#didn't end up solving that problem

[supercantaloupe]

11:45pm and im puzzling over why the mikado of all g&s shows remained so popular through the decades and got/gets so many adaptations when most of the others are comparatively much more obscure

[spring-lxcked]

wait coming back just to add that i was thinking abt the generational element of the af.tons just being a fucked up family line and i'm. fine. i swear i'm f

[tyrantisterror]

Fuck it, I didn't want to make a post on this but it's bugging the hell out of me so let's exorcize the thought.

Lilo and Stitch is an extremely good children's movie. I've been working at a daycare for over five years now, and out of all the children's movies I've shown to an auidence of twenty or so school-age kids (i.e. between the ages of 5 and 12), the only movie that's held their attention as well as Lilo and Stitch is The Emperor's New Groove, and the only one that's held it better is An American Tail. Of those three, Lilo and Stitch has won the vote of "what movie we will watch" the most. It not only entertains kids, but emotionally captivates them from start to finish, because it very thoroughly understands how to engage children on their level. It's a smart, tightly written children's movie.

The feat of story-telling genius it pulls of lies in its ability to reach both where children's imaginations want to go and where their lived real-world experiences lie - most children's movies focus on one or the other, but Lilo and Stitch dives deep into both. On the imagination side, there's Stitch's whole plotline of being a little alien monster being chased by other weirdo aliens onto earth because they want to stop him from running amok and causing havoc (which, of course, happens anyway in fun cartoony comedy/action spectacle). On the real-world side, you have Lilo's plotline of being a troubled little girl who has an abundance of very real problems that, like an actual child, she struggles to comprehend and deal with, as well as the many adults in her life that care about her to some degree but all struggle to fully understand her. Kids want to be Stitch and run amok and cause cartoony havoc. Kids, even the least-troubled kids, relate to Lilo, because all of them have been in a similar situation as her at least once in their lives.

Balancing these two very different stories, with very different tones and scopes to their respective conflicts, is a hard writing task, but Lilo and Stitch manages to do it in a way that seems effortless with one very powerful trick. The two plots are direct mirrors to each other, complete with the characters involved in each having foils in the respective plot. To break it down:

Stitch, the wild and destructive alien gremlin who everyone has labeled as a crime against existence, is Lilo, the troubled young girl who's viewed as a "problem child" by all the adults in her life. In both plotlines, Stitch and Lilo are facing the threat of being "taken away" from the life they know because they act out, and in both plotlines, we see that this is an unfathomably cruel thing to do to them and will not actually solve the problems they have.

Dr. Jumbaa, the mad scientist who made Stitch because making monsters is what mad scientists do, and who had no intentions of ever being nurturing or parental to anything or anyone in his life, is Nani, Lilo's older sister whose parents died when she was young and now is forced to act as a parental substitute despite not being mentally or emotionally prepared for that responsibility yet. Both Dr. Jumbaa and Nani are trying to get their respective wild children in line with what society wants them to be, and both are struggling hard with it because they in turn have a lot of growing to do before they can actually accomplish that.

Pleakley, the nebbish alien bureaucrat who ends up being assigned to help Dr. Jumbaa despite being mostly uninvolved in creating the whole Stitch situation, is David, the nice but mostly ineffectual guy who's crushing on Nani and wants to help her but doesn't really have much he can provide except emotional support. Ultimately Pleakley and David prove that said emotional support is a lot more helpful than it seems on the surface, as they give Jumbaa and Nani respectively a lot of the pushes they need to become better in their parental roles.

The Grand Councilwoman, who runs the society of aliens that is trying to banish Stitch forever for his crime of existing, is Cobra Bubbles, the Child Protective Services agent who is in charge of deciding whether or not Lilo needs to be taken away from her home forever for, ostensibly, her own good. Both are well-intentioned and stern, with a desire to follow the rules of society and do what procedure says is the most humane thing to do in this situation, but both lack the understanding of Stitch/Lilo's situation to actually help until the end of the movie.

Finally, we have Captain Gantu, the enforcer of the Galactic Council who is a mean, aggressive, sadistic brute but is viewed as a "good guy" by society because he plays by its rules (well, when he knows can't get away with breaking them, anyway), who is the counterpart of Myrtle, the mean, aggressive, sadistic schoolyard bully who is viewed as a "good kid" by other adults because she plays by the rules they established (well, when she knows she can't get away with breaking them, anyway). Both Gantu and Myrtle are, in truth, much nastier in temperament than Stitch and Lilo, but are better at hiding it in front of others and so get away with it, and often make Stitch and Lilo look worse in the eyes of others by provoking them to violence and then playing the victim about it - in fact, both even have the same line, "Does this look infected to you?", which they say after goading their respective wild-child victims into biting them.

The symmetry of these two plotlines allows them to actually feed into each other and build each other up instead of fighting each other for screentime. The fantastical nature of Stitch's plot adds whimsy to the far more realistic problems that Lilo faces so they don't get too heavy for the children in the audience, while the very real struggles of Lilo in her plotline bleed over into Stitch's plot and make both very emotionally poignant. When both plotlines hit their shared climax, they reach children on a emotional level few other movies can match - the terror of Lilo being taken away from her family, and the emotional complexity of that problem (Cobra Bubbles pointing to Lilo's ruined house and shouting at Nani, "IS THIS WHAT LILO NEEDS?" is so starkly real and heart-breaking), is matched and echoed in the visual splendor and mania of the spectacular no-way-this-is-going-to-work chase scene where Stitch, Nani, Jumbaa, and Pleakley all team up to rescue Lilo from Gantu.

The arcs of the characters all more or less line up. Nani confronts her own failures to be a guardian and parent to Lilo and resolves to do better and learn from her mistakes. Jumbaa, who through most of the movie protests to be evil and uncaring, nonetheless comes to not only care for Pleakley, but more importantly for Stitch too, and ends up assuming the role he never wanted but nonetheless forced himself into from the start: he is Stitch's family. Hell, the moment that reveals this is really clever - Stitch goes out into the wilderness to try and re-enact a scene from a storybook of The Ugly Duckling, hoping, in a very childish way, that his family will show up and love him. Jumbaa arrives and, coldly but not particularly cruelly, tells Stitch that he has no family - that Stitch wasn't born, but created in a lab by Jumbaa himself. But in that moment Jumbaa is proving himself wrong - because Stitch's creator, his parent, DID show up, and did exactly what happens in the story by telling Stitch the truth of what he is. It can't be a surprise, then, that later in the movie Jumbaa ends up deciding to side with Stitch, to help him save Lilo, and to stay on Earth with his child.

David and Pleakley go from being pushed away by Nani and Jumbaa respectively to essentially becoming their partners in the family. The Grand Councilwoman and Cobra Bubbles finally see how cruel their initial solution of isolating Stitch and Lilo from their family would be, and bend the rules they are supposed to enforce to protect and support this weird found family instead of breaking it apart. Gantu and Myrtle are recognized for the assholes they are and face comeuppance in the form of comedic slapstick pratfalls. And most importantly, Stitch and Lilo both get the emotional support and understanding they need to thrive and live happy lives as children should be allowed to do. It's like poetry, it rhymes.

It's a very precise, smartly written movie. It's a delicate balancing act of tone and emotions, with a very strong theme about the need for family and understanding that hits children in their hearts and imaginations. It's extremely well structured.

...

So it'd be kind of colossally fucking stupid to remake it and start fucking around with the core structure of it, chopping out pieces and completely altering others, with no real purpose beyond "Well, the executives thought it might be better if we did this."

[sutton-ho]

As @eightfourone pointed out, goalies are not allowed to be captain under NHL rules (part of rule 6.1 says "No playing Coach or playing Manager or goalkeeper shall be permitted to act as Captain or Alternate Captain."). This is because the official role of captain has nothing to do with leadership, it just designates the player that speaks for their team to the officials. You'll see them at centre ice between games getting the refs to clarify why they made a call, or relaying messages to their bench from the refs (Often when a specific kind of penalty that is coming up too much in the game the refs will ask the benches to pay more attention and cut it out). As such, picking the person who has to slowly lumber to centre ice in all that goalie gear slows the game considerably.

The role has taken on all sorts of other baggage related to team leadership and has become a go-to for teams who can't figure out how to actually fix their problems. Just fire the coach and replace the captain and hey! You did things! It can't be the front office's fault anymore.

These charts do a GREAT job of showing the statistical bias towards the captain being the most skilled player instead. Fan bases and media invent all kinds of narratives about how it would be a snub otherwise.

To bring this back to goalies, this all led to a truly surreal situation back in the day where Roberto Lunogo (who else) was the captain without being the captain in any way:

On September 30, 2008, prior to the start of the 2008–09 season, Vancouver Canucks general manager Mike Gillis and head coach Alain Vigneault named Luongo the 12th captain in team history, replacing the departed Markus Näslund.[5] The decision was unconventional, as league rules forbid goaltenders from being captains.[79] As such, Luongo became only the seventh goaltender in NHL history to be named a captain, and the first since Bill Durnan captained the Montreal Canadiens in 1947–48 (after which the league implemented the rule).[5] In order to account for the league rule, Luongo did not perform any of the on-ice duties reserved for captains and did not wear the captain's "C" on his jersey. Instead he incorporated it into the artwork on the front of one of his masks which he occasionally wore for the early months of the 2008–09 season.[80] Canucks defenceman Willie Mitchell was designated to handle communications with on-ice officials, while defenceman Mattias Öhlund was responsible for ceremonial faceoffs and other such formalities associated with captaincy.[5] Centre Ryan Kesler was chosen along with Mitchell and Öhlund as the third alternate captain.[5]

↳ THE CAPTAINS OF THE NHL: BY THE NUMBERS

[arolesbianism]

Every now and then I remember that oni in fact will eventually have more lore added and I get so excited and scared for a moment and then I remember that it could take months until we see any of that and I proceed to forget abt it again and the cycle repeats

[star-ocean-peahen]

After watching Cinderella (the original animated movie, which was my favorite as a child), it strikes me how it solves many common problems people have with this fairy tale. Like:

Why did they try to identify the mystery girl using her shoe size? Because the bullheaded king's only clue to her identity was the shoe the Grand Duke picked up off the steps.

Why didn't the prince recognize her by her face? Because his father wouldn't involve him in the process at all, and wasn't the one going around trying to find her.

Why did the prince want to marry a lady he only met that night? Because his father was going to force him to marry someone, and he genuinely liked this woman.

Why did Cinderella want to marry a man she only met that night? Because marriage was her best and most secure way to freedom. Fucked up, but you can't say it's unrealistic for the setting of a fairy tale. She also genuinely liked him.

If they're using the slipper to find her, wouldn't it be more sensible to search for the person with the other slipper? Yes. The King is purposefully nonsensical and the Duke is purposefully terrified enough of him to carry out his orders to the letter. Furthermore, they end up doing that in the end anyway, because the Duke's glass slipper is shattered, and Cinderella brings out the one she has to prove her identity.

Why didn't the stepmother and stepsisters recognize Cinderella at the ball? Because they were dancing too far away, and then left the party to dance in private, which was possible because the King wanted very badly for his son to hit it off with someone and tried to arrange the best conditions for that to happen.

Why didn't Cinderella save herself? Because in real life, abuse victims should not have to shoulder that responsibility, and usually can't. In real life, you need and deserve an external support system. Asking for help, in this kind of situation, is very important. She is saved by others because she is loved. Because she is not alone. Because she has friends who love her, and want her to be happy and safe and free. Because in real life, people who want to help someone who is suffering are like the mice. We can't pull out miracle solutions, but we can provide companionship and if we're in the right place at the right time, we can help the person find a better life.

Why didn't the fairy godmother save Cinderella from her abusive household, or try to help her sooner? Because she's magic, and magic can't solve your problems. Quote: "Like all dreams, well, I'm afraid it can't last forever." This (and Cinderella's dream of going to the ball) is a metaphor for pleasurable things in bad circumstances. An ice cream won't get rid of your depression, but it will provide you with momentary happiness to bolster you, as well as the reminder that happiness in general is still possible for you. Cinderella doesn't want to go to the ball so she can get away from her stepmother and stepsisters, or so she can meet someone to marry and leave with. She wants to go to the ball to remind herself that she can still have things she wants. That her desires matter. This is important because the movie does a very good job of illustrating Lady Tremaine's subtle abuse tactics, all of which invisibly press the message that Cinderella doesn't matter. While going to the ball and fulfilling her dreams may not be a victory in the material sense, it is still a victory against Lady Tremaine's efforts.

Why is Cinderella's choice to be kind and obedient framed as a good thing, when you are not obligated to be kind to your abuser? This one walks a very fine line, but I think the movie still makes it make sense. Lady Tremaine never acknowledges her cruelty. She always frames her punishments of Cinderella as Cinderella's fault. Cinderella is interrupting, Cinderella is shirking her duties, Cinderella is playing vicious practical jokes. Cinderella is still a member of the family, of course she can go to the ball, provided she meet these impossible conditions. Lady Tremaine's tactics are designed to make Cinderella feel like she must always be in the wrong and her stepmother must always be in the right. If Cinderella calls her stepmother out on her cruelty, or attempts to fight back, Lady Tremaine can frame that as Cinderella being ungrateful, cruel, broken, evil, etc. If Cinderella responds to her stepmother's cruelty defiantly (in the way she's justified to), she's not taking control out of Lady Tremaine's hands. Disobedience can be spun back into her stepmother's control. She wants Cinderella to be angry and sad and show how much she's hurting. So since Cinderella is adapting to her situation, she chooses to be kind. Not only because she naturally wants to be and it's part of her personality, but because it is a form of defiance in its own way, and it allows her to keep a reminder of her agency and value. Her choice to be kind is her chance to keep her own narrative alive: she is not obeying because her stepmother wants her to and she has to do what her stepmother does, but because she wants to. It's a small distinction, but one that makes all the difference in terms of keeping her hope and identity. (Fuck, I wrote a whole paragraph about how this doesn't mean you can't be angry at people who hurt you or that you need to be kind to deserve help, and then deleted it by accident. Uh. Try again.) Expressing anger and pain is an important part of regaining autonomy and healing. Although it is commendable to be kind while you are suffering, it is NOT required for you to get help or be worthy of help. If Cinderella's recovery was explored beyond "happily ever after" she would need to let herself be angry and sad to heal. Cinderella is not only kind because it comes naturally to her, but because it's her defense against the abuse she's suffering. Everyone's story and experiences are different, and one does not invalidate the other.

