#don't self isolate

[thecouncilofidiots]

Reminding myself "hey! you don't actually want to leave that server/delete that account/ect! you're just depressed and wanting to self-isolate! don't leave, you'll regret it when the depressive episode ends/passes! plus, that'll make your headmates sad, they like those servers/apps too!" -Ace

[mizuno-marmalade]

cure parfait!! sorry for. not posting for a week and a half hfbfhfbfh

[soath]

It is genuinely not surprising that Ashton has such a strong The Gods Are Going To Kill Us take on the situation, given what they specifically have seen and what they have to relate to. They're about two weeks out from 1.) getting done violence onto them by an angel and then 2.) being told they have a bit of a dead thing that the gods tried to kill inside them. Then they go and put a lot of effort into getting that dead scrap to wake up (with disastrous consequences illustrating how incredibly volatile its power is). Then they have their only religious friend blow up in front of them. Then they watch a movie trilogy where the only non-god main character is another earth genasi broken-walking-timebomb whose main purpose on the mission is to explode when the gods need him to. They don't see the Lawbearer weep for her son, they only see the Emissary, a child, crying because he's afraid to die. Then they go to Vasselheim, the city of the gods, and see the corpse of a Titan, the dead thing the gods killed, yanked out of the earth and puppeted by one wannabe god and now desecrated in death by the overconfident followers of all the others. They're making something beautiful out of it, they're living on it, and normally he'd be in favor of that but they don't even know its name. They're building new temples on the corpse of the old world, hollowing it out and starting fresh, and Ashton is a part of that old world. They cannot stop being connected to a power the gods seem to, at best, be willing to weaponize. That would make anyone paranoid; given their background it's impressive that he's not more combative, tbh.

[sunnykeysmash]

Man of words

[joons]

In emphasizing that Ken needs to look past romantic love and search for satisfaction within, Barbie is of course also staking a claim about her own identity and value. In doing so, she’s joining with a broad trend in kid-friendly entertainment: we no longer make movies where a heroine’s destiny is to fall in love. If you look at Disney movies in particular, the classic storyline of the protagonist getting her man in the end has been pretty definitively retired. The last movie of theirs that could be said to hold romantic love as the fundamental goal of the protagonist is Tangled, and even that’s debatable. Frozen and its sequel very directly reject that story structure, while films like Moana and Raya and the Last Dragon are indifferent to it. And, you know, that’s all fine; there’s lots of different good stories out there. But I do think that the out-and-out abandonment of the notion that love is the noblest pursuit of human life says a lot about our cult of self-worship. Because once you’ve dropped the romantic ideal, that’s all our culture really has to offer. ... The individual problem is that telling people they are enough is a cruel thing to do, because they aren’t enough. None of us is enough. I don’t know you, personally, but I can still say with great confidence that you are not enough. If you go through life uncritically accepting the Instagram ideology that you can #manifest everything you deserve because you practice #self-care and are #valid, on a long enough time frame you’re going to end up alone and miserable and profoundly aware that the idea of total emotional self-sufficiency is a transparent lie. Human beings need other human beings. All of us. You might be inclined to lament that fact, and you’re entitled to if you want. But you don’t get to choose to be self-sufficient, any more than you can choose to not require oxygen or water. We’re all interconnected in these vast webs of social influence and causality, whether we want to be or not, and very very few of us can last for long without relying on other people. The connections that save us don’t have to be romantic, but they do have to be connections.

No One Is Kenough, Freddie deBoer

[celestialrealms]

I just noticed Mephisto matches with Barbatos (who is matchy with Diavolo) in the anniversary outfits in his SSR memory card

These three were also the only three who had half masks in the masquerade event!!!

Anyway, The Royals with Mephisto chat group when? We got one for Purgatory Hall with Raphael..... it's just fair !!

And one for Mephisto and Diavolo as well, but also one for Mephisto and Barbatos too. because you can't tell me their relationship isn't deeper than the devs portray when Mephisto has lines like this about Barbatos's room:

[welcometogrouchland]

I just think Hunter was obsessed with Willow and didn't even know it during the period from any sport in a storm to labyrinth runners. They maybe don't talk as often as they could, they're both busy and have conflicting schedules, so when they do talk, Hunter absorbs everything she says.

After roughly 3 weeks of texting (hexting? I feel like the kids would call it hexting), He knows that her favorite colour is orange, she likes her tea with extra milk and a bit of honey during winter, she likes working out to the noisiest angriest music in her playlist, her dad Gilbert is a construction witch who specialises in pottery, she used to listen to breakup songs and think about her childhood best friend (Hunter doesn't know it's Amity) and she actually has a mild pollen allergy despite being a plant witch and has to take potions for it.

