#discouraging phrases

[furiousgoldfish]

"Nobody is going to save you, nobody is gonna help you, nobody is going to care that you're still stuck in the past" But it should happen! Have you considered that maybe all of these things should happen?? Why are you rubbing in my face that we live in a world where people will abuse you and nobody will help you or even care about you afterwards? What's there to be smug about?

Being hopeful that help exists and that some people will care about our pain is what we hold onto, to survive this! It's normal, human, natural and it shows some faith in humanity! What is fun about telling us there's no humanity on this world and to stop hoping anyone decent exists? We're already scared of that!

Yes people will care and yes someone will want to help really badly. Some people do take issue with abuse existing in this world and are working to make it better. Since you're not one of them, go enjoy your heartless world.

[hedgehog-moss]

me sending yet another email to a French public service to ask them why they use so many gratuitous English words in a service that's supposed to be non-discriminatory and accessible to everyone in the country

[vimbry]

when I tag things as not sfw or similar terms, I hope people realise it's following the Actual definition of "not safe for work," i.e. material best not to view around certain places/people because it may get you in trouble and therefore filter, such as at work.

I saw someone go on a little rant on some art somewhere over how a person before them had tagged it as partial nudity, in their words, to be on the safe side, bc there was a very obvious peek of animal woman nipple in one of the drawings. and this second person got so passive aggressive about it, like, "ohhh nooo, a Nipple!" because they thought people should focus on destigmatizing nudity as inherently sexual, which I agree with, but I really don't think the initial tags came from a place of prudishness, and more, you know, if you get caught scrolling past big furry nipples in the wrong place, people might have something to say about it.

[ghostlynimbus]

In an AU where Hopper ends up taking in Billy too, El picks up Billy's habit of saying "I can't do [x] im gay."

only she doesn't understand what it means really or what context is appropriate to use it in or that Billy's mostly being sarcastic/joking when he says it (he can in fact do math, and he personally thinks his driving skills are just fine thank you very much).

And it eventually leads to a situation like that one scene in Modern Family, with Hopper telling El "You're not gay you're just confused!" way louder than he meant to in the public space they're in.

[keydekyie]

Take the hunter, spare the village...

[spacerockband]

does the age of calamity au not exist anymore im so sad

for you anon? it can

[radioactive-earthshine]

Writing tips for long fics that helped me that no one asked for.

1.) Don't actually delete content from your WIP unless it is minor editing - instead cut it and put it in a secondary document. If you're omitting paragraphs of content, dialog, a whole scene you might find a better place for it later and having it readily available can really save time. Sometimes your idea was fantastic, but it just wasn't in the right spot.

2.) Stuck with wording the action? Just write the dialog then revisit it later.

3.) Stuck on the whole scene? Skip it and write the next one.

4.) Write on literally any other color than a white background. It just works. (I use black)

5.) If you have a beta, while they are beta-ing have them read your fic out loud. Yes, I know a lot of betas/writers do not have the luxury of face-timing or have the opportunity to do this due to time constraints etc but reading your fic out loud can catch some very awkward phrasing that otherwise might be missed. If you don't have a beta, you read it out loud to yourself. Throw some passion into your dialog, you might find a better way to word it if it sounds stuffy or weird.

6.) The moment you have an idea, write it down. If you don't have paper or a pen, EMAIL it to yourself or put it in a draft etc etc. I have sent myself dozens of ideas while laying down before sleep that I 10/10 forgot the next morning but had emailed them to myself and got to implement them.

7.) Remember - hits/likes/kudos/comments are not reflective of the quality of your fic or your ability to write. Most people just don't comment - even if they say they do, they don't, even if they preach all day about commenting, they don't, even if they are a very popular blog that passionately reminds people to comment - they don't comment (I know this personally). Even if your fic brought tears to their eyes and it haunted them for weeks and they printed it out and sent it to their friends they just don't comment. You just have to accept it. That being said - comment on the fic you're reading now, just do it, if you're 'shy' and that's why you don't comment the more you comment the better you'll get at it. Just do it.

8.) Remove unrealistic daily word count goals from your routine. I've seen people stress 1500 - 2000 words a day and if they don't reach that they feel like a failure and they get discouraged. This is ridiculous. Write when you can, but remove absurd goals. My average is 500 words a day in combination with a 40 hour a week job and I have written over 200k words from 2022-2023.

9.) There are dozens of ways to do an outline from precise analytical deconstruction that goes scene by scene to the minimalist bullet point list - it doesn't matter which one you use just have some sort of direction. A partial outline is better than no outline.

10.) Write for yourself, not for others. Write the fic you know no one is going to read. Write the fic that sounds ridiculous. You will be so happy you put it out in the world and there will be people who will be glad it exists.

[ranjith11]

Don’t say these things to your partner when they’re writing a book | SummitPressPublishers

Don’t say these things to your partner when they’re writing a book 📚 Are you supporting your partner on their journey to become an author? Join us for an enlightening discussion on the dos and don'ts of communicating with your loved one as they write their book!

[damonp304]

Don’t say these things to your partner when they’re writing a book | SummitPressPublishers

📚 Are you supporting your partner on their journey to become an author? Join us for an enlightening discussion on the dos and don'ts of communicating with your loved one as they write their book!

[she-who-fights-and-writes]

“Show, Don’t Tell”…But This Time Someone Explains It

If you’ve ever been on the hunt for writing advice, you've definitely seen the phrase “Show, Don’t Tell.”

Writeblr coughs up these three words on the daily; it’s often considered the “Golden Rule” of writing. However, many posts don't provide an in-depth explanation about what this "Golden Rule" means (This is most likely to save time, and under the assumption that viewers are already informed).

More dangerously, some posts fail to explain that “Show, Don’t Tell” occasionally doesn’t apply in certain contexts, toeing a dangerous line by issuing a blanket statement to every writing situation. 

The thing to take away from this is: “Show, Don’t Tell” is an essential tool for more immersive writing, but don't feel like a bad writer if you can’t make it work in every scenario (or if you can’t get the hang of it!)

1. What Does "Show, Don't Tell" Even Mean?

“Show, Don’t Tell” is a writing technique in which the narrative or a character’s feelings are related through sensory details rather than exposition. Instead of telling the reader what is happening, the reader infers what is happening due to the clues they’ve been shown.

EXAMPLE 1:

Telling: The room was very cold. Showing: She shivered as she stepped into the room, her breath steaming in the air.

EXAMPLE 2:

Telling: He was furious. Showing: He grabbed the nearest book and hurled it against the wall, his teeth bared and his eyes blazing.