Bonus round for answers that aren't part of the movie:

Why didn't Cinderella run away? Where would she go? Genuinely, in hundreds-of-years-ago France, where would she go if she snuck out of the window with a change of clothes? With her step-family, she's miserable and abused, but she's fed, clothed, and in no danger of dying or being taken advantage of by anyone other than her stepmother and stepsisters. Even if she escapes and manages to find financial security, her stepmother might be able to find her and get her back.

Why didn't Cinderella burn the house down with them inside it/slit their throats in the night/poison their food/etc.? Because that's a revenge fantasy, and this story is a fantasy about being saved. There's nothing wrong with making Cinderella into a revenge fantasy. That's perfectly fine, as long as you acknowledge that the other type of fantasy is also a valid interpretation. (I mean, the original fairy tale features the stepsisters getting their feet mutilated and all three of them getting their eyes pecked out, so go for it.)

Why isn't Cinderella more proactive in general? Because she's a child who has been abused for the back half of her life, who has had to be focused on survival because. you know. she's an abused kid.

How did she dance in glass slippers? Gotta agree with you there man, that's weird.

[cherrygirlfriend]

💋 pervert reader 🫀

pinterest instagram.com/pervert her closet

more moodboards

♡ the reader met rafe when he started tutoring her in math, and she was immediately intrigued by the shy, awkward little thing.

♡ the more they got to know each other, the more she wanted him, meanwhile rafe just wanted to court her and show romantic gestures towards her.

♡ she kept accidentally sending him nasty messages and dirty pictures of herself, but rafe was clueless and actually thought it was a mistake.

♡ he ended up asking her out to a dance that was mandatory for their entire college, and even though reader tried to make a move... he didn't get it. he just kept her at a distance.

♡ but at one point, she finally poked at his chest and asked; "are you gonna kiss me or do i need to do it?"

♡ she didn't even give him a choice, kissing him before the boy could even get a thought in. but he kept grinning for the rest of the night, and eventually he walked reader to her dorm.

♡ when the two finally reached her dorm, she pressed a kiss to his cheek, and slipped something into his pocket.

♡ and only once rafe got to his dorm did he realize it was a polaroid of the reader in her lingerie, her number and the back saying 'be my boyfriend.'

♡ he texted 'YES' within five minutes

my nerdy boy (smut) all about nerd!rafe and his secretly pervy gf

heart-shaped cut-out (smut) reader shows rafe her new lingerie

valentine’s presents (smutty fluff)

reader gets rafe a naughty present for valentine’s day

butterflies (fluff)

that time rafe confessed his feelings for reader

honey, on your knees (smut)

rafe gets desperate to please reader

bath (smut)

reader asks rafe to join her in the bath

first time (smut)

rafe texts reader to come over while he’s drunk, and the next day something special happens.

silent treatment (angst, fluff)

rafe reveals why he didn't tell the reader he loves her.

unzip me (smut, fluff)

rafe has difficulty undressing you

parking lot (smut)

you kiss rafe and cause him to have… a problem. that you need to solve.

gamer boy (smut)

rafe is gaming and isn’t giving you attention so you decide to take it.

sleepy girl (fluff)

rafe’s girlfriend is sleepy.

sharing hoodies (fluff)

rafe comes to get you from a party.

a dva is a dva (fluff & smut)

you surprise your boyfriend when he comes home by cosplaying his video game crush.

your day (fluff and smut)

rafe surprises reader for her birthday.

family dinner (fluff and angst)

rafe meets your parents for the first time.

blurbs:

pervert and rafe in bed together three times when perv!reader got nerd!rafe hard at inappropriate times how to tease your nerd choke me sending pictures to your nerd while he’s in class nerd!rafe finds out why she avoids him

[dcxdpdabbles]

DCxDP Fanfic Idea: Not My Business

Danny Fenton develops a unique set of skills throughout his life. He knew how to disarm a bomb when he was seven, thanks to his Dad making minebombs in the front yard as a ghost defense. (They only covered humans in ecto-goo, but it was the same concept of not wanting to have it explode on him)

He knew how to fight with a bo-staff only because he had to fight off the meals his parents brought back to life with a broom. He knew how to balance a checkbook, file tax forms, and properly build credit by the time he was ten, thanks to the years his parents ran a business at the kitchen table.

His sister taught him how to charm rude customers with a smile, how to lie without flinching, and how to complete all his assignments on time, despite having only a few hours to do so. She spent a lot of time volunteering, often dragging him along, which allowed Danny to build up his resume with both soft and hard skills he likely would never have thought there was a name for.

Problem-solving, teamwork, communication, time management, adaptability, data analysis, cybersecurity, data entry, and copywriting were the skills that Jazz focused on the most. She all but beat them into his head.

Along with cooking, sewing, basic plumbing, basic mechanics, and budgeting. Jazz was the one who looked for practical abilities.

That left time for his mom and dad to teach him things like forging, combat training, reprogramming everyday objects into weaponry, defending his position before a board for grant money, turning everyday household liquids into knock-out gas, and how to talk his way out of traffic tickets.

Not to mention everything he learn as Phantom.

Danny knew how to verify jewels and gold due to the years spent in the ghost zone fighting off pirates and treasure hunters. Phantom's reputation made him a target for many ghosts who wanted to add his rarity to their collections.

How to command a room, then a town, and finally an army. Diplomatic missions increased in number as he began meeting with the leaders of various sectors within the Ghost Zones.

Really, Danny didn't make a whole lot of sense, if anyone bothered to ask him how he came to this set of skills. The thing was, unlike the rest of his family, Danny was far too reserved to show them off. He edged the line of shyness from a young age, which sometimes bled into reclusive tendencies.

He didn't get anxious from social interactions; he just didn't feel like seeking them out. Sam and Tucker felt a similar way, as they were always willing to talk to a stranger, but they tried to branch out of their safe little bubble to make friends rather than acquaintances. Then the summer between sophomore and junior year happened.

Sam, Danny, and Tucker left tenth grade as plain losers only to arrive in junior with a splash.

The trio noticed that people were staring at them more intensely than they had been before. That they were used to, what they weren't used to was that the stares were not mocking or dismissive.

It was odd, but it didn't click on why that was until winter break, and more specifically, Star's Holiday party.

Ever since the fourth grade, Star hosted the biggest party of their generation. Her parents owned the local fun center, which featured indoor kart racing, laser tag, arcade games, paintball, and virtual reality pods. Everyone tripped over themselves to be given an invitation as she offered a full day and night of free entertainment at the center.

It always ended with wild stories of teenage fun that Danny always wanted to see in person, rather than hearing about in the hallways the next day. Not that everyone in their grade went. The invitation list was super selective (Star's parents did lose a lot of profit for letting their daughter do that)

You either received an invitation from the party girl herself, or you were asked to be a plus one, which was just as much of an honor as it was a symbol of social status among the teenage population of Amity Park.

The trio was never invited, which is why they were already making their way to the student parking lot when Star stood in the courtyard, holding up the scarred envelopes. Inside them was the bracelet that one had to scan at the door of her center to let people in. It was how her father ensured only the agreed-upon guests stayed at that number.

In the middle of making plans for hot chocolate at Sam's favorite poetry slam cafe, Star had run at Tucker's car, practically falling over to knock on his window. Danny had never been so confused in his life as his friend rolled down his window to arch a brow at the girl.

She stuttered her way through a pathetic request for fashion advice that Tucker easily answered in two sentences. Sam snickered as Star seemed unsure what to do with Tucker's lack of interest in her or her popularity.

Ever since Tucker started focusing more on his self-confidence and joined the fashion community, he hadn't been so girl-crazy nor as desperate to get one's attention.

Just as Danny reminded Tucker that other cars were waiting for them to clear the road, Star had pushed three envelopes into the driver's hand and run off with a red face.

Tucker stared at the envelopes in his hands with a wild look that both Sam and Danny shared. They slowly kicked their brains back into gear when an angry honk from the car behind them sounded, and they ended up silently driving the cafe, still in a daze.

Jazz laughed herself silly when they rang her up to ask if she thought it was a trick (Sam was sure they were going to be Carrie-ed), a mistake (Danny insisted Star had gone to the wrong car, but due to the tinting, didn't realize until it was too late). Or a genuine invitation (Tcuker had always been the most optimistic of the three).

"Haven't you three ever wondered why Spectra used emotion-based ectoplasm for her appearance?" She giggled, "It makes people hot. And you guys literally spend all summer in the Ghost Zone during your internships, feeling human emotions while being exposed to natural ectoplasm. You three came back looking good."

That was a shock.

The summer apprenticeships had been a compromise between Sam and her parents. They were growing tired of her not growing out of her "phase" and were threatening to send her to a military camp to straighten her out.

Thankfully, Jazz had stepped in, brilliantly changing their minds into allowing the college student to match Sam up with a well-known friend as a mentor. She even threw Danny and Tucker into her "program" to further show that it was just what Sam needed to stop her from being a troubled teen.

Since only Maddie and Jack knew about Phantom, it took some effort among all of them to create fake websites and legitimate-looking summer programs before Sam, Tucker, and Danny arrived in the Ghost Zone in different vehicles to spend their summers. It helped that Ghostwriter owed them a favor, and he brought the programs to life.

Danny was learning medical practices of various species with Frostbite. Sam was with Princess Dorathea, learning how to govern and manage a large estate. Tucker had taken Wulf up on his offer to join him through the Ghost Zone's wildness, allowing Tucker to experience life off-screen and learn more about animals.

Jazz had said she placed them out of their comfort zones, but with trusted ghosts that could help them build well-rounded characters. At first, it wasn't for them, but the trio found themselves falling in love with their activities.

By the time they came back, they had many stories and exceptional skills to share with their parents. Sam's parents weren't happy she was still a goth, but they did appreciate her newfound determination to connect with them and her interest in running companies like the family business.

Tucker's parents were amazed by the muscles he gained and how he started to limit his screen time. He still loves his tech, but now he was branching out into fashion, helping out around the house, and appreciating animals and nature like never before.

Maddie and Jack watched as Danny grew more empathic while becoming more sure of what to do in stressful situations. Confidence that their son desperately needed had been gifted to him over the summer. He no longer lowered his eyes or slouched, even if his awkwardness lingered a bit.

That apparently made them hot? Yes, it did.

At Star's party, even though the three kept to themselves, laughing and hanging out as normal, people were constantly attempting to talk to them or simply flushing whenever they made eye contact. Danny, Sam, and Tucker all agreed that they no longer wanted to be popular.

They stay firmly behind unbreakable walls even as the party skyrocketed them to the same level of popularity as the A-listers (they refused to join the club). The three were more excited to return to their summer internships the following summer.

By the time graduation rolled around, Danny, Sam, and Tucker had been voted the most attractive and the most likely to succeed. They were a new type of untouchable royalty walking the halls of Casper High.

It came as no surprise that their resumes and internships got them offers from various colleges, not to mention their looks. Jazz, by that point, was still working on her degree at Gotham U, so the three chose to go there.

Danny was studying to become a doctor, Sam was in business, and Tucker chose computer sciences. They had moved into a house that Sam's parents bought for them, allowing Jazz to move out of the dorms into the spare room. Things were going great for a while, living in the big city and being adults on their own for the first time.

Then Danny applied for an internship at Martha Wayne Memorial Hospital in the administrative area- Sam convinced him it would be a good way to get a foot in the door when he applied to medical school. He needed someone to write him rec letters.- And one night, when he was working late on data entry, he happened to see Batman's maskless fall out of a portal produced by a trenchcoat man.

The trenchcoat man carried Batman to the abandoned operating room that had been left behind when they remodeled the place and converted it into offices, followed by the rest of the Bats. Their faces were covered entirely, but it did not hide their worry as they rushed to catch up with the pair.

A woman wearing scrubs pushed through the portal and the group of masked heroes, barking out orders to prepare the room.

There was a magic spell wrapped around the group that typically would have made them invisible, and erase their importance in the mind of whoever looked at them, as if they were from a forgotten dream. Still, Danny's ecto contamination made him immune to the spell, so he witnessed the whole thing.

Huh. Bruce Wayne was Batman. Neat.

Danny figured it wasn't his business and turned back to his two monitors to finish the Excel spreadsheet he was working on. He later left after saving his work, ignoring the fact that he now knew why the operating room had been left untouched, despite having all that technology on standby.

He would get home, mention it over a plate of reheated pizza, while Tucker would be working on an essay due at midnight. His best friend would shrug, claiming his own ectoplasim had made him immune to Poison Ivy's plants- they were shockingly similar to some of the plants Wulf and he encountered in the Ghost Zone- and had seen Red Robin's face after the man had been sprayed in the face and some of the powder lingered on his mask.

Apparently, Tucker's midnight essay writing had given him a familiar, dazed college look of exhaustion. Still, since he wasn't freaking out at the man eating plants, Red Robin had thought him too gone on whatever Posion Ivy how dosed the crowd of hostages with, to worry about his bare face. He had merely moved Tucker somewhere safe, stabbed him in the thigh with a needle, which had been rude according to Tucker, and run off to fight Ivy.

Red Robin was Tim Drake. Neat.

The two changed the subject to a TV show, but eventually Tucker had to focus on his essay, and they fell silent.

The following morning, Sam reported that she, too, had figured out a Gotham Hero's identity by accident. Her ectoplasim contamination had made her an attractive goth, who was approached by a blushing Damian Wayne to ask her to model her alternative style for his art club.

At the offer of a bit of pocket change, Sam had agreed to follow the art club president to a park where a group of teenagers were setting up canvases and easels. They asked her to sit on the park fountain for a few hours while they tried to capture her likeness in charcoal.

During the session, she noticed a change in Damian's movement as he grew more relaxed and his old habits began to shine through. Princess Dorathea had taught her the dangers of the court and how to notice little changes in body language that could keep her safe.

She thought it was odd that Damian moved like an assassin, reaching for a small knife in the same way he wielded his charcoal. It made sense later when she was rescued by Robin on her walk home from a would-be mugging and noticed the same little habits.

Robin was Damian Wayne. Neat.

If three of the many Bats were Waynes or connected to the famous family, it only logically makes sense that the rest were all Waynes too. Double neat.

The only one who was sincerely shocked by this reveal was Jazz, who had not even a hint of suspicion that Bruce Wayne was Batman.

"This is huge!" Jazz gasps, "Don't you guys realize how crazy this is!?"

"I mean, sure," Tucker slowly responded, sharing a confused glance with Sam and Danny. "But it's not really our business, is it? It's not like Danny is in the hero scene anymore."

"Well, yes but come on it's Batman!"

