drives me crazy when fellow comm majors make ugly presentations, like what do you mean you're a communications major and you can't create a comprehensible visual?!!
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I love your art soooo much-it gives me life!! 🥰🥰🥰
I have a question about Milek and Jaskier! Milek says they fought before Jask went missing-what did they fight about? Did Milek say something he shouldn’t have? 👀😢 is there ANGST?
Also does Geralt know Mileks plush friend is called Roach? Because surely that’s a clue that Milek is his…(I love this universe so much)!!🥹❤️❤️❤️
[MASTERPOST] That was the last conversation they had before Milek stormed out - and when he came back, Jaskier was. gone.
The thing is, Jaskier knows what Milek is interested in (and he is not even wrong about that, Milek has an interest in medicine, and helping people, and I think when they met he was Shanis biggest fan) and I think Jaskier is aware that some of the conflict does have its roots in Milek not wanting to leave him, even if they get really heated and ugly in their arguments. Milek shouldn't feel like he has to care for him, or have to protect him and at times I think Jaskier feels quite ashamed, which leads him to being way too unrelenting at times - especially if he thinks he's doing something to protect Milek.
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I think people sleep on this moment in the Odyssey...
If I'm wrong, not getting full context, or see something that isn't there, feel free to give evidence to explain why.
Here he crept under a pair of bushes, one an olive, the other a wild olive, which grew from the same stem with their branches so closely intertwined that when the winds blew moist not a breath could get inside, nor could the rain soak right through to the earth.
(Book 5, Rieu)
I think this is about Penelope and him.
Obviously, their marriage bed is made from an Olive tree. If it's just about Athena then why are there two mentioned? Why did Homer mention two when he could've just said he took refuge under one? Or a completely different type of tree? Why mention them being intertwined?
One an olive: Penelope, who has been with society and "safe" in Ithaca ("Safe" because of the suitors)
One wild: Odysseus, who has dealt with literal monsters and immortals and has just escaped from Calypso. Literally naked and filthy, a "wild man".
"which grew from the same stem with their branches": Them both being together at first, before being separated.
"so closely intertwined that when the winds blew moist not a breath could get inside, nor could the rain soak right through to the earth.": Despite being separated, they are still "intertwined". Whether you want to think of it as them being likeminded or simply connected, even though they are apart, nothing could get in between them. 🥺
I don't know what else Homer could be referring to other than them.
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Les Miserables- Victor Hugo// The Mirror, March 2023//The Guardian, October 2022//Les Miserables- Victor Hugo
I'm a few days late but I have some Thoughts about 2.2.3
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Okay yeah I wasn't ever gonna be contained with just one post so, Callowmoore stuff that's on rotisserie in my brain from ep.94
Long and deep looks at each other and a hug right off the bat!
When asked by Laudna if they were okay in ep. 91, Ashton deflected with 'say that again?' and 'are any of us?', but when Fearne asks they give a genuine answer and then also ask her how she's feeling, because she's been quiet and they care
Ashton, despite hurting when they're touched and exhausted so the chronic pain is as intense as the first time, still wanting to cuddle with Fearne - and feeling at ease when they do
And like, the way they were trying to articulate it implies that they've wanted to ask for quite some time, but the timing has been off or situations have gotten in the way, and they don't want to wait any longer
But also they don't ask if they can cuddle they ask if Fearne wants to; they want to, but they ask Fearne if she doesn't want to sleep alone, because her comfort is as important or more important than their own
Fearne given her past experiences with people of course thinks they mean the other kind of company, which she notes she does want (so that's not off the table) but asks if they could just cuddle - to which Ashton doesn't entirely deny either, but notes that they're tired and in a lot of pain right now so they too was asking for the same
Also the fact that Fearne, who has been in a threesome inside a corrupted haunted wood, will later flirt with a dark echo of herself, and spooned with a ghost pirate captain, got so flustered about asking Ashton that she just wants to cuddle
Despite the awkwardness they still just laugh and joke together through it, they're awkward but it's in a sweet way
All of Ashton's immediate action the second they realised Fearne was missing - similar to how they wanted to find her after the shard incident but this time in a position where they could take action - no nonsense, no pissing contest with Chetney about her scent being on their bed, "Find. Them. Now."
And then still being soft after seeing Fearne again, because all that matters right now is that she's still here. And another post I saw said it better but, Ashton never seeks to change or 'correct' parts of who Fearne is; she can still follow cute animals just next time bring a buddy along (which given how they were in bed together would imply meaning them), they love her for her, fae and all, they just want her to be safe
Not entirely ep. 94 but given how on 91 Ashton pointed out that they needed to sleep and 'figure out who they wanted to be', and then here ask Fearne to be there beside them so they could have someone to wake up to, it to me at least says a lot about what Ashton has already decided; and how despite both of them having dealt with grief and anger and helplessness by bottling it up, hiding away, and shouldering it alone, this time they both wanted to just feel at ease with each other
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Demon!Edwin Au
Me and a pal have been throwing this idea around for a little bit and I'm obsessed so here's a Demon!Edwin AU:
Edwin still crawls out of hell around the same time Charles is dying, but really wasn't expecting to find a very much still living human
So, as to not scare him to bad (the guy's dying, and Edwin certainly isn't a cruel demon), Edwin takes human form
He's... seen those enough to get it right...right?
So Charles, in his dying moments, meets Edwin. It's just that his limbs are a little too long, his joints twist just a bit too far, eyes just a little too lifeless
Oh, and he looks like he's from the early 1900s. So Edwin lies and says his a ghost- which Charles believes, until he's a ghost himself.
In which Charles figures that Edwin definitely isn't a human, but it's not like he's doing any harm, is he?
At first, Edwin doesn't particularly care for this human- he's just another one off to his afterlife, and Edwin is far more concerned with getting used to this new body.
But this human is...kind of charming, actually. and when he decides to stay with Edwin? Well, Edwin has 30 years to fully figure out his human/ghost persona.
Onto more general stuff:
Edwin doesn't particularly care about mortal life- human beings are like little ants to him, they live, they die and go to their afterlife.
But to Charles? Other people, especially helping them, is important to him- and Charles is important to Edwin.
So Edwin tries. They form the Dead Boy Detectives, and the plot of the show moves on!
That 'We didn't matter. Him and I' scene is mainly about Charles, but he slots himself in there to not only because it somewhat reflects how demons treat each other in hell, but because Edwin is extremely distraught about how anyone could treat Charles the way most people in Charles' life did.
Overall, Edwin is very bad at being a demon, but only a little bad about being a human ghost.
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something about putting lipstick on a pig, you can't edit your response like a matpat video and expect everyone to blindly believe everything you're saying despite all the documents and threads that have emerged debunking you over the past year.
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