EXAMPLE 3 ("SHOW, DON'T TELL" DOESN'T HAVE TO MEAN "WRITE A LOT MORE")

Telling: The room hadn't been lived in for a very long time. Showing: She shoved the door open with a spray of dust.

Although the “showing” sentences don’t explicitly state how the characters felt, you as the reader use context clues to form an interpretation; it provides information in an indirect way, rather than a direct one.

Because of this, “Show, Don’t Tell” is an incredibly immersive way to write; readers formulate conclusions alongside the characters, as if they were experiencing the story for themselves instead of spectating. 

As you have probably guessed, “showing” can require a lot more words (as well as patience and effort). It’s a skill that has to be practiced and improved, so don’t feel discouraged if you have trouble getting it on the first try!

2. How Do I Use “Show, Don’t Tell” ?

There are no foolproof parameters about where you “show” and not “tell" or vice versa; it’s more of a writing habit that you develop rather than something that you selectively decide to employ.

In actuality, most stories are a blend of both showing and telling, and more experienced writers instinctively switch between one and another to cater to their narrative needs. You need to find a good balance of both in order to create a narrative that is both immersive and engaging.

i. Help When Your Writing Feels Bare-Bones/Soulless/Boring

Your writing is just not what you’ve pictured in your head, no matter how much you do it over. Conversations are stilted. The characters are flat. The sentences don’t flow as well as they do in the books you've read. What’s missing?

It’s possibly because you’ve been “telling” your audience everything and not “showing”! If a reader's mind is not exercised (i.e. they're being "spoon-fed" all of the details), your writing may feel boring or uninspired!

Instead of saying that a room was old and dingy, maybe describe the peeling wallpaper. The cobwebs in the corners. The smell of dust and old mothballs. Write down what you see in your mind's eye, and allow your audience to formulate their own interpretations from that. (Scroll for a more in-depth explanation on HOW to develop this skill!)

ii. Add More Depth and Emotion to Your Scenes

Because "Show, Don't Tell" is a more immersive way of writing, a reader is going to feel the narrative beats of your story a lot more deeply when this rule is utilized.

Describing how a character has fallen to their knees sobbing and tearing our their hair is going to strike a reader's heart more than saying: "They were devastated."

Describing blood trickling through a character's fingers and staining their clothes will seem more dire than saying: "They were gravely wounded."

iii. Understand that Sometimes Telling Can Fit Your Story Better

Telling can be a great way to show your characters' personalities, especially when it comes to first-person or narrator-driven stories. Below, I've listed a few examples; however, this list isn't exclusive or comprehensive!

Initial Impressions and Character Opinions

If a character describes someone's outfit as "gaudy" or a room as "absolutely disgusting," it can pack more of a punch about their initial impression, rather than describing the way that they react (and can save you some words!). In addition, it can provide some interesting juxtaposition (i.e. when a character describes a dog as "hideous" despite telling their friend it looks cute).

2. Tone and Reader Opinions

Piggybacking off of the first point, you can "tell, not show" when you want to be certain about how a reader is supposed to feel about something. "Showing" revolves around readers drawing their own conclusions, so if you want to make sure that every reader draws the same conclusion, "telling" can be more useful! For example, if you describe a character's outfit as being a turquoise jacket with zebra-patterned pants, some readers may be like "Ok yeah a 2010 Justice-core girlie is slaying!" But if you want the outfit to come across as badly arranged, using a "telling" word like "ridiculous" or "gaudy" can help set the stage.

3. Pacing

"Show, don't tell" can often take more words; after all, describing a character's reaction is more complicated than stating how they're feeling. If your story calls for readers to be focused more on the action than the details, such as a fight or chase scene, sometimes "telling" can serve you better than "showing." A lot of writers have dedicated themselves to the rule "tell action, show emotion," but don't feel like you have to restrict yourself to one or the other.

iv. ABOVE ALL ELSE: Getting Words on the Page is More Important!

If you’re stuck on a section of your story and just can’t find it in yourself to write poetic, flowing prose, getting words on the paper is more important than writing something that’s “good.” If you want to be able to come back and fix it later, put your writing in brackets that you can Ctrl + F later.

Keeping your momentum is the hardest part of writing. Don't sacrifice your inspiration in favor of following rules!

3. How Can I Get Better at “Show, Don’t Tell”?

i. Use the Five Senses, and Immerse Yourself!

Imagine you’re the protagonist, standing in the scene that you have just created. Think of the setting. What are things about the space that you’d notice, if you were the one in your character’s shoes?

Smell? Hear? See? Touch? Taste?

Sight and sound are the senses that writers most often use, but don’t discount the importance of smell and taste! Smell is the most evocative sense, triggering memories and emotions the moment someone walks into the room and has registered what is going on inside—don’t take it for granted. And even if your character isn’t eating, there are some things that can be “tasted” in the air.

EXAMPLE:

TELLING: She walked into the room and felt disgusted. It smelled, and it was dirty and slightly creepy. She wished she could leave. SHOWING: She shuffled into the room, wrinkling her nose as she stepped over a suspicious stain on the carpet. The blankets on the bed were moth-bitten and yellowed, and the flowery wallpaper had peeled in places to reveal a layer of blood-red paint beneath…like torn cuticles. The stench of cigarettes and mildew permeated the air. “How long are we staying here again?” she asked, flinching as the door squealed shut. 

The “showing” excerpt gives more of an idea about how the room looks, and how the protagonist perceives it. However, something briefer may be more suited for writers who are not looking to break the momentum in their story. (I.e. if the character was CHASED into this room and doesn’t have time to take in the details.)

ii. Study Movies and TV Shows: Think like a Storyteller, Not Just a Writer

Movies and TV shows quite literally HAVE TO "show, and not tell." This is because there is often no inner monologue or narrator telling the viewers what's happening. As a filmmaker, you need to use your limited time wisely, and make sure that the audience is engaged.

Think about how boring it would be if a movie consisted solely of a character monologuing about what they think and feel, rather than having the actor ACT what they feel.

(Tangent, but there’s also been controversy that this exposition/“telling” mindset in current screenwriting marks a downfall of media literacy. Examples include the new Percy Jackson and Avatar: The Last Airbender remakes that have been criticized for info-dumping dialogue instead of “showing.”)

If you find it easy to envision things in your head, imagine how your scene would look in a movie. What is the lighting like? What are the subtle expressions flitting across the actors' faces, letting you know just how they're feeling? Is there any droning background noise that sets the tone-- like traffic outside, rain, or an air conditioner?

How do the actors convey things that can't be experienced through a screen, like smell and taste?