"I don't think Batman even cares about us, much less his Bruce persona. As someone from the bottom of the first class, trust me, the top of the first class doesn't even notice us taking up space. " Sam laughs, shaking her head. Danny hesitates to mention that Bruce Wayne has stopped by his office multiple times to bring coffee for all his coworkers, but figures the man must do that for all his employees.

Miles and miles away in Wayne Manor, Bruce narrows his eyes at the three screens displaying three newly graduated teens covered in paranormal residue. It's possible that they were all haunted and just didn't know it, which was a common thing, according to the Justice League Dark.

After some digging into their background, he found that companies, summer camps, and internships had all been fabricated by an incredible hacker who provided an oddly convincing cover-up for the various skills the trio possessed. Again, the Justice League Dark also stated that it was common, as that was a tactic the Otherworlders frequently used on humans to leech onto them.

Like a gas station in the middle of nowhere that was there and then it wasn't a few days later.

The three weren't experiencing any negative emotions, which meant whatever was haunting them would soon pass, and it wasn't necessary to intervene. Zatanna promised Bruce that everything was fine.

He had some doubts.

So far, the three have been doing everyday things that first-year college students typically do, and yet, Bruce's children have reported seeing the three often in their civilian lives.

Foley worked out at the same gym Dick did and was often at the ramen shop Jason just helped one of his friends open. Manson began spending time at Cass's favorite café and attended Duke's poetry nights as an observer. Fenton, the male one, was literally working a few floors below Tim.

A coincidence?

Or was it something nefarious at play?

Bruce decided to wait and see what happens.

[tobiasdrake]

Where do you fall on the "killing vs. not killing bad guys" argument? I know the debate is complicated and there's a lot of various factors for and against either side, so I wanna hear your take on things.

An intensely complicated subject that tends to get oversimplified on both sides of the equation. I generally don't like to take a "side" on this because I feel like the idea of there being "sides" on killing misses the point.

Unless you're talking about cold-blooded execution of a subdued foe, killing generally isn't a choice you get to make. It's a consequence of the choice you already made to use violence.

While arguments about killing villains exist beyond superhero comics, this is a particular way that they tend to happen in superhero media. Superhero stories depict their heroes as, effectively, SWAT teams. The Green Goblin is about to blow up Newark, so Spider-Man breaks in and smashes his face against a brick wall until he passes out.

Part of the fantasy is the idea that nonlethal violence is easy and reliable. After Spider-Man reduces the Green Goblin's HP to 0, a Windows menu pops up and says "Would you like to finish him?" Spider-Man boldly clicks "No" after every fight like the hero he is.

It allows fans to enjoy brutal takedowns of bad guys without having to reckon with the reality that when Batman brought an entire floor down on top of that guy's head, he probably didn't wake up in a hospital bed. Batman can throw a guy off a third story balcony and watch his knees crack as he hits the ground and the story assures you that he's fine. He'll just need a little stay in the hospital.

But realistically speaking, all of these guys would have body counts. Not because they were aggressively trying to murder, but because you don't really get the choice. It is extremely easy to kill someone and surprisingly difficult to nonlethally incapacitate them. The line between how much blunt-force cranial trauma will knock someone unconscious versus how much will kill them is extremely blurry and it moves.

There are less lethal ways of incapacitating someone than others. Obviously, tasing someone has a lower mortality rate than shooting them with bullets. But the only surefire way to uphold a Code of No-Killing is to not use violence as your problem-solving tool in the first place. And there's not a lot of de-escalation training going around the Avengers Mansion.

So it always just feels kind of self-delusional when superheroes brag about not killing people but their primary mode of problem-solving is to shoot a guy in the face with an exploding arrow or something. You're gonna kill people if you're Batmanning. Sorry, that's just the reality of violence. When you throw a guy off a roof, you don't get to choose what physics is going to do to that sack of meat and bone as it hits the ground.

Now, on the opposite end of the spectrum, should superheroes kill people on purpose? Uh. No. I don't want cops extrajudicially murdering whoever they don't like, and I don't want Batman to do it either. Due process exists for a reason.

Superheroes should not try to kill people. But they are going to kill people sometimes, because their hammer is violence and their stories are just excuses to pit them against nails.

"But the Joker always breaks out of prison." Yeah, but he also always comes back to life. If you can nitpick about genre conventions then I can too. Hell, often times you can't even redeem a villain without the next writer unwriting it and making them a bad guy again. At a metafictional level, there is rarely any way to truly do away with a popular villain.

But. Y'know. Let's talk about heroes who aren't fucking copaganda. In the broader fictional sense, should stories end with the hero killing the villain or shouldn't they?

This, again, has no simple Yes or No answer. It depends heavily on the themes being explored and what the villain is meant to represent.

We need to talk about the "demise" of the villain, which can be a literal death or it can be many other things. The primary function of the villain is to be wrong about something. To oppose the hero, who is right about something.

The villain holds bad ideas, bad beliefs, bad ideology. The hero may start out holding good ideas, or they may be something that the hero comes to over the course of the story. But by the time these two meet in the third act climax, they are meant to embody the two faces of the story's central thesis. Regarding whatever this story is trying to talk about, the hero is right and the villain is wrong.

Whatever form it takes, whether literal death or not, the demise of the villain is the final statement on their incorrect or even toxic beliefs. Which often does take the form of literal death because it's easy to write a comeuppance that way.

Luke Skywalker believes that there is love in his father's heart for him, and Emperor Palpatine is confident that Anakin is truly lost. But Luke's love for his family wins out and destroys Palpatine.

Scar is selfish, cowardly, and disloyal. Simba returns out of a sense of responsibility and loyalty to his people, coming clean to them and accepting his place among them. Scar tries to sell out the hyenas to save his own skin, as well as stabbing Simba in the back. For his treachery, the hyenas rip him to pieces; He is devoured by the very loyalties that he selfishly betrayed.

Obadiah Stane, the embodiment of war profiteering and the military-industrial complex, is literally consumed by the clean energy project that Tony wants to move the company towards instead.

Sauron underestimates the power of the small and meager folk, and believes wholeheartedly in Great Men of History. And so when Great Man Aragorn marches to his gates, he allows himself to become convinced that this is his true nemesis, his true rival, the threat he must face. This is the glorious battle that will decide the fate of Middle-Earth. And so he turns his eye away from the common folk that will be his undoing.

The villain's flaws, their toxic ideology, the things that make them the villain, are what their demise is supposed to be about. They can be consumed by their failings or undone by the hero's virtues, but either way, in a well-executed demise, a closing statement on the story's thesis is made.

But a well-executed demise doesn't necessarily have to be fatal, either. Like I've said, it can be things other than a literal demise. Sometimes it absolutely should.

In Civil War, Zemo is driven by an obsession for revenge. His homicidal retaliatory bloodthirst is a toxin that he infects both T'Challa and Tony with over the course of the story. Tony succumbs and has to be defeated with force, though Steve still demonstrates his strength of character by sparing Tony's life in the end even when the madness of the battle threatens to grip him too.

But it's T'Challa who delivers Zemo's demise. Not by killing him, but by making the choice to rise above vengeance. T'Challa breaks the shackles of Zemo's infectious vengeance and chooses mercy. And it's in this moment that Zemo's feelings, his cruelty, are opposed and vanquished by T'Challa's heroic virtue.

Firelord Ozai believes in the Social Darwinist ideology of Might Makes Right. He leads a culture where disputes are settled with deathmatches and believes it is his right to blanket the world in fire because he has the power to do so, and no one can stop him. Aang, by contrast, is a pacifist at heart because those are the values he was raised in; Values of a culture that Ozai exterminated, whose very last vestiges exist only in Aang's heart.

Ozai would kill Ozai and Azula, who often gets left out of this conversation. Because theirs is a culture where righteousness stands hand-in-hand with brute strength. Where who is right is decided by who is left standing when the dust settles, and who is a pile of ash. Aang defeats Ozai; By Ozai's belief system, Aang is stronger thus Aang is righteous and it is his Conqueror's Right to execute Ozai where he stands.

But Aang doesn't just beat Ozai; He rejects Ozai's way of life. He renounces the belief system of the imperialist colonizer and holds true to the belief system of a people they destroyed. While a simultaneous outcome plays out between Katara and Azula, as Katara similarly chooses mercy once she's obtained a position of power and control over Azula.

Special note also to Zuko who demonstrates that he actually cares more about protecting people than about winning his Glorious Deathmatch of Imperialist Honor. Which also serves as a rejection of Azula's beliefs that relationships are founded on fear and control. Zuko, too, rejects the belief systems of Ozai and Azula and warrants recognition. Ozai would never have taken a hit like that for Azula. Azula would never take a hit like that for Ty Lee.

It's this mercy that breaks the Hundred-Year War, destroying not the perpetrators of it but the very principles on which it is founded. This philosophical annihilation of Azula and Ozai's very understanding of strength and power is their villainous "demise", and weighs far more than just cutting their heads off and calling it a day ever could.

There is no correct answer to whether or not heroes should kill. What matters most is how the demise the writer chooses for the villain reflects upon the story's central ideas and thesis.

[atrwriting]

shouldn’t have — lumberjack!logan x fem!reader

listen usually i would hate this plotline but like ?? are yall seeing what im seeing ?? feminism exists and is alive and well until we see this man and suddenly we’re all damsels in distress

as always, warnings: reader was in an abusive relationship, logan the savior (i have issues ok), dom logan, bratty reader, choking, slapping, rough p in v sex, swearing, breeding kink tee hee

mdni!!!1!!1!1!1!11!

————

you had been with your boyfriend — well, now ex-boyfriend — for about three months before you had noticed something was wrong. just a few things, you thought. nothing bad. nothing to worry that much about. it felt like he was doing so many things too much; sleeping, drinking, smoking, video games… yelling…

you thought by getting him a job with some men you knew would be fine — that it would solve every problem. why would it not have? he just needs a job, you thought. just something to get him up in the morning… something to give him purpose…

you were wrong — oh, you were so wrong.

at first, everything was fine — up every day, home every night, and only so many hours at the end of the day could be dedicated to all of those bad little habits you hated so, so much. he was drinking, smoking, playing video games so much less — you almost forgot why you were so annoyed and insistent on this new job in the first place.

...until he stopped coming home before midnight.

...until the yelling got worse.

until he got worse.

you almost left him — almost. until, one night — he asked if you could pick him up from the bar after work so he wouldn’t have to wait before he could drive home. you could've squealed you were so relieved, so happy. it seemed like a step in the right direction, and you were hopeful. you thought the kinks were working themselves out, making it so you could finally work out your issues with him. like the good girlfriend you were, you drove to the bar promptly for half past ten and waited in the parking lot for him.

after a few minutes, you sent a text.

a set of ten minutes had passed as you sat there, waiting.

...then another.

...and then another.

you called him, but there was no answer.

no fucking answer.

you ground your teeth when the call was sent to voicemail. voicemail? fucking voicemail? you stared down at the screen like it mocked you — showing you the reflection of your face in the glass like you were some joke, and embarrassment flooded through you.

all you could think about was self-respect — how if you didn't have any respect for yourself, how could your boyfriend respect you? how could anyone respect you?

it brought tears to your eyes, but you blinked them away.

and there went the last straw…

you got out of the car and slammed the door. you were buzzing with anger, shivering like you were cold. anger filled you, but adrenaline was what carried you on its back through the doors of the bar and past its threshold. it was the only friend you had in that moment, and you grasped at its hand — letting it lead you to your doom.

what you didn't expect what form your doom would take.

…your doom came in the form of a hot blonde with legs and cleavage for days.

she laid horizontal across the bar — shot glass in her belly button, line of salt up her abdomen. you watched a man, dirty from the work day, eye the blonde with hunger in his eyes. he wrapped his dry lips around the rim of the shot glass, and threw his head back. almost immediately, he licked the salt trail with a flat, heavy tongue. the blonde above him giggled at the texture of his tongue on her tanned skin — and once he was done, she grasped both sides of his face and pulled him towards her.

that’s when you saw the guy’s face — smiling and drunk — your boyfriend’s face. men around them hollered as he pushed her against the bar top, kissing her hard. all you could do was stare — adrenaline left you high and dry when you needed it most. you were just cold now — cold, lonely, and embarrassed. so embarrassed. so fucking embarrassed.

“you’re his ol’ lady… aren’t you?”

your head cocked to a stool near you, occupied by one of his coworkers. he had a cigar in his mouth as he cocked an eyebrow at you, barely looking at you. his hand was around two fingers of whisky — and it had never looked so tempting.

“was,” you whispered, politely correcting him and locking eyes with him.

“good,” was all he said before he threw back the rest of his whisky and stood from his chair.

you were still in shock, frozen in place. all you could do was watch as the man pushed through the crowd, and stood in front of your boyfriend. you stared at the man's shoulders — covered by thin flannel that would never stand a chance against the muscles underneath. you gulped as he stood toe to toe with your ex-boyfriend, but the man didn't look half as scared as your ex did.

“you’re fired," was all the man said.

everyone around the man, including the blonde and your boyfriend, went silent. jaws were on the floor — no one knew what to do. what could they do? they weren't expecting this — not when the fun had been going on for so long. the man couldn’t have cared less — he waited for a split moment, awaiting any sort of rebuttal from your ex-boyfriend… and that was when your ex noticed you, staring at him. instead of running to you, begging for forgiveness… he started begging the man that had fired him for his job back.

you scoffed and rolled your eyes. of course.

“not happening, bub,” he spat. “now — i’m going to go buy your ex-girlfriend a drink with your last paycheck. ask your buddies for a loan on the tab with the blonde."

and with that, the man turned on his heel back towards you. when he turned, he didn’t bow his head or look at the floor — he looked straight at you. and for the first time that night, you saw what he really looked like — a man. the man radiated masculinity like he was the poster child for the hard working all-american man. worn jeans, work boots, faded flannel… the works. his body was thick with muscle, and impressive sight that was definitely thanks to his job. the years showed on his face — but in a way that was handsome and reliable. life seemed to have chewed him up and spit him out, but he didn’t look the type to go down without a fight.

with a moment or two, he was in front of you. he sat down on the stool, and patted the one next to him — gesturing to you.

“what’re you having, sweetheart?”

you stared up at him with confusion and surprise in your eyes, but a blush across your cheeks. your mouth fell open, stammering — as if you hadn’t been embarrassed enough tonight. your eyes darted to your ex — the intoxication starting to wear away as realization set in. he lost his job, girlfriend, and ego all in a matter of a moment — and you knew how these things ended.

