#does he make mistakes? yeah

[kens-ramblings]

so ik it’s not cannon accurate but,,,

i need a fic of tim just crashing out.

like he gets so sick of like damian and jason talking about how weak he is and shit like that that he’s like “yall realize lady shiva was my one of my FIRST teachers, and i was the first robin she trained. i had to train under b AFTER he already lost a robin. you DONT think he was 10x harder on me than any of you guys???? there’s a reason my training videos are mainly redacted without bruce’s or my permission. i got ra’s al ghul BEGGING ME to join his league or have my children. i get gifts from him WEEKLY. do you KNOW how many of his little ninja i fight per DAY??? nahh im sick of this shit let’s take it to the mats” and just demolishing both of them at the same time.

i just think it’d be very funny. i just like fics of people who pretend to be weaker than they are(or they just never really have a reason to go full tilt so they just don’t) get sick of holding back and just losing it :D

[turtleblogatlast]

I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.

[fumifooms]

That. That screentone on Chilchuck’s chest in the low open collar. Is Chilchuck having chest hair canon Kui. Kui? Gripping my knee

[gottaread2]

It means so much to me that Ed Nygma once described himself like a butterfly and later on Oswald saw a butterfly encased in ice and decided that was how he was going to deal with Ed.

[here-comes-the-moose]

Crosshair would def be someone who, despite being lactose intolerant, would order a cheese pizza and then have ice cream for dessert.

[bananaguyboi]

Tried to test my new pen, and it was pain

Anyways, Chung Myung my beloved😔😔

[asmodeusamaryllis]

Cool cover but I edited his face slightly cuz the shading there was bothering me so much.

Lower quality edit that not as clean up under the read more as I started w that before finding a higher quality version online

[turtleblogatlast]

Something I’ve been thinking about lately is that small moment in “Air Turtle” where immediately after the Daves lose yet another game, Leo says how sorry he is and how he’s doing his best as the mascot. This moment is so short but it’s honestly jam-packed with a whole heap of characterization.

His need to apologize for things clearly not his fault - especially when it feels like he messes up the job he was given despite doing the best he can (the phrase “it’s not about you” takes a new meaning when this is one of the lessons to be learned from that - that he is not always solely responsible for things going wrong), his need to save face and make a connection with an older adult man in his life (something he consistently does throughout the series - he’s got a few daddy issues, always collecting potential father figures, it’s no wonder he jumps at the bit to keep rapport), and the way he sounds and looks and the words he chooses really pushes how he is just a kid (“Mr. the Dunk, I’m so sorry”).

Like I know it’s a one off moment that doesn’t truly mean much, but when put against the rest of the series it works really well with the rest of Leo’s established character and helps in solidifying later concepts as well.

[maraskywalkers]

I think about the "all this time everyone thought I was a bad cook"/"you were" a lot because 1) it's hilarious, Christopher's delivery gets me every time & Eddie & Buck's reactions each are great but 2) it's also indicative of the relationship that Chris & Eddie have and how lovely & good it is?? like the fact that Christopher can openly tease him like that & how often they are playful with each other & like even with Buck he can rib him about not having a couch or ofc he knows what a porterhouse is like anyway I just think about the other father son relationships right like Eddie's with Ramon and Buck's with Philip and like it's beautiful that Eddie has made it so Chris can talk to him about his feelings, that it's okay to be sad & angry and helping him learn how to handle those feelings, and he does so in a way that's open & honest & vulnerable because he's still learning too and he's worked really hard at being that for Chris but he's also made it so that they can be silly & playful & teasing because Chris know that he's safe with Eddie and by extension Buck too yeah like it's something I think about a lot as an aunt to young kids you know and just Eddie has made mistakes and he's always gonna be learning & growing right like we all are but he's such a good dad because Christopher can be himself with Eddie like he gets to be a whole actual person and not everyone gets that from their parents or family and you can tell just by their interactions that no matter what Chris is always gonna be loved & safe & respected & cared for with Eddie and Chris knows that and it's just so lovely you know????

[thesillygoosecompany1]

I think the reason win or loose is a pretty decent show is because, for most people, theres at least one character that you can just say “DAMN I get that”

Like, it’s not perfect and it’s got some ups and downs but I honestly felt that Kai episode so much…

[lord-squiggletits]

This might be bc of my personal reading of exRDI/OP bc I'm pretty sure the authorial intent was to just write Optimus as having some fall from grace/borderline tyrannical edge but like

I really kinda wish the story had been written as more of a political intrigue, almost GOT-esque thing (sorry for the cliche) where like, instead of Optimus being written as the narrative's scapegoat to be condemned both by the characters in universe and the meta narrative, he was just written as...morally gray? With more of a focus on "this is a shitty situation where no decision is good" rather than having Optimus just be some sort of white guilt stand-in of how oh, he's a Prime so that means the most important part of his legacy is how Cybertronians are awful and he's no better than the other ones etc.