Write exactly what you see in your mind's eye, instead of explaining it with a degree of separation to your readers.

iii. Listen to Music

I find that because music evokes emotion, it helps you write with more passion—feelings instead of facts! It’s also slightly distracting, so if you’re writing while caught up in the music, it might free you from the rigid boundaries you’ve put in place for yourself.

Here’s a link to my master list of instrumental writing playlists!

iv. Practice, Practice, Practice! And Take Inspiration from Others!

“Show Don’t Tell” is the core of an immersive scene, and requires tons of writing skills cultivated through repeated exposure. Like I said before, more experienced writers instinctively switch between showing and telling as they write— but it’s a muscle that needs to be constantly exercised!

If I haven’t written in a while and need to get back into the flow of things, I take a look at a writing prompt, and try cultivating a scene that is as immersive as possible! Working on your “Show, Don’t Tell” skills by practicing writing short, fun one-shots can be much less restrictive than a lengthier work.

In addition, get some inspiration and study from reading the works of others, whether it be a fanfiction or published novel!

If you need some extra help, feel free to check out my Master List of Writing Tips and Advice, which features links to all of my best posts, each of them categorized !

Hope this helped, and happy writing!

[venka]

i didn’t know about rick riordan or the pjo cast. i definitely think it’s good to spread awareness about that but using language like clout chasing isn’t very productive and might only discourage people from sharing about palestine

rick riordan posted a since-edited blog post about how there are "two sides" to the genocide being committed in palestine

dior goodjohn (who plays clarisse) posted about how "israel" is under attack and ignored people who tried to educate her about palestine

jessica parker kennedy (who plays medusa) is married to ronen rubenstein, an israeli zionist

what would you call people who post gifsets so that they can get notes on tumblr dot com while ignoring that the free promotion they're doing for disney will put money into the pockets of zionists and fund israeli genocide? clout chaser is frankly one of the tamest phrases i can use and i can spread awareness about palestine while still calling out people for being disingenuous in their support when they refuse to do the bare minimum

[kestalsblog]

Basic Tips to Improve Your Writing

I used to read a lot of unprofessional writing online, and through that endeavor, I started mentally compiling different qualities that turned me off to people's work right away. I'm sharing some of my thoughts about ways to improve your writing so others don't click off your work right away!

-Change paragraphs when different characters are speaking.

-In that same thread, remember to make new paragraphs and not have one giant block of text. This isn't only discouraging for some readers, but actually physically impossible to read for those who are visually impaired.

-Learn grammar. Sorry, but there is no way around this one. For example, commas aren't just for aesthetic appeal or your personal choice, and it will turn some readers away if your writing is littered with grammatical errors. You can't break the rules for creative purposes if you don't even know them, and the difference is generally apparent.

-Remember the narration style you've chosen. For example, if you're writing in third person limited, you can't think outside the mind of your main character. Don't jump suddenly to the thoughts of other characters or an all-knowing, omniscient voice.

-Slow down. Each word matters, so try not to think of writing as "I must get from Point A to Point B," but "I must get from Point A to Point B beautifully."

-Avoid repeating the same word or phrase too much, especially within the same paragraph. There are exceptions in dialogue, of course. (It's sweet when writers acquire their own personalized phrasings that mark their voice, but I have turned away from works where the exact same line just kept coming up again and again).

-Don't forget about setting. You might be able to imagine where your characters are, but no one else can if you don't let them know.

-Use a consistent verb tense.

-Your characters are not you and generally shouldn't always be mouthpieces for you to share your own values and thoughts.

-Your characters should sound distinctly different from each other, including their talking styles.

-Don't bog the reader down with too much description, and make sure the description you do have is realistic. Think about it. In the morning, do you wake up, go to the mirror, and think to yourself, "I looked at my shaggy dark hair and emerald green eyes"? Nobody thinks that way about their own appearance, and it feels like a forced way to let the reader know what the main character looks like.

-There's no need to start tossing out every character trait if it's not relevant to the story.

-Last, show some passion and excitement for your own work. Make sure the language embodies that passion because if you don't even care about your writing, who will?

[snarltoothed]

pillsbury all like “buy our products! we help provide housing to military families”… maybe i just think too much, and like, the wives and children of military moids definitely deserve housing but… the statement just leaves far too many questions for me to be like “oh wow! pillsbury 😍 the good of humanity!”

like firstly at this point i dont think simping for the armed forces is even effective advertising, secondly, like a lot of people are homeless and a lot of them are single veterans… so is this advertisement even for pillsbury or is it just encouraging military men to baby trap a woman for housing security? like who is the target audience? thirdly, why tf is that something a corporation even NEEDS to be doing like “we make sure the families of active serving members of our military don’t become homeless!” ummm shouldn’t the fucking government do that???

[jazzyoranges]

Can you write a friends with benefits situation Wednesday or Tara has with gp reader? Wednesday or Tara enforces a no strings attach policy but of course reader has to catch feelings and admits their feelings. It freaks Tara/wednesday and causes her to push them away and ghost them effectively hurting the reader who after a while tries to rebound with another girl causing major jealousy from Tara/Wednesday. You can choose the ending I just wanna see some jealous smut and angst mix in there 😩

She’s my Collar

Wednesday Addams x fem!werewolf!reader

Words: 4.6k (whoopsies)

Warnings: gp!reader, definitely ooc Wednesday, heat cycles, unprotected sex, knotting, explicit smut, everyone is 18+, Wednesday calls you a mutt and a puppy, breeding kink, is it really pet play if you’re actually a pet?, italian/spanish pet names and phrases, possessive Wednesday, fluff, angst i think

A/n: so sorry it took so long for me to write this anon who requested 😓 could be read as a prequel to this fic, but not specifically written as one. also i kinda strayed away from the original request, sorry about that too 😭🫶

MINORS DNI!

Wednesday didn’t want to admit it, but she was feeling a certain emotion that was completely undesirable. You’ve been out sick for an entire week. Wednesday hadn’t seen you in the last 8 days, 17 hours, and 42 minutes. But who was counting? Definitely not the Addams girl

Others would say Wednesday looked the same as any other week, but Enid’s roommate senses were tingling. Constantly fiddling with her rings, the very prominent scowl on her face that was meaner than usual, and the common frustrated grunts when Wednesday would make a mistake with her writing. Something was up, and not even god herself couldn’t stop Enid from figuring it out

While Wednesday was smart in every aspect except social, Enid’s people smarts came in useful every now and again. It really didn’t take long for her to piece two and two together. Angry roommate while someone she frequently hung out with was out sick? It was child’s play, really. All she needed to do was have Wednesday come to the same conclusion as her

Easier said that done, really. Wednesday was a knucklehead not so smart when it came to emotions. Any emotion other than creating despair, Wednesday struggled with. Luckily Enid was dedicated and also a knucklehead

Currently Wednesday was seated at her desk, simply staring at a blank piece of paper without moving. On any normal day her fingers would be speeding across the typewriter with ideas constantly coming to her. Now she was met with absolute digital silence from her mind, which proved to be discouraging and inconvenient to say the least

“Alright, Wednesday. What’s going on?”