“i think i should —“

“he won’t bother you,” the man responded, gesturing to the bartender for two more drinks.

you took a cautious step back — eyes on your ex who was talking with his work buddies now, eyeing you and the man. the blonde had been discarded, scoffing as she found herself in a similar position as you — chewed up and spit out, but not willing to fight.

you were fumbling for your keys now, anxiety beginning to take over. you were shaking as you took several steps back, not knowing whether to run or start crying was the better answer.

the man who had stood up for you then stood, sighing. he saw your ex walking towards you now, and he rolled his eyes in the way an owner would be annoyed with a dog going back for something they were explicitly told not to. the man drank his whisky, and handed you the other glass.

the man only had a take one step towards your ex before your ex had stopped in his tracks, eyes and mouth wide.

“got all the time in the world, bub,” the man spoke. the man had his fists balled at his sides — and, within an instant, sharp bones almost two feet long had sprung from between his knuckles. the man didn’t wince — but everyone else did. with a cocked head, he then continued, “do you?”

when your ex didn’t move, and the man was satisfied that none of his friends were going to make a move… he turned on his heel and stalked back toward you.

“finish your drink, sweetheart — we’re leaving.”

within five minutes, you had finished your drink before you went outside. there was logan — same bone swords unsheathed, but now stabbing into black tires on a familiar truck. you smiled — now your ex didn’t have a ride home.

“can i give you a lift?” you asked.

few hours later — there you sat with the man, who you now knew as logan. you were on one side of the couch — you curled in the corner on the end, and him in the middle turned towards you. the alcohol was flowing, so you didn’t need a blanket over you to keep warm. now, sat across from logan, both of you appearing to feel the effects of whisky — all you wanted was his warmth.

“good hostess,” he spoke as you refilled his whisky glass.

you blushed. “nothing compared to what you did for me back there — least i can do.”

“i gotta ask —“ he said, taking a sip. “why him?”

you shrugged. “guess i learned the hard way you can’t change someone who doesn’t want to change.”

he looked at you then — almost through you. you wondered if he could see the same ghosts in your eyes that you could see in his.

he shook his head then, chuckling — appearing to want to break the heavy air. “you’re too young for talk like that, doll — won’t allow it.”

you returned his laugh, realizing you were happy for the subject change. “not every man is like you, logan — first one i met that would’ve done what you did.”

he set his glass down then, and you were struck with the realization of how broad his chest and shoulders were. how the fabric of the stretched across his muscles. how heavy the scent of whisky, maple, wood, and cigar smoke hung on his clothes. you stopped staring at him to meet his eyes then, but he was already looking at you.

logan caught you staring. a blush rose to your cheeks.

“there was a time where men i knew would’ve killed to be served whisky by a pretty girl like you,” he spoke, voice gruff. “time where i would’ve.”

you smiled, insecure under his gaze. “you’re easy on the eyes, lo — can’t imagine you had to put much effort into getting with someone you wanted.”

“oh, doll —“ he spoke, leaning in towards you. his face was barely inches from you, and you wanted him to touch you. you wanted those big, calloused hands on your soft skin — wanted it so fucking bad — but he wouldn’t put them on you. not yet. not quite yet. “sweet, pretty things like you? worth all of the effort in the fucking world.”

you felt one of his hands — his large fucking hands — slide down from your knee, to the side of your thigh. he squeezed lightly on the flesh, loving the feeling of your soft skin. you met his eyes then, dark and hungry. he wasn’t hesitating — he was waiting for your approval or disapproval. he wanted you to know he wanted you, but also that you had the final say.

“y’gonna let me show you how a real man’s supposed to treat a woman?” he asked, tucking a hair behind your ear. “hmm, sugar? climb in my lap, and i’ll show you.”

curiosity killed the cat, but not before it found out what the secret was.

logan fell back against the couch — man spreading, hands on the tops of his thighs with his eyes on you. only on you. there was no more of the adrenaline from earlier, no — but there was the confidence from the warm, dark liquid flowing through your veins. it gave you the push you needed, making you throw a leg over his hips, and sit your ass down right over the tent in his jeans.

“that’s a girl, yeah…” he spoke, his hands ran up and down your thighs. his eyes were raking up and down your body in the way that your ex had looked at the blonde, and it only added to your confidence. you wanted to be wanted — and logan made you feel more sexy than your ex ever had. “tell me, sweetheart — when you look at me, what do you see?”

“a man,” you respond, before you can stop yourself.

he raises his brow then — surprised, but not displeased at your answer. “ — yeah? and what makes me a man?”

you thought for a second, as the alcohol clouded your ability to be witty. you couldn’t pinpoint why — you just knew. while you were thinking, almost stammering — you felt his hand snack underneath your skirt and find your lacy panties. you were struck with the sudden realization of how badly you wanted to show him what they looked like, convinced he would like them — but he wouldn’t let you take off your skirt. you eyed him, confused.

“not yet, doll,” he spoke, voice hoarse. his eyes never left yours. “not taking off this skirt — no matter how much i want to — until you know for sure that i deserve to.”

“logan…!” you grumbled, throwing your head back in mock laughter and frustration. “y’gonna make me beg? come on —"

“beg? not tonight, darlin’,” he laughed. you felt one of his fingers prod at your folds through your panties, poking through your lips to find the hidden sensitive parts of you. you sucked in a sharp breath at the feeling — curious and turned on. “but you are gonna tell me everything you’re going to look for in a man from this point on. when i’m satisfied, then i’ll let you cum.”

“didn’t think you liked games,” you breathed, curiosity, pleasure, and anxiety mixing in your blood.

“i don’t,” he said with finality and sincerity. “i teach lessons, sweetheart — and now i’m gonna teach you how a man should treat you."

“yeah?” you breathed, keeping your lips barely centimeters from his. “and how are you going to accomplish that?”

“rock those pretty hips against my hand, baby —“ he spoke, pressing his fingertips against your clothes core. “and tell me types of guys you're goin' to avoid."

you went to question him, confused — but he pulled you right back in. he pressed two finger tips against your panties, creating the most devious fiction against your sensitive bud. you jumped at the feeling, but he kept your hips steady.

“there’s one —“ he chuckled. “didn’t know how to touch you, yeah? so sensitive — ‘s like he never did.”

“he didn’t know how,” you whined, rolling your hips against his fingers and letting your eyes drift close.

“not surprised,” he grunted. “never a good worker either. so, what’re we avoiding next time, sugar, huh? tell me.”

“i don’t know… i don’t…” your mind was warm and fuzzy now, leaving you unable to answer.

he swatted at the flesh of your ass then, causing your hips to jerk and your eyes to open in shock. he looked up at you, unfazed. “you don’t wanna cum, do you? want me to use you just like him — leave that pussy wet and wanting?”

you giggled. “don’t tempt me.”

his hand reached for your throat, an evil smirk on his lips. “you’re a naughty fucking thing.”

you nodded feverishly, loving the grip on your throat. “for you, lo. i’ll avoid lazy men, i promise —“

“you better,” he warned, his eyes looking up at you with hunger. his wingers were rubbing hard against your clit, and you wanted him oh, so badly to dip into the fabric and roll around your clit or supple hole. “another — tell me. now.”

“careless,” you whined, your hips jerking. “i’ll avoid careless men, logan, i promise —“

“fuck that,” he spat, the grip tightening on your throat. “you’re mine, darlin’.”

he threw you down onto the couch then, landing on your back with a thud. he gave up on his own game, and your confidence bloomed within you. to be so sweet, so pretty — to make a man like logan stumble? forget what he was doing, all because he wanted you so bad? to be in between your plump thighs, round lips, and encircles in those pretty arms? your cheeks were burning pink as your gaze came back into focus above you. there stood logan, on his knees on the couch, as he unbuttoned his flannel with an animalistic chase in his eyes. you couldn’t help but put yourself on your elbows, rubbing your thighs together to keep the friction and heat up. but your eyes? oh, your perfect, big eyes? they were on logan’s. they told you everything you needed to know as he tore off his belt.

“you want me to use you, baby?” he asked as he unzipped his belt. “that’s what my girl wants?”

“by you, lo — a real man,” you breathed, stroking his cock and lining his cock up with the entrance of your pussy.

“good fucking girl,” he growled, plunging his cock into your pussy.

his hips snapped against yours, causing you to jump into the arm rest. you held onto the arm rest, your pillow, to keep you steady. logan liked the sight — pretending that you had your hands tied up above your head as your breasts lifted with your arched back, preening upwards just for him. he watched the shivers run up and down your spine, causing your nipples to peak. he watched them hungrily as they bounced for him and only him, wanting to pull both into his mouth and show you just how greedy real men are.

and when he saw you release the grip held by one hand, and watched it travel down the length of your abdomen, with the end goal of your clit — he swatted your hand away, angry. his gaze — it screamed how fucking dare you?

“fuck off with that shit —“ he spat, pushing your hand back down to hold onto the head rest. “this first time, darlin’? i make you cum — and you lie there, and you take it.”

you whined at his words, your big beautiful eyes on his hungry irises. you folded your lip in between your teeth before you curled your hips up to meet his, wrapped your legs around his hips. never had you been treated with such confidence, such ease — but you wanted him to work for it, see how far he could go to prove to you that he was the best. “you promise, old man? you can keep up?”

the air went still then — but your smirk didn’t falter. it should've, you would realize later. you should've been afraid of the man, knowing what he was capable of when someone tested him. the difference was... logan welcomed the spice in you, as long as it was his to silence. logan’s eyes went wild and dark then, realizing the challenge. he held back so much with you, trying to keep the man awake and the beast dormant — but the greedy girl in you just kept knocking.

he flipped you then — forcing you onto all fours. he bent you over the arm rest, your throat in the crook of his elbow. his free hand groped and pulled at the flesh of your ass, letting go only to smack it. smacksmacksmack. his tough and calloused skin would leave marks, you were sure of it — but it only made your pussy wetter. the sounds were pornographic, filling the room and his nose and ears.

“wasn’t much of a brat tamer, was he?” he spat, fucking into your puffy pussy. his grip on your throat wasn’t tight, but it kept you in control. there was no moving, and there definitely wasn’t enough air to mouth off. “nothing sweet about you — just a greedy fucking girl with the neediest fucking pussy. i'll get'ya there, doll — don't worry now."

you held onto his forearm for dear life, trying to keep your balance as you arched your back up into him. you felt your juices leak around around your sopping wet cunt and down both of your thighs and logan’s. the air was thick with your scent and sounds, pricking at logan’s heightened hearing. your whines — oh, your whines, your fucking whines! — were filling his ribcage and warming every part of him that wasn’t touching you. his lips were sucking at your neck, nipping at the skin . he felt the vibrations of your moans against his lips and he had to fight every instinct to sink his teeth into your shoulder, ruining you for everyone else.

“please — please —“ you choked, smacking against the arm rest. he pulled your free arm back behind your back, forcing you to take everything he gave you.

“not stopping until that pussy creams, baby,” he spat into your ear. his hips were relentless against yours, plunging in and out of your wet folds as he kept them tight and controlled for his use. “when that dumb fuck comes back, to get his stuff? i want him to know who’s pussy this is now. that fucked out look on your face? yeah? that’s all that sack of shit is gonna see before i slam the door in his face.”

“fuck, logan —“ you whimpered. “i’m so close. f-feels so good. please, don’t stop —“

“i know, baby, i know….” he moaned. you reached underneath him, grabbing at his heavy sack and rolling his balls with your finger tips. he jumped at the feeling, curious how a fucked out little thing like you still had so much energy to tease. “never ends with you, huh, does it? always wan’ more?”

“cum with me, lo —“ you choked out. “come on — make me feel it.”

he smacked your ass once more, grasping onto the rippling skin. you could feel your tight muscles, like cement — knowing they would be sore in the morning. you rolled his balls in between your fingers, keeping as controlling of a grip on him as he kept on you. his breaths were ragged against your neck, broken and feverish. your eyes were screwed shut, trying to find his lips in the darkness as you fought with and against logan.

“fill my pussy, baby,” you whined, reaching to any part of him you could grab.

when he saw your eyes, most of the begging in them rather than your tone — he couldn't help it. it took over him before he could even realize it was happening. how could he deny you so,ething you wanted so badly? asked for so sweetly? logan came before you did — much to his dismay, but only for a moment. he felt his skin shiver before his hips snapped forward once to meet yours, trapping you against the arm rest. he rutted into you as the walls of your pussy were coated — dressed in his seed, his spend, his claim. you could hear a growl rumble low in his chest, tearing up at the sound of such a big and strong man at his most vulnerable, his most peaceful state — only for you.

when you reached for your clit again — whining and wanting, ready to take advantage of hearing his satisfied moans in your ear — he smacked your hand away. you scoffed at his movement, but he shut you up quickly. his own fingers found the spot, and his fingers felt better than yours. you should’ve known they would, with the way they attacked you through your panties.

“pussy’s filled to the brim, sugar —“ he grunted. “now i wanna feel it shake while you’re full of me.”

he was so tired, but not his muscles — definitely not his muscles, nor his grip. it held you tight and upright — forcing you to take it in your weak, fucked out state.

“you want me to fuck my cum farther into you, darlin’?” he rasped, fighting his exhaustion through gritted teeth. “i’m too deep, aren’t i? i’ll fuck my cum into your womb if i’m not careful… but you'd like that, wouldn't you? dirty little thing..."

his warning was a threat, but your mind was too soft to realize. too pliant, too ready for him. all you could do was stare off into space as he held you close to him. his fingers spun circles around your puffy clit, his still hard cock piercing into you. “so very deep, lo…”

and when he smacked your clit once before continuing the assault, you came. you came harder than you ever had before — alone, or imagining something in your head as someone else fucked you. it was like your primal nature was being ripped from you, wanting to show and present itself to match logan’s — to show logan you were his match, that you were his equal. you bucked your hips back to meet his, letting the tip of his sensitive cock graze your sensitive walls as you screamed his name. it filled the room more than anything had for him — and it was all he would think about in the days to come. this woman, so worthy and so ready for him — only for him, and all for him.

“that’s it, sweetheart. work for it, that’s right…”

and as his seed slipped into your womb, open and ready for him as you came, you felt his lips press hard, sloppy kisses against your jaw. your own mouth was open, cries falling from it.

“my good girl learned her lesson, didn’t she?” he rasped. “don’t matter now, anyway — no one but me is gonna be in your bed. i'll burn his shit later."