He casually drops all this info piece by piece during their stay in the human realm and willows like. Well I can't not marry him. It'll have to be a winter or fall wedding to account for her allergies </3

[hood-ex]

I once read a book where a character who had just one of everything - one fork, one plate, etc. - because he considered more than that just pointless stuff he'd eventually have to move told another that she made him want to have two plates, and that might be the most Dick and Donna vibes I've ever gotten out of anything not actually about Dick and Donna.

Well now I'm thinking about Dick buying two mugs and keeping one for himself and giving the other to Donna as a gift, but Dick's mug eventually burns along with the rest of Dick's apartment during the Blockbuster fiasco, so then after Donna dies and there's a funeral reception at her apartment, Dick finds the twin mug in Donna's kitchen, and he takes it up to the roof with him and cries.

Teen Titans/Outsiders Secret Files

[gayvampyr]

forgot for a second that oscillopsia is in my brain and not external and i almost tried to record what it looks like to me to show people what i mean

[aerithisms]

rotating the pub scene from 73 yards in my mind i think there is so much being said there about wales and welsh/english tension that is so interesting and is going so under discussed

[arrayoflightarchives]

System: *puts 2 separate reminders a day on sp notifs to make sure that we talk to people and don't self isolate*

Me: *ignoring both of them*

[coquelicoq]

[Image description: 10 stills from the anime "Natsume's Book of Friends" featuring the character Natori Shuuichi with tumblr text posts edited in.

Image 1: Natori is waving and smiling in front of a background of sparkles and roses. The text post is by tumblr user YandereChild-Archive and reads "me, introducing myself: it is i, your local asshole"

Image 2: Natori, Hiiragi, Natsume, and Nyanko-sensei are standing in the wreckage of Natori's spare room after an exorcism. Text post by RoseCrystal reads "should i get my life together or should i just keep being sexy and chaotic"

Image 3: Close-up of Natori's smirking face in profile. Text post by ShirleyTemplar-Blog reads "I may seem like an asshole / but deep down I'm a good person / and even deeper down I'm a bigger asshole"

Image 4: At an udon restaurant, Natori is asking the server if she's seen or heard of anything weird in the area lately. He's posed casually with his chin resting in his hand and has sparkles around him. Text post by ManyWinged reads "*walks into an antique store* i'd like to see your most evil items, please"

Image 5: After a sleepless night, Natori is smiling and posing with sparkles surrounding him. Natsume, sensei, and Hiiragi look on, unimpressed. Text post by jumex reads "Making myself hotter. To cope"

Image 6: Natori is smiling at Natsume, his hand on Natsume's shoulder. Text post by avantegarda reads "I may be an absolute disaster of an adult but when someone younger than me asks for advice I turn into a Wise Professor"

Image 7: Teenage Natori is sitting in his family's storeroom at night, reading. Text post by FuckOffStraightPeople-Blog reads "occupation: the family disappointment"

Image 8: Teenage Natori glares at an offscreen Matoba. Text post reads "when people explain things to me i see red. if i wanted to understand iw ould have understood. leave me alone ."

Image 9: Wearing a bucket hat in an attempt to go incognito, Natori leans against a huge advertisement for his album "Unloved", half of which is a photo of his face. Text post by BPDSuperBoy reads "the lengths i would go to to both get attention and avoid it...astounding"

Image 10: On a poster for one of his movies, a sultry Natori smirks at the viewer, his hand poised to comb through his hair. The lizard youkai is visible on his cheek. Text post by semiotextiana reads "im so sexy and fun and fucking doomed"

/end ID]

BONUS: live teen reaction!

[ID: Watched by a crowd of people, an embarrassed Natsume pushes Natori in front of him. Natori looks serene and is surrounded by a purple cloud of sparkles. Text post by LauraMercierBodyScrub reads "cause of death: second hand embarrassment" /end ID]

sorry for being obsessed with this three-alter-egos-in-a-trenchcoat 20-something big bother figure disaster-ass man. as if it's my fault 🙄

natsuyuu characters as text posts 1/?

[aq2003]

pairing ten's "will just kind of let himself be used as a vessel for romance if someone makes the first move" trait with his "spent a whole season not catching that his codependence insanity bestie was in love with him" trait means that if martha had made like astrid or christina and confessed/kissed him outright i think they would have entered a 10x more nightmarish toxic relationship where ten would attempt to get on the comphet grind to ignore his ptsd and depression harder and martha would have to speedrun all the highlights of a loveless marriage with a 20th century war veteran that never learned what being aroace is. i think she would have to leave and never talk to him again

[spotaus]

Thinking about Orchid and her connection to my take on Gender (because this was meant to be about her and the Crew but it just devolved into a character analysis kinda??? More trauma-dumping maybe???) This is very much an oc/personal rant so feel free to ignore it 🫡

So, Orchid started off as a character I didn't really think much of (hear me out this is going to be relevant) because I wanted to add a 'girl' character but didn't know what to *do* with her, y'know? She was always going to be the strongest one there, she had the odds stacked in her favor with her parents. She was always going to be the gloomy side-character to match Reset's energy. But I think she's gone through every stage of Generic Woman I could possibly find.