“I have not a clue what you’re talking about.”

“You’ve been different this entire week. Spill the beans”

“As I’ve just said, I don’t have the information you want.”

“It’s because you haven’t seen her all week, right? You miss her, don’t you?”

“Why would I miss that mutt of a werewolf? I do not miss Y/n.”

“I never said her name, yet you know exactly who I’m talking about. Funny how that works, Wednesday” Enid teases. Her roomie has been caught red handed

“If you want your tongue, I’d recommend you stop talking.”

“Cmon, Wednesday, I’m being serious. It’s not weird to miss a friend. How about you check up on her?”

“First, I do not miss her. Second, she is definitely fine. I do not need to check up on her.”

“She’s been out sick for an entire week. She texted me just today the sickness isn’t showing any signs of stopping”

“Why has she not called the nurse, then?”

“She told me they ran out of the medicine she needs. The sickness is werewolf specific. I’ve gotten it before and it hurt like a bitch without medicine”

“What kind of school clinic runs out of medicine?” Wednesday says under her breath while getting up. Presumably to check on you, Enid assumes

“It’s really high in demand right now. It only infects werewolves, so you won’t catch it”

“I suppose I’ll ask Y/n on the specifics of her current condition. Perhaps it could be a part in my writings.”

“I’m sure it will be, Wednesday. Tell me how it goes!” Enid waves goodbye to Wednesday as she exits, and the Addams misses her roommates wolfish grin

Luckily your dorm isn’t too far away from Ophelia hall but it’s still a considerable walk to and from. The walk there gives Wednesday enough time to really question why she was doing this. She did not care for you, that was most definitely certain. At least that’s what Wednesday kept telling herself when she neared your room

The Addams girl hesitated before she knocked on your door. She could hear you whimpering and whining in pain, your tail quickly thumping against your bed. The shorter girl bit the bullet and held her fist against the door, quickly knocking on it

“Open up, Y/n or I’ll be forced to axe down your door.”

“Go away, Wednesday” Your voice was muffled

“Either I pick your lock or you open this door. Make your decision.”

Wednesday hears your feel shuffle to the door, and you open it just enough for your eye to peek out. Wednesday immediately notices your flushed skin and dark eye bags. You’re only wearing a tank top and boxers, trying to hide your lower body behind the door

“What do you want?” You spit out a bit more aggressively than you mean to

“I’ve come to check up on your illness”

“I’m uh- I’m okay. You can go now, Wednesday”

“You obviously aren’t, you haven’t gone to your classes all week.”

“Listen, I’m not actually sick. If I tell you what’s actually happening, promise you won’t freak out?”

“I promise.”

You suck in a breath to calm your nerves. “I’m in heat. The school clinic ran out of suppressants, so I haven’t been able to come to classes”

Wednesday looked you up and down, and in a split second she felt something she hadn’t before. Something about how your wolfish features came out. Ears were pressed against your head, tail hung low and swaying softly, and Wednesday noticed your fangs poke out when you spoke

“Let me help you.”

“W-What?” You momentarily stoped holding the door, and Wednesday let herself inside. Wednesday was immediately hit with a musk that was so… you. Werewolves weren’t her major, but she could tell you’ve marked your entire room with your own scent. Something about it made Wednesday’s mind think of all the unspeakable things she wanted to do to you

“Uh, sorry for the mess. And sorry for the smell, I know it’s bad…” You shift on your feet, and it’s only then Wednesday notices the tent in your boxers. Quickly mumbling out apology after apology, you move your tail so it covers your growing erection

“Stop apologizing, it’s getting quite annoying. I said I’d help you, did I not?”

“Help me like..?”

“Yes. Help you as in having sexual intercourse”

Your cheeks flush red and you have to actively stop your tail from wagging in excitement. Wednesday takes a step closer, but you take a step back

“A-Are you sure? You’re human, and I’m a werewolf. Your body isn’t designed to handle our heats”

Wednesday takes another step closer to you, grabbing your neck to make you look straight in her eyes. You can’t stop the whimper that escapes your throat

“I decide what I can handle.” The shorter girl firmly gropes at your clothed erection, and you moan at the contact

“Wednesday, I-”

“A dumb puppy is what you are. Why didn’t you tell me you were in heat?”

“I didn’t- I didn’t think you’d care” When Wednesday starts to massage your clothed cock more roughly, she earns another moan out of your throat

“Please, please make it better, Wednesday. It hurts so fucking much” You whimper, and Wednesday wonders if you’d look good in a collar with her name on it. She’d have to save that idea for a different day.

“Puppy.”

“Wednesday?”

“Take everything off. I want to see all of you.”

Wordlessly, you start to strip, which doesn’t take long since you’re barely wearing any clothes. Your mindless obedience made Wednesday happy. You start with your tank top and the Addams chooses to observe every part of you. Wednesday notices you’re considerably more furry than usual, your happy trail showing just above your boxer briefs

“Are you sure?” You ask nervously when you reach your boxers, and Wednesday is getting considerably more impatient

“Do I have to do everything for you?” Wednesday mutters while she takes off your boxers instead. The shorter girl sucks in a breath when your hardened cock slaps against your stomach

Wednesday didn’t expect you to be so… lewdly big. Looking at the size of your erection only reminded her your body was meant to breed. You were designed to reproduce, and the thought turned Wednesday on more than she liked

The shorter girl pushes you onto your bed, and she takes a second to look at the state you’re in

“Please, Wednesday…” You whine

“Be patient, Y/n. You’ll get there eventually”

“It hurts so much, please I can’t wait” Begging harder, Wednesday doesn’t likehow her first instinct is to give you what you want

“You’re lucky I tolerate you. If you were any other person, I’d think this was dehumanizing.” She pushes you further back, licking a stripe up your tip and across a vein. You have to stop yourself from cumming embarrassingly quick

Wednesday keeps giving your shaft long kitten-licks and you’re in heaven when she finally decides to suck your tip with a new type of hunger.