———

i need to touch grass - L xoxo lmk what u think

[mrsbarnesblog]

˖˚⊹ unspoken

➤ summary: after a heated argument, Rafe is terrified he’s pushed you too far and that might actually lose you

➤ w/c: 1.6k

➤ warnings: allusions to sex, hurt/comfort, insecurities, fear of loss

masterlist

The room was only lightened by the bedside lamp, casting long shadows over the bed where you and Rafe lay tangled in the sheets. The air was thick with the weight of the situation. Your small argument, just a simple misunderstanding, somehow quickly took the wrong turn, and you both said things that you didn’t mean to.

You were fighting, pouring all the pent-up energy and exhaustion from work, and Rafe’s stubbornness didn’t exactly make it easier. It felt raw and vulnerable, and then suddenly it all led to you stumbling into your bedroom and ripping your clothes off each other. 

Your breathing was still heavy, and your body was still feeling hot and tingly from what had happened just a few minutes ago.

Rafe's chest rose and fell beneath the sheets, his arm thrown across his forehead as he lay on his back, staring up at the ceiling. He hadn't said a word since the argument in the kitchen, which was so unusual of him. His kisses and the way he touched your body weren’t in his typical longing and teasing way; they were angry, almost desperate. Now, there was a silence hanging between you, thick and almost suffocating.

And you knew that partly it was your fault. Blinded by the rage and hurt, you said something that you would’ve never said in the right mind. Something that you should’ve never used against Rafe, knowing his sensitiveness about this topic. But the words about you better get out of his life and you not even knowing why you were still there left your mouth before you could actually process it. 

You instantly regretted it. Seeing the sudden change in his face and eyes and the way his posture became more tense, another sharp reply died on his tongue. You wanted to say something else, soften the situation, but it was too late when Rafe dealt with the problem the only way he knew—he kissed you with all he had, not allowing you to say anything else. Pulling you flush against his body, he gripped the back of your neck until you answered him with the same energy. 

Your words felt like a bucket of cold water, and he panicked, knowing that it might be it. Rafe knew that sex was not a good way to solve a problem, but it was the only thing he thought he was genuinely good at. He wanted to please you, to beg you to stay, so he led you to your bedroom, even if he felt empty inside, even he couldn’t say anything out loud because of the lump in his throat. 

Now, as the argument faded away, when it all seemed too stupid to even argue about, it was weirdly uncomfortable. Rafe’s mind was spiraling. He was too scared to even look at you, too afraid that the simple move or word might push you to get up and actually leave.

You slowly turned onto your side, as if afraid to make noise in the dead silence of your bedroom, your heart pounding with guilt and worry, unsure of where to even begin. You could feel the emotional distance between you two, and it stung. Rafe wasn’t usually the type to get vulnerable or emotional, yet you knew that he took everything too close to his heart. This time, something had shifted in him, and it left you unsettled because you were the reason. You could feel his presence next to you, but it was different.

Slowly, you reached out and laid your hand on his chest. He flinched, but then, after a moment, his hand covered yours, squeezing gently and letting out a shaky breath. He didn’t say anything, but the tension between you was palpable.

"I didn't mean it." You whispered, your voice thick with regret. "I didn’t mean to make you think that was the end. I just… I was angry, and I didn’t know how to say what I really felt. But I’m not going anywhere. I don’t want to leave you." You stopped for a second, noticing the way he clenched his jaw. “I’m so sorry.”

The words seemed to hang in the air for a beat before Rafe finally moved, turning to face you. His eyes were raw and tired, and there was a certain despair in them that made your heart ache. He reached up slowly, his hand trembling as he gently traced your cheek with his fingertips, as if trying to reassure himself that you were still here and that you weren’t slipping away from him.

“I thought… I thought you were done with me.” He murmured, his voice thick with emotions. “I thought I’d messed up too much, that I’d pushed you too far. And I couldn’t take it, I couldn't imagine not having you in my life.”

You felt his breath hitch as his thumb grazed the corner of your mouth, his gaze softening with a mix of relief and still-present fear.

“Oh, Ray…” You said gently, reaching up to cup his face, your fingers tracing the sharp line of his jaw. “I’m not going anywhere. You’ve never pushed me too far. We fight, we argue, but I don’t want to lose you. I love you. I love you too much to just walk away.”

Tears welled up in his eyes, and he blinked them away quickly, but it was too late—you saw them, the rawness in them that he was trying so hard to hide.

His chest tightened, and he exhaled shakily, a sob escaping him before he could stop it. He pulled your still naked body close, burying his face in your neck, his hands gripping you like he was afraid if he let go, you’d vanish.

“I’m sorry.” He choked out, sneaking one hand around your waist to find some comfort in the feeling of your skin on his. “For being so difficult and stubborn. I don’t know how to be better. I don’t know how to make you understand how much you mean to me.”

You held him tighter, your hand running through his hair as you soothed him. “You don’t have to be perfect, Rafe. You just have to be you. And that’s enough for me. I’m here. And I’m not going anywhere.”

For a long while, you lay there, wrapped in each other's arms. The anger had faded, replaced with something deeper, another level of trust and vulnerability that were new for your relationship. With how hard it was for Rafe to open up and express himself, it was a big step, and you wanted to do everything in your power to make him comfortable.

Rafe still wasn’t entirely sure of himself, but you could feel him beginning to trust in your words as his body relaxed against yours, his breath slowing. His hand never left your face, his thumb still tracing the curve of your cheek like he was trying to memorize every detail of you.

“I was so scared.” Rafe murmured, his voice trembling as he buried his face in the curve of your neck. “I thought I’d lost you... and you’re my entire word.”

You felt his breath warm against your skin, and your heart ached at the tremble in his voice. You pulled back just enough to meet his eyes, your fingers brushing the stray hair from his forehead. “You’re not going to lose me, Rafe.” You said softly, your voice carrying all the reassurance you could muster. “Not tonight, not ever. I promise.”

His jaw tightened, his lips pressing into a thin line like he was trying to hold something back. But then he shook his head, his blue eyes locked on yours, glassy with unshed tears. “You’re the only thing that makes sense in my life. I don’t know what I’d do if you—”

You didn’t let him finish. Leaning in, you kissed him deeply, your lips catching his in a way that was tender but still confident enough to show that what you said was true. His hand slid up to cup the back of your head, his grip firm like he needed this connection to anchor himself. When you finally pulled back, both of you were breathless, your foreheads resting together as the weight of the moment settled around you.

“You’re stuck with me, Rafe Cameron. And don’t think that you can get rid of me this easily, even if you’re annoying me sometimes.”

A quiet laugh escaped him, shaky and uncertain, but it was a laugh nonetheless. “Good.” He said, his voice barely audible. “Because I don’t think I could handle it any other way.”

You smiled, your hand smoothing over his back in slow, comforting strokes as his body began to relax against yours. He exhaled a deep, shuddering breath, the tension that had gripped him loosening with every beat of your heart.

The silence that followed wasn’t heavy anymore; it was warm and allowed you to finally fully enjoy the presence of each other. Rafe pressed a soft kiss to your shoulder, his lips lingering there as if savoring the moment. And as the hours stretched on, the night wrapped around you like a cocoon, and you both were too lost in each other to care about the outer world. 

For the rest of the night, words became unnecessary. Instead, there were soft kisses, quiet touches, and the unspoken promise that no matter what, everything is going to be okay. Wrapped in his arms, you felt the steady beat of his heart beneath your cheek, and for the first time in what felt like forever, there was peace.

[foxtrology]

sweet sweet baby (since you've been gone)

harry castillo x reader

series

warnings: no y/n, 28 year age gap, female reader.

The last time he had gone up to a woman was at a wedding reception and it ended terribly for him.

Lucy was her name.

He had thought she was the one. All the time they had spent together, all the nights he held her, it was all for nothing. In the end he was the one left behind while she and that broke fucking waiter—oh how much he hated that broke waiter with a fucking passion—ran off into the sunset all happily.

John.

John was his name. Living in a rundown studio apartment with a struggling college student as a roommate. Yeah, what a fucking life she decided to choose.

He still follows her on Instagram.

An Instagram she begged for him to have. He valued his privacy. Being a successful CEO had its perks but it also had his downsides. Privacy was a major downside. He's lucky if a week has gone by without The New York Times calling his office.

Something he should've done a long time ago was delete Instagram and move on from Lucy, but of course he loves to make things more difficult for himself.

19lucy89 has posted a photo!

He should've at least turn off the notifications notifying him of her posting but he couldn't do it. He still wasn't over her. Scrolling on the social media app had him scoffing.

She had posted a photo of her and that broke waiter kissing.

"Whiskey neat."

Harry slips his phone back into his pocket, thanking the bartender. Sliding off the barstool, he glances at all the couples around him. He rolls his eyes.

Since when is everyone fucking dating? Everywhere he goes it's always a couple canoodling. It pisses him off.

Getting back to his table, Danny slaps Harry on his back as he sits down. He cringes as the hand hits his back. He's always had back problems but never acknowledged them.

Not until Lucy. She made him start seeing a chiropractor.

But since she's out of his life, he has been ignoring his pains and ignoring his chiropractor’s calls. She didn't care anymore so why should he.

"Dude Vanessa and everybody are going to an afterparty—"

"Is this not an afterparty?" Harry furrows his brows, interrupting his partygoer friend.

Danny shakes his head playfully, scoffing. "Any excuse to continue drinking, am I right?"

He really didn't want to spend another hour at a party. He's 54 for god's sake, he done.

He's old. He's an old man.

He gets cranky if he doesn't go to sleep at a certain time, he gets aggravated when he pushes paperwork aside leaving it to the last minute, he hated pleasing his friends who have been trying to get him out more ever since the whole Lucy thing happened.

He's leaving, he wants to go home.

"I think I'll be heading—" Then his phone vibrating in his coat pocket stops him.

Maybe Lucy texted him?

Fuck he's so delusional.

"Actually I'm gonna head out. I have a lot of paperwork." Harry stands up, pulling out his phone.

Danny furrows his brows at his friend.

"But you didn't even touch your drink?"

Harry tells him he has liquor at his place, he can finish his drink at home, not here. He doesn't bother to say any goodbyes to any of his friends. They won't remember it anyways.

He hurriedly swipes open his phone as the cold air hits his face.

19lucy89 has added onto their stories!

Clicking onto her profile made him sick.

He should have deleted Instagram.

He should have blocked her.

But he wasn't strong enough.

She posted a video.

Though it wasn't just any other video. The video showed John on his left knee holding up a ring.

He was fucking proposing.

It was like his whole world came tumbling down.

He had never felt this sick in his life.

Harry used to hate the way rich people would talk about money. They used to say money isn't everything, how it doesn't solve anything and it isn't happiness.

He begged to differ.

He didn't grow up with much. His mother struggled especially.

She was sick and wasn't financially stable for treatment so she died.

He used to think that if they had money she would still be here.

He never told anyone about it. Never spoke about the situation, he always tried to ignore it. Until Lucy came around.

She was the only person he confided in. He cried in her arms.

He didn't understand how she could just leave so easily. He remembers the night she told him, they were in the kitchen when she spoke the truth about how she was still in love with John.

She had said that he was the one that got away and that they needed each other.

She packed up her clothes and left his penthouse.

And that was it.

And now he’s standing outside The Met at 54 years old, pathetically hung up on a woman who left him for some broke waiter in a studio apartment that probably has one fucking bathroom.

A couple bumping into him made him come back to earth. He mutters an apology for blocking the entrance.

Another fucking couple.

He shoves his phone into his pocket with too much force, rolling his shoulders as he takes the steps two at a time, the cold air biting against his skin.

Only Vanessa Garnier would throw a goddamn dinner party at The Met.

He needs to go home.

Needs to drink.

Needs to pretend he didn’t just witness the woman he once loved agreeing to marry a broke fucking waiter.

Harry is already pissed off as he stomps down the Met steps. He’s just trying to leave this godforsaken party, get home, and drown himself in whiskey while pretending he doesn’t care about Lucy’s engagement.

Then—he sees her.

She’s sitting on the steps wrapped up in her own world, scrolling her phone.

She’s alone. Not giggling into her phone like the socialites inside, not throwing herself at men with trust funds bigger than their personalities.

Just…sitting.

And for some reason, it annoys him.

"You’re in my spot."

It wasn't his spot but he was annoyed.

Maybe he was annoyed of seeing people who aren't miserable like him.

She barely looks up.

Just a quick flick of her eyes from her phone to the man standing in front of her, assessing him in a single glance before exhaling softly through her nose—unimpressed and unbothered.

That should have been the end of it.

But it wasn’t.

Since he was already irritated, already on edge, already a step away from either throwing his phone into the street or smashing it against the nearest wall—he stood there, waiting for a reaction that didn’t come.

Nothing.

No wide eyes.

No forced politeness.

No recognition.

Just a woman sitting on the steps of The Met, bathed in the soft glow of the city lights, scrolling through her phone like he wasn’t even there.

His jaw ticked.

"Did you hear me?"

She sighed—actually sighed—as if he was the one disturbing her.

Well he kind of was.

Finally, she lifted her head, phone still in her hand, her gaze settling on him with all the enthusiasm of someone being asked to do a survey on the street.

"Yeah. I heard you."

His brow furrowed. He waited.

She didn’t move.

Didn’t shift.

Didn’t apologize.

Didn’t give him an inch of what he was used to—deference, nervous laughter, people scrambling to please him just because of who he was.

Instead, she blinked once slow and deliberate before tilting her head slightly to the side.

"Pretty sure the city owns these steps."

Harry clenched his teeth.

Of course.

Of course, he’d have to deal with this tonight.

This was not his night.

This was not his fucking night.

He didn’t even know why he was still standing there, why he hadn’t just turned and left. He should be in his car by now, should be halfway home with a drink already in his hand.

But for some reason he wasn’t.

For some reason he sat down instead.

A slow, deliberate movement. A shift of his coat as he lowered himself onto the step beside her, his knee brushing against the fabric of her own red coat as he exhaled sharply.

Her brow lifted slightly, her grip on her phone tightening for a moment as if she was considering whether to acknowledge his presence or simply ignore him altogether.

She settled on the latter.

Good.

Fine.

He didn’t want to talk anyway.

Harry leaned forward, resting his elbows on his knees, staring out at the street with the same burning resentment that had been sitting in his chest since he walked out of that party.

Another fucking couple passed by.

Laughing. Whispering. Holding hands like they were the only two people in the world.

His grip tightened around his knee. His mouth pressed into a firm thin line.

He should be at home.

He should be anywhere but here.

Instead, he was sitting on the cold steps of The Met beside a stranger who didn’t care that he was Harry fucking Castillo.

He scoffed.

The sound must have been louder than he intended, because this time—she looked at him.

Actually looked at him.

Not just a glance. Not just a flicker of vague recognition before returning to her phone.