At first she was angry and abrasive (think Fell!Sans) where every other word was a curse and she was likely to throw the first punch then laugh as she kicks her enemy while they're down. This was when Reset was a cartoonishly self-centered villain whose goal was simply to prove others wrong. Then Orchid became a sort of sisterly figure. This was short-lived, but she was the one comforting people who Reset would torment, but would ultimately follow his orders, because at this point he was actually a danger and sadistic. And then there was the phase where the story mellowed out and she became the token Goth Girl who, yes she was strong, but was heavy on the 'whatever' energy. Then there was her Era of deep self-loathing and anxiety about her worth that held her back and made her a much more timid and meek character who would only lash out on occasion.

Now, Orchid is the best of those iterations I've written yet. She's calm, level-headed, and a natural leader. Her father raised those traits into her. But she's very reactive, and can be silly, and when she's comfortable it's likely that air of importance transforms into something more comfortable and familiar. She laughs loudly and grins wide, she likes loud video-games but loves to read in the quiet. She's extremely disciplined, and normally no one can get through her tough exterior besides her best friend, Reset. She does what she does for her own enjoyment, sure, but she's thought of every angle and makes her choice to help Reset and control the others with her whole chest. She still worries she won't live up to her invisible expectations, and that and her loyalty are her two driving forces.

I know that Orchid is important to me because she's the longest-running female oc I've had. I have a rough relationship with womanhood/girlhood and I know looking back that Orchid recieved every ounce of my distaste for being a woman that I could shovel into her. That never made her less of a character, she was actually always one of my favorites, and rarely was she a 'punching bag oc'. I just... projected onto her a lot. And she's a good sign of how I've learned who I am. I've decided that my own femininity is something I could live without. I'd rather not associate myself with it, and I'd like to leave it in my past, focusing on a future where I'm not tied down with any gender roles or expectations. That won't happen, but I've come to terms with it myself. Orchid though? I figured out through her that I don't have to hate women characters. My own distaste for my circumstances doesn't mean I have to push it onto my characters (on God I've never expressed anything rude to actual people, that'd be rude as hell and uncalled for, but I have a bad habit of disliking fictional women in media). So, Orchid is a well-roubded character finally. She has motivations abd goals and a *lot* more depth than I ever expected her to. She's happy with being a woman, she's content. She's not treated differently for it in unfair ways by those she cares about, so she doesn't mind it. She likes to wear pretty outfits and lets Reset add bows to her ribbons. She doesn't let being a woman hold her back in the slightest.

So, yeah. Orchid is one of my babies. If I ever leave this Fandom behind for good, she's one that's coming with (Ichor, Orchid, and Pretender all have human designs I can use elsewhere lol-) but in the meantime I'll just rotate her around in my brain for a while longer.

If I'm right, she's been with me for nearly 5-6 years and I went through a *lot* with her as an outlet. So, she's kinda just like an old stuffed animal. A lil ripped, matted fur, maybe a stain or two, but there's a story there and that makes it important beyond belief.

[romnianistan]

i don't consider the bapo new york workshop to be canon (considering most of the changes never made it to any official production/cast recording) however i think they provide some very interesting insight into the characters. for example during the dialogue part between confession and portrait of a girl you've got the girls and nadia talking shit about ivy ("the girl is like the anti-Mary, so many men have touched her it's a miracle she hasn't conceived") then the stage directions go "Ivy overhears and walks off. Jason stops her" and that's when Jason tells her "hey, chantelle says your drawing looks great". and i think this says a lot about jason's character. he is smart and notices a lot of things. he is aware of how fast rumours can travel and how they can ruin someone's reputation. but he is also kind and feels for ivy because he knows exactly how awful it'd be if rumours were going around about him too. i think he sees himself in her. and i also think it's very sweet (in a sad way) that their relationship started with him simply trying to comfort her and letting her know she's not alone despite the bullying she's facing. they could have had such a sweet friendship if things hadn't escalated the way they did

[zhouxiangs]

i love how gently pete pushes way out of his pattern of self isolating every time he is sad/gets hurt.

way doesn't believe in himself and, left alone, he would retreat like he always does and he would drown the part of him that wants to do "everything right". but pete has been next to him steadily, telling him he doesn't have to loose himself for anyone; that he still has a chance to choose; that he has that right.

pete is not trying to change his mind, only to give him the confidence to do what he isn't brave enough to do by himself. he isn't blindly believing or hoping for something that isn't already here; pete has read his mind, so he knew he was conflicted from the beginning and he knows way is ready now. he knows that all he needs is support. pete cannot save way, but he can help him save himself.

so pete pushes, and he makes way face the fact that, on some level, he has also started to believe in his words or he wouldn't have gone to see him. pete helps him accept the truth.

and because pete believes in him, way believes in himself.