And due to previous attempts at suppressing your heat by yourself, your cock was absolutely raw at how much you masturbated. It only made Wednesday’s tongue feel even better

She hollows out her cheeks, making your tip hit the back of her throat. This earns a groan from the back of your throat. You didn’t know if touching was allowed due to her track record of broken arms and hands, so you decide to play it safe by just holding onto your bedsheets for dear life

“F-Fuck, I’m about to-“ Before you can finish your sentence, Wednesday pulls away from your cock. The look on your face is something Wednesday would like to cherish. Your penis was twitching like crazy. It was drooling with pre-cum and the shorter girls saliva. She couldn’t help but admire how you shook under her

“Why’d you stop?” Whining seemed to be a strong suit of yours

“In me.” Wednesday wipes a bit of her saliva off her chin, and you swear it’s the most attractive thing ever “Now.”

“Huh?”

“You know what I mean. Really, do I always have to spell it out for you?”

“You have to cut me some slack here, Wens…”

“I suppose I could provide an understanding for your view. You’re nothing but a dumb pup, are you not? Your kind is known to follow orders.”

“I think you’re confusing me with a domesticated dog, Wednesday”

“If I were to demand you pluck stars from the night, you would, would you not?”

“I mean I would, but for different reasons…”

“My point still stands.” Wednesday mumbles, sinking down on your erection. You don’t remember when she got naked, but you’re also not exactly complaining

The Addams holds onto your shoulders for support, and you hesitate before putting your hands on her hips. Luckily you made the right choice, your warm hands directly polar to Wednesday’s.

It takes a little effort for Wednesday to completely take in your cock, but the stretch is worth it when she sees your labored breathing like she’s the best pussy you’ve ever had. Which, Wednesday wouldn’t admit she was proud of. She could feel every vein on your cock and every twitch made her spiral into thoughts of you

The sight is funny, you think. The Wednesday Addams is impaled on your cock. The Wednesday Addams that saved Nevermore. The Wednesday Addams that was notorious for being gorgeously scary. That Wednesday Addams was riding your dick like her life depended on it.

Skin slapping together was music to your ears, and the feeling in your lower stomach you recognized well was rapidly building up. Wednesday came with a hitch in her breath, and you reluctantly pulled out before releasing your own cum with a groan. Both of you are left breathing hard.

“There will be a silver bullet in your skull if you so much as think about telling anyone about this.” Wednesday mutters in between breaths.

“Duly noted.”

—

You’ve been in this arrangement with Wednesday for about 4 months, now

The first month consisted of a casual fuck here and there. After a particularly hard week, teachers being annoying, or a hard test. It wasn’t difficult to keep your situation away from your friends. For all they knew, you two were still the platonic match-made-in-hell duo that were strictly friends

The second month was a little harder to keep your situation away from your friends. Wednesday would randomly pull you into any empty closet or classroom she could for a quick orgasm to get her through the day

The third month was rough. You two went on dates as you liked to call it, but Wednesday would call them study sessions or hangouts. Trips to Jericho on the weekend, Wednesday helping you with botany, it was practically impossible to separate both of you. Unfortunately your friends became suspicious

So during the fourth month, a new vampire transferred to Nevermore. You were assigned to give her a tour of the school and her classes. When Wednesday saw you two hang out when you’d usually see the Addams, she suspected the tour went better than anticipated. What Wednesday expected to be a minor inconvenience for one day, caused her many unwanted thoughts. It made a vein pop out of her neck. (not literally, but that’s what it felt like)

Wednesday noticed how you two started spending more time together after and during school. Of course there was definitely a reasonable explanation, you were her only friend. Unfortunately a very minuscule part of her brain is telling her you like the new vampire more than the Addams. The thought didn’t sit right with her

You were supposed to be Wednesday’s. You were supposed to only have eyes for the Addams and not some vampire that doesn’t even make you half as happy as her. You would always be Wednesday’s. When you finally realized the vampire wasn’t enough to satiate your needs, Wednesday would be there. She would be there to catch your fall, and the thought made her uncomfortable.

Wednesday Addams, a feared individual that wore her heart tucked under enough layers of blunt sarcasm and a deathly scary look, yet once glance from you sent her spiraling into something between fear and love. She hated it. She hated you. Wednesday hated you for bringing this side out of her she swore to be kept away from the surface of her character.

The Addams couldn’t afford this. You were her weakness. You definitely knew this as well. Unwanted doubt flooded her mind. Thoughts that ended up with you exploiting her only weakness made her heart ache, and not in a way she enjoyed.

You would end up breaking off your relationship with the Addams, leaving her to be made a fool as you were the only one that could do it. The worst part is Wednesday couldn’t even be angry with you. She knew you deserved someone of your own kind. Another werewolf that would understand and satiate your needs. Wednesday would end the arrangement the next time she saw you.

—

“(L/n).”

“Wednesday?” You open up your door with a smile on your face. A sight for sore eyes is what you were.

“We cannot continue our arrangement.”

“What? What do you mean?” Your eyebrows furrow in confusion. Wednesday wished she could take back her words, but she was doing this to keep herself safe. To make you happy.

“Our late night meetings can no longer continue. I’ve grown uncomfortable with your presence.”

“Wednesday, I-“

“A nuisance is what you are. You’re needy, and you can’t do anything by yourself. You really are just a dumb mutt. You are incapable of doing anything except cling to me like a lost child.” Wednesday spits out, and something akin to regret dawns on her face

Stray tears leave your eyes and you wipe them up as quickly as they fall, but Wednesday notices. She can tell you’re trying to be strong, your quivering lip giving you away

“I’m- I’m sorry you feel that way, Addams.” You say before turning your back on Wednesday, closing the door. Broken sobs escape your throat, and Wednesday brings her hand up to your doorknob. She thinks a little longer before a single tear falls from her eye. She turns to leave instead.

—

Three weeks, nearing four since you’ve last talked to Wednesday. You’ve been out for a week and a half and Wednesday knows exactly why. Since the Addams has been helping with your heats for the past few months, you haven’t needed to request for more suppressants. Neither you nor Wednesday knew why your heats were commonly hell-ish and lasted for weeks without the suppressants you desperately needed

Really, she could picture you right now. You would’ve found the boxers that created the least amount of friction, and you’d be whimpering and whining while your tail rapidly thumped against the bed mattress. Finding the nearest thing to bite, which usually happened to be your bed frame, you’d sink your teeth into the cold wood and find a splinter on your tongue the next time you brushed your teeth. Rinse and repeat until you eventually fell asleep or Wednesday saved you from your own body

It was pathetic how much you constantly needed Wednesday…and consequently, how much Wednesday needed you.

Disgusting is the only word Wednesday can choose when thinking of how much space in her mind you took up. She was seated in the Quad while eating an apple and contemplating her life. Which, was not in an ideal situation.