No—she studied him, just for a second.

And then…the corner of her mouth twitched.

Not a smile. Not exactly. But close enough.

Close enough for something inside of him to tighten, for his stomach to knot in that irritating way he didn’t like.

She turned back to her phone.

"Rough night?"

He huffed out a sharp breath, shaking his head adjusting his tie even though it wasn’t loose.

"Something like that."

She hummed. Hummed. Like she wasn’t even surprised.

Like she already knew that about him.

Like she had already figured him out.

His teeth clenched.

She didn’t know him.

She didn’t know anything about him.

"What?" His voice was sharper than intended.

She barely reacted. Just tapped her thumb against her screen, scrolling absentmindedly before murmuring

"Nothing."

But it wasn’t nothing.

It was something.

It was definitely fucking something.

Harry exhaled sharply, running a hand through his hair, feeling the weight of his exhaustion settle deeper into his bones.

This night was never going to end, was it?

For a few seconds, neither of them spoke.

The sounds of the city hummed around them. Car horns. Distant conversations. The occasional roar of an engine as someone sped down Fifth Avenue.

And then—

"You gonna sit here all night?"

Harry turned his head slightly, catching the amused glint in her eyes as she finally looked at him again.

"Depends," he muttered. "You gonna move?"

She smirked. "Nope."

He exhaled.

Rolled his shoulders.

Ignored the way something unsettled was shifting in his chest.

"Guess I’m staying, then."

And for the first time in a long time—he didn’t mind.

That realization alone should have pissed him off. Should have made him get up, adjust his coat, and leave like he had originally planned.

But he stayed.

The cold air pressed against his skin, sneaking beneath his collar, curling around his fingers where they rested against his knee. The whiskey from earlier still burned slightly in the back of his throat, though it wasn’t enough, not nearly enough, to settle the restless storm churning inside his chest.

The silence stretched.

Not an uncomfortable one, surprisingly. But an unfamiliar one.

People didn’t let silence sit with him. They filled it, rushed to fix it, scrambled to find something clever or charming or useful to say because people who sat next to him were always trying to get something from him.

The woman sitting next to him, scrolling through her phone like he wasn’t even there. Like he was just another insignificant part of the city.

That part should have pissed him off.

But it didn’t.

It intrigued him.

He tilted his head slightly, just enough to catch the faint reflection of her screen. Not because he cared what she was looking at—he didn’t—but because he needed a distraction. Any distraction.

A taxi app.

She was waiting for a ride.

She was leaving.

Good.

Great.

That meant he wouldn’t have to sit here much longer, wouldn’t have to keep pretending like this wasn’t some strange, unexplainable moment in his otherwise predictable night.

He could go home, pour himself a drink, scroll through Lucy’s Instagram like a fucking idiot, and pretend he wasn’t still furious.

But—

He didn’t want her to leave.

Not yet.

Not before he figured out why the hell he was still sitting here.

Not before he figured out why she wasn’t miserable like him.

His gaze flicked to her hands, the way she tapped at her screen absentmindedly like she wasn’t in a hurry, wasn’t anxious about the time, wasn’t dreading the ride home.

He wanted to ask where she was going.

He didn’t.

Instead, he spoke before he thought.

"Where do you live?"

She didn’t react at first.

Just kept scrolling.

Then without looking up.

"That’s a weird thing to ask a stranger."

Harry exhaled through his nose, shaking his head slightly.

"You’re waiting for a cab."

Finally, she turned to him, brow raised. "And?"

He rolled his shoulders, voice even. "I’ll take you home."

A beat of silence.

Then—

She laughed.

Not a giggle. Not a polite chuckle. A real, unfiltered laugh.

Like he’d just told the funniest joke in the world.

Harry’s expression did not change.

"I wasn’t joking."

That just made her laugh harder.

She shook her head, lips twitching as she locked her phone and slid it into her pocket, finally—finally—giving him her full attention.

"You, a man who I met ten minutes ago, are offering to take me home."

Harry blinked, unfazed.

"Yes."

"In your car?"

"Yes."

She exhaled, shaking her head again.

"This is the part where I ask if you're a serial killer."

He smirked, dry and humorless. "Would a serial killer offer?"

"Maybe a dumb one."

He scoffed. "Do I look dumb to you?"

She considered him for a moment. Then—

"A little bit."

Harry almost smiled.

Almost.

Instead, he sighed adjusting the sleeve of his coat as he stared out at the street again.

"Look, I don’t care where you live. I don’t care what you do. And I don’t care if you take the cab or not. But it’s late and I have a driver waiting." He paused. "Take the ride. Or don’t."

She studied him for a moment.

Not like the people at the party, not like the women who assessed him as a prize, a trophy, a walking investment.

No, she was studying him like she was still trying to figure out if he was serious.

"Why?"

"Why what?"

"Why offer?"

Harry clenched his jaw.

Good question.

Why had he?

Because he was restless.

Because he didn’t want to be alone.

Because he wasn’t ready for the night to end.

But he didn’t say any of that.

Instead he said, "Because I can."

She hummed at that, something unreadable passing over her face.

Then to his absolute fucking surprise

She stood.

Pulled her coat tighter around herself.

Looked down at him with a grin.

"Lead the way, then."

The Maybach was parked at the curb, sleek and expensive and definitely out of place for a random stranger sitting on museum steps.

His driver, James barely batted an eye when Harry pulled open the door and gestured for her to get in first.

She hesitated.

Just for a moment.

And then—

She slid into the seat like she did this every day.

Harry followed, closing the door behind them.

James glanced at him through the rearview mirror, silent, waiting.

Harry exhaled, glancing at her.

"Where to?"

She gave him a look.

"Aren't you supposed to be a gentleman and ask for my name first?"

He huffed. "You never asked for mine."

"Because I don’t care."

His lips twitched. "Then why get in the car?"

She leaned back against the leather seat, legs crossed, gaze flicking out the window.

"Because I wanted to see if you'd actually do it."

Harry shook his head, running a hand through his hair as he gave James the silent cue to start driving.

This was insane.

He should have just gone home.

Should have just let her take the damn cab.

But now—he was in a car with a woman who didn’t care who he was, nor his money, didn’t even seem remotely fazed by the fact that she was sitting in a million dollar car with a man who could buy out half the city.

And for the first time all night...

Lucy’s engagement didn’t feel like the worst thing that had happened to him.

The car pulled away from the curb, merging smoothly into the flow of late night Manhattan traffic. The soft hum of the engine filled the space between them, a quiet luxury that most people would have fawned over.

But not her.

She wasn’t running her fingers over the leather seats, wasn’t sneaking glances at him, wasn’t pretending to be indifferent while stealing curious looks.

She just stared out the window, completely at ease.

Harry tilted his head slightly, studying her side profile.

"You still haven’t told me where you live."

She blinked, turning back to him, almost as if she’d forgotten he was even there.

"Oh. Right." She exhaled, stretching her arms slightly before dropping them into her lap. "I’ll just have your driver drop me off at the corner of—"

"Not James." His voice was firm, sharp in a way he didn’t expect.

She raised a brow.

"What?"

"Tell me."

A slow smirk curled at her lips, amusement flickering in her gaze.

"Are you always this controlling?"

"Are you always this difficult?"

Her smirk widened slightly, but she didn’t answer. Instead, she turned to the front of the car.

"Excuse me, take me to—"

"Don’t talk to my driver."

She whipped her head back to him, eyes narrowing. "Excuse me?"

"He’s not your driver."

She let out a small, sharp laugh, shaking her head.

"You’re serious?"

"Very."

She rolled her eyes, but there was something else there, something interested.

She sighed, crossing her arms, "Fine. Since you clearly need to be the one in control, Lower East Side."

He barely nodded before shifting his gaze back toward the front.

James, wordlessly, made a turn.

For a while, neither of them spoke.

Harry leaned back against his seat, stretching out his legs, exhaling slowly as the tension from earlier in the night settled into something quieter.

The city moved past them in streaks of light, taxis cutting through traffic, pedestrians still wandering the streets like the night would never end.

She stayed turned toward the window, her fingers mindlessly tapping against her knee.

The silence should have been comfortable.

But it wasn’t.

Not for him.

Because he was still thinking.

Thinking about Lucy. Thinking about how stupid he felt for still checking her Instagram. Thinking about how much he hated the feeling of losing.

But also—thinking about her.

This woman.

This stranger who got into his car without a second thought, who didn’t care about his money, who didn’t care about him.

That part was what unsettled him the most.

Because he was used to being recognized. Used to being admired, envied, feared.

But she?

She was just here.

Like he was just another man.

Like he wasn’t anything at all.

And for some reason—he wasn’t sure he hated that.

She broke the silence first. "So, what’s your deal?"

Harry exhaled, rolling his head to the side slightly.

"My deal?"

"Yeah." She waved a hand vaguely. "You seem miserable."

"You say that like it’s an observation."

"It is."

He scoffed, shaking his head. "Maybe I just don’t like parties."

"Nope."

He arched a brow.

"No?"

"Not just parties. Life."

Harry’s jaw tightened. "Bold assumption."

"Accurate assumption."

His gaze flicked toward her, sharp, assessing.

She met it without hesitation.

For a long moment, neither of them spoke.

Then she shrugged.

"Look, I don’t know what rich guy problems you have but you were sitting on those steps like someone had either ruined your life or just rejected your marriage proposal."

Harry stilled.

His fingers twitched slightly against his knee, his pulse slow, heavy.

She didn’t know how close she was.

How dangerously fucking close.

She didn’t know about Lucy. About the proposal he never got to make. About much time he spent believing he was enough only to realize that he wasn’t.

She didn’t know anything.

But she still saw right through him.

And that?

That pissed him off.

"Maybe I just wanted some fresh air." His voice was clipped, sharp.

"Sure." She smirked, looking out the window again. "And maybe I’m a billionaire, too."

Harry inhaled, slow and deep, rolling his head back against the seat, eyes flickering up toward the roof of the car.

"You’re insufferable."

"So I’ve been told."

For a moment, it was quiet again.

Then—

"Was it a girl?"

His brow furrowed.

"What?"

"The reason you were brooding." She tilted her head slightly. "Was it a girl?"

His fingers clenched.

She smirked.

"It was, wasn’t it?"

He clenched his jaw.

"Not everything is about a woman."

"I never said it was." She lifted a shoulder. "You just confirmed it, though."

Harry exhaled sharply, rubbing a hand over his face.

This was insane.

She was insane.

Why was he even still talking to her?

Why hadn’t he just dropped her off and left?

"I don’t do small talk." His voice was firm.

"Good. Me neither."

Then—silence.

Not uncomfortable.

Not forced.

Just…there.

The car slowed as they reached her street.

She shifted slightly, sitting up, unfastening her seatbelt as James pulled over.

For a second, Harry felt something strange.

Something he didn’t want to name.

She reached for the door handle, but before she could push it open—

"Wait."

She paused.

Glanced back at him. Brows lifted, waiting.

Harry swallowed.

"Let me take you to dinner."

Silence.

Her head tilted, lips curving up at the corners. "Are you asking or telling?"

"Does it matter?"

She smirked.

"I guess not."

She pushed the door open, stepping out into the cold.

Harry watched her go, watched as she turned, hands stuffed into her pockets, eyes unreadable as she met his gaze one last time.

Then—

"If you find me again, maybe I’ll say yes."

And just like that—

She was gone.

Harry sat there for a long moment.

Watched the empty space where she had been.

Felt the quiet weight of something new settle over him.

And for the first time in years, he found himself hoping—

That he’d see her again.

And knowing, somehow—

That he would.

[solxamber]

𝐓𝐫𝐚𝐬𝐡 𝐍𝐨𝐯𝐞𝐥 𝐂𝐡𝐫𝐨𝐧𝐢𝐜𝐥𝐞𝐬 𝐌𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭

1. Please Let Me Live || Vil Schoenheit

You get isekai'd into the worst novel you've had the misfortune of reading because apparently your life is a cosmic joke. Now all you have to do is not act like the character you've possessed and it'll be fine, you think?

Your fiancé being Vil Schoenheit makes it a little harder to behave like a human being with functional braincells, but hey, atleast he likes you, you think?

2. Villain System vs World || Riddle Rosehearts

You have a guilty pleasure: trashy villainess stories. So when you die a frankly, humiliating death, and end up in one of the worst ones you've had the pleasure of reading as the villainess, you're in denial. Then the villain system shows up. Well, there goes your second chance at life So what do you do now? Do villainous things and cause as much chaos as you can, of course. And maybe, just maybe, bag the male lead, Riddle Rosehearts while you're at it.

3. I'd Rather Date the Male Lead's Dad || Lilia Vanrouge

When you end up in your best friend's favourite but absurd novel about breaking a fae prince's curse as the heroine, you didn't expect to get attached to his little family too. Even more unexpected? You fell for the male lead's dad, but hey it looks like he likes you too.

4. Accidentally Falling for a Fae Prince || Malleus Draconia

When you get dragged into a novel which ends with the heroine in a polycule with the most annoying men in literature, as the heroine herself, you decide that you're gonna skip town. ...Only to trip over the fae prince, Malleus Draconia.

5. Not Another Royal Mess || Azul Ashengrotto

As a proofreader who gets isekai’d into a cringeworthy novel as the villainess, you decide to take revenge on the heroine and male lead for their awful story. With Azul—who just wanted to sell you a magic rock—pulled into your chaos.

6. Love Triangles and Royal Rumbles || Leona Kingscholar

When you get isekai'd as the male lead in the novel where your favorite character, Leona Kingscholar is the second male lead, all that's left to do is rewrite the romance!

7. I Want To Retire! || Idia Shroud

You write a novel that reads like a dumpster fire and while trying to delete the draft, you accidentally get isekai’d into it.

Now, as the villainess, you have to get Idia Shroud on your side as well as survive high society. You have your work cut out for you.

8. Stealing the Plot for Drama || Jamil Viper

The book you've been looking forward to turns out to be a piece of crap, and you have the bad luck of getting pulled into it as the villainess.

So you decide to steal the main character's show, just for sport with the help of your fiancé, Jamil Viper.

9. Falling for the Sun in a Cold Empire || Kalim Al-Asim

You lose everything you've worked for after a freak accident and end up getting transported to the novel that you read when you were a teenager.

As the villainess. It's time to rebuild yourself, one step at a time with a little help from Kalim Al-Asim, your betrothed.

10. My Consort Calls Me Shrimpy || Floyd Leech

You get isekai'd into a novel where the perfect Empress got absolutely wrecked by the plot, and now you have to juggle a bland heroine, 15 weird consorts, a traitor and a delightfully unhinged eel who’s oddly good at solving your problems.