Like Barber doesn't write Optimus as EVIL or in a way where he's unilaterally condemned as a person who did more harm than good, it's just imo the vibes of the story is more of a dark political/war story where no person is clean and there's no solution to the war that doesn't involve moral compromise. Instead Optimus is forced to make these moral compromises but then everyone else in the story loses their absolute shit and immediately starts calling him a tyrant or a fascist or something.

Like idk, it was partially an issue of the set-up. Because for one, it was really hard to take it seriously when the humans went "omg he's annexing Earth the Autobots were literally the colonizers all along!" (I think the dialogue was written almost exactly like that too sjdjsidn, so bad dialogue was also another issue) yet were perfectly fine working with the Decepticons led by 1. Soundwave who personally helped execute the attempted invasion of Earth and 2. Galvatron who constantly talks about wanting to kill these puny organics. I feel like I would've been able to take humanity's fears of being colonized again more seriously if like, they hadn't literally teamed up with The Colonizer Faction just bc Soundwave promised they were good guys again. So really it's just execution + plot holes + bad dialogue.

And another thing about the annexing of Earth specifically that I wish got talked about more (mostly by the fandom more than in universe) is that like. Basically the reason Optimus did that was because the neo-Decepticons were planning to invade Earth again, but since he's not actually a formal political leader any more he has no power to actually force a war to stop them/request military back up. But also, Starscream didn't give a shit about Earth and neither did the Council of Worlds, so appealing to the government for help defending humanity wouldn't work either. So Optimus annexing Earth was an absolute clusterfuck yes, but in a way it was also kind of a shrewd political move to force Cybertron to dedicate a spot in the government for humans and thus grant humans a say on Cybertronian politics.

What I mean is that in a story/with an author like that of GOT, where the setting is grimmer and every character is morally ambiguous, I feel like Optimus would've had way more room to be an interesting and compelling character. Bc then instead of the story immediately screaming "ALL HAIL OPTIMUS DID YOU KNOW OP ANNEXING EARTH TO THE COUNCIL IS BASICALLY THE SAME AS MEGATRON ATTEMPTING TO GENOCIDE EARTH," Optimus could have been played around with more as a political figure making the shitty decisions in an effort to stop another genocide. Instead of just unilaterally condemning Optimus and immediately comparing him to fucking Megatron of all people, there could've been more focus on the politics of it with maybe some sort of theme of how "being a leader in war is an inherently unethical position where every decision you make will lead to death/conflict/hate."

Like idk I just think it would've been more interesting if the narrative spent less time going "zomg Optimus is totally a tyrant now" and instead went all in on exploring the political conflicts and how far politicians (Optimus now being one, since he's declaring wars and forcefully acting as an ambassador that no one asked for) can go on manipulation and forcing people's hands for the sake of an ultimately good cause. I mean, Windblade was doing shit like covering up for Chromia who killed people in a bombing, making backdoor deals with Starscream, and conspiring with Optimus to bypass Starscream/overthrow him as Cybertron's ruler somehow. The difference of course is that Windblade and exRID were written by two different authors with genre/thematic differences, but as a reader it is really disappointing to see two different political narratives where "a hero turned politician turning to morally gray/unethical methods to outmaneuver a deadly opponent" is treated as clever and heroic for one character, but tyrannical and worthy of ostracization of another character.

Like for God's sake this narrative where Optimus gets lambasted at every turn sometimes by people who work with/are literal tyrants/terrorists themselves is so fucking exhausting. I'd rather read a story that focused more on the idea of, well what Optimus did was unethical but on a political level it was actually advantageous in several ways. Then you could write a story that really dives into a view of like, idk... Does power inherently corrupt or is it just situations like war that allow leaders to seize power and become tyrannical? Are politics an inherently dirty field where the only way to beat your competition (and secure a decent future for the nation) is to become underhanded and manipulative yourself? Is it okay to bypass or work against rightfully elected officials when those officials are turning a blind eye to things like war and invasions and historic racism?