“I know you want to talk to her, Wednesday” Enid takes a seat near the shorter girl

“I do not.”

“I know for a fact you didn’t mean what you said. Unfortunately, you’re too stubborn to realize it”

“She has that new girl, does she not?”

“For the last time, Wednesday, they aren’t dating”

“They may as well be. The two are practically attached at the hip”

“So were you two, but then you decided to fuck it all up and haven’t talked to her since” Enid groans. This is was going to be harder than she thought

“Wednesday, you know how much I love you, right?”

“Annoyingly so.”

“Not-so-respectfully, you fucked up really bad. I know you didn’t mean it, but would you rather see her kiss another girl, or would you rather be the girl she kisses?”

The question makes Wednesday hesitate, and relief washes over Enid. Did she want to be with you? She mentally scoffs at the thought. The Wednesday Addams uncharacteristically soft for a girl. Outrageous. Disgusting. Absolutely unheard-

“Well, it seems you have your answer. Talk to her right now, ‘kay?” Enid knew her roomie would do the right thing even if it was gut wrenchingly difficult

The shorter girl only responds with a grumble, but it’s enough of an answer for Enid to skip away and continue being the social butterfly she was. Wednesday was going to… apologize to you. Just thinking of the word made her recoil, but it was you she was going to. As much as Wednesday didn’t like apologizing, she didn’t want to admit the thought of being away from you any longer was the worse option

She was almost in the same exact situation almost five months ago. Only this time you were sad, and it was Wednesday’s job to make you feel better (in more ways than one)

It didn’t take long getting to your dorm. She knew all of the correct routes and shortcuts to take. Wednesday was met with a tightly locked door and a knob that had collected dust after the past week and a half. She brought a hand to the door, knocking loudly

The Addams was only met with silence. That is, silence, with the exception of stray whines and whimpers

“It’s Wednesday.” Silence again.

“I know you’re in there. Ignore me and I’ll find other means to see you.” More silence

“You’ve made your decision.” The shorter girl sighs, taking a lock pick from her uniform pocket. Why she had a lock pick? For important situations like these, of course

When Wednesday finally managed to unlock your door, she noticed how you looked considerably worse than the first time the Addams decided to help you with your heat

What Wednesday didn’t expect was you fully naked sprawled on your bed. Bite marks littered your bed frame and a chew toy Wednesday bought to mock you, but it ended up being somewhat helpful. A low quality fan spun, only making your scent waft around the room even more. An air freshener was mentally added to her list of things to buy

“Go away, Wednesday.” You growled. You never growled. “If you’re here to mock me and call me a nuisance, I’d recommend you leave”

“I came to help.”

“You’ve full of bullshit, aren’t you?”

“I’m not lying, Y/n.”

“Go away, Wednesday, I’m not going to say it again.” The Addams only took this as an invitation to step closer to your bed where you were laying face down and a light blanket to cover your ass

When you only heard footsteps near, something inside you snapped. You were a werewolf. Not a puppy that said please with a tail between your legs. No, you would make Wednesday leave. Also you were sexually frustrated while in heat, so that was definitely fuel to your sour mood

Before she could register what had happened, you pinned the smaller girl to the floor. Your pupils contracted into small circles while there was a permanent snarl on your face

“I said, go away.” Your erection accidentally brushes against Wednesday’s thigh, and she was suddenly aware of how much self control you had for not already relentlessly stuffing the shorter girl full of your cum

“Knot me, cucciola.”

When the words leave Wednesday’s mouth, something in you changes. You’re overcome with sinful thoughts, and your cock starts to drool with precum at the image of Wednesday being full of you. It’s sinful, truly

“Is that why you came here? Just to be bred?”

“No, but it seems my words are working. You’re incredibly hard.” The shorter girl grabs your erection, jerking you off roughly

“Puppy.”

“Don’t… don’t call me that.” You say in between moans. Wednesday starts to sit up, and your back meets the side of your bed frame

“Cucciola wants to breed?”

“F-Fuck you.”

“We’re getting there, mi sol” The pet name accidentally slips, but you’re far too blissed out to notice

“She can’t make you feel as good as me, can she?”

“W-What? Who are you talking about?”

“You know who. The vampire that can’t get her hands off you.”

“Wednesday, we’re no-“ The shorter girl only started to stroke you faster. Her hand barely fit around your cock, but it still felt like heaven

“I don’t- I don’t like her that way” You say in between moans. Your orgasm was nearing and Wednesday knew this. She slowed down her pace, and you whined at the sudden loss of stimulation

“Knot me.”

“Huh?”

“Show me you don’t like her the way you like me.” You only notice your proximity after she speaks. Your noses are only inches apart. Wednesday’s eyes flick down to your lips, and you quickly close the distance

Wednesday was an addiction. Nicotine, acid, weed, none of it compared to how you felt while kissing Wednesday. You’d get drunk off her taste and crave it until she was in your arms once again. It was hell without her

When the shorter girl accidentally grinds on you, a surge of lust runs through your body. You quickly pick her up with your lips still attached to hers and take off her skirt. You couldn’t go another second without being in Wednesday

Sinking her onto your hardened erection, you let out a gasp of pleasure when her velvety walls stretch at your intrusion. You’re holding up her body by her thighs, and Wednesday just wishes you’d go faster.

“Cucciolo, ti amo.” The Addams moans when she looks down to see she’s only taken half of your length in her pussy. The sight is rather lewd, Wednesday thinks. Your cock is absolutely dripping with pre-cum when you push yourself further in her

“Mierda. Más, cachorro. Tan bueno para mi.” Wednesday slips into her native tongue. You haven’t seen her like this any other time she’s… helped you out

Bringing your lips to hers again, you decide to be in control when you push your tongue into her mouth. Eyes half lidded, bangs sticking to her forehead, and hair a bit disheveled, you think she’s never been prettier.

You let Wednesday rest a bit before sinking your cock deeper into her cunt, and the Addams ends up scratching you hard enough small amounts blood start to drip down your back. The sensation takes you by surprise. Accidentally bucking your hips up further into Wednesday, the girl lets out a groan as she fully takes your length in her pussy.

Placing her on the bed, you notice a tiny bulge in her stomach. You decide to be bold. Pressing your thumb against the intrusion, you hear a sound you’ve never heard before

Wednesday whimpers at your touch.

You do it again.

Her cunt squeezes around your cock, making it harder for you to keep thrusting. But you’re a wolf in heat and Wednesday is incredibly horny, so you continue your movements.