11. Get Me Out of Here || Rook Hunt

You’re isekai’d into a trashy novel and stuck as a tragic side knight character. All you want is survival, but your boss is Rook Hunt—a poetic, eccentric duke.

Now you’re caught in his chaos and, worse, you kinda don’t mind.

12. How to Ruin a Plot || Jade Leech

When you end up as the villainess in a story that's hellbent on making her suffer for no reason, you decide to make the main characters suffer just for catharsis. Good thing that your fiancé, Jade Leech seems to like chaos as much as you.

13. I Want a Refund || Trey Clover

When the universe dunks you into a dumpster fire of a novel as the villainess, survival is key. Except your husband, Trey Clover, turns out to be such a green flag that it gets a little harder to function.

14. I Don't Want the Heroine || Ruggie Bucchi

You get isekai’d into what could only be described as an affront to literature, as the second male lead. So you decide to cut all ties with the heroine and live a peaceful (wealthy) life with your secretary, Ruggie Bucchi. Except life doesn't go as planned as you get more chaos than you signed up for.

15. My Knight is Too Loyal || Sebek Zigvolt

You wake up as the villainess in a novel that had to be written as a joke. The heroine is trying to ruin your life, but if you refuse to acknowledge her, then it’s not happening. Right? …Right??

It doesn't help that your knight, Sebek, is annoyingly endearing.

16. How to Escape a Kingdom || Silver

You get isekai’d as the heroine in a bad novel. The prince is awful. The villainess is worse. The only thing keeping you going is your gorgeous, tired fiancé, Silver.

17. Speedrunning Marriage Fraud || Ace Trappola

You get isekai’d as the heroine in a romance novel, but instead of dreamy suitors, you’re stuck with a yandere cryptid, a billionaire with no impulse control, and a knight who thinks he's in a Shakespearean tragedy (and more).

Your solution? Commit marriage fraud with your best friend, Ace Trappola, and hope no one asks for a marriage certificate.

18. Gaslight, Gatekeep, Get Married || Deuce Spade

You get isekai’d into a garbage novel as the villain, so you take it as a sign that morality is optional now. So, you do what any reasonable person would: you set the world on fire (metaphorically… mostly) and somehow bag your knight, Deuce Spade in the process.

Masterlist

[sharkylass]

ALRIGHT, I ASKED FOREVER AGO, BUT WHO WANTS TO HEAR ABOUT MY ISA LOOPS AU?? | [MASTERPOST]

Heads up this contains a lot, and I mean A LOT of spoilers for In Stars And Time. Including: = Act 6 spoilers, including main mystery and secret encounter = Minimal Act 5 stuff = And a bunch of extra stuff that happens through Act 3 and 4. SO BASICALLY ALMOST EVERYTHING, FINISH THIS GAME COMPLETELY BEFORE READING (ESPECIALLY THAT ACT 6 ENCOUNTER, IT WILL LITERALLY BE THE FIRST THING I MENTION UNDER THE CUT)

With all those warnings out of the way-

IN REPETITION AND CHANGE

Initial Concepts:

I feel it's important to show these sketches because they were the first ideas I ever had. I wasn't even entirely sure I wanted to make an AU at this point, I didn't even know how I'd approach it. But I started sketching and it's been on my mind since- SO! Isa is stuck in the timeloop. I know what his wish is and he DOES have a Loop equivalent! The grumpy dandelion guy is Roboro (it/they/he). Their name is a very small play on Ouroboros and they call Isa "Seedling". However, this post is not about them, as I'm gonna talk about it and Isa's dynamic in a separate post. In short, Isa is his normal loud self up until Act 3, right? They beat the King, they reach the end, and whoops, the loop isn't broken. So now, what happens is that Isa starts getting his brains out. He starts thinking more analytically and tries to problem solve.

The more stuck he gets in his head, the less he's able to perceive his friends as real people, and more like them holding him back. Because even if Isa explains that he's smart, that they shouldn't be surprised if he says something, shock of all shocks, reasonable- They'll forget it the next loop.

So Isa is stuck with trying to portray his confident, loud, supportive facade- Which is fine! It wouldn't be the first time! But it progressively gets more and more frustrating, as he tries to find answers and simply looses the energy to pretend to be stupid.

TL;DR: Isa in the timeloop, unlike Siffrin, becomes more distant and cold rather then something more akin to Sif's mania.

NOW, MORE ART!!!

KILL KILL KILL:

I imagine Isa didn't have this encounter the same way that Sif did. Yeah, frankly, Isa is pissed with the sadness- But that's not why he goes through with this.

In this moment, Isa is trying to kill two birds with one stone. He's trying to get through this quickly, as well as reassure Mira that they can do this! If he shows how strong he is, then she'll feel safe right???

Poor Isabeau forgot that whenever he shows that he thinks ahead, he scares people. How could he forget that? How could he forget that he's inherently---

Family Quest:

I still think Odile is the one to call out to him (same with sus quest).

The hangouts I'm still figuring out, cause I don't think they'd too similar to base game- But, fun fact, at the end of this run, everyone agrees to keep travel together!

Isabeau brings it up, can't hurt if you can fix your mistakes right? And everyone agrees. The relief on Siffrin is the most palpable thing Isabeau has ever seen.

In this moment they love you. In this moment they all love you. In this moment---

Death Screen:

He loops back anyways. (This is one of the initial concepts that I ended up animating. This line in particular is when he reaches the end)

Act 5 Tarot Card:

NOW TO SEE MORE OF HIS PASSIVE AGRESSIVE SIDE

Thanks to @the-bitter-ocean for prescribing tarot cards to Isa (THEY ALL FUCK SO HARD) and for the RAW ASS LINE

If interacted with in act 5, predictably, Isa tears it apart. He doesn't need the divine judgement upon him, he's faced everyone's perception his entire life.

However, he tears it methodically. Tears it once in even pieces, twice, three times, and one of the pieces once more. In a way he isn't even getting his emotions out, it's like he's actively trying to tear it apart so it stops nagging him, like he wants to shut it up. Though, the Judgement card symbolizes rebirth, absolution and inner calling. In Act 6 he'd be able to look at it and find comfort and confidence in the card.

Act 5 Mirror:

And lastly, I have the Act 5 mirror picture. I haven't quite figured out how to make the normal ones work yet, however, I couldn't let go of the idea that Isa would not want to be in the picture.

The idea of seeing himself at all makes his head hurt and his stomach squeeze. The memory haunts him as he stands to the side and says the word. He didn't think the mirror would catch him.

AAAAND THAT'S ALL THE ART STUFF FOR NOW!!

I still have quite a bit of it to post, especially about Roboro, but I'm gonna leave it here for now.

I still gotta figure out the hangouts and potentially the dagger equivalent- but I have ideas for Bad Touch, the glass equivalent, and some extra little things that didn't happen in Siffrin's loops.

I needed to yap about this, because I've been slowly stacking up ideas and writing and I needed to share it at some point- If anyone read all this and has questions and stuff I fully welcome 'em!!

[cherrychilli]

18+ Eddie Munson x f! reader, neighbor! reader, friends to lovers, use of sex toy, chastity belt, mentions of virginity, sexual scenarios, implied PIV, implied loss of virginity WC:2.5K

Summary: What happens when you head over next door to seek your neighbor's help with a very intimate and unusual problem? a whole lot of repressed feelings are finally shared. And there's sex stuff too, duh.

Extended ending

It's the kind of decision that you didn't arrive at easily. Quite frankly, you feel you'd much rather down a cup of iron nails and let them shred your body from the inside on the way down, but that wouldn't fix your problem.

No, you were utterly fucked and you desperately needed help.

So, with one shaky step after the other, you approach your neighbor's trailer, stepping up to the door and realizing this is the closest you've been to it in a long time.

The temperature's perfectly balmy outside. Most folks have their laundry hung out, gently flapping in the wind but everything inside you is frigid cold. It takes you a couple of minutes to thaw your frozen limbs on his doorstep, raising your hand and rolling your fingers into a loose fist before tapping your knuckles against the door thrice.

Seconds pass and before you can attempt to knock again you hear some kind of commotion deeper inside the trailer, a bunch of dull thuds sounding out before you pick up on the sound of footsteps approaching.

You take a quick step back, pulling your ear away from the door and you weave your fingers together, holding them tightly down the front of your skirt.

No going back now.

When Eddie Munson pulls open the door in his sweats and a wrinkled band tee he's obviously pulled on in a hurry, everything starts to feel way too real for your liking.

You figure he must have been lounging in his underwear again. You know this because his curtains don't close all the way, leading to you catching glimpses of his bare chest and stomach from your own bedroom. Not that you ever meant to look. No, not at all.

"Uh hi, Eddie", you manage to string a few words together, your tongue feeling like you've barely got any control over it at all with the way it feels so limp and cotton dry in your mouth.

He doesn't answer, looking at you curiously and you worry if it's because he doesn't recall you despite the both of you having grown up in the trailer park and attending the same school. You ran in different circles sure, but you always made sure to say hi and wave politely at your neighbor whenever you saw him, even after you began to see less of him when you made it into College and he is yet to be awarded the high school diploma that keeps evading him.

"Oh I'm-"

"I know", he cuts you off. Abrupt but not rude.

"Right, so I came by because...well, I need your help."

He squints his eyes at you this time, almost like he's trying to solve a puzzle in his head.

"Didn't take you for the reefer type", his lips slant into a half smile, the dimple on his right cheek drawing your attention.

"What? Oh no, that's not why I came over" you quickly correct him though you can't blame him for thinking so. Everyone knows the grass is greenest at the Munson trailer, so to speak, and with the two of you not exactly being the closest of friends, you can't fault him for making the assumption.

"So, how can I help you then?"

"Actually it's kind of a delicate topic. Can I come in? I promise I can explain."

Come in?

And for reasons other than to score some drugs?

Eddie would never admit it out loud but no other girl has ever asked this of him before and he hopes it doesn't show because he's absolutely stumped, not really knowing how to react.

It's when he can't help but crumble under the weight of your doe eyes that he pulls the door open enough for you to squeeze by him with the sweetest smile on your lips. Turning you away, not that he'd want to, but the thought of turning you away felt much too akin to kicking a baby bunny.

You see the couch and you step over to it, your eyes wandering all over the trailer on your way. It's a little chaotic sure but you spy some order here and there, intrigued by the row of hats and mugs displayed neatly on the wall, wondering how long it must have taken them to amass the whole collection.

"So, you were saying that you need my help?"

You turn around, nearly colliding with the little Garfield mug he holds out to you. "Oh, thank you", you take it, looking inside to see a fizzy circle of grape soda inside bubbling back at you.

"Seen you having it at school a few times", he let's you know before you have a chance to ask him how he knew about your favorite drink.

Guess you weren't the only one occasionally sneaking a peek from a distance.

"Wow, that's so thoughtful", you smile at him again, noticing the way his cheeks pink up when he averts his eyes with a grunt to clear his throat.

"Yeah, don't worry about it."

You have a few sips as you sit down on the couch, sinking into the cushion. Now that you're inside, that sickening feeling slithers inside your body again and you start to go cold like before, placing the mug down on the table carefully, looking Eddie in the eye while he stands opposite you.

You gulp hard. "The reason I came over is because I did something...I did something really stupid and I need someone to help me who'll also be discreet about it. Please, Eddie. You have to promise me you won't tell."

Seeing you practically begging, seeing the way you look up at him like he's the only one who can help, like he's the only one you want to help you hits him right in the chest. And a little below the waistband of his sweats too but he files that thought away for later.

As much as he wants to say yes he needs to know more.

"Listen if you're in some kind of trouble or if you're-"

"No no it's nothing like that!"

"Okay, but I need to know what it is that I'm saying yes to."

That's reasonable. Entirely reasonable but your face falls into your open palms. You wish you could scream into them than have to bear the embarrassment you're about to cause yourself.

"Okay okay", you spring up onto your feet before you lose your nerve, standing right in front of him with your forehead nearly brushing his chin. "I need your help getting this off."

Quickly, you pull up your skirt to let him see what's underneath, his wide, terrified eyes flicking to and away from between your legs, not sure if he should actually be looking there despite you voluntarily baring yourself to him.

It's not everyday that a pretty girl comes by to flash him in the comfort of his own home.

When Eddie does manage to settle down somewhat he looks closer, taking in the thick black leather straps wrapped around you, studded with silver accents and your white cotton panties underneath which show through a cut out in the shape of a heart right above your mound.

"Please. I lost the key and I can't get the damn thing off. I've seen you working on your van with your tools. There must be something in there that you can use, right?"

Eddie's head is spinning, unable to stop focusing on your crotch and what he recognizes as a chastity belt from one of those BDSM magazines hidden under his bed wrapped around you.

"Why did you-"

You sigh. "I was checking to see if it fit because I wanted to wear it for someone I was dating", you admit with some disdain.

Eddie knows exactly who, sharing in your disdain.

"Danny Vaugh", Eddie says with a clear note of contempt, his tongue turning sour at the mention of his name. Skeezy little fucker who liked to test his luck by getting behind the wheel after a couple of beers and making out with a different girl at every party whether he had a girlfriend of his own waiting for him or not.

Eddie doesn't know what you ever saw in him, if at all.

"Right", you sigh, the regret clouding your whole face and with it, whatever feelings of embarrassment or shame are forced out, no longer afraid to just tell Eddie the truth.

"Yeah, well he dumped me. I wasn't ready to have sex and he was sick of dating a virgin." Watching the hurt register on your face made Eddie want nothing more than to introduce Danny to his ring clad fist. Repeatedly.

"So I saw this thing online and I don't know... a part of me thought he'd be into it? give him the key and let him finally have me or whatever. But a little while ago I heard that he's already moved on. With some girl in the same class as me too...that's so like him. And I've been locked in this fucking thing for the last three and a half hours. Please, I really need it off."

"That's... wow", he blinks, stunned. Not usually one to be at a loss for words but this was wild even for him.

"Yeah, so can you help me or not?"

--

You never would have thought you'd be in this position. Your skirt off while you sit down on the edge of Eddie Munson's bed, your legs spread for him as he kneels between them, trying his best to figure out which angle to tackle this problem from.

He's got a tool box to his left, all manner and sorts stored inside. Some of them you recognize and most of them you don't.

"Alright, so I think the best way would be to get this padlock off", he taps the heart shaped cut out and you feel it right on your mound. It's worse for him because this close it's hard for Eddie to remain professional when he can see your pussy clenching underneath the thin cotton barrier of your panties.

