow. If she had just loved him as he was instead…)

On the subject of the winged serpents—I believe you are confusing them a bit there. The winged serpents are a separate entity from Messmer and the Abyssal Serpent. Messmer himself is a black serpent with red eyes all over its body, while the winged serpents are red with green eyes; Messmer is blind, the winged serpents are not. The winged serpents only appear white in phase 2 because they are shedding, though under the shed texture you can see they are still red.

They are called “wise friends” and “constant companions”, lending to the winged serpents being separate entities from Messmer, and this can also be seen in their design. They don’t grow out of him in a seamless or natural way, instead seeming as though they’re impaled through him, and Messmer and the Abyssal Serpent do not share design traits with the winged serpents like they share traits with each other. The winged serpents are the natural wardens of the Abyssal Serpent, stated to “keep the base serpent at bay and hold its power in check” (Winged Serpent Helm). This says to me they have been performing this task since before the seal, otherwise there would be no need for them. Consider also that for all its malevolence, the Abyssal Serpent did not cause any catastrophes in particular, else we would have heard about it. It was only prophesied to. Between the winged serpents and Messmer’s own compassionate self, the serpent’s lust for destruction was not acted upon (or was channeled to fulfill his mother’s wishes instead). If I may indulge Freud for a moment, Messmer was balanced—the Abyssal Serpent was the instinctual id, the winged serpents the logical superego, and Messmer the mediating ego between them. Something about the winged serpents being specifically “wise” makes me think of that, like they are Messmer’s personal advisors. His equals, and revered as the symbol of his army.

I say all this in efforts to explain that Messmer was whole, and will be whole again. That his serpentine nature was despised was a matter of public opinion, of what was writ in the Golden Order, of what he asked everyone to do—“Direct thy maledictions, thine ire, and thy grief towards me alone” (Messmer’s Set). The serpent within may be a scary and lightless and hideous monster, but he accepts that. He is what he is. When he removes the seal, the only thing that changes is that he has disappointed his mother; he is still just as lucid as he was before. He is still Messmer.

“Embrace thine oblivion, as shall I.”

- Froggo

P.S. I may have downplayed in this post how the Abyssal Serpent is inherently destructive and painful to Messmer, and like, brooding a hundred snakes inside him (more on that later), but what I’m getting at is that this is a natural thing he was born with, while the seal was an unnatural thing that was done to him. The serpent is a disorder that does not wholly define him but is still a part of him, while the seal was an improper cure that only repressed his self. Marika often hides away that which she does not want to deal with—out of sight, out of mind, as they say…

[larabar]

need to go back to this but i have barely any context. oh how i love my 11pm ideas

[lesbiangiratina]

Funny as hell. Yeah theyre doing great

[broken-clover]

It's eternally a little funny whenever I see someone say something along the lines of 'everyone in Strive is so happy now! Everyone's stories are getting resolved! It'll be hard to make a new game when everyone's retired and living peacefully and resolved their problems' and then there's a haunted semi-sentient mecha corpse in the corner constantly screaming from being trapped in limbo

[lambment]

sorry that I’m mike wazowsking Calamari, I am sincerely just trying to figure out his character