“Sh-She’ll never- she’ll never be as good as you, Wens…” An unexpected growl comes from deep within your throat

“No one can take my cock as good as you…” You’re thrusting considerably faster when Wednesday looks back down at where you two meet. The scenario folding out is a sight for sore eyes, the Addams thinks. You, feeding into your primal urges like it’s an unstoppable beast; and Wednesday willingly taking it in however she can.

“Cara mia.”

“Mine… mine all mine. No one else but mine…” You whimper a little pathetically, but the girl below you is only focused on your thrusts. Her cold hands find their way to your back again, leaving a trail of blood behind

“Yours, puppy. All yours.” Wednesday feeds into your possessive behavior. She knows she shouldn’t, but with you thoughts of reason leave her head and are replaced with thoughts of you

“Were you serious about the knotting, Wens?”

“Deathly.”

“Are you- mph~ sure? It’s kinda big…” The girl under you looks down again, and your ever growing knot seems to just be getting bigger and bigger. Even horny out of your mind, you still wanted to make sure your mate was alright.

…you decide to ignore that thought.

Your eyes were trained on how your erection stretched out Wednesday. Her pussy would be yours, and yours alone. Nobody would make her feel as good as you did. You’d make sure she wouldn’t need anyone else’s cock but yours.

A breathy moan erupts from your throat when you start to actively try to push your knot into Wednesday

“Relax for me Wens, it’ll never go in unless you want it too” You feel her tensed under your touch, but your words are enough for her to relax

Every thrust you get closer, until you eventually start to reach your peak. You can tell Wednesday is too. Her hair is messy and both of your bodies are littered with marks of possession.

“I-I’m so close Wens…” Are the last words you say before succeeding in pushing your knot into the Addams girl. You cum inside of Wednesday’s pussy, and the swell of your knot inside her is enough for Wednesday to cum impaled on your cock. The feeling of being full is an experience Wednesday wished she did with you far sooner.

You wiggle your hips to seemingly get more comfortable inside of Wednesday, but the movement only makes her moan. She was sensitive as hell.

“…was that enough proof I like you more than I like her?”

“More than enough, (Y/n).”

[lichfucker]

I really hate the idea that likes are useless or don't tell you anything. they tell you somebody liked your post! you did good and somebody liked it so they gave it a like! the constant cries of "only reblogs actually Do something" feels very… hmm, how do I phrase this?

it's rooted in a sort of warning that tumblr functions differently than other sites in that the number of likes on a post doesn't necessarily contribute to an algorithm that pushes forward certain content (algorithms which, tbh, create a weird sort of feedback loop in which content that is already popular becomes even more popular by getting boosted on the merits of already being popular, but I digress), and so reblogging is the only way to actually spread a post. likes don't make a post "breach containment."

but if likes are equivalent to "positive emotional response" and reblogs are equivalent to "exposure," then discouraging likes in favor of reblogs is discouraging enjoyment of your post in favor of promotion of your post. okay... why? to what end? if the only "correct" mode of engagement is an expanding fractal web of reblogs, and the point of a reblog is only to beget further reblogs... what's the goal?

you've deemed the like as an expression of pleasure useless, so it's kind of difficult to argue that "reblogging a post means they enjoyed it more than if they'd just simply liked it." the quantity of pleasure expressed doesn't matter if you've already devalued the concept of "expressing pleasure and doing nothing else." you can't earnestly say "expressing pleasure is important to me but only if it's accompanied by exposure." so your goal isn't for more people to delight in your content; it's for more people to see your content, and for each of them then to make even more people see your content in turn. and so on. infinitely. just sharing. just exposure.

is that how we got to this point wherein people are genuinely writing essays about how liking a post is actually a backhanded passive-aggressive insult? you think I click the little red heart because I hate you? the logic is so contorted. it relies on the assumption that everyone around you is operating in bad faith, that everyone's intentions are bad until proven good.

what a bitter, paranoid way to live.

[theminecraftbee]

There are several things Martyn realizes, all at once, when he opens his eyes:

He is dreaming.

It's one of those in-between dreams, the ones that aren't quite dreams.

He is sitting at a green felted table. It is sitting on a stage. The lighting is dim, and no one is watching, but out of the corner of his eye he can see the stagehands dressed in black, waiting.

He is not the only one sitting at the table. There is a Watcher, draped in purple. There is a Listener, draped in yellow. There is someone he recognizes in a red sweater. There is someone he thinks he should recognize, but can't quite, shuffling a deck of cards.

"Right. What's all this, then," he mutters.

We are playing blackjack, the Listener says.

We are deciding the rules, the Watcher says.

"It's not like we have anything better to do. Honestly, I'm glad you're here. Do you know how boring these guys are?" Grian says, and Martyn decides to quietly file Grian away as a dream-Grian, as opposed to real-life-Grian, so he doesn't go insane and/or stab him when he wakes up. He waits for the almost-familiar dealer to say something. He does not. After another few moments of awkward nonsense dream-silence, Martyn sighs and leans forward on the table.

"Sure, this might as well be happening," Martyn says. "Deal me in. How's the betting work, again?"

"You put your bet on the table. If you beat the dealer, you get to add it to the game," Grian explains. "If you don't beat the dealer, it takes it."

"Yeah, but like, that's abstract, isn't it? What does that mean, exactly, me losing what I bet if I don't beat the dealer," Martyn says.

Grian shrugs. "Don't ask me. To be honest, I'm hardly the storyteller you are."

"Me? Why are you acting like I have any control over these things when you're--"

Are you ready to play?

Martyn shuts up, looks at the Listener, and sighs. "Yeah, sure, I'm ready to play. Why not."

The dealer looks to its left. Grian sighs. "Why are you making me bet first. Again. We should rotate where we're sitting--fine, fine, I know it's an advantage because I'm the worst at this. Uh. Hm. No trading or giving away lives again. Not even as time or something. It makes the dynamics all weird, and I think we could use a nice straightforward death game next time."

(Martyn wants to roll his eyes. Nice and straightforward. Sure.)

The Watcher goes next. I would like there to be deep and wonderful bonds between the players. I would like those bonds to seem unbreakable.

"Coming from you, that's ominous," Martyn says.

Can I not just miss the alliances of the early days? the Watcher says.

"Never left the desert," Grian says, rolls his eyes, and looks at Martyn in commiseration. Martyn just stares back. So sue him, he's a bit more worried about this whole concept than an eye roll and a pithy phrase. Things Watchers want are rarely good.

When the bonds are enforced, they're less interesting, complains the Listener.

Martyn looks over sharply. Hey, wait, he thought--

I didn't say they had to be enforced by rule. I said they had to be deep. Encouraged, as opposed to discouraged.

Just saying. You'll never recapture Third Life.