"So, what are you gonna use?" you ask him, throat scratchy and nervous when you eye a hammer and the sharp teeth of a saw laying among the tools.

"Don't worry. Got just the thing."

His hand dips into the tool box, sorting through it for nearly a minute.

"Got it", he smiles, pulling out something you hadn't anticipated.

"A safety pin?", you ask, confused.

Eddie chuckles at your reaction, his hands already on the padlock on your hip.

"Gonna pick it. Don't worry, I've done this a thousand times", he assures you. He bends the pin out of it's usual shape, twisting and pulling until he seems satisfied with the end result. Carefully, he inserts the sharp end of the pin inside the keyhole on the lock, fiddling with it this way and that.

"Pretty cool you know how to do this stuff", you tell him sincerely, relieved he didn't opt to cut or hammer you out of the belt.

The praise goes straight to his blushing cheeks. He's so used to people passing judgement on him for knowing these kinds of things, thinking of him as some kind of irredeemable good for nothing with the skillset of a petty thief. Just like his father.

You don't think that of him though. He knows it by the way you treat him but with how nice you're being it's almost hard for Eddie to keep focus.

This whole situation reminds him of the kinds of things that only happened in the pages of his graphic novels. Blood drenched Knights slaying vicious dragons to save beautiful princesses who've been locked away. Princesses who liked to show their appreciation in a certain kind of way. Princesses who've never lain with anyone before, though that was about to change now that they've found someone honorable and worthy, eagerly offering themselves to their knights.

And here's one just perched on his bed, looking so captivated by the way he's trying to save you. Not that you were offering yourself to him, he reminded himself bleakly.

But the fantasy still lingered in his mind because that's all he ever had.

A little more of turning the pin this way and that and there's a click that gets the lock to pop open at last, earning a deep sigh of relief out of you.

Setting the pin aside, Eddie helps to take the chastity belt off of you, pulling the leather down and off over your feet, taking in the marks left behind on your skin in the shape of the dark leather.

He goes to return your skirt too but you take it from him and place it aside, in no hurry to dress yourself.

"I've spent an hour with you and you've already treated me better than Danny ever did."

A 'told you so' sits on the tip of his tongue but he doesn't let it go past his teeth. So he doesn't quite know what to say to that instead, blinking back at you with a little smile.

"You know, I regret not getting to know you better", you tell him and he can hear the sadness gripping your throat like phantom fingers bearing down on your windpipe.

"You didn't miss anything", he chuckles just to be nice. Anything to keep you from looking sad again.

You shake your head. "I mean it. If I knew you better I would have never bothered with people like Danny...'only let him take me out because I was lonely. Thought I couldn't do better than him and I settled", you admit it out loud for the very first time.

It feels wonderfully cathartic to let these thoughts spill out like you're purging all the poison that filled your belly. Every little lie you swallowed down, all the times you tried to convince yourself that you were happy with Danny now being forced out of your system, no longer clogging your mind and veins.

The admission makes Eddie gawk at you in pure disbelief. "I'm sorry, you thought you weren't good enough? please tell me you're joking."

It's your turn to chuckle this time.

"I don't know, I just never hit it off with any one before."

'Until now', you wanted to add as you bite your lip.

"Yeah well it's their loss", he mutters, closing up his tool box and shoving it aside.

"Hey, Eddie?"

He looks up at you again. "Yeah?"

Slowly, you spread your legs wider, drawing him closer until your knees frame his shoulders.

"You missed one", you lower your hand down to your underwear, pinching the waistband between your fingers and letting it snap back in place against your skin.

He nearly keels over when he notices the soft cushion of your bush peaking through.

"You want me to take it off?", he croaks like a helpless toad, fingers all twitchy with excitement.

"Could you?", you tip your head to the side and ask sweetly, a picture of innocence though you both know that's not entirely the case.

"Yeah, I can do that."

You lift your lower body off the bed to help him, watching carefully as he drags your panties down your thighs, over the curve of your calves and off your feet so he can pocket them for later.

"Fucking Christ you're beautiful", he lets out in awe.

"Bet you say that to all the girls", you giggle back.

"Nope. Not like this."

He's quite serious. You can feel it in the way he looks at you. Unlike the devil worshipper that they all claim he is, he kneels between your feet like he might at an altar.

Praying to you. Praying for you.

"Go on. Touch me", you grant him permission.

Eddie gladly but carefully pulls your pussy folds apart, one thumb pressing against your quivering hole which he watches clenching open and closed open and closed. It's so small, the opening. How was he going to fit anything inside you let alone his cock? He supposed he'd have to take his time and work you open, the thought making his skin buzz excitedly like static.

And his other thumb gently pulls up the hood to reveal your clit, this glossy little bead that makes his mouth water at the thought of sucking on it till he makes you gush all over his tongue. He can't help but get the impression that the poor thing's been neglected until now. That clown Danny definitely hadn't found it. And he never would have, not even with both hands and a map.

"Want you to show me how good it feels", you tell him, working your right foot between his legs to gently rub it along the ridge of his clothed erection.

An hour ago you were neighbors reacquainting with each other. Now, he's helped you through one of your worst moments, and you stayed, not only wanting to reward him for it but also because despite how spontaneous this all was, you finally feel ready.

Eddie notices the shift in you too, a sly smile pulling at his lips but his eyes remain gentle, "Oh, I'll show you so much more than that, I promise."

Extended ending

[whore4wroetoshaw]

pillowtalk (w2s x reader)

warnings: smut smut smut

the video.

you loved your boyfriend. he was it for you. and not in the fleeting, butterfly way. not a crush that faded when things got difficult. no—he was the one you could scream at and argue with and then fall asleep tangled in the same sheet an hour later. the one who knew exactly how you liked your tea, exactly how to get under your skin, and exactly how to worship every inch of your body like it was the only language he spoke.

and oh, my god. he was the best sex you'd ever had. hands down. absolutely zero contest. you’d look at him and think he was very vanilla, but the way he fucked you? slow, deep, possesive—like he was trying to carve his name into your bones and remind you exactly who you belonged to. it made you feral. 

so when he asked you—on camera, during a truth or drink sidemen video, the prick—“have you ever faked an orgasm with me?” and you didn’t say no like he expected you to… you picked up your shot of tequila, knocked it back, and put the glass down like you were putting a final nail in a coffin.

trust, he was good at pleasing you. the things he could do with his tongue... jesus. the man was skilled. it was just that one time. to be honest, it wasn't even his fault. you were just tired, your head wasn't in it, and you just didn't want him to feel bad. so, you faked a few shaky breaths, moaned out his name, and smiled through the guilt. and that was it. one time. forgotten.

"it was just that one time—i wasn't in the mood, y'know? stop laughing, jj." you tried to surpress your giggles because of the look on harry's face.

you thought that was the end of it. one shot. one simple, honest answer. the boys were already laughing and moving on—ethan reading the next question with a shit-eating grin, jj still laughing like he usually did.

but harry?

harry was staring. he didn't laugh. didn't even crack a smile. he sat back, eyebrows slightly raised, lips twitching like he was trying to solve a maths problem. his whole expression unreadable. way too quiet for harry.

the rest of the video felt long. every time he laughed, every time he smiled or chimed in, you could feel the weight of his attention still hanging off you. he didn’t say much after that, just finished the game with a casual shrug, fingers drumming on the table.

the car ride.

it was so fucking quiet. not in an awkward way. no tension between you as people—you were fine. it was fine.

but it was so quiet.

harry's eyes were on the road, hand steady on the wheel. the only sounds were the low hum of the engine, and the occasional turn signal.

but you could feel him.

feel his gaze flicker over to you at red lights. feel the way his fingers tapped restlessly against the steering wheel. feel the heat simmering between you, hotter by the second.

so, you broke the silence. "what's going on in that pretty head of yours, hm? you're awfully quiet."

his knuckles tightened on the wheel. "hm? nothing. just... thinking."

"about what?" you turned your knees slightly towards him, now looking at his absolutely flawless side profile.

"you know what." his jaw clenched, a small smirk on his face.

you rolled your eyes. "haz, you're still on that? it was just a game. i don't even remember when it happ—"

he didn't look at you. "i'm just trying to figure out how i missed it."

"babe, come on. it was years ago, harry. you didn't do anything wrong. it wasn't about you. i swear." you laughed, reaching over to rub his knee as reassurement.

he looked down, and then up again. after a few moments of silence, he spoke, his voice lower. "i don't want you to feel like you have to perform with me."

"baby. it was one time. it's so insignificant that i don't even remember when it happened." you leaned over and brushed a soft kiss on his cheek.

after you reached home.

the front door clicked shut behind you with a soft thud, and that was it. the match dropped.

he didn’t speak. just watched as you kicked off your shoes and turned toward him, still trying to act normal—casual—like your heart wasn’t hammering in your chest.

you opened your mouth to say something—

but he was on you.

mouth crashing to yours, hands gripping your waist hard enough to bruise. you stumbled back into the wall with a thud, gasping against his lips, his body crowding yours, warm and solid and desperate.

"fuckin' hell, y/n," he muttered against your mouth, kissing you like he was trying to devour your soul. "i'm losing my fucking mind."

“didn’t think you’d spiral this hard,” you breathed.

his hand curled around your jaw, thumb dragging across your bottom lip. "i’ve been replaying every sound you’ve made with me in my head. every fucking moan. every breath. trying to figure out which one was a lie.” his voice dropped. “you realise how mental that is?”

you swallowed, chest rising and falling fast.

he tilted your chin up. “so now i’m gonna make sure there’s no confusion.”

before you could even react, his hands reached the back of your thighs, and he picked you up in a go. a gasp slipped from your lips as your legs instinctively wrapped around his waist, the pressure of his hard-on pressing firmly against your core through the thin barrier of your clothes. the contact drew a soft whimper from your throat—needy and unfiltered.

harry smirked against your skin. "that all for me, love?" he murmured, his voice rough as his mouth found your neck for the millionth time.

you just whined in response and grabbed his hair, latching your lips onto his again. he chuckled lowly, and carried you to the bedroom door, throwing it open.

he kicked the door shut behind him with a thud that echoed, not that either of you noticed—too lost in the haze of each other, barely making it two steps before tossing you onto the mattress like you weighed nothing. you bounced once, breath catching as you pushed yourself up on your elbows.

he climbed on top of you, hovering for a moment as he tried to take in your presence, his fingers trailing under the hem of your top.

that's it. you couldn't take it anymore.

"goddamn it, harry." you surged up and yanked his shirt over his head in one go, fingers fumbling in your haste, lips catching his halfway through. it was teeth and tongue and heat, and all of it tinged with frustration.

"a little bit impatient there, huh?" he laughed as he tugged your top over your head and tossed it somewhere behind him, already reaching for your jeans.

“can you blame me?” you huffed, breath shaky as you wriggled out of them, your hands everywhere—his neck, his shoulders, everywhere. "you've been staring at me with bedroom eyes all day long, bruv."

harry laughed under his breath—low and rough—as he popped the button of your jeans and slid them down—along with your underwear— in one swift movement, eyes trailing down the length of you like he hadn’t seen you naked a thousand times before.

you bit your lip, cheeks flushed, eyes flickering down for a moment before dragging back up to meet his. your hands moved slowly to his belt, fingers slipping beneath the leather and tugging with careful urgency—like you couldn’t bear another second but also wanted to savour it.

you pulled it free in one smooth motion, letting it drop off the side of the bed with a soft thud. your fingers didn’t falter—next came the button of his jeans, the slow drag of the zip. you felt him twitch beneath your touch, felt the tension ripple through his abdomen.

“you’re killing me, babe,” he muttered, voice low, reverent, as he watched your hands work.

“good,” you whispered, slipping your fingers into the waistband of his boxers and sliding everything down in one go. he kicked them off without looking, never taking his eyes off you.

there he was: all of him, exposed to you, his cock thick and flushed, already dripping with need. your breath hitched in your throat, eyes tracing over every inch of him. the way his muscles tightened under his skin, the deep v of his hips leading to his hard length. It was almost too much.

you reached out, wrapping your fingers around his cock, feeling the heat of him in your hand. you could feel the veins throbbing beneath your touch, his length heavy and solid in your palm. "please fuck me," you whimpered.

he let out a ragged breath, his hands immediately grabbing at your legs, pulling you to him as he knelt between your thighs. and just like that, he leaned forward, pushing your legs apart as he aligned himself with your entrance. his eyes flickered to yours, a silent question. you nodded, breathless, barely able to form a sentence.

harry didn’t need another word. he sank into you in one deliberate thrust, his cock filling you, stretching you in the best possible way. you gasped at the sensation, your back arching off the bed, and he groaned in response, his hand sliding to your hip to hold you in place.

jesus, even after years of being together, you were still caught off guard by his size every single time. “god,” he muttered, his voice hoarse, as he stayed still for a moment, letting you adjust to him. “you feel fucking perfect.”

harry didn’t waste another moment. he withdrew slightly, then slammed back into you with force, making you gasp as your body jolted from the impact. his pace was immediate, fast, relentless—he wasn’t holding back. every thrust sent waves of pleasure through you, the sound of skin slapping against skin filling the room.

you moaned out his name as your hands scrambled for purchase on his back, digging your nails into his skin. you gasped as you tried to meet each of his thrusts, your body working in perfect sync with his. there was no gentleness in this; there didn’t need to be. after all these years, neither of you held back anymore.

he gripped your legs tighter, pushing them up and apart to get even deeper, his hips snapping against yours with brutal force. every thrust hit you at the perfect angle, his cock filling you so completely that you could barely breathe. "oh my god, harry!"

you gasped, hips bucking as the familiar pressure started to build again in your core. the pace didn’t slow—if anything, harry pushed harder, faster, making sure you didn’t have time to catch your breath. his hands were everywhere—on your hips, your chest, your throat—as he fucked you like he owned you.

you felt your orgasm rise up, sudden and overwhelming. the sensation spread through every inch of you, every nerve firing at once as you came hard around him, screaming his name as you tightened around his cock. your whole body trembled, the force of it making your vision blur for a moment.

but harry didn’t stop. he was relentless, chasing his own high now, his pace never wavering as he fucked you through your orgasm. the tension was unbearable, and just when you thought you couldn’t take it anymore, he thrust into you with a final, deep stroke, groaning your name as he came hard inside you, his release spilling deep, filling you completely.

you both collapsed in the aftershocks of your highs, your body limp and trembling beneath him, as he kissed your neck, his breath ragged.

"oh my god," you heaved, recovering from your orgasm. "oh love, we're not done."