ExRID did somewhat touch on these themes to be fair, but I feel like in Optimus' case they were either poorly executed or just thrown away in favor of having every other character talk shit about him and how he's the worst person ever. Bc like goddammit, I do think Optimus' polarizing and sometimes bad decisions as a character DO make him skirt on the edge of tyranny and shouldn't be downplayed, but on the other hand, I feel like no one (fandom or in-universe) ever tangles with the OTHER side of the story, which is just... Would it have been unethical for Optimus to NOT have done anything? Cybertronians literally put a colony on Earth, injected Earth with alien technology and sleeper agents, used Earth as an incubating ground for dangerous elements like Ore-13, invaded Earth and killed 1 billion people-- after all the shit Cybertron did to Earth, is it not fair (even morally obligated) for Cybertronians to clean up their shit and help Earth defend itself against a crisis that Cybertronians caused? And if Cybertron's government/the individuals within are racist enough that they don't care about Earth, don't see it as their problem, and don't even see human life as meaningful since they don't live that wrong anyways... is it not, in a way, a good thing for Optimus to have overstepped his authority and forced diplomatic relationships between the two planets? So that humans had an actual political channel to go "fuck you, we're in your Council so you'd better ally with us" and so that Cybertron would be forced to go "welp can't write off these humans as Not Our Problem, guess we have to help them." Doesn't forcing Earth to be part of the Council in a way legitimize Optimus' fight to help Earth, since without a formal political office he's just a rogue general fighting an unauthorized war, but with the government involved, defending Earth now becomes a politically sanctioned act?

Like idk. I guess exRID and OP did get into some of this stuff, but as a whole it felt like the story underutilized its political elements and got bogged down in shit like pointless crossovers, and constantly pausing the narrative to have Side Character #2847 talk about how Optimus is a fascist, and having Optimus go on white guilt-esque monologues about how maybe all Cybertronians should die and are unworthy/unable to ever have a peaceful society because their society colonized other planets.

Just so much wasted potential honestly. ExRID/OP as written felt like it was going way too hard into "omg Cybertronians bad and Optimus is actually a tyrant" instead of just writing a complex story and letting readers come to their own conclusions. And also lambasting Optimus for doing things that other characters did (or characters who did even worse things), but letting those characters exist in peace while Optimus has to just be some allegory for colonialism that has to be torn down at every turn because that's Deep and Intellectual.

I just like the kinds of stories about politics that play around with the ethics of it all, like, "this politician is a shitty person but their policies actually prevented some sort of disaster from happening" or "this person did something illegal and defied the law but they did it because no one else was doing anything" or even "everyone hates this person for forcing them into a political deal they didn't want to be involved in, but the fact that they were all forced to become allies actually allowed them to cooperate and save themselves in a way they wouldn't have been able to alone" (which is pretty much literally how the annexing of Earth ended up going).

Like man I don't want to sit here being lectured/having my favorite character be lectured about how much tyranny is bad. I want my favorite character to do shitty things and then go "whoa that was shitty...but also kind of smart...but also caused a lot of problems...but also solved some other problems that could've turned awful if he hadn't forcefully resolved them."

[altarfates]

bluebell : does your muse learn from their past , or are they prone to repeating the same mistakes ? @ grimsley

Yes, he does learn from his past mistakes, however this doesn't prevent him from continuing to fall into the same pits over and over again. If it's something he can implement into his battling or gambling he remembers it and adjusts accordingly but if it's a life lesson that could actually improve his life ?? he's vehemently ignoring that.

[deathofaninteriordecorator]

show tempe gang crossover with the morris islanders would actually have been the best episode of bones ever. btw

[apoptoses]

Something that's been on my mind is seeing the idea that in order for smut to be valid to write it has to have a purpose. It has to say something about the characters, it has to serve as a tool for the plot, it has to have some deep meaning beyond the sex acts involved.

And honestly, that's not true no matter how much some very vocal people might insist that smut without a 'purpose' is just porn and porn is shameful to make and consume.

It's okay to write smut because you think the concept is hot. It's okay to write it just because you want to give your readers jerk off material about their favorite characters. It's absolutely, 100% fine to write smut for smut's sake.

And sure, you want it to be in character, you want to write it so that you can't just file the names off and replace them with anyone. But you can just write something because you think character X should fuck character Y in this very specific way and have that be the end of it.

Call it smut, call it porn, call it whatever. Write the stuff you want to write. You don't have to do literary gymnastics in order to make it 'valid' for anyone, and you especially don't have to make excuses to yourself to justify writing it in the first place.

[toastytrusty]

fundamental amrev experience is being assigned the legend of sleepy hollow as required reading in your highschool english class and freaking out A. because it's by washington irving, who was discussed extensively in that one nancy isenberg essay about aaron burr's sexuality, and B. because it Won't Stop Talking About John André, who, of course, is john andré

[sonknuxadow]

its so confusing to me that people are upset with lanolin over whats going on in idw right now... yes whisper and silver are right but they didnt provide any evidence at all and mimic hasnt done anything suspicious in front of lanolin and is playing the part of innocent new recruit pretty well. so naturally to her it would look like her teammates are just attacking this weaker less experienced guy for no reason. if you were in her place or were just a bystander in all that you would probably be falling for mimic's tricks too.. and not liking this plot is fine but at least blame it on the writing and not the characters