Martyn swallows. His throat is dry. Weren't the Listeners supposed to be the good guys, here?

Besides, what I want is for each death to be meaningful again. They've felt too meaningless, lately, the Listener continues.

Martyn thinks the dealer raises an eyebrow, but it strikes him he's not exactly sure. Grian snorts. "Meaningful deaths. That's rich for you to say. I mean, I guess they're meaningful sometimes? I don't know, Martyn's the one who understands dramatic sacrifices, I just like killing things."

"Why do you keep on looking at me when you say those things," Martyn says.

"Look, you wouldn't be here if you weren't helping write," Grian says.

"What?" Martyn says.

We're here to play our cards for the story, the Watcher says. Aren't you also one of the authors?

"Me? What? No, I'm--what are you talking about," Martyn says.

Oh, well. I also hope your meaningful deaths make it in, the Watcher says the Listener.

Thanks, even if I disagree on the bonds, the Listener says.

"They hardly ever talk about real, concrete rules they want," complains Grian. "It's easier to understand the consequence if they bring up actual rules. Like boogeyman or no boogeyman."

"We're all just betting on cards!" Martyn says, throwing his hands up. "You're giving me a headache!"

It's your bet.

"Fine!" Martyn says. "Fine! You know what? Screw all of you. I hope this is the last one. I hope we never have to go back to that stupid death game. I hope it's miserable to watch or to listen to or to play and everyone just gives up. How's that for a bet?"

You're no fun.

Is that what you really want?

"Suit yourself," Grian says. "Honestly, if I still had that to bet, I guess I probably would."

"What do you mean, if you still had that to bet?"

"Well, I mean, that's not how blackjack works, is it? I don't just get back my in when I play it."

The dealer nods, and then silently, with a long bony hand, deals the cards.

Grian is dealt the four of diamonds. The Watcher is dealt the nine of spades. The Listener is dealt the five of clubs. Martyn is dealt a jack of spades. The dealer deals itself a seven of hearts. The dealer deals Grian a six of clubs--

"Hey, isn't that supposed to be face-down?" Martyn asks.

"Not here," Grian explains. "They're all face up so we can't touch the cards. So we don't have to. So we can't cheat."

"Who said anything about cheating?" Martyn says.

"Please," Grian says.

The dealer makes a hand motion. Martyn, grumpily, falls silent. He supposes they're playing by casino rules, then. He hasn't been in a casino since--he wouldn't know. Hard to remember anything that isn't this, isn't it? Isn't killing and dying and things out of his control and things very much in his control and, apparently, bizarre dream sequences designed to make him want to strangle Grian.

Anyway. Grian is dealt a six of clubs, giving him ten. The Watcher is given an eight of spades, giving it seventeen. The Listener is dealt a king of hearts, giving it fifteen. Martyn is given a six of clubs, giving him sixteen. The dealer deals its own second card face-down. Martyn stops to try to speak, and then shuts his mouth. Right. Dealer's advantage.

He stares at the numbers.

Grian sighs. "Well, I've got to double down, don't I? Fine. I want the whole 'red lives can kill' thing to be enforced somehow. I don't care how. There's my double down."

The dealer nods.

"Why would you want that," Martyn says blankly.

If we all win, that will be interesting with the bonds, the Watcher says mildly.

Grian shrugs. "I mean, we've enforced red names not befriending green names, but not the murder thing before. Figure we should switch up the game, right?"

"Why?" Martyn says again.

Well, it wouldn't do for it to be boring.

"No, not that. Just... isn't it easier to handle when the rules are laid out properly?"

Martyn throws his hands up, but stops arguing. The dealer gives Grian a face-down card. The dealer moves to the next party at the table.

The Watcher looks over at the dealer and makes a cutting-off motion. I stand.

The dealer moves on. Hit me, the Listener says, and is dealt the queen of diamonds. The Listener gestures to Martyn. It seems I bust. Pity. I suppose there will be no guarantee of meaning, then. Not what I'd prefer.

The dealer looks at Martyn. Martyn looks at the other hands. Martyn pauses.

"Wait, this is like, casino blackjack, yeah? I'm only playing against you, not the whole table?"

"Why would you be playing against us?" Grian says. "Writing's a collaborative process."

Martyn looks entreatingly at the Listener, but the Listener is a little too caught up in the bad hand it has been dealt. Martyn looks entreatingly at the Watcher, but the Watcher just looks somehow confused.

"I was under the impression that, I don't know, you all were adversarial."

Why? All we want is the same thing as you: the story to be told a certain way.

Martyn's not sure if he's furious or just numb.

"Fine. Got a sixteen, don't I? Hit me."

Two of spades.

He's furious. He wants to win against the dealer. He wants to win against everyone. He wants his idea to make it through. He has an eighteen, though. There are only two numbers in the deck that will not bust him, and he's no fool. Hitting on sixteen is a risk enough; if he wants his stupid bet of everything finally ending to make it through, he's got to hold here.

"I hold," he says through gritted teeth.

The dealer silently deals itself another card. A three of hearts. Distantly, Martyn's ears rush. He could have taken that. He could have taken the hit. He could have won. He could have had blackjack, and he doesn't know what the extra payout for blackjack even means in a game like this one, but he could have had it, and he held back, he didn't take the risk, he didn't--

The dealer flips up its cards. Seven, eight, three. Eighteen.

Martyn's heart pounds. A stand-off.

Grian flips up his own card and groans. It's a five of diamonds. "There goes that bet," he mutters.

The dealer makes a sweeping motion around the table. The Watcher smiles, a terrible, terrible thing. Martyn, all at once, realizes that he can't ask again. He can't say 'this is guaranteed to be the last one' again. He backs out of his chair. To the sides, he sees the stagehands change the lighting. A spotlight, on him and the dealer--

"That isn't fair," he says. "It's a tie. I should get my bet back, right? It's a tie!"

THAT IS WHERE WE DIFFER FROM THE HOUSES IN VEGAS, the dealer says, and Martyn's heart stops.

(The voice is familiar. Familiar, but he cannot place it.)

YOU SEE, IN THIS GAME, THERE IS ALWAYS ONE THING THAT HAS AN ADVANTAGE. ONE THING THE STORY IS ALWAYS PLAYING AGAINST. ONE THING, THAT INEVITABLY, AFTER LONG ENOUGH PLAYING, WILL WIN.

There, the dealer looks Martyn in the eyes, and Martyn, all at once, knows exactly what the dealer must be.

AND THAT IS ME.

Martyn stares Death in the eyes.

Then, in a cold sweat, Martyn wakes up.

He does not sleep again for a long time.